#bob humble

[nofatclips]

Interview, a short film by Caroline Leaf & Veronika Soul

[lucifer-is-a-bag-of-dicks]

fun fact, for every good cosplay you pump out

there will always be a secret failed cosplay

in which my attempt at cosplaying Betty Boop ended up becoming Tina Belcher cosplaying Betty Boop

[orgyofthedamned]

grateful and in awe, feeling my heart swelling over the fact that some seeds i threw on the ground years ago have now grown into mighty redwoods that have eclipsed me and have taken a life of their own so far removed from i am, still inspiring and sheltering young creatives years later :')

[br1ghtestlight]

deeply obsessed w/ this image from the cast & crew backstage area for a bob's burgers movie press event. Love the options of orange juice and iced coffee as the Two drinks avaliable. love the microsoft excel printed sign in default font. LOVE that they unironically misspelled the name of the show and movie

DISNEY BOB'S BURGER MOVIE

[allinsideyourhead]

Here I am! Returning to this obscure yet comforting corner of the internet with this. Paul and I actually spent far longer than 26,521 minutes together because s&g were my #2 artist and records make up about a quarter of my total music listening, but top 0.001% when my latest wave of the Bob Dylan invasion kicked off about 6 months ago (shortly after starting my new job — coincidence?)? I’ll take it, and better luck next year to Bob who will have to wait his turn.

[bobmckenzie]

me: people are way too vain we really need to stop putting so much stock into our appearances it's not that serious

also me: cuts my hair too short and feels PHYSICALLY ILL over it

[get-back-homeward]

August 31, 1961: Bob Wooler predicts the Beatles’ future in Mersey Beat

A PHENOMENON CALLED THE BEATLES!

by Bob Wooler [x]

Why do you think The Beatles are so popular? Many people many times have asked me this question since that fantastic night (Tuesday, December 27th, 1960) at Litherland Town Hall, when the impact of the act was first felt on this side of the River. I consider myself privileged to have been associated with the launching of the group on that exciting occasion, and grateful for the opportunities of presenting them to fever-pitch audiences at practically all of the group’s subsequent appearances prior to their last Hamburg trip.

Perhaps my close association with the group’s activities, both earlier this year and since their recent reappearance on the Merseyside scene, persuades people to think that I can produce a blueprint of The Beatles Success Story. It figures, I suppose, and if, in attempting to explain the popularity of their act, the following analysis is at variance with other people’s views, well that’s just one of those things. The question is nevertheless thought-provoking.

Well then, how to answer it? First some obvious observations. The Beatles are the biggest thing to have hit the Liverpool rock ’n’ roll setup in years. They were, and still are, the hottest local property any Rock promoter is likely to encounter. To many of these gentlemen’s ears, Beatle-brand noises are cacophonous on stage, but who can ignore the fact that the same sounds translate into the sweetest music this side of heaven at the box office!

I think The Beatles are No. 1 because they resurrected original style rock ’n’ roll music, the origins of which are to be found in American negro singers. They hit the scene when it had been emasculated by figures like Cliff Richard and sounds like those electronic wonders The Shadows and their many imitators. Gone was the drive that inflamed the emotions. This was studio set jungle music purveyed skillfully in a chartwise direction by arrangement with the A & R men.

The Beatles, therefore, exploded on a jaded scene. And to those people on the verge of quitting teendom—those who had experienced during their most impressionable years the impact of rhythm ’n’ blues music (raw rock ’n’ roll)—this was an experience, a process of regaining and reliving a style of sounds and associated feelings identifiable with their era.

Here again, in The Beatles, was the stuff that screams are made of. Here was the excitement—both physical and aural—that symbolized the rebellion of youth in the ennuied mid-1950’s. This was the real thing. Here they were, first five and then four human dynamos generating a beat which was irresistible. Turning back the Rock clock. Pounding out items from Chuck Berry, Little Richard, Carl Perkins, The Coasters and the other great etceteras of the era. Here they were, unmindful of uniformity of dress. Unkempt-like long hair. Rugged yet romantic, appealing to both sexes. With calculated naivete and an ingenious, throw-away approach to their music. Affecting indifference to audience response and yet always saying “Thank-you.” Reviving interest in and commanding enthusiasm for numbers which descended the Charts way back. Popularizing (more than any other group) flipside items—example, “Boys.” Compelling attention and influencing, wittingly or unwittingly, other groups in the style, choice and presentation of songs.

