#but its still 'song from the perspective of some dude whos bad at relationships'

[fleouriarts]

posting ocs on this account for the first time in forever... and making NEW ocs for the first time in forever too. please welcome my new funny animals

heights on the pic are measured from top of the skull (so not including hair or ears)

more info about everyone below the cut

JAMIE NAM: banded linsang. 19. he/him tboy. animation student. he is a nervous wreck and kind of a cringe failboy but by god he's trying his best

SANTIAGO FLORES: sheep. 20. he/him cis dude. fine arts student. absolute sweetheart with a huge family who's been dating jamie for only a few months before the inciting incident of the story (detailed below)

JOHNNY DEAN CLANTON: red appaloosa horse. 21. she/her cis butch. worked on her family's chicken/various other birds farm for a year after high school, then decided to just be a "free spirit" living out of her van and doing odd manual labor jobs for people. she's also an absolute player (with a thing for small carnivores in particular)

NULL: blue point siamese cat. 20. they/them agender. chemistry student and pawblix (furry version of publix) cashier. they are actually friends with people, but they're also great at lying and generally pretending to get along with people they hate. needs a smoke break

ARGYLE LANCASTER: lion. 21. he/him cis dude. engineering student who burnt out and decided to go into fashion design instead. chill and agreeable to a fault, he will go with whoever else's flow even if it ends up hurting him (or someone else)

the general gist of this story is that everyone here except for santiago knew each other in high school. jamie is childhood friends with johnny, johnny is friends with null, and null is friends with argyle. jamie gets introduced to null through johnny, then gets introduced to argyle through null. jamie is immediately smitten and has a crush on argyle for months

at the end of jamie's junior year/argyle's senior year, jamie finally asks argyle out. argyle says yes, but he's really not that into jamie, he just wants to see what will happen (... and also feels bad for him). over the course of the summer it becomes clear to argyle that this relationship cannot last but he keeps putting off on breaking up with jamie. finally, the day before argyle moves across the country to go to college, he admits to jamie that he was kinda dating him out of pity and breaks up with him. jamie, understandably, loses his fucking mind, blocks argyle on everything after he leaves, and proceeds to have the worst senior year of all time

flash forward a few years. jamie is now a sophomore in college in an animation program. he's got a new beautiful sheep boyfriend named santiago. null, who was only really an acquaintance before, goes to the same college as them and they become better friends. johnny isn't always in town but they still hang out on the regular. jamie is still mad at argyle, because why wouldn't he be, but there's enough good in his life that he doesn't have to focus on his one bad high school relationship

... until argyle, dropping out of his ruthless engineering program, decides to transfer back home. to jamie and co's college. now BOTH of them have to deal with feelings that have built over the past three years as seeing each other becomes almost unavoidable. jamie has to grapple with the fact that he can't be mad at argyle forever, and argyle is forced to actually deal with the fact that he hurt someone like that instead of just hoping they've gotten over it

... ok wow i did not expect to type that much. i scripted a comic of jamie seeing argyle for the first time in three years in a frenzy a few weeks ago, and i've been telling myself that i HAVE to do a longer comic (and by longer i mean like. more than 3 pages) with my ocs this year, so hopefully i'll start working on that soon. i'm also gonna make a separate Lore Post about my furryverse because there's some silly stuff i've come up with for it. anyway ENJOY

[vampelune]

hajime headcanons

i wrote these out for a cc anon but i wanna post em all in one place here

he has freckles and tans easy  

i like trans ftm hajime . though i flip flop between cis hajime and trans hajime in my works haha. i rlly love him as trans tho.  

he knows how to skateboard HAHA its one of the hobbies he still participates in at times. you would never guess by looking at him, though.  

if he didn't get into hopes peak i swear on my life this dude wouldve been the business major in college who just picked that because he doesn't know what to do with his life & its the Default major for mfs who have no goals  

he probably has lots of random knowledge about various hobbies and skills because he's tried to do so many and find his "talent", like knowing one or two songs on several instruments, knowing how to repair various utilities. he probably jumped through electives and clubs in middle school & high school. so i think hajime on his own would be a slight jack of all trades, master of none. But then he gets izuru'd and he really is a master of all trades.

as is canon he's one of those kids that fades into the background, so i bet he didn't have much of a social life. he seems like an overachiever kid, too, so he probably spent more time working and trying to find his talent than he did socializing. he probably only had unmemorable friends throughout school that didn't stick. though he does attract the attention of the sdr2 kids pretty hard, he probably had a LOT of friends. just people who came to him for help on studying, projects, etc, whatever. gets invited to some parties just because everyone kinda knows him, vaguely, and probably owes him for some help. but no close friends, no girlfriend or boyfriend. he'd be really inexperienced with close relationships by the time he meets the other sdr2 kids.  

i actually like the idea that he hung out with sato & natsumi, you know, before all of that went under. i think in a non-despair au they could've been a good friend group.  

really cookie cutter family. both parents working office jobs. he's emotionally detached from his family. loves them, but, there just never was the time or that big of an effort made on anyone's part to become really tight knit. he still has fond memories of his childhood, though.  

kusamochi is his favorite food because it's traditionally eaten on new years. it's also one of the first foods he ever learned how to cook, with his extended family on new years. when he was younger, they would have gatherings with all extended family every new years, especially because it was hajime's birthday. but as he got older those happened less and less, and now, after everything, he still makes himself kusamochi every new years.  

chiaki was his first real crush, but it was unrequited. since she was also kinda his first real friend, it was hard to differentiate between friend love and genuine crush. he knows now after everything it was probably the former, but he still loved her immensely, most than most things. even when she wasn't the best, or couldn't help him like he needed.  

i think if he had a pet he would have a cat. a childhood cat he grew up with and passed away when he was in his teens, hasn't gotten a new one since because he's too focused on school & with his hopes peak workload, and his busy parents, there just wouldn't be time for caring for a pet. and i bet he would've named his cat mochi when he was little, because he liked kusamochi so much <33 sobs  

post-dr3 hajime doesn't completely effortlessly use his talents, and with a lot of them, he needs to concentrate and think hard to focus and apply them. some things are reflexive, but others are more dormant. because of this, he can still get distracted and screw things up. when he does start using his talents, though, he goes more on the "izuru" side of his personality, very intense, a little scary from an outside perspective, and more cold and calculating.  

