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abyislan08 · 2 years

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Traversing Teyvat

Chapter 1: Ad Astra Abyssosque

Synopsis: you continue your journey towards the city of freedom, adjusting to the new mechanics which you discover painstakingly.

Authors note: Hello! Since the prologue received a decent amount of response, I’ve decided to upload the first chapter. hope you enjoy it! Suggestions are welcome.

Masterlist

Optimism is a lie. That’s the cheapest trick in the book, and it doesn’t help. Trudging half an hour on the banks of the Dandelion sea didn’t get you to Mond and only led you to Starfell lake. The game might show the map to be tiny, and walking 200 metres in the map may take less than a minute. This is not the same when the game turned into reality.

The scorching sun was killing you and your stomach growled. How long was it since you had anything in your stomach? Twelve hours? Now that it was turning noon in the game, maybe over a day? Well, you skipped bloody dinner to just do Katheryne’s damned commissions.

After a miserable forty minutes of dragging your feet and climbing a slope, you reached the viewpoint.

Your breath hitched, Your eyes started watering, brain spinning as a flood of emotions came crashing in, and you could feel your muscles relax. Mondstadt never fails to impress you and the view reminded you how much you loved this place when the cutscene came rolling in introducing you to the city of freedom. The traveller’s expression mimicked yours, and Paimon floated by his side.

Where was the Traveller now? You wondered. Would he recognize you? Well as the person who makes the worst decisions and kills the character in every boss battle, he should recognize you.

Chuckling and with renewed vigour, you sprinted down to the statue of the seven, knowing what would happen next. You will get the power of Anemo. You knew you will. That’s how the game proceeds, right?

Soaking from head to do from trying to wade through the water, you climb up to the statue of the seven. No problem, you would dry your clothes with Anemo. Easy. You stood in front of the Statue of the seven. Its grandeur left you speechless. Taking a deep breath, you raised your hand to touch it.

What if it goes wrong? Would something even go wrong? This is a game, for god’s sake. Shaking your thoughts aside like an etch a sketch, you touched the statue.

Huh.

Nothing.

This was like a kick to the gut. You didn’t get why you couldn’t access the power of Anemo. You hopped from leg to leg. This wasn’t going well. You took a step back and observed the Statue. Wait a minute. The statue wasn’t broken as it appears to be in the beginning of the game. Instead, it was levelled up. Gold decked and shiny and new. That means that the traveller had already arrived Mondstadt and you weren’t the traveller.

“So no need to find for a random lost sibling, thank archons. Archons? When did I start saying archons.” This caught you off guard, guess you will have to adapt with the changes you might go through in the game before going back home.

That’s right home. How would you go home? Will you be able to leave this place? Your work… It was supposed to be a five-minute nap, and now how long has it been, a Day and a half or something?

“No nonononononono.. This cant be happening!!” you grunted as you pulled your hair. You became so invested in the game now that you are in the game, the thought of you escaping reality where you were supposed to be doesn’t sound too exciting. All that daydreaming and now that the dream has become reality, it's turning into a nightmare.

You swung your leg as hard as you could and hit the Statue, only to meet solid pain and a chance of a broken toe. Screaming and jumping holding your feet, you fell into the lake. Dripping once again.

SHWOOP.DING DING DING. Sounds similar to the map and inventory options started ringing in your ears. A floating screen. White and strikingly similar to the one in game popped up. You wiped your face with your palm, thinking it was the water that was messing with your sight. It was the inventory. And of course the message in the oh-so-dreaded-font said ‘there is nothing in the inventory’.

Well, obviously. You thought of artifacts, but seems that artifacts options doesn’t exist. Not for you, at least. You might have to verify with other vision bearers. Making a mental note, you expanded the screen to the size of a Gaming PC and explored the options available to you. You had food, quest items, clothing (to your surprise) and another option that you had never seen before, ‘Relics’.

Shrugging and shoving the inventory aside, you dragged open the map. It was more realistic. Like the fan art map which circulated the fandom at the beginning of the game. It did in fact show teleport waypoints. And the teleport waypoint were lit up. Crying a sigh of relief, you got up from the muddy pool of water in which you were shamelessly sitting the whole while, ogling the screen which may not be visible to anyone, like the complete fool of a person you are.

Squeezing and drying your clothes, you tapped on the teleport waypoint only to hear an unpleasant sound of error. TELEPORT WAYPOINT INACCESSIBLE. That’s all it said. Of course, you would have checked the Wi-Fi if you were at home but this is a damned reality, and you were starving and tired and all you wanted to do was eat something and get some rest. COME ON!! Guess you have to walk to Mondstadt. The very thought killed you inside. How do the locals do this?

“ Master Diluc, How the hell do you walk to the winery?, seriously, can't the inventory not have even a wind glider?” whining and groaning you stagger towards the tiny view of the gates of Mondstadt in the distance.

2 Hours later.

{MONDSTADT}

You passed out twice and had to wake up due to the grumbling in your stomach. Sunsettias decked the trees you passed but unlike a normal person, who would eat them to quench their thirst and fill their stomachs, you decided to head straight to Sara for sweet madames. How delightful.

“ Sweet Madame’s ….. Please Archons.. Sweet Madame’s” chanting under your breath, you walked on the bridge, chasing Timmie’s pigeons of course. “Hey, Odd Grown-up! You are scaring my pigeon. I AM GONNA TE…” “SHUT UP TIMMY” of course you didn’t mean to come off as rude, but the situation made you mad.

The Gates of Mondstadt were huge. You never remembered them being huge. Keeping a car as a scale, you could say that it was at-least 10 cars high, toss a John Cena on the car, and it might be perfect. Your neck started stiffening from the five minutes of ridiculous staring at the gates for an even more ridiculous assumption of scaling. The guards weren’t present at the gate. Of course, it's noon. They might have gone for a quick break or two.

As soon as you stepped in, the theme song of the city of freedom started playing. The mellow tunes drifted, and the noon crowd added to the environment, and you could feel your spine straighten as goose bumps shot up your arms.

With yet again another burst of renewed vigour, you skipped steps to meet the most adorable yet annoying character of all time. Your best friend and your worst enemy. The most-probably-a-robot Katheryne.

Her hair framed her face perfectly and her skin was abnormally pale. Her eyes were so pretty you wondered why she was an NPC. A pleasant smile plastered on her face, she turned to look at your …sloppy movements.

You fixed your hair and clothes, making yourself presentable. Of course, you had to look good in the game. I mean, have you looked at the characters. You probably looked like shit in front of them, and that was a fact.

“Hello! I presume you are Katheryne?” You had to act as though you were a traveller who knew nothing because it might be suspicious if you knew everything about everyone even before you were entering the city gates.

“Yes. Indeed, How may I help you?” She replied with the most customer-servicey voice anyone could muster. She is a robot, you could feel it in your gut.

“Um…as you can see.. I am kinda new here and actually have no Mora on hand and might need a place to stay…so can you help me out” you replied shyly. What were you doing? Portraying your self as homeless. Why? It helped Mona, it might help you.

Taken aback with an unexpected response, Katheryne eyes you with a professional look and without faltering responds, “Oh! Welcome to Mondstadt Outlander!, I do know a place to stay but since you have no Mora on hand now and since you are an outsider, credit may not be used” Wait. Did she say Outlander?. After a brief moment of silence, she added, “You could join the adventurers' guild, that can provide you with lodging. Though there is some paperwork, I will hold it off for a day or two, this is the city of freedom after all.”

She ducked and took out a package from under the desk. “ This is a starter package for beginners in the adventurers' guild, I slipped in a coupon for a meal in Good hunter, and after you are done with it, you may approach me. I will arrange for your stay in the guild quarters. How does it sound?” She said with a smile that made her human for once.

You nodded with tears in your eyes, “Sounds perfect, thank you!”.

“Well then, all you need to do is sign your name in this document, and you are good to go!” saying with professional grace, she slid a document. It was gibberish. Out of instinct, you tapped it twice and all the letters turned into English. Convenient. Signing without hesitation, you slid back the document and the quill back to Katheryne. Out of gratitude, you shook her hand.

The world around you froze. Katheryne started to pixelate, your ears started to buzz, and the background noises turned into static noises. You jumped, dropping her hand and the world returned to normal. The evening theme started to play and people started to chatter again.

Sliding the care package towards you, Katheryne grinned with a warm smile.

“ Ad Astra Abyssosque. Welcome to the Adventurer’s Guild.”

#genshin impact #genshin fanfic #SAGAU #genshin sagau #genshin x reader #x reader #isekai genshin #writers of tumblr #genshin writer #genshin fanfiction #mondstadt #adventurers guild #traversing teyvat

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jellybellyblimp · 2 years

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I want to offer my lukewarm defense of aging up Claudia before Sunday. I say lukewarm because I don’t know wether I will end up liking the change, but I can see why it was done.

I’ve seen some speculation that this was so the show could go uhhhh… raunchier? with her relationship to Louis. Personally, I disagree that this was the intention. I mean Louis has said himself he’s gay, so I could be totally wrong but I can see several far less gross reasons why this was done.

1. Claudia’s story has already been told. I think this show is trying very hard to tell a new story within a familiar framework. And they are executing on that wonderfully. They aren’t trying to create a faithful adaptation of the book bc that already exists. Instead they are telling the story of a Queer Black Man in the early 20th century, the story of an interracial gothic queer romance, the story of a black teenage girl in mid 20th century New Orleans. And I think that distinction is important. I don’t need Claudia’s story to be retold exactly the same when you can explore similar themes, but give us something new and nuanced.

2. Telling Claudia’s original story on screen is hard. I think the closest we’ll ever get is the movie, because their is no way an actual child actor can portray the maturity required for her. Nor would I really want to see them try bc let’s face it Louis and Claudia’s relationship gets questionable at some points.

3. Aging her up to 14, that the crux of puberty, opens so many new opportunities to explore. You still have that idea of an adult trapped in a child’s body, but now it’s those awkward middle school years. And honestly that sounds like real hell. She’s a young woman who will never get to actually be a woman. And importantly she is a young black woman. (Y’all thought Lestat was struggling to see Louis’ perspective as a black man, imagine trying to explain intersectionality to this bitch) She’s permanently trapped at the most awkward undervalued position she could be in. Too old to be a little girl, but too young to be a mother. And unfortunately society really only leaves one role for a woman to be then and that is sexual object. Doubly so, because racism. I’ll be genuinely surprised if that idea doesn’t pop up at least once.

4. This is a TV series. And confirmed for at least a second season. That she will feature heavily in. And if she pops up in flash backs (or as a spirit) in any seasons after that, looks kids age fast. It’s just not feasible to cast an actual child as Claudia long term.

So TLDR: I think this was largely a practical choice, so they decided if they have to change her story to work within the medium, might as well actually do something new with it.

#interview with the vampire #claudia de lioncourt #iwtv claudia #anne rice #vampire chronicles #iwtv

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applecherry108 · 2 months

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Hmmm…. Okay. One last post. My final verdict of Netflix atla is:

7/10, it’s not bad. It’s best viewed as supplementary to the original, not your first introduction to the series.

Did it make some questionable choices? Yes. Was it a one-to-one adaptation? Obviously not. But ffs, it’s not the end of the world. After going off the rails about Yue last night, I’m giving y’all a readmore this time bc I actually know it’ll be long.

I’m going to try to split this up into categories, so here we go.

The pros

Casting. Excellent casting. 10/10 no* notes. Everyone sounded the part, which, when adapting an iconic animated series imo, is the most important aspect. Think of the tmnt. Different cast each time, but the vibe of each turtle’s performance/voice remains consistent.

Costuming & set pieces. Again, fantastic visuals with just the right amount of realism.

Consolidation choices. I’ll say it. I thought they did an excellent job of condescending 20 22-minute episodes into 8 ~55-minute episodes. I thought centering so many different plots in Omashu was insanely clever and worked really well.

Azula. I liked the choice to have the audience meet Azula early. Letting us get a sneak peak into Ozai’s manipulation of her, as well as the overt reference to the Mother of Faces makes me think we might get Azula’s redemption shown on screen.

Children. Those Are Children. Those are children witnessing the horrors of war, which can be easily forgotten watching animated characters, but holy fuck those are CHILDREN.

Death. We’re straight up killing people on scream. Burning them alive even.

Iroh. I specifically want to shoutout Paul Sun-Hyung Lee. Mako made the role of Iroh legendary, a performance that’s difficult to follow and harder to capture correctly, but I think Lee absolutely crushed it. He wasn’t trying to perfectly imitate Mako, but that was the correct choice imo. He made it his own and successfully captured the essence of the character.

The mids/“that doesn’t make sense”

Bumi. Why’d they make him so cynical? Like, he was the opposite of how he should be. It’s not supposed to be up to Aang to teach Bumi that hopes still exists, it’s Bumi’s job to teach him that! Like that is the whole point of him being the one (1) person still alive that Aang knew.

