#but it was only up for 20 minutes

[videogamepolls]

This Wikipedia article has a more comprehensive list

[izel-scribbles]

arthur lester // i'm only on part 10 so this may not be canon accurate

[treasureplcnet]

inverness here they come!!!!

[starryluminary]

You Matter To Me

Sara Bareilles (ft. Jason Mraz)

╾━━━━━━━━━━━━━━━━━╼

◃◃ II ▹▹

Noah and Cody have a quick chat.

Cody really didn't expect to like Noah as much as he does. He also didn't expect Noah to make him this happy. That's why it hurts when he realizes Noah's better off without him. Without his baggage, without his adversity, without his mess. Man what a mess it is. He wouldn't blame Noah in the least if he thought it was too much to handle and left without looking back.

Fortunately, Cody matters too much to Noah to let him go so easily. Cody couldn't be more grateful. Maybe one day he'll learn to tell him.

[deerabigailhobbs]

Just finished watching the Fallout TV show

[unexpectedbrickattack]

shenanigans

[jtl-fics]

Fluent Freshman - Part 03

PREVIOUS

In the Fluent Freshman AU I could see a moment where Andrew kind of misses having Renee around. She was a nice quiet support for him during her time at Palmetto and now she’s graduated. Bee suggests that Andrew try and make a new friend, he can try with someone on the team even.

Andrew, initially, thinks it’s a stupid idea. He real hates pretty much every sophomore (Jack’s group) and pretty much all of the new freshmen irritate him since they’re always trying to steal Neil’s attention with all their fucking problems. The only freshman that he has no opinion on (and therefore is miles and miles ahead of everyone else) is the quiet one that he glowered at pretty early on for staring at Neil’s scars.

Except now, with the knowledge that the kid is a foreign language major, he was probably just trying to figure out what language him and Neil were talking in since the kid isn’t phased at all when Neil absentmindedly used his shirt to wipe away sweat on his face. Everyone else had LOOKED but the kid had just continued on as if it were nothing.

Nicky likes him a fair bit and has assured both Andrew and Neil, after the fourth time the kid power walked away from them, that he’s not homophobic just due to circumstances public displays of affection make him deeply uncomfortable. The Foxes have pasts and if the kid isn’t going to make it their problem then Andrew isn’t about to get irritated over it.

(Nicky doesn’t elaborate that those circumstances being that he understands that Andrew is telling Neil all the places (geographical locations) that he wants to kiss Neil and where he’d do it. He’s really not a prude but how did watching Cars 2 result in this level of dirty talk?! He’s just trying to actually get to see these movies everyone keeps referencing so that he can join in on the conversation)

The kid’s quiet company the few times Andrew’s been in it and Neil has been making some slow progress on getting the kid to open up. Andrew knows that the kid has his own weekly meetings with Betsy and he’s not about to pry.

(It’s social anxiety and stress related. No he has not told Betsy about the whole Russian situation because she’d be mad at him right? Everyone keeps telling him that Betsy and Andrew Minyard are close and that Andrew is her favorite even if she can’t admit to having something like that. She’s nice but what if she gets mad about it and tells Wymack that he’s not fit mentally to be on the team? Then what? He can’t afford college without a sports scholarship. Oh god- Betsy spends a lot of time walking him through stress relief and not worst case scenario-ing every interaction)

Andrew figures that if nothing else this kid is fine with sitting in stony silence. If it doesn’t work then w/e he tried.

So, to Fluent Freshman’s absolute horror and dismay, Andrew Minyard starts to hang around him even when Captain Neil ISN’T AROUND. He becomes unbeatable at Poker and fluent in Japanese if not fully literate.

Once it’s just Andrew and Fluent Freshman sitting in absolute silence for an hour. This might be the nicest time Andrew’s had with someone not part of his family since Renee left. “You ever consider learning Russian?” Andrew asks.

Fluent Freshman’s award winning performance starts here.

“No, I have never considered taking Russian classes here.” He responds turning a page in his book on Esperanto (he thinks it’d be fun) because why take a class for a language he’s already fluent in. He’s bad at lying but he’s GREAT at just not saying the truth.

Andrew doesn’t say anything in response and they continue to sit in silence until Fluent Freshman has to get up and go quietly have a panic attack.

Everyone, except Nicky, all think that Fluent Freshman’s the second coming of Andrew’s general apathy. Bee is proud of Andrew for willingly sitting next to someone in almost complete silence. Andrew says it helps that there’s someone else like him (Bee is confused because Fluent Freshman is known to bring his own brown paper bag to hyper-ventilate into but she says nothing.)

Only Nicky knows the full extent. Fluent Freshman is doing breathing exercises, taking pepto bismol to help his stress related stomach ulcer, and considering using his art gen-ed for theater so that he can commit to this bit better.

