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#but it fits very well to how my life is at the moment
gyuuberryy · 2 days
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a love affair in colour
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pairing: art tutor!jay x princess!reader
synopsis: as a princess exploring her artistic passions, you’re drawn to jay, your mesmerising art teacher whose lessons stir more than just creativity. what begins as a quest to master your craft quickly becomes a whirlwind of tension and forbidden desire. with every brushstroke and shared moment, the line between teacher and lover blurs. but when societal barriers and personal doubts threaten your connection, will you both find a way to embrace a future together, or will your love remain a beautiful but fleeting masterpiece?
genre: strangers to lovers, forbidden relationship, comfort
warnings: kissing, lots of tension, mentions of status difference, angst, a little suggestive
note: i used my experience in art to detail all the content related to it so bear with me if it seems a little modern, i don't know much about how they did art in the olden times. also jay just constantly raises my standards??? i love that man so much he's so husband material it hurts TT enjoy reading!
word count : 11.1k
royally yours masterlist | prev:heeseung | next: jake
if you liked it please reblog or comment to give me your feedback! <3
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you’ve always been drawn to art. as a child, while other princesses were learning courtly etiquette or practising diplomacy, you were sneaking into the gardens to sketch the trees or hiding in your chambers, fingers stained with ink as you copied paintings from the castle’s grand halls. but those were mere indulgences, fleeting escapes from the rigid structure of royal life.
when your parents noticed your growing talent, they encouraged it—as a hobby, of course. something to amuse yourself with between diplomatic meetings, public appearances, and the pressures of royal expectations. but for you, art was never just a pastime. it was a passion. an escape. a way to express the parts of you that didn’t fit into the carefully curated image of a princess.
so, when you told your parents you wanted to pursue art seriously, it was met with initial resistance. a princess has duties, obligations, responsibilities. but you persisted, and eventually, they relented. if you were going to study art, they wanted the best for you. that’s how jay came to the palace—an accomplished artist in his own right, though he came from modest beginnings. he was hired to help you master the craft before your trip to paris, where you’d study under the finest artists in the world.
jay’s reputation preceded him. he was known not only for his skill but for his ability to bring out the best in his students. when he arrived at the palace, you were both eager and nervous, unsure of what to expect.
your first meeting was in the grand studio, a room that had once been your sanctuary. now, as you stand by the window, gazing out over the palace grounds, you feel the weight of what’s to come. you’re no longer a novice; this isn’t just a casual hobby. this is the beginning of something serious, something real. and the thought of it is both exhilarating and terrifying.
the door creaks open behind you, and you turn to see him—jay. he’s younger than you expected, though older than you by a few years. his clothes are simple, a stark contrast to the luxury of your surroundings, yet he wears them with a quiet confidence. his dark hair is tousled, as though he’s just come from a long day at work, and there’s a certain intensity in his eyes, a focus that makes your stomach flip.
“your highness,” he greets, bowing low.
“please, just my name,” you say quickly, hoping to dispel some of the formality that hangs between you. “if we’re to work together, there’s no need for titles.”
he straightens, and for a moment, you think you see a flicker of something—surprise? amusement?—in his expression, but it’s gone as quickly as it came. “very well,” he says simply. “shall we begin?”
you nod, feeling a mix of anticipation and nerves as you lead him to the easel set up near the window. it’s been prepared for your first lesson, a blank canvas stretched taut, waiting for the first stroke of charcoal or paint. you’ve done this before, hundreds of times, but never under the watchful eye of a teacher like jay.
“before we begin,” he says, setting his bag down on the table, “tell me why you want to do this. not because you have to—because you want to.”
his question catches you off guard. you’d expected him to dive straight into the technical aspects of drawing or painting, not to ask about your motivations. but there’s a seriousness in his tone that tells you he’s not just asking out of curiosity. he wants to understand. he wants to know you.
“i’ve always loved art,” you admit, folding your hands in front of you, feeling a little exposed. “it’s the one thing that’s mine. in a world where so much is decided for me, art is where i get to choose. it’s... freedom.”
jay nods slowly, as if weighing your words. “art is freedom,” he agrees quietly. “it’s expression. it’s telling the world who you are without saying a word. but it’s also discipline. and commitment. if you’re serious about this, i’ll push you. i’ll make sure you’re challenged. does that sound like something you’re ready for?”
your heart beats faster. his intensity is palpable, and it’s hard not to be swept up in it. “yes,” you say, though the word comes out softer than you intended. “i’m ready.”
he regards you for a moment longer, then reaches into his bag, pulling out a small sketchbook and a piece of charcoal. “we’ll start with something simple,” he says, handing you the charcoal. “i want you to draw me.”
you blink, surprised. “draw you?”
“it’s a good exercise,” he explains, moving to stand a little distance away. “if you can capture the essence of a person, you can draw anything.”
your fingers tighten around the charcoal as you sit at the easel, facing him. it feels strange, having him as the subject. his features are sharp, defined, but there’s something else—an intensity in his gaze that makes it hard to concentrate. you take a deep breath and begin to sketch, the sound of the charcoal scratching against the canvas the only sound in the room.
it’s not easy. his face is a study in contrasts—strong jawline, soft eyes, dark brows furrowed in concentration as he watches you work. you find yourself getting lost in the details, trying to capture the exact curve of his lips, the shadow beneath his cheekbone. but the more you focus, the more elusive it becomes.
“you’re overthinking it,” jay says suddenly, breaking the silence. he moves behind you, close enough that you can feel the warmth of his body, though he doesn’t touch you. “you’re focusing on the parts, not the whole. step back. see the bigger picture.”
you try to follow his advice, but his presence behind you is distracting, and the scent of him—earthy, with a hint of something fresh—fills your senses. your heart beats faster, though you try to ignore it.
jay steps closer, his breath warm against your ear. “here,” he says softly, reaching out to guide your hand. his fingers brush yours, sending a jolt through your body, and you almost drop the charcoal. “loosen your grip. let the lines flow.”
you do as he says, though your heart races at his nearness. his hand lingers over yours for a moment too long before he pulls away, but the connection between you doesn’t fade. the air feels charged, as if something unsaid hangs between you.
when you finish the sketch, it’s rough, imperfect, but there’s something there—a spark of life, of emotion. jay leans over your shoulder to examine it, his expression unreadable.
“better,” he says after a moment, his voice low and approving. “you’ve captured something real here.”
you look at the drawing again, trying to see what he sees, but all you can think about is the way his hand felt over yours, the way his voice seemed to wrap around you like a secret.
as he moves to gather his things, you realise that this is just the beginning. the first lesson. but already, something has shifted between you. something neither of you can name yet, but it’s there—in the shared glances, the lingering touches, the unspoken connection.
and as jay turns to leave, promising to return for your next lesson, you can’t help but wonder if this is really just about art—or if something far more dangerous has already begun.
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the days following your first lesson with jay felt like a strange new rhythm. art had always been a deeply personal escape for you, something that existed in the quiet moments between royal duties, but now it had become something more. each session with jay stirred something inside you—not just the desire to improve, but a spark of something you couldn't quite name.
jay had been nothing but professional, his focus always on your craft. but beneath his calm demeanour, there was an undercurrent, a kind of intensity in the way he looked at you during your lessons. it was subtle, barely noticeable, but it was there, like the brushstrokes of a painting hidden beneath layers of paint.
today, as you enter the studio, you feel it more than ever. the room is bathed in soft light, the kind of glow that makes everything seem warmer, softer. jay is already there, setting up supplies on the table, his back to you. you watch him for a moment, your eyes tracing the broad lines of his shoulders, the way his hands move with such precision and care.
“good morning,” you say, finally breaking the silence. your voice comes out softer than you intended, the room swallowing the sound.
he turns, a brief smile crossing his face. “good morning.” there’s a hint of warmth in his tone, but as always, it’s controlled, measured. jay has never been one to show too much emotion, though lately, you’ve caught glimpses of something more.
“i thought we’d try something different today,” he says, gesturing to the large canvas in the corner of the room. “i want to work on your observation skills.”
you nod, intrigued. “what do you have in mind?”
instead of answering immediately, jay picks up a chair and places it in the centre of the room, angled toward the sunlight. he then takes his sketchbook and charcoal, positioning himself in front of the chair but far enough away that there’s space between you.
“i want you to sit,” he says simply, his eyes meeting yours for a moment before flickering away. “i’m going to sketch you.”
the request catches you off guard. “me? but... shouldn’t i be the one practising sketching?”
he smiles faintly, shaking his head. “today, i want you to feel what it’s like to be the subject. to understand how the artist sees you.” he glances at the canvas, and then back at you. “it’ll help you observe the world around you with more empathy, more connection.”
the thought of jay watching you, studying you so closely, makes your heart race. you’ve always been behind the canvas, never in front of it. to have his eyes on you, not just in passing but with the intention of capturing every detail—it feels strangely vulnerable.
but you trust him. there’s something about jay that puts you at ease, even when you’re unsure of yourself. so, you sit in the chair, adjusting your posture slightly, your hands resting in your lap.
“relax,” he says softly, his voice gentle. “you don’t have to pose. just be yourself.”
you try to do as he says, leaning back into the chair, though your heart is beating a little faster now. the room is quiet except for the faint scratch of his charcoal on the page, and you’re acutely aware of his gaze as it moves over you—your face, your hands, the way the light falls on your hair.
he works silently, his brow furrowed in concentration, and you find yourself watching him, trying to read the expression on his face. there’s a softness there that you hadn’t noticed before, a kind of careful attention that feels almost… tender.
for a while, neither of you speaks. you’re not sure how long has passed—minutes? hours? time seems to lose its meaning in this space, as if the world outside the studio doesn’t exist.
“so you want to pursue art huh?” jay’s voice breaks the silence, and you blink, surprised by the question.
“yes” you reply, shifting slightly in the chair.
he doesn’t look up from his sketch. “why did you choose art? out of everything you could have pursued?”
the question is one you’ve asked yourself many times. you think back to your childhood, to the afternoons spent sneaking away from your tutors to draw in the gardens, the way art always felt like a safe space in a world full of expectations.
“i think… it’s because art lets me be free,” you say slowly, choosing your words carefully. “in everything else, i’m the princess. i have to be perfect, poised, controlled. but with art, i can be messy. i can make mistakes. it’s mine.”
jay pauses, his hand hovering over the sketchbook for a moment before he continues. “freedom is important,” he says quietly. “especially for someone like you.”
there’s something in his tone, a weight to his words, and you wonder what he means by that. does he understand what it’s like to feel trapped by expectations? to want something more, something beyond the roles you’ve been given?
before you can ask, jay looks up, his eyes meeting yours for the first time since he started sketching. his gaze is intense, but not in a way that makes you uncomfortable. it’s more like he’s seeing you, really seeing you, in a way that no one else ever has.
“you have a natural grace,” he says softly, almost as if speaking to himself. “but it’s more than that. there’s something… untamed about you.”
your breath catches in your throat. no one has ever spoken to you like that before. not with such quiet certainty, as if they’ve seen beyond the surface of who you are.
you don’t know what to say. the air in the room feels heavier now, charged with something you can’t quite name. you shift in your seat, suddenly self-conscious under his gaze, but jay’s expression remains calm, thoughtful.
he tilts his head slightly, observing you with the same intensity he’s had since the beginning of the lesson. “there’s more to art than technique,” he says, his voice low. “it’s about connection. about understanding the person you’re drawing, not just how they look, but who they are.”
his words stir something inside you—a sense of being understood in a way you’ve never experienced before. you’re not just a princess in this room, not just another student. you’re you, with all your complexities and contradictions, and somehow, jay has seen that.
it makes you feel exposed in a way you hadn’t anticipated, and yet there’s a comfort in it, too. you’ve spent your whole life hiding parts of yourself, but with jay, it feels like you don’t have to.
finally, he sets the sketchbook aside, standing up and crossing the room to where you’re seated. he doesn’t hand you the sketch immediately, and for a moment, you wonder if he’s unsure about showing it to you.
“you can tell a lot about a person by how they draw,” he says quietly, standing in front of you now, his gaze unwavering. “but you can tell even more by how they let themselves be seen.”
your pulse quickens, the weight of his words settling deep within you. it’s not just about the sketch anymore—it’s about everything. the way you’ve been navigating these lessons, the way you’ve been letting him into your world, piece by piece.
he holds out the sketch to you, and when you take it, your fingers brush against his, a fleeting touch that lingers in your mind longer than it should.
the drawing is beautiful. he’s captured you in a way that feels both familiar and unfamiliar at the same time. there’s a softness to your expression, a quiet strength in the lines of your face, and yet… there’s something else. something deeper.
“it’s beautiful,” you whisper, tracing the lines with your fingertips. “i’ve never seen myself like this before.”
jay watches you carefully, his expression unreadable. “that’s because no one’s ever looked at you like this before.”
the words hit you like a gentle wave, their meaning sinking in slowly. you glance up at him, unsure of how to respond. there’s a new tension between you now, but it’s not the kind that comes from desire or rushed feelings. it’s deeper than that—a connection, a shared understanding that goes beyond mere attraction.
for a moment, you sit in silence, the sketch resting in your lap as the light from the window shifts slightly, casting long shadows across the room. you can feel the change in the air, but neither of you moves to break it.
and as jay steps back, giving you space, you realise that this—whatever it is—will take time to fully unfold. you’re not rushing toward anything, but there’s something between you now, something real and undeniable.
but for now, you’ll let it simmer. there’s no need to rush. not yet.
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the days have passed like pages in a book, each art lesson with jay slowly building a tension that you feel in the very air of the studio. his presence is constant but controlled, his touch fleeting yet always careful. you’ve found yourself looking forward to these lessons more than you’d ever anticipated, though not only for the sake of art. something else draws you here each time, something that’s harder to admit even to yourself.
when you arrive at the studio today, the familiar scent of paint and canvas greets you, mingling with the crisp morning air. jay is there, of course, already preparing the materials, his back to you as he arranges brushes and bottles of linseed oil. the sun filters in through the tall windows, casting long beams across the room, turning everything into shades of gold. today feels different, though you can’t quite pinpoint why.
he turns as you approach, offering you a brief smile that doesn’t quite reach his eyes. "good morning," he says, his voice as calm and composed as ever, though you think you detect a slight hesitancy behind his words.
"good morning," you reply, your heart already beating a little faster. the last few lessons have been charged with a new energy, a subtle yet undeniable pull between the two of you. you've tried to keep your thoughts focused on the art, but with each session, it’s become harder.
jay steps over to the large canvas he’s set up for today’s lesson. "we’re going to work on technique," he explains, holding up a palette of mixed colours, the vibrant hues blending like a sunset in his hands. "i want you to feel the texture of the paint, how the brush moves against the canvas. it’s all about control and release."
you nod, though the concept seems easier said than done. painting has always been more of a challenge for you, especially when it comes to finding that balance. jay, however, has a way of guiding you through each step without ever making you feel inadequate.
"let’s start with the basics," he says, handing you a brush. his fingers brush against yours for the briefest moment, and you feel a spark travel up your arm, though you’re sure he doesn’t notice.
you position yourself in front of the canvas, trying to steady your breathing as you dip the brush into the paint. the first few strokes are tentative, careful. you focus on the movement of your hand, but your mind is distracted by the weight of jay’s presence behind you. it’s as if the air in the room has thickened, every sound, every movement, magnified.
jay watches in silence for a few moments, then steps closer, so close that you can feel the warmth of his body behind you. "here," he murmurs softly, his voice right beside your ear. "let me show you."
before you can respond, he places his hands lightly on your waist, adjusting your stance. the touch is firm but gentle, and it sends a shockwave through your body. your breath catches in your throat, and for a moment, you’re hyper-aware of every point of contact—his hands on your hips, the warmth of his chest just inches from your back.
"relax," he whispers, his voice low and calming, though you can hear a slight strain in it, like he’s carefully keeping something in check. "you’re too tense."
easier said than done. you can barely think straight with him so close, let alone concentrate on the canvas. but you try, forcing yourself to take a breath, to focus on the task at hand. jay doesn’t move away. instead, he steps even closer, his chest nearly brushing your back as he moves his hands from your waist to your arm, guiding your wrist as you hold the brush.
"feel the paint," he says, his breath warm against your ear. "don’t fight it. let it flow."
his hand wraps around yours, firm but careful, and he moves your arm in a slow, fluid motion. the brush glides across the canvas with ease, the paint spreading in smooth, even strokes. his touch is light but deliberate, and you find yourself following his lead, your body responding to the way he directs the movement.
