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#body paint graffiti
conformi · 2 months
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Jodie Foster wearing a Giorgio Armani dress at 67th Academy Awards, Shrine Auditorium | Los Angeles, California, 27 March 1995 VS Bill T. Jones, body painted by Keith Haring, 1983
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lifestreetartist · 8 months
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mediation
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heylookits · 1 year
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oddphotos362 · 18 days
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racunboy645 · 4 months
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afrotumble · 1 year
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Graffiti Limited Edition - Canyon Corporate - 2010 - 32.8-27.6cm
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Hi! I hope you doing well! Could one of Earth 42 Miles Morales x Female Reader where reader in his universe dead and he and her was dating before he become the prowler (I don't know if I write his name right English it's not my first language) and she go to earth 42 whit miles and he sees her again alive, and Miles is also dating Female Reader and is like "what do you mean "she's alive"?"
(Hello! I hope this fits and I hope you enjoy! So sorry if it sucks as this is my first spider-verse thing but I hope you enjoy!)
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Second Chance
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You knew the moment you got here that something was wrong.
You were not home.
Home was 1610, not whatever the hell this was. You guys were supposed to be sent home, the DNA detected was supposed to send you home.
But you realized too late the Spider, the one that caused all of this, wasn't from home.
Everything was wrong.
Very wrong.
Especially when Miles' Uncle Aaron came through the door. Really wrong when he leads you up to the roof.
And really, fucking, wrong when you stared at a mural of your face, painted on a brick wall in front of you along with Miles' father.
You were dead here.
Home was where you were alive. This…this was not home.
"...(Name)..." You could hear Miles whisper in your ear, you couldn't answer back.
Too scared to look away from your smiling face painted into the brick.
You could tell Uncle Aaron was standing right beside you and Miles, both staring at the graffiti mural.
Miles looked to you, his hand gripping onto yours to try and bring you back from your own stare at your own mural.
Uncle Aaron flipped on a light, Miles hesitated to look, but when he did he could see his supposed Uncles stare.
You finally tore your eyes from the mural, gripping back onto Miles' hand almost as if it would take you away from this nightmare.
Uncle Aaron merely stared at you two as you both backed up, trying to get away.
But you didn't.
You could feel a stare on the back of your head, too late to turn around, but catching a glimpse along with Miles as someone jumped from a rooftop, knocking Miles senseless and into the ground unconscious.
"Shit- Miles!" You panicked, trying to grab him before he hit the ground but you didn't get the chance.
You noted how the one who punched your boyfriend out stared at you, never looking away as he slowly got closer.
He stepped over Miles' unconscious body, you tried to back away but had nowhere to go as Uncle Aaron wrapped his arm around your neck from behind.
"Hey! No- let me go!" You tried to fight back, clawing at his hand before a sting in your neck caused you to yell in pain.
The one in the purple suit stood closer as your body tried to keep fighting, but soon fell limp, your eyes rolled into the back of your head.
Uncle Aaron let you go, about to let you fall into the ground with your Miles. You were fully content with that.
Until the one in front of you caught you just as you closed your eyes to oblivion.
You still had some senses left until you were left completely out. So you could feel the way the boy caught you, carefully moving you in his arms.
Your eyes flickered open and closed, fighting to stay awake as he stared down at you before your eyelids dropped, and you couldn't help but fall asleep into nothing.
Uncle Aaron saw the way his nephew looked down at you, noting how close he held you and how he stared, his movements slow but gentle.
He could see the way he was careful with you, letting you rest in his arms and never letting you fall to the ground.
Something he had done before.
"Stop staring like they're yours. They're not." Uncle Aaron simply put, walking past his Nephew, Miles Morales, to throw the unconscious one over his shoulder.
"...I know. They're just…alive." Miles muttered, can't help but to stare down at your peaceful face in his arms.
You looked like you always did. Content and happy, peaceful to be in his arms.
Like you did before he lost you.
Seeing you alive and just as beautiful as he sat from afar stunned him for a moment, but relieved him as thoughts popped up in his head.
Maybe he got a second chance.
But as he looked over at your Miles, resentment grew.
How come he got to have everything he lost, when everything could've been avoided for him, and get to keep you?
His grip on you couldn't help but to strengthen, the thought of losing you again didn't sit well with him, especially to that Miles.
Not when he had a second chance.
So as he looked down at your sleeping face, one he used to wake up to and one he used to take pictures of just to tease you in the morning with,
He knew something.
He wasn't losing you again.
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fell asleep wondering how body disposal would work in a world were humans evolved more like turtles or giant clams, and had a thick carapace, huge and tougher than our current skeletal system. imagine how inconvenient it would be for a murderer trying to get rid of a body--how do u dispose of the giant fucking shell? also coffins would be a different shape, more like an ellipsoid? human skeletons usually take less than a century to disintegrate, but imagine if we had a exoskeleton that was prone to fossilization. the study of archeology would be very, very affected. also i assume we wouldn't be able to sleep on our backs anymore? how would beds be shaped. what would a world run by turtle-humans look like. would we cover our shells with fabric/clothing or decorate them like we do fingernails? or just straight up do airbrush art? would graffiti be a social issue? someone spray paints u while you're sleeping and u have to pay to have your shell professionally sandpapered? there are so many sociological implications
these are the thoughts that come to me at night
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rafesaddiction · 6 months
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It's still not cheating when he's your enemy – Rafe Cameron x Pogue!Reader (Part 2)
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see here for part 1 and here for part 2.5
Summary: You just want to make a living, but Rafe Cameron keeps showing up and disturbing you while you're working. He's so damn annoying – and hot.
Concept: enemies, Who did this to you?
Warnings: mdni! – smut, rough sex, p in v, cheating (reader cheats on boyfriend), aggression, violence, manhandling, choking, cursing, name calling (reader is called a whore), mentions of assault (not by rafe), mean!rafe, also dark!rafe and protective!rafe
Word count: 4.7k
tagging those who asked for a part 2 @sublimepenguinpeach-blog @niyahwhoreworld @luvagirlsworld @elizzzzz143 @ghostlycrystobalove @fabienne6656 @noodle81937 @sadexact @marauderssmut @daydreamerblues I hope you'll enjoy this.
“I knew that ass looked familiar!”
You frowned as you heard that dark voice behind you, but you didn't turn around. You pretended not to have heard anything and went on scrubbing the wall with the sponge. You were kinda good at that – not at the scrubbing, but at ignoring catcalls. You had suffered like a lot in the last 30 minutes or so alone. At least half of the dozen cars that had passed behind you on the street had honked at you while you had been trying to clean some graffiti off the supposedly historical wall of this supposedly historical building. They wouldn't let you use any hard chemicals (not that you could've afforded them) to get rid off the paint because they would destroy the precious stone, or whatever. So cleaning the wall took ages. Sadly you were not paid by the hour, but by results alone. The graffiti was actually some insulting – and very true – statement about kooks. You thought that the handwriting looked somewhat familiar. And you almost suspected your boyfriend’s best friend to be the unknown author. You could almost hear him say that he did this on purpose just to create jobs, which was absolutely stupid, and therefore could've been true.
“Hey!” that voice again, and you rolled your eyes, unseen by the one addressing you. You still didn’t turn around to the car that was driving by slowly. And now it seemed to have stopped. You heard a car door open, but you ignored that too as you bent down to soak the sponge in the bucket of water, which was almost black by now from the paint and the dirt from the wall.
It was still early morning, not too hot, but cleaning this damn wall was hard work, and a light film of sweat had gathered on your forehead. You wiped it away with the back of your hand, before stretching your arms high above your head to start scrubbing again. The foamy water ran along your bare arms. You were wearing a cropped top and jeans shorts. You should’ve worn gloves to protect the skin on your hands from the cleanser, you thought, when you heard that voice again. So close, it made you freeze and your breath hitched.
“Did no one ever tell you it’s impolite not to answer when spoken to?”
A shiver you tried to ignore ran down your spine as you felt his presence so very close behind you. You couldn't help but close your eyes for a moment, when you smelled his scent; his dark, expensive cologne filling your lungs, your senses, and as if your body remembered, light goosebumps covered your skin – and you felt that throbbing between your legs.
“Or do you think I'm just a daydream?”
The arrogant tone in his voice drove you mad. You opened your eyes, your jaw clenched, but you continued staring at the wall.
Whereas before you had only felt his presence, you could now feel his touch. He was standing directly behind you, his chest brushing against your back as he leaned closer, his face next to yours, his lips moved close to your ear, while one of his hands found the exposed skin on your stomach. His long fingers slowly travelled under your top, shoving it up.
“I promise I'm real,” he whispered into your ear.
You shuddered, his hand cupping the underside of your breast, and you hated how your body reacted, how your traitorous nipples perked up, how your stupid legs got wobbly. You involuntarily let out a moan as his lips found your skin, touching that very sensitive spot under your ear.
You couldn't have this, not here on a public street in broad daylight, and not with him, not with Rafe fucking Cameron.
You spun around, saw a smug grin on his ridiculously handsome face and shoved the wet sponge right into his arrogant face – and you again wished that you'd have been able to afford more aggressive chemicals.
“What the fuck!” He exclaimed, moved a step back, rubbing his face, blinking, and looking at you both angry and in confusion, his mouth slightly open, his head tilted to the side, as if he expected you to explain your behavior to him when his behavior had been anything than appropriate or normal!
You looked at him with a little triumphant grin on your lips. But your small victory didn't last long.
His hand shot to your throat, gripping it so hard, your back was forcefully pushed against the wall, making you wince. Your hands wrapped around his arm, trying to fight him off, already struggling to breathe. And on top of that, his sudden proximity overwhelmed all your senses as his body was caging you in, making you feel his power over you. The look on Rafe's face was menacing; his brows furrowed, his eyes darkened, he seemed ready to kill.
Rafe moved so close that you felt his breath on your face, brushing against your skin. You could do nothing but gaze at him as you struggled to get out of his grip, in vain.
But suddenly Rafe's tense features changed. His eyes widened for a moment, then narrowed and he tilted your head to the side, inspecting your face, to be precise inspecting the left side of your face. And you knew what he was looking at.
“Who did this to you?”
He was looking at the bruise on your left cheek. Not just cheek, the black and blue mark covered almost half your face, from your eye to your jaw.
Rafe let go off your throat, placing both his palms on either side of your head on the wall. He was in fact caging you in now.
“No one,” you snapped, scowling at him. You tried to cover the bruise with your hair, but Rafe didn't allow it. He grabbed your wrist, held it, made you flinch at his strength. He would probably leave his own mark there.
“Bullshit,” he growled. “Tell me. Who did this? Your boyfriend?”
You detected something strange in his voice, but you couldn't quite place it, it sounded almost like he was being cautious, which was ridiculous. Rafe Cameron was never cautious or hesitant with his words. And despite that somewhat strange tone in his voice, it was commanding and he seemed to believe that he was entitled to get an explanation from you.
“No!” You frowned at him and managed to pull your hand free, so you could use both your hands to shove him away – or try to. He didn't move an inch while your hands lay on his broad chest. You could feel the hard muscles underneath his shirt. You could feel his rapid heartbeat. His chest rising and falling as he stared at you intensely.
“Like you would care anyway…” Your voice soft and unsteady.
You expected him to say something disregarding like that he didn't give a fuck and that would end this conversation – this tense situation. But he didn't. Rafe looked at you with a stern expression and when he spoke, there wasn't even a hint of mockery in his voice.
“Who did this to you?” He asked again.
There was something so earnest in his tone that you just looked at him, stunned, for a second. You felt your heart beat so violently, it felt like he must have heard it too.
You bit your lips and averted your gaze.
But Rafe wouldn't let you. His fingers under your chin, guided your face, made you look at him. And he gazed at you. His blue eyes so dark, so intense, they were penetrating you. And you shuddered.
“My landlord,” you answered his question, unable to resist his demanding tone any longer.
Rafe didn't say anything, but looked at you, waiting for you to continue.
You felt a lump in your throat and your voice sounded weak when you spoke more.
“I couldn't pay the rent and he ‘suggested' another form of payment. But I –” The fresh memory made your voice trail off and you felt tears gathering in your eyes.
“Did you?” His voice was low.
“No!” You glared at him, some of that familiar anger returning and making your voice stronger. “I'm not a whore!”
Rafe's words from the other night were still clear in your mind and fueled your rage anew. You tensed up and suddenly realized that your hands were clawing at his shirt. You kept them there and you looked Rafe straight into the eyes when you continued, “I told him to shove it and kicked him in the balls.”
Was that a hint of a smirk on Rafe's lips?
“But when I tried to get away, he gripped my hair, yanked me about and smacked my face against the doorframe. I wriggled out of his grip and ran. End of story.”