Secret tunnel. An interesting enough solution to get Katara and Sokka to Aang, but at the same time…did that not move the tunnels into Omashu? Like it’s not a way in, it’s now a way into the heart of the dungeons? And sure, having it be a sibling bonding moment for Sokka and Katara was nice, but also…fuck you? The crystals ARE the answers. Iirc the badger moles didn’t sense emotions, they vibed to the music. I know I’m a kataang fan but even I cringed at the lights out kiss. But lights out should’ve still been the answer.

Did…did Aang never placate the forest spirit? Sure he planted the acorn but that didn’t like…do, the same thing this time. Speaking of spirits, they didn’t make Aang all that spiritual. He mentions having spiritual training with the monks plenty of times but he’s not actually like, attuned to them

Homeboy did not learn an OUNCE of water bending. Didn’t even try. I know he’s not on a time crunch (yet) but jfc practice with Katara at least??

Everything about Yue. I already went off on this, and it’s not really that bad, but it’s definitely mid. From her wonky wig, to her nonexistent ethereal moon eyes, to all the small changes that take the wind out of her tragedy—I’m a huge Yue fan. And while these changes are nicer for her, they’re a detriment to the overall narrative.

Wan Shi Tong. Having him just sorta…be there, and making it so only Aang can understand him is one hell of a choice, and does not fill me with faith that they’ll include the library in season 2, which is like…so pivotal on so many front, it’s truly the lynch pin of everything in book 2.

Ty Lee and Mai. They should not have been there. It’s one thing to show Azula getting manipulated by her dad, but legit why are the girlies here? Is it super funny to see these literal children and know they’re just a middle school mean girl clique? Absolutely. But the narrative purpose of Ty Lee and Mai is that they’re NOT there to support Azula.

The fucking… War tactics? Make no sense. You can’t “distract” from Omashu by laying siege to the North. These things are not connected or even associated. They are not allies. Forces were not diverted. Your logic isn’t logicing.

The cons (I’m super mad about)

None of the characters are angry enough. They nerfed Katara’s rage at being denied being taught by Paku. They striped Aang’s righteous spiritual fury (and placed it all on the ocean spirit? Hello??), and ohhh my godddd how did they take out most if not all of Zuko’s anger?? Where’s the brashness? The hotheadedness? The getting so worked up he stops thinking? He’s too fucking mellow. Did I enjoy him getting to be soft with Iroh? Yes. But god, at what cost? I know we as the fandom like to flanderize him as a soft autistic king, but that’s at least post book 3! Book 1 Zuko is a mess and a tragedy!

Speaking of Zuko, holy fuck they fucked up the Agni Kai so bad. I know I went off about this in a previous post but it bears so much repeating. He’s supposed to grovel for his father’s forgiveness, not be given and take the opportunity to fight back. So much of Iroh’s guilt is meant to come from not stepping in to stop his brother, not making a halfhearted attempt. OZAI IS NOT MEANT TO SHOW EVEN AN IOTA OF REMORSE. NEXT POINT—

OZAI. Let me just say, perfect casting. I love Daniel Dad Kim and I think he was the perfect choice, but it’s not his fault how Ozai was written/directed. WHY DOES HE LOOK REMORSEFUL SO MUCH? WHY DOES HE ACT LIKE HE GIVES A SHIT ABOUT ZUKO? WHY ON GODS GREEN EARTH DID THEY TRY TO HUMANIZE THE NARCISSISTIC MACHIAVELLIAN GOD COMPLEX VILLAIN! Part of what makes his downfall so perfect is that he’s shown mercy! That Aang DOESNT kill him! That he’s so thoroughly and remorselessly evil that literally everyone is saying “he needs to fucking die” and Aang spares him. He does not get to go out in a blaze of glory, he goes slowly, with a whimper! And all the poetic justice of that decision gets sucked out of you allow him even an INCH to show regret. A character willing to burn his son’s face off for being disrespectful is not a character that would regret that decision.

The gaang are barely coworkers. The heart of this show is the bonds between the core cast, and I never once felt like Aang and Katara/Sokka truly meant the world to each other. They say it. A lot of but they don’t show it. That chemistry is not there. It’s like watching goddamn Voltron and getting to the final season and thinking “this found family doesn’t even like each other.” The show spends so much time reinforcing the peripheral bonds of Aang and Zuko, and Katara and Sokka, that it drops the entire ball of Aang/Sokka/Katara.

*gestures vaguely to making everything about the moon spirit so fucking convoluted*It didn’t have to be a series of conveniences. You’re allowed to just fire punch a fish to death.

That’s all I can think of for now. I know there’s some HUGE cons but the worst of them are spread out. This is by far not the worst adaptation Netflix has ever put out. It’s certainly not OPLA (*chef’s kiss*), but it’s not Death Note either. It’s fine, really. It’s a pretty good watch. I do hope they finish out the series so we can finally, FINALLY have a live action Toph, but also because I’m so curious how the changes will compound. How differently these choice will go, and what new plots we could get from that. I could even see how we could get to fucking zukka from here, and while I absolutely do not think they’ll do that, it’s a fascinating possibility that’d be totally plausible from where we are. I want them to divert even further if they continue. I want this version to justify its existence in some significant way, even if it’s just “actually let’s redeem Azula during the conflict.”

But not Ozai. Fuck that. If they redeem Ozai, we riot.

#and now I get to go watch the og series again #apple talks #Apple reacts to Netflix atla

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titaniasthings · 1 year

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Rick Riordian has honestly surprised me over the past couple of years … however that won’t stop me from tearing him up.

Over my many rereads of the riordianverse, i’ve come to a conclusion on how the books are so well received.

1. Rick is really good at stringing together themes and narratives. The way he’s able to convey larger issues in his writing is very special and a reason why these books are long-lasting. There’s always something to think about. The way he portrays the oppression of children in these mythical settings that mirror our own allows for children and adults of may read the books to digest the ideas in a non-confrontational way. He also deals with topics like child abuse, war, and neglect really well. The special emphasis that rick puts on children in his stories and how adults fail them makes pjo one of a kind in my opinion.

2. Rick got really good at writing certain characters. Percy Jackson is probably the most widely beloved character to exist. I’ve never met a person who’s read pjo and not absolutely fallen in love with Percy. That is all due to Rick great writing of Percy. He’s lovable, dynamic, flawed, and so damn precious. Along with Sally (World’s Best Mother) Jackson, Nico (Everyone’s Favorite Emo) di angelo, and even Luke (the devilishly handsome and traumatized) castellan, rick’s ability to write these interesting and complex characters that near everyone can relate to. Hell! Annabeth who is arguably the most discoursed about character in the fandom is indisputably top ten girls in children’s media.

Now all of this is great and reasons why you and I love the Riordianverse but that shouldn’t stop us from recognizing where rick falls short and how the screen adaptations and be fixed.

1. I am not the first to say how bad rick’s world building is. It was barely good enough for 8yo me. It’s almost embarrassing how much rick has either forgotten or changed. Even more embarrassing how much of it is incredibly problematic. Like integrating the myths with history. Making Camp Jupiter Confederates, making H*tler a demigod, and ignoring the real life consequences that stem from these conflicts and making it seems like it’s just gods being silly at best horribly offensive. Im just gonna list the way ricks world building is 💩

Trying to make annabeth face misogyny due to her hair color while having a whole cabin of people who look just like her while also being the smartest.

Then making all children of Aphrodite seem dumb because they’re good looking

god’s don’t have DNA yet somehow all share physical traits with their children.

giving almost every kid of the seven powers even though earlier there was a whole camp of kids who didn’t have them

Camp Jupiter and New Rome as a whole

Time as a whole

The hunters are not just a place you put possible lesbians, rick

omg how the hell does the mist work

and so much more

It’s so frustrating cuz obviously rick wants to be flexible with his characters stories but like some structure would be great dude. It almost just takes away from characterization sometimes ( i could get into plot armored Percy but thats for another post(Justice for Jason and Hazel)). In conclusion, the show needs someone to definitively write down some rules and don’t break them!

#percy jackson #pjo fandom #pjo series #hoo #heroes of olympus #annabeth chase #riordianverse #rick riordan #world building #percy jackon and the olympians #childrens books

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allthefilmsiveseenforfree · 3 years

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Dear Evan Hansen

You may have seen some ~online discourse~ about the film Dear Evan Hansen, an adaptation of the 2016 Broadway musical, and you might have wondered what all the hubbub is about. I mean, it’s a feel good story about a senior in high school, Evan Hansen (Ben Platt), who has some pretty severe anxiety and depression. While trying to fulfill an assignment from his therapist to write a letter to himself, his letter gets picked up by another student, Connor (Colton Ryan) - and later that day, Connor kills himself. Connor’s grieving parents and sister Zoe (Amy Adams, Danny Pino, and Kaitlyn Dever) are desperate to learn more from the boy they think was Connor’s best friend - after all, Connor’s suicide note was a letter addressed to “Dear Evan Hansen.” And, as you can imagine, Evan tells them about the unfortunate mistake and sits with them in their grief as they struggle to pick up the pieces of their lives.

Just kidding! He lies to them, repeatedly, elaborately, expansively for months, constructing an entire false friendship with Connor that never happened, and ingratiating himself into the wealthy nuclear family he never had, in large part because he wants to get into Zoe’s pants! THIS IS THE PROTAGONIST OF THE STORY. Oh, and it’s a musical so there is a lot of singing and crying and singing WHILE crying and sometimes crying and not singing at all. But the #inspiration, you guys.

Things I liked:

Pretty much everything but the story and Ben Platt’s performance. The supporting cast is stacked, and all of them do a great job at elevating material scraped directly out of a diaper worn by someone who just chewed their way through a copy of the DSM-5.

A couple of the songs are damn catchy - “Waving Through a Window” and “You Will Be Found” are standouts for a reason - and here’s the thing, Platt sings them well. But as you’ll discover, there’s a lot more to a movie musical than just singing your part.

Stephen Chbosky, the man behind every deep thought I and a lot of people in my generation had in 2006 after he wrote The Perks of Being a Wallflower, is a pretty good director. I particularly enjoyed the fanvid-type cuts in “Waving Through a Window” in conjunction with the lyrics, and his use of interstitial shots to flashbacks (and sometimes flashforwards!) is a neat little bit of shorthand that I thought was used sparingly enough to be effective.

Amy Fucking Adams. She’s holding on so hard, so desperately to the idea of who her son could have been, rather than the reality of who he was, and she is full of such deep pain that is masked by an almost endless supply of patience with Evan and relentless positivity. All this made me want was Enchanted 2 even worse than I already did.

Super into everything Zoe wears - the costuming department did a great job, and now all I want to do is live in mom jeans and baggy sweaters.

Did I Cry? I teared up a couple of times because I’m not a completely heartless bastard and when Amy Adams offered Evan Connor’s college money, my heart broke for the lie Evan had thrust upon her, and Julianne Moore’s song got me good, because she’s just a single mom to Evan who is doing her goddamn best.

Things I hated more than the time I dropped a frozen gallon container of fruit cocktail on my pinkie toe in my parents’ garage and it turned black and I thought it was gonna fall off:

Ben Platt is 28 years old. He originated the role of Evan Hansen on Broadway, so in many respects it makes sense that he plays the role in the movie, except for the one kinda sorta important thing where he looks like a wizened old crone standing amongst a sea of children doing his best twitching, cringing Hunchback of Notre Dame impression. If you want someone to convincingly play 20 years their junior, hire Paul Rudd. Otherwise, please don’t ask me to believe that this supposed 18-year-old has crow’s feet.

And that twitching nervous energy is a huge part of the black hole at the center of this film - he’s playing to the cheap seats and walking through the halls of his high school like a wet chihuahua. It’s an excruciating acting choice to watch - he doesn’t just have anxiety, he is on the verge of a nervous breakdown seemingly every second of every day. Like honestly, where is only-mentioned-never-seen Dr. Sherman, because this young man’s meds are NOT WORKING DR. SHERMAN.

There’s such a lack of self-awareness on behalf of the writing, directing, and performance by Platt. There’s one song, “Sincerely, Me,” that offers the only glimpse of commentary about what Evan is doing, by pointing out the malicious ridiculousness of him writing a series of fake emails as proof of his and Connor’s friendship.

Also what high schoolers email this much?? I know this was written in probably 2014 or so, but has a bitch never heard of a text? Even a DM? This whole plot is constructed around the premise that high schoolers are just constantly, constantly emailing each other.

Everything - and I mean EV-ER-Y-THING - about Evan’s relationship with Zoe is so creepy and disturbing that with a soundtrack change, this could easily be a horror movie. He attempts to get her to like him by describing to her all the things her brother noticed about her - oh wait, I’m sorry, all the things HE noticed about her while he was skulking in the shadows following her around for years, watching every move she made, and it ends with him singing repeatedly “I LOVE YOU” because following a girl around and never having a conversation with her or knowing her at all is love, right? This was clearly written by the same people who chose “Every Breath You Take” as their wedding song because Sting is hot and they never actually listened to the damn words.