"you’re doing well," he murmurs, and you can feel his breath against your neck, sending shivers down your spine. "just like that."
the room feels smaller, the air thicker, as if the space between you is shrinking with each passing second. you try to focus on the canvas, but it’s impossible with jay so close. his presence is overwhelming, consuming, and you’re acutely aware of every shift, every movement.
"you don’t need to force it," he continues, his voice barely above a whisper now, his lips dangerously close to your ear. "let the brush move with you."
you nod, though your throat is too dry to speak. the closeness between you is intoxicating, and you can feel the tension building with each breath you take. jay’s hand tightens slightly around yours, and for a moment, you wonder if he feels it too—the pull, the unspoken connection that seems to have grown stronger with each lesson.
he guides your hand in another slow stroke across the canvas, but this time, the brush slips slightly, leaving a streak of paint that’s a little too heavy. you let out a soft, frustrated sigh, but jay only chuckles, the sound low and warm.
"don’t worry about perfection," he says, his voice rumbling in your ear. "art isn’t about being perfect. it’s about feeling."
his hand lingers on yours a moment longer before he lets go, stepping back slightly. the sudden absence of his touch leaves you feeling off-balance, as if the ground beneath you has shifted. you exhale a breath you didn’t realise you were holding and lower the brush, your heart still racing.
"good," jay says, his voice a little more distant now as he moves back to the table. "you’re getting better. it’s all about control and release, but it takes time to find that balance."
you nod, though your mind is still reeling from the intensity of the moment. you’ve never felt so aware of your body, of your own reactions, as you do when jay is close like that. it’s as though he knows exactly how to touch you, how to guide you, without ever crossing the line—but just barely.
you place the brush down on the easel, turning to face him. jay is busy cleaning the palette, his face unreadable as he focuses on the task. but there’s something different about the way he holds himself, a tension in his posture that wasn’t there before.
"thank you," you say softly, breaking the silence that has settled between you. your voice sounds a little shaky, but you hope he doesn’t notice.
he glances up at you, his eyes meeting yours for a brief moment before flickering away. "it’s my job," he replies, but there’s something in his tone—something almost… uncertain.
the silence that follows is heavy, filled with the unspoken tension that has been growing between you for weeks. you can feel it in the way he looks at you, in the way his hands linger just a little too long when he helps you. it’s as though you’re both standing at the edge of something, but neither of you knows how to take the next step.
finally, jay sets the palette down and steps back, putting a little more distance between you. "we’ll keep working on this," he says, his voice returning to its usual composed tone. "you’re improving, but there’s still more to learn."
you nod, feeling a little breathless, though you’re not sure if it’s from the painting or from the closeness you just shared. "i’ll keep practising," you say, though the words feel almost trivial in the weight of the moment.
jay gives you a small smile, but it doesn’t quite reach his eyes. "good," he says softly, before turning back to his brushes. "we’ll pick up again tomorrow."
you linger for a moment, watching him as he carefully cleans the paint from his hands, his movements precise and controlled. and as you leave the studio, you can’t shake the feeling that something has changed between you, something that neither of you can ignore for much longer.
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the pottery studio feels different today. the atmosphere is heavy, thick with anticipation, but you try to ignore it as you sit at the wheel, your hands already messy with clay. the wheel spins slowly beneath your fingers, but no matter how many times you’ve tried, the clay refuses to cooperate, collapsing into a lump before you can give it any real shape. you groan in frustration, watching another failed attempt crumble under your touch.
“take your time. it’s all about feeling the clay, not controlling it,” jay says softly from behind you, his voice calm but carrying that familiar undercurrent of something unspoken. he’s watching closely, his presence as steady as always, but today it feels more intense—like a subtle hum in the air that makes the space between you vibrate with tension.
you sigh, wiping your hands on your apron. "i don’t think i’m getting this at all," you mutter, staring down at the shapeless mound on the wheel. pottery has proven to be a far bigger challenge than painting—there’s something about the unpredictability of the clay that throws you off balance.
jay steps closer, his footsteps almost silent on the studio floor. "you’re too tense," he observes, his voice low and measured. "let me show you."
before you can respond, he’s already moving behind you. the air shifts as his body nears, and suddenly, you can feel the heat of him pressing close. he slides onto the bench behind you, his legs on either side of yours. the intimate position makes your heart race instantly, your pulse quickening in response to his proximity. his chest brushes your back, his breath warm on the side of your neck, and suddenly it’s hard to focus on anything other than how close he is.
he pauses his movements. “is it okay if i sit behind you like this? i may need to touch your hands as well.”
you nod at his soft words, “yes that’s alright.”
the studio feels smaller, the world outside forgotten as you’re enveloped by his presence. you can feel the solid warmth of his chest against your spine, the way his thighs gently cage yours. every point of contact feels electric, the tension simmering between you palpable.
“relax,” he murmurs, his voice almost a whisper, low and soothing. his breath brushes the shell of your ear, sending a shiver down your spine. “you’re trying too hard to control it. you have to let the clay respond to your touch.”
his hands move to cover yours, his fingers sliding over your clay-streaked knuckles. his touch is firm but gentle, guiding your hands to the wheel as it starts spinning once again. the sensation of his fingers wrapping around yours sends a ripple of awareness through your body, and for a moment, all you can focus on is the warmth of his skin, the weight of his hands over yours.
"feel the clay," jay instructs, his voice quiet but filled with intent. his breath is warm against your ear, and the proximity, the intimacy of the moment, makes it nearly impossible to concentrate. "it moves with you. let it guide you."
his hands press lightly against yours, directing your fingers as they glide over the surface of the clay. the wheel turns slowly beneath your palms, the soft texture of the clay smoothing out under the pressure. you try to focus on the task at hand, but the sensation of his body against yours—the gentle weight of his chest pressed to your back, his legs framing yours—is overwhelming. the world narrows down to the feel of his touch, the sound of his steady breath so close to your ear.
"you need to feel the shape," jay continues, his voice lower now, more intimate. his hands move with yours, guiding your fingers as they dip into the soft clay. his touch is deliberate, patient, and it feels like he’s not just teaching you pottery, but something deeper, something far more personal.
your hands move together as you both shape the clay, your fingers sliding inside the hollow of the vase. the action is slow, almost sensual, and the suggestiveness of the movement doesn’t escape you. the pressure of his fingers over yours, the way his hands direct yours in shaping the delicate interior, feels too intimate, too deliberate. the tension that has been building for weeks now feels almost unbearable.
your breath quickens, your heart hammering in your chest, and you can feel the heat rising to your cheeks. jay’s chest presses more firmly against your back as his hands guide you deeper into the clay, shaping it from within. his fingers dip, mirroring yours, and the act of molding the vase becomes something far more intimate than you could have ever anticipated.
"just like that," jay whispers, his voice huskier than before, his breath hot against your ear. his hands slow, his fingers lingering on yours as you move together. the wheel spins quietly, the clay yielding to your touch, but it’s hard to focus on the art when the closeness between you feels like it’s about to explode into something more.
you can feel every movement of his chest against your back, the rise and fall of his breath growing uneven. the heat of his body is overwhelming, making it nearly impossible to concentrate on the clay. your pulse is racing, and you’re certain he can feel the way your body trembles slightly under his touch.
suddenly, you realise you can feel his heart. it’s beating erratically against your spine, matching the rapid rhythm of your own. the awareness crashes over you like a wave—he’s feeling it too. the tension, the pull between you, it’s not just in your head. his hands tighten slightly over yours, his chest pressing more firmly against your back, and for a fleeting moment, it feels like the world is tilting.
you bite your lip, trying to keep your breathing steady, but it’s impossible with him so close, with the weight of his body grounding you while simultaneously setting you on fire. your fingers dip into the clay once more, but all you can feel is the warmth of his hands over yours, the way his presence fills every corner of your mind.
jay’s breath hitches, barely audible, but you hear it. you feel it. the tension between you has been simmering for weeks, and now it’s at a boiling point, undeniable and heavy.
after what feels like an eternity, jay finally pulls his hands away, the absence of his touch leaving you cold and disoriented. his chest moves away from your back, and he stands slowly, as if he, too, is struggling to shake off the intensity of the moment.
"good work," he says, his voice quieter than usual, almost strained. he steps away from the wheel, his hands clenching and unclenching as though he’s trying to regain his composure.
you remain seated, your hands still coated in clay, your heart still racing. the silence between you is thick with everything unsaid. you can still feel the echo of his hands on yours, the warmth of his body lingering against your skin.
finally, you glance over your shoulder, your eyes searching his face for some kind of answer, some indication of what he’s thinking. but jay’s expression is unreadable, his gaze fixed on the now-complete vase on the wheel.
"you did well," he repeats, though his tone is quieter, almost distant. there’s something unresolved in the air, something that neither of you dares to acknowledge aloud.
as you stand, your legs unsteady, you can’t help but feel that something between you has shifted irreversibly. the line you’ve both been walking for weeks feels dangerously close to being crossed, and the question now is whether either of you is ready to take that step.
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the last day of your art lessons starts with a sense of melancholy that you try to push away. you know that this will be your final session with jay, and although you’ve learned more than you could have imagined, the thought of no longer spending time with him feels like a loss. he greets you at the studio with his usual warm smile, but there’s something different about him today—a lightness that wasn’t there before.
“we’re not staying inside today,” jay says, a mischievous glint in his eyes. “i figured we’ve done enough of that. you’ve been using my supplies, so i thought it’s time you get your own.”
you blink, surprised by the suggestion. “you mean we’re going shopping?”
he nods, a small smile playing on his lips. “you deserve your own tools. besides, i want to show you my favourite spots.”
the idea excites you more than you’d expected. it feels intimate, personal—like he’s sharing a part of himself with you outside the confines of the studio. and so, you follow him out into the bustling streets, the city alive with activity as you walk side by side, the sky overhead a muted grey that promises rain.
the first shop is a small, unassuming place tucked between two larger storefronts, and you wouldn’t have noticed it if jay hadn’t pointed it out. inside, it’s a treasure trove of art supplies—shelves stacked high with paints, brushes, and sketchpads of every kind. the scent of paper and wood fills the air, and you can’t help but feel a little like a child in a candy store, overwhelmed by the endless possibilities.
jay moves through the aisles with ease, clearly at home here. he picks up brushes, testing their weight in his hand before handing them to you to feel. “this one’s perfect for detail work,” he says, holding up a fine-tipped brush. “and this,” he adds, pulling out a thicker, more rugged one, “is for broader strokes, more expression.”
you watch him as he speaks, his voice low and sure, and you find yourself more captivated by him than the tools he’s showing you. there’s something about the way his hands move with such confidence, the way he seems to understand the soul of each item, that draws you in. it’s a side of him you haven’t seen before, one that’s less restrained, more passionate.
he catches you staring, and a small smile tugs at the corners of his mouth. “what?”
you quickly look away, feeling heat rise to your cheeks. “nothing,” you mumble, pretending to examine the brushes in front of you.
but you can’t hide your growing admiration for him, and you suspect he knows it. he moves closer, his arm brushing lightly against yours as he reaches for a set of soft pastels. “try these,” he says, handing them to you. “i think they’ll suit your style.”
you take the pastels from him, your fingers brushing against his in the exchange, and for a moment, the air between you feels charged. you swallow hard, trying to focus on the colours in your hand rather than the way his touch lingers in your mind.
from there, you move to the next shop, a slightly larger one filled with canvases of all sizes and shapes. jay pulls you toward a display of stretched canvas frames, explaining the difference between cotton and linen, the various textures and how they interact with different mediums. he talks with such enthusiasm that you can’t help but smile, his passion contagious.
“pick a few,” he says, gesturing to the rows of canvases. “you’re going to need a variety if you want to keep experimenting.”
you nod, feeling a sense of freedom in the choice. as you select your canvases, jay hovers nearby, occasionally offering suggestions but mostly watching with a quiet intensity that makes your skin prickle. you wonder what he’s thinking, whether he’s just as aware of the subtle tension that’s been growing between you over the weeks.
the third shop is more modern, filled with high-end supplies—gorgeous palettes of oil paints in jewel tones, sleek metal easels, and handcrafted wooden boxes for storing brushes. it’s clear jay has saved the best for last, and as you wander the aisles together, he shows you some of his favourites, his voice soft and reverent as he talks about the craftsmanship behind each item.
“i’ve always wanted one of these,” you say, running your fingers over a beautiful wooden palette, its smooth surface gleaming under the soft light. “it’s almost too nice to use.”
jay grins, standing beside you as he watches you admire it. “you should get it,” he says, his voice warm. “every artist needs something that feels special, something that inspires them to create.”
his words send a shiver through you, and you glance at him, the closeness between you suddenly palpable. the quiet intimacy of the moment, standing together in the softly lit store, surrounded by the tools of your shared passion, feels heavy with something unspoken. you nod, slipping the palette into your basket, trying to shake the fluttering in your chest.
as you leave the last shop, your arms full of bags and supplies, the sky opens up, releasing a sudden torrent of rain. the drops fall fast and heavy, soaking you within moments. you yelp in surprise, pulling your hood over your head, but it’s no use—you’re drenched almost immediately.
jay laughs, a rich sound that cuts through the noise of the rain. “looks like we’re in for it!” he shouts over the downpour, his hair already dripping wet as he holds a hand out to catch the rain.
you can’t help but laugh, your spirits lifting despite the sudden storm. the two of you stand in the rain for a moment, looking at each other, before jay suddenly grabs your hand.
“come on!” he says, pulling you into a run.
you follow him, laughing breathlessly as you race through the rain-soaked streets, splashing through puddles and dodging other passersby who huddle under umbrellas and awnings. the bags of art supplies jostle against your sides, but you barely notice, too caught up in the exhilaration of running with him through the storm.
the rain comes down harder, drenching you completely, your clothes clinging to your body and your hair sticking to your face. but none of it matters—you’re both laughing, the world around you a blur as you sprint through the narrow streets, your hand still held tightly in his.
jay pulls you into a narrow alleyway, ducking under a stone archway for shelter. it’s barely enough to shield you from the rain, but you’re both out of breath, giggling uncontrollably as you lean against the cold stone walls.
you’re both soaked, your clothes dripping water onto the ground, but the warmth between you is undeniable. jay’s hair is plastered to his forehead, droplets sliding down his face as he looks at you, his chest rising and falling with each breath.
you can feel the heat radiating from his body, even through the dampness of your clothes. you’re pressed so close to him in the narrow space that you can feel the tension building, the awareness of every inch of space between you—or rather, the lack of it.
jay’s laughter fades as his eyes meet yours, and for a moment, the air between you shifts. his gaze softens, his usual playful demeanour replaced by something more serious, more intense. you’re both still, the rain beating down around you, but inside this tiny archway, it feels like time has slowed.
he reaches up, his fingers brushing a strand of wet hair from your face, and the simple gesture sends a shiver down your spine. his hand lingers by your cheek, and you can feel the warmth of his touch even through the coolness of the rain.
for a moment, neither of you say anything, the space between you heavy with everything that’s gone unsaid. you can feel your heart racing, your breath catching in your throat as his eyes drop to your lips for just a second, but it’s enough to make your pulse quicken.
then, without thinking, without hesitation, he leans in.
the kiss is slow at first—tentative, as though he’s testing the waters. his lips brush against yours softly, almost delicately, and for a moment, it feels like the world stops. the rain, the city, everything fades away, and all that exists is the warmth of his mouth on yours, the softness of his kiss.
your heart stutters, your body frozen for a split second before you kiss him back, your hands finding their way to his chest. the kiss deepens, and the tension that’s been building between you for weeks unravels in a rush of heat and longing. his hands slide to your waist, pulling you closer, and you respond in kind, pressing into him as though you can’t get close enough.
the rain falls around you, forgotten, as you lose yourself in the kiss. there’s a desperation to it, like neither of you knows when—or if—you’ll ever get this chance again. it’s intoxicating, overwhelming, and everything you’ve been holding back spills out in that single kiss.
when you finally pull away, breathless, jay rests his forehead against yours, his hands still holding you close as though he’s afraid to let go. you’re both panting, your chest heaving as you try to catch your breath, but you can’t seem to move, can’t seem to break the connection between you.
the kiss lingers in the air, an invisible thread still tying you to jay even as the rain continues to fall. his forehead rests against yours, his breath shallow and quick, matching the erratic rhythm of your heart. for a moment, everything feels right, the world outside forgotten, the storm cocooning you in your own little universe.
but then something shifts. you feel it in the way his grip on your waist tightens briefly before loosening, in the way his eyes darken, filled with a sorrow that cuts through the joy of the moment.
he pulls back, just a fraction, enough to put space between you but not enough to break the connection entirely. his gaze drops to the ground, as though he can’t bear to meet your eyes.