You gave Rafe's chest a shove and this time he moved a little back. So you ducked under his arm and walked off.
But you didn't get far.
His hand caught your wrist. He spun you around and you slumped against his chest, gasping in surprise before his lips covered yours.
You reacted without thinking. Your mouth opened, your lips moved against his. It was pure impulse, so strong you couldn't resist. You felt his strong hand grabbing the back of your neck as he kissed you, kissed you deeply.
Waves and waves of intense electric tension were rushing through your body. For a moment you felt like you could let your guard down and just melt into his touch, melt against his body.
But you couldn't let that happen. This was never going to happen. The harshness of reality woke you up.
You pulled back and smacked his cheek with your hand, so hard, so loud, your palm burned.
Rafe looked at you, his lips parted – so dangerously close to yours…
“I could give you the money –”
His features were so soft, and the way he looked at you, it made your chest tighten and you felt your tears returning.
“Fuck you! I told you I’m no whore! I'm no one's whore! Not his and certainly not YOURS!” You screamed those words right at his face.
And Rafe just stood there. He did not attempt to grab you again, to pull you close, to kiss you, to hold you...
He just stood there and looked at you. Then his mouth closed and he nodded and his lips moved again, but you couldn't hear what he was saying, as if he was talking to himself. And then he just turned around and walked away, got into his jeep and drove off.
And you exhaled, and all tension fell from your body. You were shivering and no longer held those tears back. You cried out and a passing driver looked at you in confusion and you yelled after him to fuck off and kicked at the water bucket – and regretted it a second later. You would have to get fresh water and then start working again. You had wasted more than enough time already. Because of Rafe fucking Cameron.
***
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A few days later.
“What you doing here?”
Fuck, was he everywhere? You looked up from your phone and saw Rafe Cameron on his dirt bike, just having taken off his helmet, smoothing down his hair with his free hand – and grinning at you.
You glared at him and focused on your phone again, leaning with your back against the shop window. You tried your best to ignore him, hoping that he would for once get the hint.
It had been only three days since your last encounter; the bruise was still showing on your face, the cheap make up you had wasn't enough to cover it completely, but you had arranged your hair in a way that hid most of it – at least you hoped it did.
“Waiting for clients?” Rafe’s voice sounded closer. Obviously he hadn’t taken the hint.
You didn't look up, but you could see and feel his shadow on you. He had gotten off his bike and walked over to you.
“Fuck off, asshole. I have no time for your bullshit.”
You looked up from your phone to glare at him.
He stood directly in front of you, had stopped about two feet away. It annoyed you how much your body already reacted to his presence. Your skin buzzing without his hands even touching it.
Rafe's hand moved to his head, combing through his hair.
“What are you doing here?” You hoped you sounded as annoyed as you were.
“Buying a new 8-iron.”
You knitted your eyebrows.
“So what are you doing here? All dressed up – like that,” Rafe asked, pointing at your outfit.
You had to admit it was an unusual look for you. You were wearing a white blouse, all buttoned up, and a black pencil skirt reaching to your knees, the fabric stiff and making your thighs itch. It wasn't yours. You had to borrow that skirt from your neighbor.
~~~
When you walked over to your neighbor's door that morning, you looked around nervously, making sure not to accidentally run into your landlord. You wouldn't want to repeat that kind of encounter, especially not today when you had a job interview for a position at a stationery shop on main street. One of those fancy-ass shops where kook parents bought school supplies for their spoiled offspring. With school starting in a few weeks, they had a new position to fill. Though it was just temporary, it was good money, and maybe even a chance for something permanent.
“Try this on, I think it might fit.” Your neighbor held out a black skirt from her closet, handing it to you.
You were standing in her small bedroom, trying not to step on the stuff scattered on the floor. You pulled down your shorts and put on the skirt and frowned at the image of the young woman in the mirror. You did not like it at all, but the skirt looked like something someone working at a kook stationery shop would wear, so it would do.
You thanked your neighbor and were about to leave when you remembered that it had been days since you had last seen your landlord, which was unusual, since he was always lurking around, sitting by the empty pool, shouting at kids or harassing his female tenants. Your neighbor always knew the latest gossip, so you just asked her about his whereabouts.
“Haven't you heard?”
“Heard what?” You frowned at her in confusion.
“He got run over by a car three days ago.”
“Oh,” you said. “Is he alive?” You knew it was bad to wish someone ill, but part of you couldn't help hoping for the worst.
“Barely. He's in intensive care. Can't move a single bone in his body. His jaw is completely crushed.”
“By the car?”
“No. After he'd been hit, the driver got out of the car and beat him up. With a golf club.”
You raised your eyebrows. “With a golf club?”
She nodded.
“And did they, did the police catch whoever…?”
She shook her head. “Strange thing. No one saw anything. Though it happened in broad daylight. On the street right in front of our compound.”
“Huh,” you said.
“Yep,” she shrugged, folding clothes and putting them back into her closet. “And he can't remember anything, he says. Well, he can hardly speak with that fractured jaw. Only liquid diet for him for the next couple of weeks and I guess he won't be around that soon.”
~~~
“I have a job interview, if you must know.”
You put your phone away and pressed your now empty palms against the cool glass behind you.
“A job interview?” Rafe cocked his head.
“Yeah. You know, some people actually do have to get jobs and work for a living.”
You expected him to snap or at least frown at you, but he just grinned.
“So you're nervous?”
You glared at him. “What do you want?”
He chuckled and lifted his hands in a defensive way. “What? Can't I just make friendly conversation?”
The frown on your forehead deepened, your muscles tensing so much, it hurt your damn bruise.
“We are no friends.”
“True,” he shrugged, but he still didn't leave. He just stood there and looked at you. You wondered if he didn't have to be somewhere, but didn't bother to ask, because obviously, the answer would be ‘No'.
You crossed your arms in front of your chest and turned your head in another direction.
Your foot was tapping on the ground, because, yes, you were fucking nervous. This was important and Rafe Cameron standing there and staring at you like that made you nervous in another kind of way. But you couldn't have that now. Or ever.
“I could help you relax, you know.”
Your head spun around to face him, and he looked like he actually meant it.
You glared at him, but fuck, your traitorous body reacted in an instant. Your skin was buzzing, you felt a restlessness that had nothing to do with being nervous about the interview.
“When's the interview?”
You checked the time on your phone. “Twenty minutes.”
“Ah, not nearly enough time,” he said with that cocky grin.
Why the hell could you practically feel his voice crawling under your skin when he was just standing there?
You pressed your legs together, and feeling the rough fabric of that damn skirt on your skin made you even more itchy.
And Rafe just stood there and he looked so fucking handsome, almost sweet with his baby-blue polo shirt, those fucking curtain bangs and that smile. His hand casually touched his lips, effectively drawing your attention to both his lips and those fingers – god, those fingers…
You growled – at least you hoped it sounded like a growl.
“Fuck it.” You exhaled. “Where's your car?”
“I'm afraid the jeep is at the auto shop. I had… an accident.”
Your eyebrows moved up. Did he just grin?
“But I know a place...”
Rafe moved his head, pointing with his chin in the direction before he started walking, and he just grabbed your wrist to pull you along. You mouthed a complaint, but followed him into an alley behind the storefront.
“I’m not gonna let you eat me out between dumpsters.”
Rafe rolled his eyes, but did not say anything. He tugged you along to a door which he somehow managed to open.
He held it open for you to walk inside, which you did, while eyeing him.
“How do you know about this?”
Yet instead of answering, Rafe grabbed your neck and hip and his hungry lips found yours. And this time you didn't push him away. Your hands found his hair, tugging at it as you reacted to the kiss. The moment his lips touched yours, something so hot, so feverish was ignited, and you had no intention to stop it. Your eyes closed and you heard the door fall shut and some clicking sound that must have been a light switch, but you had no intention of checking. Your body and his were so closely entangled, and you just let him move you in the direction he shoved you, practically clinging to each other.
With your eyes closed, you had shut out any rational thinking. All you wanted was feel. Him. Your own hands eagerly slipped under his shirt – under that damn baby-blue shirt that suited him so well. You couldn't wait to get it off of him.
Rafe seemed to be reading your mind – or just your body – he obliged, broke the kiss to take off his shirt.
And you gazed at his perfectly sculptured torso, those abs made you literally lick your lips.
You were slightly panting, when you quickly took in your surroundings. You were in some dusty storage room that didn't seem to be used – except for Rafe's fuckdates probably. The thought should appall you, but fact was, you were so hot for this guy, you were aching for his touch. And the way he looked at you told you, he was as hungry as you were, maybe even more – blue eyes so intensely gazing at you, you felt naked when still fully clothed. That throbbing between your legs was getting unbearable and you knew that your panties must be soaking wet by now. Just from that damn kiss. That damn hot kiss.
You saw him lick his lips and your breath hitched.
“So are you gonna get on your knees now?” You tried to make your voice sound firm when you felt your body trembling with anticipation.
Rafe chuckled and shook his head.
Stunned for a moment, you just gaped at him, but the next moment he grabbed you and turned you around, and you managed just in time to brace yourself with your hands before colliding with the wall. You let out a gasp.
You craned your head back, as you heard him unzip his pants.
“Fuck, you promised to go down on me!”
“Never said that. I said I'd make you relax.” You could only hear his dark voice, but you were sure he was smirking.
You felt the hot touch of his fingertips on your thigh, felt his hand moving under your skirt, moving between your legs that just parted on their own. You shivered, mewled, and your eyes rolled back into your head. Such a light touch shouldn't affect you that much. You frowned at yourself and reached back to slap at his arm, a rather half-hearted attempt to stop him.
“Oh, you don’t want my cock inside you? I can just leave…” The arrogant tone in his voice made you growl. And the touch of his fingertip grazing over the fabric of your panties – your soaking wet panties – made you moan.
This guy made you so incredibly mad – and needy.
You scoffed and mumbled a curse.
You gripped the hem of your skirt and shoved it up over your waist, pulled down your panties, and they dropped to the floor. You faced the wall, pushing your naked ass out, arching your back and spreading your legs.
“Fuck me. And make me cum”, you commanded – hoping he wouldn't realize how much you were aching for his cock to fill you.
You heard him exhale and shuffle behind you. His large hand on your hip, you felt his length brushing along your slit, pulsing.
“And make it quick,” you said, already panting.
“That I can't promise.”
You were about to talk back, when Rafe's grip got firmer and his hard cock pushed into you, taking all your breath away.
And that was everything you felt from that moment on; your whole being was literally centered around Rafe Cameron’s cock buried deep inside you. Your walls clenched tightly around him, but he pushed harder, thrust into you with his whole length. You heard him inhale sharply and he remained still for a moment. Then his cock slowly retreated, before thrusting even harder into you.
You found your breath again, panting, moaning, whimpering as he fucked you.
His arms wrapped around you from behind, one hand grabbing your throat, causing you to tense up more, and feeling another rush flooding your senses. He growled close to your ear. Your back arching, moving at his will. You were burning up and shivering at the same time. His other hand pressed against your lower stomach as he continued fucking you from behind, causing you to flinch. His fingertip rubbed your clit – damn, it shouldn’t be so easy for him to find exactly the right spot right away and to give you what your body craved for.
His touch was rough and ruthless, nothing tender about the way he fucked you and pushed you quickly close to the edge. You couldn't even try to hold it back. Your orgasm hit you hard and you moaned shamelessly as he was fucking you through your high. Your body not feeling like your own anymore but something Rafe was in charge off. And he was in absolute control over your sensations, your body, your desires. You were still riding on that high, legs shaking, when you felt another climax building up inside you.
You lost all sense of time or place or anything. You didn't just feel his cock inside you, his hands on your body, his breath on your skin. You felt him everywhere. Every cell of your body was filled with him, his power, his greedy nature. And you'd never felt so much like yourself.
He made you cry out and whine, moan and whimper pathetically as he fucked you relentlessly, turning you into something he used to satisfy his seemingly insatiable appetite.
When you thought you couldn't take anymore, when your body was nothing but a trembling mess at his mercy, he grabbed you harder, fucked you deeper, and hotly groaned into your ear.
You screamed his name, so loud, your lungs burned.
Your body convulsing as you felt his hot cum spilling into you.
His hand turned your face sideways and he whispered something into your ear, but you didn't get the words, only felt his hot breath, only felt his hard cock pushing again into you, up to the hilt.
You had no chance of stopping all those pathetic sounds coming from you, as your body was convulsing around his.
He held you, for a while. You were panting heavily, as you felt his heartbeat at your back.
Your whimpering sounds stopped and your breathing was eventually calming down.
When he pulled out, you almost collapsed to the floor, as your legs seemed unable to carry your own weight. He caught you. Rafe slowly turned you around and held you.
