#but he's so Shaped

[shroombies]

au where chat picked "live" and Squiggles got a funky new assistant

[gorjee-art]

a raven father (i call him "pants") I've been feeding sometimes likes to sit outside my window and either wait for more food or just listen to the stuff I'm watching while I draw. Today's a colder day so he likes to fluff up a bit, and I kid you not :

this is an accurate representation of my view

[gaybichon]

[thestuffedalligator]

So usually when an imaginary friend is a real thing in a story, it’s either a demon or a ghost or some supernatural boogeyman that probably wants to eat the kid they’ve befriended (Mama, a couple of the Paranormal Activity movies), or “imaginary friends” are just treated as a real thing in the setting, and if a child just thinks hard enough they can manifest a friend into existence (Foster’s Home for Imaginary Friends, Happy).

And somewhere in the middle is an area where the imaginary friend in question is real and they are supernatural, but they aren’t malevolent, and they aren’t entirely honest about what they are. Like maybe they’re a fairy or a god or some kind of boggle from mythology, but they just got caught by a six year old and they don’t have time to get into it, so they just go “…Yes. I’m your imaginary friend. We haven’t met. How do you do.” And then they stick around because they do love this kid, and if you’re a boggle from mythology in the modern day good food is really hard to come by.

And at some level. That’s what I think Hobbes is.

[ruushes]

sleeping arrangements (not sure tara would ever actually deign to sleep in the same 20ft radius as shovel but who can resist those big shiny insectoid black eyes 🥺)

plus:

[martritzvonmercie]

sometimes you will spend 30 minutes thinking about a character and you will expect to have something coherent to say by the end of that time but the best you can come up with is "they are sooooooo shaped they are so silly i love my blorbo"

[platoapproved]

armand + identity

[poorly-drawn-mdzs]

Soup solves everything.

[palarien]

the courtroom know-it-all...

[eggsandramem]

'amoeba' etho...... * ᵃᵏᵃ ᵐʸ ᶠʳᶦᵉⁿᵈ ˢᵃᶦᵈ ᵗʰᵉ ᵇᵘᶦˡᵈ ˡᵒᵒᵏᵉᵈ ˡᶦᵏᵉ ᵃⁿ ᵃᵐᵒᵉᵇᵃ ᶦᵐ ˡᵒᵒˢᶦⁿᵍ ᵐʸ ᵐᶦⁿᵈ

[queerdraws]

it's zoro's birthday!! happy birthday big guy, may you say many more insane things to your enemies in the coming years

[hinamie]

some quick jjk eye paintings

[dinoserious]

full moon dogey

[zosanbrainrot]

part 05!!

01 02 03 04 05 06

It's been a while since I last worked on this comic, I've been busy

☘️🦋☀️ experiencing summer ☀️🦋☘️

which was and still is a lot of fun!

ANYHOW, I feel like when I stop drawing for a while it usually does me good, like, I'm very happy with my art quality in these panels and I didn't change much since the first draft (I still overthink some of the decisions but not as much as with the last part lmao).

It's like when in games you have a separate bar for running/stamina and it can only fill back up fully once you go slow and just walk for a while, but if you insist on running all the time it's never really at full capacity. Can't think of a better analogy, but lmk if you feel the same!

One of the things I maybe would have done differently is to have Yonji take the spear out of Zoro's shoulder, maybe?? It was so good when I first saw people draw a parallel between Zoro and Yonji because of their hair color and that maybe Sanji subconsciously has thought about this too ever since he and Zoro met. Not a meaningful thing for their relationship but more of an offhand thought that would surface from time to time. Him carrying the memories of his childhood all the time with him.

But! The upside of me not picking Yonji is that both Ichiji and Niji have the goggles so without their eyes visible they feel kinda distant emotionally and that works both bcs of who they are and also bcs the comic is not about them, in that panel where Niji has Sanji in a headlock the emotional focus is solely on Sanji.

And also Yonji just turned out so good there that I didn't wanna go back and change him lmao

I admit, when I was coming up with the plot of this comic in a frenzy right after watching these eps I kinda forgot about Nami slapping Sanji lmao I only recently remembered :' ) Don't wanna dwell on it too much though.

This part feels maybe more distant overall - I don't have any closeup shots (except the spear!) and the last moment you see Sanji's face fully is when he looks at Zoro. Zoro who got hurt. Again. Because of him.

I can't remember what I'd been thinking while boarding these, it'd been mostly vibes based, but I think the function of this part ended up being about showing a sequence of events rather than focusing on the emotions. It's pushing the plot forward and I think if I added closeups to the Vinsmokes then it'd be derailing a bit, again, it's not about them.

On the other hand it also works for Sanji shutting his emotions off, once his brothers and Judge enter the scene he has no leeway, he can't let his true feelings show. He's already shown too much. And what did it lead to? Everyone getting even more hurt. He let himself slip up during his fight with Zoro and Judge quickly put him back in his place. As long as the Strawhats were on the island they weren't truly safe. So he turns on his heel and walks back to the carriage, not looking back, he can only hope that Zoro's gonna pull through. He always does, he's been through worse, right? Right? They've never fought like this before though... The burn marks will take long to heal... And Luffy, has he woken up yet? No, no, no, he can't look back. And Nami...

So that's that! I got part 06 half finished already, so that should be out soon <333

as a bonus thing - some of the refs I've used for this part

3D models posed in Magicposer!

[earl-of-221b]

I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?

On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.

I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.

And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.

And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.

So she can get revenge on her father, for revenge on herself.

[void-dude]

Did Tad suffer any violence from Bill after their dimension was destroyed? Especially when Strange came to our dimension

That’s funny because I actually got that written down and you made me draw all of this in one sitting (I will explode now)

And thus, I’ve given you all the setup for the comic I’m working on. It ties directly to this. This is where the Shapes and Pines AU really starts! This was fun! I’m tired! Hahaaaaa I really like Tad

FYI: Tad was Bills babysitter for years, he saw him like a little cousin or bother. They are not related by blood but they shared a family like bond.

Edit: He's free!