“we… we can’t,” jay whispers, his voice heavy with regret.
the words hit you like cold water, the warmth of the kiss suddenly feeling distant. “what do you mean?” your voice is soft, confused, almost pleading. you take a step closer, unwilling to let him slip away. “jay, what are you saying?”
he sighs, running a hand through his damp hair, his shoulders tense. “you know what i mean,” he says quietly. “you’re a princess. you belong to a world of crowns and thrones, and i… i’m just your art teacher.”
you shake your head, the rain beginning to soak through your clothes, but you hardly notice. “i don’t care about that! my parents wouldn’t either. jay, this—this connection we have, it’s real. you can’t just pretend it isn’t.”
his eyes finally meet yours, and for a moment, you see the same longing reflected in them. but then he looks away again, his jaw tightening. “maybe your parents wouldn’t care, but i do. i won’t let you throw away your life for me. you have responsibilities, a future. i can’t be the reason you turn your back on all of that.”
your heart aches at his words, at the way he’s trying to protect you even as it tears you both apart. you reach for his hand, holding it tightly. “you’re not asking me to give anything up. i’m telling you what i want. you. you’re what i want, jay.”
he looks at your hand in his, and for a second, he doesn’t move, as though he’s frozen between what he wants and what he believes is right. “you don’t understand,” he says quietly. “you’re used to a life of luxury. i can’t give you that. i won’t let you settle for less.”
the frustration bubbles up inside you, mixing with the hurt. “it’s not about that. it never was. do you really think any of that matters to me if i’m not happy?”
jay’s gaze softens, but the doubt lingers in his eyes, a shadow of the barriers between you. “i need time,” he says, his voice pained. “i need to think about this.”
you bite your lip, the tears you’ve been holding back threatening to spill. “take all the time you need. just… don’t take too long. please.”
he nods, his face filled with a mix of guilt and sorrow. then, like the gentleman he is, he steps closer, offering you his arm. “let me take you home,” he says softly, his voice carrying a tenderness that only deepens the ache in your chest.
the walk back to the palace is quiet, both of you wrapped in your own thoughts, the sound of the rain the only noise between you. his arm around yours feels protective, grounding, but it’s bittersweet knowing that he’s still holding a part of himself back.
when you finally reach the palace gates, jay pauses, turning to face you. the light from the lanterns casts a soft glow over his features, and for a moment, it feels like time stands still.
“goodnight, princess,” he says, his voice gentle, though there’s an unmistakable distance in his tone now.
you look up at him, wanting to say something—anything—to make him stay, to convince him that this is worth fighting for. but the words stick in your throat. instead, you nod, forcing a small smile despite the heaviness in your heart.
“goodnight, jay.”
he gives you a final, lingering glance before turning and walking away, the rain continuing to fall as his figure disappears into the night. you stand there for a long time, watching him go, your heart aching with every step he takes.
as you finally turn and walk inside, the warmth of the palace feels stifling compared to the cool rain outside. the emptiness left in jay’s wake presses down on you, and the realisation that you might not see him again for a while hits you like a blow.
in the days that follow, the quiet is suffocating. you try to fill your time with painting, with other lessons and royal duties, but nothing seems to lift the weight pressing on your chest. each moment stretches on, and the palace, usually filled with the comfort of familiarity, now feels hollow without him.
your parents notice your change in mood but don’t pry, their knowing glances suggesting they’re aware that something more than art is on your mind. still, you keep jay’s name on the tip of your tongue, unable to speak it without feeling the ache of uncertainty.
and so, you wait. you wait for a letter, for a word from him—anything to tell you that he hasn’t let go, that he’s still thinking about you as much as you are about him. but with each passing day, the silence only grows louder, the doubt harder to ignore.
what if he doesn’t come back? what if he decides you aren’t worth the risk?
the thought makes your heart tighten painfully. you sit in your art studio, staring at an unfinished painting, the brush limp in your hand, as you wonder if jay is fighting the same battle within himself.
it feels like an eternity has passed since that rainy day, since that kiss that felt like the world shifted. and now, all you can do is hope that he finds his way back to you before it’s too late.
the days stretch long and quiet after that night in the rain, and the distance between you and jay feels more unbearable with each passing moment. you keep replaying his words, the look in his eyes, the way he had kissed you—like he wanted to hold on forever but didn’t know if he should.
you throw yourself into your art, hoping the colours and brushstrokes will distract you from the weight of his absence. but the empty space he’s left behind is hard to ignore, especially as you finish the final piece you’d been working on for weeks—a vibrant painting of a parisian street, your future awaiting you there.
paris. the word itself sounds like a dream. the trip is supposed to happen soon—your long-awaited opportunity to study art in the heart of a city known for its creativity and beauty. it’s everything you’ve worked toward, yet now the thought of leaving without jay feels hollow.
what was once the pinnacle of your aspirations now feels incomplete. you had imagined this adventure, this new chapter of your life, and pictured jay being a part of it. but now, with his silence lingering between you, you’re uncertain of whether he’ll still be there when it begins.
sitting at your desk, you stare down at the blank parchment, the quill hovering in your hand. you haven’t spoken to jay since he walked away that night, but you can’t bear to leave for paris without reaching out, without giving him one last chance to understand how much he means to you.
the words come slowly at first, but then they start to pour out, your emotions and thoughts spilling onto the page.
dear jay, it feels strange writing to you after all this time—after all the moments we shared that now seem so far away. i’ve been thinking about what you said that night, about how we come from different worlds, about the future you think i deserve. but you need to know that none of it matters to me if you’re not a part of it. i’ve wanted this trip to paris for as long as i can remember, to learn from the best, to immerse myself in art and culture. it’s something i’ve dreamed about for years. and yet, now, as the day of my departure gets closer, all i can think about is you. i don’t want to go to paris and leave you behind, wondering what could have been. you’re as much a part of my passion for art as any paintbrush or canvas. you’ve shown me new ways to see the world, to express myself, and i’ll always be grateful for that. but more than that, you’ve become someone i can’t imagine my life without. i know you think i’m giving up too much, that i’m risking my future. but my future isn’t just about royal duties or titles. it’s about choosing the life i want—and i choose you, jay. i wish you could see that. paris is calling, but so are you. i can only hope that when you think of me, it’s with the same longing that fills every moment of my days without you. i hope that when you think of our time together, you’ll realise that this isn’t about status or sacrifice—it’s about love. i’ll be leaving soon after my birthday, but before i go, i need to know: will you come with me? or will i have to leave you behind? with love, [your name]
after sealing the letter, your heart is heavy with both hope and fear. you send it to jay, knowing that the next move is his. each day that passes without a response stretches the wait longer, the ache of uncertainty growing.
you try to stay busy with preparations for your trip, packing supplies and finishing your artwork. your parents notice the change in you—the excitement for paris dimmed by something you can’t quite bring yourself to share with them yet. they ask if you’re nervous, if you’re ready for the adventure, and you smile, telling them what they want to hear. but deep down, all you want is to hear from jay.
paris is just around the corner, but so is the decision you’re waiting for—the choice that could change everything.
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the ballroom is a swirl of colour and laughter, filled with nobles, artists, and well-wishers all gathered to celebrate your birthday. the chandeliers above glitter like stars, casting a golden glow over the elegant space, and the music weaves through the conversations like a living thing, light and joyous. your parents spared no expense for this occasion, not only to mark your birthday but also to celebrate the upcoming adventure to paris.
it’s your birthday ball, but your mind is elsewhere, your heart tugged toward a memory that refuses to leave. you stand in front of your painting, the centrepiece of the night, hanging proudly on display for all to see. nobles and artists alike gather around it, marvelling at the vivid colours and delicate brushstrokes. you nod and smile politely as they offer praise, but inside, your thoughts are distant, wandering to a day not long ago when everything felt simpler.
the painting is of the marketplace—a bustling, lively scene full of energy and warmth. it’s the day you and jay had gone shopping together for art supplies, the day you let yourselves be ordinary, blending in with the crowds. the colours are bright and rich, capturing the vibrant chaos of the market: vendors calling out, the smell of freshly baked bread, the sound of coins clinking and people bartering for goods. in the corner of the canvas, nestled in the shadows of an alley, is a small, quiet space. it’s where you and jay had shared a moment away from the crowd, a stolen minute of peace amidst the noise, where the world had seemed to slow just for the two of you.
every brushstroke is infused with that memory—the warmth of the sun on your skin, the soft brush of his hand as he reached for yours, the unspoken connection that had blossomed between you in that hidden corner of the market. it was a day that felt like freedom, a glimpse of something more, something forbidden but undeniably real.
“your highness, it’s simply breathtaking,” someone says beside you, pulling you momentarily back to the present. a noblewoman in an exquisite gown stands at your side, her eyes wide with admiration as she gazes at the painting. “the light, the detail… it feels as though i’m standing there in the market myself.”
you nod and smile, offering a polite thank you, but her words barely register. all you can think about is him.
the weight of his absence has been heavy, pulling at your heart with every passing day, each one more difficult than the last. and now, on the night of your birthday, as you prepare to embark on a new chapter, all you can think about is the chapter you left unfinished.
you glance at the painting again, tracing the familiar lines of the marketplace, the hidden alley. that was the moment you knew there was something between you and jay, something more than just student and teacher, more than just friendship. it was the moment you allowed yourself to hope. but now, standing here alone, you wonder if that hope was misplaced.
and then, through the hum of voices and the soft strains of music, you hear it—a voice that sends a jolt through your entire body.
“you captured it perfectly.”
the sound of his voice makes the air around you seem to freeze. your heart skips a beat, your breath catching in your throat. slowly, you turn toward the source, and there he is—jay, standing just a few steps away, his eyes locked on the painting, his expression a mixture of awe and something deeper, something raw.
for a moment, you’re not sure if you’re dreaming. after weeks of waiting, of wondering, here he is, standing before you, his presence filling the space that had felt so empty without him. he looks different tonight—still himself, but dressed in a way that blends with the formality of the event. yet, there’s something in his posture, in the way his dark eyes flicker between you and the painting, that betrays the turmoil he’s been carrying.
“jay,” you whisper, your voice barely audible. but he hears you, as he always does.
he takes a step closer, his gaze shifting to meet yours, and for a moment, the world around you disappears. the ballroom, the guests, the music—it all fades into the background, leaving only the two of you in this fragile, suspended moment.
his eyes soften as they take you in, and there’s a vulnerability in his expression that you hadn’t seen before, something that makes your heart ache even more. “you remembered,” he says quietly, gesturing toward the painting. “the marketplace. that day.”
you nod, your throat tightening. “how could i forget? it was…” you pause, searching for the right words, but nothing seems adequate. “it was perfect.”
jay’s gaze lingers on the painting, as though seeing the memory play out all over again. his lips part, but no words come. instead, he takes another step toward you, his presence so close now that you can feel the pull between you—the unspoken tension that had simmered just beneath the surface for so long.
“i’ve been thinking about that day,” he says, his voice low and rough. “about us.”
your heart hammers in your chest. “and?”
his eyes flicker with a mix of emotions—regret, longing, and something you can’t quite place. “i thought i could stay away. that it would be easier, safer, for both of us. but i couldn’t.” his voice wavers, just slightly, and the vulnerability in it makes your pulse race. “not tonight.”
you swallow, your chest tight with the weight of everything left unsaid. the distance between you feels unbearably small, but also impossibly vast. he’s here. after all this time, he’s finally here. but the question still lingers, heavy in the air between you: what happens now?
just as you open your mouth to speak, to ask the questions that have been burning inside you for weeks, jay steps closer, his eyes locked on yours. the noise of the ballroom fades even further into the background, until all that’s left is him. and in that moment, with his gaze so full of emotion, you know that nothing has been forgotten. every stolen glance, every brush of hands, every whispered word—it’s all still there, between you, as real and undeniable as ever.
the night may be full of celebrations, but the only thing that matters is this: jay is here, and nothing will ever be the same again.
the grand ballroom continues to pulse with life around you, but the world feels quiet in the cocoon of jay’s presence. you haven’t even fully processed the fact that he’s here, standing in front of you after weeks of silence. his eyes—deep and full of an emotion you’ve longed to see—are fixed on you, as though he’s drinking in the sight of you, afraid to blink in case you disappear.
the weight of his absence, the unanswered letter, the uncertainty—it all rushes to the surface, but you force yourself to stay grounded in the moment. you open your mouth to speak, to ask the questions burning in your chest, but before you can, jay takes a step closer.
“you never stopped painting,” he says quietly, nodding toward the marketplace painting, his voice filled with a mix of awe and relief. “you’ve grown even more since i left.”
his words are a gentle balm to the ache in your heart, but they only skim the surface of what you truly want to know. you swallow hard, the emotions too thick in your throat to speak.
your breath hitches. “why didn’t you respond to my letter, jay?”
there’s a beat of silence before he looks away, the rawness of his feelings flickering across his face. “because i didn’t know if i was strong enough to walk away again,” he admits. “and i wasn’t sure if i could give you the life you deserve.”
“after everything we’ve been through, you still think i care about that?” you whisper, your voice trembling with the weight of all the unspoken words. “i just wanted you, jay. that’s all i’ve ever wanted.”
his jaw tightens, and he takes another step forward, closing the distance between you until his presence is overwhelming. “i couldn’t respond, because i knew that if i did, i wouldn’t be able to stop myself from coming back to you. and once i did, i’d never want to leave. but you… you have paris, you have a future.”
“and i want you to be part of that future,” you say, your voice stronger now. “i’ve had weeks to think about this, jay. i’m leaving soon, and i need to know where we stand before i go. please, just tell me how you feel.”
jay’s eyes flash with a storm of emotions—hesitation, fear, and something deeper, something that has been bubbling just beneath the surface. he reaches out slowly, his fingers brushing yours, the touch sending warmth rushing up your arm. “i’m terrified,” he admits in a voice so soft it makes your heart ache. “i’ve never felt like this about anyone before, and i don’t want to ruin it.”
“you won’t,” you say, stepping closer until your hands are fully entwined, your pulse quickening as his warmth floods your senses. “i don’t care about titles, status, or what anyone else thinks. you make me feel alive, jay. that’s all i need.”
his grip tightens on your hand, and for a moment, it seems like he’s grappling with the depth of what you’re offering. his breath comes in shallow, uneven bursts, as though he’s trying to hold himself together.
“i don’t want you to sacrifice everything for me,” he says, his voice thick with emotion. “you’re a princess, destined for greatness, for a life most people can only dream of. i’m just... a man who paints.”
you step even closer, until there’s barely any space between you. “and that’s enough for me. more than enough.”
for a split second, he looks at you as though he can’t believe you’re real. but then, before you can say anything more, he steps forward, pulling you into his arms in one swift motion. the warmth of his body against yours is overwhelming, but in the best way, and as his arms wrap around you, holding you tightly, you feel the tension that’s been building between you melt away.
“i’m so sorry,” he whispers, his breath warm against your ear as he holds you close. “for leaving. for making you wait.”
you close your eyes, leaning into him, your heart swelling with the relief of finally having him here. “you’re here now,” you murmur against his shoulder. “that’s all that matters.”
he pulls back just enough to look at you, his hands resting gently on your arms as his dark eyes meet yours. and in them, you see everything—the love he’s been holding back, the fear, the hope. “i love you,” he says, his voice thick with emotion. “i’ve loved you since the first day we met, and i’ve been fighting it ever since. but i don’t want to fight it anymore.”
your heart swells at his words, the weight of them settling deep in your chest. “i love you, too,” you whisper, feeling a rush of warmth spread through you as you say the words out loud for the first time. “i always have.”
the smile that spreads across jay’s face is like sunlight breaking through clouds, and before you know it, he’s lifting you off the ground, spinning you around in a burst of joy and laughter. the world around you spins with him, but you don’t care—because for the first time in what feels like forever, everything is right. everything is exactly how it’s supposed to be.
when he finally sets you back down, your feet touching the ground once more, his hands stay on your waist, grounding you in the moment. his eyes, full of love and warmth, search yours, and for a second, neither of you speak. you don’t need to. the silence is filled with everything you’ve both been waiting for.