he has days that are more izuru than others, since they're both him now, in essence. and because that's just, irreparable damage done onto your brain, he can have mood swings, bad days, even weeks, where he's much more cold and unfeeling. in these states, though, he tends to just work himself into a hole because it's all he can do, since that sense of "boredom" comes back on days like these. (like anhedonia, in depression. there's just some days like that, you know?) and the only one capable of helping him through these states is komaeda. (sorry, im slipping in my komahina agenda)  

i kinda have a guilty pleasure for the headcanon that he grew taller from all the drugs and surgery they put him on during the project, especially because he was 18? so he still had room to grow taller. he's 5'10 in the nwp so i think 6'0 izuru/post-game hajime is, kinda hot. Though if you go by his localization height (5'8) then just put him right back up to 5'10 LOL  

for the trans agenda, the reason he dislikes sakuramochi so much is because it's a treat typically eaten on "girls' day" in japan, and he always hated that day.  

this isn't a headcanon. more of an observation, really. but i really dont like calling hajime "tsundere" because he doesn't fit that mold at all. he's dense & just comes off as blunt and rude, plus he's easily irritable. this isn't a tsundere trait, he isn't purposefully mean to hide his feelings for someone. he's just confused and doesn't even understand his own feelings most of the time, especially when it's a complex relationship like with nagito.   if anything, hopes peak or ch4 nagito is more of a tsundere haha cuz he purposely is mean to hajime & talks down to him to hide his own feelings that is already aware of, because he's trying to force himself to stop caring after learning hes a talentless nobody & fell to despair.

[firelxdykatara]

I really like hearing your thoughts on ships, so I was just wondering what you thought about the episode 'Seeing Red' from Buffy as a Spuffy shipper. I love the ship too and remember being so uncomfortable watching that episode. It felt like it came out of no where while I was marathoning the show

Ok so, I’ve been sitting with this for a while (my inbox is telling me it’s been 10 days......time plz stop moving without me noticing), mostly because it’s... a really Touchy topic, for a lot of (very obvious, to anyone familiar with the episode or the arc) reasons.

CW for discussion of attempted sexual assault and rape ahead. (I’m gonna talk a bit about Willow too.)

First of all, I wanna state that I understand why Seeing Red was a ‘point of no return’ for many people. There are a lot of people for whom sexual assault/rape is The Thing they simply cannot get past and they could never see Spike or Spuffy the same again, and that’s valid and understandable. For me, personally, I don’t consider it any more or less reprehensible than murder or anything else vampires and demons get up to in the show because they’re monsters and very specifically Not Human, but at the same time it felt gratuitous and unnecessary (like the writers were trying to remind us Spike was really evil right before he went to get his soul back of his own accord, and I’ll talk a bit more about that later), and the episode itself is difficult to watch. (Also because it includes Tara’s death, which wrecks me to this day.)

It’s also been a very long time since I’ve seen the episode in question, mostly because I haven’t done a full rewatch in years, and when I do watch Buffy it’s either starting from the beginning and then losing track of where i was and starting over again, or else jumping to random episodes throughout the show which I enjoy and watching those by themselves (and Seeing Red is very much not on that list lol). So I rewatched it just to refresh my memory and....god there are a lot of other reasons I don’t care for this episode. (Xander was exceptionally horrific to Buffy re: finding out she was sleeping with Spike. Gods I dislike him more and more the older I get.)

In general, it’s just a really hard episode to watch. (And I’ll never forgive Joss for finally putting Amber Benson in the opening credits, only to kill her that same episode.) There’s a lot of ugliness, and the Trio are among the worst villains in the show--not in terms of how they’re written (they feel kind of terrifyingly realistic, although they also seem kind of exceptionally meta in light of how much has come out in the last decade about Joss Whedon’s own attitudes and behavior and treatment of women), but because every other big bad with very few exceptions has the excuse of being a soulless vampire or a demon or a hellgod or some other monster that can’t really help the fact that they were made that way. The Trio are just normal dudes who think they’re entitled to women and money and power and are willing to do absolutely anything to get all three, proving that maybe it isn’t really the presence or absence of a soul that actually makes humans, like, humane.

But that’s me side-tracking. As far as Spuffy goes, yeah, this episode is pretty brutal. There’s no mincing words here--Spike attempted to rape Buffy, and he only stopped and had his ‘oh my god, what have I done’ realization after she managed to kick him off. If she hadn’t, he probably wouldn’t have stopped. And I can almost understand it, from a writing perspective--how do you make a soulless vampire realize that he’s truly a monster and, further, how do you finally get him to want to change that? Make him cross a line he never had before. Except... that really wasn’t necessary. Not for his character arc, nor for his relationship with Buffy, and a part of me thinks that it was really intennded to just drive home the message that Spike was a monster, and that Buffy could never really love him, and the easiest way to communicate that was sexual violence, something that the show never really had its vampires engage in previously. So it would be a shock to the audience, it would throw Spike’s motives into question when he went to get his soul back, and it would make his presence in season 7 a constant question, plus provide a reason for Buffy not to trust him.

I think all of this could have been achieved without the sexual violence. I think the scene was largely done for shock value--again, to douse the audience with ice water and remind them that Spike, no matter how chummy he’d seemed with the Scoobies since getting chipped and eventually working with them, was still a monster. But we really didn’t need that reminder, and I think it would’ve made more sense for him to simply attempt to kill her--still a betrayal, still shocking, still something that could spur him into the actions he would take afterwards (going to get his soul restored), but without the exceedingly uncomfortable attempted rape scene in a season where there had already been serious issues with consent.

I’m talking, specifically, about Willow.

There’s something interesting I’ve noticed in fandom, and it’s that people really don’t seem to want to talk about or acknowledge the fact that Willow raped Tara. Maybe because it was via magic, rather than violence--or because it was never really called what it actually was in the narrative, or because they’re The Gay Ship of btvs, I don’t know. But she did--when she spelled Tara to forget about their serious fight which had been building for weeks, and then went to bed with her. And then explicitly had sex with her the next day. It’s part of why I’ve always had a complicated relationship with “Under Your Spell”--I love the song, but it’s also literally spelling out the fact that Tara’s mind had been violated by the woman she loved and she could not consent to sex while under the spell.

So that moment was already toeing the line in terms of consent and at least Tara was able to talk about how Willow violated her mind and how that made her feel (in song, at that), but Seeing Red was like a slap in the face. Where Willow’s magic addiction and willingness to cross those lines had been building for more than a year, Spike attempting to rape Buffy came out of nowhere. This isn’t a show that explored any really complicated relationship between vampires and consent (in The Vampire Diaries, for example, vampires have an ability called compulsion and compelling humans that they then have sex with is pretty normal and no one really blinks about it, human or vampire; it’s definitely still rape, but it’s not treated as anything particularly beyond the pale, because they’re vampires who can control the minds of their prey and don’t tend to consider the feelings of their food sources to be of any real importance), and while the vampires are hot and have sex, there’s never been any indication that they sexually assault humans in addition to feeding on them.

