#beyond a Netflix series being made about her . two years ago

[fideidefenswhore]

I think the more pertinent question here is… why do you care so much ?

[tleeaves]

The Fictional Crush Line-Up For 2023 and Beyond

Was going to do this sooner (as in a review on the year based on the new or resurfaced interests I picked up, with aforementioned fictional crushes along the way), but I wanted to collect art for them all too and then I also had to try and remember them all. But here we are. If I'm missing any, I'll either have to edit and or reblog to include them.

See if you can spot any common threads (it may get trickier as the list goes on, just be warned). This goes almost in chronological order. But order does not in any way reflect my level of brainrot and obsession with each.

SPOILERS AHEAD FOR THE FRAGILE THREADS OF POWER, BALDUR'S GATE III, AND ARCANE: LEAGUE OF LEGENDS (SPECIFICALLY REGARDING VIKTOR).

Consider yourself warned.

Victor Vale (Vicious by V.E. Schwab)

Victor and his revenge story are kind of responsible for kick-starting my journey of self-rediscovery these past twelve months, in a strange and roundabout way. He made me want to stick up for myself and what I wanted out of life. Sure, he's extremely morally grey in a concerning way, and yeah, we don't normally encourage revenge, but I found him a comfort at a difficult time. But also, I could totally fix him (no one can and it's no one's responsibility, yet the sentiment is still there). I'm not usually one for blonds (I am a liar) but his cold aesthetic is oddly pleasing. There's nothing I understand more than an awe that rots into resentment and envy while maintaining the same thread of fascination with someone. "Victor Vale was not a fucking sidekick" is just a, mwah, chef's kiss line. Honestly, I have less of a crush on this guy, more of an understanding that I appreciate. Also, I haven't even mentioned the chronic pain implications and canon uses of his powers. But that might be for another time.

Viktor (Arcane: League of Legends)

Another Viktor with chronic illness themes and whose (in LoL lore) regard for a partner in science goes sour over time as they pursue different objectives (not seen in the Netflix series yet, of course, it's too early for glorious evolution). This guy always comes back to rot in my brain, and I cannot wait for season 2 later this year to see what comes of his arc. I'm planning a fanfic involving him, Jayce, and maybe/sort of Jinx, based on a dream I had months ago but still have swirling in the soup that is my consciousness. There is something so pretty about this guy. If I was more confident in my sketching abilities, he'd end up being my muse way too often. Viktor's character to me is kind of a tragedy personified, and I love a good tragedy. Oh, and his voice actor?? Amazing. There's some debate over how authentic he sounds to Eastern Europeans, but the accent aside still, he sounds sooo good. I want to sit in on a lecture where he speaks about literally anything for two hours.

Kell Maresh (A Darker Shade of Magic; The Fragile Threads of Power by V.E. Schwab)

Usually, I don't talk about Kell because of how silly I feel like my crush on him is. I identify with Delilah "Lila" Bard throughout ADSOM and even Threads, so I hate further mentioning how much I actually think about Kell because I'd have to fist fight anyone who said I only relate to her because of Kell when that's not the truth. And yet, there's still enough differences between Lila and I for me to be like "if I had to pick a woman in the Schwabverse..." But also, MAYBE I JUST THINK KELL IS GORGEOUS, OKAY? 🫣 Maybe I like that he starts as a somewhat naive prince who's had things both easy and rough in life (wanting to be loved by the only family you know and not feel like you're only there to protect your adoptive brother whom your parents tried to tell you both was not actually your brother and you should stop treating each other as such is VALID, argue with the wall, also he's the bodyguard and eternal worrier (yes, worrying) for Rhy and he's taken lives way too young). Maybe I like that he fell first and fell hard for Lila (okay, but if we're getting into the nitty-gritty, she did flirt with him first multiple times, but she would never admit to actual feelings), that he's the male love interest without reservations for once, leaving it up to Lila and whether she's open to love for once in a story. And yeah, okay, maybe I like that he's actually some kind of a prince charming, the sort you always secretly dream about, you know? Shut up. I like his stupid magic coat too. He's clever, but occasionally actually unbelievably dumb, he's funny and witty yet he knows when to keep his mouth shut (and is usually the one hauling others out of a scrap because of their own smart mouths), he cares too much about his family, AND DID I MENTION HE ALSO HAS CHRONIC ILLNESS THEMES THAT BROKE MY DAMN CHRONICALLY ILL AND IN PAIN HEART? I've said too much already, but there. He's a guy.

Miguel O'Hara (Spider-Man: Across The SpiderVerse)

This is the one my sister teases me most about because she doesn't get it. To be honest with you all, even I don't know how to explain it. But this guy. Miguel. There is something about him that I just abdkjdjsdv, you know? Is it the tragedy? The moral greyness? The fangs? His insane height? Just his fanon self? The fucking muscles?? I don't know. But I will defend how interesting he is as an antagonist until the cows come home.

Elliott (Stardew Valley)

Oh... boy. Sometimes, I realise I have a type. It's pretty guys who are hopeless romantics that write novels and poetry. Maybe it's just this one guy. But wow, it works on me. I'm writing a fanfic about him because I need to. There's only 400-odd words to it so far. It was not long after I met him in the game that I decided I had to wife him up. I planted that pomegranate tree early, because it's his favourite fruit for those who don't know, and he loves receiving them as a gift. I got ducks so I could give him their stray feathers. I learned how and when to find lobsters and catch crabs because he loves those too. If I'm out of gifts, I go get a coffee for him because every writer needs their sustenance. Literally, by Spring of Year 2, we were married, and I wondered if perhaps I might have been a little too single-mindedly pursuing every one of those cut scenes when I should have been taking it a bit slower and making it less of a mission. Don't know what to tell you, I went crazy. I fully believe in the headcanon that he gets up early just to go through his haircare routine. Is he pretentious? Maybe. Does he lay it on a little too thick that he's scared of dying alone? Well, okay, yes. Does it bother me that as a househusband he doesn't help out more on the farm? Occasionally. But there's also no one else I'd rather be with (and I developed a sprinkler system specifically so there was less work for me anyway and so now I don't mind at all when he isn't helping). And I can't believe my sister ever introduced me to Stardew Valley because I am now mentally ill about a videogame character made of pixels. Yes, I make wine just for him too. Hush. I spoil him daily now that we're married. Our first child is a son named Ernest. I was debating between Ernest and Edgar, and honestly, I think I should have gone with the latter, but I chose the former. All the dialogue from Elliott is so frickin' cute.

Astarion Ancunín (Baldur's Gate III)

And do you know what the worst part about this one is? I still haven't actually played Baldur's Gate III. I know, I KNOW. A crime. I'm working on it. But you best believe I've watched every cutscene I can, every scrap of gameplay dialogue, all the choices, the different endings you can get with him (Ascended breaks my heart every time -- I don't care how hot he is, it's not what he would have wanted, he doesn't love you like he used to anymore, and he's not as happy as he could be), and I've listened to all the interviews with Neil Newbon and the writer for Astarion about him. This fruity traumatised vampire haunts me. I want to hold him gently and caress his face and tell him he's beautiful and what he looks like to me since he hasn't seen his reflection in centuries and I want to make sure he knows he's loved. I want him to bite me and drink my blood too, but that's not as important. Does it weird me out how much he reminds me of Prince Charming from the Shrek franchise and Preminger from Barbie: The Princess and the Pauper and then aesthetically Asra from The Arcana: A Mystic Romance? Yes. But Astarion's also his own character and I'm in love with his smile and goofy lines.

Settrigh "Sett" (Heartsteel; League of Legends)

This... might be the lowest point, actually 💀 My sister would agree. Because it's not enough to crush on book characters, show characters, and videogame characters -- while technically this guy is a videogame character and was part of League of Legends waaay before the music video, it was the PARANOIA music video that got me. So, even fictional characters made/involved in music videos are not safe from my heart. Because, as I understand it, OG Sett is a bit different from Heartsteel Sett, and I've found I usually prefer reading about the interpretation of the latter in fanfic more than the former. I mean, I still really, really enjoy fanfics where he's The Big Boss of the pits, and or his other background/lore is included, but I've read some where his old personality is a bit Yikes. The golden retriever energy is my favourite era of his if we can call it that (I still headcanon him as a part fox Vastayan, you can't convince me otherwise so go argue with someone else about it, not me). And honestly, I think I might have read more fics involving Sett in 2023 than I did any of the other characters on this list. Which is saying something since he's not as popular as a few of them. He's a pretty guy and I wish to bite him. Lovingly.

Mizu (Blue Eye Samurai)

Oh woman. Mizu is... is... she's basically my wife. I know she's all our wife, but like just let me dream a little here. As soon as I finished the series, I was opening up Tumblr, Pinterest, and AO3, my holy trinity of fandom. My platonic wife was sending me TikToks of our shared fictional wife. Mizu can wind up non-binary, male, female, I honestly do not mind because I am in love with any version she is/becomes (for now, I interpret her as a woman in disguise, but if that changes, I'll absolutely change how I refer to Mizu). She is a tragedy wrapped up in revenge because of a rotten love and unfortunate parentage and time period. I want her as much as I want to be her. Also? I go insane over her little smiles and smirks. I LOVE when we got to hear her laugh, even if it was mostly the flashbacks (do not mention Mikio near me; if he wasn't already dead, I would kill him). Also, who doesn't hate their British/white half, ahaha, oh my god, I know mixed ethnicity is a hot topic for people who do not want POC whitewashed in media, and I fully understand that, but I do appreciate seeing parts of myself in mixed characters like the conflict between trying to be more like one side than another. I'll also admit it: she does indeed look hot covered in blood and carrying a sword. I'll see myself out the door. I've been wanting to write a fanfic about her but I'm still stewing over ideas. Mizu is also probably my first truly major crush on a fictional woman (other than my childhood crush on Helga Sinclair from Atlantis: The Lost Empire). Vi from Arcane comes pretty close, but I see too much of myself in her that it gets weird.

We'll do some honourable mentions for characters from The Elder Scrolls V: Skyrim since I've gotten into that again.

Brynjolf, Hadvar, and Nazir, I wish I could mod my gameplay so I could marry you. The developers hated their men-loving gamers (I know the women-lovers complain about Serana, but she will never be as heartbreaking as Brynjolf, I don't care if she recognises proposals only to decline them). I mean, Brynjolf is the Tamriel equivalent of Scottish, he calls you "lass/lad", has got a smoothass voice, supports you through so much of the Thieves Guild questline, has a wicked sense of humour, and then when you finish the questline, it's all "sorry, lass. Got important things to do. We'll speak another time" 😭 You can't even recruit him as a follower. He says nothing when you wear an amulet of Mara. I play on a fucking PS4, I can't do mods to marry him or get more dialogue.

(By the way, on my most recent playthrough, Lydia died when I fought the troll on the seven thousand steps, and I am still mad about it. It used to be difficult for Lydia to die, that was why I brought her everywhere, and now I have to become Batman "I work alone". ESPECIALLY after Benor then died on the way up to Paarthurnax. I still can't believe that happened, I should have told him to stay behind and wait for my return.)

Also, every time I play, Derkeethus is so bugged, I can't even rescue him let alone marry the guy, which was disappointing because he seemed nice.

Argis the Bulwark, Vilkas, Farkas, Rayya, Aela the Huntress, and Marcurio, you are all marriageable and live in my heart always. Marcurio was the first I ever married, I think. Three guesses why I chose him (it's the sarcasm, wisecracks, and general sense of humour) (maybe the long hair too). Has anyone noticed how there doesn't seem to be marriageable options among the Khajiit characters?? Why do you think that is? I just checked the Skyrim marriage wiki and this is what it has to say in the trivia: 'There are no Khajiit spouses, however; since the majority of Khajiit in Skyrim are traders or travelers from Elsweyr, they probably have families back home. Additionally, Khajiit characters talk about home a lot, stating how much they miss it and how cold Skyrim is; thus, they probably do not want to marry and settle down in Skyrim.'

Heart-breaking. Oh well.

And that's the end of the line-up. If you read through this, Divines bless your goddamn soul. Psycho-analyse me based on them, I dare you. Or just judge me. I'd like to see either. And if you can find something in common about them all (you don't need to consider the honourable Skyrim mentions), please let me know, because I am personally at a loss.

[junghelioseok]

heart-on.

↳ your one-night stand definitely isn’t relationship material, but maybe—just maybe—your manager’s son is.

◇ hoseok x reader ◇ smut | strangers to lovers!au ◇ 10.1k [1/1]

❛❛ my boss is always telling me how perfect her son would be for me and she promises he’s coming to the next holiday party and don’t worry he’s heard all about me too and ALSO there’s this dude i slept with once a couple of months ago and sometimes he still sends me dick pics when i ask him to at 3 in the morning cause seriously dude’s got a good dick ❜❜

notes: welcome to the first installment of the serendipity series! we’re starting with hoseok, because, well, have you met me? 🤣 be warned, however, that this isn’t anywhere near as edited as i’d like so i’ll probably give it another read/edit tomorrow but for now!!! here it is!!!

⇢ series masterlist. | inspired by this post.

warnings: dirty talk bc hoseok’s got a bit of a mouth on him, unprotected sex (wrap it before you tap it, kids!), sexting. dick pics, obvi. brief mention of a dead pet goldfish :(

You’re refilling your mug when you hear it. Voices filter out from the kitchen, floating past the coffee station where you’re pouring yourself another drink and hanging in the open air of the hallway that leads back to the rest of the office. They’re familiar voices, too—voices that belong to the resident gossips of your workplace. Lottie’s pitchy, nasal tone melds with Hyejin’s higher one, their conversation interrupted every so often by an exaggerated exclamation or gasp from Sandra, the third and final member of their trio.

“Haven’t you heard? Carolyn’s divorce was finalized over the weekend, the poor thing.”

“I can’t even begin to imagine how she’s feeling. I mean, getting back into dating at her age? Goodness!”

“And now she’ll be all alone at the holiday party, too. How sad is that?”

“It’s tragic. Poor thing.”

Rolling your eyes, you grab a packet of sugar and tear it open, upending it over your mug and watching the crystalline granules fall into the dark liquid within. You know for a fact that Sandra and her husband can’t even stand to be in the same room for an extended period of time, considering how they’d spent most of last year’s holiday party talking to entirely different groups of people. You’d sat two tables away from them during dinner, and they hadn’t even made eye contact once. And as for Lottie and Hyejin, well, you’re certain that their relationships aren’t much better. All three of them are miserable people as far as you’re concerned, and you make a mental note to check in on Carolyn—a sweet woman in her thirties who always keeps chocolate bars in her purse—on your way back to your desk.

“Sheesh. Vultures, the lot of them. Don’t you think?”

You whirl at the sound of your manager’s voice. Kyunghee Jung is a dark-haired woman in her late fifties, and she laughs when she sees your startled expression, her eyes crinkling at the corners. “Easy! You’ll spill your coffee if you’re not careful.”

“I’ll probably have a heart attack first,” you reply, pressing a hand to your chest. “What was your job before this? Some kind of intelligence operative? Are you a super spy?”

Kyunghee laughs again and joins you at the counter. “Nothing even remotely as exciting as that,” she answers, plopping her mug down beside yours. It’s decorated with what looks like every color of the rainbow, a massive smiling sunflower taking up the majority of the surface, and the only remnant of the ceramic’s original color is on the very edge of the handle where there’s a lopsided little patch of white. The piece is clearly handmade, and a stark contrast to the simple mint green cup that houses your coffee. Looking at it, it’s impossible not to smile.

“I love that,” you remark, inclining your head at her mug. “Was it a present from one of your kids?”

“Hoseok,” she confirms, running a fingertip along the imperfect handle fondly. “I’ve told you about him before—he’s right around your age.”

You chuckle. “Right, I remember. That’s why he’s the perfect match for me, right?”

“Come now, there’s more to it than that,” Kyunghee defends, waving a hand. “But yes, to answer your question. He gave it to me as a birthday present when he was eight.”

“Well, you never told me he was an artist,” you tease. “Does he have an Etsy? Can I buy one of these off him? Does he do custom orders, maybe?”

Normally, your manager is more than happy to play along with your jokes, but today Kyunghee fixes you with an uncharacteristically serious look. “Why don’t you ask him yourself?” she asks. “He’s coming to the holiday party, after all. I figured you could finally meet.”

You blink. Kyunghee has been making offhand remarks about how well you would get on with her son, Hoseok, for over a year now, but you’ve never even come close to broaching the topic of meeting him. You don’t even know anything about the man beyond the fact that his name is Hoseok and that he works somewhere downtown. He also favors tall socks and yellow suspenders if the framed photograph on Kyunghee’s desk is any indication—or at least, he certainly did when he was still in diapers. Whether he still does, is anyone’s guess.

“Wow, I had no idea he was even interested in coming,” you manage when you’ve recovered from your surprise. “Did you bribe him?”

If Kyunghee notices that your voice is a few pitches higher than usual, she doesn’t remark on it. “Oh, you know. I just told him that this would be his last chance to score free booze on the company’s dime.” She laughs. “Three more months and it’s going to be all beaches and sunshine for me. I might even become a cruise person in my retirement.”

You gasp and slap a hand to your heart. “Kyunghee! Think of the environmental impact!”

“I said I might!” she retorts immediately. “Sheesh. Even in my old age, it’s hard to conveniently forget how shitty and unsustainable those damn boats are.”

You pick up your mug and raise it in a salute. “Well, the oceans thank you.”

“My husband doesn’t,” she answers with a sigh. “He’s been dying to book one of those trips that stop all along the Mediterrannean coastline, and I can’t exactly blame him.”

“That is tempting,” you admit. “You’ll have to send photos, if you do end up going.”

“You’ll be sick of me and my photos before the first day is even up,” she promises. Then she pauses, her eyes darting toward the kitchen where silence has fallen in the last few minutes. “Speaking of being sick—you think the vultures are still hovering around in there? I haven’t had lunch yet, and I need the microwave.”

Obligingly, you edge a little closer to the kitchen doorway and poke your head around the frame, scanning for Lottie and her sidekicks. “Coast is clear. Enjoy your lunch, Kyunghee.”

She nods and raises her mug at you, returning your salute. “I always do.”

///

As soon as the work day ends, you fall into your usual routine. Your commute home is easily walkable on nicer days, and though the winter weather is brisker than you’d like, you decide to walk for the sake of stopping at the convenience store on the corner of the block.

Once you arrive back at your apartment, you change into your comfiest sweats and a loose tee. You turn on some music while you throw together some dinner, and settle onto the couch half an hour later with a full plate and Netflix. Television is a welcome distraction from the events of the workday, and you manage to get through three full episodes of your current show before your pesky brain decides to revisit the events of today, replaying the conversations that you’d both had and overheard.

There’s no denying that you’ve been single for quite some time now, and for the most part, it’s been by choice. Ever since graduating from university, you’ve chosen to focus more on your career, and it’s paid off both in terms of the important position you hold in your company and your above average salary. And yet, you can’t help but think back to the gossip you’d overheard earlier—about the supposed tragedy of being single and attending the upcoming holiday party alone. Your mind wanders to Kyunghee’s son, Hoseok, and how he’ll be in attendance this year. You wonder what he’s like, and whether he really is perfect for you, as Kyunghee seems to be so fond of mentioning.

And then your mind goes to Jay.

You met Jay two months ago, on a well-deserved night out after a hellish workweek. The bar was crowded, and the music coming from the neon dancefloor in the back was just loud enough to drown out your inhibitions. That, combined with the alcohol swimming through your system, made you bold. You sashayed your way across the dancefloor, dodging inebriated bodies and swaying limbs as you fixed your attention on the head of pale lavender hair and deliciously broad shoulders that awaits you just behind the bar counter. The bartender is nothing short of gorgeous, and you’ve thrown all caution to the wind. Sure, several other women are eyeing him like he’s their next meal—several men are, too—but you need another drink. And while he prepares it, you plan to flirt.

A lot.

The bar counter is sticky with spilled liquor, but you don’t pay that any mind as you lean across it, the wood digging into the narrow strip of exposed skin left by your cropped top. “Hi!” you call, and the bartender looks up from where he’s just finished pouring a round of shots for a group of raucous young men.

“Hi yourself,” he says, his pillowy lips stretching into an easy smile. “What can I get you?”

You pretend not to notice the way his eyes flicker down to the dip of your cleavage and instead put on the sultriest smile you are capable of mustering. “Vodka soda,” you tell him, injecting a bit of purr into your voice. “A bit of lemon too, if you have it.”

“Trust me, I have it,” he assures, his smile growing as he reaches for a clean glass and a clear bottle. “Name’s Jin, by the way. I’m here all night, if you need anything e—”

A loud clatter and the sound of breaking glass interrupts the rest of his sentence, and all eyes at the bar go to the source of the disturbance. Conversations stutter to a halt, and even the thumping bass of the music seems to dull. Jin darts to the other end of the bar, where you can see that one of several barstools has fallen to the ground. There’s a man on the ground as well, surrounded by shattered glass and spilled dark liquor, and your eyes widen when you realize that you know him.

And arguably, a little too well.

“Fuck,” you mutter under your breath. People are starting to lose interest in the spectacle, turning back to their own conversations and continuing on as if nothing had happened at all. The man is beginning to clamber to his feet, and a few people lend a helping hand as Jin begins barking out orders for everyone to step back so he can sweep up the broken glass. You seize upon the opportunity, latching on to the nearest arm and pulling them close so you can hide behind them. Vaguely, you’re aware of them sputtering in surprise, but you only have eyes for the man who had fallen off his stool, watching him carefully as he brushes himself off and tries to play it cool despite the sizable patch of whiskey soaking his white shirt.

“Hey, uh…” Your human shield is speaking. “Are you okay? You’re squeezing me pretty tight.”

That draws you out of your daze. Abashed, you loosen your grip on his arm and look up into his face, your throat going dry when you realize how handsome he is. His black hair is parted over his forehead, a stray strand falling into warm brown eyes set above a straight nose and an inviting mouth. There’s a freckle above his top lip, just shy of the center, and your inebriated brain wonders just what it would be like to kiss it.

“I, um—” You clear your throat and try again. “Sorry about that. I just didn’t want him to see me.”

Your newfound companion raises an eyebrow and glances over his shoulder at the drunk man, who is now being ushered out of the bar by his buddies. “You know that guy?”

You nod, cringing. “Yeah, his name’s Trent. I… may or may not have dated him for a few months last year.”

The man laughs out loud. “You dated a Trent?”

“What, like you’ve never made a questionable life choice?” you challenge. “Besides, you shouldn’t judge someone based on the sins of their parents. It’s not his fault they gave him a terrible name.”

“Sure, but it is on him for going along with it,” he replies with a shrug. “I would’ve changed my name as soon as I could if my parents had named me Trent. But hey, that’s just one man’s opinion.”

You laugh. “Okay then, Not-Trent.” Relinquishing your grip on his arm, you let your fingers graze his hand before pulling away entirely. “What do you say we continue this conversation over a drink?”

The man, whose name is decidedly not Trent, catches your fingers in his and gives them a gentle squeeze. “Happily.”

One drink turns into two, and then three. By the end of the hour, you are feeling pleasantly warm, the alcohol spreading through your veins like molasses and turning your surroundings into a hazy blur. The music has grown even louder, pounding against your eardrums, and you grab onto Not-Trent’s wrist as he sets his now-empty glass back down onto the counter.

“Do you wanna get out of here?” you ask, raising your voice to be heard over the thumping bassline. “I can’t even hear myself think.”

“The parking lot’s out back,” he suggests. “Why don’t we get some air?”

You nod and stand up on wobbly legs, cursing your decision to wear heels when you stumble into your companion. He steadies you with a gentle but firm hand, and you don’t miss the way his touch lingers on your lower back, his palm warm through the material of your blouse.

Together, the two of you pick your way through the throng of swaying bodies on the dancefloor. The bassline thuds in your ears, dark and hypnotic, and you can feel the reverberations thrumming across the slats of your ribs and echoing in the cavern of your chest like a second heartbeat.

It’s almost a relief, then, when you step out into the cool night air. Your ears continue to ring for a few seconds, but it soon fades and leaves behind only the muted hum of traffic from the street and the faint sound of music from inside. At your side, Not-Trent releases a long breath and leans against the brick wall of the building, and you turn to take in the steep slopes of his side profile as he tilts his head up toward the velvety night sky.

He’s handsome. Dressed in ripped jeans and black leather, he’s a sight to behold, and you’d be lying if you said you hadn’t been craving a bit of intimacy for quite some time now. The alcohol swimming through your system makes you bolder than you normally would be, and you reach out to lay a hand on his arm. He turns toward you with a silent question glimmering in his irises, but you simply step closer, until you’re pinning him against the wall with your body and you’re breathing the same air.