“i want to be with you,” he says softly, brushing a strand of hair behind your ear. “but i don’t want you to lose yourself for me.”
you smile, shaking your head. “i’m not losing anything. i’m gaining everything i’ve ever wanted.”
jay’s hand finds yours, his thumb brushing over your knuckles as he looks at you, his gaze full of the future. “paris,” he says, a small smile tugging at the corner of his lips. “you’re still going?”
you nod, your heart racing at the thought of what’s to come. “i am. and i want you to come with me.”
he hesitates, just for a moment, as though the reality of what you’re asking is still sinking in. but then, his smile grows, and he nods, his grip on your hand tightening just slightly. “i’ll come with you. we’ll go together.”
your heart leaps at his words, the hope you’d been holding onto finally blossoming into something real. paris—together. it’s everything you’d dreamed of, everything you hadn’t dared to believe could happen. but now, standing here with jay, it’s all within reach.
“we’ll see the world,” he says, his voice soft but filled with excitement. “we’ll paint, we’ll live, we’ll—”
“we’ll be happy,” you finish for him, your smile widening as you lean into his touch.
he nods, his forehead resting gently against yours. “yes. we’ll be happy.”
and in that moment, as the ballroom buzzes with life around you, as the painting of your shared memory hangs on the wall behind you, you know it’s true. you and jay—together, free, and full of love. the world is yours, waiting to be explored. and with him by your side, you know that this is only the beginning.
as you stand there, wrapped in each other’s arms, the future stretches out before you like a blank canvas, waiting for you to fill it with all the colours of your love, your passion, and the adventures you’ll share. together, you’ll paint a life full of beauty, one brushstroke at a time.
and as the night fades and the dawn of a new chapter begins, you know—this is your happily ever after.
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𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr
˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱
taglist: @punchbug9-blog @firstclassjaylee @capri-cuntz @addictedtohobi @jaysfavoritegirl @yuniesluv @isa942572 @academiq @missychief1404 //the ones in bold could not be tagged for some reason. im so sorry guys tumblr is acting up :(
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amyrahrose · 3 days
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Content warning: Sukunaxreader smut, penetration, multiple positions, dominant Sukuna! , unprotected sex, pet names, Sexual theme, Adult theme, talking her through it, <READER IS BLACK FEMALE CODED>
Authur's Note→ 18 and Under, GET TA STEPPIN! I know for sure this will be broken into parts, however I'm not sure how many parts will be to this. I just decided to get back into writing little dabbles here and there so I'm honestly just testing the waters with this. Slightly proofread (English is my first language, but even the baddest of Bitches still make mistakes! ¯\_(ツ)_/¯) I do hope you guys enjoy! 🤎
Synopsis: You’ve decided that you would begin your fitness journey. Accompanying your best friend, today’s the day where you’ll being taking working out and going to the gym seriously (well kind of). Lacking motivation and ready to go back home to lounge around to watch some TV and pig out, that all changes when suddenly you meet this drop dead gorgeous as hell man. Will he be the inspiration you need to continue your new lifestyle?
w.c» 2.1 K
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“Sis, I love you I do, but the gym life isn’t meant for someone like me.” You panted out.
You weren’t sure why the sudden urge to accompany your best friend to the gym came about. Maybe it was because you were tired of always feeling burned out, sluggish and lazy. Possibly because you seen how fit, and fucking sexy, your best friend was getting after starting her fitness journey a while back. Whatever the reason, it went out the window the moment you set foot inside the gym complex with her and tried, very pathetically, to keep up with the routine she’d developed for herself. 
“Fuck this,” you thought, “I’d rather be home eating ice cream while watching Flavor of Love.” 
“See, that’s your problem right there. Rather be watching old TV shows and being lazy then getting your sexy on.” She fired back at you making you realize the last thought was actually out loud. You rolled your eyes playfully before glancing back over to her. 
 Both you and your best friend were on the treadmill walking at an incline with the speed up more that you would have liked. She was barely breaking a sweat, having gotten comfortable on the machine while jamming out to her workout playlist. She had on a two-piece workout set, showing off her toned stomach and big ass. You glanced around the gym, catching a few of the men every now and then peeking over at her, trying to get her attention. 
You on the other hand, you were barely making it. Panting like a dog in heat, your workout set you borrowed from her was sweated out, and your puff was starting to frizz out from all the sweating going on in your head. You could only imaged how you may have looked to everyone else inside the gym.
“C’mon Jade, I applaud you for your fitness journey but obviously I’m not ready, I should have at least started off slow so I could get used to it.” You whined out. She snorted out a laugh while throwing you a look. 
“Oh no ma’am, I tried to do that for you, but you were the one that said you could keep up.” She said as a matter of fact. All you could do was huff in annoyance at her response, because she was right. You figured anything she could do you would’ve been able to. You assumed it wouldn’t have been that bad, but you quickly seen the lie in that. 
“Whatever.” You mumbled as she smiled triumphantly, knowing she won the argument. 
“I’m not even tripping,” You began, “I’m about to get my unfit ass off this treadmill and head home, take a shower and be lazy.” You said determined. 
“Seriously Y/n? We’ve barely been here for forty-five minutes.” She looked at you with a judgemental look. You promised, no matter how much you might’ve complained, to see it through and finish the workout. But fuck that, Flavor of Love and a tube of ice cream was calling your ass. 
“Nah sis, I tap out. And there’s nothing or no one that’s gonna make me change my mi-”
“Uh excuse me miss?” 
You heard a deep, baritone voice sound off behind you. Startled, you whipped your head around to tell off the person for interrupting your monologue only to be stopped dead in your tracks with the sight before you. 
There stood a man, looking like the epitome of a gym God. You were met with a chiseled face, a smirk etched across his features. Sharp, bold crimson red eyes that stared down at you with a glint of amusement and playfulness. He graced you with his shirt off showing his toned washboard abs, littered with tattoos and sweat cascading down his torso, all the way down to his deep V-line. Gray gym shorts that hung dangerous low off his hips, not missing the way he was flexing his sculptured legs. Along with huge forearms that were decorated with dark line tattoos as well. 
In the mist of eye fucking the man, you briefly forgot you were on a moving treadmill, almost busting your ass in front of him and the whole gym. Before making a fool of yourself, he caught you just as you were about to fall off. Wrapping his huge forearms around your waist, securing you in place.
“Woah, you alright ma?” He asked. You looked up to his face, seeing his eyebrows furrow in concern. You also caught the sweat dripping, oh so deliciously off the tip of his nose, resisting the sudden urge to reach up and poke the tip of your tongue out to catch it. 
“What the fuck is wrong with me?” You thought to yourself.
You gulped as you stared into deep into his crimson eyes, becoming entranced by them. He shook you lightly to capture your attention again.
 “Hey, you sure you good?” He asked again. He wrapped his arms around you tighter while staring back into your eyes waiting on a response. 
“Y/n, girl say something.” Your best friend broke the silence. You gasped and looked down, becoming embarrassed by your actions.
“Oh yea, I’m good, thank you for catching me.” You answered timidly. 
Being plushed against his chest, you melted like puddy feeling the vibrations coming off from his deep chuckle at your response. 
“Good, wouldn’t want a pretty lil’ thing like you hurting herself.” He answered with a smirk. 
You looked up at him shocked, making his smirk deepen. 
“Maybe being at the gym wasn’t so bad.” You thought. 
“I hate to break up this lil’ love session, but we were in the middle of working out. While at least I was, my friend here was getting ready to lea-” Jade started before you cut her off abruptly. 
“Oh uh yea, I actually was about to get off the treadmill and head over to start on the stair master.” You found yourself saying, trying to give off the impression you come to the gym all the time. Without having to look back at your best friend you know she was giving you a “Bitch, are you serious” look into the back of your head, so much so it made your scalp start itching.
The man, still with his arms around you, let out a deep laugh this time. 
“Is that so ma? ‘Cause from the looks of it, you seem like you was struggling on this treadmill.” He said with a hint of playfulness in his voice. His response caught you off-guard while it made Jade throw her head back, cackling. Caught red handed, you chuckled lightly. 
“Was it that obvious?” You asked, not realizing you placed your hands on-top of his forearms while standing comfortably in his embrace, as if it was the most natural thing in the world. He smiled down at your while unconsciously giving you a light squeeze. 
“Yea that and your panting, I could hear you over the speakers ma.” He joked causing your to groan in embarrassment. Despite the awkwardness of him catching you in a lie, you both stay in your current position, neither of you moving. Only deepening the stare you both were committed in. Your best friend looked between you and the mysterious man. Dispelling whatever magnetic charm you both had each other captivated in, Jade cleared her through signaling both of you to gaze in her direction. 
“Not trying to be rude or anything, but what exactly was your reasoning for coming over?” Jade got straight to the point. Even though she knew the answer to it. Despite your own thoughts over your appearance, you were drop dead gorgeous. From you bra-length natural hair, medium brown complexion, big doe eyes, plush lips and a curvaceous body, Stevie Wonder could even see how fine you were. You just had to get out of your head about your looks. But Jade knew that was easier said that done, otherwise you wouldn’t have forced yourself to accompany her to the gym. However seeing how transfixed you’ve become around this guy, she was more than glad that you did tag along. 
“Oh uh right, well I seen how hard of a time she was having with the treadmill, I just wanted to come over and suggest a few pointers.” The man stated. He wasn’t lying, that was part of his reason for coming over. The other part was to introduce himself to you. He noticed you the moment you and your best friend walked inside the gym and was immediately hooked. He knew without a doubt he wasn’t leaving this gym until he at least got your name, and hopefully your number. 
“Oh how sweet of you.” Jade said playfully when an idea popped inside of her mind. She threw a cheshire cat smile at the both of you before continuing her statement. 
“Seeing that you want to make sure Y/n is doing the workouts correctly, why don’t you guys start coming to the gym together.” She said with a glint in her eyes.
“If motivation is what you want”, Jade thought to herself, he’s definitely all the motivation you need Y/n.” 
You whipped your head around almost giving yourself whiplash, looking at your best friend as if she just lost her mind. From the looks of the guy, he took his workouts serious. You barely kept up with Jade, why in the hell did she think you would be able to keep up with him?
You were getting ready to shoot down the idea when he began talking. 
“I don’t mind ma, that’s if you’re up to it?” He asked hopeful. He was silently thanking your best friend for being his voluntary wingman in assisting a chance for him to see you again. You turned back to face him, meeting his hopeful stare and small smile, giving you all the push you needed to slowly nod your head yes at the proposal. His smile deepened as he squeezed you once more. Realizing you were still in his arms, his actions caused you to gasp slightly, making Jade chuckle at the interaction. 
“Cool, I work out pretty much everyday around eight at night, so whatever day works best for you ma, I’m available.” He stated as he looked down into your light brown, doe eyes. He couldn’t help but image how they would be closed slightly, hooded with lust as he pinned you under him while he thrusted deep ins-
“Sure, uhm how about this Wednesday night? That’ll work best.” You cut off his thoughts with your proposal. Coughing as he blushed from his vivid thoughts, he nodded in acknowledgement. Hell, you could’ve said to meet up on Mars at the eleventh hour to workout, he would’ve made damn sure to make it work just to be around you again. 
Sliding his arms from around your waist, you tried to hide the disappointed sigh that escaped from your lips, causing him to smirk lightly. 
“Alright ma, that’s a bet. Give me your number and I’ll text you later to make sure you don’t flake on me.” He joked. You rolled your eyes playfully and smacked your teeth, causing him to shoot his eyebrows up in amusement. 
“Oh she has a ‘lil attitude problem, I’m gonna have to set that straight.” He thought to himself. 
“Boy whatever.” You said as you tried hiding your smile. You reached out your hand, signaling for him to hand over his phone. You typed in your cell number and text yourself so you could go in later and put him into your contact list. Handing him back his phone, he let his hand intertwine with yours longer than it needed to be, sparking an electric jolt to course from your fingertips all the way over your body. 
“Cool, I’ll see you Wednesday ma.” He said with a small smile before turning away to walk back to the area he was working out at. You gave a small nod, about to turn back to Jade before realizing you never caught his name. In a hurry you called out to him to grab his attention. 
“Hey wait, I never got your name?” You said with a small pout. The action making his dick stir a little in his gray shorts. 
He looked you up and down before catching your gaze again with a smirk to his lips. 
“Sukuna.” He said with wink and turned to leave. 
You stayed hypnotized in the same spot he left you, watching his figure walk away before you heard your best friend behind you. 
“See you got your own Flavor of Love right here, didn’t even have to go home for it.” 
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© 2024 Amyrahrose. Please do not translate, copy, plagiarize, or repost (sharing links is fine 🤎) without my permission. You will only find my entries/content on tumblr!
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For all the very self-sacrificial Wei Wuxian takes out there, I think they may actually fit Lan Wangji more?
…Before you disagree, there’s a big caveat to this – I don’t think these takes fit either of them well. But it’s interesting to compare their default responses to situations. Both want to help others – but whereas Wei Wuxian’s first instinct is to redirect (redirecting attacks to other targets, redirecting enemies’ attention to distract them, etc), Lan Wangji is much more direct in his protection*. And generally, that’s going to lead to putting yourself in harm’s way more often.
My favourite scene to demonstrate this is when Wei Wuxian and Lan Wangji (alongside Jin Zixuan) are protecting Mianmian in the Xuanwu cave. Wei Wuxian does this by redirecting Wen Chao’s attention to him, provoking him and causing him to step out of Wen Zhuliu’s range of protection. Meanwhile, Lan Wangji stands in front of her, blocking her from danger directly… despite being at a disadvantage and already injured!
Wen Chao was enraged, shouting, “How dare you! Kill them!” A few of the Wen Sect’s disciples unsheathed their swords, rushing toward Lan WangJi and Jin ZiXuan (...) the two boys were at a loss in terms of both weaponry and sheer numbers. Even more, after the past days of being constantly on the move, they were in quite a bad state, not to mention that Lan WangJi had been injured. They definitely wouldn’t be able to last long. Chapter 52, EXR translation
This is a scenario with high stakes (Mianmian’s life), but also with multiple solutions, meaning that their choices aren’t muddied by there only being one option. Yet we still see Lan Wangji directly defend – despite the fact that, if Wei Wuxian hadn’t intervened, he almost certainly would have died! And that’s true of another moment in the Xuanwu cave I never hear anyone talk about:
Before Wei WuXian could think of what to do next, his body tilted as somebody shoved him to the side. Lan WangJi had pushed him out of the way. With this opportunity, the jaws of the beast had closed, biting down on his leg. Wei WuXian’s right leg hurt from simply watching the scene. Lan WangJi’s face was still expressionless. He had only frowned slightly. Afterward, he was immediately dragged away! (...) Lan WangJi didn’t expect that [Wei Wuxian] could catch up even under such circumstances. He was utterly shocked. Chapter 53, EXR translation
Admittedly, this is a scenario with more limited options, which is why I mentioned Mianmian first. But his reaction stays consistent – directly blocking somebody from a threat with his own body. And again, he didn’t think Wei Wuxian could do anything to rescue him! He does not expect to survive, and we just… don’t talk about this???
(And note that when Wei Wuxian rescues him, he actually puts himself in less danger! Again, this is mainly due to the limited solutions – you can’t rescue someone who’s already bitten down on by blocking the mouth from biting down on them – but he’s still in a position where he does have the option to get out of the situation if he chooses (he’s not between the teeth! His hands are opening the teeth from the outside, his feet are on its shell, he can jump into the water at any time and does after Lan Wangji is safe. There is danger of the Xuanwu choosing to attack him, but his position on its own doesn’t put him in mortal peril, which is not the case for Lan Wangji here). So though it doesn’t give us that much insight into how he prefers to deal with situations, the dynamic is still interesting to consider with regard to how fanon!WWX is often treated.)
Now, maybe these examples are unfair. Maybe Lan Wangji here was very tired (he was), stressed (he was) and not thinking straight, and so he just didn’t think of other options that he would’ve chosen in normal circumstances. If that’s the case, it still supports my point – no matter his eventual course of action, his first thought/instinct is still to obstruct directly – but this isn’t just a pattern limited to this arc, and to such high-stakes situations. For example, look at his reaction when the Wens order the Lans to burn the Cloud Recesses (and though I’d be very surprised if Lan Wangji wasn’t stressed here too, he’s at least less tired).
Wei WuXian, “Is Lan Zhan’s leg related to this?” The disciple, “Of course. The first place that Wen Xu ordered them to burn down was the Library Pavilion. He declared that he’ll teach anyone who wasn’t willing to do it a lesson. Lan WangJi refused. He was attacked by Wen Xu’s people and they broke one of his legs.” - Chapter 52, EXR translation
I say this is low-stakes because actions won’t actually have that much of an impact – though there is danger, the Cloud Recesses are going to be burned down no matter what, so it’s not something you’re risking by not acting to prevent it. Yet Lan Wangji still chooses to directly oppose, to directly protect the pavilion as much as he can (even if that’s very little, and even if I do think the main factor here was actually his refusal to go against his principles and burn down the Cloud Recesses, not him trying to protect them. But that still leads to the same course of action: to act very directly). And again, that results in direct bodily harm to him**! 