You looked at him, his face flushed, his lips parted as he seemed out of breath too. There was something in his eyes, something so soft. Something that was ripping at your chest.
He slowly moved closer. And the tightness in your chest was unbearable. You pushed him away.
He stepped back and bent down to pick up your panties, handing them to you.
You watched him through narrowed eyes as you put them on. You winced when you felt his warm cum dripping out of you. You glared at him as he grinned.
“Don't you ever use a condom?”
He grinned more and shrugged. “Consider it a lucky charm. For your interview.”
You froze as reality hit you hard.
“Fuck.”
Hastily you smoothed down your crumpled clothes and checked your phone. You were late for the interview. And looked like a fucking mess. Your hair in disarray, your face glowing, sweat covering your body. You looked like you had just been fucked into oblivion.
“Fuck, fuck, fuck.” You looked at the camera and tried to at least wipe away the smudged mascara from your cheeks.
You looked up and saw Rafe, who was just standing there, shirtless, his heaving chest covered in a light film of sweat. He looked at you with that look.
“I hate you.” You scowled at him.
And he just shrugged. “I don't care as long as I get to fuck that fine pussy of yours.”
A surge of hot rage was about to make you jump at him, scratch his blue eyes out, kick his balls, hit his handsome face – but you just let out an exasperated growl, and pushed him out of the way as you left the storage room as fast as you could – thanks to Rafe Cameron that wasn't too fast, as your legs were shaking and you were goddamn sore from being fucked so thoroughly.
a/n This got kinda long and has a lot of plot. Sorry. Reader and Rafe somehow wouldn’t shut up. I appreciate all your feedback and thank you for reading!
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the-one-that-weeps · 12 days
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I'm tired of the Virtual Singers being the only ones who change from world to world. We barely know how Sekai actually work or how the kids magically teleport there. For all we know they could all be holograms upon entering the virtual world.
Let's get creative about it!
Imagine that upon entering Sekai the characters' bodies shift to fit in the world better, much like the virtual singers.
Imagine that, upon entering Wonderland Sekai, Tsukasa isn't only baffled by the presence of Hatsune Miku and talking plushies, but that he too has acquired some plushie-like stitches. Imagine that upon inviting Rui onto his stage, he actually begins to glow like a real star, no longer an illusion.
Imagine Mafuyu watching over the strings attached to her body like a marionette, only ever visible in this world, origin known a little too well. Soon enough Miku and other virtual singers join her, the Kagamines gingerly playing with the strings. She ignores them, the presence makes her ice grow warmer.
Imagine Kohane, mesmerized, looking upon the graffiti-like markings painted all over her, glowing vividly even through the darkest nights. Each song, each victory, creates a newer composition. All her teammates have similar ones, all resembling Vivid Street's own graffiti. After all, aren't they one and the same with the street that shaped them?
Imagine Minori vehemently retelling Miku how the little wings behind her back made her jump higher than usual during today's practice, how they grow bigger and bigger each time More More Jump reaches another person. Miku listens intently.
Imagine Ichika slowly guiding her friends' hands while they trace the blue constellations staining her back, scars of heartbreaks and whatnot, lessons learnt the hard way. They decide to show theirs too, all radiant colours of the night sky and ever-glowling stars. They hold each other close. They all know better now.
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Bad News First, Eddie
Part One 🦇 Part Two🦇Part Three🦇FInal Part
"Bad news first, Eddie," Steve sighs as he leans back on his heels, cleaner in one hand and a rag in the other. "They vandalized your headstone again. Good news, I beat Wayne out here so he won't be seeing it."
It's been over a year since they'd had to leave Eddie behind. He'd been cleared of the murders. That had been the easy part, since the Upside Down had exploded out into the Rightside Up. When Vecna started killing people it had been pretty easy for people to realize Eddie was just another victim.
Or so Steve had thought.
Eleven saved them all, the people of Hawkins knew the truth, yet Steve still found graffiti on Eddie's grave.
Eddie's grave is empty, because Eddie's body hadn't been recovered. Too much had happened, no time to mount an expedition to retrieve it, and the gates were closed. Another regret Steve lives with.
Like not taking Eddie's face between his hands and looking him dead in the eye when he told them not to be heroes.
Late at night, Steve sometimes imagines he did just that. Looked him dead in the eyes and said, "there is no shame in running, in living to see another day. Don't be a hero because I need you to be okay tomorrow."
Robin says it's not good for his mental health, these what-if scenarios, but so what?
Steve isn't sure what started it but coming out here to talk to Eddie seems to help him clear his thoughts. He always starts with the bad news, Eddie's voice in the back of his mind. Bad news first, always.
The first time Wayne had caught him out here, Wayne thought he was vandalizing. Had scared Steve half to death being yanked back violently by his upper arm. It didn't take Wayne long for his eyes to process that Steve wasn't holding paint.
"You know my boy?" Wayne always spoke in the present tense about Eddie.
"Not as well as I would have liked, sir," Steve swallowed thickly. It was the start of a friendship, of sorts. Wayne seemed happy to have someone to tell stories about Eddie to, and Steve was happy to learn about Eddie.
Months pass and Steve goes every week.
"Bad news. The new guitarist is mediocre at best. Good news. Corroded Coffin lives on and they finally got a new guitarist."
"Bad news. Robin will not shut up about Vickie. Good news. Robin got that date she wanted."
"Bad news. Wayne had an accident at the plant. Good news, he's okay. I think... this might be weird to you, but I've convinced him to move in, at least until he's healed fully so he's not alone. He's staying in the downstairs guest room. Not that you know where that is. You've never even been to my house... bad news, you've never been to my house. Good news, I really wish you had."
So it goes. Wayne Munson moves in and never moves out. Steve's parents call once, to ask if he wants the house. Steve says yes.
Shortly after, Robin takes a room upstairs. Says she gonna take a year off school before college. The Party moves their dnd games to Steve's giant dining room table. His house is always full but part of Steve feels empty.
"B-bad news," Steve forces the words out around the lump in his throat, "I found out too late. Good news, I'm bisexual. Bad news, good news? I don't know man, the news is I could have loved you. I think I do, but that's the you Wayne and the kids tell me about, so who is to say really."
So it goes.
"Bad news. They're seniors this year, Eds. Seniors! Robin going away to college was bad enough. I don't know if I'll even know how to function when they do. 'Cause they're gonna, you know? They're smart. Too smart to stay in this town," Steve is crying, can feel the tears falling, but doesn't stop them. "I know I should go, too. Somewhere else. Anywhere else. But I can't leave. Wayne's here. You're here. And if I go, who will look after either of you?"
"Bad news. College acceptance letters have come in. They're not even graduated yet. This should be good news, but, heh, friends don't lie."
"Bad news, Eds. I can't remember your voice. I didn't think.... I feel like I remember it but I can't hear it. I want to hear it. I-i need-" Steve doesn't know what he needs, doesn't know how to end that sentence so he just sobs, fingers burying themselves into the dirt of an empty grave.
Wayne gets a phone call one day and says he's gotta go back to Tennessee. Eddie's father -that rocks Steve because while he knows Wayne was Eddie's uncle, he never connected that a father was somewhere out there- Eddie's father, Wayne's younger brother, needs him.
Steve drives Wayne to the airport in Indianapolis. Wayne promises he'll return but Steve won't hold him to that. This is family, and as much as Steve pretends, he isn't Wayne's nephew. Isn't Wayne's family.
As Wayne disappears onto his flight, Steve is left hollow. There's no one left in Hawkins that needs him.
"Bad news, Eds. I think I'm a danger to myself. I keep having these thoughts... like how easy it would be to drive my car into the quarry. Or just slip into the pool and take a deep breath. I don't know who I am, or how to be me, without someone needing me."
Wayne calls and tells him he's coming home. Bringing a guest if that's ok. Steve says okay because he needs to meet the man who taught Eddie how to hot wire a car but not play catch. Also, he hopes to hear Eddie in his voice when they speak.
"Bad news, Eds. I'm too much of a coward to meet your old man. Afraid of what he'll sound like. Because I want him to sound like you so fucking bad it hurts. So instead of being home, I'm hiding here."
And then, a miracle happens.
"Well, I've some bad news for you, too, Stevie. I got my voice from my mom."
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lifestreetartist · 8 months
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1800titz · 3 months
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HI. HELLO. Here is my Valentine’s Day contribution. POTTERYINSTRUCTOR!HARRY!! POTTERY MAN! WOOO. Basically almost 7K of clay sexualization and sexually charged fluff (ish). Enjoy! :D
CONTENT/WARNINGS: ridiculous sexualization of clay (I think I’ve managed to fetishize clay in this one??? OOPS), overly suggestive usage of pottery terms, a red-hot, hands-on tutorial for wheel throwing, and embarassingly long descriptions of Harry’s fingers coated in wet clay.
WC: 6.6K
slip: small bits of dry clay mixed with water to create a thick, creamy consistency
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Clay is innately erotic. 
Wheel throwing is, arguably, the most pornographic art form, its only competing opponent being, maybe, literal body-painting. And that latter one still falls as a close second. Close, but second. 
Y/N decides that when she wanders into a little ceramics shop tucked away in a busy plaza downtown. There’s no method to her exploration, but the broad glass windows are adorned with dripping, colorful graffiti and its innards call to her. GLAZED, reads the large sign over the awning in blocky, white lettering, stippled with un-glowing light bulbs that she’s sure light alive in the night. 
It’s a cute shop. 
Upon entrance, the young woman discovers tables, as if set up for arts and crafts, crackling, clay covered wheels with shorter stools, and long, tall rows of shelving brimmed with colorless sculptures lining the walls. Despite its packed interior, the studio seems empty of people and quiet besides the soft notes of RÜFÜS DU SOL leaking from the overhead speakers. She roams beside the line of wheels over to a shelf by the door, admiring the myriad of statues there, some obviously crafted with expertise and elegant artistry, and others lopsided efforts that probably deserve a pitied gold star for effort. 
Her eyes are caught on an unpainted little ashtray that’s got a crooked sort of bee in the center when her gaze breaks away to the sound of footsteps. Maybe the shop isn’t as abandoned as she’d previously believed — a man appears from behind a row of white shelving stacked with more unfinished pottery. 
He’s a pretty man, that much she can decide from the downturned slope of his nose and his distracted lash line, focused on twisting the navy rag in his left hand over the tip of his right index finger. A dark baseball cap shrouds his hair, but little brunette tufts sneak out in curled bunches around his ears. That’s where Y/N finds a fun, little red-tinted pearl dangling from one lobe. He’s tatted in patchwork art — a mermaid with its tits out peeks at her from his forearm, soaked over and shining. She assumes he must have just been rinsing clay from that forearm, from his hands, no longer visible over his skin. However, streaks of dried gray stain over his white tee in crackling lines, like an old lamination on a well-loved t-shirt that’s been cycled through the washer one too many times. When he pulls the rag away, she discovers a shade of bright red that’s been painted over his nails.
Almost as if he can sense her presence without looking, his sneakers pause on the tile and he steals a peer up. Yes, he’s quite a pretty man, even when his features shape something caught off guard.
“Hello.”
His voice is rich — this smooth, bass-deep sort of sound driving a foreign lilt, and Y/N thinks that if it weren’t for his lengthy fingers and his cherry polished nails, if it weren’t for his handsomely sculpted face, if it weren’t for his seemingly innate effortless demeanor and style, that voice alone could make her fold.  
“Hello,” she returns, aware that a nervous note plucks at her cadence, unlike his own casual greeting. I promise I’m not shoplifting clay pots in silence, she nearly tells him. 
Thank fuck for the ability to physically bite your tongue. 
“What can I help you with?” the man asks, sauntering forward a bit. It’s probably sort of a polite manner to say what the fuck are you doing here, and the longer the young woman stands in the middle of the empty shop the more out of place she feels, almost like this a private, little haven and she shouldn’t be in here right now.
The song shifts into its choral bass drop of electric keys. That fills the void of the silence as she swallows and fixes a little smile onto her face, fingers tightening over the strap of her tote. 
“Oh, I’m just looking.” 
The man purses his mouth and walks over to the counter, where the register is littered with paperwork and an eclectic collection of faux plants. He sets the rag down beside a floppy one with its green tendrils dangling over the edge. 
“See anything you like?” his hand pinches over his nose, like he’s scratching an itch, before he sniffs and pivots to apparently decrease their proximity, “We’ve got loads — you can make something yourself, or,” another step, and Y/N’s eye bounce from his shorts to his tattooed knees to the hems of his white socks. “…If you know sculpting isn’t your craft, we’ve got ready-to-paint-one's on that shelf there.”
Her gaze follows the direction of his finger, where pasty ceramic bunnies, and angels, and cars line the shelving in multiples. 