I think that specific scene in Seeing Red is the hardest to watch in the entire show. There’s really nothing like it in any other episode or with any other villain, and it has a tendency to sit in the back of the mind and sour feelings about Spike and Spuffy because it’s genuinely difficult to forget. I’m not sure if the intention was really to turn people off Spuffy (especially since he got his soul and came back in season 7 and Buffy forgave him and fell in love with him), but that was certainly the effect it had on a lot of people.

For me, personally, like I’ve said I don’t like the scene and I don’t think it was necessary, which is why I tend to ignore it as much as possible when I’m thinking about Spike and Buffy and their relationship. It’s a thing I know that happened, but I also know that I don’t think it was particularly fitting from a character perspective, and that makes it easy for me to file it away as sloppy writing and generally OOC, and move on. Again, I can definitely understand why some people can’t or don’t want to do that, but I also know that a lot of people continue to love Spike and Spuffy and I don’t think I’m alone in considering that moment to be OOC for him and generally try to ignore it in my meta and other analysis of the show.

[thevalleyisjolly]

Transpacific Stories Rec List!

Happy Lunar New Year!  To celebrate, I thought I’d do a “Top 5″ rec list of creative works that I really enjoy by transpacific Asian creators.

1. diaspora babies by Kai Cheng Thom (poem)

This spoken word poem haunts me to this day.  There’s a lot of immigrant (especially Chinese immigrant) emotions mixed up with queer experiences as a child of immigrants, and the vibes are truly just indescribable.  It cannot be expressed, only felt, so link is to the 4 minute video with captions.

2. Yellow Peril: Queer Destiny by Love Intersections (documentary)

A documentary about Vancouver drag artist Maiden China, which also features lines from diaspora babies!  It is all about that queer Chinese immigrant experience, discussing the nuances of both individually and together.  What is it like to be a Chinese immigrant, or the child of Chinese immigrants, in a North American society?  What is it like to be queer?  What is it like where those two parts of you intersect? 

I had the chance to meet one of the directors on this project and listen to his guest seminar, and the story behind this documentary and the production house came from an incident where some members of the local Chinese Canadian community launched a very public opposition to LGBTQ+ policies by the school board.  The news media of course went into a frenzy over this, and the producers noticed how the story was framed as “the Chinese community is “traditional” to the point of homophobia” (which...yes, there was homophobia involved, but not because of an innate “traditional Chinese are all homophobic” quality).

The documentary creators wanted to unpack, explore, and challenge this, and also to assert that queer Chinese people exist, which is exactly what the documentary does.  It showcases a variety of different relationships and interactions that queer Chinese people have - with their families, their immigrant communities, their heritage traditions, their broader Western society.  It’s a really complex and nuanced discussion, and one of the best documentaries I’ve ever watched.

3. Disappearing Moon Cafe by SKY Lee (novel)

Oh, you thought I was done with the queer Chinese immigrant theme?  Absolutely never.  This is a landmark book in the history of Chinese Canadian publishing - it was the first novel by a Chinese Canadian author to ever be mass distributed by a publishing house (SKY Lee is a lesbian, so first queer Chinese Canadian author as well!)  It follows the story of the Wong family across four generations, discussing themes such as settler colonialism and the roles and relationships that Chinese immigrants had and have with that, migration, family, and the nature of queerness in a non-Western context.

(I do have a whole essay talking about how understandings of queerness are frequently grounded in Western perspectives and how SKY Lee challenges and reframes non-heteronormativity in a uniquely Chinese immigrant context.  But also, you will totally ship Kae and Hermia.   You just will)

A deeply emotional, intense exploration of Chinese Canadian immigration, from its history to its experiences, good and bad and everything in between.  Truly, this may be a fictional novel, but the research is so well done, and if not every detail is historically accurate, the emotional truth of it is.  An excellent book that gives you so much food for thought.

4. A Tale for the Time Being by Ruth Ozeki (novel)

One of the most intense books I’ve ever read, and am still thinking about years later.  I can’t speak to the accuracy of the experiences it represents, but it is a book that will make your heart ache and long and wonder. 

The premise: Ruth, a Japanese American novelist, discovers debris from the 2011 Japanese tsunami washed up on the cost of British Columbia.  One of these is a Hello Kitty lunchbox containing the diary of a girl named Nao.  Nao is a Japanese American teenager whose family had to relocate back to Japan.  She struggles with living in a foreign culture, family struggles and mental health issues, and severe bullying.  However, she also meets her great grandmother, a Buddhist monk over a hundred years old who was an anarchist, feminist, and novelist in her youth.  In documenting her great grandmother’s story in her diary, Nao comes to tell her own.  The novel goes back and forth between Ruth translating the diary and wanting to learn more about Nao, and Nao’s story (and her great grandmother’s) as documented in the diary. 

One of my favourite aspects of this book is the way it plays with perspective.  What is a story?  Who is telling it?  How is a story created and changed by every person who touches it?  What does it mean for a story to end?  Fair warning, there are some very heavy topics dealt with in this book, including depression, suicide, attempted sexual assault, and grooming.  It is a very good book, but please look after your own well-being first. 

5. M. Butterfly by David Henry Hwang (1988 play)

You know the opera, Madame Butterfly?  The racist Orientalist story of the white American Navy officer who goes to Japan, marries a Japanese girl for convenience, abandons her and their child for an American wife, and then she kills herself because she’s so in love with him that she can’t bear it?  Man, just typing that out pissed me off, and it sure pissed off David Henry Hwang too.  So let me tell you what he did about it.

There was a historical incident where a French diplomat, Bernard Boursicot, was caught in a honeypot trap by the Chinese spy Shiu Pei Pu, who was a Chinese opera singer.  For those who are unaware, Chinese opera singers are traditionally men.  Boursicot was unaware of this.  He had a decades long affair with Shiu Pei Pu, who identified themselves as female to him, and they eventually lived together as a family with a child.  It wasn’t until Boursicot was caught smuggling documents and put on trial that he found out Shiu Pei Pu was AMAB.

M. Butterfly is a play based off of this story, with explorations of Orientalism and how Song Liling (the play’s Shiu Pei Pu) was able to exploit racist beliefs and tropes such as “yellow fever” to win the heart and confidence of René Gallimard (the play’s Boursicot).   There’s a monologue in the original 1988 play (I’m not sure if it’s in the 2017 revision though) that Song delivers in the first few scenes of the play that explicitly addresses and tears apart the original Madame Butterfly story (which makes Song’s later use of it to seduce Gallimard all the more spicy - dude, they literally told you from the beginning why they hate the story, and you still believe that they want to be your docile little Butterfly?)  The overall play is a fantastically clever deconstruction of truly so much Orientalism and really challenges how Westerners perceive and depict Asian (especially East Asian) people.