“Hey,” you say, your voice an airy whisper. His eyes are near obsidian in the dimness of the parking lot, illuminated only by the orange glow of the streetlamps on either end, and your gaze flickers down to his mouth before roving to the freckle that sits upon his top lip. “Kiss me?”

Your companion’s eyes widen. His lips part, but no words come out, and you’re about to repeat your question when he finally finds his voice again.

“That’s really… that’s not a good idea.” Awkwardly, he clears his throat, but the hoarseness of his voice and the harsh bob of his Adam’s apple give away his true desires. “Look, you’ve been drinking. We both have, and—”

You cut him off, pushing up to your tiptoes and planting a messy kiss to the soft dip just beneath his bottom lip. “Don’t care,” you mumble against his skin. “I want you.”

Your companion laughs weakly. His hands find their way to your waist and pause there, as if he can’t decide whether to push you away or pull you closer. “You don’t even know me,” he murmurs.

“I don’t have to know you,” you reply. Your fingers drag down his chest, trailing along the delicate silver necklace that rests against the black of his shirt. From the chain hangs a round pendant, the surface engraved with the letter J. Slowly, you trace it with a fingertip, the metal shining even in the dim light, and satisfaction blooms in your heart when your companion’s throat bobs again. “I want you,” you breathe, soft but insistent. “Isn’t that enough?”

“I—” He clears his throat and tries again, and you wonder if he realizes that his hands have slid down to your hips, or that there’s a growing hardness against your lower stomach that’s becoming increasingly harder to ignore. “Look, I’m flattered—really, I am. And you’re… I mean, fuck, you’re gorgeous. But I don’t think we should do anything when you’re clearly not in the right frame of mind to be making this kind of decision, and—”

“And, nothing.” You wind your arms around his neck, pressing close and grinding subtly against the bulge in his pants. You smirk when he releases a low hiss from between his teeth, and hide it by laying a trail of kisses along the stretch of bare skin exposed by the dip of his collar. “Stop being such a gentleman,” you whisper. Your fingers trail down his chest, past the silver of his pendant and down to the faded denim of his jeans, teasing at the cool metal of his belt buckle. “I want this. But if you’re not interested, I can always go back in there and—”

The rest of your sentence dies in your throat. Your companion has tugged you flush against him in one smooth motion, and your gasp is cut off by the firm press of his mouth against yours. Immediately, you melt into the kiss, and a moan tears from your lips when he spins you around and pins you against the brick wall of the building.

“You’re a spoiled little thing, huh?” His breath fans hot against your cheeks, and you shiver when you meet his eyes and see the dark promise reflected there. “Used to getting what you want, huh, princess?”

Your breath hitches at the endearment—something your companion doesn’t miss. “Oh, you like that?” He chuckles hoarsely, and when he speaks again it’s in a rasp that sends heat straight to your core. “What else do you like, hmm? You want me to be rough with you, princess? Or should I be gentle and treat you like a queen?”

You reach up, raking your fingers through his hair and skimming across the soft strands of his undercut before finding purchase at his nape. “You talk too much,” you whisper.

And then you’re crushing your mouth back against his, whining when he immediately takes back control of the kiss. His grip slides downward, his fingertips digging into the skin just above the curve of your ass, and you squeak when he grabs the back of your thigh and hooks your leg around his waist.

“You feel that?” he rasps into your ear, nipping at the delicate shell and chortling when you keen. Your skirt has ridden up dangerously high on your spread thighs, and you let out a soft whimper when he grinds harshly against your center. The lace of your panties and the denim of his jeans are the last barricades between you, and you wonder, vaguely, whether your companion has a bit of an exhibitionist streak when he slides one of your sleeves down your shoulder and begins kissing a trail down to the swell of your cleavage. “You feel how hard you’ve gotten me?”

You lean down, kissing the soft spot where his jaw meets his ear before letting your teeth graze against his skin. “Why don’t you do something about it then?”

He hisses out a sharp breath, his hands tightening their hold on your hips. “You’ve got quite the mouth on you, huh? I can’t wait to make you eat your words.”

Any retort you may have had is interrupted by a sudden swell of music and the sound of a slamming door. Whirling to face the source of the noise, you immediately spot a familiar head of lavender hair atop broad shoulders encapsulated in the black uniform of the bar. Jin hasn’t noticed the two of you yet, his attention fixated on his cell phone screen, but he looks up when you let out a little squeak of surprise and shove your companion’s chest in an attempt to create some distance between you.

“Hey.” Jin raises a hand in greeting, a knowing smirk curling his lips. “This phone call shouldn’t be too long, so please. Don’t stop the party on my behalf.”

Heat floods to your cheeks. There isn’t much use protesting against his insinuation, considering the rather compromising position you’re in. Much to your relief, though, your companion simply huffs out a chuckle and waves Jin off. “Thanks, man, but we’ll get out of your hair.” Lowering his voice, he turns back to you. “Coming, princess?”

You nod. He offers you his hand, and you take it gratefully, adjusting your skirt so that it drapes properly over your hips and thighs again.

“Have a good night!” Jin calls after you, amusement lacing every word. You can’t work up the nerve to respond, and luckily, you don’t have to. Your companion leads you around the corner of the building, where several rows of cars are parked beneath an orange streetlamp. On this side, the exterior brick wall is painted with a mural, and you admire the colorful galaxies and nebulae swirling amidst silvery white stars and the word serendipity spray-painted in pale blue.

The last car in the row is parked just beneath the letter Y, and it’s here that your companion stops. The sleek black vehicle has an almost vintage feel to it, and you glance up when you hear the jingle of metal.

“I’m guessing this is yours?”

He nods, pulling a set of keys from the pocket of his leather jacket and inserting one into the lock. “Yeah. You like it?”

“It’s beautiful,” you tell him, tracing the edge of the passenger window “Makes my car look like a total piece of shit by comparison.”

Your companion chuckles, pulling open the driver’s side door, and you catch a glimpse of your reflection in the window as he presses a button to unlock the rest of the doors. Your hair’s a bit of a mess and your mascara has smudged beneath your right eye, and you hurriedly swipe at it as your companion turns his attention back to you.

“So,” he says. “Now what? I can give you a ride home, if you want.”

Deliberately, you let your gaze drop down to his crotch, where his bulge—albeit waning—is still visible. “Seriously? I thought you were going to… what was it again? Make me eat my words?”

And just like that, it’s as if a switch has flipped. His eyes darken to obsidian, his lips settling into a stern line, and you barely have time to draw in a breath before he’s caging you against the side of his car and molding his mouth to yours. Your lips part beneath the onslaught, and he wastes no time in dipping inside to explore, licking into you until you’re both breathless.

“Inside,” he breathes once you’ve broken apart, and you instantly obey. You wrench the door open and all but tumble into the backseat, and he isn’t far behind as he slots himself between your spread thighs. Your hands fly to his shoulders where you help him shuck off his leather jacket, tossing it carelessly to the front where it lands in a heap on the dashboard before focusing your attention on the hem of his black t-shirt. Your companion obliges you as you push it upward to expose his toned abdomen, grabbing it by the collar and pulling it off the rest of the way when your reach falls a little short in the cramped interior of the backseat.

“Your turn,” he whispers when you try to reach for his belt, his hands settling around your wrists. “It’s only fair, princess.”

Pouting, you let your hands fall limp in his grasp, and he chuckles as he leans down to pacify you with a kiss. Deft fingers find the hem of your blouse, pushing it up until you can twist out of the material. You throw it aside with no regard for where it lands on the ground, and lay back as your companion drinks you in, his dark gaze raking across the lacy black lingerie that decorates your curves and skims you like a second skin. “Fuck,” he breathes, his voice hoarse with a combination of amazement and disbelief. “You’re stunning.”

You smile, trailing a fingertip from the dip of his collarbone down to the silver necklace that sits prettily against his bare chest. “You’re not so bad yourself,” you tell him, tracing the letter engraved into his pendant. “Jay.”

Your companion—newly dubbed Jay—smiles back. “You’re something else, princess,” he murmurs, before leaning down to kiss you again. He explores your mouth thoroughly—languidly—before moving down to nip at your neck, and already, you can feel the beginnings of marks beginning to form, blossoming across your skin as irrefutable proof of your tryst.

It isn’t long before Jay frees you from your bra, watching with carnal fascination as your breasts spill out of the lacy material. You whine when he reaches out to cup one, his palm hot against your bare skin, and he smirks crookedly when a pinch to your nipple makes your back arch off the leather of the seat. “So pretty,” he rasps. “I can’t wait to see how you look stretched around my cock.”

“Stop waiting, then,” you tell him, trying again for his belt buckle. This time, he lets you fumble it open, leaning back to watch you work with hooded eyes and a lazy little smile. Emboldened, you push aside the denim of his jeans and free his cock from the confines of his underwear. He’s hard and hot and heavy in your palm, and your tongue darts out instinctively at the sight of the pearlescent precum beading the tip.

“Jay,” you murmur, thumbing across the head of his erection and smirking when he hisses in pleasure. “Fuck me.”

Jay seems to consider your demand, mischief flitting across his features before he manages to school his expression into something more neutral. “Where are your manners, princess?” he asks, pushing your hand away and giving himself a few long, slow strokes. “Say please, if you want it so bad.”

For a moment, you consider refusing. Jay seems to be the type of man who enjoys a good game, but between the state of his cock and the earlier interruption, you’re pretty sure he’s nearing his limit. And even if he isn’t, you are. And so, you shelve your pride for the time being, and trail a hand down the length of your bared body as you bat your lashes up at him. “Fuck me, Jay,” you repeat. “Please. Want your cock so bad.”

His answering smile is equal parts amusement and satisfaction, and altogether sinful. “That’s my girl,” he rasps, before shoving your panties aside. Lining the head of his cock up, he enters you in one smooth thrust, and you moan as your walls stretch to accommodate his girth. You’re more than wet enough to take him in his entirety, your eyes fluttering shut when he bottoms out, and he groans hoarsely as he takes a second to relish the feeling of your walls gripping him so tightly.

“Fuck. You’re so wet, princess.” Jay dips a thumb into your slick, spreading it across your clit and rubbing a few experimental circles around the sensitive nub. He groans when you clench around him, his hips stuttering, and you squeeze around him again just to hear him grit out another curse. “Shit. I’m not going to last long at this rate.”

“Don’t care,” you murmur, rocking against him and sighing when the motion sends him a little deeper into your core. “Just fuck me, Jay. Please.”

Jay leans in, a dark lock of hair falling across his forehead as he plants an indulgent kiss on your waiting mouth. “Anything for you, princess,” he breathes. Slowly, he pulls back until only the tip of his cock remains inside you. Then he’s slamming forward, and you can’t even find it in yourself to care about the obscene sound of skin slapping against skin or the way the car rocks. Jay’s thumbing across your clit in tight circles that he times perfectly with the rock of his hips, and you wonder whether the rapidly building pleasure in your belly is due to your dry spell or if he’s just that good. You can feel every inch of him as he fills you up repeatedly, his brows furrowed in concentration and his dark hair flopping as he drives deeper in search of the spot that will have you seeing stars.

You know he’s found it when the pleasure in your belly spikes, your back arching off the backseat. Your skin is sticky against the dark leather and you’re certain the sweat gathering at your temples has destroyed the last of your makeup, but Jay alleviates your concerns with a particularly well-timed thrust and a harsh nip to the soft spot at your clavicle. You keen out something unintelligible, and his lips stretch into a smirk against your skin.

“That’s it,” he encourages. “Cum for me, princess.”

That’s all it takes for the mounting pressure to snap. Your body collapses into a searing orgasm, the pleasure flaring out like a supernova and spreading through your veins like wildfire. “F-fuck, Jay—” you gasp, your fingers scrabbling at his back for purchase and no doubt leaving scratches in their wake. “Fuck, you feel so—”

The remainder of your words trail off into garbled nonsense, and Jay huffs out a strained chuckle as he begins chasing after his own orgasm, rutting against you in a way that both prolongs your pleasure and sustains his own. “Shit,” he groans, his eyes fluttering shut. “Fuck, that’s it. Look at you—taking my cock so well. So pretty and perfect and—”

Whatever he was going to say dissolves into a groan as he gives a few more erratic thrusts before his release overwhelms him. Creamy warmth floods through you, and you rub his back tiredly as his head drops onto your shoulder, his breath flaring hot against your skin as he rides out his orgasm.

It takes several long seconds for the pleasure to recede. Your legs are still shaky when Jay pulls away, straightening up and tucking himself back into his jeans. There’s an empty ache in your core now that you are no longer stuffed full of his cock, and already, you are missing the feeling. Still, you push that aside as you sit up, adjusting your panties and wincing at the wetness that soaks the material and sticks to your skin.

“So,” Jay says after a moment’s silence, and you glance over at him when he huffs out a short chuckle. “That was fun.”

“Not bad at all,” you agree weakly, an irrepressible smile tugging at your lips.

Jay grins. It’s a bright, infectious grin—and it’s one that you’ve already grown rather fond of in the short period of time you’ve known him. It’s a grin that showcases his perfect teeth and crinkles his eyes into crescents, and one that all but forces you to grin back.

“Here, give me your phone,” he says, and you watch as he punches in his number once you hand it over. “Just in case you ever wanna do this again,” he tells you, handing it back. “Don’t be a stranger, princess.”

You glance down at his contact information, saved under the moniker you’d given him and affixed with a short string of emojis. “I won’t,” you tell him, chuckling. “In fact, I just might take you up on the offer.”

-

The screen of your laptop has long since gone dark, and you stretch your arms overhead before waking it again. Rolling your shoulders, you navigate back to the main Netflix menu, hovering over the resume button and watching the trailer loop in the background.

You’d be lying if you said you didn’t think about Jay often. You’ve texted each other quite often since that night in his car—usually when you’re bored and alone and have had a few too many glasses of wine in the evenings. You’ve found yourself tapping on his name instinctively during those odd, ambiguous hours—when late night and early morning meld together and you’re aching for a bit of relief.

And as if he knows you’re thinking about him, your phone buzzes against the coffee table, the screen lighting up with a familiar name.

[11:22pm] Jay 😘🍆💦: thinkin about u, pretty girl 😘

It’s followed by an image, and your heart rate picks up, thudding loudly against your ribs as you open it.

Fuck.

Your memories of Jay’s face—made all the more hazy by the alcohol and the amount of time elapsed since your first and only meeting—truly don’t do him justice. Though the photograph cuts off just above his nose, you can still admire the sharp angle of his jaw and the fullness of his puckered lips. His skin is golden against the white of his t-shirt, and you lick your lips before thumbing across your screen to respond.

[11:23pm] You: yeah? what else are you thinking about, hmm?

His response is instantaneous.

[11:23pm] Jay 😘🍆💦: thinking about that pretty little pussy of yours

[11:23pm] Jay 😘🍆💦: how good it looked in that pic u sent me tuesday 👅

You barely even notice the way your hand begins trailing down your body, pushing aside the elastic waistband of your sweats. It’s as if you’re on autopilot, as your fingers find their way to the damp spot growing on your panties.

Yeah? you write back with your free hand, already teasing at your clothed folds with the other. Tell me more.

///

It’s an uncharacteristically warm Friday morning when you find yourself in the elevator with Jimin, a good friend of yours who works on one of the lower levels of your office building. “Morning,” he says as he steps in, a large iced coffee in hand despite the fact that it’s still very much the middle of winter. Then he squints, leaning a little closer. “Oh my god. You got laid!”

“Oh my god, not so loud!” you hiss, whacking him on the shoulder and jabbing the button to close the elevator doors. “And no, not exactly. I’ve just been texting Jay.”

“Texting, sure.” Jimin mimes air quotes around the word and rolls his eyes. “You’re sexting him, and we all know it. How many pictures of his dick do you have saved on your phone now?”

“Oh my—” You sigh, trailing off. “Can we not talk about this right now?”

“Right, of course.” Jimin takes a sip of his coffee and pretends to check his watch. “When would you like to talk about it then? Do you need to check your calendar? Can I book an appointment for later this afternoon?”

You stick your tongue out at him. “Shut up.”

Jimin just grins, his lips puckered around his straw. “So, how’s Jay? Have you asked for his real name yet?”

You shrug. “What’s the point? It’s not like we’re friends or anything. We’ve literally only met the one time.”

“Yeah, but that’s just because you’re a coward,” Jimin points out. “What’s stopping you from meeting up with him again? You have his number. You have at least one photo of his dick. Ask him out already!”

“It’s not that easy, though,” you sigh. The elevator doors open to let a few more people in, and you move to the side and lower your voice so that only Jimin can hear. “Jay—he’s not exactly boyfriend material. I mean, we fucked in his car the first night we met.”

“So?” Jimin frowns and takes another sip of his iced coffee. “You talk about things besides sex, don’t you? You definitely told him about your goldfish dying, at least. I mean, you told him before you even told me!”

“Yes I did, and he was appropriately sympathetic about Mustache’s passing, unlike some people,” you sniff. “Get over it already, won’t you?”

“Never,” Jimin replies, ignoring your pointed jab. “I’m sure you only told him because you knew you could get a sympathy sext out of it. How many dick pics did you get out of that night, anyway?”

“You’re gross,” you tell him, punching him in the arm. “Not to mention that’s exactly why Jay’s not boyfriend material. He’s perfectly happy with—whatever it is we’re doing. I can’t just ruin that by asking him to get dinner.” You frown, gnawing on your bottom lip. “I don’t want to make this into something that it’s not.”

Jimin hesitates. “Fine, okay. I guess I can understand that.”

“Yeah.”

There’s a pause, as the elevator makes a few more stops. You watch the numbers crawl higher, and know that you’ll soon have to part ways with your friend..

“Hey.” You nudge Jimin with your shoulder, just as the elevator doors close and you begin the ascent to his floor. “Wanna know something interesting?”

Jimin looks up from his phone, where he’s scrolling through Twitter. “Always.”

“My boss’ son is coming to the party tomorrow.”

Jimin’s eyebrows disappear into his ashy blond hair at your revelation. “Kyunghee’s son? Hoseok, or whatever?”

You chuckle. “The one and only. She’s found about a million ways to bring him up in conversation this past week. She thinks we’re a match made in heaven.”

“Wow.” Jimin releases a long breath. “I wonder what he’s like, then.”

You shrug, adjusting the strap of your work tote over your shoulder. “I guess we’ll find out, won’t we?”

///

The morning of the party, you wake up to an empty refrigerator. Half stale cereal and the last dregs of milk from the carton become your breakfast, and you munch on that as you mull over the contents of your closet. You’re still in your pajamas, but you pull out your comfiest jeans and a sweater to change into after you finish eating. Then you turn to your collection of dresses, rifling through them and mentally debating the merits of each material and color.

You could go in one of two directions tonight. On the one hand, this is still a work party, and as such your attire should probably maintain a certain level of decorum. But on the other, you’re meeting Hoseok Jung for the first time tonight. You aren’t necessarily looking to start anything with the man, of course, but you do want to look good. With that in mind, you eventually settle on a deep red number that you pull out of the very back of your closet, made of a silky material that skims your curves and accentuates your best assets. Laying it on the bed, you begin your hunt for a pair of matching shoes. Twenty minutes of searching and another five of agonizing later, you step into the bathroom, intent on showering and getting on with the rest of your day.

Upon exiting the bathroom, you decide that tackling the state of your refrigerator takes top priority over your other weekend errands. Sitting down at the dining table, you take stock of what you have in your pantry, planning out your meals for the upcoming week and making a list of what you need to purchase in order to make them a reality. It’s just after one in the afternoon when you exit your apartment with a completed grocery list and your purse stuffed full of reusable canvas bags. The store is a short walk from where you live, and you decide to put in your earbuds as your feet navigate the familiar route. The temperature is surprisingly mild for winter, and the sun shines bright from its perch in the cloudless blue sky. It’s perfect weather for a walk, and the fresh air clears your mind and eases your heart.

At the grocery store, you forego the stack of baskets and instead grab a shopping cart. Weaving your way up and down the aisles, you check items off the list on your phone one by one. Eventually, you find yourself in the cereal section, grabbing a box of granola before turning to where your favorite cereal normally sits. It isn’t there, and you turn in a full circle, confused, until your gaze finally lands on the familiar box on the top shelf.

Great.

Sighing, you push up to your tiptoes, stretching your arm as far as it can reach. Your fingertips graze the shelf, but you can’t quite get a grip on the box itself. Glancing down, you scan the bottommost shelf and wonder if you can step on it to give yourself a boost.

“Need a hand?”

The voice comes from behind you, and a vague sense of familiarity sparks in your brain. Slowly, you turn around, and your entire body freezes when your gaze slides up to the speaker’s face.

“Jay.” The syllable escapes you in a near whisper. “H-hi.”

“Hey.”

Jay stands before you, looking like sin incarnate in a faded denim jacket, black sweatpants slung low on his hips, and not much else. At his throat, his silver necklace sparkles, the silver J pendant glinting beneath the fluorescent lights of the store, and you’re suddenly beyond grateful that you decided to put on a decent sweater before leaving.

“Here,” he says, stepping forward until he’s close enough that you can smell his cologne—sandalwood tinged with sweet citrus. “Let me help you with that.”

The sudden proximity has your breath hitching in your throat. Your heart thuds erratically against your ribs as he reaches around you, the denim flaps of his jacket gaping in a way that exposes even more of his bare chest. By the time he pulls back with your cereal box in hand, you feel almost faint, belatedly realizing that you’d been holding your breath.

“You wanted this, right?” Jay asks, and you aren’t sure if you’re imagining the innuendo underlying his words or the teasing inflection of the syllables.

“Y-yeah, that’s the one,” you manage, fighting to quell the uneven tempo of your heartbeat as you accept the box. “Thanks.”

“Happy to help,” he replies. Then he leans in, close enough that you can feel his warm breath fanning your cheek as he murmurs his next sentence into your ear. “Anything for you, princess. You know that.”

Heat floods across your cheeks. Your heart skips two full beats before taking off into a sprint, and it’s impossible to ignore the way your core begins to thrum, as if anticipating a repeat of that night you first met all those weeks ago. Almost instinctively, your eyes dart up to the ceiling where the security cameras are, and Jay follows the trajectory of your gaze with a low chuckle and a soft brush of your cheek with the pad of his thumb.

“Sorry, princess. As much as I’d love to get my hands on you, I’m kind of on a time crunch today.”

You can’t stop the wave of disappointment that washes over you, even if you’re in the exact same boat. “Rain check, then?”

“Rain check,” he agrees. Slowly, you reach up to touch the engraved silver pendant resting against his chest, rubbing it between your fingertips before tracing the curve of the J, and he catches your wandering fingers between his and presses a gentle kiss to your knuckles.

“You know how to reach me,” he murmurs with a mischievous wink. His gaze lingers even after he’s released your hand, and you clear your throat awkwardly before turning to deposit your cereal box into your shopping cart.

The two of you go your separate ways then, exchanging goodbyes. You finish the rest of your grocery shopping in a daze, idly going through the motions at checkout and letting muscle memory guide you back home. Your arms are aching by the time you step past the threshold of your apartment, and you heave your shopping bags up onto the kitchen counter with a relieved sigh before returning to the entryway to toe off your shoes. You throw together a sandwich as you unpack your groceries, taking a big bite as you walk back to your bedroom to look at the dress you’ve picked out. Pacing over to the closet, you double-check your shoe choice. Briefly, you debate whether or not to wear flats instead of heels.

There are still a few hours left before you have to start getting ready, so you take the last of your sandwich back to the kitchen and whip up a smoothie to go with it. You scroll through your phone as you eat, browsing through the latest news headlines and scrolling through your social media accounts. Just before six o’clock, as the sun starts setting beyond the horizon and casting long shadows across your living room, you start getting changed. You snap a photo in the mirror once you’re dressed, pulling up Jimin’s name in your phone and sending it to him.

[6:13pm] You: last chance to come tonight

Your phone buzzes with a response almost immediately.

[6:14pm] Jimin: nah. i’d hate to step on hoseok’s toes.

You laugh. Not so fast, you text back. We don’t even know anything about the guy yet. What if he’s boring? Or sexist?

[6:15pm] Jimin: if u think kyunghee raised a sexist you’re seriously deranged

[6:16pm] Jimin: now stop taking selfies and get your ass out the door! you’re gonna be late!!!!

///

Each year, the holiday party tends to be a little over the top, and this year is no exception. The company has bought out the entirety of a restaurant for the evening, and you glance around in amazement at the twinkling lights and lush evergreen boughs decorating the walls and strung up along the ceiling. An assortment of sparkling ornaments hangs from the massive tree in the far corner, interspersed between silver tinsel and more lights. Grabbing a champagne flute off a passing server’s tray, you head farther into the restaurant, skirting around tables draped in creamy linen and greeting your colleagues and friends.

“Is she alone?”

“Figures.”

