#but be civil or else

[astrobei]

the will byers would/wouldn’t like taylor swift debate is so tired like can we please talk about something else for once. for example: which (if any) flavors of country would will byers enjoy. discuss.

[monochrome-genesis]

‘Golden One, who earned your wrath?’

[neo--queen--serenity]

The Black Butler revival will, of course, in this day and age, be the complete embodiment of pro-ship vs. anti-ship discourse, given the subject matter.

But for those of you who are watching this for the first time in 2024 (which includes myself!), there are certain things about the show you simply must understand, for the sake of media literacy.

The first is that Black Butler is supernatural gothic romanticism at its core. This genre alone should tell you that the relationships integral to the plot will be complex, messy, and toxic, by default. That is not only a huge part of this genre’s appeal, but very much the point of the story.

The themes are dark, the terrible things that happen to the main characters are dark, and therefore the relationships at the forefront (and in the background) will reflect that.

The gothic genre has been alluringly popular for over a century (longer, if you know your history) because audiences are entranced by the macabre, the tainted antiheroes, the monsters who live inside us all. It’s popular for a reason.

That being said, understand that whether you, the viewer, ship Sebastian and Ciel or not is irrelevant. Their bond doesn’t need to be understood as romantic or sexual, but it sure as hell isn’t normal. It isn’t healthy. And the audience knows that. That’s the draw. It’s what makes them compelling to watch.

Ciel and Sebastian’s relationship mirrors many gothic novels, poems, and penny dreadfuls written in the Victorian Era (the very same time period in which Kuroshitsuji takes place). The Victorian folks who read these tales for the first time ate that shit up, because it was tantalizing. It was shocking. It was inappropriate, and monstrous, and violent, and erotic, and went against societal norms. But that was the point.

A huge part of gothic romanticism is the blatant sexualization of the relationship between the “monstrous” characters and their human counterparts in the story. Sex itself doesn’t need to take place for their bond to be sexually charged. The forbidden nature of their relationship—which typically involves layers of social taboos, moral ambiguity, or simple infatuation—is what makes their interactions erotic. Sexual contact rarely ever actually happens in these stories. It’s the taboo nature of their bond that creates the tension.

One of the many reasons audiences love this genre is the constant question of morality in its themes. Who, between them, is the real monster? Could the human character have ever been saved? This genre is often associated with tragedy, because the bond forged between the characters in these stories are destined to end in death and destruction. The reader knows it can’t end any other way. How can it?

But an integral element of these gothic tales is the catharsis that comes with this tragedy. The corrupted human often gets what they want in the end, even if it’s at the cost of their own life. Whether they regret their choice to foster this monstrous relationship varies on the story, but it doesn’t change the trajectory of their descent.

Sebastian and Ciel’s relationship is the whole plot of Black Butler. Their closeness bears a grotesque ick factor, but it is deliberate. It is a constant reminder of how unnatrual their bond truly is. Rationalizing or watering down how abnormal they are about each other misses the point entirely. They will never have a normal, healthy relationship, and that’s what moves the plot forward.

That’s why you’re watching it.

[musubiki]

danmarch 🐉💎

[icouldbeaduck]

how did stucky deniers enterpret the scene in civil war where steve is holding the helicopter with one hand and the ledge with the other and bucky looks at him like he’s ready to tear all his clothes off

[captainjonnitkessler]

Breaking my hiatus to find refuge from my conservative coworkers. Loudly talking about how "both sides are bad, they're preying on our division so we won't notice when they fuck us over!" And then immediately and without awareness pivoting to "and now the extreme left is talking about CRAZY ideas like taxing the rich and letting men compete in women's sports! Thank God Trump won't stand for any of that!"

Send strength, it's already been a bad day and if I encounter one more obstacle I'm setting this place on fire with all of us inside it

[natp20]

i love the nuance of the reservations and rationalizations that the gods have towards destroying aeor, because it's not just about the people in that city or the god-killer. how do you justify destroying this bastion of arcane achievement, this testament to what your children can achieve? how do you justify letting such a weapon exist if it's going to destroy this garden you have worked so hard to cultivate, this home you wished for? how do you justify the discrimination against your worshippers, the stark divide between the land and the skies? how do you justify obliterating mortals who are ultimately right in fearing the eternal power of you and your brethren?

[doloneia]

as an academic i believe every lost greek epic is a tragic loss of valuable material that could have provided modern scholars an immense amount of insight into homeric tradition. however as an odysseus enjoyer, i think the telegony was kinda cringe and ooc

[honeycombclaire]

You know what I need? I need the Marvel time-travel trope, but everyone goes back to the 40s.

(I say everyone, I mean the Avengers pre-Infinity War.)