A note on gender in this story: When the play was first performed in 1988, Song Liling’s character is AMAB and largely identifies as a man, with the strong subtext that he enjoys presenting as feminine.  Since 1988, Hwang has acknowledged that the gender reveal of the original play reinforces gender binaries, and has expressed the desire to revise his depiction of gender in the play to encompass genderfluid/GNC identities, which he did in the 2017 Broadway revival.  I have not seen the new version of the play, in which Song identifies themselves as AFAB and male presenting to Gallimard, so I can’t judge how it was handled.  I’ve heard that 2017 Song embraces a more explicitly genderfluid identity, but cannot confirm this.  The 2017 revision is based off of new information revealed about the Boursicot case, including that Shiu Pei Pu initially introduced themselves to Boursicot as someone AFAB who was presenting as male. 

[shattered-catalyst]

Intro to OCD for the RPC part 1/?

This is a balmy 6 page document on the VERY BASICS of OCD by a person who has had OCD for over 15 years and knows their shit.

If you want to write a character who has OCD this series is going to be a good starting point. If you dont know much about OCD I encourage you to read it so you can be an ally to those of us who have the disorder.

OCD is made into a cultural joke and when there isnt the ‘Obsessive Cat disorder’ bullshit its an angst off with other people and their non-ocd intrusive thoughts. Its different. Do your research and be an ally.

This will cover the very very basics. The next post will look into subtypes of OCD and how those are experienced.

 Whomst can write it? 

Literally anyone as long as you 

● Do so respectfully and not make a mockery of the disorder and the harm it causes in peoples lives 

● Dont make OCD the characters single thing or boil them down to it entirely ● Do respect the experiences and opinions of muns who have the disorder if they have concerns about your portrayal.

● Dont milk it for angst - unless you have OCD in which case release some of your angst.

● Dont try and say you know what intrusive thoughts are because they have *insert any other neuro a-typical thing here* 

● Dont police how Muns who have OCD choose to portray it. Its our experience not yours. I like to write out my characters OCD as I experience OCD so my experiences are different from other muns. OCD is very diverse in its effects but always ask if you arent sure.

. What isnt OCD? 

● Cleanliness or organization- OCD is NEVER an adjective. 

● Planning/ Hypervigilance/Organized/Methodical 

● Turning light switches on and off, unplugging things (find out more on later time)

 ● “I have to organize my pencils otherwise it bothers me” “ I have to make sure my mattress is straight” “ my nails have to be the same length” are all typical responses from people WHO DO NOT have OCD. 

● Making sure objects are lined up neatly 

● Having things go in a particular order like the letters CDO as the joke goes

● Really loving Cats, Corgis, or Christmas; if you own any of these items i urge you to reflect and also send me 10$ (jk but do reflect)

The Barest minimum 

Google OCD this will be an advanced version of OCD. This will be long but if you want to be aware of others or want to write the character you will read it. 

OCD is made of Obsessions. Triggers. Anxiety, Compulsions/Rituals.

1. Obsessions are the thoughts 

2. Triggers are the object/person/image/situation/smell ETC 

3. The Anxiety occurs is at uncomfortable levels to the point of panic or anxiety attacks

 4. Compulsions or Rituals are performed 

*There is a variant of OCD called Pure O. In this individuals have the obsessions triggers and anxiety but there is NO compulsion or ritual. This is still valid OCD. 

Obsessions are the precursors to the flawed unwanted and harmful intrusive thoughts: 

Im going to use you so you really understand this because its important.If you misunderstand this you are basically encouraging a mental health condition and dont get a sticker for reading this far. 

First check out this link as it has ALL the subtypes and examples. 

Obsessions can be hidden by the intrusive thought and teasing them out can be difficult to do if you have the disorder because well its a disorder okay thats why. It boils down to ‘i could harm someone’ ‘i could cause harm’ ‘ i may have accidentally harmed ___’ ‘ i may accidentally harm’ etc 

This is the flawed powerful belief that predate the Intrusive Thought. 

Intrusive thoughts appear in every brain on earth. They are not special or unusual however intrusive thoughts with OCD get stuck in the brain- meaning they stay there no matter what you do. So yes , they are different from intrusive thoughts in other conditions. 

The thing about OCD is that it latches on to what you hold dear; it may be you are a caring person and love children and animals- your OCD would give you intrusive violent or sexual thoughts or images. These are horrible to experience. They are not welcome nor appreciated and there is no benefit or positive side to having them. 

If say social justice is something you hold dear your ocd may take the form of intrusive thoughts of slurs, jokes, visuals etc. These are horrible to experience and lead to high levels of anxiety and are not positive nor beneficial to have in any way shape or form. 

Maybe you would not harm someone or you value others; your OCD may present as graphic intrusive images or thoughts around poisoning, stabbing,accidental..ly murdering (yeah you read that right), hitting, insulting etc someone else 

I must emphasize this because it is critical that people understand POCD: for the sake of those of us who have OCD read this until its burned into your brain. 

This is the fucked up awful Obsessive thought that you are/were/ or could be sexually attracted to children. This is NOT pedophilia. People kill themselves over this because they are afraid that these intrusive thoughts are true. People isolate themselves and dont have families out of fear of harming a child. People take work in different fields or avoid areas with children out of the absolute terror their obsessive thoughts could be true. This is NOT pedophilia. There is NO attraction present.

Most people who experience POCD intrusive thoughts would rather punch a sharknado than even THINK of hurting a kid in any way shape or form. That is why the OCD does its thing it is like having an abusive brain. 

Again for clarity's sake 

If you value social justice -> the intrusive thoughts violate social justice stuff 

If you value animals -> intrusive thoughts come up with harming animals 

If you care about the protection and safety of children -> POCD 

Triggers would be the situation, scenario, object, person,creature, context etc that is related to the Obsession. It can be literally anything. 

What follows is a hell of a lot of anxiety that can range anywhere from discomfort to full on panic attacks. 

Everyone has different intrusive thoughts and everyone experiences different amounts of distress upon being triggered. 

● As a side bar. Do not ever try and expose someone to their triggers or write about a character being exposed to their triggers as a way to help ‘cure them’ or ‘expose them’ to ANYTHING. What you are doing is literally taking someone with a mental illness and shoving them into a breakdown and thats a piece of shit move. Exposure therapy does exist and is done by professionals TRAINED in ERP. My parents did this a lot and I am positive I am not alone in that experience. 