The voices come from the direction of the open bar, and somehow, you just know that they’re talking about you. Lottie, Hyejin, and Sandra are clustered in the corner with glasses of wine in hand, casting glances around the restaurant and gossiping about anything and everything with a pulse. You’re sorely tempted to grab the nearest pitcher of water off a table and pour it over their heads, but you suppress the urge and instead head over with a saccharine smile. “So lovely to see you, {Name},” Lottie says as you approach.

“I love your dress,” Sandra adds. “Very slimming.”

“Thanks,” you reply, putting on your brightest, fakest smile. “Yours is great too. How are you and your husband enjoying the party so far?”

Sandra’s face sours, and you hide your smirk in your champagne flute. Maybe it’s petty to bring up her rocky relationship, but you’ve been subject to snide comments from Sandra and her friends for years now and it’s become increasingly hard for you to bite your tongue. A few tables away, you spot Sandra’s husband, Rodney, take an enormous gulp of his whiskey and wince as it burns down his throat.

“We’re all having a wonderful time, aren’t we, ladies?” Lottie cuts in when Sandra takes too long to answer. “Hyejin’s date is over there with Rodney, and my boyfriend is fetching himself a drink. You remember Dev, don’t you?”

You nod, even though it’s a lie. “Sure. Say hi to him for me.”

Lottie’s lips curve up into a smile, her head tilting to the side, and you’re suddenly reminded of a snake rearing its head back for the kill. “So, what about you? Have you brought someone tonight, or—?”

“Hi ladies!” Kyunghee materializes at your side, her lips painted a festive red shade to match her dress. She’s wearing the disingenuous smile that she reserves for the resident gossips of your office, and you try not to let your relief show on your face when Lottie’s attention refocuses on your manager.

“So good to see you, Kyunghee,” she simpers. “Have you been here long?”

“Not as long as you,” your manager replies, nodding at the near-empty wineglass in her hand. “I see we’re already making a dent in the wine supply, and you’re falling behind, {Name}. Why don’t we go remedy that, hmm?”

She doesn’t give you a chance to respond, grabbing your arm and leading you away. Kyunghee is surprisingly spry for a woman her age, and you follow after her with some difficulty as she marches through the throngs of conversing people, all the way to the line at the open bar.

“I’d like you to meet someone,” she says, gesturing at the man standing at the end of the line with his back to you. “{Name}, this is my son, Hoseok.”

The man turns around at the sound of his name, a warm, affable smile stretched across his face. “Hi, I’m H—” he begins, but he’s cut off by your sharp intake of breath. His eyes go wide, his smile fading as his mouth falls open, and you’re certain you’re wearing an even more dumbfounded expression. “It’s you,” he says, his voice hoarse.

“Wh-what… how…” You trail off, speechless. The words flounder and die in your throat as your brain struggles to process this development, and you practically feel the way the gears in your head churn to a stuttering halt.

Because this man standing before you, the one that Kyunghee has just introduced as her son, is none other than Jay. He looks completely and utterly devastating in a navy waistcoat and matching slacks, a green tie shaped like a Christmas tree knotted loosely around the white collar of his shirt. His dark hair is parted, his undercut exposed, and you can’t tear your gaze away from the loose strand that has fallen across his forehead.

“H-hi.”

Jay—Hoseok—swallows. “Hi.”

Kyunghee glances between the two of you, her brows furrowing. “I take it you two already know each other?”

Hoseok’s ears begin taking on a scarlet tinge, the color spreading to his cheeks as he struggles to find his vocabulary again. “I—yeah. Yeah, we’ve met.”

“Right. Do I even want to know how?” she asks dubiously, before shaking her head and huffing out a sigh. “No, forget I asked. I don’t want to know. I’ll just leave you two to… catch up.”

Waving goodbye, Kyunghee disappears back into the crowd of partygoers milling around. Hoseok turns back to you, sucking in a deep breath, and you fight the urge to stare down at your toes as his gaze roves across your face.

“I can’t believe this,” he says, breaking the silence that’s fallen between you at last. “My mom’s been talking about you for months, but I never imagined that it’d be you.”

“You’re telling me,” you reply, finally having recovered your voice. “Kyunghee brings you up all the time, but I never thought… I mean, we didn’t even know each other’s names, and now…” You shrug. “Here we both are.”

“It’s a pretty crazy coincidence, huh?”

“Definitely.”

A beat passes, and then two. You’re fully aware that you’re staring, but you don’t dare blink, afraid that he’ll disappear if you close your eyes. Of all the things that you thought might happen tonight, this particular meeting wasn’t even close to making the list. Never would you have thought that the man you only knew as Jay would turn out to be Kyunghee’s son. Never would you have connected Jay to the photographed little boy in yellow suspenders on Kyunghee’s desk, or realized that they were one and the same.

From behind you, someone loudly clears their throat. Another voice calls for you to get a move on, already, and both you and Hoseok belatedly realize that you are still standing in line for the open bar. Hoseok’s eyes go wide again, and you nearly tread on his toes when you both try to move forward. “After you,” he says with a chuckle, gesturing for you to go in front of him, and that’s enough to break the tension. You step ahead of him with a laugh, catching up to the line, and Hoseok doesn’t stray far as he follows your lead.

“So, what are you drinking?” he asks, a smile playing at the corner of his lips. “Vodka soda with a twist?”

“Actually, I think I’m going to stick with wine tonight,” you reply, peering at the bottles lined up on the counter. “What about you?”

“Hmm. Jack and coke, I think. Nothing else is really calling my name right now.”

Grabbing your drinks, the two of you begin searching for a place to sit. You spot Kyunghee at a table near the front, and she smiles knowingly and offers you a thumbs-up when she catches your eye. Eventually, you settle on a table near the Christmas tree, the lights glimmering off the glasses and reflecting off your knife as you pick it up to butter a slice of crusty bread from the basket in the center. Hoseok follows your lead, grabbing a piece for himself, and the two of you munch in silence for a few seconds before Hoseok breaks it.

“You know, my mom says you’re the perfect girl for me” he says with a dry little chuckle. “Think she’s right?”

“I don’t know,” you answer. “It’s funny, though—Kyunghee’s been telling me the same thing. She sings your praises all the time.”

Hoseok laughs and scratches the back of his neck. “Oh, jeez, that’s kind of embarrassing. I’m glad she’s saying good things, at least.”

“You don’t have to worry about that,” you tell him, grinning. “She’s only shown us one photo album from your childhood.”

His face crumples. “Was it the Disneyland one?”

You nod, fighting back laughter, and watch as Hoseok groans and lets his forehead meet the linen-covered tabletop with a dull thunk.

“I don’t like rollercoasters,” he mumbles into the tablecloth, his voice muffled by the material. “They make me queasy.”

“Even now?” you ask, and he nods.

“Yep.”

The clinking of a fork against a wineglass—amplified and broadcast through an array of invisible speakers built into the restaurant’s walls—interrupts any further conversation. You twist in your seat to watch your company’s leadership give their opening remarks, listening as they congratulate everyone for a great year and wish you a happy holiday season. The servers begin going out with plates of food, and you thank them as they set yours down. Hoseok does the same before raising his glass in your direction, clearing his throat and offering you a crooked little smile.

“Here’s to second meetings.”

“Third, if you count the store earlier,” you correct, and he chuckles and nods in agreement before clinking his drink against yours.

You spend the entirety of dinner chatting with Hoseok, getting to know him beyond the few facts Kyunghee has mentioned and what little you’ve gleaned from texting him the last two months. He tells you all about his dance studio, Hope World, where he teaches both contemporary dance and the occasional Pilates class. You find out that in addition to rollercoasters, he also dislikes sour foods and raisins, but he loves mint chocolate and sweet and sour pork. He also has a very low tolerance for alcohol—something he tells you as he tilts the rest of his drink into his mouth. “Should I be worried?” you ask as he sets his glass back down, and he chuckles and shakes his head, sending the loose tendril of hair flopping across his forehead.

Dessert is served, and subsequently eaten. The music is turned up, and people slowly begin finding their way to the open space that serves as an impromptu dancefloor. Hoseok rises to his feet and extends a hand toward you, and you only hesitate for the briefest of seconds before accepting it. He leads you out amongst the other swaying couples, his hand finding its way to the curve of your waist, and you rest your hand on his shoulder as he begins guiding you in a slow, simple waltz.

“So?” Hoseok’s voice is a low murmur, soft and gentle against the shell of your ear. “What’s the verdict?”

You blink. “The verdict?”

Even without looking, you can tell that he’s smiling. You can hear it in the lilt of his voice, and imagine it in the curve of his lips. “About me,” he clarifies, carefully pulling back so you can spin in a circle beneath his outstretched arm. “About us. My mom will never let me hear the end of it if she turns out to be right, but I still wanna know. So what are you thinking?”

“Are you asking if I think we’re perfect for each other?” you ask, giggling. “I don’t know if I believe in all that, to be quite honest. Destiny and soulmates—I mean, doesn’t it seem a little too good to be true?”

Hoseok hums. “Maybe. But considering all that’s happened to us in the last couple of months, don’t you think there’s a chance that it's all more than simple coincidence?”

“Maybe,” you concede. “Still, I don’t know if I can give you a verdict just yet. We haven’t even gone on a date.”

“We did do things a little backwards,” Hoseok admits, tugging you close and winding his arm around your waist. “Let me make it up to you, then. Are you free tomorrow?”

“What if I am?” you challenge.

“Then, I’d like to take you out for breakfast,” he replies without missing a beat.

The prospect of a proper meal with Hoseok Jung does something funny to your insides. Still, something makes you hesitate, and you avert your gaze as you search for your next words. “I wasn’t expecting to end tonight with a date,” you admit slowly. “I honestly didn’t even think you were interested in… well, anything beyond sex, to be honest.”

Hoseok’s face creases into a frown, and you look up again when he murmurs your name. “I understand why you would think that,” he says. “Really, I do. But honestly? I had every intention of texting you and asking you out properly. I was going to play it cool and wait a few days, which was stupid in retrospect. And then you texted me first.”

“I texted y—” You trail off. “Oh, god.”

“It seemed like you’d been drinking,” Hoseok says with a shrug, and you press a finger to his lips before he can say anything more. You remember the night in question, and you remember the bottle of wine you’d consumed. And you definitely remember the photographs you’d sent of yourself, and the ones Hoseok had been kind enough to send in return.

“Wait, so you were going to ask me out? And then I… I sexted you?”

Hoseok nods, and you groan and bury your face into his chest.

“I can’t believe this,” you mutter, and you feel laughter rumble through his chest before a hand comes up to stroke along your back.

“Believe me, I’m not complaining,” he assures you. “But I’d still really like to take you out, so what do you say?”

His gaze doesn’t leave yours for a second as he awaits your answer, and your heart skips a beat when you look up to see the earnestness in his eyes and the hesitant smile playing at the corners of his mouth. “Breakfast sounds wonderful,” you whisper, and the smile that blossoms on your companion’s face is nothing short of radiant.

“Good,” he says. “Great. Breakfast tomorrow, then. Now, can I kiss you?”

You’re already pushing up to your tiptoes, your fingers fisting in the soft hair at his nape. “God, yes.”

///

“Hey, you made it!”

You beam. “Hi.”

You and Hoseok are about to commence your first date, having just sat down at a cozy little café for breakfast. Hoseok has pulled your chair out in true gentlemanly fashion, and you can’t help but smile over your menu at the few lingering snowflakes that have yet to melt into his dark hair.

“So, here we are,” you remark. “Our fourth meeting.”

Hoseok’s lips stretch into his signature grin, breathtakingly bright and infectious. “And hopefully many more.”

You grin at him. “Yeah? Too bad this is breakfast, because I’d drink to that.”

He leans forward, his grin widening. “Next time,” he says as his hand finds its way around yours, his fingers slotting comfortably into the spaces between your own. “We can do dinner, maybe. Or I can cook for you. But for now, I’m just happy that we’re finally doing this.”

You give his hand a soft squeeze. “Me too.”

“Just promise me one thing?”

The sudden seriousness of his tone has your brow furrowing in concern. “Sure, of course,” you reassure. “What is it?”

He winces. “Please don’t tell my mom about all the dick pics.”

[charlie-minion]

Could the same SPN finale make a little more sense with some additions/changes?

I’ve had the idea for this post stuck in my head for days now, but with every new conspiracy theory and every new eventuality in the fandom, it became difficult to cool down enough to write something less ship-related and more narrative-focused.

What Supernatural and non-SPN fans have to understand is that a lot of us have expressed disappointment and frustration after 15x20, not because of Destiel (that’s just one part of the whole problem), but because the finale doesn’t make sense. Everything was leading up to something beautifully crafted until the end of 15x19. Beyond that, it’s hard to understand what happened. The story rendered all the character growth irrelevant, invalidated the themes of free will and “family don’t end in blood”, regressed to the original brother codependency they spent 15 years trying to overcome, made a queer non-binary character in a male vessel and a deaf female character basically disposable, and kept the show’s reputation of queerbaiting and misogyny until its very last breath.

That’s not going out with a bang! At least not a positive one. We all were ready to mourn Supernatural, but we wanted to feel proud of its legacy, and somehow TPTB managed to tarnish that legacy in less than 45 minutes. What a way to ruin the other more than 13,600 minutes of story!

It doesn’t matter who is to blame (The CW, Robert Singer, Andrew Dabb). It doesn’t matter why it happened (homophobia, censorship, marketing for Walker, bad writing). What matters is that at the end of the day, the finale that aired is what we got and that’s going to hurt for a long time. It hurts even more when we realize that the same finale could have easily made more sense, even without being perfect.

That’s what I want to do in this post. I want to show you how things would have been less jarring (for the fandom), while still keeping the goal to please the general audience.

Before I begin rewriting 15x20, I have to mention that I talked to my conservative boomer sister about the finale. She hasn’t watched the second half of season 15 yet (she’s waiting for Netflix to have it), but she’s been watching the show for a long time (she introduced me to it 8 years ago). She’s the perfect example of a viewer from the general audience. Loves the show but doesn’t give a second thought to it and definitely isn’t paying attention to character development or themes. Doesn’t engage with fandom, actors, or any of the show’s social media. Pure GA! When I told her the series finale had aired, she asked me about it and I refused to give her spoilers. Because of that, she told me the ending SHE wanted. She said she would be happy with either of two possibilities: the boys retiring and finally living a normal life OR they going to heaven and finding peace at last. She saw Sam and Dean as a unit, which means: both retiring or both going to heaven. AND she saw Cas as part of that, too. She wasn’t so sure about Jack. And for her, we could use the “Eileen who?” and it wouldn’t be a joke. She didn’t remember her.

NOW IT’S TIME TO WRITE A NEW VERSION OF 15X20 (KEEPING 15X18 AND 15X19 EXACTLY THE SAME AS THEY AIRED). This will be a very long post:

The opening remains almost the same. No “Carry on my wayward son” to induce feels. Too soon and too predictable! (Reasoning: Everyone was expecting it to play right there, so it would bring more tears at the end)

In the opening, after the scene where Jack says “People won’t need to pray to me or sacrifice to me”, we also see the scene from 15x19 where he says “I won’t be hands on”. Then we see the rest of the opening as it was. (Reasoning: People needed to be reminded that Jack would NOT intervene and that’s why later on, he would NOT save Dean).

We get the same montage, but when Sam takes a break from his morning run, we see him reading a message on his phone. A simple: “Hey Sam, what’s new?” from Eileen. Sam smiles fondly and begins to type a response we don’t get to see. The next scene continues the same, Sam making breakfast. (Reasoning: A text was a very simple way to show that Eileen was alive and still in communication with Sam).

The montage slowly ends as Sam enters the library (not after he sits down). He seems to be talking on the phone but we only hear an “I’ll tell him. Bye”. As he walks towards the table, he tells Dean: “Charlie says hi. Mentioned something about Stevie’s perfect scrambled eggs we have to try.” Dean’s answer is “Awesome!” (Reasoning: Just ONE line was needed to unbury Charlie and her girlfriend. ONE LINE).

Sam sits down, opens his laptop and everything continues the same. The title card shows for the last time.

YOU SEE? In the first 4 minutes they could have acknowledged that THREE WOMEN were alive and safe: Eileen, Charlie and Stevie. It wasn’t hard! Don’t blame bad writing on Covid! Now let’s continue.

Sam and Dean arrive at the Pie Fest just the same. Dean goes to get some “damn pie” and Sam takes out his phone. He dials and when someone picks up, he says “Hey, Jody, how are ya?” We don’t hear the rest of the conversation. The scene moves to Dean coming with his 6 portions of pie. Dean sits down and Sam tells him, “Talked to Jody. The other hunters haven’t had much work lately.” “That’s good, isn’t it?”, Dean says. All we get from Sam is “Yeah.” So, Dean looks at him and asks “what’s wrong?” like it happened in the episode. (Reasoning: Again, a couple of lines to make sure the people that were killed in 15x18 are safe and remembered by the boys in 15x20. Why is this important? Because they’re family!)

The conversation about Sam’s sad face happens the same. Sam is the one that mentions Cas and Jack. (Reasoning: Because this episode was so Sam-centered, it’s obvious he was the protagonist in the finale. If we see him communicating with Eileen, Charlie, and Jody, then it’s NORMAL, even expected of him to be the one to bring up Cas and Jack). Without these additions, it’s harder for people to understand that most of the finale was NOT from Dean’s POV but from Sam’s.

Dean’s “if we don’t keep living, then all that sacrifice is gonna be for nothing” stays the same. (Reasoning: I believe it’s necessary that the show sticks to the importance of “letting go” and “what is dead should stay dead” for the first time ever because the message is “even when you lose someone you love, you can still find some form of happiness and keep living, for you and for them, because that’s what they would have wanted”. Bringing someone back means “I can’t live without you”, and that’s just more codependency. It’s how the demon deals began in the Winchester family –Mary being the first one to do it. This would explain why Dean didn’t ask Jack to bring Cas back, as he asked Chuck. He understood Jack was NOT going to interfere anymore and accepted it. Besides, when Cas saved Dean from hell, Dean thought he didn’t deserve to be saved. This time that Cas saved him, Dean finally feels worthy enough to accept that YES, HE DESERVED TO BE SAVED ALL ALONG, just as much as he deserved to be loved by that angel of the Lord. In this scene, Dean also says that the pain is not gonna go away, which means that from HIS PERPECTIVE, it still hurts that Cas is not there. The problem is that the finale is not showing his POV but Sam’s.  

Sam pies Dean on the face just the same. (Reasoning: That part was just to avoid ending the scene on a sad note).

Everything related to the case happens exactly the same. (Reasoning: At this point, people don’t really care about the MoTW, they care about Sam and Dean).

NOTE 1: The case is important to show that even when the Winchesters are finally free of Chuck’s influence, they CHOOSE to keep hunting. It isn’t something they do out of revenge or because it is their destiny anymore. Maybe they were forced into the life at first, but they’ve learned to find joy in saving people. Being hunters is who they are. However, the fact that a job application was shown on Dean’s desk is also important because it means he was willing to explore what else was there for him besides hunting. Maybe he could find a balance? Maybe he was thinking it was time to quit? We will never know! The thing is that Sam only finds out about it when he goes into Dean’s room after his brother is dead, so maybe that’s when it hits him that Dean wanted to explore his options, and Sam starts to think it’s time for him to do the same.  

NOTE 2: I believe the masks the vampires are wearing is something we can blame on covid. If they had their faces covered, it was easier to use people from the SPN crew for some scenes, instead of using more actors unnecessarily.

NOTE 3: When Sam and Dean arrive at the barn, we get 3 visuals to remember Cas in the same scene (those are for the fandom, not for the general audience): a) the barn, obviously; b) the bag that resembles Cas’ trenchcoat so much that many people thought that’s what it was; and c) two feathers hanging on Dean’s right when he opens the trunk.

The scene with the throwing star happens the same. (Reasoning: The episode is still told from Sam’s point of view, so it makes sense that he fondly sees his brother as a man child).

Jenny the vampire? Uhhh… I mean, it’s not the best piece of writing I’ve ever seen, but it’s not the worst, so okay. That stays the same. (Reasoning: There is none, but she’s not what really ruined the finale, so whatever!)

Dean still dies impaled on a rebar. (Reasoning: OK. HERE ME OUT!!! I hate as much as everyone else that Dean is killed. I think it’s lazy writing, but that’s what we got and I can’t change that in this re-write, so if killing Dean is what we have to work around, then, memes aside, death by rebar is better and here’s why. There’s no one to blame for Dean’s death: no Chuck (the boys were willingly hunting even after Chuck was defeated), no vampires (they were all killed and were no real threat, so it was impossible for Sam to begin a quest for revenge against all vampires. What was Sam going to blame? A rebar? Can you kill it? Hunt it? NO. It was an ordinary death, a stupid accident. Just like any person can die at any moment by slipping on a banana peel. Is it a good death? No, but it’s good to know he doesn’t die trying to save Sam or Cas, because Dean Winchester is NOT willing to give up his life in exchange for anyone else’s anymore.

Sam takes out his phone and says he’ll call for help, but his phone is more visible to the audience. He dials and it’s almost to his ear when Dean stops him and Sam hesitantly hangs up. (Reasoning: People have complained that Sam didn’t call an ambulance, but actually he tried to. It’s just that people missed that part, maybe?)

After Sam puts his phone back in his pocket and says “OK” to Dean, he adds, “I’ll pray to Jack”. Dean’s immediate answer is: “No hands on, remember?” “But Dean”, Sam says, and Dean interrupts him with “OK listen to me” and tells Sam what to do with the kids they rescued. (Reasoning: Jack is God now and how come Sam didn’t remember? The viewers remembered, so it was necessary to include a line that ruled the option out and that showed Dean didn’t want Jack to intervene. The rest was fine).

The lines “You knew it was always gonna end like this for me. It was supposed to end like this, right?” disappear completely from Dean’s monologue. (Reasoning: This is the most problematic part of Dean’s dying speech. He fought God and earned free will, he is no longer controlled by fate or destiny. Accepting that he is supposed to die on a hunt regresses his character development and denies his desire to keep living. This was a total mistake and should be removed).

Instead, if going to heaven is the ending TPTB wanted to give Dean, at least he should say something more empowering. Sam tells him that both of them are going to take the kids somewhere safe. Dean answers and the scene follows like this: “No. Sammy, we made our choice, didn’t we?”, he smiles with difficulty. “We were free to write our own story and we did. We decided to keep saving people, hunting things. Because it’s what we love despite the risks.” (Reasoning: If Dean’s going to die it doesn’t have to feel like it was always meant to be that way. He should die knowing that he exerted his free will until his last breath).

The rest of the dialogue between Sam and Dean happens almost the same. Except that instead of Dean saying “‘cause when it all came down to it, it was always you and me. It’s always been you and me”, he says “’cause when it all came down to it, we’ve always had each other’s backs. Always.” And instead of Sam saying “Don’t leave me”, he says “I still can try to save you.” (Reasoning: It sounds way less codependent without diminishing the importance of their love and support for each other).

Besides, let’s change Dean’s “I’m not leaving you” for “You don’t have to be alone. You’ve still got family.” The rest stays the same word by word. (Reasoning: Dean reminds Sam that “family don’t end in blood” and there are still lots of people out there who love Sam and will be with him).

“I love you so much, my baby brother” stays exactly the same. (Reasoning: Dean always had trouble to express the big L word. I always believed and said many times that before Dean could say “I love you” to Cas or any other character, he had to say it to Sam. So, this is important as part of Dean speaking his truth).

The last part when Dean insists Sam tell him that it’s okay stays the same. (Reasoning: It’s the final moment when the codependency cycle breaks. No more running in circles).

The forehead touch between them stays the same. (Reasoning: I think I would do something similar if my sister were dying. I know there are w*ncest shippers out there, but it shouldn’t matter because the moment feels appropriate for that kind of goodbye). 

See? There are changes but not too many. That’s why I’ve been saying that it was easier to get it right, yet they still managed to screw it up.

The second montage stays the same. (Reasoning: Life goes on, but of course Sam has to mourn).

The call about a case in Austin remains the same. (Reasoning: It’s the only part of the episode where someone from the found family is mentioned, so I think that Donna’s name is perfect in that moment. However, without the other additions I’ve made in this re-write, that off-hand mention feels too little. Its purpose was to tell the viewers that if Donna was alive, so were the others, but the way the episode was executed gave us an isolated Sam, incapable of having friends and a family without Dean).  

After 30 minutes of Sam’s POV, let’s finally see the last bit of Dean’s POV that we’ll ever get.

Dean arrives in Heaven and Bobby receives him. All their conversation stays almost the same, except that after mentioning Rufus and before saying “and your mom and dad…”, Bobby adds an “Ellen and Jo let me borrow their place”. (Reasoning: If you’re gonna put the man outside the Harvelle’s place, at least mention them for Jack’s sake!).