“I think—“ the young woman’s tongue peeks out to swipe over her mouth, words growing drier the longer she captures his stare. She focuses back on a lopsided rendition of strawberry, its leaves cradling over as a disconnected lid and its stem a crooked handle. “I like these. They’ve got so much character.” 
She blinks back over to him and watches a soft smile shape over the cushiony pink of his mouth.
It only takes a moment — one where her sight draws back to the strawberry jar for a smidge of a second, before he’s so close that she can smell his cologne, spiced and clean. She ogles his arm, his hand, the way he reaches out between them to cull the piece, mildly appalled by the way he palms the sculpture and dwarfs it in his easy grasp. It’s such a casual maneuver, made almost as if he’s not fondling over something it’d take anyone else two hands to hold. Y/N imagines the dimpled form of clay coated over to match the color of his nails.
“They do, don’t they? I like this one, too. S’a little …ugly, but, s’in, like, a…” the man’s features twist into something silly and pinched, and the young woman rolls her lips into her mouth to avoid exposing her amusement at the brutal candor. His words catch in his throat and bubble as a short laugh, “I dunno. It’s art.” 
He sets it back onto the shelf with a light clink, and turns to face her, posturing against a post in the shelving where the tiers have a break. An exhale becomes paired with his nonchalant lean, arms crossing over his pecs, and Y/N tries intensely not to stare like a hawk at the muscle there. 
“I’m afraid people are coming back for these, though. This row came out of the kiln…” forest green skids to the assortment and then bounds up to the ceiling like he’s in thought, before he casts his gaze back onto her, “…yesterday. And there’s a month-and-a-half window for someone to come back and glaze before we toss or sell them to be painted.” 
He’s chewing gum. Y/N realizes it when she admires the soft stubble coating his jaw, his cheeks — that’s when she notices the work of his jawline over the minty piece. He tips his head. “Did you want to try sculpting something?” 
The edges of her lips break bashfully. “I don’t know if I’d be any good at it.” 
One corner of the man’s mouth curls up lopsidedly, and the beginnings of a dimple nudge into place. He blinks and chews a little slower, “Have you ever worked with clay before?” 
Her delayed, little no is met with the lopsided beam growing even. He nudges with his chin, deliciously bulging arms still tucked over his chest, his playfully raised eyebrows like a wordless notion of have more faith in yourself, “Then you may just be the next Magdalene Odundo. We’ll make a pro sculptor out of you, yet.” 
Magdalene Odundo. Somehow, the name isn’t familiar, but simultaneously, somehow, it feels like a compliment. 
Y/N inhales as his digits shift over his tri’s. “Okay.” 
“Okay,” plush pink shapes a handsome smile, bordering bright white teeth in straight lines. The man tips his head towards the curved berry vase, and then looks back at her, “Did you want to do something like this? All these over here were made on the wheel.” 
Y/N muzzles telling him that she’s no inkling of an idea how someone can morph a lump of clay into a vase, nevermind on a big, spinning platform that moves faster than her eyes can keep up with. The man seems to pick up on the hesitation in her silence. 
“S’easy, I promise. I’ll show you how to throw.” 
Show her. Okay. At least she’s not going to head into vase-sculpting or wheel-throwing or …whatever he’d called it blindly, fumbling over a block of clay on a twirling tray like a slapstick skit personified. At least it means she’s going to stay in his presence. After a moment of thought, though, (and the way she notes that his eyes make unwavering, relaxed contact with her face the entirety of the silent pause), Y/N decides she’s not sure whether that last bit is actually a good thing, considering she’s probably milliseconds away from, like, bracing a hand onto a the shelf to match his level of coolness, or something. And then subsequently sending ceramic pots spilling and shattering over the tile.
She blinks. Her shoulders rise on her nervous inhale, and he makes one of those playful faces, like he’s waiting for her to agree. The young woman’s eyes wander to the line of chairs pressed to its counterparts of wheels. 
“I don’t wanna, like, trouble you—“ 
“You’re not. S’my job,” he tells her, crimson fingertips drumming. She catches sight of his fabric-clad pectorals flexing when he leans forward a little to tack on, “…And to be honest, it’d give me something to do besides fucking around with clay, which is what I’ve been doing for the last hour.” 
Her mouth purses and then settles. “Okay.” 
“Okay,” he says again, and then winds around through a row of little tables that resemble the set up of an art classroom, like the kind she’d have in school. She’s ashamed that her gaze wanders down the back of his arm to ogle the rest of his ink. 
“You can have a seat at one of those wheels,” he tosses over his shoulder as he heads, she assumes, to wind back around the same shelf he’d surfaced from behind, “Just give me a mo’, and I’ll be right back with some clay.” 
It takes Y/N a moment — mostly because she admires the view of his stature from behind as he migrates to a back hallway, irises roaming down the projection of muscles in his back showcased through his tee. They skim down his legs, down the backs of his knees, rest on toned calves. He’s gone far too quickly for her viewing pleasure. The young woman takes another glance at the uneven strawberry-esque vase, and then she pivots to step around the crowded assortment of wheels to crouch into one of those little roll-y stools, feet crossing and uncrossing in the cramped space. 
He’s a sexy man, Y/N decides. That’s the word she’d been looking for all along, although pretty would match the descriptors of his long lashes and his pouty pink mouth. He’s sexy, though, in his baseball cap and his little six-inch-inseam shorts (which show off the sculpt of his tanned thighs and the ink over his kneecaps). He’s sexy when he comes out from the back over to her wheel, a gunmetal gray ball of clay cradled in his palm like it’s not the size of two of her own. He’s sexy in the green eye contact he makes when he settles into a stool similar to her own, right across, when his thighs splay because he doesn’t have enough room to sit otherwise, when he rests his elbows over his knees and stretches one arm out to pass off the clay. That’s when their digits brush, because it’s sort of unavoidable. He manages to make eye contact through that, too. Sexy. 
“Okay. Clay,” the chilled ball the man hands off weighs her hand down, and Y/N’s gaze flickers up to meet his own when he instructs, “Toss it onto the wheel. Aim for the center.” 
The young woman pauses like she’s calculating her aim, gearing up without visibly gearing up, and a little smile tugs at the instructor’s mouth as he waits. The clay lands with a thud onto the plate. 
“Great,” he tells her, monitoring the centering, and then jade bounces back up to her face as he coaxes, “Smack for good luck.” 
Y/N curbs the corners of her mouth out of mirth, hesitating for a moment before her palm lands over the smooth, gray lump in a halfhearted pat. She blinks up, hoping for assurance. The handsome man’s mouth purses like he’s restraining a grin. 
“Harder,” he encourages after a second, the corners of his muted raspberry mouth seeping up a smidge, more openly, “S’not gonna cry. You can go a little harder than that.” 
The young woman rolls her lips into her mouth, raises her hand, and follows his request, molding it flatter under the solid thud of her palm. Evidently, it’s a better attempt, because she earns a, “Very good,” in response from him.
She casts her gaze up to find him dipping his hands into the pot of murky water beside the wheel before a fist knocks lightly at the pedal-resembling lever on the opposite side, sending the wheel into a speeding twirl. And to add to her list of shame, the liquid that coats his fingers — that’s. 
Yeah. 
Y/N swallows and watches those wet hands cup over the clay, partly mesmerized by the way he coaxes the priorly deformed lump into a symmetrical cylinder, stroking up from the base up and back down, and partly mesmerized by the way the cherry polish becomes daubed with slicked clay. 
“I’m just gonna get it nice and easy for you, and then you can get to the fun bits,” the man tells her as if he isn’t currently awakening some deep, deviously sexual desires in her by fondling clay. Jade flickers up. “M’Harry, by the way.” 
“Y/N,” the young woman tells him in response, unsure whether to focus on his searing eye contact or the gentle press of his hands over … oddly erotic artistry in motion.
Harry unwittingly makes the decision for her by breaking the eye contact and glancing down at his work. 
“Y/N,” he says, as if testing the taste of her name on his tongue. 
Y/N takes a breath, smoothing her hands down her thighs. 
“Y/N,” his strawberry mouth parts a tad for a soft breath in, honey smooth cadence glazed in concentration as he presses a flat palm over the top of the clay, keeping his other hand cupped over the length. 
She watches the cylinder mold under his grip into something shorter, and then back up. She watches the way his arms flex, anchored to his body as he presses with the heels of his palms to sculpt. 
“This is called coning. Makes the clay centered so your grip stays nice and even when it spins. Otherwise, s’gonna wobble, and you’ll feel it when you’re trying to work with it.”
Sure enough, after a few moments, when the man takes his clay-sullied palms away, what’d priorly been a lopsided hunk twirling over the platform stands symmetrically, shining post his wet grip. When he balls his hand into a fist and punches over the lever a handful of times, the plate slows to a stop. He blows out a breath and the music shifts to the next track in the background.
“Take your bracelet off for me.” 
The comment is made totally innocuously. Its purpose is solely to preserve the condition of her jewelry — she knows that when his eyes go to meet hers again and he mentions, “Otherwise, it could get covered with clay, or break. Wouldn’t wanna ruin such a pretty piece.”
But it’s the way he says it, right? Two little words, so easy off his tongue. So nonchalant, so purely intended with no ulterior motive. For me. For me, for me, for me. 
It’s shameful — she’s ashamed. She’s no better than a man, Y/N decides, as she peers to the silver bangle with the sliver of warmth slithering through her chest and snaking to her tummy. She’s no better than a man, objectifying this poor, effortlessly sexy ceramics instructor and his casual commentary on a Wednesday. She swallows. 
“Right. Thanks— thank you,” the young woman tells him, her tone garbled with nervous enthusiasm as the fingers of her opposite hand wriggle under the clasp to pop the piece off. 
She’s still feeling dubious about the morality of her thoughts once she’s slipped the bracelet into her tote by her feet and sat back up. 
“Alright,” Harry starts again, elbows braced to his sturdy thighs, “We’re gonna go over what this little thing over here does, because it’s good to know. It sets your speed. We’ve got options—“
Y/N watches the way his arm stretches, she eyes the tail of the mermaid, the lines of scales etched into his skin. His eyes meet her own again. 
“…Fast,” Harry knocks over the lever again with the butt of a vertical fist, a couple more nudges rocketing the wheel into a motion that dissolves priorly visible remnants of clay rings into fast-moving swirls with no decipherable borders. 
Another few nudges has the wheel skidding to a full-stop, and then stuttering back up into a spin when he taps over the pad once more. 
“…Slow,” Harry fixes his gaze back onto her face and watches the curious concentration there. The man sits back up a tad, elbows bracing over his splayed thighs and fingers crooked and lax, coated with slippery wetness and clay. “Find what feels good for you. S’different for everyone.”
Despite the way the directions are made so innocently, so obviously stated as a tutorial that’s not intended to be taken as something suggestive, Y/N finds a heat teeming over her cheekbones. 
“But, I recommend—“ her teeth lodge into the inside of her cheek with subtlety as the instructor hunches a little again, just a tad, to rap over the lever in a pair. The wheel speeds. “—Sticking to something around this.”
The pace of the wheel settles into an easy spin — something that’s still too quick for her eyes to keep up with, but apparently not the fastest setting, judging by the higher speeds he’d displayed moments prior. 
“Alright. Here’s where you come in with your undiscovered ceramic talents,” the instructor tells her, the edges of his mouth so obviously restrained, like he’s amused with his own playful banter. His eyes glinting softly under the buttery light cast by the overhanging lanterns,”M’gonna show you how to drill, but you’ll need to get your hands wet first.”
Harry sits back, elbows still braced to his thighs, hands now coated with slippery clay as he waits for the young woman to douse her own into the bucket. The liquid greets her palms with a welcome chill, and when she lightly cups over the cylinder, it slips under her hands with ease. The man clears his throat, and their digits graze again when he touches over her fingers to guide her grasp. Y/N tries not to focus on the way his hands make her own look as if they belong to a child. 
“You’re gonna take your thumbs—” Harry coaxes, all concentrated seriousness now, and the pad of his own brushes against the knuckle of her left, “—and press over the top, here. Right in the middle, just like that.” 
He takes his hands away and the clay rolls under her fingertips, a divot forming from the pressure of her thumbs. 
“Good. Now what you’ve done is you’ve indicated where you’re going to make the opening. And to do that—“ his hands return, unintentionally persuading her own to fall away and sort of hover stagnantly mid-air, in sullied awe, as he dips the tip of his index into the cleft they’d created together. 
As if hungry for the finger, the clay parts to swallow the pad of the digit. It broadens its starving mouth, and Harry steadies the spread with his thumb, his pointer delving against the inside of the deepening wall. His opposite hand cups over the body as he molds the opening wider. 
