Bubble Tea Balls Drop Game | Free Android Game
Enjoy an addictive bubble tea maker balls drop game and catch fun boba monsters like UFO arcade games! If you like arcade catcher games, you’ll enjoy this free bubble tea cafe game! Whip up bubble tea recipes with a simple addictive arcade game play with lots of bubbly joyful boba monsters to collect!
Shoot down boba ball to make the boba ball drop lots of delicious boba balls drop when it…
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Two pages of a story I'll never write. Usopp ends up in a sniper competition turned assassin game with some of the deadliest sharpshooters in the New World. When Kuro Kabuto is destroyed, he's left armed with nothing but his wits and a tiny slingshot he hasn't used in years.
This idea was born because I miss the way Usopp used to fight, and his non pop green weapons. His ability to think on his feet and his creativity have always been his biggest strengths; I want a scenario where Usopp has to pull out all the stops on his gadgetry and trickery to beat enemies that far outstrip him in terms of physical power, only this time he sees it as the strength it is.
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I know we've been commenting since The Star Beast on the irony of Russell T. Davies taking Disney money and using it to say trans/gay rights as part of one of the biggest British television events of 2023/2024, but I think Dot and Bubble fully opened my eyes to something I've been quietly contemplating since at least the time of The Giggle.
I am genuinely convinced, knowing everything I know about Davies' comments on the state of the BBC and the kinds of art he's been making of late, that Series 14 is a brilliant and purposeful piece of artistic subversion that has taken Disney's money to not just say trans rights, but to actively comment upon the cold, empty yawning abyss that is modern MCU franchisecrafting.
Time and time again, the show has returned to the idea that that sort of "artistry" is completely anathema in a cosmic horror sense to the very fabric of Doctor Who. The Toymaker is an arbiter of rules and continuity, who threatens to turn Doctor Who into a knock-off of The Avengers before everything collapses back into a game of catch with the Doctor in his underwear.
73 Yards is quite explicitly about the loneliness, emptiness and futility that accompanies human beings trying to impose rational, ordered frameworks and narratives on a fundamentally chaotic and strange universe. The very fact that the episode exists in a media ecosystem where hackish YouTubers will be falling over themselves to make "Ending Explained" videos for it *is part of the point*.
And then we have Dot and Bubble, where the modern glut of franchisal/social media (and the two are often close to interchangeable, as proven by this very blog post) is explicitly shown to have an anaesthetising effect that insulates people from real-world suffering. But it's more than that, because that same anaesthesia ties into expressions of actual, direct racism that are so baked into the foundations of that media and who it tends to uplift (white, conventionally attractive and implicitly straight people) that they become indistinguishable from said suffering.
After years of Doctor Who trying its hand at being a generic MCU-esque property and fans creating mockups of Phase-esque release timelines with a million spin-offs focusing on the Wacky Adventures of Miss Evangelista or whatever other bullshit fandom constantly clamours for, here is an era that puts its foot down and says "Actually, the foundational elements of that brand of media consumption are materially connected to the constant racist or sexist backlash you see against the casting of Ncuti Gatwa or Jodie Whittaker or Kelly Marie Tran."
And it is absolutely, positively, 100% correct.
How, then, does Doctor Who resist the creeping power of this monolithic cultural entity? In a world where studios seriously try to argue for the artistic worth of tripe like Morbius or Madame Web or Ant-Man and the Wasp: Quantumania, what is the appropriate response?
The same response that it's always had, the thing that it's been doing for sixty years. Getting people to learn how to run down corridors from hokey aliens, hoping against hope that those people don't turn out to be massive fucking racists and telling them exactly where they can shove it if they are, and instilling the children of the world with a healthy dose of fear and light-hearted humour.
Welcome back, Doctor Who. God, I have missed you.
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My ranking of the Fontaine women and how good they are at French kissing. 1 being the best and 7 being the worst:
1. Navia
2. Chiori
3. Arlecchino
4. Lynette
5. Clorinde
6. Furina
7. Chevreuse
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