Besides, after Bobby tells Dean that Sam will be along and that time in heaven is different, Dean gives a small smile and says, “Well, there’s no rush. I want him to have a long, happy life.” Bobby answers with: “I would expect nothing less from you, boy” and tells him he got everything he could ever want, etc., just like it happened in the episode, and finishes by asking “What are you gonna do now, Dean?” (Reasoning: It’s important we know for sure that Dean is NOT codependent anymore and that he doesn’t expect to have a miserable afterlife just because his brother is not there yet).

Instead of saying “I think I’ll go for a drive” Dean says, “I think I know what I want” and walks towards baby. Bobby still tells him to have fun. (Reasoning: “Know what I want” is ambiguous enough to help us introduce the last piece of the puzzle, the one thing Dean’s wanted for many seasons and has never been able to express).

 The biggest change is coming:

Dean gets on the Impala and has a moment of silence while he contemplates the wheel. He begins to pray: “Hey, Cas, you got your ears on? I hear you’ve been busy working on this updated Heaven with Jack. You were right about him, Cas. You had faith in him and he saved us all. You could always see the best in everyone, even when they couldn’t see it themselves. Even when I couldn’t see it myself. There’s so much I want to tell you. Maybe you can visit sometime. I hope prayer’s still a thing up here.” (Reasoning: Dean’s side of the confession was unaddressed and that was terrible writing. If there was no way to get him to speak his truth textually, at least take him as close to it as possible).

We listen to a flutter of wings and a “Hello, Dean” from the back seat. We don’t see Cas, but the camera shows us Dean’s cocky smile and he says “Took you long enough.” He turns around slowly. End of scene. (Reasoning: The flutter of wings confirms that angels have their wings back and ties that loose end. The final “hello, Dean” was highly anticipated and it made sense. If Misha couldn’t be there to film, for whatever reason, or if the problem was the kind of conversation Dean and Cas would have, then don’t show it, but leave the door open. Let us know that the two characters were reunited and will talk, but whatever Dean has to say is so private that it’s not for us to hear, only for Cas.  

We finally hear “Carry on my wayward son” and get a montage that begins with Sam playing with his kid. Then we see Dean driving, super happy, and Sam living his life to the fullest. We still get Sam’s Blurry Wife, BUT… we see pictures of Eileen in the living room (not just of John, Mary, Sam, and Dean). We also see photos of Jody, Donna, Charlie, and AU!Bobby. (Reasoning: FAMILY DON’T END IN BLOOD).

The scene where Sam is wearing the party wig and looks miserable inside the Impala is cut and nobody talks about it ever again because it never existed. We get a scene of Sam teaching his son how to fix the car instead. (Reasoning: First of all, don’t give Sam a life where years later he’s still in pain. Second of all, the fucking wig was a crime).

Sam’s dying scene stays the same. The only thing is that his son signs a couple of phrases to him before actually speaking. (Reasoning: More confirmation that Dean Jr. is Eileen’s son).

We hear the final “Evanescence-like Carry on my wayward son”. Again we see the photos and there’s family other than the Winchesters there. (Reasoning: Obvious at this point).

The rest is exactly the same. The show began with two brothers and it’s okay if the last scene is with the two brothers reunited in Heaven. At this point, the other parts of the story are acceptable enough for us to feel happy that they get to see each other again after years of a happy (after)life.

Now look me in the eye and tell me this was too hard to execute. I still think that bad writing is a thing we can’t deny here, adding to the possible meddling of the Network. Maybe Dabb wanted us to hate the finale because he couldn’t get away with what he truly wanted. If that was his intention, then kudos to him. He and The CW really gave us a finale that only 30% of the fandom liked.

I hope you guys have enjoyed this and it helps to give you some peace of mind. In my heart, this was the finale we got. It wasn’t perfect, but it didn’t drop the ball either.

[getoutofmyjaneway]

Enterprise is also Leaving Netflix. What Should you Watch Before it Boldly Goes Away

So let’s talk about Enterprise shall we? The black sheep of Trek, it is very different from what came before it. And you are right, Enterprise starts off slow.  R e a l l y    s l o w.  Do not let that stop you, Enterprise has a lot to offer! How you can watch depends on how much you have to put into the show:

Option 1 - Long Option

Enterprise is primarily comprised of story arcs in its third and fourth seasons. You can see Star Trek actively starting to transition its’ form of storytelling from usually one- or two-episode stories to the multi-episode to season-long story arcs we typically see in TV today. I will also not be the first to say that Enterprise really blossoms in those two seasons. Because of this, it is really hard to just jump into an episode in the middle of a story arc without being a little lost

Your best option is to watch all of the Xindi story arc and most of the story arcs in season 4.

Start at season 2 episode 26 The Expanse and watch all the way to season 4 episode 21 Terra Prime. This is the true series finally, do not watch These are the Voyages, it is one of the most insulting series finales, like worse than Seinfeld.

Please note that you can skip season 4 episodes 18 and 19 if you don’t like/ are annoyed by the Mirror Universe. These are for-fun episodes that I enjoyed, but I understand are not for everyone. Additionally, season 4 episodes 10 and 11 are not part of any broader story arc, but I would only skip episode 11, Observer Effect. I personally really like episode 10, Daedalus, which gives insight into the history of the Star Trek Universe.

This leaves you with anywhere from 42-46 episodes to watch. Now if that seems like a lot, don’t worry! You can always watch:

Option 2 - Just 10 Episodes

Season 1 Episode 13 - Dear Doctor

Ship's Doctor and resident non-human character Phlox is on Enterprise in a type of exchange program, with a human taking his place on a Denobulan vessel as they strive to learn more about each other's cultures. Phlox writes his human counterpart a 'Data's Day' style letter in which he recounts the adventure of the day. So what's on the menu today? Oh, I don't know, just the origination point of the Prime Directive, you might have heard of that before. 

Season 2 Episode 23 -  Regeneration

Regeneration is a follow-up to the movie, Star Trek First Contact. Yes. I am serious. A group of scientists encounters a crash site where they find Borg corpsickles and so kindly bring them back. This means that the Borg's attack at Wolf 359 was actually a predestination paradox created by the same man who leads the charge against the Borg at that very battle. Yikes. Overall though, a Borg episode was surprisingly appreciated, reminding us that this is overall still a part of the current Star Trek canon.

Season 2 Episode 24 -  First Flight

The point of Enterprise was to give us a glimpse into the early years of human space exploration. While we only saw so much, we did see the beginning of humans traveling at faster than warp speeds. As part of the NX program that spawned Enterprise herself, many tests had to be made to push the maximum possible speed. Of course, being the prolific piolet he was, Archer was there. Making drama.

Season 3 Episode 8 -  Twilight

Enterprise ran into an anomaly that slams into a corridor where Archer and T'Pol are. T'Pol becomes trapped and Archer frees her. This allowed her to escape, but he did not share her fate, being rendered unconscious by the same anomaly. That was 12 years ago. As a result of his injury, he can no long-term memories and Archer has to come to grips with what has been lost during that time. This is my favorite episode of Enterprise, that invokes shades of DS9's The Visitor and Voyager's Year of Hell. In my research, I found out that this was originally pitched as a Voyager story which is now so obvious. The relationship between Archer and T'Pol is never romantic, but you can see the true care they have for each other in their interactions here.

The “Romulan Interference” Arc

Season 4 Episode 12 - Babel One

Season 4 Episode 13 - United

Season 4 Episode 14 - The Aenar

I have decided to select this three-episode arc which is defined by Memory Alpha as the Romulan Interference Arc. By trying to turn the founding members of the federation against each other, the Romulans accidentally created one of their biggest rivals. Oops. Of course, the Romulans are not the main focus, where this really shines is the interplay between the different cultures of the founding races, the humans, Vulcans, Andorians, and Tellarites. You can see that this was originally planned to be long and drawn out, but they did a good job of condensing it into a nice little arc. Andorians are at their best in Enterprise and this is the most in-depth look that we see in the series. Star Trek Legend Jeffery Combs plays Shran and of course he is amazing, his chemistry with Archer is real. As a reoccurring character, this is not the first or last time we see Shran, but probably the most focused look we have on the character.

The “Xenophobic Humans” Arc

Season 4 Episode 3 - Home

Season 4 Episode 20 - Demons

Season 4 Episode 21 - Terra Prime

Another arc here to round off the list. I had originally only planned on placing episodes 20 and 21 here, but as there is setup done earlier in the season, episode 3, so I have also included it here as it contributes to a bigger part of the story. It makes sense after all that people have been through after the Xindi war, there would be pro-isolation groups. Heck, they probably were already there, but it makes sense that here, the tension would grow. It’s kind of ironic that after all of these struggles with alien races, the climax of the series sees a struggle not among aliens, but among humans. As a premise, this is what we all expected of Enterprise, a Coalition among explorers coming together to see what is beyond their shores. This is the true ending of Enterprise.

Again there are multiple ways to watch Enterprise, and again, these are just snippets. I know I left out some episodes that people will probably enjoy like The Expanse, Carbon Creek, or even the pilot Broken Bow (which in my opinion is the best pilot episode in the pre-reboot Star Trek era). This list was composed of episodes that would best give the Enterprise flavor, and in my opinion, the effect of an episode on Star Trek mythology was one of the biggest contributing factors. Would love to know what you think or if there are other episodes that should be added. 

[messers-moony]

Comics 3 | A.G

Paring: Aidan Gallagher X Fem!Reader

Summary: Aidan meets an unusually pretty girl at a library while trying to find a textbook for school.

Thirty years of age, both adults still lived in the heart of New York City with bustling careers. Aidan’s singing and acting career took off after releasing his EP at twenty-five, along with his acting in The Umbrella Academy. Not to mention his phenomenal acting in the Netflix series based on Y/n’s comics.

Y/n’s comic book writing and illustrating only got busier as the years went by. So much so Aidan would have to make sure she was eating correctly as she soon became a workaholic. While he loved her passion for comics, he also loved her well-being and wanted her healthy.

Soon enough, she found her healthy balance between work and reality. But lately, she found herself delving back into old habits. She cooped herself in her office, not ever wanting to leave. Aidan tried convincing her to leave, but every time, she’d say the same thing.

“ If I leave, I’ll lose inspiration, and I have perfect ideas at the moment! “

What was even worse was she was most productive at night. So now, Aidan slept alone instead of with the girl he yearned for. Oftentimes he found himself hugging her pillow with his nose as deep as it could go without suffocating himself.

This was a very unhealthy addiction, and again, Aidan loved her enthusiasm for her work, but this was becoming too much. It was about 4 am when Aidan got restless and left the bedroom.

Hesitantly he knocked on her office door to no response. Sighing, he opened the door. There he found Y/n laid with her head on top of the desktop. She was sound asleep, looking rather uncomfortable.

Carefully he picked her up and brought her to bed. She would probably scold him in the morning for bringing her to bed instead of waking her to continue to work, but he didn’t care. She fell into bed effortlessly and instantly nuzzled into his arms, staying asleep.

He gave her a gentle kiss on the forehead before falling asleep himself. Then in the morning, clattering in the kitchen could be heard. Groaning, Aidan left the bed to see Y/n in the kitchen making coffee while reading something on her phone.

“ Morning. “ Was spoke tiredly from Aidan’s mouth, causing her to look up, “ Sorry. I didn’t mean to wake you. “ Y/n apologized as she set her phone down.

Aidan took a seat at one of the barstools next to the ledge, “ You didn’t. I was bound to wake up eventually. I have a photoshoot later and some scenes to do. “ He replied as he rubbed his face.

“ Are you okay? “ Y/n queried, “ You’re not overworking yourself, are you? “

Aidan deadpanned, “ You’re not one to talk. “ He snapped, and Y/n looked taken aback, “ I found you asleep at your desk last night with colored pencils in your hand. “

“ I'm sorry. I just, I just really need this done. I have a deadline, and it’s stressing me out beyond belief. “ She again apologized, making Aidan sigh, “ I know, love, I know. But you can’t keep yourself in your office all day. You worry me when you’re like this, not eating, not drinking, not doing anything aside from work. “ Aidan explained.

“ I know you’re very passionate about your work, and I love that about you. You put everything you can into your comics, and that’s what makes them so good, but you need to find your balance again. You’re stressing yourself out over nothing. You’ll complete this comic in time. I know you will. “ He reassured, “ I do not deny it isn’t stressful because I know it is. But you can’t be this hard on yourself. “

Y/n sighed, “ Thank you. I’ll try to find my balance again. It’s just been so much. “ She admitted, and Aidan gave her a tiny smile, “ I know. We’ve been together for almost five years, dated for two, and married for nearly three. I know when something becomes too much. “ The brunette male retorted with a chuckle.

“ Damn, it’s almost been three years. It feels like it was yesterday. “ Y/n reminisced, “ You were such a dork back then. “

Aidan scoffed, “ And you weren’t? If I remember correctly, you wore sneakers instead of heels to our wedding. “

“ I can’t walk in heels! That’s not being a dork; that’s being intelligent. “ Y/n faked offense, and Aidan raised an eyebrow, “ And when we got back to the hotel, what did we do? “

“ Played Mario kart. “ Y/n muttered, “ Mm? I couldn’t hear you. “ Aidan teased.

She crossed her arms, narrowing her eyes playfully at her husband, “ We played Mario kart. “

“ And that is the dorky side of you, my dear. “ Aidan smirked as he got up from his chair and towards the coffee maker, “ But don’t be mistaken, I love you even more so because you’re like that. “

“ We’re not like normal married couples, are we? “ Y/n questioned as Aidan handed her a coffee, “ Definitely not. “

Life had resumed after that playful banter between both lovers. Aidan had gone on to do his photoshoot and scenes for the day while Y/n worked on her comic book.

Something had always been curious to Aidan though, more specifically, there was a question lingering in his head constantly. Where was Y/n’s family? And why didn’t she ever speak of them?

Aidan was always reasonably proud of his family, but Y/n hadn’t ever mentioned that she had a family. He’d be lying if it didn’t worry him. He didn’t want to imagine her having no family at all. While Aidan’s parents were terrific in-laws, he needed to know she had family as well.

There weren’t even pictures anywhere of them, not a sign. Her phone didn’t hold any photos of mysterious people, nor did any of the frames in the apartment they lived. The questions became more persistent as time went on.

Eventually, after months of pondering, he decided to ask. They were both watching a television show in the living room as she laid in his lap. His hand had absentmindedly began playing with her hair as the other rested upon her chest.

“ Love? “ Aidan spoke, grabbing her attention, “ Yes? “

He thought long and hard before being bluntly curious, “ Where’s your family? “ The question had now blatantly been spilled from his mouth as she froze, “ I, uh, why do you ask? “ Y/n stammered.

“ You’ve never spoken about them. I’ve never even seen proof they existed. It’s been piquing my curiosity forever, and it pains me to think you grew up with no family. “ Aidan confessed as her face softened at his concern, “ I did grow up with family. We should probably just leave it at that. “ She responded, but Aidan wasn't happy with her answer.

“ Please, what happened to them that you won’t even tell me about them? “ He persisted, “ Aidan, it’s not essential, I promise. “ Y/n replied, trying to keep her frustration to a minimum.

Aidan still wasn’t quite cheerful at her sudden annoyance, “ What are their names? Did you have any siblings? Any cousins? Any aunts or uncles? “ The male continued asking questioned until Y/n lost her temper, “ Aidan! Please! I don’t want to speak about them. They made it known long ago they wanted nothing to do with me, okay? “ Y/n snapped as she sat up and faced him.

“ But why? “ He questioned softly as he cupped her cheek, “ Because! They didn’t like the person I became. They thought it was stupid. I wanted to even think about majoring in Art. I was exiled from my own family because Art was my choice of career. “ Y/n began explaining.

She sighed, “ It didn’t help as I progressed through my career either. They caught wind of us dating and weren’t happy. Said you were an idiot, a fool, and- and just a dumbass using me for sex. I- I couldn’t take it anymore! I was sick and tired of being ridiculed my entire life. So I cut them out of my life like I should’ve many, many years ago. “

“ I’m so sorry. “ Aidan whispered, “ I didn’t mean to pry.

“ It’s okay. You didn’t know, but now you do. “ Y/n replied as she hastily wiped her cheeks.

“ Why don’t we play some Mario kart? “

[tloujm]

Part XXVI: Giving Grief

Author’s Notes: This is the first chapter I’ve posted in months (literally since April). I don’t know if this is a full comeback. I have a few chapters in the drafts that need to be edited and formatted for posting but after that, I still plan on continuing the series bc my plan was always have a long fic. With no new content after part II of the game was released, my interest in the fandom waned but was always there. Now with HBO creating a show based off the game, as well as me being apart of the Pedro Pascal fandom, I think I will soon become more consistent in posting as new content gets released. I will say that at least half of what appeals to me for Joel is Troy Baker’s voice and while I love Pedro’s voice too, I know it won’t be the same. I still think Pedro will do the voice justice bc he can do a damn fine country accent as seen in the movie Prospect on Netflix. If you’re a fan of his and have Netflix, please go watch it!

Genre: Angst and Fluff

Summary: You and Joel reconcile and bond over Ellie and Sarah. 

Ship: Joel Miller x Fem!Reader

Joel waited for you to come home. He paced back and forth in the kitchen switching from holding the card and setting it down on the counter. He was eager to talk to you about this new revelation partly because he was nervous to have the other conversation with you. After a while of calming his nerves down, you still hadn’t come home. The sun had set an hour ago and Joel was ready to throw on his boots and go looking for you. 

Just as he laced them up, the front door opened. You walked in and immediately stopped because his body blocked you from walking in the house further. 

“Going somewhere?” You asked as you slid past him. He was a grown man and could do what he wanted, but the thought of him leaving to go do other things before the issue between you was resolved upset you. 

He reached back down to unlace his boots. “Not anymore. I was ‘bout to head out and find you.”

“Why?” You asked dryly.

“I’d been waiting on you to come home for a couple of hours. We gotta talk.”

“You’re right, we do. I was helping Wendy walk the kids home from the daycare; that’s what held me up. I’m here now, though.” You leaned against the back of the couch and crossed your arms. The stance you took reminded you of what Joel would do.

He walked into the kitchen and came back. “Kiddo made this for us.”

You took it in your hands. “When did she have time to make this?” He shrugged. Your fingers brushed across the drawing of the hat before finally opening it. “Oh my God.” She looked at you for a split second before looking back down at her signature. “Her name has been ‘Ellie’ the whole time.”

“I know.” He commented. 

“She never said anything. All of us have asked her.”

“Technically, she still hasn’t spoken her name, but I guess she wasn’t ready for that.”

“She wasn’t ready to let anybody in.” You said. He nodded in agreement.

“Until now.” He walked up to you and pointed to her name on the card. “She’s doing so good, this Ellie. I can only try to imagine the horrors that she’s seen out in the world before she came to Jackson, but whatever happened out there, it led her to us. I’m...It’s just nice to see her opening up to this place.”

You understood what he was trying to say. “Yeah, I’m proud of her too.” You walked past him and into the kitchen to hang the card on the refrigerator. Joel followed. This time, his arms were crossed.

“(Y/N), I meant it when I said I was sorry back there. I shouldn’t have said what I did.”

“If you didn’t mean it, you wouldn’t have said it.” You rebutted.

“I was upset with you because I expected you to react the same as me when Ellie climbed up that T-Rex, but I don’t want a carbon copy of myself. I love you and want to have a family with you because you are wise beyond your years, confident even if you don’t always think so, responsible even for things that aren’t your responsibility and most importantly, you’re level headedness. Where I have a tendency to lose my cool in certain situations, you are guided by this calm...patient sense of will that I envy.” He took a deep breath and slowly exhaled, giving you the opportunity to say something. Seeing that you were still soaking in his words, he continued. “You’ll be a great mother. I saw it in the gentle way you juggled all those kids at the daycare. I saw it in the way you took care of Ellie the first day she came here. You’ll see though, if it’s meant for us to have a baby, how difficult it is to stop worrying. It didn’t stop when Sarah....even when I tried to push those feelings away. It doesn’t stop. I know she’s not her, but it’s hard for me to just stand by and watch her do something that could hurt her.”

“I wasn’t standing by, or at least that wasn’t my intention. I wanted to give her space. She’s so delicate, or maybe that’s my problem. I shouldn’t treat her like she’s some glass figurine. I just wanted her to grow comfortable with us by trusting her. Believe me, it wasn’t easy for me to do when there was nothing personally for me to go off of, but then I thought, she’s lived out there for God knows how long by herself. She’s not only seen things but has been able to survive things. It’s hard to see how clever someone is when they won’t let you in, but I knew she had to be to have made it this far. I get it though. I’ve never been a parent. I can only sympathize with your worries. I can not empathize with you until I’ve been where you have. I’m sorry too. I could have found a way to give her space without allowing her to be in such a dangerous spot. You must be disappointed in me.”

He moved up to you and placed his hands on your shoulder. “I’m not. Look at me. I’m not disappointed in you. She was both of our responsibilities earlier.” He brought you into a tight hug. “You’re right, she is smart. She felt comfortable enough to show a side of herself that no one else has seen. You know why? ‘Cause she felt safe around us. Despite the grief she put me through, it was nice to see her so happy.”

“I know it was, wasn’t it? I can’t believe she jumped though! I didn’t think she’d go that far.”

“At the end of the day, kids will be kids. It’s not an excuse to slack off on raising ‘em, but there's just a certain wild and carefree nature that every kid has. It’s instilled in their DNA or somethin’ and then it fades away as they get older, about the time their back starts to ache.” Joel chuckled as he explained. He kissed the top of your head before pulling away to get a good look at you. He made a face as if to ask if you were ok. You nodded. He took your hand and pulled you into the living room. You sat down next to him. “She reminds me of Sarah sometimes. Ellie’s about the same age as her. She ran me through the ringer, raising that one.” He chuckled at the memories. “I wouldn’t trade it in for the world, being her dad, but you shoulda seen the amount of grief she put me through. Especially being a single parent.” He wiped his hand across his face, letting it linger along the length of his neck. “One time, she snuck off to some skate park when I told her no. She was in this skateboarding phase. I bought her a customized skateboard for her birthday and she would practice using it up and down the driveway. She had barely learned that little flippy trick when she asked me to take her to the skate park. I told her no because it looked like it was for experienced skaters. I wanted her to practice more first. To say the least, she was mad at me. She told me she was staying after school for the science club, but she really went to the skate park with some friends. By the time I figured out where she was, I found her lying in the grass, holding her arm in pain. Turned out she had a hairline fracture in her...radius?” He pointed to the bone on his arm. You nodded that it was in fact called radius. “I grounded her for lying to me, but sometimes I wonder if I should have taken her to the park. I mean I’m no expert on skateboarding, but at least I could have been there to supervise; make sure she wasn’t on one of those tough looking ramps.”

“Did you ever take her skateboarding after she healed up?”

“After the cast came off, she switched interests to soccer. I installed a shelf on one of her walls to hang the skateboard on. Better that than being stuffed under her bed. Soccer was her life though. She made new friends from the team, won titles, learned tricks with the ball. Me and Tommy were regulars at her games. I was...am proud of her.”

You smiled as you envisioned his memories. “Did she give you grief with that as well?”

He nodded in an exaggerated way. “Oh yeah, but I’m sure I used to give her grief too.” You lifted your eyebrows with desire for him to elaborate. “I may or may not have argued with the coach and ref on a few occasions regarding plays.”

“You never dated any of the soccer moms?” You teased.

He scoffed. “Most of them were married and the ones who weren’t, I sent Tommy’s way instead. He wasn’t mad at it.” The two of you chuckled. “I did flirt with a few, married or not, so I could get my hands on some of their homemade baked goods.”

“I was under the assumption that soccer moms made food for everyone.”

“They did, but I still wanted a few more cupcakes for the ride home.” He admitted as you laughed. “Listen, I had a busy life. I didn’t have much time to hone my baking skills, so it was nice to be able to have homemade cakes and cookies for a change.

“Well, if you wanted cookies, that’s all you had to say! I can show you how to bake right now.”

“It’s late.” He reasoned.

“It’s never too late to feed your sweet tooth.” You rebutted as you pulled him back into the kitchen.

[avatar-news]

The Fire Nation Awaits 🌺 An in-depth look at the ever-elusive islands in the era of Korra and when we will finally pay them a visit

[Artwork by Avatar News; not official.]

Note: This article was published before the official announcement of Avatar Studios at the Paramount+ investor day.