Compulsions or Rituals: Now you may be saying ‘hey i know what those are’ yeah dude me too and I have had ocd for over 15 years and trained in mental health for 7 and guess what. They teach ya wrong. 

Compulsions or ‘rituals’ are any behavior done to alleviate the anxiety from the intrusive thought and trigger object. 

This can be as passive as ‘i am leaving the room’ ‘ i am checking my body sensations’ ‘ i am trying SO HARD TO HEAR MY HEARTBEAT’ .

 It can also be repeating the same thing over and over. To illustrate this I once mentally chanted the same song lyric line on a 3 hour plane ride because otherwise we were all going to die. I took one for the whole team.

It can be somatic things like counting your heart beats, focusing on your breathing, swallowing, staring and not blinking for so many seconds. 

It can be readjusting clothing until the seams fit. It can be checking god yes checking IK its a common trope but it IS a compulsion that has ruined my life and can be as passive as checking my reality or texting for proof my cat is still alive. It can also be checking yourself for assurance you wouldnt do the intrusive thought or that the intrusive thought isnt going to happen.

Compulsions are mentally painful and sometimes physically painful; 

● Washing your hands with scalding water for 5+ minutes can lead to horribly dry and cracking skin to down right BURNS.

● If you do the same movement you can mess up joints and ligaments. So if you pray constantly you may have knee issues from standing and kneeling.

● If your compulsion has you doing movement against an object ie say gripping and regripping something you get callouses. 

● If you compulsively exercise you may get trapped doing something above a healthy amount or say going from not working out to running a five minute mile and wiping out on a treadmill because your brain demanded it. Totally didnt do that... 

● If your compulsions make you rub against any object you can get friction burns and scars. 

To put this in perspective 15 years of compulsions have left my hands and finger joints a complete mess, damaged my arm tendons, friction scars on my arms that only now faded, and scars on my legs from doing too much of an activity. 

Its not lmao I gotta fix these pencils its real agony and real torture. 

In short compulsions and rituals are not fun they are absolutely not logical, and we know they are not logical but we are forced to do them. Thats why its a disorder. 

OCD disrupts relationships with social components such as ; 

Obsessively checking in with partner/friend if things are ‘okay’ (this feels horrible to do too fyi like you KNOW things are fine but you cant NOT because the anxiety is SO BAD), 

Relationship OCD is a WHOLE category itself! this ties into sexuality OCD where your obsessive thoughts prey on your sexuality (regardless of your orientation), your relationship, cheating or being disloyal etc.

OCD causes significant withdrawal from others, fears of being a monster, intense guilt over intrusive thoughts, disgust with yourself over the intrusive thoughts sometimes leading to self punishment. 

OCD leads to strange behavior which more often than not leads to bullying and ostracization. To exemplify this I have an intrusive thought that I have stolen something when I am inside stores, my check-check-check-check-check-recheck! of my pockets gets me store security called so often its criminal.

OCD limits activities that may expose them to triggers or influenced by intrusive thoughts ie: not being able to take the train to work or only getting off at bus stops with even numbers.

OCD impacts where they spend time, who they associate with, what jobs they take or even if they have a family or not

OCD leads to overwhelming feelings of guilt, shame, and fear over having intrusive thoughts or images that they experience which causes them to socially isolate or have difficulty in social situations. 

OCD leads to Hyperfixation: like a lot of other things but thankfully it is just hyperfixation and not different from other diagnoses. 

OCD leads to rigidity or structured routines: I have listened to the same CD in my car for 5 years now. Every single day. 5 Years.And Im not okay with that. 

OCD impacts standards we hold ourselves to and others: its like regular perfectionism but like add on 5 extra layers of anxiety! 

OCD according to NIMH statistics 

1.2% Occurrence among US adults 

2.3% Lifetime Prevalence among US adults 

34.8% Of Adults who have OCD suffer moderate impairment to daily functioning 50.6% of Adults who have OCD suffer serious impairment to daily functioning

OCD has strong co-morbidity with the following:

Tourettes Syndrome- is a genetic friend of OCD and if you have tourettes or OCD your chances of having someone else in the family is high

ADHD

Autism 

GAD

Eating Disorders

Depression - this is a big one along with low self esteem because of the intrusive thoughts

Writers like to make jokes about characters “being OCD” well now they have clinical OCD and you should consider fleshing out your character with this information just as you would any other disorder.

Batman (DC)

Riddler (?)(DC)

Domino (Marvel)

 Cyclops (Marvel)

[ts-unpopular-opinions]

Side Track Opinions part 5: Roman

(I’ve been saving Roman for a while now and I am PUMPED! So here’s a late birthday present to our royal lad ❤️ It’s also super nice to save the creativitwins for last because both of their playlists reference each other quite a bit 👌)

1) A Gay Disney Prince: I mean... are any of us surprised? This song is basically Roman’s anthem, so it was bound to be on his playlist. I do find it interesting that both Roman and Remus are the only sides with songs made by Thomas on their playlists. I guess it goes to show that having a big ego runs in the creative family 😂

2) Wonderboy: Only two songs in and we already have a song about Remus, or “young Nastyman, archrival and nemesis of Wonderboy” in this case. You’ll start to get the idea from Roman’s playlist that he really misses being with his bro. This song portrays Roman as almost a perfect and untouchable force. He is seperated from all of his nasty thoughts and is the perfect embodiment of what Thomas sees creativity as (“High above the mucky-muck, castle made of clouds, There sits Wonderboy, sitting oh so proudly. Not much to say when you're high above the mucky-muck.”). I like to imagine that the singer of the song is Thomas, looking to Roman for comfort. Creativity most likely split as a way for Thomas to, not very healthily, cope with his intrusive thoughts (“Wonderboy, what is the secret of your power? Wonderboy, won't you take me far away from the mucky-muck man?”). It’s also interesting to note that at the end of the song, Roman and Remus seemingly join forces very successfully (“Well, Wonderboy and Young Nastyman joined forces; they formed a band the likes of which have never been seen”). Perhaps this is hinting at either Romans want to have his bother back, or possibly foreshadowing to their relationship dynamic in the future. I know I’d love to see Roman and Remus team up together in future episodes, maybe even against Patton and Janus in the next episode?