Because everyone says Steve Rogers and Bucky Barnes are men out of time (and they’re not technically wrong). But I want to see the Avengers (sans Steve and Bucky) getting sent back in time by some wizard or a freak Asgardian lightning storm or something, and poof, they’re back in the 40s, right smack in the middle of the war.

I want the Avengers to witness what life was like during the war, hiding in bomb shelters and seeing the after effects of the world crawling out of the Great Depression and hurtling into the second World War in twenty years.

Life when Steve really was the weirdest thing science ever created. When he was desperately needed and internationally adored. Because all of the Avengers have PTSD, but Steve and Bucky went through World War II and got spit back out into the 20th and 21st centuries, and that’s a whole different category of PTSD and trauma.

I want the Avengers to actually meet the survivors of Azzano, when Steve marched into the massive Nazi base and saved hundreds of soldiers, part because he could and part because he was desperate to save his best friend, and didn’t think twice about it.

I want the Avengers to see Steve and Bucky thrive. I want them to witness Steve and Bucky with the Howling Commandos. Steve’s first team. I want them to see how Steve and Bucky lived, what life was like, because it was drastically different than the modern world.

I want the Avengers to witness firsthand life on a military base. I want Tony to have to look his father in the eye and pretend he doesn’t know who he is, but get to see all the good his father did because all he remembers is his father being an asshole. How much Steve really did care about Howard (and that Bucky did, too, because Howard made weapons to keep Steve safe).

I want Natasha to see that just because she’s an assassin doesn’t mean she’s a bad person, because there were hundreds of military assassins and spies during the war that did bad things to get information.

I want them to hear about the Tesseract and learn that sometimes Steve’s intelligence should be taken seriously, because he has experience and knowledge that none of the other Avengers will ever have. (“You should have left it in the water.” “This is the guy my dad never shut up about?”)

I want them to see how much Steve loved Peggy, how she and Bucky were the only ones who saw him for who he really was, and realize how awful it must have been for him to come back and work for the organization she created after his death and have to live without her.

I want them to hide and watch as Past Steve screams as Past Bucky falls from the train. I want them to see Past Steve realize he can’t get drunk, and the only way he can cope is to kill the Red Skull and end HYDRA. To avenge his friend. I want them to realize that not only did Past Steve crash the plane for nothing, but that Steve knows, has to live with that knowledge for the rest of his life.

I want them to listen with Peggy as Past Steve realizes he’s going to have to crash the plane. I want them to hear the slight tremble in Past Steve’s voice as he talks about dancing with Peggy, believing he’ll never get the chance, and that he’s going to die alone in the freezing cold ocean. I want them to not get the change to promise him that he’ll survive. I want them to hear the sudden static that cuts off Past Steve’s voice, and the heavy silence that comes after it.

I want them to see the world mourn for Captain America, who died just months before the war ended.

And then I want them to come back to the 21st century and see. I want them to see the way Steve’s eyes linger on pictures of Peggy and Howard, see the rows of records from the 30s and 40s in a whole new light, see rows of 30s-style clothes in his closet that he hardly ever wears because a lot of people will make jabs about it, see the way he always keeps Bucky in his sight, hugs him just a little bit tighter than he hugs everyone else.

I want them to see the bags under his and Bucky’s eyes when they have nightmares. I want Sam to quietly show them Steve’s list, and see that every line on every page is filled because he missed so much. I want them to find two more little books filled up just as much. I want them to realize how lost Steve still is despite how much he’s adapted.

I want them to see the subtle military training still ingrained in Steve’s bones, because any and every war was horrible, but World War II was something else entirely, and so was desperation that existed within the soldiers and the people. I want them to see Steve’s recklessness of jumping out of planes without a parachute, the way his eyes always scan the area when he enters a room, watching ever little detail and listening for any sound that might indicate danger. How he is always, always, on alert, even when he seems relaxed.

I want them to understand why Steve was so against the Sokovia Accords. It wasn’t because he wanted the power to do what he thought was best; it was because he was afraid of the consequences of having too many restrictions. Because even with international laws and the damn Geneva Convention, the Nazis still destroyed half the world, and decades later Nazi HYDRA was still carrying out their mission that Steve sacrificed his life for. Steve was a human experiment. The Serum was a biochemical weapon. The military broke the rules to protect the greater good, and Steve knew that. The war would have gone very differently without him.

Whether he was right or wrong about the Accords, after what Steve experienced, I want the Avengers finally understand where he was coming from. Why he was so afraid of strict regulations.

I want Tony to finally fully understand the significance of Steve giving up his shield in Siberia.

Why he was so determined to protect Bucky from the world. Not just because he was his best friend, or because it was the right thing to do. But also because Bucky was the only thing Steve physically had left of his life before the crash, save for his dog tags, and he was scared of what that would mean if Steve lost him.