And it gets about 10 billion times worse when Zoe goes to Evan’s house alone, takes him up to his room, and sings “I don’t need reasons to want you” and that was the moment I was that person I hate in a movie theater and I pulled out my phone to Google who wrote the music and lyrics to the musical (we were in the back row of the theater no one was behind me THIS WAS AN OUTRAGE EMERGENCY) and of motherfucking course it was written by Benj Pasek and Justin Paul, 2 men who heard about meeting an actual human woman from a friend one time but otherwise are unfamiliar with the concept.

Lastly, enormous serial killer vibes from Evan sending unlabeled flash drives anonymously through the mail with no note in an attempt to right his wrongs. That’s not catharsis, that’s how the next installment in the Saw franchise starts, with Evan in a Billy the clown doll mask showing up on the screen and asking if you want to play a fucking game.

Also, I know it’s not possible for the narrative to justify this in a way that could be satisfying based on Evan’s actions, but what is with this thing where single working-class mom Julianne Moore is turning down rich people’s money for Evan to go to college? Like, obviously we can’t have that happen in the movie but in real life, fuck your pride! Take those rich people’s money!

I also know how movies work but nothing annoys me more than a giant group of high schoolers all getting beeps and boops to indicate text notifications all at the same time because I don’t know a single person under the age of 55 who keeps their ringer on. That shit is on vibrate AT MOST, and I feel like that’s a millennial thing.

The emotional climax of the film is obviously Evan’s WAY TOO LATE confession, but the idea that it’s prompted by Connor’s family suddenly getting a lot of internet hate is, frankly, laughable. If Sandy Hook taught me one thing, it is that no tragedy is immune from trolls who live only to cause other people devastating emotional pain on the internet. That shit starts day 1. Apparently no one involved in this production has ever been on Twitter?

Also it feels like there should have been a dog somewhere in this movie and there was no dog, so points off for that too.

Perhaps Dear Evan Hansen isn’t nearly as deep as it aspires to be. Perhaps it’s a morality play, a simplistic message of “Don’t lie, kids, lying is bad!” Major studio movies wrap themselves up with a nice bow at the end so everyone can feel good about themselves and leave with a happy ending, but the moronic cruelty on display here makes that feat feel impossible. We’re left with Evan in an orchard, reading Connor’s favorite books and staring into the big blue sky with all the self-actualization he’s earned now as a lil treat. And if Evan Hansen looked like an actual 18-year-old, it would be a lot easier to extend more empathy to him and his not-fully-developed prefrontal cortex, but it’s a little harder with this fully-grown, weathered man who was old enough to remember seeing Liar Liar in theaters.

Dear Evan Hansen,

Get some actual help and a haircut and maybe you can grow up enough to have an actual healthy interaction with any other living person, ever.

Sincerely,

If you liked this review, please consider reblogging or subscribing to my Patreon! For as low as $1, you can access bonus content and movie reviews, or even request that I review any movie of your choice.

#121in2021 #dear evan hansen #dear evan hansen review #dear evan hansen 2021 #ben platt #amy adams #kaitlyn dever #julianne moore #colton ryan #danny pino #movie reviews #film reviews

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i-love-hobbies · 3 years

Text

Eda may have more trauma than what we've seen on screen - theory

Her seeing a lot of death I think is a fact.

She has been a criminal for three decades and she ate a dude while being so chill about it. For someone to be this chill they have to have seen a lot of death and recovered from it.

She is extremely reckless like on another level when she doesn't (or refuses to) recognize the danger. We've seen her permanent record. She also got caught by Warden Wrath. She almost had Amity stabbed with a lot of spikes. She fell for a scam (for thirty years she has been a scammer) for an elixir, cause of cards.

She got herself scammed kinda on purpose just so she can prove to be better than Lilith. She actually got caught by the fun police.

She fell for Luz's apple blood signs (how bad is that problem?). She punched a guard. She almost had Amity get blasted. She told King to echolocate the lake (I know they didn't get caught and that she was expecting that as she has experience with the coven but why risk it?). She had to hit the fool's blood.

Now obviously the roots of this problem come from her parents. Her mom was probably very ignorant of her behaviour and her dad fired fireworks in the house (In my opinion this was her second transformation ever. So my problem is "in the house".)

Ok so her growing up with this problem makes sense but she has shown to respect others' opinion. She respects a fourteen year old from another dimension without natural magic and a kid which till now didn't have magic and she has no idea which species he is from.

Yes telling her "just follow the rules" like Lilith and teachers did would not work but Raine seems like the person who would recognise why rules are there in the first place and straight up say:

- You want Bump to allow you to study every track. Well don't have him completely dependent on the Emporer's coven money by breaking everything.

Now this obviously didn't work immediately, but it should have planted a seed, right?

How has she not grown out of her biggest flaw? It's been near five decades. For five decades she refuses to change?

What was stopping her? The guards she can mop the floor with? Yes she was in isolation, because of her choices, curse and wild magic but again didn't do anything till now about it.

1. Isolation 2. Bigger problem with the curse and talking to people 3. Bigger isolation

Again she didn't break the cycle for three decades. Why?

She has been shown to be very adaptive. She probably had to change at least a bit to find herself with someone with stage fright, to rebel against her mom's cures and find an elixir, to be able to so drastically change her point view of the coven system, that she accidentally inspires someone to rebel. And is overall a very mature person when it comes to her giving advice.

Then she completely pauses and refuses to change in any way. Refuses to learn from her mistakes. Refuses to learn how to manage her curse better. Just stops.

Then Luz shows up and she is adaptive again.

What happened in between? She never needed to learn to be adaptive or to put herself in other people's shoes cause she already knew how, someone just needed to show her affection.

Now here is my theory. She was apart of a rebellion or better yet she led one at some point in the past and before it and while being in it, she had overcame her reckless problem thanks to Raine.

We have seen the difference between what she was going through while she was a scammer and while she was actually proactive in a pretty small rebellion. It was a big difference. She probably thinks Raine is death. At first it felt kinda safe and then BAM.

Also her punching the guard for some stranger, her line "Only truths!" which as pizzaboat pointed out is just her saying "I'll tell you only if you catch me just like always!" her leadership when it came to Raine's rebellion that fell cause Raine fell for a trap.

Also I should probably point out Raine's rebellion as it feels relevent. I think they had a family or close friends that died in this thirty years (maybe in Eda's rebellion, maybe cause of stuff that was curable back in the savage ages when a lot of plants weren't extinct).

And then they finally decided to act while before they were just trying to join the ranks as they're plan was to destroy the system from the inside so minimum people would die, but they finally really started recruiting people, recently.

On the other hand I think Eda, after finding out how her sister was treated and probably distanced herself even more from her, cause of the fear of the curse hurting her even more and going to the forbidden part of the library, found the author of the unauthorized history book, who was probably in the rebellion that formed immediately as Belos became emporer (there is no way such a rebellion didn't exist).

From them she learned exactly what she was getting herself into and what was actually effective and started learning how to form a rebellion, before even becoming officially a criminal.

Also I think she probably used a fake identity so her family doesn't get attacked ones she became a wild witch. I'm imagining dark green clothes with red eye contacts and no hair.

While being in the rebellion she probably learned a lot of skills and went through a lot of trauma, as death was kinda normal, with the help of her mentor and her new found apple blood problem.

I think the rebellion also succesided in something but mostly it failed miserably and the rebellion was destroyed with her probably the only survivor (at the very least her mentor dies).

Also I'm still begging for an Eda vs Belos fight which is definitely not happening outside of a flashback.

Also if hundreds really did die Infront of her in the matter of a week, maybe even in a second if Belos came personally. She probably needed someone who fulfilled the role of a therapist and probably for a long time no one had heard of her or her other identity as she was hiding in the forest cause of the flashbacks she had.

Not sure what happened to the therapist but I wouldn't be surprised if they're dead.

This combined with her nightmares I think is something she is still recovering from by refusing to recognize danger, by trying to escape reality. By being so reckless so she can feel better and have fun always.

Anyway if I'm right imagen how hard s1ep18/19 and s2ep7 hit her.

#toh #the owl house #toh eda #eda clawthorne #edalyn clawthorne #the owl lady #eda the owl lady #toh raine #raine whispers #raeda #toh raeda #toh theory #the owl house theory #toh emperor belos

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rigelmejo · 3 years

Text

Some September 1st Updates

the READING SPEED difference of a novel at my level! I read the first chapter of 撒野 yesterday and this author is at exactly my reading level right now. I hit 0-2 new words each pleco page, which is usually the sweet spot to either guess the word or if I look it up I can pretty quickly adapt to recognizing it in context. Its also the sweet spot where if I only rely on guessing for new word meanings, on a second pass through I can fairly well guess the meaning quickly.

It was a 32 page chapter in pleco and I read it in 20 minutes. Compared to the 20 pleco page per chapter pingxie fic i just finished (like 124k characters! WOW I read and FINISHED that much!), which was taking 30-40 minutes per chapter (mainly because of number of new vocabulary per chapter being a bit higher). If I’d wanted to speed read saye I could have, I’d have missed some small details but I could have tried if I wanted.

Then I did a second pass later in the day with the audiobook just following along with the text. Realized 1. I knew most words in the audiobook and did not follow as well as i thought - but those first listen throughs without having seen the chapter I did manage to figure out the main character just broke up, just travelled somewhere, ran into a girl and somehow the girls brother showed and the two guys interacted a little and someone was being somewhat helpful, then the main guy met his father trying to ‘pick him up.’ Which is a true but very rough summary of what happens in the first chapter. By reading I could confirm the words I thought were names AS names, figured out WHY the girl was interacting with the main guy and that there were actually two girls in chapter 1, and figure out who helped who and who was the girl’s brother. Also somehow before I looked at the chapter text I never caught that the audiobook mentions a motorcycle despite me knowing that word and it SOUNDING like mota-che/motorche! it sounds like the word and i knew it and didn’t hear it! Then later following the audiobook with the text I realized another issue I had, is I’m not used to listening to soft voices with such faint pronunciations of the final sounds. I’m much more used to deeper crisper pronunciations and being able to rely clearly on initials and finals AS much as tones to recognize the words, whereas this particular audiobook i needed to mainly rely on tones and initials to figure out what word was what - that probably threw me off a bit. It’s probably good for me to get practice listening to such a different voice to what I’m used to. I have definitely learned the deeper the voice, the more I have a far easier time figuring out what’s being said. Also standard accent more like beijing but without a huge amount of ‘er’s just some, and taiwan accent are the easiest for me to hear when i’m not pa

For anyone curious, here is the audiobook for SaYe I’m listening to: https://youtube.com/playlist?list=PL2w27tfjeeaySbMK272NpXwUtsBc-e3YN

Also here’s a chinese audiobook youtube I found: https://www.youtube.com/c/%E6%9C%89%E5%A3%B0%E5%B0%8F%E8%AF%B4%E5%90%AC%E4%B9%A6%E4%B8%96%E7%95%8Cyoushengxiaoshuo/playlists

Which includes The King’s Avatar: https://youtube.com/playlist?list=PLTJaWZoVPdT1ZhIQIKxVci7fVEHr-oX6k

And ErHa: https://youtube.com/playlist?list=PLsxEOGKlBMaFa6CS6Hf5ndy6qTtUL0Au_

Anyway, its a great book right now for reading practice. It’s very much around my level. I will probably stick with this author for a little while and solidify what I know/my base reading level.

IN OTHER NEWS:

I am apparently living proof listening-reading, heavy emphasis on re-listening a TON in the background as you work or type or walk/drive whatever, works for learning new words.

I re-listened to guardian chapter 1 audiobook at least 20-30 times by now, just a tremendous amount. Chapters 1-10 I’ve listened to at least 5 times by now random chapters at random days, and some probably also 20 times.

I have listened to these chapters enough, that I can officially follow so much that I know nearly every freaking word I hear, I know it immediately on hearing in at least 3 different audiobooks, and the few ‘less familiar’ words I recognize a second after hearing (like hearing ‘audacious’ or ‘glum’ in english it just takes me a second to re-remember), and the very few still forgotten words/specific details I learn From those words I can actually pick up from the context of listening.

I hear ‘powei’ and somehow forgot it AGAIN? Oh it means ‘rather’ in this context. ‘anli’ well i always hear ‘anlishuo’ as in ‘people say/generally speaking’ so ‘anli’ in this context must mean ‘generally/generally speaking.’ chuanghu? can’t remember it because i was just typing this JUST now and only hearing a few words from the audiobook in the background - well in context its obviously window, but out of context my brain said window and i just couldn’t remember if it was window or curtain but felt curtain had something more complex than ‘hu’ as the second half - just looked it up and my guess was right, even with no context which i’d have had if i’d been listening better and it had been clear it’s window, it still made me think ‘window’ immediately just hearing the sound. ‘xiang yi ge ren’ sounds like ‘looks like a person’ which is the next phrase i just randomly heard. ‘hua le yao ming’ shouted for their life/in awful terror? or that would be ‘huo’, so maybe ‘streaking toward him to take his life’? would make sense in context of a horror scene - i just looked it up and 划了要命 would be the second one. even IF i heard the wrong line, both of those are pretty close to a good guess in context and hua is the only unknown because without context i can’t place if it was hua or huo. i still confuse the words wu and wo for hold etc, but in context i can tell which one it is (wo is hold a hand, hold a face, etc).