“Water. Earth. Fire. Air. Long ago, the four nations lived together in harmony. Then, everything changed when the Fire Nation attacked.” We’ve all heard those words a million times. The four elements, and the power to control them bestowed by four subspecies of giant lion-turtles, are at the very heart of the world of Avatar. The balance between them was once upon a time broken by one of the four, the Fire Nation, forming the main conflict of Avatar: The Last Airbender. For much of Aang and the Gaang’s quest at the close of the Hundred Year War, the Fire Nation was a forbidden, far-away location, until the curtain was finally drawn back in the aptly-named Book Three: Fire when our heroes entered the inferno, undercover behind enemy lines. A dramatic tropical destination! New outfits! Culture shock! Needless to say, it was a big deal.

→ 🌺 The big reveal of the Fire Nation in Book Three: Fire had its own marketing push, matching public anticipation.

When the Hundred Year War ended, the newly-instated Fire Lord Zuko dedicated his life to righting the wrongs of his forefathers and working with Avatar Aang to bring the Fire Nation back into the fold under peace. By the time Aang’s successor debuted as the next Avatar in the titular The Legend of Korra, Zuko had abdicated the five-pointed crown and his daughter, Fire Lord Izumi, took the stage leading a reformed, rebalanced Fire Nation.

There was no more war, no more enemy lines, yet the Fire Nation became more distant and mysterious than ever before.

Korra’s close encounters with the land of fire

To this day, Korra has never visited the Fire Nation, nor has it been seen at all, nor do we know anything about it in her era. In fact, practically the only thing we do know is that its leader is a noninterventionist, which conveniently gets it out of the way of making an appearance in Korra’s journey as the Avatar so far.

The closest we have come to seeing the Fire Nation in The Legend of Korra was in Book Two: Spirits, Chapter Five: Peacekeepers. In the midst of the Water Tribe Civil War, Korra sets out across the sea to get help from the royal family, however, she is intercepted by a dark spirit and never makes it to her destination. In the next episode, she washes up on a secret island home to the Bhanti sages, which probably technically counts as Fire Nation territory, but as we know from The Shadow of Kyoshi (more on that later), this faction predates the Four Nations themselves so it doesn’t really count.

→ 🌺 Korra washes up on the beach of Bhanti Island in Book Two: Spirits, Chapter Six: The Sting.

No, as cool as that location and the events of the Beginnings two-parter that happened there were, it wasn’t the main draw of seeing the Fire Nation that we’re still waiting for: seeing how the Fire Nation, which was already industrializing in Aang’s time, changed over the decades, compared to places like Republic City and Ba Sing Se; meeting new characters; visiting new and familiar locations; worldbuilding both new and expanding on what we already learned.

After this aborted tease in Book Two, we never come close to the island country again (at least not with this Avatar and in her era; yes I’m leading up to something...). Instead, the focus turns strongly to the Earth Kingdom in the third and fourth Books, and beyond.

Keep in mind that The Legend of Korra aired for about two-and-a-half years total from 2012 to 2014. Since then, the story has continued in comics. The comics era has lasted from 2015 to present-- seven years to the animated series’ two. In that time, there have only been two comic trilogies due to various production troubles, and neither have touched the Fire Nation. Instead, they directly continue the Earth Kingdom-focused threads started in Books Three and Four of Korra, both originally airing in 2014. Or, in perspective: we had a focus on Republic City in 2012, the Water Tribes in 2013, and the Earth Kingdom from 2014-2021.

Will we finally see the Fire Nation in the next graphic novel trilogy?

This question comes to mind every time new Korra content is supposed to roll around, and the powers that be know it-- it’s a pretty obvious gap in the world of Avatar right now. This franchise is iconically built around four elements and the Four Nations based on them, so one of them being MIA is quite glaring, and for that reason everyone is understandably always asking about it.

The most concrete confirmation we’ve gotten was this AMA answer from franchise co-creator Michael Dante DiMartino in 2016, two years after the show ended and a year before the first graphic novels did come out:

“Yes, hopefully in the [Korra] comics, we’ll have a chance to go to the Fire Nation and see how it has changed since A:TLA.”

Since then, as previously discussed, two comic trilogies have come and gone, obviously not getting closer to the Fire Nation-- and I would actually argue entrenching themselves further away from it.

I want to make it clear that I’m against fan entitlement. Creatives telling the tales they want to in service of the story and the artform is how the industry should run. I’m just hoping to offer some perspective on how we got to where we are almost a decade into the era of Korra and the metatextual pacing of the franchise itself.

Either way, the next Korra comic trilogy has been official confirmed by the editor for Avatar at Dark Horse Comics in this informal statement on Twitter:

We’re not ready to announce any details yet, but we are working on the next trilogy. I really appreciate your patience and hope it’s worth the wait! ✨

There’s currently some kind of holdup for which we really have zero context or information, and we of course have no idea what this next trilogy will be about. (I do speculate a bit on what it could be a few paragraphs down.)

But, like what turned out to be Ruins of the Empire before it, I faithfully made a mockup graphic for my post announcing the confirmation of the next The Legend of Korra graphic novel trilogy. And like before, I chose to completely speculatively and blindly make it Fire Nation-y, as if the next comic could/would(/should?) feature it. This is mainly because I feel like that’s what most people’s eyes would be caught by and thus result in the most successful post (hey, at least I’m honest), but also because it’s just fun.

Here are both images, from 2018 and 2020 respectively:

→ 🌺 Speculative edits I made for my posts on the announcement of previous and upcoming Korra comics before we knew anything about them.

In both cases, the response was huge, and people were super excited about the prospect of Fire Nation content just from my quick speculative mockups. I am of course hoping that the new artwork I made of the Krew for this post will have a similar effect (it’s the first time I just straight-up drew it instead of editing existing images) but again it’s really mostly just for fun.

Anyway, until the next trilogy is properly revealed, we’ll just have to wait and see.

However, that’s not the only place this could happen.

Are they saving the Fire Nation for an animated movie?

With Avatar’s HUGE success on Netflix last year, interest in the franchise rocketed to an all-time high. The streaming wars have begun, and Avatar’s owner and its parent company, Nickelodeon and ViacomCBS, have finally started to notice.

ViacomCBS is launching Paramount+ on March 4th, a relaunch of its existing streaming service CBS All Access. Paramount+ is meant to be a big expansion and refocus to compete with the big hitters: Disney+, HBO Max, and, yes, Netflix. (There’s quite an entanglement there, with Netflix being the home of Avatar’s big year and the upcoming live-action series.)

One of the keys to a successful streamer today is high-profile originals to drive new subscribers. ViacomCBS knows this and they know Avatar has just become among the highest profiles a property can have, breaking records and going toe-to-toe with other big-hitting sci-fi/fantasy/genre franchises. This knowledge goes right to the top of the food chain: the CEO of ViacomCBS mentioned Avatar by name when discussing potential originals for Paramount+.

I have previously discussed how The Search relates to this. The Search was the second ATLA comic trilogy, focused on the search for Zuko’s mother in the thick of the Fire Nation, and if you didn’t know, it was originally pitched by Bryke as an animated movie after the original series ended.

I just want to be clear that what I’m discussing here is purely speculative, but this is the only other piece of the Avatar franchise that we know was optioned for animation besides the shows themselves. It’s possible they would be interested in going back to this idea as a Paramount+ original (and it would certainly be popular among audiences), but it is of course set during the era of Aang and thus covers both a time period we’ve already seen, and also by nature of already being released as comics, events we’ve already seen too.

However, the whole point of this article is that there is one major, huge thing we haven’t seen yet, with massive anticipation building for a decade behind it: the Fire Nation in the era of Korra. So, again, this is just speculation, but it’s also possible that they could return to the very smallest seed of the original idea for a The Search movie, and do a Fire Nation-focused Korra movie now.

→ 🌺 ATLA’s Fire Nation-focused The Search was originally pitched as an animated movie.

You can skip this next part if you don’t want to see me embarrassingly promote my fan idea 😆 but this is where the artwork I made for this article comes into play. The general idea for it, and the reason I tried to replicate the show’s style as much as possible, is that it’s what a Fire Nation-focused movie could maybe look like. Something as standalone and unrelated to Earth Kingdom drama as possible, with fresh new looks for the Krew to get people excited for something fresh and new! I really feel like the Avatar franchise has so much potential for expanded content like this, that’s why I have high hopes that Paramount+ will make the most out of it! You can see the individual characters’ artwork in larger size here. Ok I’m done back to business.

If the idea of a movie seems too impossible to you, we can also take a deeper look at Bryke’s involvement with upcoming comics instead.

After Korra ended, they officially each went their separate ways. They vaguely consulted on Avatar stuff, and Mike of course wrote the Korra comics, but Bryan was planning on writing and drawing his own original non-Avatar comic series and Mike was releasing his own non-Avatar novels. This all appears to have come to a stop when they signed on to showrun the live-action retelling of ATLA at Netflix, officially reuniting the partnership and committing to Avatar again in a big way. Of course, they ended up leaving that project over creative differences, but it did result in a big, lasting change: this time they remained official creative partners and have indicated they’re still working on Avatar now, together. This is a far cry from the official breakup after Korra, so it begs the question what exactly they’re working on. I of course have my fanciful predictions of a sprawling expansion of the Avatar franchise at Paramount+, but what if it’s actually a combination of the ingredients from before the live-action series...

More speculation, but what if the reason for all the mystery behind the next Korra comics is because they will be made by Bryke, with the two of them co-writing and Bryan doing the art for the first time? If that’s the case, they could want to make them a bigger deal than the other Avatar comics have been so far, and maybe that’s why it’s taking so long to iron everything out, have a more significant story, have more of a marketing push, etc. If they’ve been saving the Fire Nation for something big, this could be it.

I personally think this is less likely than a show or movies or something, but it is possible. Anything is possible right now since we know so little about the large-scale direction of the franchise moving forward, just that it’s gonna get big.

⛰️🌋 The Fire Nation in the era of Avatar Kyoshi

We’re not done! Despite everything I’ve written here, believe it or not, the Fire Nation was actually the star of the show in the last year.

With the debut of the Avatar franchise’s first original novels, Kyoshi made a huge splash (in a way only she can). If you haven’t read them yet, you NEED to-- they’re some of the best Avatar content EVER. The Rise of Kyoshi hit shelves in 2019 and The Shadow of Kyoshi followed in 2020. The latter is of particular interest here, because it was almost entirely set in the Fire Nation and featured practically everything and anything you could want from a visit to elusive islands. Though obviously set in a historical period some four hundred years before Aang’s time, Kyoshi’s sojourn in the Fire Nation gave us a huge amount of new information, a depth and breadth of worldbuilding, culture, and character we’ve never really seen in Avatar before. It truly makes the most of the literary medium, so hats off to author F. C. Yee for the passion and effort he put in.

In The Shadow of Kyoshi, we learn about the era of the previous fire Avatar before Roku, Avatar Szeto. Through Kyoshi and her own Team Avatar, we learn about the different clans and islands of the Fire Nation, as they experience the fraught early reign of Fire Lord Zoryu and the conflict between the Keohso and Saowon clans, culminating in the Camellia-Peony War. We get a multitude of fleshed-out perspectives from the upper crust to the flea-bitten underworld, matching the heights of the worldbuilding quality of Republic City. It’s such cool, intricate stuff, and really shows Avatar’s potential (and that’s all just the worldbuilding-- the character work is also top-notch).

That’s not the only place the Fire Nation has shone recently. One of Insight Editions’ awesome scrapbooks, Legacy of the Fire Nation, gave us a tour through the royal family’s history, including never-before-seen looks at young Iroh and Ozai and much, much more.

All this just goes to show that the Fire Nation has been a hot ticket throughout the ages and there’s one conspicuous gap in that history: the era of Avatar Korra. With so much recent expansion and development of the Fire Nation in our world, it would be perfect to see the culmination of it all in the current time period in the world of Avatar too.

If this made you excited for the potential of what the Avatar franchise could look like in the coming years, same boat!

The next concrete date where something could be announced is February 24th, when ViacomCBS will host their investor day and present their streaming strategy, including Paramount+ originals. There’s no guarantee Avatar is mentioned, but I’m keeping a hopeful eye out.

As for comics, Dark Horse’s schedule marches to its own beat, so there’s no way to know when the next drop of information is coming our way.

Could this finally be the comics that take us to the Fire Nation, or could the much-anticipated visit be in another medium like animation? Stay tuned-- as always I’ll post as soon as we learn anything new!

[soramel]

Curiosity didn’t kill the cat | jjk ff

Part 1

jjkxreader Prompt: “You’re early,” said the grim reaper with a hint of amusement.

Fantasy au, grimreaper!jungkook, reader, romance, slow-burn

Words: 1.5k approx. Part 1/5

“You coming tonight?” your friend, Jimin, queried. The air’s getting colder these days. Gone were the colors of autumn that used to cover the path you’re taking and only left with the cold wet pavement.

You shrugged, “I have reports to finish.”

Meaning a netflix series you have to catch up on in the comfort of your couch. You were already deciding if you should order chicken wings or just go with a hot choco. Maybe ramen... you might need to stop by the store for kimchi. You’ve ran out last week.

Jimin whined, “Again? I thought you just finished the other day? Isn’t it finals in two weeks?” he knew you’re not just up for any party. He barely hitched you up on one, but he thought you’d give it a try, considering you’re a semester away from graduation in two weeks time. 

“That also. It’s the finals,” you wittingly replied. Then faked a complaint, “Ugh, there’s too much to catch up on. I want to graduate already.”

You turned to him and gave out a sheepish smile, “Here’s my building. I’ll join you guys next time! Bye!”

It was a good call. It has been raining cats and dogs for hours. The heavy rain droned out the city’s noise outside your apartment and nothing could be more perfect right now with you and your laptop and a can of beer at hand. 

The sky lit up with lightning followed by a loud rumble of startling thunder.

In a blink, a shadowed figure appeared beside your bed. You yelped in surprise.

Out of instinct you threw him whatever you’re holding. He didn’t flinch and you just watched as the fedora hat fell off his head, revealing a set of unruly curls covering his eyes.

You gasped, hands covering your mouth.

The stranger’s eyes fell shut in annoyance at the sudden beer facial wash. 

Before he could even speak, you shouted, “Who the fuck are you?!”

“What are you doing here?”

“I’m calling 911!”

You questioned and threatened. Words coming out in spitfire. 

He patiently wiped the stinking liquid off his face then taking a look at his watch while you dial for the police. Only then you realized you lost grip of your phone before even pressing the green button. 

You tried to pick it up only to stare in horror as your hand went through. 

You stared back at the strange man while you took everything in. He’s wearing a black trench coat, black gloves, and black combat boots. A character straight out of steampunk. 

He let out a sigh and a forced smile. 

“You’re early,” said the man with a hint of amusement. 

“I just received your death notification while fetching a soul. He made a fuss and we had some problems so, apologies for being late.”

Is he crazy? A psychopath? A stalker?

“Ah, how rude of me. Jeon Jungkook. Your grim reaper, at your service.”

You’re beyond shock. 

You thought you needed to be sent to a mental hospital for even believing whatever the freak is saying right now. 

He raised his finger and sighed before pulling out a tablet under his coat. It’s as if he has done this a thousand times as he nonchalantly fed you information you couldn’t grasp.

“L/N, Y/N. Your cause of death should be of old age at 93 on August 10, 2090.”

Cocking his head to the side, “I need you to come with me to the headquarters so we can settle this.”

You gaped in utter shock.

“I’m dead?”

Jungkook nodded, “Yes. You had a car accident while crossing Adelaide...” he paused and swiped on his gadget, “1 hour and 2 minutes ago.”

You were about to speak when he held up his hand. “I know you have a lot of questions, but we need to get going. My shift’s ending in 0:00 and I still have one soul left to fetch today.”

In a daze, you stood up and followed him outside your apartment. The elevator dinged as it opened. He flashed his bunny-like smile and gestured towards the lift. 

“After you,”

You walked meekly, unsure whether this is some kind of prank being pulled by Jimin. Is he his friend? Is this your punishment for ditching him nth times in a row? 

Jungkook stepped into the elevator as you look for cameras. Your run-down apartment has none. 

Then the lights inside flickered, making you jolt. 

Ding!

The doors whooshed open only to find yourself in a grand bedroom. Wails of grief from the family rung through your ears as you followed his footsteps, still out of your sanity.

An old man’s body is laying on the bed, with the machine showing a flatline on the bedside. Jungkook wore off his fedora as he greeted the old man who’s staring at his grieving family.

“Sir. It’s time.” he informed solemnly. The man turned to you his eyes flashed with understanding. He stared up to Jungkook and nodded, accepting his fate. 

You pursed your lips as you held onto nothing but your hands. As Jungkook opened the bedroom door, you three were led to a neighborhood, outside of a mansion. 

There’s a car waiting. Jungkook held the car door open for him. With a last look at the house, he silently rode the car. The door falling shut after. 

You were speechless. This...

isn’t a prank.

You’re dead. 

--

“That was fast,” Jungkook said, sounding happy. “Ah I love fetching old people sometimes. Smooth as butter,” he told himself as he dust off his hands out of habit.

When he turned to you, his nose crinkled in light disgust. 

“Come with me,” he ordered.

You followed suit and couldn’t even utter a word. Barely understanding what’s happening. 

A minute of silence passed as you walked down on the neighborhood. 

“I’m not supposed to be dead, right?” you asked, remembering what he said earlier.

You watched the back of his head bob up and down. “That’s why I’m bringing you to the headquarters in Jongno district. You’re my first odd case,” he explained.

“How... how would I live? When I don’t have my body anymore?” you walked up to him. Stopping him from taking a step further.

“Shouldn’t we get my body first?” you asked, frantic. He just stared back at you and replied, “And what? Hide it in a fridge?”

“I don’t even have one in my house,” he followed then continued walking.

You felt utter frustration. It’s unfair. Extremely unfair. They did some kind of mistake then now you have to suffer. What kind of shit are they on to?

“But I wasn’t supposed to die! As you said!” you yelled at him. Tears welling up in your eyes. 

He stopped and turned back to you. He looked around and grabbed you by the arm. Jungkook walked towards a door and went in and as if there’s a sudden shift, quite of a whiplash, you exited to another door leading to another neighborhood. 

He didn’t stop walking and you tried your best to stop him as he just moved forward despite the cobblestone wall ahead of you. 

In a blink, you were led to a white-washed hall. Endless counters like those in a bank with red digital numbers on top of each one. 

He didn’t let go of you as he tapped on the self-service queue machine. 

A receipt is printed, a ding heard, then you were being dragged again 10 counters down the hall. 

His pissed off face were gone in a second as he flashed his friendly smile on the lady behind the desk. 

“Jungkook! It’s been 3 Julian years!” she greeted enthusiastically.

Then inquired right away, “Another stubborn soul?” 

She turned to you, and ranted on “Oh poor young lady, no need to worry. You’ll be reincarnated after passing the 7 trials! 49 days if you’re a noble soul but that’s 1 in a million traveling the afterlife. You’ll just spend a decade on average! We have a long queue at the gate, you see. You should fall in line now.”

She talked out in one breath then turned to the arrogant grim reaper, giving out a wink as if she just solved a problem for him.

Jungkook shook his head and leaned on the counter. “She’s not supposed to pass yet. Here,”

He took out his tablet and showed your profile. The lady frowned before another “Oh,” in surprise passed her lips.

She then swallowed and feigned a smile. “I have to call a higher up for this. Give me a sec.”

The lady dialed something on the telephone and spoke, “Sir, we have a case 3 here.” 

“Understood.”

She looked up at both of you after the call. The door to your left opened as she let you in. 

“Follow me,” she said in her top-notch customer service tone.

You were lost after a series of turns and doors and lifts. 

At another turn around the end of a hallway, you saw an intricate carved-out door at the other end. 

The lady knocked before the knob clicked open.

[sokkastyles]

I read a pro-Ma/iko take a few weeks ago and I would love your insight because I couldn't put into words why it's so 'ick' to me. The post referenced to all the times someone tried to/has touched Zuko's scar. It went something like: 'Katara touching his scar was insignificant because it was a superficial way of 'healing' him (i.e. she was a means to an end for him) but also bc she doesn't 'know' him. While Mai touching it meant she still saw him as the same Zuko and was trying to comfort him.

Okay, so there’s a couple of things going on here so I’m going to address these two arguments seperately:

1) Katara touching Zuko’s scar to heal it is insignificant because it was superficial and she doesn’t know him.

2) Mai touching Zuko’s scar means she sees him as the same Zuko and was trying to comfort him.

I heavily disagree with both of these arguments and not even from a shipping POV, but as someone with a disability that affects the way I look, even though mine is very minor compared to Zuko’s.

I actually have said that Katara’s offer to heal Zuko’s scar was a superficial healing and not what he really needed, but that doesn’t mean the offer itself wasn’t meaningful. Zuko didn’t need to have the scar healed in that moment, and I’m so glad he didn’t because I am very opposed to narratives in which disabilities and disfigurements get magicked away (*stares intently at Netflix’s Witcher) but it was the first time that someone had offered him the possibility of healing, and Zuko’s reaction to that tells you how much that meant to him. He’s totally blindsided by the offer not just because what she’s saying sounds impossible (and I tend to think Zuko had no idea that waterbending could be used for healing, and when she offered to heal Iroh he was not at all in a place to listen), but because he’s used to viewing the scar as a representation of his own failures. He sees it as a burden he has to bear, something he has to constantly make up for. That’s essentially what he says in his speech to Katara. Even when he says he has realized lately that he can choose what to make of it, he emphasizes the idea that it’s something he will never be free of. Katara saying “maybe you could be free of it” is important not really for the offer to have the scar erased, which isn’t what Zuko needed, nor would it make him magically switch sides, but because she’s offering a totally alternate perspective on the scar. What if you didn’t have to bear this burden? What if you never had to in the first place?

And that totally shakes Zuko because it’s the first time someone empathized with him over the scar, knowing who he was, knowing what he’s done and where he’s come from, but not actually knowing the details of how he got it.

Iroh tells Zuko all the time that he didn’t deserve how Ozai treated him, not necessarily in words but in actions. And Iroh was there, Iroh knows the whole story intimately. Iroh watched as Zuko was burned. People like Song and Jet who empathize over the scar but assume he got it while fighting the Fire Nation can’t truly empathize because if they did know who he was, they would hate him. And, in fact, Jet turns against Zuko as soon as he learns he’s a firebender (even if only by association, Jet never saw Zuko firebend, just Iroh).

But Katara knows exactly who he is. And she does hold him accountable for what he’s done. But then she sees something different, when he apologizes to her, and when she realizes that he’s another kid like her who has lost their mother. And unlike Iroh, she doesn’t know how he got the scar. She doesn’t know how his family has hurt him, beyond the one thing he said about his mother (which could have meant a hundred different things). And she could have made all sorts of assumptions about the scar. She could have thought that maybe he deserved what happened to him, maybe he’s just a violent person who got burned doing something violent. Zuko might think that if she knew she would think the same thing that a lot of people both in the Fire Nation and outside of it think (like the guy in the Earth Kingdom village in “Zuko Alone”), that the scar showed how much of a disgrace he was, a failure, a weakling, not even his father wants him. But she doesn’t make any of those assumptions despite not really knowing him. She just sees someone who was hurt and it doesn’t matter to her how or why, all that matters to her is that she can do something about it, and if she can, it would be against her character not to try.

That’s a very powerful disability-friendly message because she’s not ignoring the scar, she’s not looking past it, and she’s no longer seeing him as “the face of the enemy,” she’s accepting him without judgement and telling him that this pain that he carries because of his scar is something that is not and never was his fault. She sees someone who needs help and she offers it.

As for Mai, @firelxdykatara wrote a great post that pointed out that it’s not even clear that Mai is supposed to be touching his scar, and I agree. She’s just touching him and the scar is just there. Which I guess you could say means she sees him as the same Zuko, but there are a couple of problems with this. One, the fact that the writers didn’t bother to flesh out her relationship with Zuko pre-series really puts a damper on this. We have no idea what their relationship was prior to them getting together in season three. All we know is that Mai thought he was kinda cute. What does “the same Zuko” mean to Mai? How does Mai feel about being away from him for three years? We don’t know, and in their very first scene as a couple Mai literally tells us, the audience, and Zuko that she doesn’t care to know, either.

The second issue is that he is NOT the same Zuko. He is not the same. He can never be the same. This is something that should be addressed between them, not only because it’s a major trauma that represents how his life has been drastically altered in the past three years, but because it would affect how they are intimate with each other. How does Zuko feel about the scar being touched? How does Mai feel about it? Is the scarred area overly sensitive? Does he have pain? Does he have nerve damage? How much vision/hearing/tactile sensation does he have on that side? All of those are things that would realistically affect their relationship. I don’t necessarily expect the show to address them but the point is this: he is not the same. The scar is a part of him. Disabilities/disfigurements are not something to look past. They are a part of the person. And in the case when someone acquires a disability, they will be the same in some ways but different in others, and that’s something that a romantic partner has to accept. Unfortunately for Mai, the narrative mostly uses their relationship to show how Zuko is not the same as he was before and can never be, nor should he want to be.

