#but i just also like making suffer

[emerxshiu]

tw: slight body horror, not much but it still is kinda there (also forgotten land spoilers)

Gemini Reunion

rlly long ramble next cuz i love talking why i did this and that and every detail unfortunately---

WAAAAAAAAHH this is definitly going into my top 3 favourite drawings i made, i didnt think it would end up like this!

i originally had a very simple idea, and well, i can never help myself with overdoing it can i? bad thing is i finished it around 5 am aka i barely slept, but i dont mind it at all, i just have been stupidly motivated to draw like i cant just put my tablet or pencil down for too long. fun fact: this was inspired by a fanart for something unrelated, but it reminded me of fecto and elfilin, and it ended up looking nothing like the inspiration lol

also if you've seen my other posts, yeah, that orb up there is indeed reused from another of my drawings, albeit edited to fit more here, the wings were just sketched as a silly thing, i wasnt planning to keep em but i really liked them. and those dots and lines at the very bottom are morse code indeed.

the two like, things that are between orb and fecto forgo are inspired by the weird like tentacles it uses to absorb the beastpack and elfilin, and also from antares, elfili's spear/cadaceus.

i really need to learn how to actually draw feet, ok i know that the only there is elfilin's with the sock but i actually drew the other one before i decided to make it melt into forgo, talking about melting, i only was going to do around the face, more specifically that chunk you see between its right arm and elfilin's hair was the only one i was really going to have, but then, i made it so the other side of forgo's face is also merging a bit with the hair, and then have one of the fingers of the other hand melt into the neck, and then the end of the tail and then parts of elfilin's legs.

elfilin is doing sign lenguage, it means help, poor guy.

also i really like changing elfilin's hair a bit to show how he feels, like, for example, i sketched him full so the little ahoge he has was also there, but like more stiff to show his fear, but had to erase it due to forgo, i also like doing this with the braid he has, if its like how i tend to draw it, then he a-ok! but here its very much almost undone to show his discomfort, and if its literally not even resembling a braid anymore, just like fully loose, either he was sleeping and the braid was anoying (i cant undestand people who sleep with their hair tied up, its way too uncomfortable), or he's like, really really like not there, like, um bad. i also made his tail a bit sharper and messy than usual.

that light orang-y thing sprouting from elfilin's forehead is based on the horns that fecto elfilis has, fecto forgo also has one here on the opposite side, but that one is more inpired from the horn coming out of leongar's head in the fecto forgo bossfight (yknow the chimera with like amalgamation and stuff)

also, forgo's tail is usually like, folded just like game but sometimes i like to like, extend it? (dunno how to explain) to have more expression and also for it to take more space cuz if its was like normal, it would only really have the upper part and a bit more visible since most of it is behind elfilin. also its not very visible but elfilin has the veins forgo has two in his chipped ear.

i was also going to use the blue eye scheme from when it fist opens its eyes for forgo but decided to go with the ones it has in isolated isles when morpho appears, mostly because they resemble the eyes of the beast pack when it absorbs them, and this drawing is very much inspired by those two cutscenes (Sudden metamorphosis and Gemini reunion ^▾^) i honestly dont know wich one to use for all forgo drawings ill make next, since in that cutscene it looks blue, but its body also looks blue, but its actually pink as indicated by the figurine and cutscenes in isolated isles and the chimera form, and also if you go out of bounds, lab discovera just has an effect that makes it all more blueish, so i dont know if the yes were actually like that or just the effect. i might alternate between them since i still like the blue option, it matches with elfilin.

also talking about forgo, i think it came out particularly very cute here, wich might add to the somethings off feeling, i mean it depends on who you ask.

the part at the bottom with like green and blue is based on the eternal capsule, it doesnt have bubbles in game, but it was to make it more obvious, and also because it looked nice to me.

you can probably decipher what it says at the sides without having to say it, i think its very much engraved into every kirby fan at this point, or at least, fecto elfilis/forgo/elfilin fans

i also made a version with the text in red cuz i couldnt decide, but now i like more the whiter version

i even made a version in yellow, but i stopped liking that one before i even saved it.

also elfilin still has the id-f87 in his neck, its just hard to see, forgo too has the 86 but you cant really see its neck, because i didnt draw it lol

fun fact 2:

i saved it up to 7 times in different files cuz i DID NOT WANT MY PC TO GO KABOOM. im still a bit scared to have lots of layers in a big canvas since the anniversary drawing for forgotten land, it did not explode but it went extremely slow, here at least the canvas was much much smaller, and the reason was mostly in case i need to delete something to not have as many layers or in case i wanna go back, i like to have backups of my drawings, aka a version with all layers that i can edit (.mdp, the file for firealpaca, for example for sai 2 it was .sai2, ah im remembering my sai days now) and a png file to post and also if i wanna look at my drawings.