Fluent Freshman kind of gets used to Andrew’s quiet company until one day they’re an hour and a half into their usual absolute silence when Fluent Freshman gets up to grab something Andrew looks at him and goes “Hey wanna learn how to use a knife?” And Fluent Freshman stiffens up and straight up faints.

NEXT

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[justletmeon12]

Watching A Court of Fey and Flowers, I am seriously impressed by the fact that there are two bird-themed PCs talking about various types of birds constantly, and Brennan not only isn't playing one of them, but has stayed completely silent on the topic of birds throughout.

[magnusbae]

If you're interested, here's a prompt from the ones who just shared:

"Then why did you do it?" "BECAUSE I LOVE YOU!"

No rush hehe I hope you get rest and have fun writing this!

Now, see, I could have taken this as an open prompt and went with something else, but I know you like dreamling and so I was good.

Thanks for the prompt dear! 💖 Also special thanks goes to @cuubism for actually going through it 🌻🌻🌻 any mistakes are me ignoring her wisdom or straight up forgetting to edit it. one of the two.

Dreamling - some flavor of hurt/comfort(?) 'you dare?' kind of situation going on there, 1,394w

▾▾▾

“I cannot fathom why—” 

Dream halts mid-sentence, his outrage rendering him speechless for a precious moment in which Hob tries, fruitlessly, to come up with a way to placate him, to explain in a way that will somehow pass as acceptable to Dream. The betrayal is tangible in the air, so charged that Hob’s hair actually stands on end as if from static. It feels like standing at your front door, still safe but seeing the hurricane on the horizon, knowing that this false safety can and will change in moments. Hob cannot think of a single thing. 

“You.” Dream grits his teeth so tightly that they scrape loudly, the sound of it making Hob’s own teeth ache uncomfortably. “Know.” Dream says each word as if it takes a great burden to even use human speech and not simply burn a hole in Hob’s mind. Given Dream’s past record, which Hob had recently learnt of, perhaps it does. “You know I do not ask.”

“I know.” Hob winces.

There’s no denying that he knew. Knew full well that asking Dream’s sibling for help was a guaranteed way to not only outrage him, but also land Hob a very creative punishment and the end of their long friendship.

He knew that, and did it anyway. 

Would again, if he had to.

He will not apologize for that.

Dream seems to come to the same conclusion, cheeks reddening in a surprising display of humanity, of lack of control over his appearance. The darkness that creeps into his eyes is distinctly not human. Hob shudders but fixes his eyes on Dream’s, refusing to avert his eyes like a reprimanded youth. He did what he did, and he’s not sorry.

''Then.” To Hob’s surprise, Dream seems to level himself, to school the darkness out of his eyes and ask with a calm that is somehow more unnerving than his rage. “Why did you do it?" There is a finality to this question, like a judge asking for one last confession to tip the scale one way or another. There will be judgment at the end of it, Hob knows. 

“Because…” he sucks in a breath, there’s a ball of nerves in his stomach and frustration, surprising him with its intensity, it feels almost like anger.

Why is he here, searching for excuses for something he believes in wholeheartedly? He doesn’t want to learn firsthand of Dream’s notorious pettiness but he’s not here to play these sort of games. 

The outraged huff is stuck in his throat— he didn’t even realize he had raised his voice this much, not until the ring of it strains his ears. He is practically shouting. And he doesn’t care. 

 ''BECAUSE I LOVE YOU.''

There’s anger in it, frustration, a measure of desperation.

“I bloody love you more than I fear you, that’s why.” His own cheeks burn, itch, tingle with the indignation of it all. “Because I’m a besotted fool who would make a pact with the devil if I had to, if it meant helping you.” He gestures curtly at Dream, then spreads his arm in an exaggerated motion of question. “Why else? Seriously, why else?!” He stops at that, breathing harshly. This is not how he had imagined, not even close. Fuck it. And fuck Lucifer, too. And Dream’s all too pleased sibling, on top.

Through his outburst Hob had stopped paying attention to Dream’s face, only his eyes, latching onto them as if they were his anchor in this universe, the only constant thing, in life, in this.

When he finally looks, really looks, he realizes with a start that Dream’s cheeks are no longer red with anger, that his eyebrows are not as tightly knitted, that his pale lips form a small and lax ‘o’. 

His friend looks taken aback, pacified and…surprised.

Like he couldn’t fathom this being the reason for Hob’s supposed betrayal of trust. Like this was the last rationale he had expected to hear, like he, an Endless being of incomprehensible wisdom, is unable to conceive this simple truth. Like he’s at a loss now.

Like he’s a bloody idiot. Hob shakes his head in amazement, his own anger evaporating as quickly as it came. Yet again he wonders how it is possible to be all knowing and yet so blind, so oblivious to such a simple truth, one Hob didn’t even try too hard to hide, really.

