#bts: pic

[kaptainandy]

herbert west playing yugioh if you even care 🙄

[hairmetal666]

It's Wayne that goes with him when he buys the truck. He offers to go with him. Uses one of his few days off to do it.

On the way there, it strikes Steve that his own father would never do this with him. The man hadn't even bought the Beemer himself, just sent an assistant to take care of it. And here Wayne is, driving them to a used car dealership, humming along to some old country-western song on the radio.

It takes three dealerships for them to find it, but Wayne is patient, stoic, takes careful note of the cars that catch Steve's interest. He asks the salesman if he can pop the hood, peers at the engine, kicks the tires. He asks questions Steve would never think of, about adjustments to the odometer, history of repairs, if it was in any accidents.

Steve never considered wanting a truck, doesn't think it's his style. But he's walking the lot at the third dealership, and he sees it. It's a Chevy, blue and white, a few years old. It's in good condition, but was obviously used for work.

He walks towards it.

"You like this one?" Wayne asks. If he's surprised, he doesn't show it.

"Yeah, it's--yeah," Steve nods.

Wayne does his checks, asks his questions, gives a nod of approval.

It's the first car he takes on a test drive.

He barely has it on the road before he knows it's the one. It surprises him. He always thought he was his true self in the BMW, but now--the engine has a throaty grumble to it, can feel it rumbling through his foot on the pedal, and it's--it's--perfect.

"This it?" Wayne asks as they pull back into the lot.

"Yeah, yes. It's. Yeah."

"Well, let's get to hagglin."

Wayne is, of course, an expert haggler. By the end of it, he's got a couple thousand dollars knocked off the asking price, Steve more than within budget.

They drive back to Wayne's little house on the outskirts of Hawkins, the one the government gave him, the sun just disappearing behind the horizon.

Eddie stands on the small porch, wide smile on his face.

"Wow, Wayne," he says. He wraps an arm around his uncle's shoulders. "You really did a number on him."

"It's a solid vehicle, Ed."

"Never took you for a truck man, Harrington," Eddie teases.

"Can't you see how gorgeous she is?"

Eddie raises an eyebrow, his smile not faltering. "Wow, it's true love then."

"Looks like it. Wanna come for a ride?"

There's only a second where Eddie hesitates, but then he's running inside to grab shoes, tripping on his way to the truck.

---

It happened like this:

Eddie Munson died in the Upside Down in 1986.

He's reanimated by Vecna for the final battle, a puppet to do his master's bidding.

When they win, when Vecna is dead in a pile of dessicated vines, they can't find Eddie. Scour the Upside Down for him and come up empty. They have to assume he's dead, like everything else there, kept alive only by Vecna's power. None of them want to leave without him, but the world is destabilized, they can't stay, El has to close the gates.

That night, Steve pulls the battle vest from under his bed, sobs into the blood-soaked denim, the grief from the loss just as fresh as March of '86.

He and the kids, they go visit Wayne. It becomes a regular thing.

Two weeks after the end of Vecna, Wayne calls him. He's panicked, near hysterical, nothing like the man Steve's come to know.

He goes, fast as he can, to Wayne's house. All the lights are off, the front door ajar, and he runs, clattering into the living room.

Wayne is in the recliner, face pale and strained, and on the couch--on the couch--

Eddie Munson.

His hair's lank, his skin sallow, the light in his eyes dim, but it's him. Unquestionably.

Steve does the only thing he can think of, calls Hopper. He shows up a little while later with El and Will.

"I called Owens," Hopper says.

"Why would you do that?" Steve is angry.

"Look, kid, I get it. But none of us are equipped to deal with this."

He's right, so they wait.

It doesn't take the doctor, El, and Will long to figure that Eddie is Eddie, even though his heart beats a little slow and his skin's always cold and his blood is slightly the wrong color. He's still at least 75% human, and that's enough.

Only those six people know. It's dangerous to tell anyone else when the world still thinks Eddie Munson is a serial murderer. Owens asks for time to clear his name, and they have no choice but to agree.

After two days, Steve thinks he should give Eddie and Wayne space, but as he rises to go, Eddie's hand grips his wrist. "Stay?" He asks. Steve doesn't leave.

It's hard, keeping the secret from the rest of the kids, Robin. He wants to tell her, more than anything. About how they share a bed most nights, how he's memorizing the shape of Eddie's body in a way he shouldn't, how the gentle desire turns to profound longing--but Eddie's safety is the most important thing, so Steve keeps it to himself.

---

They go out in Steve's truck almost every night, always on backroads. It's the only way Eddie can leave the house.

It's Steve's favorite thing, the only time Eddie seems truly happy. They roll the windows down, turn the music up, and whip around deserted farm roads. Sometimes, Eddie will stick his head out the window, shout out into the night.

Steve is in love with him.

He has no idea if Eddie feels the same, figures it doesn't matter. He'll harbor this flame for the rest of his life without complaint because Eddie is alive.

He thinks he's done a good job at hiding his feelings, thinks he's able to avert his gaze, hide his blush, when Eddie comes out of his room in only his boxers, thinks Eddie hasn't noticed how Steve's eyes linger when they share joints lying in the bed of the truck.

Except tonight--tonight--they're driving back home, and Eddie, he's been quiet, distant, fidgety, and now he reaches out to turn down the radio, which has Steve's stomach in a knot.