Steve Rogers has so much trauma that Marvel completely ignored. They focused on Tony’s and Bucky’s and Natasha’s trauma; and that’s great, that’s important; but so much of Steve’s moral character doesn’t get explained because it gets glossed over with the excuse that he’s “Mr Good and Righteous.” And that’s true, but that’s just scratching the surface.

He’s Mr. Good and Righteous for a reason, and it doesn’t get talked about enough.

[recurring-polynya]

I'm getting ratio'd by my family for my opinions, so let's see what Tumblr thinks about this:

He has to do it from standing, flat-footed. He cannot do it off of a high object or from standing in mid-air or into a Valley of Screams. He has to stick the landing. He is not allowed time to train or otherwise prepare. He's standing in the dojo and someone comes in and yells "DO A BACKFLIP!!": can he? Assume he is on-board with doing the backflip, i.e., don't pick 'no' on the assumption that he would refuse to do it.

[governmentmandatedryujinstan420]

this one gets to escape, you'd already know what the others were atp. [disperses into particles]

[ruiningthesoup]

to me watching star wars is wire mother and listening to a more civilised age pod is cloth mother

[clannfearrunt]

Sometimes I start getting worried for no reason like “oh no what if people take issue with my different species in worldbuilding projects having different physical needs and abilities because it could lead to inequality” as if that isn’t an interesting and worthwhile topic to think about in itself. We have a society of ONE sapient species and we still have endless variation in our experiences and one million inequalities bitch you think it won’t be a problem when there’s even MORE variety? Dont you want to think about how this manifests and how people accommodate (or don’t accommodate!) these differences. Don’t you love passively generating entirely fictional toxic tumblr discourse threads <- don’t actually do that part I think it fuels the anxiety even if it’s fun in abstract

[macabre-crab]

“himimimimimimi book alicent would never!! book rhaenyra would never!! book rhaedkdkdndkskfndofntkdofndk-“

“History will paint you as a cold queen.”

YEAH THATS WHAT I FUCKING THOUGHT !!!!

[maulfucker]

Ok so. This is less concrete thoughts and more scattered ideas but.

Dathomirian Zabrak biology speculations/thoughts!

While at first glance it looks like males are the only ones who have different skin colors and the females are all pale, we do see at least one Nightsister with darker skin (the one whose facial markings are white and resemble a skull), meaning skin pigmentation is present in both but manifests differently in males vs females!

(This is much like birds where the females are the neutral-colored ones while the males have more vibrant colorations and are expected to impress the females to be picked as a mate)

And it's very curious to me that iridonians have very human-like skin tones, while dathomirians ended up having two extremes, either having very vibrant skin ranging from yellow to red, or very pale skin ranging from white to dark gray, both outside the human (and iridonian) range

I think if a transgender dathomirian had HRT their skin color would gradually change with it (much like how birds can change coloration depending on their hormones)

The fact that males have no hair and females have no horns seems very random to me and I will not be thinking about the hair thing but I will say:

Have you looked at Mother Talzin's head shape. Have you seen how strangely tall it looks. What if. What if females "lack" horns because instead of growing at just a few specific points their entire skulls grow and elongate over their lifetimes.

This makes sense if you consider that they live in a "dense jungle" type environment where things (fruits, branches, predators..) can fall on their heads all the time. Having a thicker skull would probably help avoid a cracked skull from constantly getting hit in the head by falling stuff

(No idea what about the hair thing though. Maybe it's something to do with gene interactions. Like whatever gene makes their skin so saturated also deactivates the "have hair" genes. or maybe nightsisters are all wearing wigs and none of them actually grow hair)

Speaking of the geography of the planet, I think it's pretty sad that we never really get a good look of what the Nightbrothers' region looks like outside the village and some mountain terrain around it. Is it more sunny than the Nightsisters' side and that's why their skin adapted to have more color while the females' adapted to lose color? Or is it a seasonal thing and we just never got to see another season in the shows? Or is the village just built in a place that's so high the mist doesn't reach it? We get the sense that it's cold, at least at night, so why are they dressed in such light clothes? In fact, is it hot where the Nightsisters live, or is the entire species more adapted to colder temperatures and that's why they all wear so little?

What would happen if you crossed a dathomirian zabrak with a species that also has non-human skin tones but not linked to sexual dimorphism. Like what if you had a pantoran-zabrak cross, since pantorans are on the opposite side of the color wheel. Do you think they'd be an extremely vibrant blue or yellow-orange-red, or a middle ground, like green? Or perhaps an extreme outside both species' range, like purple? Do you think the "no saturation" gene would take over and make them gray no matter the gender?

[vanityangel]

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Jey: “Better listen to your damn daddy, bruh.”