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#but etho would back down
kiwibirdlafayette · 1 month
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cookin up a season 10 design for this etho guy or somethin or other
inspired by his base vibes and redstone techy-ness :D also netherite slides because its infinitely amusing to me
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shepscapades · 8 months
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Hey! i’m really into the dbch story and i was wondering if doc and xisuma ever tell bdubs the specifics of why etho lost his memories, cause if they do that is prime self blaming angst for bdubs
I’m inclined to believe they don’t. Actually (and maybe I should do a small comic for this so more people see it) I imagine, once a month or a few pass and they finally return etho to bdubs as reset, I imagine they are VERY serious about warning bdubs not to try to force Etho to re-deviate— they don’t go into specifics, but they probably tell bdubs that whatever happened had to do with something that was emotionally overwhelming, and that forcing him to redeviate/not letting it happen naturally could trigger the same error. They have no idea what could happen so bdubs needs to be very careful and let Etho find himself again on his own.
Whether or not bdubs gets impatient or can only go so long before he doubts it would be that bad if he tried pushing Etho in the right direction is another story.
But yeah. I don’t think Xisuma or Doc really… tell anyone that this happened. Etho’s error seemed like a very specific one-off scenario, so it’s not something the other hermits should be trying to avoid or be careful about happening to their own android friends, and the only thing telling people would do is make them worried about the situation. All they need to know is that etho was broken and that they need to be careful with him. I don’t agree with their decision to keep what happened to themselves but I understand it I think. Xisuma “i don’t want to worry the hermits” Void and Docm “eh this isn’t the first time I’ve replaced this arm, people won’t question it” 77
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lmao once upon a time i had 70% of a portfolio and a rather serious discussion about financing an art foundation degree and 7 years on i could not tell you for love nor money where 70% of my art materials have gone. into the fucking void i presume.
#me meta#i say this in jest but also the frustration is very very real lmaoooo#shoutout to my stepmother for moving all of my possessions from my room into the damp mouldy rat-ridden garage!#before my 6hr drive to uni was even complete!#anyway i lost over £100 and a whole sketchbook from my teen years bc of that and i will quite literally never forgive her#anyway#i cannot find like. ANY. of my things??? i know for a fact i have 2 watercolour palettes somewhere. WHERE.#i found my very very nice charcoals from my a level teachers <3 so i am happy#but like. all these things are SO precious to me and so important to me & it's like I've lost a limb trying to find them all.#until i begged my mum for help i was down to 3 pencils and a very dirty rubber. now i have 15 pencils and a very dirty rubber#im not saying you cannot do good art without tonnes of expensive shit i am not saying that AT ALL.#believe you me that is the exact opposite of my ethos#my frustration is borne from wanting to experiment with my very nice quality materials that i invested in with the exact purpose of longevi#*longevity. when i knew this exact situation would occur. that i would want to go back and fuck about with gouache and inks.#and i have managed to be so fucking depressed and apathetic that i no longer know where any of it is.#its so fucking frustrating. so so so frustrating.#anyway again. i did find my charcoals. :)#i am annoyed with myself for loosing sight of what i knew would always be important to me & letting it all literally get lost with my apath#to be clear i am also like. not good at art. all my skill has decayed. i am quite literally making a fuss over nothing LMAOOO#but also no i fucking LOVE drawing!! i love charcoal and dip pens and chalks and oil pastels!!! so MUCH#i miss oil pastels so much!! i would use them RIGHT NOW. if i HAD ANY....#i did so much work in oil pastel that i just accrued them around me!! i lost many to the garage.#anyway thrice: back to the silly little portraits of my silly little elf dnd girlie <3
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How lock-in hurts design
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Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!
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If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.
Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.
This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.
Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:
https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/
But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.
Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.
Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:
https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/
This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!
But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.
That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:
https://pluralistic.net/2023/02/19/twiddler/
When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:
https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/
But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:
https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones
Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":
https://locusmag.com/2020/09/cory-doctorow-ip/
This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.
An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.
Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.
Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":
https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html
Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:
https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/
But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.
The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):
https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/
Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:
https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model
Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:
https://www.wired.com/2010/06/iphone-4-holding-it-wrong/
Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."
Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.
Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited
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Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
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silverskye13 · 2 months
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Etho looks down quietly at his basket, making sure everything he needs is inside. He knows it is best to only make one trip down to the water. The water is treacherous. He is strong enough to withstand it, but of course, everyone who ever drowned thinks they're strong enough until their lungs are bursting. So. He double checks. He makes sure.
He has a week's worth of laundry. Some dishes he needs sand from the river to scour. A bucket, so he won't have to make this trip for another few days. There are a few pieces of leather armor in need of a quick rinse before they're polished. Also, he's thirsty. He tries not to drink his rain water. He needs it to last.
Finally, Etho belts on his sword, hefts the basket over one shoulder, and the empty bucket with his free hand. He looks to the short path that leads down to the dock. The water is blue as the diamond sky above, edged in gold from the slowly gathering sunset. Birds are singing. Breeze whispers through the willow branches and cattails. Across the river, a small herd of deer is moving through the rushes. One breaks apart from the others to drink. Etho sighs out a long breath, steels himself, and walks down the trail.
The water is cursed. Very few people still come to the river for chores. Most only dare to run down for a few buckets of water when the well is running dry.
_____
When Tango saw him gathering his things earlier, he'd shaken his head and made a warding gesture with his hand. Protection. For himself. For Etho. Or just to ward away the idea of evil.
"Scream, I guess," Tango had told him. "I doubt we'll make it in time, but yanno, we'll know what happened."
Etho had only offered a tense smile behind his mask. Everyone would know what happened, scream or not.
"I'll be fine," Etho said. "I've been fine before."
He said it a lot more confidently than he felt, and Tango wasn't reassured. Tango had a good nose for things like that. He sniffed the air, and made the chagrined expression of someone who could smell a coming thunderstorm.
"Yeah. Sure." Tango sniffed again, and then tapped the side of his nose with a knowing finger. "On second thought, maybe save your breath."
_____
Etho walks out onto the dock, his footsteps silent as he can make them. He took his boots off by the dock's edge. They're heavy when they're wet. He sets the basket down gently on the aged wood. He fills the bucket first. In the neat and tidy plan of his habits, he thinks the bucket is the one he least wants to be left last with. It's heavy and cumbersome, and requires leaning over the water's edge. So he fills it, trying to disturb the water as little as possible, and pads back to his boots to set it down gently beside them. Then he's back to his basket, and getting to the louder work, what he know will attract attention.
He grabs a shirt and dunks it into the water, wringing it out a few times before scrubbing it against the dock's edge. Someone nailed a washboard here, probably to make it easier for everyone else who needed to scrub up -- one less cumbersome thing to drag to the riverside. Beside it, Etho can see long scratches in the wood, vanishing off the side. He has large hands, so they don't line up to him, but the unmistakable look of nails scratching, clinging, is recognizable even still. He wonders idly who made them. Probably someone playing, before the water was cursed. Or an animal that swam across the bank and needed help scurrying out.
He is tempted to think it's something more sinister, but he knows better.