[grigori77]

2020 in Movies - My Top 30 Fave Movies (Part 3)

10.  WOLFWALKERS – eleven years ago, Irish director Tomm Moore exploded onto the animated cinema scene with The Secret of Kells, a spellbinding feature debut which captivated audiences the world over and even garnered an Oscar nomination.  Admittedly I didn’t actually even know about it until I discovered his work through his astonishing follow-up, Song of the Sea (another Academy Award nominee), in 2015, so when I finally caught it I was already a fan of Moore’s work.  It’s been a similarly long wait for his third feature, but he’s genuinely pulled off a hat-trick, delivering a third flawless film in a row which OF COURSE means that his latest feature is, beyond a shadow of a doubt, my top animated feature of 2020.  I could even be tempted to say it’s his best work to date … this is an ASTONISHING film, a work of such breath-taking, spell-binding beauty that I spent its entire hour and three-quarters glued to the screen, simple mesmerised by the wonder and majesty of this latest iteration of the characteristically stylised “Cartoon Saloon” look.  It’s also liberally steeped in Moore’s trademark Celtic vibe and atmosphere, once again delving deep into his homeland’s rich and evocative cultural history and mythology while also bringing us something far more original and personal – this time the titular supernatural beings are magical near-human beings whose own subconscious can assume the form of very real wolves.  Set in a particularly dark time in Irish history – namely 1650, when Oliver Cromwell was Lord Protector – the story follows Robyn (Honor Kneafsey, probably best known for the Christmas Prince films), the impetuous and spirited young daughter of English hunter Bill Goodfellowe (Sean Bean), brought in by the Protectorate to rid the city of Kilkenny of the wolves plaguing the area.  One day fate intervenes and Robyn meets Mebh Og MacTire (The Girl at the End of the Garden‘s Eve Whittaker), a wild girl living in the woods, whose accidental bite gives her strange dreams in which she becomes a wolf – turns out Mebh is a wolfwalker, and now so is Robyn … every aspect of this film is an utter triumph for Moore and co, who have crafted a work of living, breathing cinematic art that’s easily the equal to (if not even better than) the best that Disney, Dreamworks or any of the other animation studios could create.  Then there’s the excellent voice cast – Bean brings fatherly warmth and compassion to the role that belies his character’s intimidating size, while Kneafsey and Whittaker make for a sweet and sassy pair as they bond in spite of powerful cultural differences, and the masterful Simon McBurney (Harry Potter, Mission: Impossible – Rogue Nation, Tinker Tailor Soldier Spy) brings cool, understated menace to the role of Cromwell himself.  This is a film with plenty of emotional heft to go with its marvels, and once again displays the welcome dark side which added particular spice to Moore’s previous films, but ultimately this is still a gentle and heartfelt work of wonder that makes for equally suitable viewing for children as for those who are still kids at heart – ultimately, then, this is another triumph for one of the most singularly original filmmakers working in animation today, and if Wolfwalkers doesn’t make it third time lucky come Oscars-time then there’s no justice in the world …

9.  WONDER WOMAN 1984 – probably the biggest change for 2020 compared to pretty much all of the past decade is how different the fortunes of superhero cinema turned out to be.  A year earlier the Marvel Cinematic Universe had dominated all, but the DC Extended Universe still got a good hit in with big surprise hit Shazam!  Fast-forward to now and things are VERY different – DC suddenly came out in the lead, but only because Marvel’s intended heavy-hitters (two MCU movies, the first Venom sequel and potential hot-shit new franchise starter Morbius: the Living Vampire) found themselves continuously pushed back thanks to (back then) unforeseen circumstances which continue to shit all over our theatre-going slate for the immediate future.  In the end DC’s only SERIOUS competition turned out to be NETFLIX … never mind, at least we got ONE big established superhero blockbuster into the cinemas before the end of the year that the whole family could enjoy, and who better to headline it than DC’s “newest” big screen megastar, Diana Prince? Back in 2017 Monster’s Ball director Patty Jenkins’ monumental DCEU standalone spectacularly realigned the trajectory of a cinematic franchise that was visibly flagging, redesigning the template for the series’ future which has since led to some (mostly) consistently impressive subsequent offerings.  Needless to say it was a damn tough act to follow, but Jenkins and co-writers Geoff Johns (Arrow and The Flash) and David Callaham (The Expendables, Zombieland: Double Tap, future MCU entry Shang-Chi & the Legend of the Ten Rings) have risen to the challenge in fine style, delivering something which pretty much equals that spectacular franchise debut … as has Gal Gadot, who’s now OFFICIALLY made the role her own thanks to yet another showstopping and definitive performance as the unstoppable Amazonian goddess living amongst us.  She’s older and wiser than in the first film, but still hasn’t lost that forthright honesty and wonderfully pure heart we’ve come to love ever since her introduction in Zack Snyder’s troublesome but ultimately underrated Batman V Superman: Dawn of Justice (yes, that’s right, I said it!), and Gadot’s clear, overwhelming commitment to the role continues to pay off magnificently as she once again proves that Diana is THE VERY BEST superhero in the DCEU cinematic pantheon.  Although it takes place several decades after its predecessor, WW84 is, obviously, still very much a period piece, Jenkins and co this time perfectly capturing the sheer opulent and over-the-top tastelessness of the 1980s in all its big-haired, bad-suited, oversized shoulder-padded glory while telling a story that encapsulates the greedy excessiveness of the Reagan era, perfectly embodied in the film’s nominal villain, Max Lord (The Mandalorian himself, Pedro Pascal), a wishy-washy wannabe oil tycoon conman who chances upon a supercharged wish-rock and unleashes a devastating supernatural “monkey’s paw” upon the world. To say any more would give away a whole raft of spectacular twists and turns that deserve to be enjoyed good and cold, although they did spoil one major surprise in the trailer when they teased the return of Diana’s first love, Steve Trevor (Chris Pine) … needless to say this is another big blockbuster bursting with big characters, big action and BIG IDEAS, just what we’ve come to expect after Wonder Woman’s first triumphant big screen adventure.  Interestingly, the film starts out feeling like it’s going to be a bubbly, light, frothy affair – after a particularly stunning all-action opening flashback to Diana’s childhood on Themyscira, the film proper kicks off with a bright and breezy atmosphere that feels a bit like the kind of Saturday morning cartoon action the consistently impressive set-pieces take such unfettered joy in parodying, but as the stakes are raised the tone grows darker and more emotionally potent, the storm clouds gathering for a spectacularly epic climax that, for once, doesn’t feel too overblown or weighed down by its visual effects, while the intelligent script has unfathomable hidden depths to it, making us think far more than these kinds of blockbusters usually do.  It’s really great to see Chris Pine return since he was one of the best things about the first movie, and his lovably childlike wide-eyed wonder at this brave new world perfectly echoes Diana’s own last time round; Kristen Wiig, meanwhile, is pretty phenomenal throughout as Dr Barbara Minerva, the initially geeky and timid nerd who discovers an impressive inner strength but ultimately turns into a superpowered apex predator as she becomes one of Wonder Woman’s most infamous foes, the Cheetah; Pascal, of course, is clearly having the time of his life hamming it up to the hilt as Lord, playing gloriously against his effortlessly cool, charismatic action hero image to deliver a compellingly troubling examination of the monstrous corrupting influence of absolute power.  Once again, though, the film truly belongs to Gadot – she looks amazing, acts her socks off magnificently, and totally rules the movie.  After this, a second sequel is a no-brainer, because Wonder Woman remains the one DC superhero who’s truly capable of bearing the weight of this particular cinematic franchise on her powerful shoulders – needless to say, it’s already been greenlit, and with both Jenkins and Gadot onboard, I’m happy to sign up for more too …

8.  LOVE & MONSTERS – with the cinemas continuing their frustrating habit of opening for a little while and then closing while the pandemic ebbed and flowed in the months after the summer season, it was starting to look like there might not have been ANY big budget blockbusters to enjoy before year’s end as heavyweights like Black Widow, No Time To Die and Dune pulled back to potentially more certain release slots into 2021 (with only WW84 remaining stubbornly in place for Christmas).  Then Paramount decided to throw us a bone, opting to release this post-apocalyptic horror comedy on-demand in October instead, thus giving me the perfect little present to tie me over during the darkening days of autumn. The end result was a stone-cold gem that came out of nowhere to completely blow critics away, a spectacular sleeper hit that ultimately proved one of the year’s biggest and most brilliant surprises.  Director Michael Matthews may only have had South African indie thriller Five Fingers for Marseilles under his belt prior to this, but he proves he’s definitely a solid talent to watch in the future, crafting a fun and effective thrill-ride that, like all the best horror comedies, is consistently as funny as it is scary, sharing much of the same DNA as this particular mash-up genre’s classics like Tremors and Zombieland and standing up impressively well to such comparisons.  The story, penned by rising star Brian Duffield (who has TWO other entries on this list, Underwater and Spontaneous) and Matthew Robinson (The Invention of Lying, Dora & the Lost City of Gold), is also pretty ingenious and surprisingly original – a meteorite strike has unleashed weird mutagenic pathogens that warp various creepy crawly critters into gigantic monstrosities that have slaughter most of the world’s human population, leaving only a beleaguered, dwindling few to eke out a precarious living in underground colonies. Living in one such makeshift community is Joel Dawson (The Maze Runner’s Dylan O’Brien), a smart and likeable geek who really isn’t very adventurous, is extremely awkward and uncoordinated, and has a problem with freezing if threatened … which makes it all the more inexplicable when he decides, entirely against the advice of everyone he knows, to venture onto the surface so he can make the incredibly dangerous week-long trek to the neighbouring colony where his girlfriend Aimee (Iron Fist’s Jessica Henwick) has ended up.  Joel is, without a doubt, the best role that O’Brien has EVER had, a total dork who’s completely unsuited to this kind of adventure and, in the real world, sure to be eaten alive in the first five minutes, but he’s also such a fantastically believable, fallible everyman that every one of us desperate, pathetic omega-males and females can instantly put ourselves in his place, making it elementarily easy to root for him.  He’s also hilariously funny, his winningly self-deprecating sass and pitch perfect talent for physical comedy making it all the more rewarding watching each gloriously anarchic life-and-death encounter mould him into the year’s most unlikely action hero.  Henwick, meanwhile, once again impresses in a well-written role where she’s able to make a big impression despite her decidedly short screen time, as do the legendary Michael Rooker and brilliant newcomer Ariana Greenblatt as Clyde and Minnow, the adorably jaded, seen-it-all-before pair of “professional survivors” Joel meets en-route, who teach him to survive on the surface.  The action is fast, frenetic and potently visceral, the impressively realistic digital creature effects bringing a motley crew of bloodthirsty beasties to suitably blood-curdling life for the film’s consistently terrifying set-pieces, while the world-building is intricately thought-out and skilfully executed.  Altogether, this was an absolute joy from start to finish, and a film I enthusiastically endorsed to everyone I knew was looking for something fun to enjoy during the frustrating lockdown nights-in.  One of the cinematic year’s best kept secrets then, and a compelling sign of things to come for its up-and-coming director.

7.  PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all.  It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering deeply troubling answers.  Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s good luck charm, Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two pennies together, until they’re presented with an intriguing opportunity.  Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun). Soon the rest of the Kims are getting in on the act, the kids contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically.  But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon.  This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head to stunning effect.  The cast are all thoroughly astounding, Song once again dominating the film with a turn at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon.  This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away.  Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with, and looks set to go down as one of the true cinematic greats of this new decade.  Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …

6.  THE OLD GUARD – Netflix’ undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular series with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping great ultraviolent action thriller, ushering in a thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered.  Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), who’s working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan.  The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here.  Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’.  They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story.  Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large.  After this, a sequel is not only inevitable, it’s ESSENTIAL …

5.  MANK – it’s always nice when David Fincher, one of my TOP FIVE ALL TIME FAVOURITE DIRECTORS, drops a new movie, because it can be GUARANTEED to place good and high in my rundown for that year.  The man is a frickin’ GENIUS, a true master of the craft, genuinely one of the auteur’s auteurs.  I’ve NEVER seen him deliver a bad film – even a misfiring Fincher (see The Curious Case of Benjamin Button or Alien 3) is still capable of creating GREAT CINEMA.  How? Why?  It’s because he genuinely LOVES the art form, it’s been his obsession all his life, and he’s spent every day of it becoming the best possible filmmaker he can be.  Who better to tell the story of the creation of one of the ULTIMATE cinematic masterpieces, then?  Benjamin Ross’ acclaimed biopic RKO 281 covered similar ground, presenting a compelling look into the making Citizen Kane, the timeless masterpiece of Hollywood’s ULTIMATE auteur, Orson Welles, but Fincher’s film is more interested in the original inspiration for the story, how it was written and, most importantly, the man who wrote it – Herman J. Mankiewicz, known to his friends as Mank. One of my favourite actors of all time, Gary Oldman, delivers yet another of his career best performances in the lead role, once a man of vision and incredible storytelling skill whose talents have largely been squandered through professional difficulties and personal vices, a burned out one-time great fallen on hard times whom Welles picks up out of the trash, dusts off and offers a chance to create something truly great again.  The only catch?  The subject of their film (albeit dressed up in the guise of fictional newspaper magnate Charles Foster Kane) is to be real-life publisher, politico and tycoon William Randolph Hurst (Charles Dance), once Mank’s friend and patron before they had a very public and messy falling out which partly led to his current circumstances.  As he toils away in seclusion on what is destined to become his true masterwork, flashbacks reveal to us the fascinating, moving and ultimately tragic tale of his rise and fall from grace in the movie business, set against the backdrop of one of the most tumultuous periods in American history.  Shooting a script that his own journalist and screenwriter father, Jack, crafted and then failed to bring to the screen himself before his death in 2003, Fincher has been working for almost a quarter century to make this film, and all that passion and drive is writ large on the screen – this is a glorious film ABOUT film, the art of it, the creation of it, and all the dirty little secrets of what the industry itself has always really been like, especially in that most glamorous and illusory of times.  The fact that Fincher shot in black and white and intentionally made it look like it was made in the early 1940s (the “golden age of the Silver Screen”, if you will) may seem like a gimmick, but instead it’s a very shrewd choice that expertly captures the gloss and moodiness of the age, almost looking like a contemporary companion piece to Kane itself, and it’s the perfect way to frame all the sharp-witted observation, subtly subversive character development and murky behind-the-scenes machinations that tell the story.  Oldman is in every way the star here, holding the screen with all the consummate skill and flair we’ve come to expect from him, but there’s no denying the uniformly excellent supporting cast are equal to the task here – Dance is at his regal, charismatic best as Hearst, while Amanda Seyfried is icily classy on the surface but mischievous and lovably grounded underneath as Hearst’s mistress, Marion Davies, who formed the basis for Kane’s most controversial character, Arliss Howard (Full Metal Jacket, The Lost World: Jurassic Park, Moneyball) brings nuance and complexity to the role of MGM founder Louis B. Mayer, Tom Pelphrey (Banshee, Ozark) is understated but compelling as Mank’s younger screenwriter brother Joseph, and Lily Collins and Tuppence Middleton exude class and long-suffering stubbornness as the two main women in Mank’s life (his secretary and platonic muse, Rita Alexander, and his wife, Sara), while The Musketeers’ Tom Burke’s periodic but potent appearances as Orson Welles help to drive the story in the “present”.  Another Netflix release which I was (thankfully) able to catch on the big screen during one of the brief lulls between British lockdowns, this was a decidedly meta cinematic experience that perfectly encapsulated not only what is truly required for the creation of a screen epic, but also the latest pinnacle in the career of one of the greatest filmmakers working in the business today, powerful, stirring, intriguing and surprising in equal measure. Certainly it’s one of the most important films ABOUT so far film this century, but is it as good as Citizen Kane?  Boy, that’s a tough one …

4.  ENOLA HOLMES – ultimately, my top film for the autumn/winter movie season was also the film which finally topped my Netflix Original features list, as well as beating all other streaming offerings for the entire year (which is saying something, as you should know by now).  Had things been different, this would have been one of Warner Bros’ BIGGEST releases for the year in the cinema, of that I have no doubt, a surprise sleeper hit which would have taken the world by storm – as it is it’s STILL become a sensation, albeit in a much more mid-pandemic, lockdown home-viewing kind of way.  Before you start crying oh God no, not another Sherlock Holmes adaptation, this is a very different beast from either the Guy Ritchie take or the modernized BBC show, instead side-lining the great literary sleuth in favour of a delicious new AU version, based on The Case of the Missing Marquess, the first novel in the Enola Holmes Mysteries literary series from American YA author Nancy Springer.  Positing that Sherlock Holmes (Henry Cavill) and his elder brother Mycroft (Sam Claflin) had an equally ingenious and precocious baby sister, the film introduces us to Enola (Stranger Things’ Millie Bobby Brown), who’s been raised at home by their strong-willed mother Eudoria (Helena Bonham Carter) to be just as intelligent, well-read and intellectually skilled as her far more advantageously masculine elder siblings.  Then, on the morning of her sixteenth birthday, Enola awakens to find her mother has vanished, putting her in a pretty pickle since this leaves her a ward of Mycroft, a self-absorbed social peacock who finds her to be wilfully free-spirited and completely ill equipped to face the world, concluding that the only solution is sending her to boarding school where she’ll learn to become a proper lady.  Needless to say she’s horrified by the prospect, deciding to run away and search for her mother instead … this is about as perfect a family adventure film as you could wish for, following a vital, capable and compelling teen detective-in-the-making as she embarks on her very first investigation, as well as winding up tangled in a second to boot involving a young runaway noble, Viscount Tewkesbury, the Marquess of Basilwether (Medici’s Louis Partridge), and the film is a breezy, swift-paced and rewardingly entertaining romp that feels like a welcome breath of fresh air for a literary property which, beloved as it may be, has been adapted to death over the years.  Enola Holmes a brilliant young hero who’s perfectly crafted to carry the franchise forward in fresh new directions, and Brown brings her to life with effervescent charm, boisterous energy and mischievous irreverence that are entirely irresistible; Cavill and Claflin, meanwhile, are perfectly cast as the two very different brothers – this Sherlock is much less louche and world-weary than most previous versions, still razor sharp and intellectually restless but with a comfortable ease and a youthful spring in his step that perfectly suits the actor, while Mycroft is as superior and arrogant as ever, a preening arse we derive huge enjoyment watching Enola consistently get the best of; Bonham Carter doesn’t get a lot of screen-time but as we’d expect she does a lot with what she has to make the practical, eccentric and unapologetically modern Eudoria thoroughly memorable, while Partridge is carefree and likeable as the naïve but irresistible Tewkesbury, and there are strong supporting turns from Frances de la Tour as his stately grandmother, the Dowager, Susie Wokoma (Crazyhead, Truth Seekers) as Emily, a feisty suffragette who runs a jujitsu studio, Burn Gorman as dastardly thug-for-hire Linthorn, and Four Lions’ Adeel Akhtar as a particularly scuzzy Inspector Lestrade.  Seasoned TV director Harry Bradbeer (Fleabag, Killing Eve) makes his feature debut with an impressive splash, unfolding the action at a brisk pace while keeping the narrative firmly focused on an intricate mystery plot that throws in plenty of ingenious twists and turns before a suitably atmospheric climax and pleasing denouement which nonetheless artfully sets up more to come in the future, while screenwriter Jack Thorne (His Dark Materials, The Scouting Book for Boys, Wonder) delivers strong character work and liberally peppers the dialogue with a veritable cavalcade of witty zingers.  Boisterous, compelling, amusing, affecting and exciting in equal measure, this is a spirited and appealing slice of cinematic escapism that flatters its viewers and never talks down to them, a perfect little period adventure for a cosy Sunday afternoon.  Obviously there’s plenty of potential for more, and with further books to adapt there’s more than enough material for a pile of sequels – Neflix would be barmy indeed to turn their nose up at this opportunity …

3.  1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed.  Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed.  The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of film, a mesmerising journey of emotion and imagination in a shockingly real environment that’s impossible to tear your eyes away from.  Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league.  It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is True History of the Kelly Gang’s George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack).  They’re a likeable pair, very human and relatable throughout, brave and true but never so overtly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos.  That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DOP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is utterly immersive and simply STUNNING.  I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same.  Either way, this was the most incredible, exhausting, truly AWESOME experience I had at the cinema all year – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …

2.  BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number two is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen.  It was been the biggest pleasure of my cinematic year getting to see my top DC superheroines brought to life on the big screen, and it was done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than the Wonder Woman movies).  It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one talented psychiatrist.  Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley TRUE justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to.  Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the assumed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about.  Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what had to be 2020’s most exciting cast – Helena Bertinelli, the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action hero potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain.  Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discover her warrior origins when the DCEU finally gets around to introducing her mum, Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy.  My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT.  Altogether they’re a fantastic bunch of badass ladies, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz.  This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster ever made – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms.  It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!).  It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists.  Altogether, then, this is the VERY BEST the DCEU has to offer to date, and VERY NEARLY my absolute FAVOURITE film of 2020.  Give it all the love you can, it sure as hell deserves it.

1.  TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly saved our cinematic summer, but I’m still IMMEASURABLY glad that my ultimate top-spot winner FOR THE WHOLE YEAR was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August and ultimately taking the bite at the box office because of the still shaky atmosphere), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with.  I mean, okay, in the end it WASN’T the FIRST new movie I saw after the first reopening, that honour went to Unhinged, but THIS was my first real Saturday night-out big screen EXPERIENCE since March.  Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT.  Still with us?  Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who was ALMOST the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s Himesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine.  The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even if that amazing new teaser trailer wasn’t making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic.  As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual triumph and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some absolutely mesmerising visuals.  Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he had good reason, since he was working on his dream project at the time, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his collaborations with Ryan Coogler Fruitvale Station, Creed and Black Panther, as well as career-best work on The Mandalorian) is a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence this film is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven.  As a work of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that proved truly unbeatable in 2020 …

[yehet-about-it]

I Like Me Better | 10 - An Evening Interrupted

~ A Wayv Social Media AU Series ~

< Prev || Series Masterlist || Next >

Synopsis: You’ve just moved into a new apartment with your best friend Yangyang, but you’re immediately faced with a problem: your incredibly noisy upstairs neighbour Xiao Dejun, or to friends, Xiaojun. You spend the first few weeks of your acquaintance hating his guts, but after a sincere apology and a fascinating revelation about his passions and motivations you slowly begin to see past his cold exterior to discover the real him. What will happen as you get closer to this troubled boy and how will those closest to you react?

Pairing: Reader x Xiao Jun

Themes and Warnings: Explicit language, mild sexual content, mild violence and references to drinking/alcohol. Deals with themes of toxic masculinity, insecurity, gaslighting (sort of), and jealousy…

A/N: Sorry it's late today! I forgot to schedule the post for today and it took a while to edit!!

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Word Count: 1.9k Summary: This is literally just Kun being a badass dad friend... Not my best writing, but enjoy! ;)

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You sighed contentedly as you washed up the last of the dishes, draining the sink as Kun folded the dish towel, neatly hanging it on the towel rail. You’d had a pleasant evening cooking with him, making a number of Chinese dishes you’d wanted to try, like hot and sour stir-fried napa cabbage and beef noodle soup. You’d originally wanted to do all the cooking yourself and surprise the boys, but seeing as though now it was just the two of you, you’d thought it probably best to make use of Kun’s culinary skills. Having thoroughly tidied the kitchen and boxed up all the leftovers for Winwin and Yangyang, the pair of you made your way to the living room, dropping down onto the sofa which had become your pride and joy of your apartment. “Ahh I’m so full,” you said, exhaling heavily. “That was so good!” Kun chuckled. “Yeah, it turned out quite well,” he said, shifting the cushions behind him. You internally fist-pumped, secretly a little bit pleased that Kun enjoyed your meal. To be complimented on your cooking skills by chef Kun himself was the highest honour, although you couldn’t take all the credit since he’d actually done half the work. “Mainly thanks to you,” you said, smiling at him appreciatively, to which Kun chuckled dismissively. “Ah, you did most of the work, I was just your assistant,” he said. “A very helpful assistant,” you replied pointedly. “Wanna watch a movie then?” you asked as you reached for the remote control off the coffee table. “Sure, what were you thinking?” “Hmm, I’m not sure,” you said, wearily switching on the TV and xbox. You spent the next few minutes browsing Netflix to find something to watch and once you’d settled on a film you shifted closer to Kun, reaching for the blanket which had been lying haphazardly at the end of the sofa to keep you both cosy.