Anyways, what Y/N manages to learn from the impressive showcase, before Harry steals a glance to make sure she’s been observing (which she has, very focused, actually), is that clay-working is a dirty, dirty, lustrous art form. Especially under his fingertips. This is all very educational stuff. Perhaps the most impressive step of his tutorial, thus far, is the way that, in mere moments, he cups and strokes and caresses over the clay, drawing the opening tighter. It shrinks until it disappears, and when he smooths his hands over the rounded edges a few more times, the vessel that’s left is an entirely clean slate. Almost as if she hadn’t just spent the last few seconds ogling a weirdly pornographic display of a clay cavern opening in response to the touch of his long finger. This was a horrible mistake, Y/N thinks pitifully — she’s getting aroused by clay working. If there was ever a blaring red indicator that she needed to get laid, this is it. 
“I want you to try now,” Harry directs, totally nonchalant. This is just a casual Wednesday for him, Y/N realizes. He casually fingers clay with his sexy, long fingers, and thinks nothing of it. Maybe she’s just a horribly wound-up pervert. 
Still sort of stunned, she reaches out and cups over the cylinder, clumsily positioning her thumbs in a replication of the manner he’d shown her, aiming for the center and driving a divot into the top. 
“Mm. That’s good. Keep your elbows closer to your body,” he prompts, eyes flickering from her posture to her hands. “Like this.” 
Following his body language, Y/N mimics, ducking a tad and tucking her arms to her torso. After a few moments, she lifts her thumbs to find a centered indent, one that’s similar to the one they’d created together. 
“Lovely. Now,” the chair makes a little rolling sound over the tile as Harry shifts forward, clay-slicked hands (warm, despite their cool coating) cradling over her own to position, “You’re gonna cup here, and then take this finger and push here. Yep. Jus’ like that.” 
The instructor takes his grip away and encourages, “If you need more water, get your hands wet. You can tell you need it if there’s friction — you want it a little wet.” 
She wants it a little wet. Y/N decides, as she dunks her hands into the bucket and returns to the clay, she in fact does not want anything wet right now. This is the last place she wants something wet. Her thoughts are disturbed by the way he grasps her at her hands again and repositions — twisted by the slippery feel of his own wet fingers. The clay over his palms has begun to dry now, morphing lighter and crackling, but the tips of his digits are still soaked and darker in shade. She’s awed when the cylinder gives under her touch, the same way it had for him to encompass her finger. It’s like magic, sort of. Very slippery, wet, weirdly erotically undertone-d magic. 
“There you go,” Harry tells her, baritone soft, “You’re a pro.” Then, after a moment, “You can go a little harder. Don’t be shy. Open it up.” 
She’s not blushing. She’s not blushing, because that would be silly. She presses harder, and the opening widens until it gapes. 
“How long have you worked here?” the young woman asks, naturally trying to change the subject from wet and hard things. Hopefully in an organic enough manner that doesn’t imply how affected she is by said wet and hard things. 
“I bought this place a few years ago,” Harry responds after a second, tone concentrating as he reaffixes the firmness of her grasp (she tries not to verbally apologize, glancing up), “…Both units. It was a smoke shop before, I think.” 
“Oh!” her hands stutter again in surprise, “Are you the owner?” 
He fixes them again, brows pinched, and when he glances up, his brow bone is smooth and there’s a soft smile playing over his mouth. “Indeed I am.” 
“It’s …beautiful in here,” Y/N tells him, gaze walloping from shelf to shelf for a moment, lantern lined ceilings to vine-coated crown molding, trusting that his hands will keep her own grounded to the piece. 
“Thanks. It’s a little crowded, but if you manage to get lost among the …phallic statues and the clay bongs,” he cocks his head, blatantly bridling a simper as he shrugs. At the response of her snort, jade flickers up and the plush of his mouth curls more obviously, “…You’ll find your way out of the maze soon enough.” 
As the walls of the clay grow thinner, the instructor takes his grip away, swiping at his forehead with the back of his hand. “Alright. What are we going for here? A mug? A vase? A bong masquerading as a vase?” 
Y/N takes the lack of his touch as an indication to lighten her own. She purses her lips thoughtfully. “A vase.” 
“A vase,” the instructor parrots, voice low, and then he hunches back over and cups the clay. The young woman returns her hands to meet his own. “I can work with that. We’re gonna build it up. You’re gonna squeeze and lift. Right—“
If his fingers keep brushing hers for the duration of the next …half hour? Hour? (How long does throwing take?), Y/N decides she’ll simply combust. His hands cup lightly over her own, two digits pressed to hers, and hers pinned to the inner wall of the clay in sin. 
“—Here. That’s it. You can be a little aggressive. We’ve gotta get it tall.”
Y/N swallows.
“You said you own both units?” she ponders aloud, “Is there …more?” 
“My place,” Harry tells her nonchalantly, as if it’s the most casual, normal, every day thing to live over a ceramics studio, “S’just over on the next floor.” 
“That’s—“ she realizes her grasp has lightened again, the integrity of the structure mostly only crawling up under the pressure of his own (steady, firm) grip over hers, “…so cool. To have, like, a whole studio right under you.” 
“Mm. I think right now…” Harry cranes his neck to peer up at the ceiling, “We’re under my kitchen.” 
A little breath of mirth tumbles from her when he grins and tacks on, “I think this is way cooler, though.” 
This is The Turning Point. 
And if it was a scene title in a play, Y/N thinks it would be capitalized to denote the importance. It’s important, because somewhere along the trail of her perversions, as Harry had guided her hands into the innards of the clay — fittingly describing it as the body — when he’d pressed his hands against her own to widen its base, when he’d shown her the sponge, things had clicked. It had clicked because she realized she wasn’t fucking crazy. Because Harry then said this thing — this one little thing that would have launched her into a frenzied, internal mess of dubious morality on the basis of her perversions—
But then it clicked. 
“Careful with the amount of water you’re using now, yeah?” he’d told her, maneuvering her grip over the sponge as they’d smoothed over the lip together, “S’all about balance. …If you go too hard, you’ll make a wet mess.” 
Y/N had glanced up. That’s when she’d noticed the way the instructor gnawed into his cheek, almost immediately, almost as if he was amused by some sort of devious inside joke. And then his blocky front teeth had dug lightly into the plush of his pink bottom lip. It was nearly unnoticeable — but she had noticed. Clay was innately erotic, and he was doing it on purpose. It was one, or the other, or both. 
For a little while from there, they work in blatantly charged silence. It’s a very short while, all things considered, and she’s willing to clam up altogether and daydream about his digits for the duration of the lesson, but the tone of his next words nearly gives her whiplash. 
“So what are you doing on this lovely Valentine’s day?” Harry breaks the silence, once again, his tone so even and nonchalant that Y/N can’t begin to fathom where his composure comes from. 
The young woman clears her throat, “Oh. Y’know. Trying my hand at ceramics. The yuzh.” 
Jade doesn’t immediately jolt up when he ponders aloud, “Dinner plans?” 
“Not any on the calendar …that I’m aware of.”
His touch doesn’t lighten, but he does glance up, mouth all (apparently) disbelieving mirth, “You’re telling me you’re not being wined and dined tonight?” 
Feigning offense, the young woman sets her mouth into a line and nudges with her chin in a nod, joking, “Thank you for the reminder.” 
Harry laughs softly, one of those little breaths expelled through his nostrils, and he looks back down to the vase-in-progress, gentle grin undeniable. Y/N matches his amusement, faux indignation crackling. 
“You’re too pretty not to have a Valentine,” the instructor tells her, then, decibel low, almost like it was meant to be under his breath but also entirely not, and all Y/N can do is sit there with instant heat seeping to her face. Because that’s flirting. That’s definitely flirting. Her sexy ceramics instructor is helping her craft a vase out of clay on a wheel with his sexy hands, and he’s openly flirting. 
Y/N stuffs down how initially stunned she is to chew into her bottom lip and volley, “I bet you say that to every girl that comes in here.” 
Harry shrugs. It’s still almost an enraging level of cucumber-cool and composed. 
“Just the pretty ones.” He tacks on, after a moment, “And only on Valentine’s day. Don’t think that line would fit well on a random Wednesday.” 
Y/N snorts. She’s still basking in the pleasant warmth of the flattery when the man peers up and tells her, “I do accept tips, by the way, so. Feel free to leave a tip for the friendly service.” 
“I will—“ she snorts, restraining her open amusement at the way his brows crinkle in concentration as he helps her grip, “—definitely do that.” 
“Sick,” his tongue peeks out to swipe over his lips, disappearing back into his mouth as quick as the pink had showcased. Jade flits up, the corners of his mouth curled up in a little pause of silence, almost he wants to make it crystal clear he does not actually want a tip for hitting on her. 
Anyways, this is all a flustered mess. All of it. Y/N, the pot she’s sure will grow off-center and wobble under her shaky grip, all of it. 
“What about you?” the young woman takes a deep breath, hoping some sort of breathing exercise will help slow the buzzy flutter of her heartbeat, “Any wining and dining? For Valentine’s day?” 
“Not on the calendar,” Harry responds, sliding her own words back to her, his gaze still honed on the work ahead of them, now impressively morphed from a lumpy, shapeless ball into the beginnings of a vase, “As for how I’m spending my Valentine’s day, I did just show this one pretty girl how to shape and smooth. And now, …m’gonna show her how to shape some more.”
Y/N bats her lashes, and then she observes the work of his clay caked fingers, the way they curl and press over the vase in different points of the body, some motions widening the rim and some drawing it more narrow. He bids their tutorial a pause shortly after, explaining, “I’m gonna give you some creative freedom now. Figure out what shape you like.” 
Despite the slight disappointment budding at the close of their conversation, for now, the daunting task of unsupervised throwing is what probably surfaces on her face, more. The instructor catches it when he rolls back in the stool and stands, ogling her for a moment, mirthy mouth caving up in a way that suggests she must look like a deer in headlights. 
“It’s intimidating, but I believe in you. I’ll just be in the back for a sec, give me a shout if you need me.”
Y/N shifts her legs, pressing her thighs together when he adds, “Play around with it.” 
All in all, they manage to end the wheel session with (Y/N thinks, impressively) only a couple of hiccups, both being opportunities presented with unsupervised sculpting. When she’d played around with it (his words) a little too much and had coaxed a priorly even shape into something lopsided and petrifying, it’d swung around on the wheel, each turn quickening its slow but sure collapse. She’d called out for the instructor with a frantic note to his name. Of course, both times, Harry had come out from the back and patiently squeezed over the clay, hands and forearms jolting and flexing deliciously as he’d encouraged it back into something centered (yet another opportunity to stare at slick clay glazing over his fingers all over again), reassuring her that it was normal to struggle, especially with her first time. 
Y/N wonders if he’s constantly full of innuendos, or whether a ceramics studio is just innately an opportunity for double entendres. 
She tries not to make it too obvious when she stands on wobbling legs, when she brushes past him and catches soft notes of his cologne, clean and musky. When he directs her to the bathroom where she rinses clay from her hands into one of those artsy, utility sinks. When she sits at one of the tables, waiting for him to bring the vase over to her, torched and ready for additions, when he gives her another colorless lump. She tries not to make it obvious when she ogles more of his arms, the peek of his nipples through the white, clay-stained fabric of his tee shamelessly. She fears it’s utterly obvious how affected he’s made her, though, when she blinks up at his face, when he shows her what the different little tools in the cup do for sculpting. Y/N doesn’t even look away from him at the introduction of the first tool. She thinks that’s the one that must cross-hatch, driving little lines into the clay. 
“This is called slip,” Harry explains, dipping the tips of his index and middle fingers into the cup near the brushes with no hesitation. The consistency over his fingers, when he pulls them out, is like a wetter, creamier, sloppier variation of the same clay she’d worked with. 
Christ. 
“You put it over the lines you’ve carved to make more clay stick,” the instructor expands. 
Y/N swallows when he smears the consistency coating his fingers onto the lines he’d drawn, his gaze bouncing from his touch to her face. 
“Like, if you wanted to add a handle to a mug, you’d use this method. Or, alternatively,” the young woman focuses on the way the pads of the digits rub over the lines. They fade away. “It’s like an eraser. Careful with erasing, though. …Wet mess.” 
The latter is tacked on as a reminder, and it wonderfully reminds her of the heat coiling in the pit of her tummy. Wonderfully. She swallows again. 
“You can probably use that brush to apply the slip, though, if you don’t want to get your hands dirty again.” 
Flowers. She sculpts flowers with a searing heat between her thighs, because his added little comment of, “I don’t mind,” as he glances to the slip still glazing his fingers, implying that he doesn’t mind to get his hands dirty, does that to her. Y/N sculpts flowers and they settle into a comfortable sort of silence. It’s one where the only sounds are the soft music playing over the speakers and the occasional noise of pages turning from behind the counter as he leans over it and works through some kind of paperwork. She draws lines into the vase, and brushes on the slip, and presses creased flowers to decorate the bulbous body, concentration etching her features. 