The water turns from diamond blue to sunflower yellow, then to blazing orange with rusted and bleeding edges. The herd of deer on the other side of the water wanders off, sated. A fox calls in the wood somewhere, an uncanny, very human scream. The bird calls twitter into silence, replaced by chirping frogsong. Etho wrings out the last of his clothes and wipes his forehead with the back of his hand. He checks how far the sun has dipped in the sky, and decides he has an our yet before dark settles in.
With his clothes washed, he sets them back in the basket, neatly folded. They'll wrinkle probably, but when he puts them out on the line, the wind will straighten them out. His knees are sore from kneeling, his back from leaning. His armor will be easier to clean if he can settle in, brace it on his crossed legs.
Etho looks around the water, at the deceptive stillness. It's a slow, lazy river, hardly pushing the water fast enough to put ripples on it. There is one place near the opposite bank where a long shadow stretches from a stone, broken by the reflection of red sunset. It's the kind of image he would expect to see on a lake on a windless day. He's heard before that quiet rivers make for deadly waters, that there is a current in holes in the riverbed that will devour someone.
But Etho isn't in the water. He's on the dock, and the dock is safe. Nothing will drag him off it. Nothing in the water is strong enough. It doesn't have to be. There is some comfort in that, in knowing he can't be devoured against his will. It is why he still comes to the river. It is why he dares. Etho sits back and crosses his legs, bracing his leathers against his knees. He scoops a palm full of water onto them and scrubs, trying to get blood out of the small cracks where it will settle and rot. His chainmail is back at the fort up the hill, where its heaviness can't encumber him. It cleans itself reasonably well, all the links clattering together, just so long as he doesn't roll in any mud.
There is shuffling on the dock behind him, the creaking of old wood. Etho tilts his head, breathes in deeply through his nose. His pulse doesn't quicken. After a momentary pause, he resumes his work.
"Hey BDubs," he says conversationally. "Trying to sneak up on me?"
"Wh-- no. Of course not." There is mischief in BDub's answer, a grin in his voice. "The great Etho? Never. You probably heard me coming from a mile away."
"Maybe not a mile," Etho chuckles humbly. "You going to join me?"
"Well, I don't know," BDubs laughs, leaning over Etho's shoulder. "Is it safe?"
"I don't know why it wouldn't be."
"Water's cursed," BDubs reminds him. "There could be boogiemen about."
"You trying to tell me something BDubs?" Etho asks slyly, peering up at his friend.
"What? No of course not," BDubs laughs. He sits beside Etho, plunging his bare feet into the water beside the dock. "Even if I was, you know me Etho. You? Kill you? You'd kill me first."
"I don't know about that," Etho hums, splashing another palm full of water on a buckle clasp and scrubbing at a rusted stain with his thumb. "You made pretty efficient work of Grian."
"Grian had it coming," BDubs shrugs. "Got too caught up listening to the music."
Etho chuckles. "The music was very good."
BDubs kicks his feet in the water, humming the tune momentarily under his breath. It's a haunting sound, not really meant to be sung. Not by anything human. Etho shudders in spite of himself.
"Man, don't do that."
"Sorry! Haha! Sorry. Couldn't help it," BDubs grins a gap-tooth smile in Etho's direction, his eyes bright and gilded by the setting sun. "It's probably one of the coolest kills I've ever gotten."
"I'll make sure Tango knows you said that."
"Oh, Tango's fine." Bdubs waves a hand dismissively. "He's just upset 'cause I scared him."
"You did more than just scare him."
Dark room. Dark water. Tango screaming and running, scrabbling at the walls with his nails. If they ever went back to that little cave, Etho wondered if there would be marks on the walls like the docks, played, desperate fingers, digging.
"Well he's alive, isn't he?"
"I guess he is."
"Then he should get over it!"
Etho shakes his head, laughing. BDubs' voice is over-loud on the quiet lake, but its a good sound. Full of intensity and joy, and revelry. It made the silence between his words stark and empty, and Etho was always loathe to fill it.
Bdubs suddenly wraps an arm around Etho's shoulders, pulling him into a conspiratorial embrace. "Hey, I've been meaning to talk to you, by the way."
Etho suddenly has goosebumps on his neck, his spine, his arms. BDubs' arm is cold against his shoulders. He smells of bracken and standing water, and his eyes are bright as sunset. Etho takes a long, slow breath in and holds it for a moment.
"Uh... Yeah, BDubs?"
"I've got a plan, you know, for the others," Bdubs continues, his voice dropping to something near a whisper. There is something on the edge of his tone like the ringing of bells. Excitement. Thrill. Hunger. "But I'll need some help. I mean, I'm good at redstone, you know 'ol BDubs knows his stuff. But I need an expert. Someone good at traps."
"You know you've always got me Bdubs," Etho laughs, and it is hard to keep the nervousness from his voice. He's not sure he succeeds. "I'm happy to help. Just uh--" He shrugs his shoulders, and BDubs' arm falls away. "You know. Keep your distance."
"You're not scared of me, are you Etho?" Bdubs laughs, and it's loud and boisterous, and perfect. It echoes off the water like glass. Bells and ringing. He gives Etho a prideful, knowing look. "No, you're not scared of little 'ol BDubs. I know what you're scared of."
BDubs suddenly turns and slips into the water. Not all the way. His hands are still clinging to the wood, his elbows resting on the dock like it was a pool side. But the splash hits Etho's side and makes him shudder so hard, he drops the armor he'd been polishing. In a flash he's on his feet, backing away two, three steps. His movements feel too slow and heavy, and there's an instant of panic in him.
"Woah man!" Etho snaps, startled. He reaches for something, anything-- "I said keep your--!"
But BDubs is laughing, kicking his feet, stirring up the mud at the bottom of the river. "Oh come on Etho. It's water."
Etho takes three long breaths, filling his lungs to bursting before pushing the air out again heavy through his nose.
"You're fine you big baby," BDubs grins, resting his head on his crossed arms. His legs stop kicking, stop stirring up the mud, and Etho can see the water is shallow enough that he's standing on the bottom. He'd thought-- he'd thought-- "You'd think I tried to drown you, jeez."
He thought it was deeper.
Etho held his breath for a moment, counted slowly. He wanted to reach his hand to his neck, to check his pulse. To see how fast his heart was beating. He moved his hand to, and at a mocking glance from his friend, decides instead to stoop to pick up his dropped armor. He walks carefully to his basket and places it inside.
"Why'd you come down here, anyway?" BDubs asks. "If you're so scared, I mean."
"You know me, BDubs. I always come back," Etho answers, almost a reflex. A rehearsed answer. "Who else would I go to?"
"Tango and Skizz?"
"They won't keep me safe like you will." Etho points out. He shudders again, the cold from BDub's touch had seeped into him more than he thought it had. He's acclimating though, like jumping into a pool. It's a cold that seeps out of him, warms as it settles. "It's me and you to the end, right buddy?"
"Of course Etho. I'd never betray you."
Etho looks through his things one last time, then frowns. He turns the basket with his foot. He glances at BDubs, who still watches him from the water's edge. Then he takes a chance and crouches down beside his basket, rifling through with both hands.