"You--Steve, you've been so great. To me and Wayne, and--you're family, you know? To us, you're--but--"

And Steve thinks this is it, that Eddie noticed, that he's being let down easy, and he wants to throw up, cry, but Eddie's still talking.

"You have a life to live, right? You're--you're 23 and you're not stuck here like me, and I know Robin is ready to go and the kids are--they're going to college soon, and you shouldn't stay here for me, I'm--"

"What?" Steve says.

"What?" Eddie echoes.

"I don't want to leave," Steve says.

"But--"

"Where you are is where I want to be."

"I'm in love with you," Eddie says. Cover his face with his hands.

Steve pulls the truck to the shoulder. His hands are shaking.

"You love me?"

"I'm sorry." His apology is muffled. "I didn't mean--I know this fucks up--"

"Eddie." He says, soft. "Look at me?"

One deep brown eye peers up at him. "Eddie, I--I'm hopelessly in love with you."

Both eyes now, mouth a bright curve. "You mean it, Harrington?"

"Fuck, can't get enough of you, Munson."

"You know, if I thought for a second anything like was possible, I would've--fuck, I would've made a move ages ago. I would've--"

"Shut-up," he whispers against Eddie's mouth. "Kiss me."

---

And later, Robin will ask if he has someone, and he'll say yes, and she'll ask, soft, "is it him?" and he'll nod, and they'll both cry.

Later, a news report, Eddie Munson's body was recovered from the bottom of Sattler Quarry, bearing the same wounds as Vecna's other victims.

Later, Chief Powell will hold a press conference, say they're looking for a man named Henry Creel, wanted on suspicion of killing his mother and sister and the aggravated assault of his father with an MO that matches the 1986 killing spree.

Later, Steve will shave Eddie's head, Eddie crying softly as the hair tumbles to the bathroom floor. Steve will kiss the tears away, one by one, say, "I know it's hard to let go. But we'll move away, to a place where people say 'you look like that guy, that Eddie Munson,' and you'll say, 'I get that a lot,' and your hair will grow back, if you want it to."

Later, they'll invite everyone to Wayne's , everyone except Dustin, busy in Boston with an internship, and Eddie will be there to welcome them.

Later, he and Eddie will take the truck, drive up to Boston. And Eddie, he'll spy Dustin first, walks up to him and says, "Pretty metal tattoos, little dude," and they'll all cry until Dustin stops to yell at them for keeping the secret.

Later, Steve and Eddie will leave MIT--Dustin screeching that they have to call him every night promptly at 8pm still ringing in their ears-- in search of their future.

[sloasis]

This is entirely ship coded Just gonna point that out

[jinx-xxed]

Some Remmick/Jack O’Connell bts pics from the makeup team of Sinners I just saw that I haven’t seen anyone share before :>

Via @/londonbrushco on IG

[youllcatchajpegtothehead]

a curious friendly wild animal cautiously approaching the nature documentary crew to sniff the camera and say hi to the humans

[hopeinthebox]

bts + reductress headlines pt.14

[btsstaysgold]

Jimin's face card is so insane even his side profile is LETHAL

(crtto)

[froog-water]

ive said it once and i’ll say it again: chica is best girl🗣️

[strawberrybyers]

the outfit parallels to season 1 are going to put me in a god damn coma,, if you hear nervous laughing sorry that’s just me because WHAT THE FUCK

[flerwock]

[lacebird]

oh this... now this is h o t

[butterscotchx98]

Littlest guy in port mafia history

[joenateuser]

Oliver Muhl | via Instagram stories

[lemonycranberries]

I SWEAR to god. if the writers made the main character in one of the (if not the) biggest tv shows of the last decade canonically gay, a character who already had an abusive father who left him, who struggles financially, and who was bullied and tormented for being gay his entire life, and THEN made him be kidnapped and spend a week alone in the alternate dimension of death and monsters, nearly die, get rescued just to vomit a whole demogorgon baby and be tormented by visions of the shadow monster for a year, be put under doctors who do nothing to help him, get possessed, continue noticing a connection with the upside down, get completely ignored and belittled by his friends, have his childhood best friend who he’s in love with say “it’s not my fault you don’t like girls!” in a fight which leaves him sad an angry to a point he destroys his only safe place and refuge believing his friends don’t care about him anymore, ignore his own feelings to help the group pretending everything’s ok, move to a different state away from his lifelong friends after everything is finally fixed, spend months on a painting to confess his love just to get treated like shit by the boy who he’s in love with/his childhood best friend, get ignored and made a third wheel by his best friend/crush and his sister to a point he feels completely miserable ON HIS BIRTHDAY which everyone forgot, see his sister be taken away while there isn’t any adult around to do anything, get his hopes up that his feelings might be reciprocated just to get them crushed again, sacrifice his own feelings portraying them as someone else’s to see his best friend and his sister be happy in their relationship (plus watching them - in his point of view - be happy together and his best friend say “i love you” a bunch of times right in front of him), AND see one of his friends in a coma and his hometown destroyed just to feel that vecna’s still alive. if they made that his storyline so he can get rejected or die in s5… they WILL be seeing me at their house demanding an explanation.

[creativelycomplex]

I think this was the first bts picture where it didn’t look like Assad Zaman was being possessed by Armand. Like you look at this picture and you’re like yeah that’s cutie patootie Assad.

[hsw3k]

What's better than this? Guys bein' dudes.