She doesn’t notice when she goes over the hours of operation, and Harry doesn’t disturb her, doesn’t tell her that the shop’s been closed for nearly half an hour by the time she peers up and declares, “I’m done.” 
“You’re done,” the man repeats and sets the paperwork down, making his way over to the table where she’d set up, “Let’s have a look.” 
Y/N sits back admiring her artistry. All things considered, it’s sort of an ugly vase. Despite this, a sense of accomplishment buds in her chest as she stares at her creation. 
“I like it,” Harry tells her, nodding like he’s proud of a promising protégé, “It’s quite sweet.” 
“Thank you. What now?” 
“Now—“ the instructor props one hand onto the countertop and the other against his hip, “You wash your hands, you take a picture, and you come back in three weeks to sand it and glaze it.” 
Simple. It’s a simple set of instructions. Y/N brushes crackling, dried clay off of her fingertips against the cloth laid over the table, instinctively reaching for her purse. 
She blinks up at him expectantly, “How much?” 
Dimples wink awake with his soft simper, and he shifts his stance before he asserts, “Don’t worry about it.” 
The young woman’s features shape into something crinkled, something bemused and unwilling of a discount. She shakes her head and glances back down to the tote, “No, I have to pay you. What about your tip?” 
Harry crosses his arms over his chest, pecs flexing with the motion. Flexing, flexing, flexing, when will his muscles stop rippling? He sighs, cushiony mouth still smiling, “I think I’ll live. My tip was that I’ve helped you discover a hidden talent—“
Y/N snorts, eyeing the sloppy attachments to the shapely base, fingers still tucked over her wallet. 
“—It’d defeat the satisfaction and all the pride I’ve got now,” the man declares, shrugging. 
The unconvinced look she gives him coaxes him into a good-natured roll of his eyes, and Harry tuts before he compromises, raising his eyebrows, “But if you must tip me, you can tip me when you come back in three weeks, yeah?” 
Begrudged, the young woman takes her hand from the edges of her wallet. “Fine. Okay.” 
“Okay. Three weeks,” the man reminds her, a little smile playing over the plush of his mouth.
The world of ceramics is oddly pornographic, Y/N decides. But maybe clay isn’t innately erotic. Maybe it’s the way the man’s fingertips mold its shape, the way his digits look soaked in slip, the way his hands cradle over it as a wheel spins under his ducked stature. Maybe it’s the way his jade irises flit to her face when he makes an educational comment that’s obviously suggestive, Maybe it doesn’t have to do with clay, at all. Maybe it’s Harry.  
Maybe it’s the way he tells her, “If I were you, I wouldn’t miss it. Glazing is my favorite part.”
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carolmunson · 3 months
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i'm the best thing at this party | e.m.
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up and coming rockstar!eddie munson x girlfriend!reader (is that a picture of slash? sure, but we can pretend it isn't.) aka the first time carol ever wrote a fic based off a taylor song. but in my defense, it was a chase petra cover of 'you're losing me' that inspired it. this is not connected to my rockstar!eddie x actress!reader storyline, this is it's own oneshot in a separate story.
in the early 90s, when your boyfriend's band starts to make it in the big leagues, you start to come to terms with the fact that he might not want or need a small town player anymore. eighteen plus. established relationship. angst. hurt/no comfort-ish. open ending.
"and i'm fading, thinkin': 'do something, babe. say somethin'. lose somethin' babe, risk something. choose somethin' babe. i got nothin' to believe, unless you're choosing me.'"
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The Hideout was hot with all the bodies packed in like sardines; stark contrast to the icy chill of winter outside. Glowing on the screen was The Tonight Show, everyone’s eyes glued to it while Corroded Coffin made their first national televised debut. 
No one’s totally sure how their manager Richie was able to finesse this slot – but they went to New York to film earlier in the week and didn’t ask any questions. With Richie, it's better to not ask questions and just let it happen. Eddie came home with an adrenaline rush so intense that he barely slept for three days. No matter how much you tried to keep him in bed and tire him out. 
And sure, it was hard to have him be gone while you drove out to Indy and took a friend to see the new graffiti art exhibit that came in from LA when it was supposed to be with him. It was hard to have him miss a lot of things. His return from the city only started another big talk about it, one you've been having every few months the last two years. Even so, you couldn’t help but be proud of him, proud of all of them. Remembering that just four years ago they were barely getting fifteen people in here to see them play when you first started dating. 
The crowd erupts when the camera comes off of the band on the stage and back to Leno at his desk, the boys in real life all standing on the bar. You look up at Ed and smile, he finally did it, he’s doing it. The contracts are signed, the people saw him, he’s gonna make it. He’s making it. 
You duck out of the way when they start to spray champagne over everyone by the bar, “Not my hair, babe!” 
The two  bartenders pour shots of Jameson and flutes of Prosecco while the show cuts to commercial and it’s not long before you feel the sticky chest of your boyfriend up against your shoulder, “It was good? I did good?” 
“Ed you’re…you’re fuckin’ famous,” you grin, “You’re fuckin’ famous!”
You follow while he leads you through the crowd, settled in near the back where the stage doors lead to the dressing room and out into the parking lot. He looks over his shoulder twice before he sneaks you both behind the amps; heart pounding when he leans you up against the painted cinder block walls, noses mashing when he takes your lips in his. It’s feverish, desperate when he pulls at your hips, one arm wrapped around your mid back to keep you steady up against him.
“Lemme – mmm – lemme take you to the green room,” he breathes between kisses, moving your hand toward the bulge in his jeans, “C’mon I wan–” 
“The interview’s up!” Jeff calls from on top of the bar. 
“Where’s Ed? ED? Come on! The interview’s up!” Gareth calls, the crowd erupting in a cheer of ‘Edd-ie, Edd-ie, Edd-ie!’
“Come on, come on!” you squeal, pulling away to pull him toward the front of the bar again, “You said they were gonna cut it!”  
“It’s stupid, babe,” he assures, “It’s so dumb.” 
“Ed, you’re being interviewed by Leno, this isn’t stupid,” you urge, “This is like – this is it.” 
“It’s literally like two minutes, it’s not special,” he doesn’t move when you pull him along with you, a frown pulling on your lips. 
“Eddie,” your voice raises an octave, tugging on his hand – he lets go. 
“I’m gonna take a leak,” he shrugs, heading toward the green room while you watch him disappear behind the door. Your brows furrow slightly, but it doesn’t stop you from making your way back to the edge of the bar where everyone’s eyes are glued to the medium sized screen in the corner. 
The crowd cheers again while the band is re-introduced, Eddie and Jeff sitting on the chairs with Gareth and Grant standing behind them. You admire the way your boyfriend looks post performance, nearly glittering with sweat but glowing with pride – with accomplishment. You look over your shoulder to see if he’s back from the bathroom yet, but he’s nowhere to be seen.
“So we got a group of some – what looks like – nice, respectable hard core guys,” Jay smiles. 
“I don’t know about respectable,” Eddie scrunches his nose back at the host. 
“I don’t know about nice, either,” Jeff jokes. You marvel at how relaxed and natural they all look on camera, cracking wise and getting laughs from the audience. They talk about the album briefly, and the front cover which has all four boys in caskets with a red kiss print on their cheeks. 
“So, the debut is self titled, Corroded Coffin – but it looks like you all got a coffin kiss here,” he points out, “These from anyone special? You got the girls going crazy.” The audience erupts in cheers and screams, a bra finding its way flung into the sound stage. You giggle when Gareth and Grant  hold it up, making them both blush pink on the screen. 
“Well I got a girl at home, so, I don’t hear any screamin’ if it’s not her cheering for me,” Jeff’s smile is bright when the camera focuses on him and he winks into the lens. Sasha, Jeff’s girlfriend, screeches in the crowd of The Hideout. 
“You didn’t tell me you were gonna do that!” she beams, and your heart thunders while you watch them kiss on the bar. The promise ring that he gave her back in ‘88 shines on her ring finger, awaiting something much more flashy when that first big rockstar payday hits.
“It’s definitely a change of pace,” Grant nods on the screen, “Definitely wasn’t getting a lot of girls in high school.” 
“It’s wild,” Gare laughs. 
“And what about you, Munson,” Jay asks, “Frontman like you’s gotta be beating them off with a stick.” 
The camera focuses on him, his pink lips and smart grin, a flash of teeth before he starts talking. He’s so handsome, you feel your fingers and toes start to tingle when he opens his mouth.You weren’t expecting to hear your name on national television, or be alluded to. You’d never really prepared yourself for something like this. To be declared to thousands, maybe millions, as a rockstar girlfriend.
You swallow the nervous spit pooling in your mouth, heart pattering while you run through all of the scenarios of the outcome of being ‘announced’ in your head.  
“I don’t kiss and tell, Jay,” he smirks.
Oh.
Your hearing clouds and your vision blurs – unsure of what you just heard. If maybe you imagined it, but that proves to be untrue when you feel a few sets of eyes on you. A moment of silent confusion lulls on the crowd at the bar.
You swallow the lump in your throat, fingers and toes cold now while the blood rushes to your heart and head, to your lungs which suddenly forgot how to work. Through teary eyes you look around, drowned out by the cheers of the bar when Jay announces when the album will release. You sniffle, trying to hold it back – but there he is in the back of the crowd now, eyes rounded; pleading, looking straight at you. 
The tears spill over and you try to catch your breath as you make your way through the bodies on your way to the front door. You hear Gareth call after you, hearing him stumble over the barstools while he hops off the counter. Another ragged intake of breath shakes through you while you get closer to the sticker covered door, pushing through the first set and then the other into the dark blue night. Your breath puffs white in front of you, coat abandoned somewhere back inside The Hideout while you walk across the street to your car. 
You fumble with the keys, blubbering while you get the engine started and the radio blares Al Green’s Let’s Stay Together part way through the song. In the rear view you see him hustle out of the bar to search for you, catching the start of your car and getting to the passenger window before you can pull away. 
“Wait, wait, wait,” he strains, his fingers hanging on the edge of the half open glass, “I promise it’s not what you think. Richie asked me to answer like that, it wasn’t on purpose.” 
You press slightly on the gas, making the car lurch forward and inch.
“Wait! Please don’t – don’t just go,” he begs, voice breaking with desperation, “We can talk about it.” 
You look at him through wet eyes, the street lights haloing behind his head to feign his innocence. He can talk himself out of anything.
“There’s nothing to talk about,” you rasp out quietly, “We’ve done enough talking.” 
“I can…please don’t go,” he says again, “Not with you crying like this, c’mon. Don’t leave.” 
“I’m gonna go home, Ed,” you sniffle, “J-just go h-have fun inside. S’too cold to be out here.” 
“You don’t have your coat,” he states, “Come back in and get it. We can talk in the back, please.” 
“I don’t need my coat,” you garble out, “I’m going h-home.” 
“Well I’ll – I’ll bring it to you tomorrow morning,” he nods needily, “Okay? Is that okay?” 
You let out a shaky breath, fogging again against your windshield, “F-fine.” 
Eddie cracks a weak but winning smile, “Okay. I’ll see you tomorrow morning.” 
“I love you,” he adds. It tastes like ash in your mouth. You pull away before you feel compelled to say it back. 
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Eddie show’s up in the morning with coffee and your coat, a small carton of donut holes for you both to share. He’s all smiles, seeing you in the kitchenette cleaning out the coffee pot that you now no longer have to fill. 
“Morning, baby,” he grins, “I brought your coat.” 
“Thanks,” you mutter, keeping your eyes on the droplets of water that race down the side of the glass pout, “You can just hang it on the hook.” 
“Are you…are you still upset with me?” his voice is airy, surprised while he makes his way behind you. Calloused hands reach around to pull your back in his chest, nose nuzzling against your cheek. Your stomach rolls, bile inching up the base of your throat. 
“Enough, Ed,” you sigh, pulling out of his hold. 
“Sweetheart, c’mon,” he huffs, “I told you already. I didn’t want to say that. But you know how Richie is! He just wants what’s best for the band and so do I! Don’t you? I thought you’d understand.” 
“Jeff had no problem talking about Sasha,” you do your best to measure your tone, too early to start yelling. 
“Jeff has the wholesome thing going for him; plus – you know his family isn’t for him being considered like, a rogue or whatever. He’s already in a metal band,” Eddie explains, like this is a totally normal conversation, “Richie even said this morning that he was getting a lot of calls.” “Okay,” you nod, sitting down at the small table in your kitchen where your coffee sits. 
“And like, a lot of people wanna do interviews with us and get hype up for the release,” he half smiles, sitting down across from you, “I told you, it was…it was a good thing. They were saying y’know like, mysterious bad boy front man is a good angle.” 