"Lose something?" BDubs asks, standing on his tiptoes to get a better look.
Etho looks around, checking first the dock, and then the water beyond. In the deeper water over the side, he sees the flash of a buckle in the dying rays of the sun.
"Oh, huh," BDubs hums disinterestedly. "Guess you'll have to get that."
"BDubs," Etho scowls.
"Fine! Fine. I get it. You don't wanna get wet." BDubs puts up his hands, as though surrendering. "The water really isn't all that bad." He offers Etho a quick little salute. "Be right back."
He takes an exaggerated breath and splashes beneath the dock, stirring up mud and river plants. He breaks the water's surface shortly after, holding up the fallen armor piece triumphantly. "Ta-da! Hold your applause. I know I'm great."
Etho, in spite of himself, chuckles. He shivers again -- the evening is getting cold -- and reaches a hand out. BDubs places the buckle in his hand, then reaches his other hand up to clasp Etho's gently. It's awkward and off-balance, Etho leaning precariously over the side of the dock, and BDubs on his tip-toes, holding him in place. It isn't a hard grasp. At any moment, Etho can take his hand away. He has always been stronger than BDubs.
"Hey, Etho, I really have missed you, man," BDubs says, smiling fondly, his voice soft. It isn't a whisper. It simply isn't loud and brash like he normally is. Heartfelt. The kind of tone that beckons, that wants to be listened to. "I mean-- I've missed us doing things together. It reminds me of the good 'ol days, you know? NHO and Mindcrack. We make a good team."
"We do," Etho agrees. He takes a long, slow breath. He shivers.
He frowns.
Etho pulls his hand out of BDubs, and BDubs offers no resistance. Etho looks down at his hand, at the wrinkled, waterlogged skin. He rubs his thumb across his forefingers, feeling the odd texture, grounding himself on it. Etho takes a deep breath in, lets it out again slowly.
"How long have I been in the water, BDubs?" Etho whispers.
Etho is still holding the belt buckle in one hand, still looking down at the wrinkled fingers of his other. BDubs is still in front of him, only his head and shoulders above the water. Etho looks back over his shoulder. The dock is startlingly far away, the basket sitting on the very edge. Beyond it, his boots and water bucket are sitting in the grass beside rushes and willow branches.
"Does it matter?" BDubs asks, smiling gently.
Etho takes a long, deep breath through his nose.
"Oh, don't be scared," BDubs says, moving silently closer. He reaches out his hands and grasps Etho's arms, a gentle touch, reassuring. A friend trying to assuage fear. His eyes are blazing red and orange with the setting sun, but the sky is black and salted with stars. "I didn't drag you down here, Etho. You came to me, remember?"
"BDubs--"
"You know I'd never betray you," BDubs continues, taking a slow step backwards. He pulls Etho with him, and Etho, by habit and familiarity, takes a step forward. The allure of BDubs' voice tilts his vision. He's on the dock, holding the buckle that fell in the water, and BDubs is clasping his hands, and the sun is setting. The water is up to his chest, and the world is dark star-filled, and BDubs is taking another step backwards, and Etho is following. "I could have betrayed you day one, and I didn't. I'm just asking for your help, Etho. You and me together, right?"
"BDubs--"
"It's the deep water, isn't it?" BDubs croons, like he's speaking to a child. "The deep water scares you? It's okay. You're fine."
Etho is fine. His breathing is slow, his heartbeat even. He wants to be scared. He should be scared. But BDubs is his friend.
BDubs reaches up to Etho's neck, not to strangle or to threaten, but to gently cup his hands around him. He pulls gently on Etho, not to drag Etho down, but to raise himself up, so they're nearly eye to eye. Etho feels water around his shoulders, and shivers.
"It's okay," BDubs says. "I would never hurt you, I promise. We don't have to go any deeper." His voice even and calm, inexorable. Etho's pulse doesn't quicken when he says, "You know how many people drown in shallow water? It's easy. I'll be with you the whole time."
The water is around Etho's neck, and BDubs is above him just slightly. One hand raises slowly to the back of Etho's head, fingers gently tangling in his hair. It is the caress of someone who cares for him deeply, someone who wants him to stay. The feeling is wholly dissonant from the words being spoken. Water? Drowning? How could someone who loves him so much drown him?
"You want to stay with me, right?" BDubs asks. "You and me together, we'd be unstoppable, Etho. The best duo the Life Series has ever seen."
BDub's hand on Etho's neck moves just slightly, the thumb pulling around to rest on his adam's apple. The hand in his hair clenches just a little. A warning. "You're not thinking about betraying me, are you?"
Etho shivers again. He wants to be afraid.
"You know, Grian said some things before he drowned," BDubs's hand on his neck tightened just a little. Etho could feel his pulse against BDub's thumb, finally, finally beginning to quicken. "He said you were a survivor. He said you'd leave me -- heh -- high and dry. You wouldn't do that, would you, Etho?"
Etho's pulse quickened more. There was a cold numbness in his limbs that he hadn't even noticed gathering, and his sluggishly awakening panic pushed it from him.
"BDubs," Etho said, his voice small and hoarse in his throat, "let me go."
"Etho..." BDubs said warningly.
"Let me go!" Etho shouted, planting his hands on BDub's chest and shoving backwards away. What he felt, in that brief second, was neither skin nor flesh, nor the softness of fabric. He felt tangled river weeds, and fish scales, slimy and cold against his skin. The cursed thing that looked like BDubs but wasn't, released Etho spitefully. His claws tore from Etho's neck, scraped along the back of his head to come free with pale strands of his hair. Suddenly there were arms around him, and Etho screamed and thrashed as he was dragged.
"I've got you dude! I've got you!"
It was Skizz, his voice a thunderous bellow in Etho's ear, his arms feverishly hot against him where they clamped like vices around his waist. Skizz dragged Etho from the water like he weighed nothing. Etho got his feet underneath himself and clung to Skizz, staggering out of the water as quick as he could. He heard feet pounding on the dock, and glanced over to watch Tango sprint across the wood. He stooped, grabbed up Etho's basket, and sprinted back with it, the reaching, clawed hand of the thing that looked like BDubs snapping for his ankles and missing.
"I got him!" Skizz shouted to Tango, scrambling onto the grass, refusing to let Etho go until they were well up the path. "Did you see how close he was?!"
"Yeah I saw!" Tango snapped, choking on his own fear, gulping in air and coughing it back out again. "It tried to drag me in!"
"Oh my god, are you okay dude?" Skizz demanded, and, when Tango nodded, he turned back to Etho. "Are you okay? I didn't see you go under. Can you breathe?"
Etho, who had collapsed into the grass the moment Skizz released him, lay there gasping like a hooked fish. He shivered, pale and cold from how long he spent in the water-- how long had he been in the water. He could still feel the thing's burning claws in streaks across his neck, and a tickling of blood at the back of his head.
"Etho?"
"I'm okay," Etho gasped, "I'm sorry I just-- I needed-- I wanted--"
"I know what you wanted!" Tango snapped angrily, the anger of someone who had risked his life. The anger of someone who thought a friend of his was dead, or dying. "But it's not him, Etho."