Essentially a vocal act, hardly ever instrumental (at least not in this country), here they were, independently minded, playing what they liked for kicks, kudos and cash. Privileged in having gained prestige and experience from a residency at the Hamburg Top Ten Club during the autumn and winter of last year. Musically authoritative and physically magnetic, example the mean, moody magnificence of drummer Pete Best—a sort of teenage Jeff Chandler. A remarkable variety of talented voices which song-wise sound distinctive, but when speaking, possess the same naivete of tone. Rhythmic revolutionaries. An act which from beginning to end is a succession of climaxes. A personality cult. Seemingly unambitious, yet fluctuating between the self-assured and the vulnerable. Truly a phenomenon—and also a predicament to promoters! Such are the fantastic Beatles. I don’t think anything like them will happen again.

———

Retrospective from Bill Harry, Editor of Mersey Beat [x]

Editor’s note: Cavern disc jockey Bob Wooler, a Mersey Beat columnist, penned this piece in the August 31 1961 issue of Mersey Beat. How prophetic his last sentence proved to be! In recent years I told Bob I intended to revive Mersey Beat and I wanted him back in the fold as a columnist. Sadly, he died early in 2002 while I was still panning the website.

There are one or two things I would like to point out. The main advertisement on this page was for NEMS record store. Apart from the fact that I regularly discussed the Beatles and the Mersey scene with Brian Epstein each time I dropped copies to him, in addition to the fact that he began to review records for me from Issue No. 3, it is obvious from the sort of coverage, such as this article, which the Beatles were receiving every issue, that Epstein was aware of the Beatles from Mersey Beat and not some youngsters asking for a record in his store some months later. Bob also mentions the impact the group made at Litherland Town Hall. It was Bob who persuaded promoter Brian Kelly to book them for their debut appearance there on that date. It's also interesting to note that the only member of the Beatles mentioned by name is drummer Pete Best. Bob nicked the 'mean, moody, magnificent' tag from Howard Hughes' description of Jane Russell in the movie 'The Outlaw.' As this article was published in 1961, Bob did get something wrong: he mentions a residency at the "Hamburg Top Ten Club during the autumn and winter of last year." They only had residencies at the Indra and Kaiserkeller in 1960, although they made a few appearances at the Top Ten (Their Top Ten residency didn't actually commence until 1961).

[mistrdctr]

i diagnose you with hot. 

bob the builder hot

i am not saying bob the builder is hot, im just saying you have the hotness of a handyman. you're humble, down to earth, and exist with an easy confidence that takes peoples breath away. you always seem to know exactly what you are doing. you may still be stuck in your hometown, but you have quite the reputation. you do get a lot of business, after all. people around here sure tend to break things an awful lot, and they always call you, listening through the phone reciever with a light blush and bated breath, for your inevitable "I'll help you."

tagged by : @ssolessurvivor (i just realized u did lol ♥) tagging : @bloodstainedstar @mxrvelouscreations (Tony) @suffcring (Darcy) @kissedbymischief @zemothethirteenth @ravarui (Tony) and YOU! ♥ and ofc @paramounticebound (i fucking need to know ok?)

[catboyrightsdefender]

i might not be the best artist in the six idiots fandom. but i dont think anyone else has drawn bobsy getting a facial or humphrey sucking his own dick so there's that at least

[sumiiregarii]

I'm still crying for Miguel gibe me my man back where is he

[caracello]

I love the ai bots because one time my friend tried to sell Spam/ton the w**d smoking girlfriends and they broke the bot in the process of doing it

HELPPPPPPPPP tthe ai bots are so funny i love when they lose the character entirely. one time i asked solidsnake if he liked men and he started talking in third person

[jrueships]

still thinking about jaren on podcast p

[mercuriallworld]

warriors organization is incredibly unserious. we dont know what happened with gpii though we do know they dramatized the original report by saying he was taking painkiller shots instead of pills (which is Normal) and now they’re trying to pin us for the pelicans trade like everyone knew nance was injured and the pelicans themselves waived the physicals. worry about your sorry .500 team and its inability to close out games

[kitsunesakii]

He's beating me....

[thecanyon]

reign music video + crown motif