3) Disney Princess: This song is all about Roman dreaming about being in the lives of different disney princesses. Honestly it’s not super deep, but it does show just how much Roman loves to fantasize about escaping reality and living in his ideal dream world. He wishes his life were more interesting and exciting like what you would see in a movie. Also, Roman is SO desperate for someone to love him... poor guy (“I'd be a handsome man's wife And we'd kiss and we'd kiss And we'd kiss”).

4) Broadway, Here I Come!: (tw suicide) So this song is... interesting. It can be interpreted in two different ways: one being a song about how making it on broadway is a huge leap and very difficult, and another about a person literally jumping off of a building and commiting suicide. I always think of Logic vs Passion during this song because while Roman believes he is acchieving his dreams and is willing to take risks, Logan just believes he’s setting himself up for failure. I think Logan’s view on Thomas’ life and career choice is very hard on Roman and, by the topic of the song, affects him greatly (“The people all are pointing. I bet they'd never guess, That the saint that they're anointing Is frightened of the mess”). He doesn’t know if Thomas will succeed and that makes him doubt himself and causes his work to suffer (“The pressure it increases, The closer that I get” “And the last thing I hear. As the impact grows near, Is it a scream or a cheer?”).

5) Hallelujah: This song, like the one before it, shows a lot of Roman’s insecurities. Roman has a set plan for Thomas in life, but he constantly doubts it and himself due to the comments he gets from other sides (“Somedays I don't think my mama Thinks I'm good enough to be a superstar” “Somedays I don't think my daddy Thinks I'm good enough to be a superstar”). I don’t know specifically which sides he could be talking about in these two lines, but Logan is definately one of them. I like to think he could also be talking about Patton. I mean Roman probably worries constantly about being too much like Remus and disappointing Patton. Roman probably literally thinks that Patton doesnt think hes GOOD enough. Despite all of this self doubt, Roman still seems determined to reach his dreams and prove the others wrong (“But one day I will show him I'm a diamond in the rough, I'll be a superstar” “Yeah, there's a crown covered in glitter and gold I'm gonna wear it, whether you like it or not”).

6) Holding Out for a Hero: This song is from Thomas’ perspective! Thomas DOES see Roman as his hero despite what Janus’ not at the end of the most recent episode may have you believe. Roman acts as Thomas’ protection from all of his darker and more disturbing thoughts. Thomas uses Roman, a picture perfect image of creativity to help him escape from all the bad things in life and in his head (“Where have all the good men gone And where are all the gods? Where's the streetwise Hercules to fight the rising odds? Isn't there a white knight upon a fiery steed? Late at night I toss and I turn And I dream of what I need”). Thomas literally created Roman to be a perfect knight in shining armor. The singer in the song shows this by listing off everything that they believe a hero needs to be/have, Similar to what Thomas would have done in the creation of Roman.

7) If I Dare: I’m conflicted about what this song could mean. At first glance it seems to be about Roman willing to do anything in order to get more creative control over Thomas (“If I dare to risk it, then I know that I'm willing to. If I dare to want this, to want more than I have” “I am holding out for more than what I have now”). Roman really wants to be trusted more and would seemingly take huge risks in order to get that. The part that throws me off is this line: “When the room gets dark, and I am quiet. There's a voice that's soft, like someone's silhouette Saying, "Don't let me go yet"”. To me, this sounds like its about Remus. Possibly Remus begging Roman to not get rid of him and to remain as one. What confuses me is that the line felt so out of place with the rest of the songs meaning. I’m not sure what to do with that information, but if anyone has ideas, let me know.

8) Go the Distance: Roman is so patient... and so unrealistically hopeful... He continues to lay down and let the other sides get their ways because he believes that the wait will be worth it when he finally gets his say (“I'll be there someday, I can go the distance” “I know every mile would be worth my while” “And a thousand years would be worth the wait. It might take a lifetime but somehow I'll see it through”). Despite how many times hes been ignored and let down, he continues to hope that his chance may come one day. Theres also this line: “But to look beyond the glory is the hardest part. For a hero's strength is measured by his heart, oh” which makes me think big time of SvS. He gave up his glory in favor of what Patton wanted because he thinks that it was the more heroic thing to do.

9) Flamboyant: The title really says it all. Roman is extra™️ and he knows that all of the other sides think so too (“I'm a very flaming flammable guy. Some say my fire burns way too high. Some say they find me too hot to touch. But I, I think it's not enough”). I also think its important to note that this song feels a bit out if place with the canon Roman that we know. From what we’ve seen of Roman, he holds back a lot. He denies a great deal of his greed and wants in order to make the others happy and fill in his “hero” persona. This song portrays Roman as having no restraint and not wanting the others to boss him around (“Don't tell me what to do, Don't tell me what to say” “Turn down? I never do” “And no time for restraint”). I’d love to see more of this assertive side of Roman in canon, but right now you can tell that he is holding back. He wishes he didn’t have to, but he feels as though it is necessary to distance himself from Remus.

10) Jumpstarted: Let me set the scene. Thomas is just out an about enjoying his day, he holds open the starbucks door for the guy behind him and... omg... he’s hot... he’s the love of your life Thomas! Roman the proceeds to fanticize about marrying and starting a family with this one random guy that they’ve never talked to nor seen before (“The only one I want is you. I hear the bells and the ring and already, Four kids and the big ol' wedding Singing, You” “And how was I to make a long walk home. You got me feeling like I'm overdosed”). This whole song is just Roman singing about his head-over heals love for a guy in Thomas’ head while Thomas has to act normal and even warns the dude to run away while he has the chance (“Take my advice and run while you still can”). Roman’s quite a hopeless romantic.

11) Brave New Girl: Remember how I said Roman has been holding back and trying to be more polite in order to make himself less like Remus? Well this song is the opposite of that. This is what Roman wants. Roman wants to let lose and be his wildest self again (“She wants a good time” “She needs to really really find what she wants” “There's a brave new girl And she's comin' out tonight” “Who knew she could feel so alive” “Won't take a back seat”). I like to imagine this song taking place after the events of POF. I mean if the others are just going to accept that Janus is good now, then does that mean Remus is good too? If that the case, then what was the point of him and Remus splitting in the first place? This song makes me think that Roman and Remus could team up together in either the next episode, or future episodes to come. Roman is lost and doesn’t really know why he is who he is anymore, so he seeks out Remus, the only one who really understands what he’s going through (“So she met this man, He was kinda rough. He said, girl, what you lookin' for? She said, I don't know I go with the flow. He said, let's get on the floor”). The man in this song could also be Janus I suppose. He does compliment the singer and flatter her, but after the events of the last episode, I find it hard to believe that Roman would be willing to fall for Janus’ flattery again.

12) Every Boy: Roman wants to kiss every boy in the world... and it’s never enough. That is all.