I’m genuinely at a point where I can just completely follow the plot through at least the first 20 chapters from listening. And for most scenes, follow every detail too including stuff like guo changcheng spending half a year not working at home after he graduated, being so afraid of the phone, da qing being fawning to shen wei when they meet and rubbing against his leg, the specific conversation details when da qing runs across zhao yunlan’s car in chapter 2, what zhao yunlan’s room exactly looks like, etc. Its super cool to be able to follow the audiobook so well I can follow the story and details even when I don’t have time to read! It’s so fun! And it was not very hard!

It took 40 minutes of upfront study where you set time aside to focus: 20 minutes to have a program read the chapter aloud while you either see unknown word definitions pop up (like in Pleco) or look them up with some click dictionary as you listen. 20 minutes to go through and listen to the audiobook as you follow along with the text. Then after that, just play the audiobook chapters you’ve done this with whenever you want, either paying attention like when going to bed soon or walking, or in the background like when cleaning or doing busy work or driving. Since background listening can be done easily whenever all you have to do is remember to click play when you want something to listen to.

I’m honestly blown away by how much 3 months of studying mainly like this (which is quite fun and only requires me to carve out a small amount of actual study focused time) has improved my listening skills. I can now also listen to the 2ha audiobook okay and follow along (provided its a chapter I’ve read before so I have at least some prior context to help me out) - at least so far as that’s what I’m listening to right now. Basically, I can tell Guardian has both upped my vocabulary significantly and also improved my automatic recognition of many words I half-knew and learned since.

I recently found a new Guardian audiobook read by a deep voice and its lovely (and utilizes music and echo for effects, its lovely to listen to) I hope the poster keeps updating: https://fm.qq.com/show/rd002ED4aN0mYz2L__

I’ve been listening to it lately.

---

Also! Directions for using Pleco Android for screen reader:

1. To get any page bookmarked online:

Open a page in your mobile web browser you want to read. Click the menu, click share, click Pleco Reader (or ‘more’ or ‘...’ then Pleco Reader).

Go to Clipboard Reader. Now when you click text, dictate text megaphone will be an option.

*Since Clipboard Reader is free, you can do this to read in Pleco and have things spoken aloud with no money spent. (Though I find the Reader tool worth the money and add ons).

2. To have any text ‘dictated aloud’:

Go to Pleco’s menu, Settings, Audio, click ‘use TTS if no recording,’ then for Sentence Audio section area System TTS Setting click Speech Services by Google (you can also experiment by clicking other options I am just stating what worked for me, it didn’t work at first I had to make that my default TTS in my Accessibility-Talkback Settings menu on my main phone first and restart my phone before all this).

Then click the area right below to mess with speed and sound of the TTS voice.

(Note, to test if TTS is working you can go to any dictionary entry sentence, click the speaker next to the sentence and see if it plays audio. If it does not, you will get an error message and directions on what to change in your phone settings. That is what initially happened to me: I had to go to phone Settings, Accessibility, Talkback, TTS Engine, TTS Engine voice and settings. Pleco recommended I choose Speech Services by Google, and uninstall then reinstall the Chinese voice. Then restart the phone. That worked for me. An additional note: I have Talkback setting on ‘on’ and just have it in my toolbar to use if desired but am not actively using it. If you turn Talkback setting ‘off’ in the actual Settings area of Accessibility, I am not sure if it will affect Pleco’s ability to dictate).

3. How to put it together:

Now go to Clipboard Reader and read the page from the internet you wanted or text you pasted, or go to Document Reader and open the document you wish to read.

Click a word as a place to start. Now you should see both the loudspeaker (for pronouncing the single word) and the Megaphone next to it to start dictating all text. (If your phone is weird like me, you may need to press the megaphone a couple times before the audio works).

If you wish to change dictation reading speed, simply hold down the megaphone and select the speed desired.

Now that I’ve figured this out I really want to take pictures of my print book, make a pdf, and listen to all the changes.

(Now I just have to fix my weird dictionary in Idiom app and I’m all set on the new phone!)

---

All I’ve been doing the past august study wise is just reading pingxie fic and finishing, and listening to audiobooks. It’s been a busy time for me ToT

I do think it proved you can be lazy and still make some improvements though:

1. Reading in Pleco (or click-dictionary tool of your choice): pick something and read a chapter a day (that’s what I did, obviously the easier this is the less time you’ll need, but aim for around 30 minutes a day and reading material closer to your level if you don’t want to read too long)

2. Listening-Reading Method something above your reading level that you enjoy. Should take 40 minutes a couple times a week to several times a week to hours a week, depending on how intense you want to get with it and how much you’re going to alternate/include the reading portion. I did like 1-2 chapters a week so I was only spending 40 minutes to 1.5 hours a week doing this, or 3 hours one week no time another week. This is definitely something where you can do 6-12 hours one month then coast on it for another month just repeating older material’s audio/re-reading sections (which is what I did with guardian, doing 22 chapters then switching to just listening to audio a lot).

Once you’ve done a little L-R steps 2 and 3 (in either order, whatever works for you - and doing step 1 if you want more context prior to steps 2 and 3), then just make time during your days to play the audiobook chapters you’ve studied. You don’t need to be focusing every single time (although focusing on actually trying to follow the audio the first time you listen without text to aid you will probably speed up your comprehension a lot by giving you a lot of basic-context to help you comprehend more later). Aim to listen whenever you’ve got down time! Or time where you’d play music or some background youtube video or podcast - walks, exercise, drives, when cleaning, when browsing the web goofing off, when working if you have times when you’d listen to music with lyrics or a podcast in the background without issues, times when you don’t need to focus 100% on listening just putting it on to hear in the background).

That’s all I’ve done for study since May. It takes me about 30 minutes 5 days a week, plus 1-2 hours listening-reading actively a week. So 2.5 hours plus 2 = 4 hours of active study a week. Sometimes more like 8-10 if I got really into reading something or Listening-reading to several chapters. Then after that (very easy to fit into my life 4-10 hours per week of study) I just play the audiobook whenever I have downtime at work (that’s usually 0.5-4 hours where I just let it play because I forget its on while working on spreadsheets, updates, emails, etc, or play the audiobook while messing around on the internet in my free time at home, sometimes I put on music instead), while walking so 15-30 minutes maybe 3 days a week, while driving far so maybe 20 minutes - 2 hours per week. maybe lets say 2 hours*4 days a week (I don’t remember to listen every day) so 8 hours random listening+1.5 hours walking+1 hour driving per week. That’s 11.5 hours listening in the background or paying attention plus lets say 4 hours of active study a week. So 15.5 ‘study’ hours for chinese per week - an average overall of ~2.21 hours of chinese ‘study’ per day. This isn’t counting when I get into weibo and goof off, get into some chinese show with no english subs and just start watching it (I watched 16 episodes of Humans cdrama in August which is ~10.66 hours for a total of at least (15.5*4 weeks = 62 hours + 10.66 hours -> ~72.66 hours spent ‘with chinese’ in August at minimum. 4 weeks*7 days = 28, so over around 28 days or most of august I did 72.66 total hours/28 days -> or ~2.595 hours of chinese per day as an average. So... my guess that I spend at least 1-2 hours on chinese per day as the average was a decent guess. Looks like I’m usually 2 hours to 2.5 hours daily as an overall average. It’s not that hard to get in that much without a ton of time in the day once you get some listening skills built up ToT Deciding to build up my listening skills has been one of the funnest goals in chinese so far.

Notes on Listening Reading Actively - it also doubles as increasing your exposure to listening to your target language, and the more hours the better even if its passive in the background, just more hours adding up toward your mind getting a better ability to parse the sounds of the language is going to help your overall listening comprehension in general. So even if you don’t pay attention much and can’t follow the whole plot and only catch certain scenes, you will be improving at least comprehension of: hearing words you know, hearing colocations and common phrases and recognizing more automatically which will help with speaking/writing indirectly and reading recognition of those things, overall ability to hear things correctly in different combinations and getting used to the common combinations.

You will be surprised how much more you can pick up of plot and details the 3rd listen compared to the first, the 5th listen, the 10th listen. It’s wild. Like... I’m listening to the 2ha audiobook and even having never read it in chinese, just knowing basic context, the 2nd read through I caught so much more of the plot throughout just because I had forewarning of when scenes change a lot, what audio plays during some parts I recognized in previous listens, and so I have more focus for figuring out the new details I missed. Whereas the first listen, I didn’t always know WHAT the scene context was until I heard a familiar line or description I remembered from the english version of the scene, but on a second listen I now have a better guess at the scene the lines are probably taking place in before and after those lines I recognized in the first listen. And this continues etc each time you re-listen to something. (So yes, that initial context of knowing what you’re listening to with a previous read of its translation or target language transcript will definitely speed up comprehension pick up - but if you just wanna test what your basic listening comprehension to new content is then it works fine just going into new audio with no prior context its just more difficult at first lol until you build an idea of the context from listening).

The original Listening-Reading Method person did like 40+ hours a week, 8 hours most days, no wonder they made fast progress! They often included reading in some form (hence the name) and later translation, so they also were constantly working on listening AND some reading skills AND eventually often some speaking/writing skills. Doing it my way results in mostly listening comprehension of stuff you could already read to a degree, more automaticity in recognition, and for picking up new vocabulary both in listening and reading. I do extra reading on the side with other stuff to get more reading practice in an isolated way (since I’m trying to push my reading speed up above speaking speed). I always try to do it the way the creator originally intended, but I am not able to focus on things for more than 20 minutes at a time, 40 to a couple hours if I take a break every 20 minutes. So doing it 8 hours just doesn’t work out.

---

I’m fairly happy!

I am on plan for my main goals that started this style study plan:

1. Improving my reading level to get to start being able to extensively read actual danmei novels - we got there! I am at a reading level appropriate for SaYe at 98% comprehension when I checked, and at a bit above 95% comprehension for Guardian! I’m now continuing with that goal while adding on increasing reading Speed in general.

2. Improving listening skills so I have better automatic recognition of partly-known words from reading (working super well so far - I can tell because ability to watch cdramas in only chinese has improved noticeably and gotten much easier), and so I can start following the main plot and key details of audiobooks of things I’ve read before (working great for guardian, starting to work with other audiobooks provided I listen to the chapters a few times or several times if its brand new material I have no context for, however reading level matters and while things I have prior familiarity with are going very well - brand new materials are still quite challenging in that they require multiple listens for the full plot and several listens before I start picking up most non-plot-critical details).

#rant #september #september progress #august #august progress #listening reading method #pleco #rec list #audiobook #guardian #take all my study advice with heaps of salt #do what feels right for YOU #this is just the study plan that's been working for me recently #for my main goals: increasing base reading level and improve listening comprehension

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beautifulsnake2162020 · 3 years

Text

Ikevamp headcanons after watching Hamilton

Quick disclaimer: Yes I know this is a show about people who had owned slaves and slavery is bad. Having said that there's a reason why we suspend disbelief for a couple of hours and just allow ourselves to be swept into the story. I also love Phantom of the Opera but I also am aware that this is a story that involves an abusive and toxic relationship. The point is that I am aware that there are problems that needs to be discussed, but I still love the music, the story and the shows okay. This is just fan content not meant to be taken seriously and is just for fun. Okay? Now let's proceed.

I'll be doing Will and Arthur first since I'm currently doing Shakespeare's route and was inspired to do this after MC watches Romeo and Juliet with Vincent and I was wondering how Will would react to watching Hamilton. And Arthur is here because he is my husband/main lover. I might do Mozart and Napoleon next.

SPOILER ALERT: For anyone who hasn't seen the Disney Plus version of Hamilton, there might be some spoilers here (unless you already saw the show or know the story that is).

General Scenario:

You don't know how but Le Comte was able to get the filmed version of Hamilton, a musical which you've told Sebastian that you've been dying to see but was never able to because tickets were always sold out and entering the lottery was going to be a little too expensive for someone who lives in Japan and who doesn't exactly have the money or the time to simply fly to New York if in case she won. You were also excited because apparently Le Comte was able to modify the 21st century tech room that you use for your online classes and was able to get a wide screen and high quality surround sound which made you appreciate his efforts. A part of you was also curious as to how the other residents would react. You were scared that some of them might take offense, especially Napoleon who knew one of the characters in the show in real life. Would they react weirdly for seeing people different from them portray people that they knew? You were also wondering if they might even appreciate some of the 21st century slang that you and Sebastian would sometimes slip back into whenever it was just the two of you alone. After talking it out with everyone and explaining a few more things (like how its probably going to be different since it is a series of captured pictures-or at least that's your closest analogy- being played super fast with the synchronized sound of the actors- or what you were almost tempted to call "Techno Magic") during a dinner in which Shakespeare had decided to be present in, they were actually interested in what this show is about. Napoleon convinced you that he's fine and actually someone else playing Lafayette might even help with the suspension of disbelief since its been awhile since he has last met him anyway. Will even mentioned that while he has read and heard about stories from America, this is probably going to be the first story or production he's going to see from it. The only one who showed any hesitation - to no one's surprise - was Mozart, since he is attached to the kind of music he is familiar with (aren't we all?). But after prodding from both Jean, Le Comte and you giving him the puppy eyes, he finally relents. The day comes when everyone was once again free and for practicality everyone decided to have a meal first so that they won't be hungry during the show and also for you, Le Comte, and Sebastian to explain a few things everyone else may need to know to truly appreciate the show (like how the Presidential system and elections worked during the setting, what the word "Rewind" means, what is beatboxing, etc). So finally everyone gathered into the tech room after the meal, the lights were dimmed and once everyone was settled, you hit play. And as self-predicted of you, you find yourself crying in the end.