But even in situations where he’s not stressed or under any pressure, we still see that direct protection is his default. Just look at the way he acts towards Wei Wuxian in the present day. One of his very first actions towards him (and pretty much the very first after finding out his identity!) is to block Jiang Cheng from hurting ‘Mo Xuanyu’ with Zidian – to quote EXR, “[Wei Wuxian] hadn’t been hit by the whip yet only because Lan WangJi acted as a barricade in front of him.” – and after that we often see him protecting Wei Wuxian from dogs, we see him let Wei Wuxian stand behind him when Jiang Cheng is angry at the Golden Core reveal (Chapter 102), we even see him protecting Wei Wuxian from things they both know he can face (Su She):
On the other hand, Lan WangJi gripped Bichen in one hand as he grabbed Wei WuXian’s waist with his other, pushing Wei WuXian behind him for better protection. In reality, Wei WuXian had no need for his protection, but he still leaned against his body with both comfort and compliance. Chapter 104, EXR
None of this leads to any harm of either of them, but it still holds true to the pattern of Lan Wangji protecting by physically putting himself between what he’s defending, and harm’s way. This response of his is extremely consistent! And it’s not just towards Wei Wuxian either – there’s a tiny moment in the Lotus Seed Pod extra which you could argue fits this pattern, where Lan Wangji chooses to physically hold the heavy roof of an abandoned shed to block the rain from reaching an injured man and a few other people, rather than trying something like using wood from the shed (including the four pieces of unattached wood propping the shed up) to build a temporary shelter for them until help arrives. The circumstances and therefore actions are slightly different, but the process leading to them is still the same – Lan Wangji still acts in the most direct way he can to protect the people from the rain, which does involve exerting himself even in a situation where there would probably be other ways to solve it (even if his Lan arm strength means he can hold the roof up without a problem). It’s not a deliberate choice to do whatever puts him in harm’s way the most, but directly using himself to protect people, whatever form that takes, is his main and default course of action.
The final thing I want to mention is that even Lan Wangji’s ‘big reveal’ moment – him being the one to take Wei Wuxian away from Nightless City, fighting 33 elders to protect him – calls back to this trait as well (MDZS is so well put together)! Once more, Lan Wangji is directly protecting, risking and suffering serious bodily harm as a result. Recovering took a few years!
…And yet. I never see anybody thinking Lan Wangji is self-sacrificial. I’d argue they’re right – but why? Why, when he puts himself in harm’s way more than Wei Wuxian does?
Maybe it’s because of something like this: ‘but he does this because he loves Wei Wuxian and doesn’t want to see him hurt, and protecting others is just part of his morals! It doesn’t point to any issue within him, he does have a stable sense of self and self-worth – at least there isn’t anything pointing to the opposite’.
Which, again, I’d argue is right.
But… does that really not apply to Wei Wuxian, too?
---
*And there are moments where they don’t act like this, especially for Wei Wuxian, but that’s generally in situations where there aren’t any other options which still lead to them accomplishing their goals. Protecting the Wens by… redirecting the Jianghu’s hatred towards other people? How would he do that? How would that help anything??
**It’s quite interesting to think of how Wei Wuxian would act in these situations, actually – both being forced to burn down the Cloud Recesses (or Lotus Pier, in this case), and in preventing (in this case) Lan Wangji from being eaten by a Xuanwu rushing towards him. The first, I’m not actually sure what exactly he would do (especially as nothing he can do will stop the burning) – I’m not sure he’d just go along with it, but I don’t see him just refusing to despite that not doing anything, either (especially since if he’s unharmed, he’ll be more able to protect his shidi and shimei if they’re in danger, since he’s a much more skilled cultivator/fighter than they are), at least not in the same way. Hearing people’s thoughts on that would be really interesting, actually!
As for the second – if there’s really no time to change anything about the head or its direction, he would probably do the same (with the only other option being letting Lan Wangji die). But if there was the smallest room to change something, I could definitely see him activating another fire talisman (to distract the Xuanwu and redirect its attention to the pillar of flame instead of Lan Wangji, even if just for a moment). And even if self sacrifice really needed to be an option, with no way out beside it, I think Wei Wuxian’s would take the form of redirecting the Xuanwu’s head towards him rather than directly blocking it from reaching Lan Wangji. When he does put himself in danger in canon, this is usually how he does it (see: him redirecting the corpses towards himself during the Second Siege, while Lan Wangji is protecting him and blocking them from reaching him… another nice example of their situational response!).
I do plan on writing a separate meta about Wei Wuxian’s tendency to redirect, though, so some of these points may be reiterated there.
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stagefoureddiediaz · 3 days
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Sorry for the terrible zoomed in screen grab but hello buck in a white tee yet again!! This is starting to get worrying and interesting in equal measure!
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So white tee above from new bts but he’s also been in a white tee in every other bts non uniform costume we’ve seen - except 2
We have this one
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This one
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And this one
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The two non white tee featuring costumes are this one
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And golf Buck
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First up - lots of white shoes - which means scenes about Buck and bucks journey to find happiness.
Then we have the fit of all of these costumes. With the exception of the golf one and sort of the vertically striped shirt one (and possibly the brown shirt one but as I can’t see much of it it’s hard to tell), they are all what I would class as loose fit and oversized. Which is not Buck at all. I wrote a lot about bucks clothes being intentionally too small in previous seasons - and how it represented him not fitting in his skin and being constrained and confined by his life. And that held true because as soon as his bisexuality was unlocked he was wearing clothes that fit him better and we saw him wearing jeans for the first time since season 1 (technically he was wearing jeans before but they were all coloured jeans - black or grey etc, but now we have him in proper indigo coloured jeans which is what I mean).
Now we’re in the territory of oversized and ill fitting. And that is pretty telling - especially in tandem with the change in colours we seem to be seeing for buck. The dark blue jacket and the greyish striped shirt are the most in keeping with bucks previous wardrobe we have seen. Everything else - including the coloured trousers is out of his wheelhouse.
Buck has pretty much always worn much bolder brighter colours - more in the jewel toned spectrum.
But now we have all these browns greens and tan colours and that’s very interesting to me. The choices made for buck for this season is starting to paint a picture.
The tan of the new bts and all the washed out and lighter greens are much more colours we associate with Athena and Eddie than Buck. They all point to the idea of conflict and combat as their colours associated with the military (which is why Eddie and Athena wear them - Athena because the police are a type of military in a literal sense)
Tan as a colour has several meanings but the two key ones that I think are most likely connected with buck are growth and healing. The lighter almost khaki greens - which have brown undertones are connected to blending in or going under the radar. There is also the meaning of growth, renewal and rebirth attached to it as a colour as well. These are all themes that seem to be likely arcs for buck this season. His bisexuality awakening g can be seen as a moment of rebirth and therefore it is fitting g to see him in these colours. Growth healing and renewal also fit with the idea of him learning about himself and because I have my theories about Tommy as a narrative device, healing seems very likely an important aspect of bucks story as well.
As for the oversized nature of the clothes - I’ve talked about it before, but it’s implying buck doesn’t yet fit in his new skin - he’s unlocked this new part of himself and now he’s figuring it out and what it all means for him.
The oversized choice is about growth - he’s got room to grow into who he is - it’s an extension of his too small clothes constraining him and I’m expecting to see a couple of things happen over the season with the oversized element of his costumes. From early on I expect to see better fits in places and around people he’s comfortable with - so around the firefam. But I also expect to see the oversized clothes when he’s uncomfortable or around people he is wary or not comfortable with- which means Tommy and possibly on some occasions around Eddie or even Maddie and Bobby. Buck doesn’t know Tommy so this is expected - especially as Tommy is connected to the newest part of buck he’s discovered. This also does fit with my theory about Tommy being a manifestation of parts of buck that buck needs to deal with - in order to live himself and embrace who he is.
The other thing I want to talk about is how so many people are claiming buck is stealing Tommys clothes or dressing like him. I want to debunk this as a concept, because it really isn’t the case at al and it creates a false narrative about bucks clothing. Tommy has worn a khaki colour way once. That’s right just the once - and it was his first non uniform costume of s7. All of his other costumes have been reds, blues, greys, or dark greens. Much more in line with bucks normal colour palette and nothing like the colours we’re seeing buck in right now. I remain convinced the first costume is also meant to be a red herring and as 7x04 is from Bucks perspective it means that costume isn’t necessarily a true representation of Tommy - it’s coloured by his jealousy.
What I’m really intrigued by and interested in is the amount of white t-shirts. Buck wearing white spells trouble in his life and to have so much of it is rather alarming! What form the trouble is going to take we have no idea - beyond Gerrard. But it seems season 8 is not going to get off to the happiest of starts for Buck!
And that’s not even going into the blue - green of it all - which I don’t have time to get into tonight but may pick up on tomorrow if I have the time!
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bleue-flora · 2 days
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For absolutely no reason whatsoever, I feel like we should talk about Limbo. Because it’s a interesting topic with lots of space for theories and perhaps this will help us come back to some common ground of discussion, and be an open enough topic to allow everyone, whether someone who just joined the fandom or has been here for years, to hopefully feel safe and welcome enough to join in and share their thoughts and opinions. Go ahead and use the tag #dsmp limbo so I can see your thoughts, there is no right or wrong answer here.
To start off the discussion, we know the time dilation based on what Wilbur has said is about 30/1 - meaning every 1 second is 30 seconds in limbo, every 2 minutes is 1 hour in limbo, every 48 minutes is 1 day in limbo, every 1 day is a about 1 month in limbo and so on just to give you perspective. We also know based on both what happens in the finale and by what Dream says in the finale, that Limbo changes based on how you die and the circumstances around your death.
Now here are my thoughts at the moment on the matter. While a lot of times I see Limbo in fanfics more personalized to the person killed, one theory I came up with to explain Limbo is that it is actually is more connected to the situation around the death and killer/death.
For example, Schlatt died of a stroke and his limbo then becomes a gym, themeing off the fact of becoming healthy and fit something he wasn’t in life. That lead to his nation being taken over and him not being physically capable to stop it as well as him dying to a stroke, which we are encouraged to believe is caused by his alcoholism.
But I feel like perhaps Schlatt’s is the easiest to connect, Wilbur’s on the other hand is a little weirder. But I think the train station is actually connected to Philza having just arrived, so the relation to travel. Trains are often kept on a schedule to be on time and Philza’s appearance is just in time to kill Wilbur, but too late to stop him from pushing the button.
Mexican Dream’s limbo then reflects more of Dream than of Mexican Dream. With an empty, unfinished nation not unlike how empty and isolated Dream likely felt, as well as angry about nations for being the cause.
This theory becomes a little stronger when looking at Tommy’s 1st Limbo being an existence of basically nothing. And I think this reflects how Dream kinda has nothing at this point. Also relating to how Tommy killed the cat (and am I miss remembering that he also burned his clock?) the only thing(s) Dream had left. It could alternatively relate to an empty stomach adding an element from his death being from the potato.
Rambo’s limbo then connects to Sam for a few reasons, one I think Sam felt very alone in his efforts to keep Dream locked up. Like only he could do it and no one was helping him. It is also similar in the fact that Sam felt so cornered and trapped like killing Ranboo was the only thing he could do, similar to how one would feel stuck on a tiny island surrounded by water that burns. It’s also interesting since for Ranboo, the island is also inescapable like the prison and he is only able to leave when Mexican Dream comes (like Dream only escaping prison when Techno comes), oh and Sam lives on an island too.
Then finally Tommy’s 2nd Limbo I think pretty clearly relates to Tommy asking before he died about why and how Dream saw things, and Dream’s comment of “everything was fine before you came!” so Limbo shows Tommy Dream’s pov at the beginning. Reflecting how Dream feels, his - “I just don’t want to ever be alone.”
Anyways, hopefully that made some sense, those are just some thoughts I have at the moment. Now I wanna hear yours. :) How do you think limbo works? What do you think Punz’s and Dream’s Limbos were? What were Vik’s, Lazar’s and Connor’s Limbos? What do you think would have been Tubbo’s, Techno’s or other character’s Limbos? How was Quackity able to visit Limbo in Las Nevadas?…
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joanthangroff · 4 months
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On another note insane that I got a job offer and it did NOT send me into a spiral about how this is actually a fluke and how horrible it could be,
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lbctal · 8 months
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soooo was anyone else emotionally effected by the end scene of the i of the storm (s2e3) or was it just me lol
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labyrinthofcrystals · 2 months
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me: ok time to write a happy scene!
rami!max: *exposes salem as the green goblin*
me: aw dang it
norman: *betrayal*
me: aw dang it
rami!mysterio: *exists*
me: aw dang it
goblin queen: *manipulates salem/goblin*
me: aw dang it
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longagoitwastuesday · 25 days
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Gushing about Gojo and Megumi and how they are or could have been everything to me I forgot to mention that I really really really love Yuuji. Like, a lot
#His attempt at reaching out to Sukuna‚ saving him and living with him#and how we see can see here and there moments in which he tries to reason with him from the very beginning#is one of my favorite things in JJK#It moves me a lot. It fits Yuuji a lot#But it fits the constant theme in JJK about how curses and people are not that different so much as well#Yuuji in the conditions of his existence looks at himself and then regards Sukuna#and the difference he sees is a faint line between them drawn out of merely being... lucky. Lucky enough to have someone supporting you#So he asks. Over and over. Let's try. Let's try again. This time it can be right. I know you could love flowers and haiku and company#I know you fear death. I will keep you company in life. Let's try again#But Sukuna owns it like Tirso de Molina's Don Juan does#I don't know. I love Itadori a lot#Their dynamic is truly something else. I wish it could be better#Damn I guess I just don't like shonen. The potential is amazing but damn why is it so unsatisfactory#Talking about best potential ever but unsatisfactory sorry to gush over Megumi and Gojo again#but the apparent parallel between them is arriving me off the wall#Megumi's mention to how it's the three of them reminded me of Gojo's similar comment to Ijichi and Shoko when he learnt Nanami had died#I live for these things. I wish there was enough to actually sustain me#I talk too much#I should probably delete this later#Also Gojo found her mother. She said she didn't care but he did. Just in case I suppose?#Perhaps to give her the chance if she did care after all. And I don't know. I don't know. I guess... This is it. This is why I love him#Despite everything he does care. And does take care of things. In his way. Uncouth. Weird. Irresponsibly. But he does#And Megumi laughs#Despite how his world crumbled he laughs. Because of something he wrote. Because of Gojo keeping his promise#In the worst most absurd Gojo way possible. But there he is. Taking care of it as he said he would. Telling him about it#And Megumi laughs. Because that's just so Gojo. Megumi laughs. And it's a sight to behold#And this is it. This is what Gojo could have been. What he was. But the glimpse of what could have been sooo deep when it comes to Megumi#And this is why I love him and them so much. And why the undeveloped potential breaks my ribs so severely#They could have been everything to me! They could have been everything at all! One of the dynamics ever!#Even if it had been nothing! Even in the nothingness! For the nothingness itself. Like the nothingness of this letter! Perfect example
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🔥unpopular charles opinion
The thing is, it’s not an opinion, really. The question isn’t meant to be a complaint or a rebuttal or anything. I just genuinely don’t get it! The question goes something like this.
So Charles/Klinger seems to be the one actively disliked ship in the fandom, discounting the h*nn*hawk vs p*erc*ntyre gang war and that one rabidly anti-hawnk person (lol). Most nobody has any love for the ship, because it’s stupid and OOC, of course, but mostly because it’s egregiously obviously racist and gross, which is the critique that seems most common, and to be of most importance to people.
And to be clear, for the purposes of this post I am wholly agreeing with all that! It’s distasteful and immoral and people who are into it are insane, including me. I’m not arguing against this line of thinking, I just wanted to look at its inner logic. Because when I first heard people saying this, I thought, “Yeah, makes sense, Charles is truthfully a terrible person with abhorrent opinions. Nobody watching this already unfortunately bigotry-riddled show is obligated to try and look past that! It is Always valid to hate Charles’ guts.”