“I know you didn’t want me to,” he softens his voice, speaking more quietly “but I really didn’t have a choice. If I could do this on my own, you know I would have, I’d do worse for you.” He smiles at Dream, he doesn’t even try to sound self-deprecating, it’s the honest truth. He would.

His hand drops by his side and he awaits then, for his judgment.

“You love, me?”

Hob doesn't know how to respond to such a simple question other than–

“I do.”

There’s nothing else to add to that, he said it all, he did it all, even Dream must understand this is no passing fancy. One does not risk their immortal soul for something insignificant. Especially not Hob. One does it when it means everything. And in this case, it did. Dream did. 

Dream seems to again, come to the same conclusion. 

He wilts, shoulders sagging. He looks both much older and much younger at the same time, like this knowledge has stricken him, hurt him.

“You shouldn’t” is all he says. 

“But I do.” Hob answers in return. 

“I see that.” Dream’s voice is a whisper carried by the breeze, gentle, endless, aching. He looks torn in that moment, the judge whose scales no longer measure in any understandable manner. He casts his gaze down. 

“Just let me,” Hob says. He did not come here demanding boons, nor love, only to help Dream. “Forgive my impudent human inclinations to save what I love, and let us continue as we were. Friends. “

“Friends…” Dream repeats after him, as if in disbelief.

Dream opens his mouth to say more—to accept or refuse, Hob doesn’t know—but in that exact moment Matthew half-crashes, half-lands on Dream’s shoulder, a flutter of black feathers and barely muffled curses.

“Boss! Oh for fuck’s sake— I mean cracker’s sake— I mean what the hell— I mean you’re fine—you’re actually okay, I was sure that this time you’re like legit—” he notices Hob then, and cawing loudly he curses again “You actually did it you son of a bitch— you really did!” His wings open excitedly, brushing against Dream’s face, covering it up.

“Matthew.” 

“Uh-” Matthew folds his wings immediately. 

Hob looks at Dream then, the moment is decidedly broken but he has to know if he’d see him again, he can’t just go on not knowing, it’ll drive him insane. “Dream—” he starts, but Dream speaks over him.

“We will discuss this—” Dream’s lips tighten, eyes flicking to Matthew and then back at Hob. “At a later time.” He concludes rather curtly, seemingly deciding that addressing exactly what they will be discussing is not something he wants his Raven to be privy to.

“Right…” Hob murmurs, not speaking further of the topic either. It’s one thing to break Dream’s boundaries over life and death, another entirely over his own impatience and need to know. Dream wanting to see him again at all is already a damn good sign, and Hob will take it, gladly.

“I’ll see you later then, Dream” He uses the name even while not being sure he is still permitted to, that he did not lose the privilege. Dream tilts his head but doesn’t object, instead he nods once and disappears in a swirl of golden sand.

“Show off…” Hob murmurs into the empty air, shaking his head in disbelief. There’s a good feeling in his gut, he should probably be worried but he has a feeling that things will work out, that it all will be just fine. He can’t explain it, but he has learnt to trust his gut over the years. After all, it once led him to believe that he would never die.

It was right then, and it’ll be right now too. He and Dream will figure it out and will be better for it. Just like the other time, just like always. 

[buttfrovski]

today got me like

[prussianmemes]

i'm sorry čd but the whole concept of having high speed capable locomotives and then only running them at slightly higher speeds than standard locomotives is beyond parody to me.

[poisonousquinzel]

"a dude in Texas legally changed his name to "Literally Anyone Else" and he's attempting to run for President against Biden & Trump" [source]

okay, but putting aside the comedic aspect of this, it is concerning the amount of people who are prompted to vote for candidates just because it's funny. I'm not the biggest fan of how his policy about the boarder sounds [Site], but I do implore anyone who is able to vote in the 2024 US election to please research other candidates.

The media is only going to continue pushing the idea it's inevitably going to be Trump vs Biden 2.0 and we have no other options, that we have to vote for Biden again because of Project 2025. Is that whole thing terrifying?

Yeah, fucking absolutely.

But voting for Biden will not solidify our safety from that. Biden is exactly like the rest of them. He always has been. You can't make the lesser of two evils argument when they're both just plain evil.

You cannot say that Biden is even mildly a better choice than Trump when he is currently directly involved in a genocide. That is not some little fucking thing. That in and of itself disqualifies him as a lesser evil. Biden is just as bad as him and he will not save us because he doesn't fucking care.

Cornel West [Site] is an Independent candidate running for President in the 2024 Election. [Policies]

Claudia De la Cruz and Karina Garcia [Site] are running for President and Vice-President as the candidates of the Party for Socialism and Liberation in the 2024 Election. [Policies]

There are options.

There are people trying to change the corrupt foundation our system is built on, but we have to help amplify them because the mainstream media will not.

[justablah56]

hmm maybe participating in the act of creation will help

[kirby-the-gorb]

[alfairy]