13) Primadonna: What a bop! This song is honestly so good! Again with Roman’s songs making him out to be a lot greedier and wild than he actually has acted in canon (“You can count on me to misbehave”). This song is what I imagine Roman would act like if he had nothing to worry about other than being himself. Roman wants a lot of things and he wants everyone to adore him for the beautiful prince he is (“All I ever wanted was the world” “I can't help that I need it all” “When you give, I want more, more, more” “I wanna be adored” “I know I've got a big ego”).

14) King: You can already tell by the name what this song is about. I’m honestly shocked how obvious it is. At this point we don’t know who made the decision for creativity to split, but this song and a couple of others in the playlist seem to suggest that it was the Roman part of original creativity who decided to push Remus out. He felt as though it was the only way to successfully move forward (“I had to break myself to carry on”). The others sides (I’d like to imagine Patton) tried to convince Creativity to split and despite his not wanting to. His decision to split seemed like it was a very hard one to make and left a lot of pain in its wake (“They say it's easy to leave you behind. I don't want to try” “Is it worth the price?”). Original creativity felt powerful and strong when he was whole, so of course he didn’t want to split (“I was a king under your control”). The song seems to suggest that he tried to repress his ‘Remus’ thoughts in order to remain whole and not lose a part of himself, but this could only work for so long (“Don't wanna have to lose All that I've compromised to feel another high. I've got to keep it down tonight”). In the end, the Roman side of creativity finally won out and both Roman and Remus decided to let each other go (“I wanna feel like you've let me go, So let me go”).

15) Cheap Queen: This song really shows Roman’s struggle with his identity. He’s so quick to change for others in order to be accepted by them (“I can be good sometimes. I'm a cheap queen. I can be a what you like. And I can be bad sometimes. I'm a real queen. I can make grown men cry” “I'm gettin' too cocky since everyone wants me, It's harder to be myself”). This convices me that the way that he’s been acting in the last few episodes (not insulting anyone, very opposed to Janus) is soley him trying to prove that he is good and nothing like Remus. He’s been hiding his true self which we see a lot of in episodes before Remus was introduced. Roman doesn’t want to disappoint Patton in fear of Patton wanting him to split again.

16) Humility: ANOTHER song about Remus. This song is really interesting. It shows us that Roman is VERY confused about his opinion on Remus. He’s lonely and feels incomplete without Remus, He NEEDS Remus back (“I need you in the picture That's why I'm calling you” “I'm the lonely twin, the left hand” “I don't want this isolation” “See the state I'm in now?”). Right after Roman has these thoughts and feelings though, he instantly tries to block them out and retrain the idea that Remus is bad (“Reset myself and get back on track”). He wants Remus back so badly and feels some sort of remorse for kicking him out, but then he ignores those emotions and acts like he hates Remus another moment (“If I pick it up when I know that it's broken Do I put it back? Or do I head out onto the lonesome trail And let you down?”).

17) Aint Got it Like That: Roman is greedy and wants a lot of things, we’ve established this. Most of this song is about how Roman wants more than what he has now, but he still believes it will come if he just waits long enough (“'Cause I ain't really got it like that And one day Imma have it like that And I know that it can't stay this way And one day Imma finally get paid”).

18) Dreamer: I’m not sure whose perspective this song is from, but this feels like a comfort song to Roman. We know that he has a lot of insecurities and struggles to create things because he worries that his ideas won’t be good enough or will be too much like Remus’ ideas. But this song goes completely against that mindset. It’s what Roman wants to hear: “Dream little dreamer, Don't care what they say” “You can do anything” “Dream like you won't fail. Sing like no one's there. Dance like you don't care. Dream.” “Don't fear little dreamer, You'll get there one day” “And I know that it's scary, But you'll succeed” “You're exeptional, You're original” “You're magnificent, You're sensational”.

19) Paving the Runway: This feels like a song from Roman to Thomas and gosh it just feels so loving and sweet... Roman has such big dreams for Thomas and he has so much faith in him (“Cause I know that one day you're gonna fly”). He encourages Thomas to go for his dreams and excel, something that he is hardly told himself (“Go after your dreams, Crazy as they may seem. Go chase all the stars in the sky” “You will reach higher than I ever could”). Roman does everythig he can to set Thomas up for success and to help him reach his dreams (“Darling, stand on my shoulders” “Baby, I'll be paving the runway”).

20) Go.: Again, I’m not sure who the singer of this song is, but I can tell its exactly what Roman wants/needs to hear. Roman is very clearly holding back due to his fear of becoming too much like Remus and that is making it very hard to do his job (“The fear within Has held you hostage. Break free and live. GO.”). This is a good song to be Roman’s last song because I think it helps to show us where Roman’s character is going in the future. He is going to let lose and relax eventually. Perhaps this will lead to him creating the better relationship with Remus that he’s been hoping for throughout this whole playlist. I predict that next episode, well start to see some of this newer, less refrained creativity from Roman.

(And that’s that! If you can tell that theres some tension between Roman and Remus from this playlist, just you wait for Remus’! As usual, let me know what you thought of this ❤️ Love you guys!)

[carlyfrombleachers]

The Brilliance of Carly Rae Jepsen’s “I Know You Have A Girlfriend

No, this is not a joke.

Not enough people talk about Kiss. It’s nowhere close to Emotion, sure, but Kiss has its fair share of great songs, held back by the trio cursed with sounding the exact same: Turn Me Up, Hurt So Good and More Than A Memory. Oh, and Beautiful (feat. Justin Bieber). Some songs are just… bland. Carly Rae has the following she has because of her love songs, and Kiss is exactly that: an album full of love songs. But most of them are very bubblegum and teenage-y, nothing like what Jepsen shows us in Emotion or Dedicated.

And in the middle of all these, you may find some songs you enjoy: singles This Kiss, Tonight I’m Getting Over You, Call Me Maybe and Owl City’s Good Time are not particularly bad or bland and do a pretty good job at, well, getting their message across. But, as you might’ve guessed from the title, I’m not here to talk about any of those songs. I’m here to talk about I Know You Have A Girlfriend.

Now, Kiss has had a thousand Deluxe releases. Some of the Deluxe releases include Drive, Sweetie, Wrong Feels So Right, and… you guessed it. I Know You Have A Girlfriend. I don’t think any of these are bad, but they don’t stand a chance against I Know You Have A Girlfriend. Well, maybe I should start talking about the actual song, right?