But it turns out most of the fandom (I assume it must be most, given how shockingly few people here have blocked me) actually don’t hate Charles, in general. It’s the specific ship, not the character, that’s distasteful. (Not to say any Charles ship is anything resembling popular, but like with most ships, that’s just a result of the general population’s Hawkeye BJ Laser Focus Gaze. I’ve never seen anybody actively dislike these ships when they’re brought up.) And the more I think about it, the more I wonder why, because well. to put it bluntly. It’s not like someone stops being racist when they’re not actively interacting with a nonwhite person.
You know what I mean? I feel like Charles’ bigotry would be a turn off for all of our generally morally sound protagonists, not just one who happens to be personally affected by it. But it only becomes an issue when it involves Klinger. I’ve heard people say that any Charles/Klinger ship fic would obviously have to go out of its way to address Charles’ racism, but I’ve read a few Charles/Hawkeye and Charles/Donna (and Charles / other strange and varied choices too, because of course I have) fics–really, REALLY good fics, that captured the characters very nicely and are very beautifully written–and I’ve yet to find one that discusses The Bigotry In The Room with any degree of seriousness.
(Pssst this is everyone’s chance to absolutely dunk on me by sending me fics that do this if there actually are a bunch and I’ve just never read them because I would in fact LOVE to read some fics with that topic regardless of ship!)
And to be clear, that’s fine with me! I truly do not care. When I read Charles running away to Maine or romancing Ms. Parker and I don’t see his love interests stop to ask “Hey, um, so any updates on the fact that you and your whole family are eugenicists?”, it doesn’t bother me in the slightest, because I just assume that Charles has already gone through the cult deprogramming step of his character development at some point prior to this, and either the love interest in question has already confirmed this off-page, or they are making the same assumption I am. After all, at least in Hawkeye’s case, the mere act of admitting romantic interest in a Democrat from the back of beyond would necessarily imply a shift in values, right?
(Admittedly, for all we canonically know Donna could be a fashy scumlord herself, so this reasoning doesn’t wholly apply there, but it obviously does to her fanon background/personality.) (Which is adorable, by the way. Everyone go check out the collective oeuvre of AO3 user onekisstotakewithme.)
So that’s all cool! It’s just that the same thing applies for me when it comes to Charles/Klinger. If anything, it applies even more, because you can have a fic where Charles’ whole family attend his and Donna’s 2nd wedding (Everyone go check out the collective oeuvre of AO3 user onekisstotakewithme!!!) but if Charles gets with Maxwell in any capacity, his father is at the very LEAST never going to speak to him again, ever. And personally I think that is SO fun and sexy, because Charles’ father is a white supremacist and I want him to die painfully forever and ever amen. <3
I got sidetracked a few times here and I just realized I never actually asked the question, which is, TL;DR: If it’s immoral–or at least gross and nonsensical–to ship Charles/Klinger, because Charles is bigoted, shouldn’t the same also apply to shipping Charles with many other characters too, given that they should logically also have a problem with his bigotry?
For what it’s worth, I have a bit of a theory about the answer to this, all to do with the incompetent way Charles’ bigotry (and other characters’ reactions to it) are portrayed in canon and the deeper Doylist factors that I think forced the showrunners into writing it like that, but I wanted to stay strictly on the topic of fandom attitudes for now, because it may be niche and silly, but I find it interesting. And I’d love to hear other people’s thoughts on it!
#Did this sound rude? Was I totally incoherent? Is everyone mad at me now? All these questions & more swirling around in my brain right now#It seems like such an obvious thing I feel stupid even bringing it up because there must just be some huge thing I'm missing#but I can't figure out what it is!#There was so much more I wanted to bring up here as I said but I had to Stop haha#like sometime I also want to do a post on how most people seem to envision Charles fitting back into his family and his old life very well#and I always picture the exact opposite! Not just from a ''what I would want to have happen'' POV but also just#what I think would complete his arc in a satisfying way and build on the things that happened to him in canon#not saying he's gong to go home and become a commie immediately (ah! if only!) and I think he WOULD try DESPERATELY#to have everything be exactly the same. but I just don't think it would work!#like Margaret and unlike BJ or Hawkeye his pre-war life was not built on healthy sustainable or even ethical foundations#and that life is going to collapse in on him!#but ghdsjkgdsj STOP I will make a separate post later. enough controversy for today I'm sleepy#(but I also do SOOO want to make a post examining the insane inconsistencies in how the protags treat Charles and his bigotry cause it's#SIMPLY RIDIC#)#Hawkeye when he wants to have a little bonding moment with Charles:#I can excuse racism but I draw the line at failing to flirt with a 6'4'' millionaire. A girl's gotta do what a girl's gotta do!#and the thing is Maxwell also does this. but of course THAT isn't ok. wheezing.#Charles: god I fucking HATE [checks the list of protected minorities to find an ethnic group that's not on there] uhhh MEDITERRANEANS#Max who is used to long odds and is already mentally rehearsing his teary ''But officer! My husband was in that house!'' speech:#haha yeah ok Major. I think we are soulmates btw :)#THIS POST IS A DISASTER. APOLOGIES TO EVERYONE AND HAVE A NICE DAY.#Charles Emerson Winchester III#MASH#Starky loves answering questions#marley-manson#CHARMAX#Starky's Original Posts
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jellys-compendium · 2 months
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Imagine Nanami Kento waking up from anesthesia after surgery, his bleary and unfocused gaze landing on you (his wife) standing beside him and holding his hand in yours. You smile at him warmly, softly reassuring him that he's okay and that you're right here beside him as he stares at you silently.
Nanami looks down at your joined hands, his gaze seems to focus on the wedding band adorning his ring finger. He stares at it for a moment before looking back up at you.
"Who are you?" He slurs, his words sloshy and imprecise. So unlike him, and so very adorable. "Are you a nurse?"
You giggle at Nanami's question.
"No, I'm not a nurse."
Nanami seems puzzled at your response. His brows furrow as his fingers move against yours, thumb stroking across your knuckles in that gentle motion he always does to soothe you. Your smile widens. Looks like there are some things that even ketamine can't erase.
"Wow. You got the most gorgeous smile. Are you a model? You're the most beautiful woman I've ever seen in my whole life. You got really pretty teeth too..."
Kento's fingers tighten around yours, his voice falling into a groggy whisper.
"But...I think I'm married. We shouldn't be holding hands like this."
You bite your lip, fighting against the bubbling laughter in your throat and failing.
"O-Oh?"
Nanami nods, his expression shifting from one of appreciative awe to adorable seriousness.
"I want to be a good husband."
Well that just about melted your whole damn heart. Even the hospital staff in the background can't repress their "awww"s and "that's a keeper"s.
"Don't worry, you are a wonderful husband, Kento. I know that for sure."
He's confused again, those unfocused honey brown's searching yours, trying to figure out the situation as best as he can given the circumstances.
"How do you know?"
You raise your left hand, bringing it into his line of sight and wiggle your ring finger, the golden band surrounding it captures Nanami's attention in an instant.
"Because I'm your wife."
Nanami's eyes instantly grow wide, his expression morphing into one of childlike wonder.
"You're my wife?"
You laugh.
"Yes."
He squeezes your hand with a surprising amount of strength given that he was knocked out cold not that long ago.
"We're really married?"
"Yes."
"Wow..." Kento breathes, drifting off for a moment before asking you another question. "Have we kissed yet?"
His innocent yet hilarious question sends you into another fit of laugher.
"Y-yes! Many times."
Nanami rewards you with a dopey smile, his gaze so utterly loving, enchanted by your unrestrained joy.
"My wife." He murmurs adoringly, his fingers reaching up to caress your cheek.
"I love hearing you laugh." His palm cups your face. "You really are so beautiful. I hit the jackpot, didn't I?"
Grinning from ear to ear, you press a tender kiss to Kento's fingertips before guiding his hand back down to the bed.
"Alright sweetest man alive, you need to stop talking before you make every person in this room fall in love with you. I'm going to grab a snack for us for later. I'll be right back, okay?"
Kento nods.
"Okay. Can I get another kiss when you come back?"
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thebibliosphere · 1 year
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Every time someone well-meaning suggests I see a chiropractor for my migraines, I have this little moment of "ah, you're new here. You weren't here prior to 2018 when a chiropractor very gently adjusted my neck for my migraines, and I ended up having to get an emergency MRI because the ensuing symptoms were indicative of a brain bleed."
It wasn't a brain bleed. The muscles on the entire right side of my neck "just" tore (Spoiler there is nothing "just" about that kind of traumatic injury. I am still in physical rehab for it), and I couldn't hold my head up, see straight, walk or do any of the things I'd previously taken for granted until several weeks later when the area finally started to heal.
This was before I knew I had Ehlers Danlos, btw. But this is true even for people who don't have a connective tissue disorder: Don't let chiropractors touch your neck.
There are a lot of vital nerves and blood vessels there, and even gentle adjustments of the area can have life-threatening consequences.
I know chiropractic care can be pain relieving--I still get it for my lower back and hips because I work with a chiropractor who knows about Ehlers Danlos Syndrome, and sometimes my hips need to be popped back in at short notice, and it's easier to hop walk in and see her than wait for physical therapy--but it is a short-term relief that doesn't actually correct why something is happening.
If you can afford it, physical therapy will likely help more in the long term. I know not everyone can afford it, and that's why chiropractors have such a booming trade in the US, but please, I'm begging you, don't get your neck adjusted.
The spinal cord specialist I saw after my injury told me the number one reason he used to see people for traumatic brain injuries was car wrecks, followed by other major roadside injuries. He said those numbers were still the highest, but after that, the majority of his patients were survivors of chiropractic injury.
Do Not Get Your Neck Adjusted.
It's been over 5 years, and I still can't move my neck properly on my right side. I still struggle to eat and drink because my muscles will randomly seize up. It feels like my skull no longer fits on top of my spine because of the scar tissue. Please. I just want people to be safe.
And if you are a chiropractor reading this and thinking, "Well, I've never injured anyone, skill issue." No. You Have Gotten Lucky. Rethink how you apply your trade. Please, you can still help people while recommending safer options for specific body parts. Learn to do pressure point release and acupressure. Teach patients how to stretch and relax the area safely. Just fucking stop cracking people's necks like pop rock candy.
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sabertoothwalrus · 7 months
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There’s something I love love loveeee about Laios and how badly he wants to be cool.
Let me preface with this: in general, I believe the harder you try to be cool, the less cool you actually are. The less you care what people think about you, if you’re “cringe” or “weird”, the more likely people will perceive you as confident and self-assured.
There are countless pieces of media where characters try to fit in with some group, change every part of themself to look/act like what they’re “supposed” to be, and end up miserable, often realizing the people they’re trying to impress aren’t worth the trouble.
I’ve experienced this in my own life too! Sometimes when I go out I wear a rainbow propeller cap! Cause I think it’s funny and silly and!! I ALWAYS get compliments!! I don’t wear it to be cool, I wear it because it makes me happy. And people overall have a positive reaction to it. it’s a huge contrast to when I was teenager and didn’t really put as much of myself into my appearance/wardrobe, and barely left any kind of impression on people.
So anyway, let’s get into it.
Laios… he’s been hurt so badly by people. He resented humanity for it. And yet, he still yearns for the approval of others. He wants FRIENDS!!!! and was angry and frustrated to learn his perception of his relationship with Shuro was so drastically different than Shuro’s!!!!
He KNEW that people were put-off by his love of monsters. Up until Falin got eaten, he deliberately suppressed how much he talked about it with others. He probably thought by not talking about monsters so much, it was working!! He was doing all the Right Things now! So Shuro confessing he always hated him was a huge blow.
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But the reality is, he loves monsters. And most importantly, he loves cool monsters. He fantasizes about what would make the Ultimate Monster.
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He feels very strongly about what he considers “cool” as well. He finds all aspects of monsters fascinating, but can still be HORRIBLY underwhelmed when they look too lame for his tastes.
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He knows most people don’t feel the same way he does. He knows his “cool” is everyone else’s “weird”. It’s so tragically sweet how he latches onto Kabru the moment he shows interest in monsters, and takes every opportunity to infodump about them to him.
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He wants people to find monsters as cool as he does!! But, he also wants people to think he’s as cool as he finds monsters.
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Like!!! djkfghadkfjg IT DOESN'T EVEN BOTHER HIM WHEN PEOPLE HAVE A WRONG IMPRESSION OF HIM! He's FLATTERED by it. It's almost like, at this point, it doesn't matter to him if people don't like him. People can not like him and still think he's cool.
And my favorite thing is, it works. Laios IS cool as fuck. You KNOW he thought he looked so badass when he did this and he was RIGHT:
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And yet, this is him trying very hard to look cool. But it's Laios's version of cool. It's almost contradictory, in that sense. Cause he knows people still don't get it. Like. He wants to be cool. He doesn't care about the "normal" ways to be cool. He thinks his cringe thing is cool. He does his cringe thing, that people very much do still think is cringe. So you would think that, since he wants people to think he's cool, he would not do the cringe thing. But he wore the pelt because he thought it was cool. And people clapped and cheered for him anyway.
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is what he's doing really so different than this? ^
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YAYYYYY WOOO GO LAIOS YOURE SO COOL!!!!!!!
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gojonanami · 6 months
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❝ 𝐋𝐎𝐕𝐄 𝐌𝐄𝐀𝐍𝐒 𝐓𝐎 𝐒𝐀𝐘 𝐆𝐎𝐎𝐃𝐁𝐘𝐄 ❞
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❝ I CAN'T BREATHE WITHOUT YOU, BUT I HAVE TO... ❞
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✧ pairing: satoru gojo x f!reader (canon / multi au)
✧ summary: "would we love each other in every life?" it's the question you asked satoru the night before his battle, and he replied that, of course you would. but did that promise create a curse -- or were you both always cursed to begin with when it came to love?
✧ warnings: 18+, nsfw, smut, jjk manga spoilers (236 spoilers), multiple lives, assassin!reader x duke!gojo, actor!gojo x singer!reader, prince!gojo x knight!reader, model!gojo x photographer!reader, oral (f!receiving) in a car, semi-public, making out in public, pantyhose ripping, canon compliant except towards the end, angsty, but also bittersweet / implied happy ending
✧ wc: 6,589
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“Do you think we would be together in another life?” you ask, not thinking much of the question, as your fingers draw lazy circles against his bare chest, your head resting right between his shoulder and chest. 
Satoru chuckles, vibration against your skin, “Of course we would, sweetheart,” his arms curl around you, tugging you higher, as he gazes up at you, “you think I could live any lifetime without you?” He murmurs, his lips finding yours, “I know we’d find each other, time and time again,” 
“How do you know?” your fingers brush against his cheek, shaking as he presses his cheek into your palm, a smile pulling at his lips. 
“Because, I love you,” he kisses you again, sweet lips gliding against yours, his breath warming your lips as he parts. 
“You did say love is a curse,” you give a small smile, and he presses his forehead to yours. 
“Then I’d want you to curse me — in every life.” 
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“I swear on my life,” you press the dagger to his throat, blade digging into his formerly  perfect porcelain skin, drawing scarlet to the surface, “I’ll kill you, Satoru Gojo,” 
“I’m flattered to be a target of the infamous blueblood assassin,” his cerulean eyes glinted like stars in the candlelight, flames flickering across his eyes like burning comets, “but I didn’t think you would announce yourself as you did — what if I called for my guards?” 
You scoff, fingers flexing against the hilt of your dagger, “Then you would be dead before you uttered even a single sound and do you think I left your guards to chance? All of that schooling to be a duke and you haven’t learned a single thing have you?” 
“And what have I done to end up as your target?” he hums — as you bit back a sigh stuck in your throat — you preferred your marks to be much less chatty, but all he had was his mouth you supposed, “you only target the rich and the corrupt — and while I may fit the former, I do not fit the latter,” 
“You’re certainly sure of yourself,” and he’s unfazed by your reply, as his eyes wander the only thing visible of your expression — your eyes. 
“Since you have not stated my crime, I can only assume that I’ve committed none, and the infamous assassin whose morals could not be compromised have been,” and your grip wavers a moment, and he takes advantage of your hesitance to disarm you, and pin you to a nearby chaise all before the clatter of your blade hitting the marble floor, “and now what’s an assassin’s price who has done all of this for no reward?” 
“How do you know I’ve done this for no reward?” you squirm in his grip, but it’s ironclad, and you know all too well he could have broken from your grasp at any point, but he had chosen not to — your heartbeat roars in your ears as one question repeats again and again stuck between  beats — why? “I very well may have taken a payment you don’t know of — you act as if you know of me,” 
“Because I do,” the heir replies with a simple smile, “I have followed your work for a long time, and I found myself fascinated with what you do — and why you do it,” 
“Honored to have caught your attention,” you say in mock reverence, your arm beginning to ache, “now do you plan to call your guards?” 