William Shakespeare (I'm still doing his route so please don't hate me if I get him wrong. Also no spoilers please).

- He was a bit shocked at first by how exactly up close you could see the facial expressions of the actors as well as the various ways it would cut to another person. He could now understand why you struggled with trying to explain how its played in a theatre but not exactly like the theatrical experience. But as you saw in your periphery, by the time Philippa Soo sings her first line, Will had already adjusted and allowed himself to be an audience and shut off his director and actor mindset (for the most part at least).

- While he didn't specialize in musicals, he found himself paying attention to the story of "the ten dollar founding father without a father." He knows how music could help both the actors and the audience in succumbing to their emotions in a scene and to suspend disbelief from reality. In his productions the words are not overwhelmed by any score but rather complemented to bring out the emotion he wants to evoke and for actors to show. Since many parts of the show has been influenced by the spoken word style without completely removing it from being sung, he has become enlightened with how powerful a show can be when it is done right.

- He not only enjoyed the story (especially the flow of it) and the production (especially some of the more technical details that the other residents hadn't noticed as far as a stage production is concerned), he loved that even the ensemble members had good acting and some of the onstage humor. One of the meta things he enjoyed was the obvious reference to his most superstitious work.

- Once you've seen how he loves analyzing the technical details of the production, you excitedly tell him about a special member of the ensemble who is known as "The bullet" among fans of the show. You could see him being enlightened as he watches the show with you again (this time with just the two of you) and he now sees "the bullet" and the way she interacts with the characters in a whole different light. He was so impressed with this idea that he may have adapted it into one of his new original plays (its not a copy paste of Hamilton's "bullet" but he definitely adapted assigning a member of the ensemble to have a special role that may not be significant at first, but he heavily notes that this member would have to be unique in interacting with any of the other characters).

- He didn't know what to expect from a 21st Century production but he found himself impressed with the prose and writing of various raps and songs. His favorite from Act 1 in terms of rhyme schemes was "Right Hand Man" and from Act 2 it was Jefferson's rap in "Washington by your side". And after settling down a bit his favorite emotional parts were "History has its eyes on you", "Hurricane", and "It's quiet uptown".

- He was impressed with how the double roles was given and how it actually is true for both of their roles in both acts. Ambiguity is one of his favorite things to have in a work, and he gives props to Lin for all the ambiguity he later realizes was in several parts of the show. If he and Arthur had been a little bit more closer, they probably would have bonded over the ambiguity Hamilton's comma in his letter to Angelica (see kids, grammar matters).

- A part of his brain wonders how the real life Hamilton would react to this and if him and Burr would still be enemies. But after some thinking he decides its not worth his efforts of asking anyone to bring them back since a wonderful production of their life has already been made even if it may not necessarily reflect who they truly are. He of all people knew what it's like to be inspired by great figures, it was fortunate that Lin Manuel Miranda decided to make a show about them before he had the chance to.

- You explain that in America Hamilton is one of the lesser known founding fathers of their nation and how it may be because his political opponents later on became Presidents and therefore was able to form the narrative. He becomes inspired by it and begins to search out people or stories who are hidden gems who may not be historically famous but had much more interesting stories than some of the ones he has heard of.

- Afterwards once you are sure that he has gotten comfortable enough with the genre you show him various videos of people rapping to his works and his reactions range from impressed to amused to "that's not what I mean when I wrote that" and you had to calm him down and explain that they can't hear him anyway after he started giving serious critiques on what the text means.

Arthur Conan Doyle

- While he was knowledgeable about many things, America's founding fathers was not one of them. He along with the other residents have gotten used to any rumors or exaggerated accounts of their lives and you and Sebastian have already warned that this is just a fictionalized production of the real person. As a writer of some historical fiction books he argued that he of all people was aware that any work based on history will speak more about the creators rather than the actual people they are writing about most of the time. He was nevertheless interested as to why you have become fascinated with the treasury secretary (and maybe it was with a twinge of jealousy that you began to expressly show admiration to another man even if he wasn't among the residents in the mansion). After all unlike many other residents of the mansion, on the surface it seemed that Hamilton was similar to Theo who mainly played a supporting but crucial role to his brother. He was thankful that you didn't hold it against him and was comforted that you were in a similar place. You even told him that the only thing you really knew about Hamilton before listening to the soundtrack and watching "Animatics" was that he was in the ten dollar American bill.

- And as someone who has delved into writing historical fictions, this was probably one of the most entertaining productions about a historical figure he has seen. He's going to be honest with you in that at first he was wondering if revealing Burr shot Hamilton in the opening was going to hinder him from enjoying the show; but he was pleasantly surprised that this was not the case at all. As a matter of fact it now made him want to find out who the real Hamilton was (although a part of him doubts if the real Hamilton had any regrets at all). According to him, this is why as a fictionalized historical work, the show is a success because it makes you want to find out more about the events and figures of the story (even if it means looking at darker realities that they did). And while the real Hamilton may be a lot different from what was shown, with all the things he went through and all the things he has done (for better or worse), he now wonders why exactly Le Comte hadn't approached him since he seems to be no better or worse than the average resident ("He and Newt could probably discuss mathematics all day."). You then explained that his political rivals (Jefferson and Madison from the show, and Monroe who wasn't shown in the musical) had later on become Presidents and was able to shape the narrative away from Hamilton. "Ron Chernow made Hamilton's biography because he was the lesser known founding father who was fading into obscurity among Americans and Lin read the book and recognized the story of someone who has risen through his writings. And to Lin that was also the story of hiphop." While he wasn't involved in politics as much as Hamilton was, Arthur had enough experience to know what it feels like to have those kinds of people in power. He also knows just how powerful it is to be in "the room where it happened" and how sometimes the real decisions weren't being made in an office but rather in either a private party or the right bar when people in power had their guard down and were more susceptible to being influenced.

- He could relate a lot with Hamilton on many things that he's only comfortable allowing either you or Theo to see. From being just so much more aware of death's inevitability coming for every living thing to survivor's guilt even though a part of him knows its irrational (but sometimes the emotional nonsense just overtakes our perspectives and actions). It's why he could understand Hamilton's need to write as much as he can before he dies. It's why for a time in his human life he had deviated from writing about Holmes and ventured into other genres. He could also relate to the need to prove what type of person he was, and how to go beyond his tragedies to serve people in their own ways. Hamilton did it as a soldier and the creator of America's financial system. And he is doing it as an informally practicing doctor and as a writer. It's a need that he's trying to mitigate since you've repeatedly told him that he doesn't need to prove anything to you or to anyone and to write whatever he pleases. But he also can't deny that it's still somewhere lodged in the back of his head.

- Just like William Shakespeare, in terms of the wordplay found in rap and the ambiguity present in the show and how those things were executed made him amazed and momentarily speechless. He was especially fanboying about "The comma after dearest" and how this essentially shows how important grammar was. It went to the extent that afterwards whenever he would write to you he would address you either as "My dearest, Y/N" or "My darling, Y/N" with special emphasis on the comma (sometimes you could see how there's more ink in the comma than some of the actual words. That's how much he wants to emphasize that you hold the title of dearest or darling). And you excitedly share with him some of the trivia knowledge of the show (like how in real life it was Angelica who originally made the comma mistake by writing to Hamilton as "My dear, sir" in one of her letters and it was Hamilton who was asking her what the comma means and even replied with "Ma chere, soeur") and how Angelica really did reference the Icarus metaphor in one of her letters to Eliza. And even though he wasn't a major musical nerd (he sang for fun), he would now join you in watching Howard Ho's Hamilton videos musically analyzing Hamilton (and would probably try to find a way to use this knowledge to annoy Mozart in some way).

- Speaking of music: Maybe it's because he's biased in his love for you but aside from Sebastian he's probably the one who has no qualms about the hiphop genre and was immediately into the various wordplays that rapping allowed. And because of this his favorite characters in terms of rapping are the ones played by Daveed Diggs (probably more than Hamilton himself even though you've explained that Lin is the one who wrote the whole thing). He even adapts to how Daveed as Jefferson would say Isaac's third law and incorporated it into his "let's tease Newton" kit. That's when you know he really loves Daveed Diggs ("Every action has an equal opposite -" "WILL YOU PLEASE STOP SAYING IT THAT WAY?! I didn't mind the first few times but this is ridiculous Arthur" "It must be nice, it must be nice to have a Newton on your side"). And his favorite character emotionally was Angelica (her raps in Schuyler Sisters and Satisfied may have helped).

- Speaking of the Schuyler Sisters, after watching it with you another time (this time with just the two of you) one of his favorite things to say is that you've got the best of all three sisters within you (Angelica's wittiness and intelligence, Eliza's cares for the more important things in life, and Peggy's humor) with the sexiness of Maria Reynolds. But because he sees all 4 of them in you he has the benefit of not needing to choose among them. Having said that there will be a period wherein he teases you if he makes you "Helpless" or "Satisfied" (and you respond either by kissing him or singing "That would be enough").

- Whenever you would sing as one of the Schuyler sisters he will join you as any of the male characters the moment he masters the soundtrack and could even sing it without the music. His favorite rap songs are "Guns and Ships", "Washington on your side", and of course "Satisfied". He also really loves "Non-stop", "the 10 duel commandments", and "The room where it happened". But his favorite sequence is from "the Winter's Ball" all the way to "Wait for it". Since it has romance, a shocking revelation, and gives insight to the perspective of the antagonist. He's also one of the first people to attempt to learn the choreography whenever he's in one of his mental blocks in writing. Of course he makes sure not to injure himself.

- He posts song lyrics to keep himself motivated in his times of mental block "There's a million things I haven't done. But just you wait" and "I'm not throwing away my shot" frequently appear around his desk.

-And whenever he's feeling low or insecure, just like Eliza you remind him to "Look around, Look around, how lucky we are to be alive right now."

#Ikemen Vampire #Headcanons #ikemen william #ikevamp #Hamilton #William Shakespeare #Arthur Conan Doyle #Ikemen Arthur #Lin Manuel Miranda #Daveed Diggs #Philippa Soo #Ron Chernow

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blindbeta · 3 years

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Different anon here! I have a character who's blindness is incident related, but it's been several years since then and the story isn't heavily focused on his trauma (or at least that specific trauma, as he has others that aren't related to blindness)

This was before I knew injury-based blindness was a harmful/potentially harmful trope though, so now I'm worried that I'll have to rewrite his backstory entirely to avoid writing about experiences I don't have, or pushing any harmful tropes that are already pushed far too much.

What do you think? Could I still use that as part of his story without focusing too much on that specific traumatic event, or do you think it's better for me to discard it entirely?

The Accident Narrative/Going Blind Through Trauma trope and How to Make It Better - (I’m just calling it that because I don’t know if this thing has a name)

My problem with this trope - and the problem many people have with it- is very specific. I’ll try to break it down for you so it is easier to understand. My problem is basically with the execution.

Characters go blind unrealistically often from traumatic accidents in media. Mainly because it creates a lot of drama, which is fair, if cheap. It is also a good story starter if the story will be about them being all sad that they’re blind. These stories usually focus heavily on the blind part rather than the trauma part, and they paint blindness as the worst thing that can happen to anyone. Including death. Sometimes the character grows out of this feeling and sometimes they don’t.

The way you portray this is what changes the narrative.

I like that your story takes place several years after the incident although how well it is done will depend on the portrayal of the resulting blindness. Blindness can be tough, but avoiding considering the incident a tragedy that ended his vision could help. Not having too much of a woe-is-me attitude toward it will also help. Starting the story years after the incident creates beneficial distance.

With this in mind, the story won’t be - about - him going blind and then adapting and possibly being sad, possibly not sad about it. That would be a type of story that is probably best left to blind people who lost their vision later in life. Your story avoids this issue by starting the story well after the incident occurred. When you said you didn’t want to write about something you hadn’t experienced, to tell a story that wasn’t yours to tell, this is what you want to avoid. If you aren’t writing about going blind/being blind, you’re good, at least for this question.