if you are wondering why its called devilstrain [number] its because i was listening to that song while drawing and didnt know what to name it, in fact im actually listening to it rn as i write this, i really like it

i have some drawings started, mostly a chaos elfilis one, i think i already mentioned in a past post, i think im gonna stop that list i mentioned too since im feeling really motivated, maybe next time i feel bad about my drawings i can continue it, ah my eyes are hurting since yesterday wah

thank you if you decided to read my very unnecessary and annoying long ramblings, and also thanks if you didnt and just looked at the drawings, its undertandable (mucho texto i know)

Jambuhbye!

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[ruporas]

need to exist in your warmth (id in alt)

[aesthetic-uni]

Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT

[wispurring-moss]

no thoughts just These TwoTM touch-starved losers gradually evolving into the epitome of casual touching/cuddling for absolutely no reason and they probably don't even realize they're doing it lol <'3

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[vaguely-concerned]

the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)

[viperra1]

tw: blood, suicidal ideation (? probably ? it's Boone we're talking about so. yeah)

so make it one for my baby and one more for the road.

[curapicas]

This is dungeon meshi. "I don't want the meal you're offering" might be the cruelest thing a character gets to hear.

Well. Maybe second most cruel...

"I won't offer you food again" might be worse

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[podcast-hemocytoblast]

It would’ve been really awkward if Jon had just kept running into former Statement givers in public. Like, imagine you’ve spent months dealing with some fucked up eye creature haunting your nightmares to feast upon your fear, but then you spot him at Tesco as he’s pulling out a calculator to figure out which loaf of bread (on sale!) offers the most bread per pound (🍞/£). How would you cope with that?

[andy-clutterbuck]

requested by Anonymous

[katabay]

my knight-monk agenda strikes again, but this was less of a 'I read something that made me experience several emotions and a strike of inspiration at once,' and more of a 'wouldn't it be fucked up if the bejeweled skeleton saints came to life and and started. eating people. or something. in revenge. medieval catholic horror, or an older horror of not being buried right. zombies, even. a complete bastardization of holy visuals. zombies.'

it's a far away idea, but I still wanted to play around with font layouts. like, if I DID make it into a full comic: these would be visual vibes, perhaps.

it's also a little bit about the kind of intimacy that these kinds of spaces provide, or in the case of this monk: the heavy trauma of war and the death of your brother, the escape to a secluded monastery, spiritual brotherhood to make up for your dead brother, but your role as a physician keeps pulling you back to this violence you want to escape. physician, heal thyself, only you have a holy calling to serve those in need, so instead: physician, open up your wounds again. saint jude, patron saint of lost causes, give us a fucking hand here, man. amen.

Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow

and this one is about earlier history than the medieval period that this comic is set in, but the monk character is sort of an exploration of earlier themes. a little bit. I like overlapping eras with each other, I've done it before and I'll do it again. this character is an exploration of some other stuff too, but mostly this book was interesting to read

From Monastery to Hospital: Christian Monasticism and the Transformation of Health Care in Late Antiquity, Andrew T Crislip

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[iknowicanbutwhy]

"You could recite their lines perfectly for them" yeah? Well they can, too

Continuation of this.

[sunlit-mess]

noticing in your vents—

is your sister okay too?

We laugh, sure, but we both know we're not ok.

[strummerjoe]

Is it just me, or is the writing of the new Percy Jackson show kind of brilliant? Especially when you compare it to the original books.

Don't get me wrong, I enjoyed the books a lot, and I'm not trying to tear them down. But the actual structure of the books involves a lot of the kids just sort of bumbling from one greek myth to another.

As you get Percy's POV a lot of the fun of those scenes is figuring out which greek myth is playing out - but in the show they recognise this right off the bat, which allows them to dive a little deeper.

So instead of spending time figuring out that Aunty Em is Medusa, they immediately make the connection and instead the story focuses on whether or not Medusa is actually a villain.

And the amount of characterization they've built into each monster encounter is *chefs kiss* they've made them all so personal to our trio of heroes.

I've rarely seen a book-to-screen adaption that succeeded in adding to the depth of the original story like this and I'm so here for it!