"It sounds like him," Etho whispered. He threw an arm over his eyes and shivered again. "It sounds like him, though."
"I know it does buddy, I know," Skizz said, his voice full of sympathy and pity. He waited with mountainous patience as Etho pulled himself together, and then helped Etho stand.
Together, they walked back to the fort.
Behind them, something cursed and hungry in the dark water, sang, and its voice was sweet and familiar.
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theminecraftbee · 10 months
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Etho and Grian are back at base, hysterically laughing over their achievement. Cleo sits inside, staring, as the two of them talk about getting a wither and a warden to fight, and tries to figure out what she feels about it.
In some ways it's not their fault. Task made them do it and all that. Plus--
Well, it's not like she and Etho are losing hearts anytime soon. They've both done a damn good job keeping themselves from dying. A benefit, Cleo thinks, of deciding to team with Etho this time. Between the two of them, they'll largely only do chaos they can recover from. Maybe this is their game. Maybe this time, Cleo manages to stick with someone until the very end. It looks like it. It looks like...
Grian, of course, is the confounding factor.
She wasn't going to turn him away. He needed allies. They needed someone a bit better at actually doing damage than herself or Etho. It's mutually beneficial. And, besides, he's weirdly lovable, in an inherently kind of dangerous way. A little like loving a bobcat someone had accidentally raised as a pet cat until it got a bit too big and stinky and murdery for them. Like, yeah, he shouldn't be domesticated and he's not, really, in any sense of the word, but it's a bit sad to watch him try to survive on his own now, right?
Hah. Maybe that's what Scar managed to do to him. Would explain a lot, really.
Anyway, he's her bobcat now, which is the problem.
See the thing is: Cleo understands Etho. It's why finally deciding to be partners for once felt... right. They're similar flavors of people. Scared, mostly. Survivors, but not in the 'will stab anyone' way that like, Martyn is. Loyal, although Cleo has no delusions that Etho is as loyal as she. And scared. Has she already said that? Scared. It's important to the kinds of things she and Etho are. Like... mountain lions, maybe. Mountain lions that have been around just enough people to know how dangerous they are. Like that.
God, she's only doing cat metaphors. Bdubs really is turning them all into furries.
Anyway, the point is, Grian isn't scared.
And that... terrifies her.
That's scarier than anything else. Because, see, Cleo wants to survive. But more than that, she wants her partners to survive. And she and Etho, the two of them are doing well. Better than most people. They're green and they have so many hearts.
But Grian? Grian's yellow and not afraid and goading Etho into not being afraid too. It's not their fault, exactly, Cleo thinks. They both had hard tasks. They didn't have a choice, Cleo thinks.
But. But.
She doesn't know what to do, if Etho gets convinced the humans down the mountain aren't scary. She doesn't know what to do if he gets too close. She doesn't know what to do if he gets hurt.
Because she--she doesn't think she can learn to stop being scared, anymore.
But she also doesn't know how many times her heart can stand to lose someone.
Did you know--wild cats are social? They have a reputation for being loners, but mountain lions, they're social. They don't do well being alone. They don't actually hunt solely alone. That's the important bit here. They seem independent, sure, but actually...
Anyway. This is Bdubs's fault. For making her a furry, apparently.
She watches Grian and Etho scheme together and sits back and breathes and tells herself that Etho isn't going to stop being afraid anytime soon. That if push came to shove, he, at least, would retreat back, and that maybe the two of them could convince Grian to retreat too. Safe from hunters. Safe from red.
Maybe safe from hurting each other, too.
(She's not so sure about that part.)
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Gem would like to pretend that things are normal around Magic Mountain.
Or, well, that everyone else is normal, and she’s keeping all the weirdness to herself. She’s the one who decided to go a little creepy this season, after all, and as far as she can tell, she’s the only one smelling the rot coming from the river. All her neighbors should be fine, and have only commented that her boat burns a lot of coal fumes that sort of reek. It’s definitely not rot, and things are normal for them, and they are decidedly abnormal for her.
Which is fine! Gem wants her friends safe! Sure, she’s been hearing weird gurgling noises from the flooded caves that line the beaches, but she’s probably just hallucinating. Or maybe Scar is smacking salmon heads on note blocks again, despite living on the other side of the mountain. And sure, Impulse died and came back completely washed of color, but that’s just a demise thing. It’s just the creepy she dragged along with her- Joel’s totally fine, and that’s enough evidence for her.
Well, it would be if not for the fact that the salmon she’s been getting from fishing are starting to look…strange, all sharp-finned and much slimier than normal. And the cod, too, have far too many gills, like gashes down their sides. Grian pulls up a fish one afternoon and Gem swears it’s got six eyes, but Grian only remarks them as “weird patterning” and shoves it right into the furnace for cooking.
He’s been eating a lot of fish, recently, straight from this very river, the one that smells of rot. Caught them all himself. He’s also been fishing a lot- Gem doesn’t know the last time he worked on his base. He keeps trying to dredge up a book. She asks him one day why he keeps going if he’s already got a ton of books from the water, and he sounds haggard when he replies:
“The book, Gem. I’m not looking for a book. I’m looking for the book. It’ll give me all the answers I need. I haven’t found it yet, but the ocean will provide for me. I know it’s the next one.”
Something in the way he looks at her makes her gut twist. His eyes are empty, glossed over, and she knows the joke is that he looks like a cod, but it’s- he’s different, now, washed out and shiny skin, little to no meat on his bones, bags like pits under his soulless eyes. Something about the way he phrased that—the ocean will provide for me—makes her spine recoil back, feet dragged backwards towards her boat. A fear-stricken laugh bubbles up Gem throat as she tries to remember the last time he wasn’t fishing. When was the last time he slept?
Come to think of it, when was the last time she slept? Isn’t there a warning for those who stay up too late?
And when she tells him it’s an addiction, Grian just laughs it off, throws his rod into the sea, and pats the seat next to him. And then there she is, fishing alongside him, like she was always doing. She was planning to do this, yes. More and more of Magic Mountain arrives, plus Etho, who brings along a disc to put them in the mood. It’s a swan song.
The ocean sings back. It gives her an image of a great tall lighthouse, cherished by watery angels, who dance around it. It gives her the size, the colors, the materials to recreate it in verse. She smiles. It tells them all to knock another hermit off the list of survivors. She grins.
Before turning to join the group on their quest, Gem looks into the water one last time. Staring back is a well-kept woman with long, shiny red hair.
There is a book in her hand.
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salemoleander · 8 months
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Even if you don't watch every episode (which, unless you have to - my condolences to the HC Recap team - I assume most people won't) one way of narrowing things down that I HIGHLY suggest is picking at least one person from each of the mining teams to watch, because the vibes are wildly different and equally hilarious.
Team Blue Bin Bags - Spend the entire mining session roasting each other. Climactic moment involving a faux ad for project management software. Would sell each other to Satan for one cornchip.