So, you have avoided writing about the experience of going blind (and having that be the focus of your story) and starting the story at another time so your character can have some distance from his trauma. Your story will not be showing your character tragically losing his sight and learning to adapt. -dramatic sniffle-

The other part of this ask that really works for me is the part about focusing on different traumas. It sounds like the character is going to have more to them, and the idea of the Blindness Trauma being not as significant as other more recent traumas sounds good and true to life. It also takes the focus away from any implications of blindness as particularly tragic and all-encompassing. Your character will expirience different things just as anyone else would. Focusing more heavily on other things in his life is a good idea. That, coupled with the distance from the initial traumatic incident makes it okay with me.

What else can you do?

Here are a few other options for you or other readers who are writing incident-related blindness:

1. Have them focus on the traumatic incident itself rather than the resulting blindness.

Yes, going blind can change your life. It can be scary and someone may need to grieve their vision loss as they would any other major change. However, this doesn’t have to be the dramatic take-up-an-entire story thing either.

If you decided to write flashbacks, you can show the character mostly dealing with trauma, with blindness as a reminder of it. This puts the focus on the traumatic incident itself healing from trauma rather than trying to heal from blindness. When sighted people write about this, it comes out as awkward, not relatable, and impossible to separate voice-type things - like worrying about never being able to marry - from the authors own opinion or worries about blindness.

Focusing on the trauma of say, extreme injury can help with that. It is important to make a distinction for the reader, who usually goes in not knowing much about blindness and conceptualizing it as one of the worst things that could happen to them. Make it as clear as you can that the character is upset due to trauma rather than being devastated their life is over because they are blind.

2. Have the trauma happen off-screen / have them not remember it much due to young age

It sounds like this is also what you’re going to do. You could mention the traumatic incident briefly, without too many dramatic details. A few descriptive sentences should be enough. You could write it for reference and only take a few samples from it you liked. This keeps the focus away from drama for drama’s sake. It also disrupts the usual narrative, putting you farther away from the Accident Narrative or trope. You could simply have had the character be too young to remember much detail.

3. Add more blind characters

This one is good for any story. You should always trace your logic for topics like the one you presented or consider how to do things better, but one easy way to avoid readers thinking all blind people are like your character (which they might), you can add another blind character or more who were born blind or went blind at a very young age. Who don’t struggle with being blind generally. This exposes your readers to more ideas of blind people.

When your story is standing on the line between nuanced character and meeting a stereotype, you should absolutely have at least one other if not a few blind characters. In fact, I would be surprised if a story like this didn’t have other blind characters and, if I were reading this story randomly, I might even feel less forgiving or open to what was different about the Accident Narrative this time.

Thank you for asking this question. It is kind of challenging to answer and I had to rewrite this a few times. Basically, you want to do what you can to disrupt the usual portrayals of blindness because there are actually so few and most are made by people who aren’t blind or even disabled. You cannot make this trope or stereotype go away, but you can try to shake it up. Because this can be done differently, to avoid writing about adapting the tragic blindness, I am ok with this type of story.

I don’t know if this one is harmful exactly, but it is frustrating to see and can certainly lead to some harmful ideas, such as blindness only being tragic even when someone was born blind. I have a review coming up for a book called Blind that might be helpful, as well as a post called Tropes I’m Tired Of that I hope will help. Your ask definitely helped me consider more ways this trope could be made more bearable and concentrate on what exactly I dislike about it.

All that said, this is not a post encouraging people to use this narrative in all their projects. Only if you feel like it is necessary and fits the character. I would like for this trope to be less common than being born blind or going blind in a way that isn’t so dramatic and, possibly, abrupt. When most characters go blind through traumatic accidents it contributes to people’s idea that blindness is not only traumatic for anyone at any age, but also cannot be anything but a tragedy.

I really hope this helps. Of course, I would really encourage a few different sensitivity readers with this story. Just to get different perspectives. There is another blind person who also offers sensitivity reading at @sensitivityreaders and it might help to get them or someone else, in addition to me. Because I would love to read this sometime.

-BlindBeta

#ask #anon ask #blind #blind characters #writing blind characters #blind people #writing #accident narrative

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annethepancake · 3 years

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Sherlock rant

I recently rewatched BBC Sherlock for Rupert Graves, and aside from the lack of Lestrade appreciation I have a lot of problems with this series. Here are my thoughts:

1. It was all a blur

My second first impression of the show: I don't remember anything but the characters. And some characters I just blatantly forgot, like Mary. And I loved Mary on my second watch! I really forgot that at one point John actually got married and I don't even remember when I watched the show for the first time. I can still recall most of HIMYM's events and I hated that series.

2. It’s overall not a detective/crime show

Watching Sherlock for the second time, I mostly turned off my brain and just let it play in the background because (1) there's hardly anything for me to solve with the characters, most clues are taken by Sherlock off-screen anyway (especially after season 2), (2) they focus way too much on the quirks of the characters that make it almost like a sitcom that got dragged on for way too long. A crime/detective show shouldn't allow me to turn off my brain.

3. The characters just kinda fall flat

Exploring the depth of human emotions is not a bad approach to a modernized version of anything, I’m not trying to pretend I’m better than someone who gets sentimental over fictional character (if you know my blog at all, you know I am not), but at least write good characters. Sherlock is hardly a multi-faceted person; in fact, he’s kinda like the Wattpad teen fic main character sometimes. He physically fights off some terrorists with a machete to save the damsel in distress? He gets high off his tits but still got everything right all the time? John is just kinda there for most of the cases. Jim is a poorly written antagonist. Irene is a lesbian but gets the hot for our main character, surprise surprise. The only interesting characters to me are the ones who act like normal people: Molly, Greg and Mary. They are the multi-faceted characters, ones who I can actually relate to without feeling inferior to them in any way. Write characters like them, stop trying to be smart about it and stop writing Wattpad fanfictions for Sir Conan Doyle’s original works.

I get that they try to make Sherlock more like a human with emotions, making him quirky and arrogant, then make him quirky and more likable. It’s hardly a convincing character development though. He’s given over-powered deduction skills, so edgy, so high and mighty all the time. When he is finally written as vulnerable, turns out he has plans for that too. I would love to see him get it wrong once and maybe get humbled by that mistake, but getting Mary shot and killed is hardly even his fault, he is only doing his job. And killing off Mary is overall a bad idea anyway.

4. They treated the fandom like shit

I was absolutely disgusted at the start of season 3 when the showrunners just straight up shat on their fans. I wasn't there with the fandom during the wait between season 2 and 3, but I believe it was a pretty long wait (2 years, I could barely wait 2 years for my comfort series, and they have like 10 episodes per season), and they were presented with the first actual mystery of the series: How did Sherlock survive the fall? After years of waiting and having fun theorizing, they were met with a mockumentary about them, starring the most hated character of the protagonist and the fans. Those are the people who actually cared about the show for god's sake. The fact that the showrunners treated fans like crap and there's still an active fandom for the show appalled me.

Now not only The Empty Hearse bugs me, but the entire show does as well.

Allow me to digress.

Doki Doki Literature Club is a great example of audience engagement done right (Sorry for using this example I’m not actually that invested in the other franchises). After the success of the first game, the story provoked so many fans into solving the mysteries of the characters, some of them went really, really far. And that’s because of the actual mysteries that the development team took effort to plant into the plot. There is actual pay-off for painstakingly following the clues; as far as I know, only two (2!) people in the world have come close to solving the mystery of the first game (or they actually did). The game developers value their fans and their intelligence enough to have planted those clues where they did, and it’s a genuine exchange between the fans and the creators. Now even though you haven’t actually played the game, when you hear of the name and you’re only kinda familiar with gaming (like me), you’ll probably know what it is. What started as a mere open-source game by an indie developer became a sensation which left millions of fans begging for more.

Looking back at Sherlock, there are tons of logical flaws for a self-proclaimed crime series, virtually no clues for the audience to solve crimes along with their favorite detective, and when there was actually a mystery (Sherlock jumped off the building), they plainly showed him alive and well minutes later. Do we really need to see things spelled on screen to know what’s going on? Are we supposed to accept that Sherlock Holmes is an all-knowing future-predicting genius now too? Not a great sign of respecting the audience there.

So far, the only thing left that’s interesting about this series is the characters’ dynamic. Which brings me to the next criticism I have for the show.

5. The plague that infested mainstream media

Why is there still an active fandom? Queerbaiting and targeted marketing.

Community marketing is proven to be one of the best marketing methods there is, if not the best, to lengthen the lifespan of a product or service. The way they do that for shows and films and video games is usually by planting seeds of possible lores and history inside the content. Look at Harry Potter or Lord of the Rings, they are franchises that ran for multiple years with a ton of history and world building that provokes fans’ imagination.

Sherlock - well, Sherlock has sexually ambiguous men.

Sherlock has a formula for success. It was an adaptation of the most iconic detective novel in the world, funded by one of the biggest TV networks in the UK and possibly the world (don’t quote me on this). Making this series means you can appeal to such a wide group of audience even before airing. Adding in the quirky smart men who live together, you’ve basically guaranteed a prime-time show with millions of loyal fans all over the world.

Fans are not stupid, and queer people don't just find queerness everywhere they go. They know a gay subtext when they see one. Sherlock came back from the literal death for John, pretty gay if you ask me.

This show is very much not just about some guys being dudes solving crimes, they have relationship that’s deeper than friendship, and definitely not platonic. They deliberately wrote a sexually ambiguous Sherlock Holmes from the get-go - literally from the very first episode, then capitalized off of the targeted demographic, never a pay-off for their anticipation. Martin Freeman said in interviews that he could recognize Sherlock fans, them being generally women from 16 - 25. No shit Sherlock, this show targets them and capitalizes off of them, being quirky and gay as hell, of course the fanbase is generally 16 - 25 and female.

Sherlock queerbaited the fandom for years for the sake of marketing and there’s never a pay-off, nor was there any recognition to the community, and to add to all that bigotry, queercoding pretty much all of the villains? Why was a show aired in the 2010′s allowed to do this? Why did Mark Gatiss, an openly gay man, a writer of the show, allow this to happen? Why are millions of fans all over the world allowing all this to go on?!

6. Conclusion

Now I haven’t read the books yet, so I’m not at all qualified to criticize the adaptation quality of the TV series; I’m just talking about the TV series on its own. Despite my criticism, I think the first two seasons did quite okay. There are quite a few nice cases there, I like The Blind Banker and The Hound of Baskerville. They did those well because the focus was on the cases themselves, and the connection between John and Sherlock was only in the background. I, like many other fans, like to figure things out on my own, to read between the lines, and to not have things spelled out for me. With the next seasons bombarded with Sherlock and John bonding it seriously felt like mere fan service for me and even though I wasn’t there when the show was on, I still felt like I was robbed and my interest in the show was abused.

Sherlock is undoubtedly super influential in pop culture even now. It has to have done something right to be in that spot (capitalizing off loyal fans?). I’m not writing this rant to change someone’s mind about the series, by all means, I’m still gonna love the hell out of Gavin Lestrade, and absolutely lose my mind over Mary Watson. So do take my words with a grain of salt, I’m just disappointed that one of the most influential shows there is is just short of my expectations.

#sherlock #bbc sherlock #rant #criticism

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wonderfulworldofmichaelford · 3 years

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Psycho Analysis is a series that looks at villains across various media in the hopes of coming to something of a consensus on the overall quality of the character. Are they performed well? Do they enrich the narrative? Are their motives fleshed out? Are they voiced by Tim Curry and thus a sex icon?

There are a lot of important questions that I look into, but ultimately, Psycho Analysis boils down to asking one simple little question: How bad can a character be?

Thankfully, there’s one villain who decided to answer that question for me... in song form.

Psycho Analysis: The Once-ler

(WARNING! This analysis contains SPOILERS!)

Yeah, I’m finally talking about everyone’s favorite greedy bastard who, back in some of the darkest days of Tumblr history, ended up being the premier sexyman on the website. People were thirsting over this twiggy weirdo, acting as if he were God’s gift to women and shipping him with alternate versions of himself. Much like the movie he’s from, he is now incredibly hard to take seriously.

But hey, speaking of alternate versions of himself, I’m going to be covering him from the original book and the animated short film as well. Might as well just knock it all out of the park at once, right? Now let’s see how ba-a-a-ad this guy can be.

Motivation/Goals: The Once-ler is all about biggering. He’s making thneeds (things that everyone needs) and he is gonna stop at nothing to craft these things. Not even the power of the Lorax, Danny DeVito or otherwise, is going to stay his hand from getting that sweet, soft Truffula fluff to make his wares. This is ultimately a little unrealistic, at least for the Illumination version; if Danny DeVito asked me not to do something, I’d listen, no questions asked.

Performance: In the animated special, Bob Holt does double duty, as he is portraying both Once-ler and the title character. It works really well for what they’re going for, and the double casting is interesting because it highlights the ultimate role of the Lorax as the Once-ler’s conscience given form.

In the film, Ed Helms portrays the Once-ler, and he’s fine. He’s certainly better casting than Audrey, but that’s not particularly saying much considering that’s a non-singing Taylor Swift (when Cats is able to utilize Taylor Swift better than your musical, you know there’s trouble). I don’t know, Ed Helms is fun and all, but I’m just not sure his take on the Once-ler is all too compelling overall.