“Didn’t know you were so eager to die,” he stares still, as you turn your head away from his piercing gaze, “shouldn’t you keep your eyes on your target or now your captor?” 
“Do you ever shut up?” You mumble as you flinch as you squirm under his grip, sleeve riding up ever so slightly — and then he sees it. His eyes narrow, as his hand grasps at your wrist now, “hey! Don’t—“ 
In a moment his fingers nearly rip the fabric of your tunic to tug your sleeve up —  angry red cuts and purple bruises litter your arm. Your breath catches as his eyes stare for several moments before sliding back to you — no longer a placid pool but a raging ocean. 
“Who did this to you?” he says quietly, and you’re blinking, nearly slack jawed, as you try to rip your arms away, but he won’t let you, “who is it? Is it the same person who told you to kill me?” 
“Stop—“ 
“Is it the same person who’s taken someone important to you?” and you grit your teeth in silence, “is it the little orphan you adopted? Yuji?” 
And your eyes snap to his, “How do you know this? Who are you?” 
His lips curl,  “You told me yourself, I’m Satoru Gojo,” and his fingers brush your cheek, “it’s a shame you don’t remember where we first met — because I never forgot,” 
You furrow your brow, “What are you talking about? I think I’d remember you. You’re…” you jerk your head, eyes looking him up and down — lingering on his white hair and eyes, “distinct,” 
“Well what if I had black hair and green eyes, would you remember then?” And he whispers your name in your ear, and you pause, “the fireworks were nothing compared to you,” 
And your breath catches — “You? But—“ 
“I had snuck out, had a disguise and everything, and I had planned to explore the festival alone but who do I find but you?” His grip on you loosens only to pull you a little closer, “the girl who had stolen two steamed buns and pinned me with part of the blame, making me run after you—“ 
“You didn’t have to run—“ and he snorted. 
“Well, it was that or get caught sneaking out — so I chose the lesser of two evils,” you can’t help it, your fingers trace the curve of his jaw to the back of his ear, “are you seeing if I’m defective?” And you find it. 
“No, he—“ you stop yourself, “you had gotten a small cut right behind your ear, it was deep enough that it would have left a scar behind,” and he had gotten a small cut from one of the soldiers who had grabbed them, bucking him with his sword, before you wrenched him out of there. The two of you spent the rest of the night eating food and sneaking around guards. And then finally climbing up on a rooftop to watch the fireworks. 
“How did you—“ 
“One of my father’s advisers found me later that night, in exchange for never sneaking out again without telling him, he said he would keep tabs on you,” 
You have no words, but one left — “why?” 
“I don’t know,” he shook his head, “maybe it was because I’ve been surrounded by nothing but my family’s yes-men, and you were the one person who treated me like a person, maybe it was the fact that day was the only day I actually had fun,” and he glances at you, “or maybe it was because I was drawn to you,” 
And you snort a little, “Do you believe in that fates nonsense they fed all of us as kids?” 
“I think fate is a very real thing, and I think it’s up to us to seize it,” he releases you, holding your hand before bending to press the barest brush of his lips against the back of your hand, “so, will you seize it or continue to evade your fate?” 
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“We’ll never be able to evade the press if you do this,” you whisper, as he presses you against a wall of a secluded pillar of whatever place they had chosen to have this awards show, “and our teams will definitely chew us out if we don’t make an—ah,” you gasp, as his teeth nip at your neck, “Satoru, don’t leave a mark,” 
“Sorry, sweetheart,” he licks his lips, as he leans up, his normally messy white locks combed and parted to the side, his lips kiss bitten red from the liplock he had you in for the last ten minutes, and his white suit slightly ruffled and pressed against you, “you taste so sweet,” his thumb runs down your puffy lips, “and the desserts tonight sucked,” 
You chuckle, your fingers toying with the hair resting against his undercut, “Think you would have been pleased with receiving the award for best actor, is that not enough Mr. Gojo?” 
“The only thing that pleases me is my gorgeous wife’s singing and,” his lips find yours in a desperate kiss, and you could taste the fruity mocktail he had earlier on his lips, “and her moans when she’s under me,” his hand slides under your dress, dragging over your pantyhose clad thighs, “do you think anyone would notice if you came back without these?” 
“Yes, I do,” you gasp as he tugs at the delicate fabric, “Toru, we shouldn’t—” but your pleas are half-hearted, as his lips drift to press butterfly kisses up your jaw, “you deserve me insane,” 
“I know,” he chuckles, “that’s why you love me,” and you hum, your noses brushing before you meet lips again, “I love you so much,” 
Your fingers cup his cheek, as he leaned into your touch, “I love you too — don’t you want to enjoy all the accolades, the interviews, the congratulations? You won such a big award, Toru, I want you to celebrate,” 
“I am celebrating,” he grins, tilting his head, “I’m surprised at you, princess — and you’re the smart one between the two of us,” he teases, as he turns his head to kiss your palm, “in an entire ballroom full of people in there and all the places in the world, there’s no one place I rather be with than here with you.” 
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“How did I end up stuck with you?” you grumbled, your armor weighing on you heavier than other days, as you stood in front of your prince — the little sun of this kingdom and the future king, the man you were sworn to protect for the rest of your earthly days, and your best friend, for better for worse, “if the fates have written it, I must have done something horrid in a past life,” 
“Do you really believe in that garbage?” Satoru raises an eyebrow, as he places his sword down from practice, waiving off his training partner, as he wipes off his sweat with a towel offered by a maid, “You know that stuff they fed to us so we wouldn’t throw tantrums during classes — so we didn’t turn into slugs for our next life,” 
“Why turn into one when you are one already?” you smirk, and he rolls his eyes, as he runs his hand through his hair. 
“Has a slug ever looked this good before?” and you roll your eyes. 
“Think your ego is going to be so large by the time you become king, your crown won’t sit atop your head correctly,” you sigh, rising to your feet, “now we must get you cleaned and dressed, you have a meeting with the—” 
“I actually cleared my schedule for the rest of the day,” and you blink, frowning. 
“His Majesty will not—” 
“His Majesty will be fine — old man hasn’t kicked the bucket over the last fifty things I’ve done — I doubt this will be more than a ten minute lecture on decorum, fifteen if I decide to poke the bear,” he throws you a grin, as he pulls on a fresh shirt, “come, I have something to show you,” 
“Show me?” you repeat, before his hand finds yours — his hands are smooth despite the constant swordplay and practice he put in — he supposed he owed that to the royal staff, tending to his looks as much as they did his health. The same could not be said about yours — riddled with cuts and calluses alike. Your cheeks burned as your unkempt hand held his — “your highness, this is—” 
“‘Your Highness?’” he repeats, throwing you a smirk over his shoulder, “when have you ever called me that?” 
The appearance of holding your hand as he pulled you down several hallways through the palace was beginning to attract the attention of several gawking onlookers. Your cheeks burn — and you’re not sure if it's from the stares, his words, or the fact he was still holding your hand as you both arrive outside his chambers. But you can’t stop him — but you never could stop him when it came to this, could you? It reminded you of the times he dragged you through the gardens, wanting to show you the rabbits’ hidey hole he had found in the corner of the royal gardens. 
“Well I was made an official royal guard and appointed as your personal guard yesterday so I thought a little professionalism—” he unlocks his door, turning to look at you, a smile pulling at his lips. 
“There’s no need for decorum between us, now is there?” his fingers find a stray strand of your hair, and presses his lips to it, as he opens his door. You glance inside to find a lovely decorated cake and a present wrapped perfectly on the table, “Happy birthday, sweetheart,” 
“What—but—” and your mind realizes the date, “how did you—” 
“You think I’d ever forget your birthday?” he tilts his head, as your eyes slide to him, “it’s the day we met,” 
It was — the day you were brought from your home with your father who had been the king’s royal guard for many years, you were brought to be the prince’s — but you didn’t know you would find more than that in him. 
“I didn’t know you did this for your personal staff,” you teased, a smile pulling at the corners of your mouth, “I certainly can’t imagine what they would think of you inviting a woman to your room for it,” 
“Well, you are my personal guard, you’re here to personally guard me against anything, right?” and this was the nature of your relationship wasn’t it? Teasing and goading — toeing that line of proprietary before one of you eased off. 
“It seems like I need to guard you only against yourself, your highness,” 
“Satoru,” he corrects, his eyes sliding to you, as he says your name with a softness that you wished he wouldn’t, “you had no issue calling me that before,” 
“We were only friends then, I’m your guard now—“ 
“Do you kiss all your friends?” And your cheeks flare, as your gaze refuses to meet his. 
“That was—a mistake,” you whisper the last two words, “we can’t do this—“ 
“Why not?” You turn away, your eyes sliding to the cake, a frown pulling on your lips. 
“Because you have a duty to your people and I have a duty to you,” and his fingers find your shoulder gently, giving you leave to pull away — but you can’t, you couldn’t. 
“My only duty I desire is the one to you—I love my people, but I can’t be the king they deserve if you’re not the one beside me,” your gaze still cast downward, “I will cast away any responsibility, if I could have a chance with you, sweetheart—“ 
“The king has discussed your engagement with me,” you murmur, “he told me he plans to have you engaged with a princess from a neighboring—“ And his arm is wrapping around your waist, pulling you closer — your gaze lost in the endless blue skies of his eyes, “we can’t—“ 
“I’ll find a way,” and you scoff. 
“Don’t make promises you can’t keep,” you mutter, and his warm palm slides against your cheek. 
“This isn’t me promising to find a unicorn when we were five, Princess,” and you chuckle at the thought of his child self trudging into the woods with carrots in hand and what he thought was fairy dust (it was ladies’ finishing powder), “I swear that we’ll be together,” and he reaches into his pocket, and holds a small box, opening it to reveal a beautiful infinity pendant, “and this is my promise,” 
You bite your lip, staring at the silver glinting in the sunlight trickling in from the windows, “Satoru—“ 
“Finally giving in?” And you sigh. 
“How can you be sure we’ll be together?” He chuckles, as he gently turns you, making you face the mirror in his room as he places the necklace delicately around your neck, his fingers brushing against the skin of your neck before he clasps it. His arms slowly slide around your middle as he meets your gaze in your reflection, lips curling. 
His lips press a sweet kiss to your cheek, “Because I know I’d choose you, again and again.” 
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“Why did they choose him as my model again?” You groaned as you looked at the list, tossing it back on your desk, “he’s so impossible to work with—“ 
“The shoots are finished quick—“ your boss replies gruffly, as he stands with his hands in his pockets, “and he said he’d only shoot with you. Said he likes your work and you’re the only one who can ‘capture the real him,’ some crap like that,” he shrugs. 
“Yaga, I can’t keep dealing with this man, can’t he shoot with anyone else?” 
He sighs, scratching the back of his head, “Look, the magazine we’re working with chose him as the model, and he said he would only do the shoot if you did it,” 
You sigh, leaning on your palm, elbow against your desk. “you’re not giving me a choice are you?” 
And no, he wasn’t. 
Because now you were at the studio for the sight of the shoot, getting everything ready that you could before your model arrived. You made sure his preferred makeup artist and hairstylist were available, you picked out his favorite snacks, got his preferred lighting (to be adjusted when he was on set), and had your cameras adjusted for his light sensitivity. 
All of which reduced the amount of time you had to spend with this man — but not even the most divine snacks would stop him from running his mouth. 
“Sweetheart,” you turned to see him, “miss me?” 
“When pigs fly, maybe,” but your words don’t faze him, a mock pout on his lips, “why do you request me to do your shoots, Gojo?” 
“Because it’s the only way you’ll see me,” and you sigh, as you continue to adjust your camera again, “you still haven’t given me a chance—“ 
“I gave you one chance, wasn’t that enough?” Before you turn to him, “look, I’m here because I have to be. I want to shoot — get in and get out and not have to—“ 
“One chance to talk to you — please, even if you don’t believe me or forgive me—“ 
“Fine,” you shake your head, frustrated, “go finish the shoot and we can talk for five minutes after,” and maybe he would stop forcing you into this situation. 
Satoru Gojo was the top wanted model by all the agencies — agencies were looking to snipe him and others were looking to have exclusive deals with him — whether it was photography businesses or brands. 
You couldn’t blame them, as you adjusted your lights and took a few test shots — he was gorgeous, even by model standards. From his skin to his body to his attitude, it was effortless for him. Even a bad angle or bad lighting did very little to detract from his flawless look. 
The chiseled cut of his jaw put statues to shame, his eyes shone brighter than the shiniest gemstones, his charm the envy of the love goddess herself, and his smile was enough to change hearts and minds alike. 
The shoots always look little time — the part that took the most time was choosing the best shots — you’d love to take one bad picture of him. Even for yourself — but that had proved impossible. Even deprived of sleep in the hours of the early morning, he was perfect. 
Perfect — except for his loyalty, you supposed. 
How had it gone so wrong so fast? And how did you let yourself become so carried away that you thought you were different from the others he bedded? 
And the shoot was over in a moment, and just like he said, Satoru was by your side as you begin to break down the equipment, as the other staff filed out, “can we talk now?” 
“If you have to,” you would give him an ear, but it didn’t mean you’d give him anything else.
“I never cheated on you—“ 
“Bullshit,” you reply, as you pick up the tripod you set up,  “I guess you didn’t the full five minutes,” 
“No, I didn’t—what you saw—“ 
“I saw you kissing another girl all over social media—“
“You saw me with Suguru,” he sighs, “and we weren’t kissing — we were hugging. You thought it was kissing from the angle of the picture, and before I could explain, you had blocked me on everything,”
You pause, “Suguru?” You repeat, as you pull out your phone and pull up the picture — black hair, hair half up, and they could have been hugging. And Satoru pulls out his own phone and shows you a selfie he took that same day, the meta data matching, “oh, oh fuck,” 
“Was that an apology? Not familiar with those coming out of your mouth so—“ 
“Satoru, I’m so sorry,” you murmur, “I saw the pictures and I heard the rumors and I assumed the worst of you,” you run your fingers through your hair, “even though I knew you better than that,” 
“You did, but I understand why you thought that,” he shrugged, “we had only been seeing each other for a month, but it meant something to me,” his voice softens.
“To me too,” you shake your head, “I’m so sorry, Satoru. I don’t know how to make it up to you,” 
“I know,” he smiles, “have dinner with me,” 
You blink. “why?”
“What do you mean, sweetheart? Everyone eats dinner, it’s a—“ 
“Satoru,” you sigh, “I didn’t believe you, I didn’t trust you, how can you forgive me like that? How could you want to be with someone like that?” 
“Well, you made a mistake — you forgave me for the other mistakes I made during our time together, and if I hadn’t let my team convince me that my fake reputation as a playboy would help sell my image — maybe we wouldn’t have been in this mess to begin with,” his fingers brush against yours, “besides, I want to believe in second chances — because I’d want to believe you’d give me one too,” 
Your fingers intertwine with his, “Even when I don’t deserve it?” 
And he lifts your hand to his lips, blue eyes glinting like an ocean dabbled in sunlight, “All the more for you make up for, right?”
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This wasn’t right. No. No. 
“Satoru, Toru, please,” your fingers cupped his face, your fingers smeared with his blood as Maki pulled gou away, “no, no!” You don’t remember screaming, but you know you did because your throat was raw, your tears streaming down your face as your hands shook, staring at the dried blood on your fingers. 
He promised you he would win. He promised you he would come back. He promised you a life, a family, a home — something beyond jujutsu. 
And now you were left with nothing but that. 
“I’ll come back,” he had murmured in your ear the night before, his fingers tracing your cheek, “there’s no way I won’t. Have you ever seen me lose?” 
You give a small chuckle, “You just got trapped in a box for almost twenty days?” And he pouts, as he tilts your head up, fingers sliding against your cheek. 
“It was a one time fluke, sweetheart,” and his lips grazing your lips, “and I’m here now aren’t I?” you hum, “and I’ll always be there,” 
“In every life?” He smiles. 
“In every one.” 
In every one — except this one.  
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“One would think you’re helpless, if you pout like that,” you teased, as you crawl into bed beside him, a smile on your lips, as he tugs you steadfast into his arms, “it’s only been a few minutes,” 
“It felt like a lifetime,” he presses a kiss to your head, “Is he asleep?” And you nod, a sigh on your lips as you settle into bed.