“Great.” 
“It doesn’t…babe, it doesn’t mean we can’t be together,” he leans forward, hand reaching out to touch yours. His shoulders sulk when you put them both under the table. 
“Ed I –” you let out a breath, eyes tracing a pattern on the waxed canvas tablecloth, “I can’t even look at you right now. And you wanna tell me we can still be together?” 
“What like it’s…some consolation prize?” you choke out, “You made a fool out of me. The looks I got?”   
“I know, I know, but it was for the band. You know how I feel abo—“ 
“How you feel about me?” you hold back a bitter laugh. 
“Ed, the last year or so we have kept having the same conversation over and over again. You are so, so caught up in Corroded and making it and getting there and trust me I am so proud of you. If there is anyone on the planet who is more proud than me maybe it’s Wayne, but – this is just like, this is kind of it. We have nowhere to go from here.” 
He’s quiet for a moment, his brown eyes rounding and brows tilting slightly when he realizes what you’re really saying, “What do you mean no where to go? Are you not listening? I said we can still be together, just like befo–” 
“Before? Before when?” you get up and pace back to the kitchen where he can still see you, “Before when you would cancel dates to go practice? When you missed my awards night for work  because you wanted to fill in guitar for a gig in Ohio? When you didn’t come to my poetry reading with the guys like you said you would and instead got plastered at The Hideout after rehearsal?” 
“Well I apologized for all that, that was all in the past couple years and I – look, I said I was sorry and you accepted that,” his voice raises slightly, he stands up to full height with defense evident in his stance, “You can’t just throw it back in my face.” 
“When you were gone weeks at a time for mini tours, for opening for bands on the East Coast – god, all the work I took off to make sure I was there for you? When you canceled our three year anniversary dinner, without my knowledge, because you got a call for discounted studio time on the same night,” you manage to get out, the tears inching toward the edge of your lash line, “And I sat there at the table in my new dress and everyone looked at me the same way they looked at me last night. Poor girl. Must’ve got stood up. What an idiot.” 
“Yeah well that studio time is why we were on fuckin’ LENO, babe!” he pleads, “Don’t you get that? It’s for us!” 
“It’s for you!” you break, the shrill frustration coming out with your voice, “It’s always just been for you. It’s always about Eddie and the guys. I have done nothing but make sacrifice after sacrifice, excuse after excuse to play the part of perfect, understanding, cool, laidback girlfriend but like fuck Ed, when is it gonna be about me, huh?” He stands there, unsure, cheeks sucking in between his teeth.
“And what’s on the docket for you on Friday? Have any plans?” you ask, your voice softening while you cross your arms over your chest. You lean the small of your back against the counter while you watch him. He clears his throat, hands finding their way into the back pockets of his jeans. 
“Um, we have some meetings in the morning in Indy. And then um, we’re gonna take a late flight out to LA. The label’s excited – they’re really excited,” he breathes out, eyes finding the floor and your sock covered feet.
“Oh, that’s interesting,” you nod, voice still measured, “Since we’ve had the tickets for my niece’s winter school concert on the fridge for over a month. I guess I’ll have to tell her that her favorite bonus teacher couldn’t make it.” 
“Fuck,” Eddie’s eyes shut, pulling his lips in to run his tongue across them while he thinks of what to say next. Your heart thrums in your chest, throat getting tighter and tighter while you hold back a cry – this was just another thing to add to the list.
“I can make it up to her, I promise,” his raspy nicotine voice becoming garbled with desperation, “I can make this all up to you, too. I swear. I wish you had just told me about all of this.” 
“I have, Ed. We are always having the same conversation. I’m tired of having it. I’m so tired of this. Make it up to me? How do you make up for it?” 
“I…” he chokes on his words, ringed fingers running over his face and reaching to pull his hair back off his neck. 
“Go ahead,” you encourage angrily, “What’re you gonna do? Say something. Fucking, do something, Ed!” 
“Baby, I don’t know what to…” he swallows, tears pooling in shiny wells over his eyes, “What do you want me to do? I’ll do it. I’ll do anything.” 
You take a breath through your nose and let it out through your mouth, taking the three steps it takes to get to him. Your hands fall from being crossed, reaching up to cup each of his cheeks. Your thumbs run over the apples and drag softly over the stubble left over from the night before. 
His eyes shut while he keens into your touch, his rough hands covering yours. Calloused fingertips coasting delicately over your knuckles. You know what you have to do, even if his touch makes you want to do the opposite. 
“Go be famous,” you shrug, smiling weakly, “Go be the big rockstar I know you are. Like how you wanted. Go play The Garden and live in LA.” 
Your hands slide down his face, tears falling after them, “Go do all that, and just, um – just leave me alone. Please.” 
“But I don’t–” he starts, pulling in a sharp breath while a cry leaks out of him, “I don’t wanna lose you.” 
“Oh, Ed,” you shake your head while the ache spills over into your own leveled sob, “I’m already lost.” 
“No, please,” he begs, trying to catch your hands as they make it back to your sides, “Please, baby, I’ll fix it. I pro-promise.” 
“There’s nothing left to fix,” you whisper in finality, “You should go.” 
“I don’t want to,” Eddie’s soft pink lips quiver while he speaks, “Please. Please. I can fix it, the next interview, anything, it’ll be all you. I swear I can…I can…” 
When your face doesn’t change he knows there’s no way to pull you from your stance, voice trailing off in defeat. You watch as he rips open your storm door and goes to his van, his chest and back shaking with sobs that make the hardware on his jacket cry with him.
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A year passes and you are not surprised when you find out that Corroded Coffin has made the cover of Rolling Stone. Wayne bought every copy from the gas station at the end of the road and put them in every mailbox early that morning. You don’t think there’s been a day in the last year that Wayne wasn’t seen beaming ear to ear; his boy finally getting everything he wanted. 
Life had gotten easier now that you weren’t regularly expecting disappointment. You went on few dates here and there, just trying to navigate your life after spending four years sharing it with someone else. Some nights were colder than others, but it was better than the frigidness you felt that night at the bar.
You did your best to avoid the tabloids – Eddie was certainly doing just fine navigating his life as a bachelor; some new model or actress on his arm every other month it seemed. Hardrock’s Resident Playboy. It stung the first time you saw it, and a little less each time after – heart breaker to the core; you would know, you were the blueprint.
In the same cold that matched the night at The Hideout a year prior; you sat on your steps wrapped in a robe – morning cigarette between your fingers. 
“Morning,” Wayne’s voice is gravelly when it sounds over you, still soaked with left over sleep. 
“Mornin’ Wayne,” you smile, taking a sip of the steaming cup of coffee in your other hand. 
“Wanted to uh, to let you know that the guys are playin’ a show in the city tonight. I could uh – I could get you a ticket if y–” 
“That’s sweet of you Wayne,” you smile tightly, “But I don’t think that’s a good idea.” 
“He might like to see you,” he shrugs. He hadn’t quite gotten over the break up the way you and Eddie had, convinced that this was the real deal – that he was watching young love flourish into something bigger. 
“He’s seeing someone, Wayne,” you take a drag of your cigarette, “Why would he want to see his ex-girlfriend who still lives in Hawkins? He’s got some actress girl now, right?” 
Wayne shrugs again, scratching at the back of his neck, “I never know what that boy’s got goin’ on in California outside of shows and gettin’ into trouble. Maybe he is seeing some girl but, y’know, seein’ an old friend could be good for him.” 
“He’s still got plenty of friends here he can see,” you let the smoke out to drift off in the gentle wind rustling through the line of trailers and mobile homes, “I don’t think I need to be one of them.” 
“Well, they’re gonna have a small after party at The Hideout tomorrow,” he offers, “Even if you just wanna do somethin’ fun. I never see you goin’ out anymore.” 
You laugh, “You work at night, what do you mean you don’t see me goin’ out anymore? I go out plenty.” 
His eyes linger on you, enough to encourage a thoughtful sigh – you might as well humor him. 
“I’ll think about it, okay?” you toss your half finished cigarette onto the browned grass before looking back up at him.
“Okay,” he smiles, eyes sparkling as he makes his way back inside. 
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You spend the next day deliberating between making it to the bar or not, putting in the effort to get ready and showing up. Why bother? Just to sit awkwardly in the corner while everyone flocks to the boys and tells them how great they are? They already know they’re great, they’re crawling higher and higher up the ladder. 
You haven’t even talked to Eddie since the morning he left your trailer, and Wayne knows that. He knows how bad you hurt his nephew because he came over to talk to you a week after Eddie went to California and stayed for good. ‘So why should I show my face there? So I can relive the moment he made a fool of me over again?’ You think while the hot water of the shower glides over your shoulders and down your chest. 
‘Maybe it’ll be good to make amends or something, I at least owe it to the guys,’ you figure silently while you slather on some moisturizer at the bathroom sink. And you did – not seeing Eddie meant not seeing the rest of the band. Gareth, Jeff, and Grant were your friends too, and you sort of broke up with them in the same instance. Sasha moved out to California with them soon after – it would be nice to catch up at least. You hadn’t seen her since that night. 
‘But why would I want to bother? So I can see that engagement ring on her finger and hear her talk about her wedding plans?’ you swallow sourly while you use a touch of your lipstick as blush on the apples of your cheeks. ‘Remember all the times you thought you and Ed were gonna get married? Hilarious.’ 
Before you know it, it’s 11:30 and you’re standing outside of the sticky and stickered covered door of The Hideout. Even from where you’re standing the bar is a buzz like a hive, energy inside like a livewire when you get into the entryway, showing your ID to the bouncer at the inside door. 
‘Small after party my ass, Wayne,’ you think to yourself when you get in, shrugging off your coat. There was barely room to move and most of the lights were off or dimmed aside from the small stage in the back. By the looks of it, they must’ve played a small set – an intimate ‘home base’ concert for the real hometown fans. You push through some of the crowd, acrid smoke haze hovering over the room. A single bar stool sits empty at the end of the counter close to the wall and before you can think about it, you beeline straight there before someone else can grab it. Not that anyone would be able to see it through the six couples making out to Slayer blasting through the speakers. 
The bar tender notices you soon after, coming over to get your order while his two cohorts speedily pour shots and mix drinks. You almost don’t want to get anything just to make the night easier, but opt for a beer instead. 
“How much?” you ask over the music. 
“WHAT?” the bartender shouts, holding a hand to his ear. 
“HOW MUCH?” you yell back. 
“ON THE HOUSE. BAND IS COVERING DRINKS,” he shouts back. You take a few dollars out while he pours your beer anyway, sliding it across the bar with a smile. He smiles back, pocketing the ones with a wink before helping another person leaning over the bar. 
The TV takes your attention, a tape of their recent interviews and music videos playing on a loop with no sound. The beer is almost comforting as it passes over your tongue, it’s been some time since you just sat in a busy bar – and for the most part, no one here even knows you. For the most part. 
A call of your name snaps you back to reality, looking around to see exactly who you thought you would. Sasha. And low and behold a ring sparkles bright on her finger, a breathtakingly big diamond glittering in the neon lights behind the bar. 
“Hey!” you call back with a smile, sick crawling up your throat. You watch as she fights the crowd to get over to you, wrapping you in a tight hug while you stay seated on the stool. 
“How have you been? You look gorgeous,” Sasha’s tan skin glows back orange in green while the lights change, tight dark curls bouncing prettily around her face. 
“I’ve been good!” you nod, your voice hardly sounds like your own, “Y’know just – hanging around Hawkins. How’s LA? How’ that ring?!” 
She holds her hand out so you can really see it, her skin is warm in yours while you take her fingers. It’s more beautiful up close, the marquise diamond flanked by two smaller triangles in perfect harmony. 
“He did so good, Sash,” you giggle. 
“I slapped his arm so hard when I saw it,” she laughs, “I said, ‘Jeff we could’ve bought a freakin’ house!’ but you know how he is.” 
“I do, I do,” you nod, “Did you set a date?” 
“Probably not for another year or so if we do a big wedding,” she shrugs, “Maybe a little longer? We think it’s smart to actually buy a house first – with this kind of money coming in. And y’know, the industry is, uh, well, it can be wishy washy. What’s in today could be out tomorrow. We wanna be smart.” 
“Well thank god he’s marrying someone like you then,” you tease. 
“That’s true,” she beams, “Do the guys know you’re here? I can go grab J–”
“No, no, they don’t,” you interrupt, taking her arm gently while she turns to leave, “You don’t have to tell them I’m here. I’ll go find them, I promise.” 
Sasha gives you a half hearted smile, “Okay. Well – We’re sitting over by the stage if you wanna come say hi to the guys. Gareth would lose his mind, and Grant brought his new girl with him, she’s so cool. They met in LA and she’s like, got the sickest punky-goth type of thing about her.” 