Final Fate: In the original book and the special, the Once-ler wins… but even he realizes it’s a terrible, pointless victory, and all he has achieved is ruin, his family leaving him, his business ultimately collapsing, and the environment permanently damaged. He’s left as a miserable, jaded hermit, broken by the bleak consequences his greedy actions have sown upon the world and only able to tell his story and pass on the last Truffula seed in the hopes that maybe, maybe someday the trees can regrow and the Lorax will return. The Illumination version follows this but then tacks on a happy ending where the Lorax and Once-ler reunite because as we know ambiguity and bittersweet endings cannot exist in children’s films.

Best Scene: Obviously it’s the scene where he shakes his ass to seduce Jack Frost, in one of the greatest gay romances ever put to film.

Joking aside, it is undoubtedly his villain song. It has become such a meme, but real talk? “How Bad Can I Be” slaps. This is a really good song, probably too good for the movie but you know what, I’ll take it.

youtube

Best Quote: HOW BA-A-A-AD CAN I BE? Yes, I’m using a line from his villain song. Sue me.

Final Thoughts & Score: What can one really say about the movie version of the Once-ler that hasn’t already been run into the ground? Well, how about… He’s not too bad, honestly? Like, yes, he has next to nothing to do with his book counterpart and they really go way too far into trying to make a capitalist pig sympathetic… but the animated special from the 70s did that too. I think the Once-ler honestly works better when there is a dash of complexity to him and he isn’t just a simple-minded Captain Planet villain.

Of course, the issue here is that the 70s version took a simpler approach, kind of less is more. The 70s Once-ler brings up some valid points to the Lorax about his work, and the Lorax can’t help but agree that there’s no easy answer while also stressing that the environmental devastation is still really, really bad. It works, it feels complex, and it arguably helps the ultimate point that we need to protect the environment better than even the book did (and I love the book, don’t get me wrong, but its take on the Once-ler is a bit too simple for its own good; it almost runs into the Femme Fatale problem by being a bit too much of a strawman). The movie version has a bit too much going on, especially with his family. His family are much more blatantly evil, greedy, and manipulative, but they’re relegated to the background for much of the film and don’t effect things all that much. The whole narrative would have been infinitely stronger if they were the greater scope villains behind Once-ler and were who needed to be defeated and maybe taught a lesson, but instead they are ignored in favor of someone I’ll address very shortly.

All of this leaves movie Once-ler feeling extremely disjointed, but not irredeemably so. As I said before, his villain song is unironically awesome, and as lame as it is compared to the more haunting, contemplative ending of the book and the special, I’m not so much of a curmudgeon that I didn’t at least smile when he finally reconciled with the Lorax. Ultimately though, him being memed to death really didn’t help his case, but it means I’m not giving the movie version anything less than a 3/10. He might in fact be the best “so bad it’s good” villain ever, or at least up there. He’s just so undeniably enjoyable even if the narrative isn’t making him as complex as it thinks it is. The animated special version gets a 9/10, the book version is a 7/10, and the Once-ler’s family gets a 5/10 for being an interesting concept they sadly do little with, which will now be elaborated on as I follow up on the foreshadowing from the last paragraph...

Psycho Analysis: Aloysius O’Hare

Remember how I said the Once-ler’s family gets ignored in favor of someone else? Here he is, Aloysius O’Hare, one of the absolute lamest villains ever put to screen.

Motivation/Goals: He’s greedy. That’s it. I’m not kidding. He’s just a cartoonish caricature of a rich person, which still makes him a realistic portayal but also makes him boring as sin compared to the wacky dude with a big musical number about how bad he can be.

Performance: Rob Riggle does a decent job, but there’s really not much for him to work with here. This character is a cardboard cutout who exists to be as cartoonishly greedy and evil as possible with no nuance so the kids know who to root against and so that Once-ler doesn’t look bad in comparison.

Final Fate: Look, he’s a blatantly evil corporate villain in a kid’s movie about the environment. Of course he gets defeated and everyone turns on him. What’s especially funny though is that, on the brink of learning his lesson, he rejects any form of redemption and just goes whole hog on being a villain.

Best Scene: I will absolutely give him this: in the face of his ultimate defeat, after having the virtues of trees sung to him and the entire town turning on him, he for a moment contemplates turning over a new leaf… and then absolutely rejects the thought and instead decides being evil is just too much fun, at which point he tries to get everyone back on his side by seeing a funny little song about death while wavedashing. If more shitty villains did this, I don’t think there would be shitty villains.

Best Quote: LET IT DIE, LET IT DIE, LET IT SHRIVEL UP AND DIE! Yes I’m quoting a song again.

Final Thoughts & Score: Look, I’m not gonna mine words here: O’Hare sucks. Big time. He is a prime example of why The Lorax failed as an adaptation. In a story that is dealing with a moral grayness with no easy answers, O’Hare is just a big, blatant target, a dark shade of black in terms of black-and-white morality. He’s like a reject Captain Planet villain with Edna Mode’s haircut.

The movie would have been infinitely better if, instead of him, the Once-ler’s family were in control of the town, and they needed to learn the lesson about saving the trees instead of simply vanishing from the story. They were shown to be overbearing, manipulative, and greedy, and they had a much more personal connection with Once-ler being, you know, his actual family. The fact they abandon him and never really get any sort of comeuppance despite being perhaps the most evil people in the move, egging on Once-ler and taking full advantage of him, makes O’Hare all the more egregious, because there could have been some strong thematic elements that would have tied the film together and made it come off as much less preachy and more nuanced.

But we don’t live in a world where that happened, we live in a world where we got O’Hare. Aside from some genuine hilarity from him at the end, O’Hare really adds very little to the film. I gotta give him a 2/10, but I will say he’s a lot closer to a 3 than he is to a 1; there’s no denying his absolute rejection of learning a moral is absolutely hilarious. I love when villains do that. It’s just a shame those funny moments are wrapped up in something monumentally unimpressive.

#Psycho Analysis #The Once-ler #The Lorax #Ed Helms #Aloysius O'Hare #Rob Riggle

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franniebanana · 3 years

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CQL Rewatch - Episode 9

Let me preface this by saying we’re entering a period of episodes that I’m not that fond of. There’s nothing wrong with them really, but it’s just padding and a little bit of set-up for later arcs, but I personally think the set-up is unnecessary.

Anyhow, straight into it! I shouldn’t say “straight” when wangxian is on screen. I struggled to get a good shot, but the dichotomy between Nie Huaisang and wangxian here is hilarious to me. He’s such a good comedy act, flailing and being totally useless, other than being another warm body, but at the same time, he’s the only one really acting like a teenager here. Lan Wangji is always so cold and serious, while Wei Wuxian is a goof until he needs to be serious, but both of them are also extremely talented. We know Nie Huaisang isn’t an idiot, but I don’t get the impression he’s a great cultivator either.

I literally watched this scene this morning and totally missed this part. Lan Wangji stops Wei Wuxian from killing or attacking the puppets further, as he’s about to use his sword to defend them all. It’s a great little moment, actually, because it shows how Wei Wuxian is willing to do anything, but he’s not willing to murder innocent people if they can be saved. We already know, with all the Lan principles, that Wangji would not kill needlessly, but we don’t necessarily know that about Wei Wuxian. But he has morals, he has his own principles, and he’s not going to cast those aside for nothing.

Now, you could say he won’t do it now in the story, but what about later? What about Wen Chao? I’d say that’s totally different. That was revenge. And one of the things I like about this story is that it doesn’t shy away from revenge (something that a lot of Western media kind of disdains—we seem to be afraid to in any way make revenge out to be something good).

I can’t believe I managed to capture the exact moment that Lan Wangji used the Silencing spell on Nie Huaisang. I’m honestly really impressed with myself. Of course, it was totally by accident. I was initially going to just talk about how funny Nie Huaisang is again, because I love his flailing and physical comedy, and his expressions are fantastic. But can I talk about this glare that Yibo has right now? Haha, I love it. Again, if looks could kill. If I were Wei Wuxian here, I’d feel pretty satisfied for being the one not silenced at this moment. Honestly, it shows such a progression in their relationship: they’re really working as a team, no longer at odds with each other. It’s really apparent that they have become a team: it’s Nie Huaisang and WangXian—not Wei Wuxian and Lan Wangji. There are also more moments where it feels like Wei Wuxian is really looking for Lan Wangji—like, it feels as if he’s more interested in the relationship than Lan Wangji. I don’t think it’s true at all, but that’s kind of what we’re shown. The thing is that Lan Wangji is so much more aloof and cold towards Wei Wuxian—very tsundere, I suppose. But of course, we know Lan Wangji is very conscious of Wei Wuxian.

I’m not going to pick on her specifically here, because overall, the fake instrument-playing is pretty hysterical. I do think she’s the worst at it, though, probably because she only does this in one scene or something. Wang Yibo has a double for a lot of the scenes where he’s playing the guqin, but what little we see is fine. Xiao Zhan is also okay—we know he isn’t really playing, but he does an okay job pretending to play. Like, his lip is on the flute. It kind of looks like Wen Qing doesn’t even have her lips on the flute—like she’s trying not to wreck her makeup. Anyway, I’m not going to harp (see what I did there?) on it—none of them are musicians.

Reminder to gif this part.

Any time Wei Wuxian comes to Lan Wangji’s defense is a good time, and coupled with a smile like this—my heart is melting, excuse me. I love these moments, because for just a few seconds, it feels like no one else is there—it’s just the two of them having a moment together. And Wei Wuxian is once again here proving how he’s loyal to Lan Wangji, how his friendship is worth something, and it’s not just skin-deep. I think Lan Wangji is touched here: the way his averts his gaze, as if he likes what Wei Wuxian is saying, but he still feels uncomfortable. Outside of his family, this is probably the closest relationship that Lan Wangji has ever had.

Wei Wuxian has a lot of cool magic, and it’s a shame we don’t get to see more of it. I like the idea that his talismans are more clever, if that makes sense. They aren’t just explosions or hitting people with waves of force to knock them around. He’s got golden nets, and talismans that can bind/bond people to each other, ones that can cause you to be pinned to the ground. It’s just very fun, and we don’t get to see a lot of that sort of magic in this world. Actually Lan Wangji has the Silencing spell, plus the body binding spell that he uses in the book, but that is, unfortunately, not in this series. And the first time you see it in the book is when he binds Wei Wuxian’s body so that he has to sleep right on top of Lan Wangji—great stuff.

WWX: So they are making use of my wisdom? LOL

Wei Wuxian stops to make a joke, saying he is most disturbed by the hallucinations because he has so many thoughts in his head—basically too smart for his own good here—and at the same time, poking fun at Lan Wangji, because he isn’t bothered by the hallucinations (ie. he doesn’t have many thoughts in his head). Okay, first of all, we know Wei Wuxian respects Lan Wangji a lot, so he is definitely joking, and it’s all in good fun. Lan Wangji rolls his eyes a bit, and he’s not bothered. He did, after all, tell Wei Wuxian to put the net over the other three so that he and Wei Wuxian could take care of the dire owl alone. He also respects Wei Wuxian and values him as a fellow cultivator and teammate. Second of all, again, Wei Wuxian is not an idiot! He’s smart! He’s clever! He’s not dumb! I don’t know who still needs to hear this, but I’m saying it again. I know it’s easy to put him into the typical BL “female” role: he’s smaller, he’s a bottom, blah blah blah. I honestly don’t like that at all. Every ship doesn’t have to be two opposites. It doesn’t have to be m/f, top/bottom, big/small, dark/light, smart/dumb, strong/weak. I’m aware of how the book is written and I’m aware of BL tropes in general, but I see two equals here. I like how they picked Wang Yibo, a shorter and younger man than Xiao Zhan, to play Lan Wangji. I like that they took out the fact that he has inhumanly strong arms. I like the different dynamic that it displays from the book characters. That isn’t to say that I don’t like the book—I love the book. The book is my favorite adaptation, both in terms of storytelling and in terms of plot. But that doesn’t mean that it’s perfect for me.

Anyway, enough ranting for now.

I love this shot. And I love how in sync they are in this fight—it’s like a dance. When I’ve heard about fight choreography in the past, I never associated it with the word “dance,” until I saw this series. I don’t know if it’s the costumes or the setting or the actors or what, but their motions are so fluid, so dance-like—it’s actually quite beautiful.

Oh, my god, look at that grin! I fucking love it!! Also, serious moment turns into a chance to tease Lan Wangji. I will accept it.

My sentimental heart loves how scared Wei Wuxian is for Lan Wangji here. All that time wearing the One Ring—I mean, holding the Yin Iron, is really wearing him down. (Sorry, I couldn’t help myself). But jokes aside, I love how Wei Wuxian is right there, instructing him on how to handle what’s going on and to not lose control, while the others are just kind of clueless as to what is happening or how to help. And even after Lan Wangji snaps out of it and says they have to go to the Chang Clan, Wei Wuxian’s expression still is one of great concern, and I doubt it’s out of fear for what the waiter has just told him. I think he’s just really worried about Lan Wangji. This is the first time that Lan Wangji has even been like this, even in the face of great danger, and Wei Wuxian is shaken by it.