Hypno
Iskall
Mumbo
Ren
Stress
Team Red Rashers - At one point Etho says, "I don't understand some things about social dynamics, I tell you," and that's this group's motto! Simultaneously the most competent and the most nervous team, like a bunch of racing greyhounds.
Bdubs
Etho
False
Jevin
Team Mustard Milk Tots - They get a lot done, which I think is mostly because 90% of their dunking is targeted at Doc. Very 'parents out for drinks' vibes, despite constantly descending into childish bickering.
Beef
Cleo
Doc
Skizz
Tango
Team Purple Pickles - Lowest intra-group antagonism, made up for by their choice to run straight towards environmental dangers. The cave diving and sculk could make it a horror movie, but everyone is so unruffleable (excepting X, who is perpetually ruffled) that it wraps back to comedy.
Joe Hills
Keralis
xB
Xisuma
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fountainpenguin · 6 months
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Etho sending Joel a letter in the mail telling him to take down the giant statues of Etho at the entrance of his base... "I know you hold me in high regard, but maybe your obsession has gone too far and I think it would be for the best to take those down-"
Joel, sending a letter back: "Wasn't me. Someone worked really hard on them though so I moved them to your base."
crying. they are so silly.
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goingdownorup · 1 month
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Thinking about limited life again.
It made sense Etho went with TIES.
Etho went with TIES because he’s comfortable with the three of them. Because even though Bdubs was there when Scar asked if Etho could be their dad, Etho wasn’t comfortable enough with Scar and Cleo to even attempt…whatever they were trying to do with him at first. He had been with Tango and Skizz once before, and Impulse and him worked really close together the previous game, even if it was mainly for Etho and Bdubs benefit. It was based around being comfortable with each other.
All three of them knew Etho’s flaws. All three of them were well aware of Etho’s bias to Bdubs, and honestly, used it to their advantage. All three of them knew how to work around that, how to plot under Etho’s nose and sometimes even in front of him if it meant Etho could keep plausible deniability. They knew his strengths too, his loyalty, his mind. His mob farm was probably the biggest supplier of gunpowder that season, for everyone. The flaws and strengths didn’t matter as much as the fact that Tango, Skizz, and Impulse all wanted him on the team, and that the team never felt like it was fracturing. It wasn’t two and two like BEST was, it was four strong from the beginning. It was comfortable, because all three of them wanted Etho there. Not just Bdubs, not just Scar for a bit, SIT was prepared to do what it took for Etho to commit to their team up.
And maybe, that’s why it hurts so much that they had Etho take the final kill for Skizz.
They had built a comfortable place for Etho and now they were asking him to destroy that. Etho could go back to TIES tower and be greeted by people he KNEW were friends and allies. These guys would never betray Etho, just like he would never betray them. All three of them had the same kind of loyalty that Etho has, self-destructive in the name of character. Etho had just been hunted and hunting his own family down for time, getting knocked down time and time again and had finally come back to his home with his tail between his legs. He was panicked, more panicked than normal with his clock ticking down at the corner of his screen, he was walking into a scene half done and taking it over with a frustrated cry, which isn’t something Etho usually does.
But he did, because he felt comfortable doing so.
And then Skizz throws him the ax, Tango acts like someone shot his dog, and Impulse just stares.
And suddenly, it's not comfortable anymore.
It’s not comfortable that Impulse is one step away from dissociating. It’s not comfortable that Tango has tears trailing down his face, that both of them look almost angry that Etho picked up the ax in the first place. It’s horribly jarring, to come into a meeting expecting comfort for his failures and be greeted with a worse opportunity.
Because Skizz- the nicest guy in this match, the man who looked at Etho and said “i want him to join us”- is telling Etho to kill him. Ordering him to, actually, his final order of the game. No amount of pleading looks will get Tango and Impulse to do what Skizz wants done, Etho’s only defense is quickly shut down when they bring up just how much time Etho still had.
It’s not comfortable to see Skizz’s head roll off the edge of skynet. It’s not comfortable, the next session, when Impulse and Tango look to him for leadership. This game wasn’t meant to be comfortable, and Etho forgot about that. TIES was the most comfortable team up for him, and in the end, it created one of the most heart wrenching ends for all of them.
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heyhoeudoin · 3 months
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i want a watcher!grian fic of NOT ANGST like can we stop being depressed for one second and think of the possibilities of a NOT ANGST watcher!grian. he would totally mess with the hermits in many ways.
like imagine watcher!grian opening an eye around mumbo and just messes with him in chat
grian: hey mumbo what are you doing grian: you missed a redstone at (coords) mumbo: how did you know that????? mumbo: YOURE NOT HERE?????
grian could literally confuse xisuma on historical information that grian shouldn't "technically" know. also, grian would totally "fix" up some of xisuma's admin codes... and even leave not-so-secret messages.
"hey x, did you know that food didn't stack back then," grian casually shared to xisuma who slowly turned to him. "oh also, did you know that zombies dropped feathers instead of rotten flesh back then cause it hasn't existed yet." xisuma blinked at him. "how do you know that? grian then pointed at the floating screen. "also, your code there is wrong. it should be—" he pulled out his own screen and started typing down a code, then showed it to xisuma. xisuma read through it, his brows slowly furrowing. "how do you know admin code?" all grian did was shrug. "who knows, exe-eye-zuma-vee-oid, maybe when you wake up tomorrow your code will suddenly fix itself." then give a mischievous grin. the next day, when xisuma checked the codes for his daily check. he saw that everything was rewritten. that caused him a massive panic and spent the next few hours checking who could've gonr through the admin code, but he also realized that his code really did fix itself... like what grian said. he then saw at the end of the script is a message written in the galactic alphabet that he knows for sure is a dead written language. it's a good thing that he's a voidwalker, but even then, he's not that fluent at reading it. "thank you for everything, xisuma, this is my gift to you," is what it said (after a few tries of getting it right).
also also, i love yhs!grian and he would totally just randomly start talking in japanese to etho and etho wouldnt even realize that he started replying in japanese until grian leaves and realizes.
also also also, grian would totally leave messages in galactic all around doc's base because he knows doc can't read any of it. doc would totally lose his mind as well because it. and grian would totally talk to doc using an eye making doc lose is mind once again. "where are you grian?! i know you're here!" and grian is actually not there.
also x4, grian could literally leave an eye with scar, out in the open, not even bother hiding it and scar would just be like "ooo new friend" and let it be, not knowing that it's a watcher thing.
also x5, i can't think of anything else but imagine the possibilities!