“I love that he’s in love,” you gush. 
“Me too,” she nods, “The girls are obsessed with him out there.” 
There’s a silence, but it’s knowing – still one person yet to have been mentioned but you both seem to understand it’s not worth bringing it up. Sasha reminds you that they’re by the stage, giving her a wave while she disappears in the throngs of people in the crowd. 
Half way through your second beer and a couple of random conversations with people later, you see him in glimpses while people pass by. You can tell by the smirk on his face that he’s flirting, and when more people move and re-disperse, settling, you see glimpses of her, too. Some cute young looking thing, you wouldn’t be surprised if it was her twenty-first birthday. All doe eyed and giggly while he leans over her against the wall near the booths. I guess whoever he’s seeing in California isn’t too important.
He looks good, healthy, you can tell his clothes are tailored now – sort of comical that a tailor would fit and adjust ripped jeans and an old leather jacket. Not that he has to know you think it’s funny. 
Eddie leans forward and lets his finger tap her on the nose, a tell-tale sign of his that they’ll kiss later. He’s used that move on you more times than you can count. He did it the night you met, tipsy at a party at Gareth’s – tapped you on the nose, making you scrunch it. 
‘Aw, if I knew you’d make a face like that I would’ve booped you way earlier.’ 
‘What do you mean? What face?’ You scrunch again. 
‘That face,’ he bites his lower lip, blush on his cheeks, ‘It’s a cute face.’
You expected it to hurt more, to watch him active in his element; but it doesn’t. You know the motions, you know his tells, he next move. You can see it in the way he leans into her and then leans away – almost kissing her, but leaving her wanting more. You smirk into your next sip, counting down the moments until he puts their conversation on pause to do their rounds and finding her again later. Gotta keep her yearning, you guess. He certainly was always good at things like that. 
You don’t see their reunion, you assume it was somewhere near the stage where the band and Sasha were. At the end of the night, the boys play a goodnight mini-set, just three songs. You’d never seen Ed so in his zone in your life, fully basking in the glow of upcoming stardom. Every chord and every lyric punching out of him like the sweat pouring from his hairline and chest. This was what you wanted, what you told him to do. 
Go be famous. And here he was. Famous. Just like you said he would be. 
Water takes the place of your beer while they play; and you know better than to get up and join the crowd. Much happier sitting at the end of the now more empty bar just listening instead of getting potentially punched or tussled with amongst the bodies. 
People take their time leaving when the set is over, shrugging on their coats to brave the cold weather. 
‘Thanks for comin’ out to celebrate with us – now get the fuck out so our buddies at the bar can go home before four!’ 
You savor the conversations and music settling down to a much quieter murmur while you sketch on a napkin. A few people you shared niceties with tap your shoulder to say goodbye, new friends you’ll never see again. On the other end of the bar you hear Grant and his girl order a round of shots. Your head almost pops up at the sound of his voice, but that might bring attention to you that you don’t think you really want. Now that the night is over, you’re glad you came. If anything, just to see that they were making it just fine – and they would have with or without you. 
With less people in the bar you can hear Sasha’s laugh in the back where the stage is, and you laugh into your napkin turned sketchpad. Her laugh was always infectious, enough to make the crowd follow suit. You grab a fresh napkin from the pile next to you and start to doodle again while you figure out how to best leave without anyone catching wise that you’re here. Out of the last twenty people left at the bar, a little more than half knew who you were.
The tap of the pen on the bar top while you think blends in with the tinkling of hardware that gets a little louder the closer it gets to you. A squish of leather and drag of a barstool later makes you privy that someone’s next to you. Spiced cologne and sweat sheened skin. 
“You come here often?” 
Slowly, you turn your head – level with brown eyes you haven’t looked in for a year, just in the glossy pages of magazines you’d leave behind at the grocery store or Melvald’s. 
“I used to,” you offer a quiet tired smile, leaning your chin on your hand on the bar, “It’s been a while.” 
Eddie smiles back, soft, cautious, “Yeah, same for me.” 
You both don’t speak for a moment, adjusting yourselves on the barstools while a few more people head out to leave. The jingle of the door fades out, crunches of the parting patrons’ sneakers and boots in the snow sound outside.
He clears his throat, bringing your attention back to him – the curls of his hair, the slight stubble on his jaw and cheeks. His bottom lip tucks between his teeth for a moment before he turns his chest toward you. 
“Can I uh, can I get you a drink?” 
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atlantahammy · 8 months
Text
Right, given @somerandomdudelmao request for clip brushes, and me being at work, y'all about to get one hell a scrappy resource post for clip studio, also Clip can import ABR files, which are photoshop brush files:
Free stuff:
https://assets.clip-studio.com/en-us/detail?id=1930804 - Show style Ink Pen Mimic.
https://tamberella.gumroad.com/l/YLfEvh - City themed brushes, ie: windows, bricks
https://drive.google.com/file/d/1fqEHk1LxtrQNbreu-AIO82QbwLJv4Rxw/view - Sooo someone attempted to re-create the block blender used in ROTTMNT had it on the clip store, but, like, cause they linked to the twitter I believe it got taken down, I thiiink this is the base version I have because I've been attempting to make it better. (Can drsg and drop this into your clip brushes or import it from the menu)
https://assets.clip-studio.com/en-us/detail?id=1989496 - Body types of the boys as 3D Modles
https://assets.clip-studio.com/en-us/detail?id=1762185 - Traffic lines
https://assets.clip-studio.com/en-us/detail?id=1793198 - Bricks
https://assets.clip-studio.com/en-us/detail?id=1890997 - More Bricks
https://assets.clip-studio.com/en-us/detail?id=1922029 -Even more bricks
https://assets.clip-studio.com/en-us/detail?id=1726896 - can you tell I had trouble with bricks?
https://ruunin.gumroad.com/l/wuPpz?layout=profile&recommended_by=library - Yet more bricks
https://tamberella.gumroad.com/l/OXJRt?l - books
https://assets.clip-studio.com/en-us/detail?id=1788819 - simple graffiti brush
https://assets.clip-studio.com/en-us/detail?id=2017520 - Stars that are similar to the effect stars
https://assets.clip-studio.com/en-us/detail?id=1803788 - Chains
https://assets.clip-studio.com/en-us/detail?id=1996420 - more chains
https://assets.clip-studio.com/en-us/detail?id=1826539 - Highlights for hair I use.
https://assets.clip-studio.com/en-us/detail?id=1938479 - Comic panel pens that I think go well with the mimic pen.
https://assets.clip-studio.com/en-us/detail?id=1920392 - Ruined Building brushes
https://assets.clip-studio.com/en-us/detail?id=1851086 - Street lamps
https://assets.clip-studio.com/en-us/detail?id=1989018 - Windows
https://assets.clip-studio.com/en-us/detail?id=2013894 - more windows
https://assets.clip-studio.com/en-us/detail?id=1993252 - Spray paint + 3d models!
https://assets.clip-studio.com/en-us/detail?id=2010437 - halftones
https://assets.clip-studio.com/en-us/detail?id=2009279 - more halftones
https://assets.clip-studio.com/en-us/detail?id=1997395 - glitch brushes
https://assets.clip-studio.com/en-us/detail?id=1998092 - scales
https://assets.clip-studio.com/en-us/detail?id=1881515 Spray paint
https://assets.clip-studio.com/en-us/detail?id=1702179 - electric poles
https://assets.clip-studio.com/en-us/detail?id=1749838 - easy speed lines
https://assets.clip-studio.com/en-us/detail?id=1948104 - pen I use to edit cass's comics (I'm sure you've noticed added limes or hatching)
https://porforever.gumroad.com/l/edags - metal textures, some post apocalyptic based brushes.
Needs Clippy/Gold:
https://assets.clip-studio.com/en-us/detail?id=1997417 - Spray Paint.
https://assets.clip-studio.com/en-us/detail?id=1673277 - Bricks
https://assets.clip-studio.com/en-us/detail?id=1776544 - More bricks
https://assets.clip-studio.com/en-us/detail?id=1983742 - Even more bricks
https://assets.clip-studio.com/en-us/detail?id=1942640 - More bricks + wood
https://assets.clip-studio.com/en-us/detail?id=2010200 - Half Tones
https://assets.clip-studio.com/en-us/detail?id=1806325 - more half tones
https://assets.clip-studio.com/en-us/detail?id=1808513 - Even more Halftones
https://assets.clip-studio.com/en-us/detail?id=1772102 - lots of half tones
https://assets.clip-studio.com/en-us/detail?id=1835699 - Caution Tape
https://assets.clip-studio.com/en-us/detail?id=1820838 - Keep out Tape
https://assets.clip-studio.com/en-us/detail?id=1822998 -Ruined Windows
https://assets.clip-studio.com/en-us/detail?id=1950280 - Steel beams
https://assets.clip-studio.com/en-us/detail?id=1977378 - Chains in motion
https://assets.clip-studio.com/en-us/detail?id=1982838 - Rust
https://assets.clip-studio.com/en-us/detail?id=1701296 - more rust
https://assets.clip-studio.com/en-us/detail?id=1740528 - electric poles
Needs Real Money:
https://saturnsday.gumroad.com/l/scalebrushes?layout=profile&recommended_by=library - Scales
https://jasonpiperberg.gumroad.com/l/HcXtB?layout=profile&recommended_by=library - Half tones, and a nice halftone blender.
https://delta9.gumroad.com/l/MxjHz?layout=profile&recommended_by=library - More Half tones.
https://porforever.gumroad.com/l/ksemc?layout=profile - buildings, windows, etc
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chadillacboseman · 5 months
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OKAY OKAY OKAY
IDEA
WHAT IF THE READER IS PREGNANT WITH MAKAROV'S KID AND HE'S HELLA PROTECTIVE AND THEY'RE OUT AND ABOUT AND SOMEONE IS STUPID ENOUGH TO LIKE. GET ANGRY AT HER AND BECOMES THREATENING AND UNFORTUNATELY (not really) MAKAROV IS AROUND??
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"Walk carefully," Makarov rests a protective hand on the small of your back, rough fingers massaging the fabric of your shirt as he guides you down the curb.
"I'm fine, V," you protest indignantly, "I'm pregnant, not frail."
Makarov grunts and his dark eyes find yours, "With my child, yes? I need to keep you safe."
"From the curb?"
He ignores your sarcasm, instead scanning the street for any threats, any faces he recognizes. The neighborhood is rough, littered with refuse and graffiti.
You bury yourself in your phone as you trot along beside him, thumb swiping past articles that didn't catch your eye. Perhaps if you'd been more observant-
You crash into something-no, someone, bouncing back a few inches as your phone clatters to the pavement and shatters on impact.
"Oh! I'm sorry-" you scramble to pick up your broken cell.
"Watch where you're going, bitch," a loud, slurred voice booms from the figure you had bumped into.
You look up into his face, stubbled with dark halos around his hate-filled eyes. He smells of whiskey, positively reeks of it, and he looks unsteady on his feet.
"Excuse me?" You straighten and instinctively place a hand on your stomach.
"I said-" the man moves his face closer to yours, "Watch where you're fucking going!"
It happens in a split second.
He shoves you, hard, and you stumble back, losing your footing and falling unceremoniously to the concrete, wincing at the unwelcome contact.
The man takes a step forward, his face a twisted visage of rage. Genuine terror takes root in your chest as you try to scramble backward and out of his reach.
In an instant, the man's head jerks violently to one side and a spattering of bright red blood showers from his temple, painting the ground at his feet.
You watch with wide eyes as he crumples in a heap and Makarov shakes his hand, ridding it of the crimson that smears his knuckles.
The man groans and tries to roll to his feet; blood rolls in thick, red rivulets down the side of his face. He's drunk and pain clearly isn't an issue.
If there's one thing Makarov loves, it's a challenge.
His foot connects with the drunkard's ribs, taking the air from his lungs and sending him back to the concrete once more.
"Stay down," Makarov snarls.
"Fuck you," the man spits through wheezing breaths. He attempts to get up once more, blood now staining his rumpled shirt.
Makarov hits him again, this time with his fist, connecting his sharp knuckles with the man's face with such force that it sends him toppling onto his back.
This time, he does stay down. But Makarov isn't satisfied- another kick lands, this time in the gut, and the man lets out a wet, heavy cough.
As the man lays in the street, Makarov comes to you, his face painted with concern, hands reaching for yours as he pulls you to your feet.
"Are you alright?" His eyes flick up and down your body, searching for injury.
"I'm okay," you pant, nerves still wrung taught like rubber bands, "thank you..."
Makarov waves a hand at you dismissively, his eyes still full of worry. Calloused fingers find the swell of your stomach and he runs a rough palm over the bump.
"Any time."
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