Other episodes: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 |

#cql #the untamed #wangxian #wei wuxian #lan wangji #nie huaisang #wen qing #wang yibo #xiao zhan #mdzs #mo dao zu shi #sorry this was short #but like I said I'm not really into a lot of these eps until indoctrination starts #also I wanted to make a comment about how the last bit was like scooby doo bc all of them solving myseries #cql rewatch

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azurite-writes · 3 years

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Problem One: The Screen(s) and Digital Workspace

Part one of my multi-part doc about what I learned from doing online college at a non-online institution. This chapter: my Desktop as a Desk

Highlighted points: learning styles, work type/function in relation to the computer

My biggest problem with being pushed online after being at an in-person institution was, and still is, my forced reliance on the computer. I have to sit in front of it for hours: attending classes on Zoom; checking email every three hours; accessing Moodle pages for class and out-of-class work (Moodle is what my institution uses, other web management/e-learning software platforms include PowerLearning, Blackboard, and OU Campus, among others). And the work itself can be watching documentaries, watching seminars, accessing ebook/PDF documents, annotating documents in online portals… it's a lot. People have talked at length about "zoom fatigue," as well as the eyestrain headaches that can come with staring at said screens for hours at a time. I'll talk about my own lessons learned about that later.

The assumption among the administrators and (some) people of older generations than those currently in school seems to be that working online with computers and smartphones is more efficient. That isn't necessarily true; it all depends on the type of task and the person being expected to complete it. In my case, I cannot, for the life of me, focus on dense sections of text presented on a backlit screen. Thus, reading and answering emails is okay, but downloading scanned textbook pages to be read on a laptop screen (along with trying to highlight and annotate them) is hell on earth.

Why is this? Different reasons for different people, but in my case it's because reading/"writing" on a screen interferes with my learning style(s), which are visual/spatial, audio, and kinetic. Audio doesn't come into play for reading on a screen, but seeing words physically in a certain location relative to other words on a page is very important to my memory of the material. Computer screens can display pretty much anything at any given time; book pages can only display whatever was permanently printed onto them. That is, the content of a book page in physical space will always be the same unless you, the reader, manipulate it; a computer screen can have any type of content displayed as long as its pixels can light up and process the information. And for me, that's a problem because I don't have any physical space to relate the information to, plus I don't get a sense of how long the document is. Recalling a passage in a printout, for me, goes like this: "I remember it was on the top-left of a page towards the beginning, the shape of the paragraph was funny too… ah, there it is." Recalling a passage on a digital scan of the same document is much harder for me by contrast: literally any of the paragraphs could have made its way to the top-left of my computer screen, if I moved the window around or zoomed in to better read the text; documents are an endless scroll upward or downwards, with (maybe) a sidebar to tell me what page I've landed on. All of my "landmarks" are functions of the program I am using to access the document. They're static and contained to a window... that can show up anywhere on my computer screen. Not conducive to the way I learn at all.

My kinetic learning style comes into play with the computer, too. Annotating a document? In the physical world, a pen on the document itself does the trick; going through the physical movement of circling a word or making a note are things that solidify the information in my mind. Annotating a PDF document? First of all, it's difficult to do with a mouse (and God help you if you have a trackpad), and it's highly dependent on the program that the user selects to open the PDF. I could connect a drawing tablet, if I have one, but they're very expensive and their use is, again, dependent on the compatibility with whatever reader program the user selects. All this to say: annotating on the computer doesn't work for me, either. My kinetic and visual learning styles come together with note-taking. My memory is highly dependent on seeing words as they are formed by my own hand, processing them, and connecting meaning to them as they sit in a specific place on the page (am I over-explaining this? Basically, writing notes by hand and seeing where those notes are on a piece of paper help me remember them). Typing notes isn't a replacement for hand-writing notes for me; while I'm busy fixing my typos (on words I would never misspell on paper, usually, since my fingers are just moving weirdly over the keys), the professor moves on, and I'm not listening well enough to catch the fact that I've missed new information.

The takeaway here is figure out your individual types of work relate to being on the computer. As I said, the computer hinders many aspects of my learning when it comes to memory and efficiency. As a creative tool, however, it has almost the opposite effect; writing assignments for fiction, poetry, and screenwriting classes are much more efficient on the computer. From creative thought to keystroke, I have less time to second-guess or forget my ideas, and both the immediacy and changeability of word processing programs actually works in my favor for those sorts of things.

What I did differently from first online semester to second:

1) I figured out which materials helped me remember my notes the best. Honestly, I wasn't even doing this when I was at in-person college, and to my detriment, but I couldn't get away with it at all once I went fully remote. Think back to when you were in lower levels of school: were there certain types of materials you gravitated towards in the classroom? Did you like basic composition notebooks with faint blue lines? Wide-ruled or college-ruled paper? Did you discover that graph paper just worked really nicely with all notes besides math, or that blank pages were less busy for your eyes? When you used pens, did you prefer blue or black ink, or did colored ink help certain things stick? If you can control what materials you use to take notes with, consider using ones akin to those from a class you either a) remembered the most fondly or b) remembered the most information from. Scour your memories of class experiences for anything, no matter how small, that may have made your life easier. Equally, take note of what tasks actually worked well digitally. Adjust accordingly.

(Personally, I found my magic formula was a 1-subject memorandum notebook — marginless, with very narrow line rulings; while I hesitate to direct you to Amazon, they are hard to find at a decent price otherwise, and you can get a 12 pack for just over $40 from them — with black ink from a 0.38-size gel pen (I used a basic Pilot G2 pen until it ran out, then bought ink refills in the smaller size). To "highlight" my notes, I circled or underlined information with a blue gel pen of the same variety. Keep in mind again that I'm learning to be a translator; this is just what works for me.)

2) If I needed to print something out, I printed it out. Environmental guilt is something I struggled with a lot, and there was always something about staying on the computer that convinced me I was being "less wasteful" by staying digital. But with how much time and energy I ultimately saved reading a printed document that can be recycled vs the electricity I ate up spinning my wheels in front of the ebook… to me, it was worth it. If you find that helps you, too, don't be ashamed to print certain things out.

(If conserving ink and paper is a concern to you, it is possible in some viewing/editing apps to remove or cover images, either with white squares or by taking the images out completely. I have an old MacBook Pro and on current versions of Preview, one can draw shapes and fill them in white to cover parts of the scan that would eat up ink, such as blurred black borders and scanned images. For documents in a word processing program like Microsoft Word or Pages, it may also be possible to print the documents out at a smaller size, allowing more text or even multiple pages to show up on a single sheet of paper.)

| In the coming days/weeks I hope to be posting more content about how I tried to adapt to fully remote learning and the things I’ve learned along the way! Follow for updates ♥︎ |

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dailydnp · 3 years

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How to be resilient: This practical guide to dealing with setbacks is essential reading

Ensure you're making practical self-care steps to avoid becoming overwhelmed by the 'new normal'.

Life might be getting back to normal but many of us are still feeling the effect of the pandemic on our mental health. In fact, you might not even realise the full impact the past year has had on your mental health until you're back in 'the real world'. Indeed, recent ONS figures show cases of depression are on the rise despite lockdown lifting. From the period of 27th January to 7th March 2021, around 1 in 5 (21%) adults in the UK experienced some form of depression, an increase since November 2020 (when the figure stood at 19%) and more than double that observed before the Coronavirus pandemic (10%).

That's why it's so important to take heed of your own mental health and ensure you're making practical self-care steps to avoid becoming overwhelmed by the 'new normal'.

"Mental health is a huge part of all of our lives and for too many of us it’s a mystery, but if we understand our minds we can put ourselves in control so we can really live," says Daniel Howell, a mental health activist and author of You Will Get Through This Night.

Inspired by Dan’s own mental health journey shared with millions of his fans on stage and screen, along with his work as an ambassador for mental health charity Young Minds, his new book promises to be a practical guide to understanding and taking control of your mental health, written in an entertaining and personal way from someone who has been through it all.

Written in consultation with psychologist Dr. Heather Bolton and spilt over three sections; This Night, Tomorrow and The Day After, the book provides a refreshing, realistic approach to looking after your mental wellbeing the way we all experience it - whether you are in a crisis, just looking to make a change or want to know how to look after yourself every day.

One key aspect of his book is how to be resilient and deal with setbacks, which we are adamant will prove extremely useful for anyone struggling as we come out of lockdown....

"We all know that life can throw a curveball when we least expect it, so it’s important to know how to cope with these surprises, and not let them throw you off your positive momentum.

Life is a rollercoaster, or more like the graph shape of a llama rolling down a hill and climbing up again. We can’t predict the chaos. Despite our best efforts and intentions, it’s normal to have ups and downs. Remember that mental health is not a straight line, we can do what we can to raise the floor level, but it will always wave with the happenings of the world.

It doesn’t have to be a sudden shocking event, such as a… lightning strike! (sorry?) Life is naturally full of moments of change that we need to be able to handle. Breakups, moving, changing jobs – things that are very common can throw us off our track and we should all know how to keep ourselves on the rails.

Resilience

Training your resilience can help you to keep going in the face of adversity. It’s more than just bouncing back, it’s the act of moving forward as we grow from our experiences. Being resilient can look like:

Viewing challenges as opportunities

Focusing on the things you can control

Adapting your response to challenging situations

Maintaining a sense of purpose and drive

Asking for support when needed

Training your resilience can help you to keep going in the face of adversity.

Resilience is about being realistically optimistic. It’s not wishful thinking, it’s just being aware of what you can actually achieve and allowing yourself to be hopeful that you will succeed. Don’t be cynical about your own abilities, planting a seed of doubt that can self-sabotage. If you second guess yourself, it could be a self- fulfilling prophecy. Be realistic, but be fair to yourself and go into situations wanting to win!

It’s not something that’s fixed, it fluctuates through life and is something we can develop. It’s partly about our mindset, but also about how we respond in the face of stressful situations.

Most importantly, it’s not about pushing through the pain, telling yourself you’re being brave (don’t hide the pain, Harold), it’s about honestly accepting what you can handle and being practical.

Don’t overwork or exhaust yourself; it’s unrealistic to expect to cope with literally everything all the time!

Think about the attitude you have when you approach situations. Let’s imagine two different people being rejected after a particularly awkward first date:

They both have similar first thoughts: ‘Well that’s disappointing’ and ‘will I ever love again?’

But then how they make sense of that situation is different: – Akachi starts to accept that not everyone will love her, their date wasn’t right for her anyway, and decides to take control by getting back out there and finding another fish in the sea.

– Fernando doesn’t accept it, but gets stuck on the idea that they’ll always be rejected, they’ll never meet anyone and be lonely forever to live as a spectre haunting the local lighthouse.

Both people are in the same situation but approach it with very different attitudes, which affects how they respond. To build up your own resilience to setbacks, it’s important to understand ‘adaptive coping’ (see opposite).

Self-care service station

During stressful and challenging times, self-care is essential to maintain your overall resilience, so don’t forget the basics – eating, sleep and hygiene, and staying hydrated.

It may sound simple, but if you let these slip it can chip away at your hard work and your mindset.

Try to keep your positive routine and stay on top of necessary stuff – having routine and structure gives you a strong foundation for coping. Take time for yourself – literally remember to breathe, be mindful if you need a moment and take time to do things you enjoy to recover.

Protect your boundaries and don’t take on more than you can handle. Don’t agree to too much work, emotional responsibility, or cave in to demands you know you might not have energy for.

Reading the signals right

Psychological theory says we tend to see stressful situations in one of three broad ways: a challenge, a threat, or a loss.

Seeing it as a challenge → having hope, a fighting spirit and putting energy into finding a solution.

Seeing it as a threat → assuming the worst, feeling anxious and deflated.

Seeing it as a loss → acting like the damage has already been done, there’s nothing you can do, and feeling helpless.

Try to look for aspects of your situation that you can see as a challenge to overcome – this will help you adopt a positive approach and channel your energy into solving the problem, known as adaptive coping. Of course, this might not always be possible and you can’t keep fighting forever, but there will always be an opportunity for learning from the situation. Feeling threatened is absolutely normal, but try to notice whether you’re getting caught up with catastrophic thinking. Break the problem down and focus on what you can control, even if it’s a small piece of the 10,000 piece 1-colour jigsaw.

If you’re feeling helpless because of things you’ve lost, allow yourself to feel that – resilience involves connecting honestly with feelings, not shutting them off. It’s a healthy part of processing what’s going on for you. The key is balance.

Channel your energy into what you can change.

Evaluate any aspects bringing up anxiety.

Allow time to deal with your feelings.

Being flexible between these three approaches will help you deal with the fun of life’s many suddenly surprising challenges."

You Will Get Through This Night by Daniel Howell is available now in hardback, eBook and audio download (HQ)

#daniel howell #danisnotonfire #dan #phan #mine #interview

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