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mollbabe · 8 months
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celebrating palestinian science
in the face of israels' targetting of scholars, scientists and intellectuals...
saw a tumblr post by @/anarchistfrogposting that got me heavythinking about the relevance of language and culture in chemistry and science, it's unfortunate english has been accepted as its' lingua franca and most other input is lost to the globalization of this change. formulae and structure are essential and in a subject so specific, the average chemist will need to memorize hundreds of chemistry-specific words, and it becomes a barrier past entry when direct translating gets murky. deconstructing the history of science will always lead to political waters as the politicization of science and populist anti-intellectualism ethos rooted itself since the beginning of the study and these implicit biases result in a lack of consensus amongst borders.
before wwi the geographical spread of language in science was much more diverse, a lot of french and german researchers were common in research publishing, but after the allies established new scientific institutions that excluded germans and the isolationist decades that followed suit, foreign-language education was reductionist and excised globally as a result of elitism, being a language considered spoken only 'by the educated'. english-language proficiency is undeniably a prerequisite when an inexaggerated count of 99% of natural science papers are published in english, starting since 2015. this is a /heavily/ debated and discoursed topic and is terribly intimidating to sink your teeth into because of globalization of english and the complexity of modern language but getting over this hurdle will blossom a culturally rich rabbit hole to go down and it is all super interesting. there is so much great palestinian scientific practices, not as in western scientists work imagined in palestinian hands, but palestinian-born theories and practices. i think it's really integral, to always, but especially during times like these to uplift the people of palestine and their beauty just as much as funnel hatred toward their oppressors and murderers.
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[image ID: a lineup of various glass pots and vases, ranging in color and size, placed in front of a plain background. end]
this is a specific sort of glass called 'hebron glass' which is an extremely renowned palestinian practice and passed down traditionally through multiple families and businesses. dating back as far as the 100~s in BCE, their technique of glassblowing was far ahead of their time and not used commonly anywhere else until much further in BCE. the /exact/ practice of hebron glass is kept a family secret amongst palestinian businesses, but a metal tool called 'kammasha' is used to blow the glass. a palestinian artisan talks about the process in more length here, i would recommend doing extended reading directly from palestine:
the colors are so vibrant and beautiful, i am endlessly impressed by how elegant these pieces have been made since the middle ages. these pieces and techniques have inspired a lot of famous modern day forms of glassblowing and glass artistry, most notably the venetian glass of venice.
i include this under science as much as it is art because it often goes unseen how much temperature and calculation goes into this craft. its highly skilled and intense work to bend over the hot flames and handle the glass in such a vulnerable state that could easily shatter. the material is more than 1800F and the palestinian kammasha is very carefully timed.
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[image ID: an online video call meeting titled 'School on Synchrotron Light Sources and their Applications' at the top. end]
what you're looking at right now is the SESAME initiative run by the international centre for theoretical physics. a famous alumnus of this school was sufyan tayeh, a palestinian scientist. he was a prominent researcher and mentor and advocate for international understanding through science, introducing: SESAME, an alternative vision for the future of peaceful coexistence and cooperation and offered a meeting point around the globe to speak the common language of science, making communication possible. sufyan tayeh was an inspiration and bridge builder for all of these young students and an entry point for future scientists. he was a winner of multiple awards for his contributions to science and was appointed chair man for UNESCO (united nations educational, scientific and cultural organization) and head of physical, astrophysical and space sciences in palestine. he was regarded as a leading researched in science and applied mathematics globally, and tragically was killed in the current genocide. this is one case of many, many palestinian researchers. the impact of their contributions are insurmountable and irreplaceable.
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[image ID: a list documenting the 45 palestinian scholars killed by israel since october 7th: Sufian Tayeh, Mohammad Eid Shubair, Omar Ferwana, Taysir Ibrahim, Ibrahim Hamed, Naeim Baroud, Azou Afana, Mohammad Bakhit, Mahmoud Abu Daf, Salem Abu Mukhda, Mohammad Abu Asaad, Osama Al-Muzayni, Refaat Al-Areer, Wael Al-Zard, Ismail Abu Saada, Khaled Al-Ramlawi, Mohammad Al-Najjar, Saeed Al-Dahshan, Raed Qudura, Mohammad Abu Zour, Yousseff Jameh Salameh, Nidaa Afana, Moumen Shweidah, Saeed Al-Zabdeh, Saqid Nasaar, Ahmed Abu Saada, Mohammad Jameel Al-Zaaneen, Ismail Al-Ghamari, Razq Ali Arouq, Walid Al-Amoudi, Abdullah Al-Amoudi, Hassan Al-Radi, Mohammand Abu Amara, Mohammad Al-Louh, Khaled Al-Najjar, Sharif Al-Asli, Mohammad Hassouneh, Yassar Hdeib Ridwan, Jihad Al-Baz, Hazem Al-Jamali, Nasser Al-Yafaoui, and Jihad Al-Masri. end]
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the fabric gauze was also invented in palestine. if you've ever stepped foot in a labratory, you will know what this is lol. used in surgery and in chemical labs for multiple functions: separating liquids and gases, strain acids from bases, filter substances at extreme temperatures, prevent contamination, and to treat water. it is also used to diffuse heat and help protect glassware, seriously, these guys influence in glassware was HUGE. i think glass would still be sand without palestinian input.
i've set this post just up as a basis summary of the sciences, i would love to give an add-on going more indepth into the scientific process of some examples i gave and also in the history of palestinian scholars listed above.. when i get the time! but i hope this was an apt introduction! may good things come in 2024. feel free to recommend things i should check out or correct. OH OH also there is a lot of palestinian sci-fi.. 'divine intervention' and 'the second war of the dog' are both good, iirc they won the international prize for arabic fiction. just random things i found while looking up things for this post haha but they're good
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beesmygod · 1 year
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we can all look back on and laugh at this when im wrong, but it seems like social media in its current incarnation is dying an undignified and overdue death. it turns out throwing all of humanity into one room and expecting everyone to develop a single ethos was beyond insane conceptually and the artists who built their following on social media are probably in a tail spin right now. people jumping to bluesky are insane lol. did you forget jack dorsey is the idiot who got us into this mess in the first place. why would you choose to subject yourself to this shit again. for what purpose?
the stock answer i got was that "for discoverability/audience" and if that's true thats a problem. i've been hollerin about this to anyone who would listen prior to this but the customer base of twitter (and all social media) is its advertisers. they have not been shy from the start about that fact because its the only way they generate income, as far as i know. YOU (the user) are the product. YOU (still the user) are also what draws people to the site. there is not a social media website on earth that has figured out that making a good website (which would require hiring and paying for quality labor over an extended period of time) is more likely to result in economic success than exclusively courting the businesses whose interest is in making the website worse to use with ads. at no point were our interests ever a factor.
in fact, imo, the number of people following you is not an accurate representational sample of your audience. the reasonable assumption you should make is that the vast majority of numbers involved with any website (esp those with a vested interest in showing off big numbers to VC investors or advertising execs) are inflated or just outright fake. the numbers exist solely to drive you insane and make awful people happy. the numbers cause you and everyone around you to start spontaneously spawning myths about a beast called "the algorithm" that possesses the incredible traits of being both something you can game for success or blame for your failures. it coerces you into enacting out nonsense superstitions to try to counteract or appease it in the hopes of, let's be honest, breaking it big and going viral. this way, you, the creator, do not have to do the hard work of building up a rapport with an audience. none of this goes anything but adds more numbers for the ceos to look at and nod approvingly or disapprovingly at.
the people running the world today are, without exaggeration, cartoon villains. they are deeply stupid, devoid of empathy, and open about their intent to do deeply evil acts in order to further their economic interests. trying to derive some kind of financial benefit from the creations of these unapologetic losers was always bound to be a wasted effort. the best thing i can say about twitter, a website i was banned from countless times and returned to out of stubborn desire, was that i got to make some great jokes with friends and cause some chaos lol. letting people know i have a web comic was always a secondary function once the realization of what social media was turning out to be set in like 7 years ago. any artist who insists that you have to do this or that on this or that social media site is trying to drag you down into the quagmire of online numbers poisoning.
run away!!! children heed my advice!!! the joy of creation does not lie on a path that encourages you to cater to the lowest common denominators while casting your net. just fucking have fun with it. if its not fun then it wont even be fun to do financially anyway. and isnt that, like. the point.