“After about twenty minutes of arguing, he passed out while I was telling him a story. He’s still not accustomed to this mansion,” neither were you — you had spent a few nights lying awake after jerking from the clutches of sleep — the paranoia still rampant in your mind. But those thoughts were a little farther now as you lie against his chest, heart thrumming under your body — the very heart you were meant to stop, and a chuckle escapes your lips. 
“What is it?” He raises an eyebrow, and you shake your head. 
“Why did you help me?” You draw circles on his chest, “you had every reason not to,” your fingers traced a line across his neck, “I even held a knife to your neck,” 
“And that was very attractive,” and you roll your eyes, “what? I like a woman who takes charge,” 
“Oh I know,” you chuckle, your lips pressing sweet kisses to his neck, “but I still don’t understand — you had every reason to distrust me, we barely knew each other, and yet—“ 
“You were still the girl I fell in love with that night,” he murmurs, “I just knew you were something special and when I saw what you were doing — trying to uproot corruption, I knew I was right. And I knew I had to make you my duchess,” 
“Well I’m not your wife yet,” you tease, the words barely out of your mouth before he’s got you pinned under him, “Toru—“ 
“Now, I told you I was going to seize my fate when I saw it,” and he kisses you, stealing every thought from your mind and every breath from your body, his touch filling you with warmth in return, “and I see it right in front of me,” 
“And what does it look like?” you smile against his lips, as he leans down to kiss you again. 
“Bright.” 
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“Is it just me or do these paparazzi lights get brighter and brighter each time?” you rub your eyes as the two of you slide into your car for the night, the driver setting off towards your home. 
“I don’t know, I was too busy being blinded by my gorgeous wife,” and Satoru’s hands are all but under your dress, sliding up and down your sides, before one cups your cheek, “did i mention how incredible you look, sweetheart?” 
You hum, “about a million times,” your fingers slide against his shoulders until he’s practically lying on top of you against these leather seats. 
“That’s a million times too little — you look incredible, sweetheart. This dress was made for you,” and his lips taste as sweet as his words, your fingers sliding into his snowy locks while his slide against your bare thighs, “and I can’t wait to take it off when we get home,” 
“You’re going to take it off now if your hands slide any further up,” he draws a shiver from you as his hands do just that, daring further up your thighs, “Toru—“ 
“Don’t worry, the partition is up and it’s just you and me, sweetheart,” and he’s sinking to his knees on the floor, as his hands slide up your dress, “just keep your voice down, don’t want anyone hearing my wife, do we?” And his lips are grazing your inner thigh, his smirk against your skin, “good thing I relieved you of those pantyhose, huh?” 
“Toru,” you whined, as his fingers parted your thighs, and he could see your all too soaked panties, a damp patch and the fabric nearly translucent while it clung to your clit, “please—“ 
“So needy — and now that mouth of yours is being as honest as this one,” his lithe fingers tug aside the crotch of your panties to expose your cunt, “all this f’me? Been like this since our make out earlier? Surprised I didn’t see your cum drip down your legs,” 
And his words make you squirm, “Satoru, I swear to god—“ and his lips kiss your clit, as two fingers tease at your entrance, gathering your pre on his fingertips. 
“You don’t have to call me god, Princess — just Satoru is fine,” he murmurs as his lips close around your clit, as his fingers work inside your walls, a delicious stretch that draws a pretty gasp from your lips, your head falling back against the leather headrest. 
The sounds of the squelch of your cunt and the slurping of his lips against your clit rang in your ears — your fingernails digging into the seat as your other hand clamped over your lips. 
“That’s it, just like that, Princess,” his tongue darts out to  drag circles around your clit, while his fingers find the spot that makes you see stars. 
“I’m—“ you manage, before you’re cumming around his fingers and lips, your toes curling as you do, head back against the headrest. Your eyes find him to see him looking all too perfect even ruffled, as his lips were glossy with your release, tongue darting out to clean it, before he licked his fingers one by one. 
“And you were worried about the paparazzi noticing your missing pantyhose,” he murmurs, pressing a kiss to your lips, letting you taste yourself on his tongue, a smirk against your mouth, “let’s hope no one saw that,” 
And there’s a sharp rap on the window, “Sir and madam? We’ve arrived,” and his lips quirk, as he adjusts your clothes, cleaning your smudged lipstick with his thumb, as you reach up to wipe his lips where the lipstick had gone. 
“Shall we celebrate my win properly?” He opens the door and slides out of the car, holding out his hand for yours.
“As we always do?” And your fingers find his, as he presses his lips to the back of your palm. 
“Always, Princess.” 
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“Are you ready yet, Princess?” Your Prince’s arms slid around your waist, his lips already at your neck, as his ocean blues met your gaze in the mirror, “how lucky is our kingdom to have such a lovely future queen? And how much luckier am I to have her as my wife?” 
“We do not know if the people will approve of me still, Toru,” you murmur, eyes shying away from his, your fingers finding the infinity around your neck, “you promised me forever, but will they grant it to us?” 
“Do you have such little faith, sweetheart, in your future husband?” His fingers find your chin, tilting it upwards to meet your gaze, “I’ve already done the impossible — I charmed you over the last two decades haven’t I?” 
“More like wore me down,” and he pinches your cheek, before he presses a kiss to the affronted skin, “re-defined the long game,” and he kisses your nose, “and stole my heart and soul while I wasn’t looking,” 
“I never steal,” he smiles that same smile that was emblazoned in your memory all those years ago, when he emerged from the woods with not a unicorn, but a baby fawn he had frightened from very same thicket, “I only take what was given to me,” he smiles, “and you willingly handed over your heart the moment you let me into your life,” 
“What was I thinking?” you murmur, cupping his cheek, “now I’ll have to deal with the politics of a kingdom for the rest of my days,” 
His lips curl widely, as his lips find yours, a heat that simmers into passion and then into simple love, “I promise, in exchange, I’ll spend the rest of my days making you the happiest you’ve ever been,” 
“The happiest, huh?” you murmur, foreheads pressed together, “that’s a tall order, so you think you can do it?” 
“I know I can,” he smiles, his arms pulling you impossibly closer, “because I’ll never trying to make you happy, Princess.” 
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“You’re far too happy with this arrangement,” you say through the door, arms crossed as you pressed your back against it, “I don’t want to come out,” 
“You agreed to this, c’mon sweetheart, you’ve taken countless pictures of me—“ 
“You’re a model — it’s literally your job,” you glare at him through the door, “I’m behind the camera — not in front of it,” 
“But you’re just as beautiful in front of it as you are behind it,” and you can hear his pout through the door, “if you really don’t want to, sweetheart, I won’t make you—“ 
And the door opens, your lips curled in a pout as you emerge in a cerulean gown — the same color as his eyes, the very same that widened upon seeing you. 
“Was this necessary?” you squirm in place, as he bites his lip, eyes raking over you, “Toru—“ 
And he’s in front of you in an instant, his arms winding aaaaaaaaround your waist, “I want to kiss you so badly, but I’ll mess up your makeup,” your breath catches, so his finger brushes against your lips and presses it to his own lips, a little of your lipstick sticking to his lips. 
“Toru,” and his lips quirk at the nickname, “why do you want to take pictures of me?” 
“Because, I want pictures of you that are just for me,” he gently takes your hand, pressing a kiss to your wrist, “because I’ll never have this moment with you again, but I’ll have these pictures with you,” 
“And when do I get pictures that are of you and just for me?” And he presses a kiss to your head. 
“Anytime you want,” he murmurs, “we have all the time in the world, don’t we?” 
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Time — that was the one thing Satoru Gojo always lacked. It felt as if his whole life was an hourglass, waiting for the sand to run out — and the one time it came close, blood seeping like sand through his neck, he was able to turn it on its head, until time was on his side agai.  
He wasn’t sure if time was on his side now.  
He could only see the winter sky above — flecks of white he could think were snow but never be sure if that was his vision going blurry. He couldn’t feel anything — but he heard the all too distant squelch of his blood against the ground, the sounds of footsteps, the feeling of his body being lifted, a smile still on his face.
He was going home — the one person who always made his world right side up — the only person who could catch the sand that slipped between his fingers and hold it between warm palms. He forced his body to keep running — to keep going, the flow of cursed energy may have come from the stomach and his brain may be able to power his reversed curse technique — but that didn’t compare to his will to make it home — make it to you. 
“Toru! Satoru!” he couldn’t will his eyes to open, only managing the barest flutter of his eyelids, “it’s okay, Shoko’s got you, I got you,” you murmur, a soft brush that must but your lips. 
Love was always the most twisted curse of them all — and he knew it had always been a curse to love him. Anyone drawn into his orbit seemed only doomed to fall around him — whether it was by their choice, his choice, or fate’s choice. 
Fate. That was a word he never had put a lot of stock into. Suguru always said there was a certain order to things — sorcerers were made to defend humans, and that was our duty. He had replied that fate was an excuse for people too afraid to challenge the status quo. 
Maybe Suguru took that too seriously. 
When Suguru defected — Satoru knew something had to change — he couldn’t let others go even when they had that blue spring. The time that he had stayed frozen in — even as everyone else left, he still lived in those moments, and so he barely lived in the present at all. 
Not until you had shattered his self made prison. 
And it wasn’t without difficulty. 
He told you so many times that it was dangerous to love him, it was foolish to love a person like him with a constant target on their back because inevitably the target would shift to you. And he didn’t want to live in a world without you — but he could choose to, as long as you were the one who would live. 
But you were steadfast in your love, roots cracking through concrete until he was covered in your ivy, entangled so deep that there was no escape—because one look from you had stolen his reservations out from under him. Because loving you was as simple as breathing — it just was. 
“I would want you to curse me — in every life.” 
That’s what he told you the night before this battle — because he knew if he didn’t make it in this life, maybe he could be with you in the rest of them. But how many days would it take until you couldn’t remember the sound of his laugh, the smile on his lips, the way his face looked — because he always feared the same about outliving you. He would only want to outlive you, if only because he didn’t want you to have to bear the pain of outliving him. 
Love was twisted, he thought — as your lips brushed his, he could hear you whisper sweet nothings, falling on deaf ears, but heard all the same — once one found it, they cannot live without it — until they have to. 
His eyes flutter open, and he sees the blurry image of your face, scarlet smeared on your face, as his hand shakily lifted to your cheek, “I love you, sweetheart,” he manages barely a whisper, “I’ll see you again, I promise.”
Maybe he did curse you in the end — because your souls were bound together in existence — to fall into each other’s orbit and live together happily in every lifetime—
Your fingers gently shut his eyes closed, as tears streamed from your own — except in this one. 
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“Is it really a curse to meet you again?” you had murmured that early morning, as dawn peaked over Tokyo, and his lips brushed against yours, “sounds like a blessing,” 
“You know that blessings often wear disguises — and words like that always carry a price—” but his lips curl, “but if the price is to meet you and fall in love again and again, I suppose I could pay it.” 
“‘Suppose?’” you repeat, and he laughs at your immediate pout. 
He kisses away your pout, as you slowly melt into his kiss, “Y’know I’d pay any price to fall in love with you again, sweetheart”
You smile, “Just stay with me in this one, that would be enough.” 
Did other lives matter when this was the only one he had fallen for you in this life? He wanted to stay with you here — in this moment, in this time — he wanted you in every life — not just all the others. 
And he vowed that he would— his fingers twitched— 
He would love you in this life too. 
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✧ a/n: i hope you guys enjoy this one!! i had a lot of fun writing it. it might not be everyone's cup of tea but hey, i enjoyed it. although i questioned my writing ability a lot while writing it lmao
✧ taglist: @gojolova4eva, @xxemmarldxx, @gojolvrr34, @lilbrubby, @jaixxxsc, @hatsunemitskislobotomy, @elaemae, @gojonegs, @captain-shittykawa, @sillyrabbitreads, @akumicchi, @satorustorm, @equikaz, @imaginativeghorl, , @dhoranbolt, @strawmariee, @catsgomurp, @that-goth-bisexual, @fushitoru, @dazailover1900
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stuckinapril · 9 months
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23 things I learned in 2023:
Breaking promises to yourself is essentially telling yourself you’re not worthy of commitment or effort.
Listen to people when they tell you who they are.
People put their best foot forward when they first meet you. If they’re already being shitty, it’s likely only going downhill from here.
Self-care isn’t always indulging instant gratification and not doing hard things. I was actually at my most fulfilled when I did hard things DESPITE not feeling like it.
If you’re clinging to other people for fulfillment or validation, you probably don’t like yourself very much.
It’s never the end of the world like we think it is.
If someone wants to walk out of your life, let them. Never be in the business of changing people, even when it comes to changing how they think about you.
Brutally honest communication is everything, but that can also coincide with tactful kindness. Neither is mutually exclusive.
Having a routine makes a massive difference.
Comparison is pointless. No one else has been dealt the same cards you’ve been dealt.
Envy is a waste of time. Instead of being envious of other people, view them as proof of concept.
Self-accountability is important. We are fallible and it’s okay to make mistakes; we just need to own up to them.
Every failure is an opportunity for growth.
Every severed friendship, failed opportunity, lost connection etc etc leaves space for better things to replace it.
We are not tethered to people’s image of us. We are free to change ourselves whenever we please.
It’s not other people’s way, but it’s my way—and that’s all that matters.
Someone denying you love does not erase you.
Piggybacking off the last point—someone not acknowledging the virtues you have doesn’t mean that you don’t have those virtues.
All that really matters are the opinions of the handful of people who truly love you, as well as your opinion of yourself.
Waiting at least 15 minutes before reacting to something. Never trust yourself during the moments when something just hits (learned this the hard way).
Situations are complex and almost never a one size fits all. Asking for advice is okay, but take it with a grain of salt/ultimately follow your own judgment.
Social media isn’t the devil, but scrolling endlessly is. Make an intentional effort to supplant screen time with books and hobbies and friends and tangible, real life things.
We all die one day. None of this is that deep and none of this really matters. Stop taking things so seriously and just enjoy the process 🤍
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list4r · 1 month
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Deciding to have a family with you was the best thing Satoru ever done. At least that’s what he says every moment you two are alone.
The moment you came to him with that positive pregnancy test he did everything he could so he could be ready for when you brought that beautiful baby girl into the world. He signed you guys up for partnering classes, bought as many necessities as the nursery could fit, made sure to babyproof the house. He did everything he could to be ready. The only thing he wasn’t ready for though- his child growing up.
It was the classic night, his favourite kind of night. When the three of you are together at the dinner table. Satoru and your daughter were wearing matching hair clips as they sit at the table. Once food is served everything is well. Until your daughter speaks up.
“Papa are you gonna be sad when I grow up and leave you and mama?”
That causes Satoru to immediately choke on his food, turning to the five year old girl who was humming happily as she waits for his answer.
“What are you talking about sweetie, where’d that come from hm?” Satoru tries to keep the expression on his face neutral but you can tell he’s holding back.
“Well when I get older I will get married and have kids like mama and papa! Then I will move far away and you can’t visit, only mama can.”
That right there causes Satorus eye to twitch, gripping his fork before nodding and giving the girl a small smile. “I think you should just eat your dinner baby, it’s getting late.” In which she nods and continues to eat while rambling about what happened at school that day. Honestly you had to applaud Satoru for not freaking out then and there. It seemed like times were changing.
But you were wrong.
Now it was after dinner time and after you put your daughter down to sleep. And you thought that you would get a good nights sleep, but here you are… dealing with your husband.
“She hates me baby she hates me…” gojo muttered as he was sitting up while you were laying down. “I mean why would she even say that? That only you can visit her?” His hands are waving around dramatically. “Am I… I’m a bad father? That she’ll forget about me when she grows up…. Oh my god baby my heart- I think I might just die. Yep that’s it I’m gonna die and my own daughter probably won’t even care. I can’t believe I let her have candy when you say no and she said that. What’s the point of life anymore.”
“Satoru she’s literally five…. She doesn’t know what’s she’s saying. Go to bed.”
“How can I sleep when my precious little girl doesn’t even want me in her future life?”
“All kids say things they don’t mean. She’ll forget it about it in the morning. Just please… go to sleeep it’s late.”
Gojo sighs as he finally lays down. “Well I won’t forget.” A pause. “What do you have that I don’t? I think I’m a very fun guy.”
“Maybe she doesn’t like drama queens who don’t want to sleep.”
“If only she knew her mother was a rude woman, then she wouldn’t have said that.” Gojo huffs.
“Sleep.”
“Okayyyyy… good night.” He huffs and it’s like you can hear the pout on his face.
Let’s just say the both of them ended up forgetting the next morning anyway.
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