A few minutes into the movie, you felt the ceiling begin to vibrate and the heavy echo of pounding bass surge into the room. Kun turned to you to give you a look that seemed to say ‘what on earth?’ and you leaned your head back, letting out a frustrated groan realising that yet again it was your neighbour’s ridiculously loud music interrupting what was supposed to be a relaxing evening. “Is it always like this?” Kun asked, frowning. You shrugged. “I mean, it’s not everyday, but it’s pretty much always this loud…” You pouted sinking lower under the blanket. “I didn’t realise it was this bad. I’m surprised you get any sleep at all. I mean how can people be so inconsiderate?” You could hear the irritation in Kun’s voice. You were pretty angry about the constant noise emanating from upstairs, but you were generally quite passive whereas you could clearly tell Kun was starting to get pissed. “Yeah, I don’t know. It sucks, but I guess we’ve kind of gotten used to it now,” you replied. “How are you supposed to get used to it when you can barely even hear your own TV over it? You shouldn’t have to put up with it.” Kun said matter-of-factly. You groaned in response, burying your face in the blanket. “Aghhh I know, but it’s not like I can do much about it, I already tried asking him…” you whined, looking up at Kun in exasperation, but he met you with what can only be described as an unsympathetic look. “Of course you can do something about it! Why don’t you just talk to him again? And actually assert yourself this time? Or if that doesn’t work just talk to the building manager or put in a complaint or something. Honestly, you and Yangyang are hopeless…” He did have a point. There was plenty you could do but you just didn’t have the guts to do it. You were rather non-confrontational and didn’t want to end up in a nasty row with your neighbour after only one month of living there, but it seemed Kun had other ideas. “Ughh Kun, you know I don’t like confrontation. I don’t want to end up with a neighbour that hates me,” you said. Kun sighed. “So you’d rather have to put up with this everyday for the foreseeable future than have some asshole who’s not worth your time potentially dislike you?” You looked back at Kun sheepishly, almost as though you were a student who’d just been caught acting up by their teacher. You knew he was right, and you were being irrational, since Dejun’s music caused you problems daily, not to mention reducing your nightly sleep to an average of 4 hours, but you just didn’t have it in you to confront the issue. There was a pause before Kun pushed the blanket off his knees and stood up. “Well, if you’re not going to do anything then I will,” he said, before taking off toward the entrance hall of your apartment. “Wait what?!” you shreiked, panic bubbling up inside you at the thought of what he was going to do, and leaping to your feet you scurried down the hall after him. Kun swung your front door open as you caught up to him, and marched out of your apartment, turning to go up the stairs to the next floor. Now realising his intentions, you halted at the door, too embarrassed to also make an appearance at your neighbours door. Instead you stayed in the doorway peering round to the stairs and watching as Kun ascended. “Kun!” You squeaked. ��What are you doing?!” Kun barely paused to look back at you before continuing on upwards.

As much as you wanted to chase after him and drag him back down the stairs, by the determined expression on his face you knew there was no point, so you stayed put, but after wedging your door open with one of Yangyang’s shoes that was cluttering up the entrance, you moved a little closer to the bottom of the stairs so as to try and hear what was going on. Soon you heard the clunk of a door opening, but clearly the walls were too thick, or something like that, as all you could hear was a faint mumbling, and you could only pick out one or two words. Nonetheless, you decided to stay there and listen, waiting in anticipation for the outcome of Kun’s abrupt disturbance of your neighbour’s evening.

~ Upstairs – Kun’s POV ~

“Yeah?” Xiaojun answered the door wearing a black long-sleeved t-shirt and sweatpants, his dark brown hair flopping softly down over his equally dark eyes. His expression was one of disinterest, Kun thought, which only served to fuel his irritation. “Hi, I’m Kun. I’m a friend of y/n downstairs?” Kun faltered a little in his conviction. Confrontation wasn’t really in his nature, however his years battling to make it in such a competitive industry as his had taught him to take control and make a stand when he needed, so after taking a split-second to recompose himself, he spoke again, this time his voice much firmer. “We were wondering if you could possibly turn your music down. It’s incredibly loud and right now we’re trying to watch TV and it’s quite distracting. And actually y/n said it’s been a problem before.” “Huh. Why doesn’t y/n come ask me herself then since she’s the one who actually lives here?” Xiaojun challenged. Kun growled internally. The cheek of this guy. “I believe she already did, but apparently you didn’t listen, so I thought you might need a reminder,” Kun jabbed, becoming a little passive-aggressive. Xiaojun raised his eyebrows, sensing the frustration in Kun’s voice and scoffed. “What, you her boyfriend or something?” With every passing second Kun grew to dislike Xiaojun more and more, and that remark certainly didn’t help one bit, thus, deciding that he’d had enough of the shorter man’s attitude he decided to throw all pleasantries aside. He was done being nice. “So what if I am?” He said, standing taller, but to Kun’s displeasure, Xiaojun just chuckled darkly looking at the ground before lifting his eyes and smirking at the older man in front of him. “Heh, pretty bad boyfriend if she’s still using Tinder…” Kun clenched his jaw. Clearly that Lucas guy had been talking, making his tactic completely useless, but who the hell did this guy think he was? This level of antagonism was completely unreasonable, and over what? Turning some goddamn music down. “Look,” Kun said. “I don’t want any trouble, but could you please just turn the music down? Y/n’s tired all the time these days because your music keeps her up all hours and she has to get up to go to work early in the morning. Just because you’re a failed musician or something doesn’t mean no one else has jobs to go to.”Kun hadn’t intended on saying the last part of his speech, since he knew himself how hard an industry it was to break into, and it wasn’t really his style to shame someone like that, but something about Xiaojun’s attitude just made him annoyed beyond reasonable reaction and boy did his outburst hit a nerve. “Excuse me?” Xiaojun replied, his voice much louder than before and his posture much more aggressive compared to the casual position he had been in just seconds ago. But Kun wouldn’t be intimidated, and glared at Xiaojun, looking him directly in the eyes to make one final comment. “Just keep it down, or we’ll be putting in a formal complaint”. “Yeah, whatever,” was the only reply Xiaojun gave, before stepping back and shutting the door in Kun’s face. Could’ve gone better, but it certainly got the message across.

~ Downstairs – Your PoV ~

You stood in the stairwell fidgeting your hands and straining to listen to the exchange between the two men upstairs. It had only been a couple of minutes but it was making you tense nonetheless. You were silently willing Kun to waltz down the stairs saying everything was fine but suddenly you heard a voice from upstairs much more clearly. Your eyes widened and you cringed as you heard Xiaojun’s raised voice rhetorically asking “excuse me?!”, realising the conversation wasn’t going as pleasantly as you had hoped. You weren’t sure you wanted to hear the rest of it, but you kept on listening. Luckily for you however, the voices returned to the same muffled humming as before, until you heard a door slam, Kun emerging on the stairs a moment later. “Kun! What happened?!” you whisper-shouted, as though you were afraid Xiaojun might hear you, moving out of the way as Kun strode past you before following him back into your apartment. Kun stopped in the hallway briefly to look at you. “Lets just say I don’t think he’ll be bothering you anymore.” You wanted to ask what on earth had gone on, but clearly that was all Kun was willing to say on the matter, so you simply followed him back to the living room where he flopped down onto his place on the couch. “Come on then, now we can actually watch the movie,” Kun said, stretching his arm out to you as you wandered towards the couch. Obediently, you took his hand and he pulled you down next to him so you leant against his shoulder, throwing the blanket that had earlier fallen to the floor over you both, and with that you spent the rest of the evening watching the film in peace, but with the niggling thought in the back of your mind that your neighbour Xiaojun may very well have just put you on a vendetta list.

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[halfwit-halfblood]

First person perspective doesn’t bother me usually, but I think Shadow and Bone suffered a lot for it.

Hear me out.

This is mainly in relation to readers’ dislike for Mal and Zoya and the romanticisation of the Darkling despite him being a predator. (Remember when he forced himself on Alina in Siege and Storm and Ruin and Rising? Yeah. Me neither, until I reread the books this week, but I’ll get to that later)

Under the cut because this got long

Regarding Mal, I think his hate stems from two directions – from people who wanted Alina to end up with the Darkling and saw Mal as an obstacle, and from those who just found him whiny and insecure (AKA me when I first read the books years ago. I was actively wishing for his death during R&R).

However, several of the lucky reviewers who have watched the Netflix adaptation already have stated that though they didn’t like his character in the books, he was much more likable in the Netflix series. Part of this I think is thanks to Archie as an actor, but also the fact that we’re no longer seeing him through Alina’s eyes. We don’t have to feel her jealously and resentment when other girls take an interest in him, or her anger in him “pushing her away” and staying distant. I’ve tried to read the books without the influence of Alina’s viewpoint on the situation, and it helped. Mal was happy as a tracker. He had friends in Dubrov and Mikhael and Alina. He had a normal life. Because of his love for Alina, he didn’t feel he had a choice when it came to choosing a future that didn’t concern her. As she ascended into her title of Sun Summoner/Sun Saint, he saw his friends die (and blamed himself for it), he was ostracized from his peers – around Alina and her friends for not being Grisha and around the other trackers and huntsmen for being close to Alina – and had to become a killer to survive. He stayed distant from Alina to protect them both and always took the opportunities he could to better himself as a fighter so he wouldn’t fail her. He gave up everything for Alina. Yes, he was whiny, but he had every right to be and it’s hard to see that when we’re forced to view him from Alina’s perspective and made to believe her assumptions as fact.

I think in recent years there’s been far more support for Zoya than there was when the books initially came out and that’s partly due to what we see of her in King of Scars. The insight we get into her as a character helps to expand her beyond the mean-spirited, jealous bully Alina views her as in Shadow and Bone. While rereading the trilogy, it felt like even as the books went on and we saw them form a tentative alliance, every positive interaction Alina had with her was partnered with a reminder of her actions in the past and Alina’s dislike for her. Recently, I’ve also seen more people addressing and rejecting Alina’s internalised misogyny that impacted how she thought about these other women, and I’m glad for it. Her opinion is jaded by her jealously of Zoya’s looks, power and attraction to Mal and this impacts their every interaction and constantly undercuts any enjoyment of Zoya as a character as we are forced to see Zoya’s qualities through a negative perspective whereas in King of Scars where the narrative is more neutral, she’s become a fan favourite.

Finally, the Darkling.

The most notable thing I noticed rereading the books recently was that are two instances where the Darkling forces himself on Alina and kisses her without consent and I’ve never seen anyone mention them. Both instances take place using the connection formed between them by the nicho’yeva.

In Siege and Storm, at the end of Chapter 20, Alina is sleeping. She wakes up to someone saying her name and kissing her. She believes it to be Mal, even says his name, and kisses him back. When she pulls back and sees the Darkling’s eyes on Mal’s face she is horrified and pushes him away. The Darkling smirks and disappears.

I won’t type out the whole thing as it goes on for a page and a half, but the key quotes are:

“Alina.”

I woke to the soft brush of Mal’s lips on mine, the barest touch to my temple, my eyelids, my brow ….. he bent to kiss the curve of my throat ….. I hesitated, confused, not quite awake ….. “I missed you Mal,” I murmured against his ear ….. He kissed me again ….. I felt his weight slide over me ….. He was kissing my throat my collarbone ….. He smiled then, a cold, clever smile like none I’d never seen on his lips ….. The Darkling rested one gentle hand on my cheek. “Soon,” he whispered. I screamed.

She is woken up by him kissing her. She returns the kiss believing that he is Mal and he makes no move to correct her because he knows she would not consent to kissing him as the Darkling.

In Ruin and Rising (Chapter 9), Alina visits the Darkling and during their conversation he reveals his true name to her. Then this happens:

He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh.

“Don’t,” I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back.

Alina explicitly tells him no and his response is to hold on and continue kissing her.

There are still fans who wholeheartedly claim that the Darkling loved Alina despite everything. With the first person perspective, Alina’s constant questioning of what she wants in life in terms of power and status, and the general hoard of book readers who will fall for any character with pale skin and black hair despite them being manipulative predators (this is also a jab towards Rhysand from ACOTAR and Hawke from FBAA), it’s easier for people to disregard the unredeemable nature of his character. I’m hoping that the Netflix series will make a firm point of the Darkling being a hundred-year-old villain who groomed a teenager rather than a plausible love interest for Alina and that without having to hear her inner monologue it will be easier for people to see him as he is.

But yeah. Fuck the Darkling.

[scoutception]

Yet again ranking the 5 animes I’ve watched most recently

After losing the will to just sit down and watch it for quite a while, I’ve finally gotten through 5 anime series yet again, and, as is tradition for me by now, I’ve decided to just type out my thoughts and rankings of them, with my first two posts of this nature being here and here. As usual, this is just my personal thoughts, and the only other thing worth noting before I start is that, unlike last time, I do think everything listed here is at least decent on its own. With that, I’ll just get to it. 5. Robotics;Notes

Number of episodes: 22. Language options: dub and subs available. Streaming availability: Funimation. Robotics;Notes is an adaptation of a visual novel, which I actually just wrote a review on, which can be found here. Long story short, it’s the third entry in the Science Adventure series, the same series Steins;Gate is part of, unknown to most people, with Robotics;Notes technically being the sequel to it. Originally aired in 2012, the same year as the visual novel was released, and made by Production I.G, Robotics;Notes is in an interesting middle ground between the acclaimed and popular Steins;Gate animes and the downright awful and obscure Chaos;Head and Chaos;Child animes, and until 2020 was the only option those who didn’t speak Japanese had to experience it at all. Since I went into so much detail in said visual novel review, I’m mostly going to focus on how the anime holds up both by itself and as an adaptation. Ever since its creation nearly ten years ago, the dream of the Chuo Tanegashima High Robotics Research Club has been to finish Gunbuild-1, a lifesize recreation of Gunvarrel, the titular mecha of an insanely popular anime that’s credited with starting a “robot boom” within Japan, and the club’s current president, Akiho Senomiya, the little sister of the club’s founder, Misaki Senomiya, is extremely determined to see this dream achieved. Unfortunately for her, the club has fallen on hard times, with its funding being cut, its advisor being completely unreliable, and the few other members it has, namely Kaito Yashio, Subaru Hidaka, Junna Daitoku, and Kona Furugoori, aka Frau Koujiro, being quite difficult in their own ways, and often more than Akiho can handle. While Akiho puts her all into finally bringing the club to greatness, the otherwise apathetic Kaito finds himself involved with a mysterious AI called Airi, who exists within the augmented reality app IRUO. Airi’s creator, the deceased Kou Kimijima, turns out to have also created several AR annotations scattered throughout Tanegashima, titled the Kimijima Reports, which warn of a grand conspiracy that will utterly devastate humanity if unopposed. I’m not the most unbiased viewer, since I had played, and enjoyed, the visual novel months before watching this anime, but generally, it’s actually an enjoyable time. Some of Robotics;Notes’ biggest strengths were always its cast of characters and lighter tone, and for the most part, the anime preserves both well, keeping it mostly silly, but endearing early on. The artstyle actually matches up fairly well with the VN’s CGs, and the dub, which I watched just to spice things up, since I already knew the Japanese voice cast was quite good, is overall solid, with Clifford Chapin as Kaito, Lindsay Seidel as Akiho, and Monica Rial as Junna especially sticking out to me. As an adaptation, on the other hand, it falls short in quite a few places, namely when it comes to characterization. While obviously, no adaptation could feasibly fit in every detail from its source material, the Steins;Gate anime managed to preserve almost all of its cast’s characterization, whereas in Robotics;Notes, several characters lose prominent details to their backstories or personal conflicts, or act differently in scenes unrelated to that, making quite a few of them come off different. While instances of the latter case, such as Junna coming off as less shy and hesitant, don’t necessarily worsen anything for the most part, the former definitely does, as it makes the affected characters much less developed and interesting. Nobody suffers from this worse than Kaito himself, who loses most of his backstory, motivations, and arc, to the point of one of his best moments being changed from something intentional to completely accidental, with the end result making him come off as a completely different character, and an inferior one, at that. Additionally, around episode 16, the anime starts diverging pretty significantly from the VN, and not in ways that are improvements, to the point it even leaves a few otherwise preserved scenes in earlier episodes without context. Overall, I can imagine the Robotics;Notes anime still being a decent, if unremarkable watch on its own, and was certainly an interesting and fun way to reexperience the story, and definitely fares better than many visual novel adaptations, but I can’t quite say I’d recommend it. If Robotics;Notes interests you, the visual novel is very much preferred. 4. Nichijou

Number of episodes: 26. Language options: dub and subs available. Streaming options: Funimation. Here we have one of the most acclaimed anime comedies out there, an adaptation of Keiichi Arawi’s surreal sketch comedy manga series, produced by Kyoto Animation, a name that’ll be showing up here again later. Nichijou mainly focuses on two different trios of characters. There’s the ordinary high school girls Yuuko Aioi, a rather dim and reckless girl with terrible luck, Mio Naganohara, the most relatively normal one of the cast, whenever she’s not having explosive freak outs that involve beating people up, and Mai Minakami, a stoic girl who enjoys messing with people just for their reactions. On the other hand, there’s the far less ordinary Shinonome Laboratories trio of Professor Shinonome, an 8 year old girl who happens to be capable of building incredibly advanced machines, Nano Shinonome, a robot built by the Professor who desperately desires a normal girl more than anything, and Sakamoto, their pet cat who, thanks to a special scarf also made by the Professor, is capable of talking. The series focuses on their would-be ordinary lives, were it not for the seemingly daily chaos they get involved in, from witnessing the school principal wrestle a wild deer, to being trapped in an elevator for hours, to the school science teacher attempting to capture Nano for study. It also follows the antics of several other side characters, such Koujiro Sasahara, the seemingly upper class student who is actually just the son of a family of farmers, to Misato Tachibana, a very typical tsundere towards Sasahara, whose tsun side manifests as assaulting him with military-grade weapons, to little effect, to the equally quirky teachers of their school. Needless to say, it’s a very silly and chaotic series, and that’s exactly what makes it so memorable. The humor is pretty hit and miss in the first half of the series, but from episode 14 onwards, they thoroughly master it, with every episode having at least a few scenes that got me laughing. Beyond the silliness, though, the series actually has a lot of heart to it. There’s a few moments that change up the status quo, or even develop the characters just a bit, and some scenes are surprisingly sweet, if still played for laughs more often than not. There’s also a lot of continuity, which in later episodes often provide the punchlines to some of the best gags, which definitely encourages watching the whole series. The Japanese voice acting is fittingly crazy for each character, and the animation fits perfectly, as while the character designs are quite simple, there’s many would be mundane moments that have contrasting overly impressive and exaggerated animation that makes them very memorable. All in all, Nichijou is a very enjoyable series once it finds its groove, and about the only reason its not higher on my rankings is just because pure comedies aren’t really one of my favorite genres. Still, if you ever want a good laugh, you can’t go wrong with this. 3. Soul Eater

Number of episodes: 51. Language options: dub and subs available. Streaming availability: Netflix, Funimation. Soul Eater is yet another adaptation, this time of a manga by Atsushi Ōkubo, produced by Studio Bones, who also did the Fullmetal Alchemist animes, and is quite similar to the original FMA series in that it outpaced the manga and, rather than simply overloading itself with filler, decided to go in an entirely different direction by the end. The Death Weapon Meister Academy is a school founded by Death himself, dedicated to the training of Meisters, who wield Weapons, humans with the ability to shapeshift into weapons, for the purpose of destroying Kishin Eggs, evil beings who have consumed the souls of others, and pose the risk of transforming into extremely dangerous demons. Any Meister who can collect the souls of these corrupted beings, as well as the soul of a Witch, can transform their Weapon into a Death Scythe, the personal arms of Death. Among the students of the DWMA are seven Meisters and Weapons who stand out in particular: the teams of Maka Albarn, a kind hearted and responsible, though temperamental, girl, her Weapon, Soul “Eater” Evans, a laidback and snarky wannabe “cool” guy, Black Star, a prideful and loudmouthed ninja who’s seemingly always out to make a spectacle of himself, regardless of how it hampers him, his Weapon, Tsubaki, a humble and levelheaded woman, Death the Kid, the son of Death and one of the top students in the cool, held back only by a crippling obsession with symmetry, and his Weapons, Liz and Patty Thompson. While these seven gradually come together as a team, a Witch named Medusa begins to put an ambitious and destructive plan into motion, one involving her “child”, Crona, and the strange, insanity inducing black blood that courses through their veins. Soul Eater has a lot going for it. A likeable and crazy cast of characters, even the side ones, like the maniacal Doctor Stein, or the surprisingly goofy and casual Death, or the tragic Crona, or the hilariously egotistical Excalibur, to a lot of fun action scenes, to its great animation and overall unique visual design, including the sun and moon having giant, creepy laughing faces. It has a lighthearted, comedic tone that doesn’t detract from the serious moments, and the main characters get some pretty good development as the series goes on. The dub is also great, with Laura Bailey as Maka, Micah Solusod as Soul, Brittney Karbowski as Black Star, and Todd Haberkorn as Death the Kid especially sticking out to me. In general, I don’t have a lot of significant criticisms, besides how the story is handled once the villainous organization Arachnophobia is introduced, which is also about where it begins to deviate from the manga. Most of the villains part of it never really feel like a threat, and the story becomes much more simple and typical compared to how the manga went, and when the ending arrives, it just kinda, happens, with several notable subplots just kinda left unfinished. It definitely feels like an underwhelming ending, and is a big reason why I place this lower on the list, but Soul Eater is still a pretty entertaining watch that’s worth a try if you want a decently lengthy, but not horribly long shonen. 2. The Melancholy of Haruhi Suzumiya

Number of episodes: 28. Language options: dub and subs available. Streaming availability: Funimation. Here we have the big one, an extremely memetic and famous series by Kyoto Animation, based on a series of light novels by Nagaru Tanigawa, a series that was finally completed back in November 2020 after its start in 2003. Kyon is a lazy and down to earth high school student who wishes for little more for himself than an uneventful, normal high school life- a hope that’s abruptly shattered when, on a whim, he becomes involved with Haruhi Suzumiya, an eccentric, hyperactive, and thoroughly self centered girl, who claims to have no interest in ordinary humans, and instead wishes to discover things thoroughly unusual, such as aliens, time travelers, or espers, and forces Kyon to form a club, the SOS Brigade, with her to achieve this. Haruhi quickly pulls three other students into the brigade, those being Yuki Nagato, a stoic and quiet bookworm, Mikuru Asahina, a shy and passive girl often subjected to humiliation and abuse by Haruhi, and Itsuki Koizumi, a calm transfer student who acts extremely subservient to Haruhi. While Kyon initially writes off the club as an unreasonable use of his time, his fellow members reveal an unexpected truth to him: the subjects of Haruhi’s fascinations actually do exist. Yuki is an alien, of a sort, created and controlled by an entity known as the Data Overmind, Mikuru is a time traveler from some point in the future, and Itsuki is an esper, and member of an organization of similar people. All three of them have been sent to observe the oblivious Haruhi, who appears to have the unconscious ability to change reality itself according to her desires, and is at threat of remaking the entire world if not placated. With Haruhi apparently having taken a unique interest in Kyon, he finds himself taken along for all sorts of supernatural adventures spawned from Haruhi’s whims. There’s a lot I could go on about regarding Haruhi, but in the interest of not turning this into a full on rant, I’ll keep shortish. It’s more or less an insane mishmash of several different genres, from slice of life, to science fiction, to fantasy, just depending on what each individual story feels like being. The episodes are mostly adapted from the early light novels, mostly the multiple stories from the third and fifth novels, The Boredom and The Rampage of Haruhi Suzumiya, respectively. It’s not often you’ll have any idea just what to expect from each individual episode, which makes the series very chaotic, but interesting. The characters are likeable and memorable, including the side characters, and the sheer ridiculousness of what goes on makes for many amusing moments. At the same time, the series is surprisingly complex, with many possible interpretations of its characters and the events they go through, furthered by the antics Kyoto Animation pulled when it was originally airing, such as airing the episodes out of chronological order, meaning the plot would often jump from the middle of an arc to something else. The end result is a very unique and enjoyable product, helped by the fantastic dub, with the actors capturing each character perfectly, from Crispin Freeman as the grounded and snarky Kyon, to Wendee Lee as the aggressively energetic Haruhi, to Stephanie Sheh as the gentle, yet secretive Mikuru. That said, there is one pretty disappointing part of it all, and that’s the second season, mostly thanks to the infamous Endless Eight arc, an eight part arc that’s more or less the same things happening over and over, with only the first and last episodes having anything noticeably different. Regardless of its own uniqueness, more than half the season is taken over by this, and something that may have worked if cut down to three or four episodes instead singlehandedly killed off the series’ goodwill. About the only redeeming factor of the second season is the five part adaptation of The Sigh of Haruhi Suzumiya, which has some of the funniest moments in the whole series. Overall, Haruhi is still a very fun series, and I’m really gonna have to watch its movie, The Disappearance of Haruhi Suzumiya, one of these days. 1. Trigun