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oh-snapperss · 9 months
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creature comfort
“We won’t win today,” Cleo says, and Etho knows she’s right. Knows their time has been running out since the first secret was whispered to them in voices all too familiar, has known that this day was coming, has known that all this time, it’s not been a question of if–it’s been a question of when. 
They’re going to die today. Distantly, Etho wonders if the domesticity they’ve worked for will die with them, or if it will follow them back home. 
Will his home ever be a physical place again? Home is where the hearth is, where the warmth is, where the world is shut out and it’s just the three of them. 
Home is where Cleo is. 
“That’s alright,” Etho smiles instead of voicing all of that, wishing, of all things, that he didn’t still have that awful cough that Cleo had insisted he rest over for a few days. “We’ll be alright.” 
They’ll be dead–and what are the dead, if not alright? The dead don’t have coughs, or pain, or fear. They’re just dead. Etho thinks he might not mind it so much, this time. He’s finally learned to spend his time wisely, and he’s built a home no flaming arrow could ever take down. 
Just by the cow pen, there’s a stupid little porch Etho had built a while back. They’re nowhere near it now, but every night he and Cleo had watched the sunset, drank a final cup of tea, and turned in to sleep over gossip and giggles only they could draw from each other this time ‘round. Before, Bdubs had made him laugh like that–now, Etho wonders how long before there’s a sword at his throat. 
Even so, while Cleo laughs and watches him set Scar’s porch on fire, Etho hopes he might have the privilege of watching the sunset from the porch one last time. He’d survive the day, if only for another sunset with Cleo. 
BANG. 
Tango’s gone–Etho knows it in his heart. Surely he should feel an ache for him, should ask how he went. Instead, it’s easy to accept it. 
The wardens are fun. That’s all they are, now. Before, they had been terrors, then the answer to a desperate prayer he and Grian had made. The carnage of those terrifying beasts feel muted compared to before, but with the wind flying through his hair, the elated cries of Cleo in front of him, Etho can’t care. Not this time. They lead two clear to the middle of the server before they’ve decided to finish having their fun, and Cleo’s just stepping up some rocks when she says it. 
“You’re my favorite, you know that? You’ve always been my favorite.” 
He does know, he does know now. He’d guessed it that first sunset, when Cleo sat down with a giddy smile to recount their day. He’d thought it, when she’d wrapped a blanket around his shoulders after his failures and rested her head on his shoulder without a word. He’d lived it, when she had shouted that she would kill him if he tried to kill her–but was reassured otherwise that night on the porch again, with the curse ebbing from his bones. 
Today, he knows it in the blatant rebellion against what’s supposed to be the end, the dread, the fear. 
“You’re mine too.” Etho grins back, and knows that they’ll see his smile even through the mask–knows they’ve come to recognize it in his tone and way his eyebrows scrunch together. . 
They wind up in the sky base with Grian–Grian, who hasn’t quite reached the same conclusion they have. Etho knows by the shadows under his eyes he won’t give up, that he’ll fight clear to the end. Once upon a season, Etho had been the same. 
Not this time. Never this time. 
Around ten minutes to sunset, Etho and Cleo set down their dripstone and bows, and sit on the edge of the cobblestone wall. 
“I don’t think we’re gonna make it back to our base for it this time,” Etho jokes, nudging his shoulder into Cleo’s. Cleo laughs, a carefree thing, and wrinkles her nose. 
“I don’t think we’re gonna make it back for it any time, if we’re being honest.” She leans back, one hand half behind her to support her weight. 
“I know,” Etho says. He brings his leg up to his chest, wrapping his arms around it. Behind them, cobblestone is placed–Grian, ever the survivor. “It was nice, though.” 
“It was nice!” Cleo beams. “Are you alright with this?”
“Yeah, I think so,” Etho hums. “‘s not so bad. Dying with a friend.” 
“It won’t be,” Cleo agrees. 
Because that’s just it, isn’t it? Etho’s never died like this–he’s died at the flames of an arrow shot while protecting his king, he’s died in fights after his allies were killed. Hell, he’s died hand in hand with a soulmate hellbent on killing him now–but he’d been in a frenzy then, a rage-induced thing meant to burn up the place that had never been a true home to them. 
He thinks he won’t mind dying with someone. 
The sun sets in brilliant hues of orange and pink, and they sit together, this final tradition not lost in the face of inevitability. Just as the first star twinkles, Grian comes over, hoisting them back to their feet. 
“They’re coming,” he says. 
It’s time. 
They shoot a few arrows, break some dripstone, all to no avail–but that’s alright, he’s got Cleo, and they’ve got him. 
But oh, the games are never kind, are they? Etho slips, his foot landing weird somehow–and he’s whistling through the air towards the ground at a speed too fast. It knocks the breath from his lungs when he lands–does he hit the clutch? Stars, he doesn’t actually know, because there’s arrows shot at him, shouts of glee from the hunters, and suddenly Etho’s not Etho, he’s just prey–and prey only know to do one thing. 
Run. 
Etho flies forward, dragging his sword out. There’s not many safe spaces left on the server–stars, Grian had even mentioned their base was but a crater in the hill. 
But the porch… the porch was intact. Supposedly. 
He enderpearls, and enderpearls again, and it’s still not enough. The screams behind him are closer, and closer, and then further–and oh, Etho knows it’s time. He’s dead, he’s gone, he’ll be but a wisp of the wind in a few minutes whether he likes it or not. 
And he won’t die by Cleo. 
Cleo, Cleo, Cleo. Oh, he’d not meant it to be like this. He’d meant to die with a smile, right by her side–just as they were meant to die by his. This wasn’t the plan, this wasn’t the plan. A sob claws its way up his throat, the beginnings of the blind panic he’d never meant to feel tonight. He’s going to die, alone, without the comfort of his Cleo. 
Home. He wants to go home. 
Home is in the air, a hundred blocks above him. He’ll never make it–but he can make it back to the porch, the one place of peace. Now, he can feel the twinge of something broken in his ankles, probably from the fall–and the cuts, the bruises, the blood scent thick in his nose. He’s so tired. 
He wants to die at home, he wants to die at home. 
“Oh, he sounds like a wounded animal… let’s put him out of his misery.” A voice said. Cold fear grips Etho’s heart, and he stumbles forward–the porch is in sight!
Let him die at home. Let him die at home. 
A shadow fills his vision, and Etho’s not even had time to lift his shield before blinding pain fills his stomach, and it’s over. 
He’s not allowed that creature comfort of dying at home. 
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thecoolerliauditore · 2 months
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see cus so much of bdubs communication is based off of him giving the other person room to push back or react. it's why he bounces so well off of tango for example because tango is really happy to make snarky remarks that bdubs can set up.
but scott has this kinda polite coworker air about him like 90% of the time so I can't help but feel like in the case of a bdubs/scott team up if they do talk it would be something like. bdubs going "youghhhh awhh you little rascal you're hiding the entire worlds supply of sugar cane down here!!!!!" and scott would be like "well that's so that no one else can have tnt later :)" and the conversation just dies.
the best case scenario. For ME. Is if their personalities really just hardcore clash like bdubs treats scott pretty much like how he did during SL and scott just. doesn't match his energy and bdubs ofc sneaks off to go see etho like he always does and scotts like okayy bye ^^ but as soon as he's alone he's like fuckkk bdubs doesn't care about me he's gonna leave me i need some sort of backup plan cleo cleo are you home cleo can we be friends again 🥺🥺and because this is my universe and I make the rules cleo's kinda dismissive of scotts concerns cus oh you know bdubs is just. like that. and scott's like oh okay awesome awesome this doesn't worry me anymore! (it worries him)
and scott's like bdubs pleaseeee can you not antagonize people you're making us enemies!! and bdubs sees this as an opportunity to do his over-the-top confident schtick to try and lure scott into insulting him so he says some shit like "yeah well they can't get past me!! im invincible im im a MACHINE scott" and scott's like hahaha okay!! (gonna kms)
at some point scott tries to wrestle some inkling of control back and he's like bdubs. bdubs look me in the eyes bdubs etho has never done anything good for you he's taking advantage of you he's always taken advantage of you. and in listing the ways etho is Evil and Bad he has to kinda confront facts about himself that make him want to walk into the ocean. bdubs still isn't taking him totally seriously but HOW DARE he insult etho so he starts doing his whole fake-rage thing and scott is like well he-- well-- nevermind. and storms off like an angry toddler.
then bdubs decides fuck it there's something deeply wrong with this kid so he's like hey. hey etho scott says you're BAD. and ethos like uhh okay. and bdubs is like you're a BAD MAN ethoslab you have done BAD THINGS i need to DUEL YOU AT DAWN. and ethos like uhhh okay 😥 and scott has to referee their "duel" which is just like. them hitting eachother with wooden swords but they both have to spamclick cus. mindcrack nostalgia or whatever. and at the end bdubs is like okay i fought him scott are you happy i beat him up for his crimes. and scott's like okay awesome can you kill me now it's episode 4 but ican't take this anymore
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dmwrites · 1 year
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“Pearllllll, I’m bored.”
Gem all but draped herself over a nearby chair in Pearl’s living room, dislodging Olive the cat as she did so.
Pearl looked up at her from her notebook. “So I see. Tragic.” She looked back down at the pahe in front of her, underlined something.
“Pearrrrllll! I’m so bored!”
“You could go play a few rounds of decked out.” Pearl suggested, flipping a page.
“I already used all my shards for the week. And two of yours.” Gem complained, face-down in the seat, legs flailing out over the arm of the chair.
“You what?” Pearl looked up at her friend again, eyes wide.
“Nothing!” Gem coughed. “I just wanna annoy someone, cause some havoc.”
“Well you’re already succeeding at that.” Pearl muttered, putting her notebook to the side and looking at the mess of limbs that was Gem.
“Ugh. Impulse isn’t even around for me to bother, he’s too busy ‘hunting ghosts’ with Skizz and Scar and Grian. Why didn’t they invite me? I wish I could, like, haunt them or something. Possess one of their bodies and scare them.”
“Possession is easy.” Pearl said offhandedly.
“What?”
“What?”
“Pearlescentmoon! Do you know how to possess people?” Gem gasped, scrambling to a normal sitting position.
“Maybe…” Pearl giggled. “Who do you wanna possess?”
“Oh my god, Scar would be so funny to possess!” Gem said.
“I think we could manage that…” Pearl grinned, holding up a vial with a few bits of dark brown hair inside.
“How did you- actually, I don’t wanna know, I don’t want to have to go to court as a witness one day.” Gem said. “So, okay, how do we do this, then?”
Pearl pulled out a small, stained book from her bookshelf. “Leave it to me. Come back tonight.”
——
Gem and Pearl were sitting on Pearl’s floor in the dark, surrounded by candles. Gem was spooked already.
Pearl checked the time. “Alright, they should be there by now. You ready, Gem?”
“You still haven’t told me what we’re gonna do to put me inside of Scar.” Gem said.
“Simple. Drink this.” Pearl held out a bottle with a dull-looking potion sloshing around inside.
“What is this?” Gem took it and swirled it, frowning.
“Well, if you asked Scar when he downed the bottle I gave him earlier, it’s an energy drink. But it’s actually an awkward potion with a lock of your hair in it.”
“What? Ew!” Gem exclaimed.
“And you have the other, the one with Scar’s hair in it. If you want to possess Scar, that’s how you do it.” Pearl pointed at the bottle. “I’ll guard your body, as I’m sure Scar will be quite frightened to be so short.”
“Wait, he’s taking over my body? I don’t want him in me!”
Pearl snorted. “Ignoring that, what do you think happens to the other soul? It just hangs out? No, silly, it’s got to have a place to go. Scar’ll be fine, trust me. So, are we doing this or not?”
Gem took a deep breath. “This is insane. I should have just gone and killed Etho again. Whatever. Cheers, you weirdo.” She raised the bottle towards Pearl, and drank the entire potion down. For a moment, she and Pearl stared at each other. Then, darkness.
——
“Scar? You okay buddy?” Gem felt a cool hand on her face, gently slapping her awake.
Gem opened her eyes to find a dark haired man standing entirely too close to her face. His own face split into a grin.
“Scar’s alive, guys!”
“I knew he’d faint out of fear.” Grian’s voice came from a corner, not entirely hiding mild distain.
“Come on, man, let’s get you up.” Another voice, Impulse’s voice, came warmly from her other side, and Gem felt herself being picked up. She was set into a chair, and looked up at Impulse, Grian, and Skizzleman.
“Hi guys!” Gem said in her cheeriest voice.
Skizz screamed. Grian screamed louder and higher, clutching to Impulse’s arm. Impulse jumped backwards, falling on Grian, and they both hit the floor. Gem found the wheels of her chair and began moving around.
“Gem?” Impulse finally managed to stutter out, with Skizz and Grian hiding behind him. “Where’s Scar? And how are you… him?”
“Scar’s safe, don’t worry. Let’s go hunt some ghosts, boys!” Gem chirped, leading the way into the haunted house.
——
“Wha- Grian? Impulse? Rizzleman? Did I die? Hello?” Scar sat up, looking around the candle-strewn room in confusion. There was a movement in front of him, and a shadowy figure moved into the candlelight.
“Hello Scar. This is your own personal hell, where you have to pay for the sins of your shulker monsters.” Pearl said in a creepy voice.
“Nooooo!” Scar screamed. “I always knew it would end like this!”
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