Number of episodes: 26. Language options: dub and subs available. Streaming availability: Funimation, Hulu. Finishing off this list is an adaptation of a manga series by Yasuhiro Nightow, produced by Madhouse and another adaptation that overtook its source material. Compared to how Soul Eater handled it, however, Trigun went down much, much better, to the point Nightow himself had nothing but praise for how the anime turned out, and the series is generally considered one of the best animes of the late 90′s. On the harsh desert planet of Gunsmoke lives a wandering gunslinger known as Vash the Stampede, the “Humanoid Typhoon” with a large handgun known to leave tremendous destruction in his wake, who amassed a bounty of $$60,000,000,000 after destroying the city of July, leading to an endless trail of bounty hunters out to collect the price on his head. In the middle of all this, Meryl Stryfe and Milly Thompson, two representatives of an insurance society which is often forced to pay for damages caused by Vash, track him down for the purposes of minimizing the chaos he causes. Upon catching up with him, however, the duo discovers that, contrary to his reputation, Vash is a kindhearted goof, and self proclaimed hunter of love and peace, who absolutely refuses to ever take another person’s life, even at great personal risk to himself. Vash continues his travels carefree, helping out whoever he can, with the occasional assistance of Meryl and Milly, as well as a traveling priest known as Nicholas D. Wolfwood, only to one day have an encounter with a mysterious and cruel man known as Legato Bluesummers. Vash soon learns that Legato has hired a group of assassins known as the Gung-Ho Guns to kill Vash, and leave a trail of bodies wherever they go, seemingly for the sole purpose of tormenting Vash. As Vash hunts down Legato, he is gradually forced to face his past, and consider whether he can truly stay committed to his pacifist ideals. In general, Trigun is just a very, very well made series. It has a likeable and developed cast of characters, with special mention going to Vash, who is a very compelling and sympathetic character, and Wolfwood, who makes a great foil to Vash with very interesting development of his own, with characters outside of the main cast being memorable as well, from Legato himself, to even some of the more minor villains, such as the varied members of the Gung-Ho Guns, or Brilliant Dynamites Neon, who makes an inexplicably strong impression for a one off villain not even important to the overall plot. The space western setting is quite good, and the designs are great, with many villains having distinctive looks that further help them make an impression. The action is great, and the animation is also quite good, and has that 90′s anime charm. The dub, while a bit rough around the edges, is generally solid too. From Lia Sargent as the ditzy but kind Milly, to Dorothy Elias Fahn as the hotheaded Meryl, to Jeff Nimoy as the weary Wolfwood, to Richard Cansino as the calculating and disturbing Legato, with special mention needing to go to Johnny Yong Bosch as Vash. Despite it actually being his first voice acting role ever, he does a great job in portraying the many sides to Vash, and absolutely sells many of the biggest moments in the story. Speaking of which, the series started quite lighthearted and wacky, with the first four episodes actually being filler, but gets gradually darker as it goes on. The earlier episodes are still quite enjoyable on their own, though, and manage to slowly reveal new aspects to Vash in each one, before finally setting his nature in stone in episode 5. What really sells the series and makes it so memorable, however, are the themes it explores, of the practicality of unwavering pacifism, and whether taking a life, whether for heinous crimes committed without remorse, or with the purpose of protecting others, is ever justifiable. While quite a few series have touched dilemmas like this before, what makes Trigun stand out with it is the emphasis placed upon it throughout the whole series, with many episodes touching upon it in some regard. It genuinely fairly looks at the different sides of it all, and the consequences of each, with many emotional moments coming from it as a result. While the manga did ultimately take a very different turn from the anime, the anime actually preserves several of the most important plot moments, and manages to come to a satisfactory conclusion of its own regarding the themes. Ultimately, Trigun makes for a very fun and interesting watch that I highly recommend. And with that, my ranking is complete. With the exception of Robotics;Notes, I can pretty confidently recommend every show on this list. Got some more shows I plan to get through soon, so another ranking like this may be soon in the making. Either way, till next time. -Scout

[dtrhwithalex]

BOOK | Grisha Trilogy (Leigh Bardugo)

Shadow and Bone (2012), Siege and Storm (2013), Ruin and Rising (2014)

I came to this world through the Netflix adaptation SHADOW AND BONE which came out earlier this year, and after, to my huge surprise, falling in love with these stories, I decided I would have to give these books a go as well. I've been aware of the Grishaverse for quite some time now but probably especially since SIX OF CROWS came out in 2016 and tumblr went completely batshit for one (1) Kaz Brekker. I am always kind of wary when it comes to entertainment that tumblr goes nuts for, especially when it is YA fiction, because I do not quite trust the general consensus (I was sorely disappointed by Donna Tartt's THE SECRET HISTORY which I found tremendously boring). So actually, I've been actively avoiding reading this book series until now. But then the Netflix adaptation happened and well—you can blame (or thank) Ben Barnes, because he is pretty much at fault for this alone. Anyway, enough preamble.

I've just recently finished reading the last book of the trilogy and I have to say, I have to my surprise really enjoyed these books! I've also read the short stories THE WITCH OF DUVA after the first book, and THE TAILOR and THE TOO-CLEVER FOX after the second, and will be reading LITTLE KNIFE and THE DEMON IN THE WOOD before I move on to the Crows duology. I am reading the short stories according to publication year and not specific date, so they might not be completely in release order.

Reading SHADOW AND BONE I was very much always thinking back and comparing to the plot of the show since that was my original basis for the story. I am not too fond of first person narratives as I prefer things to be written in third person, but I've found that it did not bother me all that much in these books. What I realised though, was that I liked the show a bit more than the book, because it goes beyond Alina's story and the information a reader gets through her focalisation. We get to see Mal's story instead of only hearing of some of it when he and Alina are finally reunited once she leaves the Little Palace, which to me also made the character a whole lot more likable and interesting than in the books. I've also found that I really enjoyed the integration of the Crows in the show because it made the time leading up to and including the Winter Fete that much more interesting. Generally, I really liked most of the changes they made to the story for the adaptation—Alina scheming to get on the skiff, the Darkling's claw ring instead of the knife, that Alina seems to ride the entire way to Os Alta with the Darkling, the explicit consent given at the Winter Fete, erasing the scar, the fact that Alina and Mal don't kiss during the search of the stag. I would have loved to see some of the early scenes like in the book though, especially Alina and Mal on the way to Kribirsk and nearly getting run over by the Grisha carriages. I am also not entirely sure what I want to think about the change of Morozova's collar. I thought it was super dope that it was actually mended into her collarbone, but I am uncertain about her being able to completely melt it into her body and have it disappear like that. But generally, I really liked this first book. I think it does a pretty good job of establishing the world through Alina's eyes and gearing up the plot of the three novels.

SIEGE AND STORM then, of course, gave me my first look into the Grishaverse that was not completely informed by the adaptation. I was super surprised how quick it became clear to them that the Darkling had survived the events in the Fold and for him to catch up with them. I loved the sequences on the Volkvolny with Sturmhond though. And although I was aware that there was a character called Nikolai in this universe, it took me forever to catch on that he was Sturmhond, and when that reveal came I was very much happily blown away. I am super excited to see that character translated to screen (when, not if, the show finally gets renewed for a second season). I really enjoyed the hunt for Rusalye, the introduction of Tamar and Tolya, and for the role Genya gets to play in that sequence. Also, when first getting into this universe, my immediate first thought was, why don't they just fly over the Fold. Do airborne crafts not exist in this world (yet)? No balloons or something like it? And then of course Sturmhond delivered which definitely helped solidify how much I like his character. I am an incredibly visual person, so I think my favourite bits of this book are all somehow related to how much I would like to see them brought to screen (it's either that, or just how much I want to see Ben and Jessie be brilliant in scenes together). The bond between Alina and the Darkling I really enjoyed a lot and also absolutely the scene in the chapel at the end with him believing that she has finally chosen his side, only for her to then try and kill him with their combined powers and merzost. An absolutely extraordinary scene and if Netflix does not renew this show and I never get to see Ben and Jessie fucking nail this scene, I might just riot.

I had to take a bit of a break in-between books two and three because of uni responsibilities, but I finally got around to reading RUIN AND RISING and finished it two days ago. I am very unsure if I liked the ending or not, but more on that later. I was very glad when they finally got out of the White Cathedral and back to the world above ground, because as cool as this undergound world is, the Apparat creeps me out and so does religious culty stuff. I loved the plotting and scheming though and the fact that Alina can control shadows to some extent. Very cool. Prince Nikolai to the rescue once more was also fantastic and the existence of the Spinning Wheel fascinates me to no end. That I definitely want to see translated on screen. Make me a beautiful observatory to fall in love with, Netflix, make me one! Loved the return of Baghra as well, and generally all of her moments at the Spinning Wheel. The Darkling's attack too was right up my alley, and nichevo'ya!Nikolai? Fucking dope, I love it. This novel especially makes for some great visuals that I can't wait to see on the show. Just gimme, all of it. I liked that the Firebird was not the third amplifier, and I find the idea of Mal being the amplifier instead quite intriguing. What I am not so sure about is the actual ending. I once again really loved the bond scenes between Alina and the Darkling, and I now absolutely see why some fans are upset about him giving up his real name so quickly in the show. I do wonder how that is going to play out eventually. I did like the Darkling's ending—his desperation at Alina losing her power, his plea to her that there will be no grave, and him asking for her to speak his name one last time. And I loved that, as horrible of a person he was, as much gruesome things he did, Alina still understood what drove him and still felt a certain kinship to that, and ultimately did also mourn him in a way. There is this echoing of that line from the show—"we could have had this, all of it"—if only he'd asked, and I absolutely love that. Their dynamic is just incredibly intriguing. The thing I am not sure about is Alina losing her power. Mal coming back to life, yeah okay maybe. The power of the Sun Summoner splitting and finding root in every otkazat'sya in the vicinity, that was amazing. But Alina completely losing her power? I don't know. I am not sure what I want to think about that. I see where it comes from but I don't think I like it.

Overall, I have to say, I really enjoyed this trilogy. I don't think I've read a YA series since the HP one which I grew up with. I am honestly very positively surprised by this fact. I am very excited to read on, especially since summer break has now officially started for me and I actually have the time to read. I know I mentioned some of the short stories in the beginning, but I think I will talk about those separately once I've read them all.

For now all that I can say is, damn you, Ben Barnes, for being this attractive as a bad guy, you alone are to blame that I am falling down this particular rabbit hole. Thanks so much.

[monstersandmaw]

Female vampire x female hunter (sfw) - Streaming story

Edit which I’m including in all my works after plagiarism and theft has taken place: I do not give my consent for my works to be used, copied, published, or posted anywhere. They are copyrighted and belong to me.

Hey folks! Here’s the edited version of the story I wrote with your input on my Twitch writing stream. Names were suggested in the chat for Olena (the vampire), our huntress, and the black cat, so thank you! I hope you had fun watching the stream and watching how I write and work, and maybe we can do another one in the future if there’s enough interest.

This feels like a part one to me, so maybe we can continue it together? Also Olena is basically Striga from the Netflix Castlevania series...

Content: (POV vampire) snow, scheming cats, grumpy lesbian vampire, slightly daffy huntress, and a teeny bit of sass. Wordcount: ~2.7k

She’d seen a hundred winters like it, but the sight of dancing snowflakes as winter really sank its teeth into the landscape never failed to ease something inside her. The summers here were intense and hot, but in the dead of winter the sun barely managed to haul itself above the tall row of looming elms on the horizon and everything lay muffled beneath dense blankets of pristine snow.  

Her breath fogged against the leaded panes of the mullioned windows as snowflakes flailed around the dark courtyard beyond and she found her thin, dark lips tugging into a wry, private smile. Yes, winter was her time; it was a time of wolves and hunting; of long nights, solitary stars, and gusting winds.

As she shifted her weight - on the point of turning away from the worsening storm - her light, soft-soled fur boots sounding barely a whisper on the smooth, time-worn flagstones of the bastion which she’d called home for the past two centuries, a movement in the barbican gate caught her sharp eye. Scowling, she focused her gaze on the distant, shadowed arch below. Squinting past her own severe, pale reflection and the flickering of the fire behind her, her heavy, dark brows knotted a little more tightly together when she figured out exactly what she was seeing.  

“No,” she breathed, astonished. “No fucking way. A human? Out in this weather?”

Easy pickings, perhaps. 

It had been long enough since her last feed that the thought of hot, fresh blood straight from the vein enticed her out into the cold.  

With a grunt, she turned away from the window and stalked through the castle on long, lean legs, fur-trimmed cloak swirling behind her like pirate’s sail. It didn’t take much effort to haul open the monstrous, iron-studded castle doors, and the blast of icy air that hit her in the face barely registered. Narrowing moss-green eyes against the biting wind, she stepped out into the drift-riddled courtyard.  

Up ahead she thought she could make out the figure of a young, human leading a horse. “The fuck?” she snarled. While her body didn’t particularly need blood at the moment -  no burning thirst prickling the back of her throat - as she neared the human and caught the faintest traces of her scent on the wind the instinctive urge to feed sparked a dull throb in her canines. It didn’t help that the woman’s pulse was rabbiting, but she could ignore that for now.  

The next scent she caught was the sour tang of horse, and she wrinkled her nose in disgust. Still, the human seemed to have noticed her at last because a voice that would have been too faint for human ears rose above the yowling of the wind a moment later.  

“Oh by the gods,” the young woman practically whimpered, staggering a little into the body of her chestnut horse who seemed to be a little lame on the nearside fore, head nodding with each step. The syncopated motion set a nicely-made, tooled leather quiver rocking on the saddle, revealing a decent number of arrows. The woman was a hunter then, and either her horse had gone lame before she’d managed to shoot anything, or she wasn’t very good.  

Olena stilled and let them approach her, a single, incredulous eyebrow raised.  

“I know it’s late!” the woman continued, tugging fruitlessly on the reins of the mare who had planted her feet and refused to take another step.

Animals could usually sense the supernatural, and this mare clearly had more sense than her owner when it came to marching up to a predator uninvited and introducing itself.  

“But, Buttercup here threw a shoe about half a mile back and it’s twisted the clenches a bit, and I didn’t want to keep riding her with one shoe off, so I got off and walked, but then it got late, and dark, and the snow started to worsen and…”  

Olena remained perfectly still, wondering how the woman’s mouth could be moving so quickly when the rest of her seemed half frozen.  

“So… uh… any chance we could find some help here? At least a roof over our heads til tomorrow? I don’t mind sleeping in the stable with Buttercup. Well,” she added tilting her head a bit and patting the mare’s shoulder, “Maybe not with with, because I don’t want to get crushed, but… you know… On a hay bale or something.”

After a brief pause while Olena’s brain tried to catch up with the sheer speed of the woman’s speech, she said, “I think we have a spare trough for you.”

For a split second, the human didn’t react and Olena wondered if she had, finally, frozen in place. Her eyes were wide and brown, somewhere between the colour of honey and hazel, and she blinked a few times before spluttering, “Wait, are you serious? You’re gonna offer me a fucking trough?”  

A tiny smile played at the corner of Olena’s mouth but she resisted the urge to let it blossom into something more expressive. With a quick jut of her chin, she indicated the stable block - mostly disused these days - and muttered, “Stable the mare in there. When you’re done, come up to the castle.”  

Without checking to see if the human had any more questions or spontaneous monologues to spout, Olena turned on the spot and left her to it.  

As she paced steadily through the falling snow, the vampire’s keen ears caught the soft sounds of the hunter nattering on to the horse - something about creepy castles and grumpy noblewomen - followed by the raucous squeak of the stable door as it opened, the clop of the mare’s hooves on hard stone, and then she was back at the castle doors herself and passing beneath leering carved gargoyles and grotesques.  

She debated fleetingly with herself as to whether she should close the doors again, partly so that the drifting snow didn’t pile up in the hallway again, but mostly so that Luna didn’t decide she wanted to go out all of a sudden, and then disappear for hours, only to turn up in the middle of the day, mewling to come in with something unmentionable dangling from her needle-sharp teeth.  

“Bloody cat,” Olena muttered fondly.

It had been a while since she’d been in any real position to gauge a human’s strength - in any context - but she had the feeling that this woman was probably stronger than her slim build suggested. Perhaps she was wiry rather than slender. A life where someone needed to come poaching deer in the forest, rather than having fine meals made, had a tendency to tip a person towards a leaner constitution. It was a build that had always appealed to her, despite certain expectations that someone as tall and muscular as Olena would prefer someone softer and altogether more delicate. Not that she’d given herself the slightest occasion to sample any kind of pleasure from any kind of woman in the past century or so, but that was on her.  

Despite the thickness of the castle walls between the entrance hall and the kitchens below, Olena could still make out the stump of the woman’s boots as she kicked off the worst of the snow before slamming the doors closed behind her with an echoing boom that shattered the stillness of the castle.  The vampire only realised once she was standing in the empty kitchen that she had no food fit for humans whatsoever. Perhaps there was a solid wheel of what had once been cheese lurking in a far corner of the cellars, but other than offering her a freshly-caught mouse, courtesy of Luna, there wasn’t much to bring up other than a pitcher of water.  

She shook a jar of something that could have been black tea a hundred years ago, but given that it resembled little more than mouse droppings, she returned it to the shelf and left the kitchens with the jug of water and a small earthenware cup. The human would have to be grateful for the fire and the shelter, if not the food.  

With footsteps quieter than even the cat’s, Olena’s progress along the stone corridors was unmarked by any eyes, save for perhaps a stray spider lurking in the vaulted ceilings. It hadn’t been until the strong heartbeat of another being had entered the halls that she’d appreciated quite how alone she was here. Memories, distant and dusty, of parties and gatherings filtered back to her through the layers of dust that seemed to cling to every surface of the castle, and something old and stale and painful stirred inside her at the sound of that new, fresh heartbeat.  

Mixing gradually with the steady rhythm of the new heartbeat came another sound. A soft voice, hoarse from the cold, hummed an old melody from the region that Olena was certain no one alive still knew, and the force of it hit her squarely in the chest. The last person who had sung that in her presence had been gone for nearly two centuries now.  

From her abrupt halt in the corridor, she caught the faint thrumming of another heartbeat. A moment later and Luna coiled softly around her ankles in silent greeting before fluffing up her tail and pricking her black ears forwards, suddenly alert. Then, bold as brass, she trotted into the drawing room, taking a direct path over the rug in the centre of the room, and introduced herself to the hunter without preamble.  

The human’s gentle warbling cut off the moment she spotted the cat, and she let out a little chuckle, crouching down into a childlike pose that almost drew a smile from Olena. She’d clearly been drying her russet-brown hair in the heat blasting off the fire in the grate, and Olena’s green eyes darted instantly to the soft curve of her now exposed neck.

Unconsciously, she licked her lips.  

The colours of the flames glimmered enticingly on the sliver of bare skin, dancing first gold then to a deeper amber.  

Her pulse beat steady and strong.  

Olena blinked and licked her lips again.  

Concentrating harder on her senses, she realised that the ferrous tang of blood tinted the air, and she deepened her habitually stern scowl. The hunter hadn’t seemed hurt. Honing her focus still further, it was with a strange sense of relief that she realised that the blood was not human. A second later, she spotted the source. A tiny mouse had been deposited on the hearth rug, and she grimaced. Luna had clearly been hunting and had left a present there for her on her return.  

The human, upon spotting the grim little offering, pulled a face and then, to Olena’s surprise, laughed. “Well, you did better than me,” she said, scratching the cat under the chin as Luna tilted her dark, fluffy face upwards for a moment before coiling languorously around the stranger’s ankles like a shadow come to life. “So far I’ve caught absolutely nothing.”

It wasn’t until the raucous purring of the traitorous cat reached her ears that Olena realised she’d been standing there staring like a suit of armour for too long.  

The human finally noticed her presence, jumping quietly and gasping, which startled Luna a little. In rebuke, the cat bristled and stalked away. She was acting as if this new arrival to the utter stillness of their castle meant nothing at all to her, though Olena could see that she was secretly fascinated with the human. Remembering how long the cat had taken to warm up to her in the first place brought a fresh sting to her chest and a bitterness to her mouth.  

She rolled her green eyes and shot the cat a look, but Luna just ignored her.  

“Cute,” the human grinned, and Olena frowned, swivelling her gaze to the human and pinning her to the spot with a well-practised glare.  

“Excuse me?”

“Your cat,” the hunter said with a surprisingly girlish giggle for someone dressed like a soldier in supple leathers. “She’s cute.”

Olena had only the merest grunt in answer to that. “I can’t offer you anything to eat, but if you’re thirsty, there’s water. Or wine.”

The hunter tilted her head slightly, more curious than offended. “No servants to cook for you?” she asked archly. “Did you send them all away for the winter festivities and now have no one to feed you?”

She felt her features tighten in response - the urge to flash her fangs at the sheer audacity of this frail little human surged hot and bright in Olena, almost blinding her for a second before she reined herself in.  

The human, however, was apparently not finished. “Or perhaps you rely on the scraps your cat brings you?”

She was the next thing to letting her eyes flare red. Instead, she ground her jaw and set the pitcher of water down on the table near the fire without a word, and left the room.  

Luna, clearly unused to all the drama, let out a soft ‘mrrrp’ from the depths of the squashy chair where she’d apparently set up camp for the evening, and the hunter looked over at her. “I know,” she grinned. “These aristocratic types are so touchy.”

Olena’s last thread of patience snapped and she whirled on the spot. “What would you know?” she hissed, voice low and dangerous, and for the first time, she saw the spark of apprehension begin to kindle in the human’s eyes. The reason this castle was echoing and empty made her insides ache. “Perhaps you should have stayed in the stables if you’re so picky…”

The hunter’s mouth opened and shut a few times before she finally croaked, “Look, I’m sorry. I was out of line. You didn’t have to let me shelter here for the night.” She tucked a wayward strand of hair behind her ear, Olena’s eyes instantly tracking the movement, before adding, “I’ve got some supplies in my saddlebag. I can eat those.”

And with that, the human turned on her heel and left the room.  

The absence of her heartbeat in the vacuum left behind left Olena reeling.

In the days of the castle’s former life, no one would have dared to speak to her like that, and yet, in the snows of winter, a desperate and chilly huntress had just talked back at her like they were village teenagers scrapping over nothing at all, and had abruptly flounced out. If she’d known what Olena was - who Olena was - would she still have been so bold?

Feeling petulant, Olena just let her go, but once she’d heard the doors slam, she slumped down into a fire-warmed chair and let out a long breath and did her best to ignore the nagging sensation at the back of her mind, and forget about the human altogether.  

Luna, however, had other ideas.  

The cat refused to settle, and eventually she trotted from the room and disappeared with a flurry of her black, fluffy tail. “Oh you too, huh?” Olena growled at the cat’s retreating back. The wind had picked up, tugging at the turrets of the castle and battering the glass of the windows with a steady hail of ice and snowflakes, and with a deep, regretful sigh, Olena stood.  

“You’re right,” she grumbled to the memory of the cat who was now nowhere to be seen. “I wouldn’t leave a dog out in this weather…”

The wind caught her full in the face as she cranked the castle doors open one more time, and almost all evidence of their earlier journey across the courtyard had been obliterated by the fresh, gusting snow. The main doors to the stable block had been battened down against the weather, but she had no difficulty in opening them.  

A warning whicker from the mare - who names a horse like that Buttercup anyway? she mused - alerted the human to her approach, and Olena caught the rustle of straw as she stood, heartbeat ticking faster. She could taste the woman’s fear on the air now.  

By the time she reached their stall, the human was on her feet, expression set in a wary glare.  

“You shouldn’t sleep out here.”  

The hunter blinked. “Where else am I supposed to sleep? I’m not staying up in that creepy castle with you.”

Olena almost admired her guts. “Well, it’s that or frostbite. Your choice.” And with that, she headed back to her ‘creepy castle’ alone. Let the stubborn human freeze if she wanted.  

However, she was gratified to hear a short squawk a few seconds later, followed by the crunch of boots in the snow as the human barrelled after her at an unsteady run. “Wait!” she yelled over the fierce wind. “Wait…”

Olena’s footsteps halted and she half turned to look over her shoulder. The human’s cheeks were flushed with the cold, and her breath swirled upwards like campfire smoke before the wind whisked it away.  

“Wait,” the human panted, heartbeat thundering out now despite the noise of the wind. “What’s your name?”

“You can call me Olena,” she replied, setting off again.  

She didn’t have to ask for the human’s in return because the audacious young woman just blurted, “I’m Annika. Please don’t call me Anni though. It’s just Annika.”

“Annika,” Olena murmured, finding that she rather liked the shape of the name on her tongue. “Annika.”

—

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