The picture painted by the first two verses of the song are basically that there’s a guy following Carly, and he wants to do something with her, to which Carly says “no, i know you have a girlfriend, this is wrong, please leave me alone”. This is… relatable enough, but why make a song about this? “You talk to me in riddles” “You treat me like a crime”

The guy continues his advances, “tiptoeing around all the facts”, and Carly seems to now enjoy his presence, but is still aware of the fact that he has a girlfriend, and it’s wrong to get involved with this guy. “You talk to me in riddles” “You cover me in rhymes”

And then, we reach the bridge.

“You’re sick with dreams about it” “Didn’t I, didn’t I blush” “I think, I think, I think I want it way too much”

Huh? What is she saying?

Is she singing from the guy’s perspective now?

When I listened to this song for the first time, I was really confused. The bridge doesn’t seem to fit the rest of the song, it’s a song about how this guy wants to be with her while having a girlfriend, and after turning him down for the whole song, she now sings “I think I want it way too much”? What poorly written female character is this?

Well, all those questions are answered with the next verse:

“I know you have a girlfriend” “And it cuts me like a knife” “I know you have a girlfriend” “And she’s gonna be your wife” “And every time you speak” “You’re lying through your t-t-teeth!” “I know you have a girlfriend” “Tell me where is she tonight” “I know you have a girlfriend” “Cause I heard you had a fight” “I know you have a girlfriend” “Why won’t you let me be?” “I’m begging you, stop begging me!”

Did. A. Full. One. Eighty.

Carly was just pretending to not like this guy, and asking him countless times to leave her alone, but in the end, she was the one going after him! She was the one crazy about him! She’s turning him down so much because he has a girlfriend, but she wants to get rid of the girlfriend! (An alternate interpretation of this is that she wants the guy’s girlfriend, but this is kind of stretching it a lot, but who cares, the sapphics that might find this blog now have a reason to listen to this bop.)

Carly is the one sick with the dreams, she’s the one who wants it way too much. And she does an amazing job at hiding this. Lyrics that completely change in meaning once you factor in the fact that she likes this dude include “Somebody should sound the alarm”, “You’re lying through your t-t-t-teeth” and “I’m begging you, stop begging me”. The last one gets especially dark, where her twisted love means she needs to end this dude’s relationship at all costs, and acts as if he’s begging her to do it, like... damn. Damn.

It’s just… so unexpected? In an album like Kiss, where every song is either “wow, you’re so cool and nice, we should date, I love you” or Tonight I’m Getting Over You, it’s an amazing subversion of expectations to have this seemingly boring song take such an odd route and deliver a punch to your face. It’s fantastic. Most songs of hers are very upfront about their message, such as Happy Not Knowing or Party for One, and it’s really, really cool to have one where her true message, her true feelings, take some time to reveal themselves.

Well, we’ve reached the end. Follow for more CRJ content, I guess.

[lightsandlostbells]

wtFOCK season 3, episode 5 reaction

This whole episode I kept doing that Marge Simpson groan. You know, the one that’s like tight-lipped and this low, exasperated mmm from deep in the throat? That was me constantly.

Episode 5

Clip 1 - Jens gives Robbe sex advice

Robbe texts his mom and says to her he can’t visit, lying that it’s because he’s sick. One repeated element that does exist in this season is Robbe listening to music on his headphones, which is him retreating into himself, or using music to cope. The song lyrics reflect that: “I used to feel so alone, now I’m feeling better on my own.”

Since I’ve been trying to think of ways to rewrite this season, they could expand Robbe using music as a coping strategy even further. Music should have been something that Robbe bonds with Sander over. And not just Sander’s recommendation of Bowie, either, which is all they’ve done so far - it seems like Robbe should give recs or insight as well. Talk about how important music is to him with Sander. Make it a serious point in their developing relationship.

Jens skates up and talks to Robbe. Robbe wants to get high, but Jens doesn’t have weed with him at the moment. He asks Robbe if he’s thought about the Brrrothers, because they’re not the same without Robbe. Robbe snaps and turns away from him, then lies and says his bad mood is about Noor. Jens has already heard that they’re fighting.

Jens’ talk to Robbe, knowing that Noor wants to have sex and Robbe doesn’t, is actually pretty sweet. Even though he doesn’t understand the real reason why Robbe doesn’t want to, his talk is thoughtful and not shaming Robbe for being a nervous virgin, it’s considerate of him. Considering the Brrrothers have been obnoxious about sex and girls all season, this was a refreshing change. One question I do have is how Jens knew that Noor wanted sex and Robbe didn’t, but I guess it was implied that this explanation was part of the rumor mill. 

Of course, the downside is that Jens’ advice prompts Robbe to text Noor about how he misses her and wants to meet up. Bad, Robbe! I don’t know if Jens’ talk encouraged Robbe to text her because Robbe was like “Yeah, I’m supposed to like Noor, better get back on that,” or because maybe he genuinely told himself, “I just don’t want to have sex with her because I’m nervous, yeah, that must be it,” and decided to just move forward with it. 

I do like drama that comes from characters trying to be helpful but unintentionally saying or doing the wrong thing - that’s what happens in the locker room scene with Isak and Even. When Isak says he’s better off without mentally ill people in his life, he’s telling Even this as a way of saying that his mother won’t cause problems for them, he doesn’t care what she’ll think of them dating. So taken on its own, I think this scene is fine.

HOWEVER. The pacing of this season is again, SO SO weird, because this scene would have fit right in around episodes 2-3? Right after Robbe tried and failed to have sex with Noor, you know ... the first time? Or the second, or the third? Like … have it be in line with Isak’s episode 3 sexuality crisis, all the “why does he have to be so gay” stuff. It would’ve worked well to have this talk at like, the beginning of episode 3, and then have Robbe making the “that guy is so gay” comment as an unintentional result of this - by trying to convince himself he is just straight and nervous and distancing himself from being gay. We had three entire scenes of Robbe failing to fuck Noor, so narratively, why did we need to wait this long for Jens to talk to him about it? 

Clip 2 - AGAIN?

Robbe invites Noor over to bone. He’s lit about a million candles and is trying to make this a big romantic deal, except lmao, he has on David Bowie’s Life on Mars … Robbe … what u doing…

Actually, I’m not sure if this is diegetic music or not, if Robbe is blasting Bowie from his phone as mood music or if he’s only hearing this song inside his head. I think we’re definitely meant to take away that Robbe is hearing the song since it gets distorted as he slinks down Noor’s body, and that it’s not just there for the audience. In either case, Sander is supposedly the shadow hanging over this sad hetero affair.

Tbh listening to Life on Mars is the best part of this season and I wish I could just like … listen to this song play against a black screen instead of watching poorly written, repetitive clips.

They start to get it on and he takes off her shirt, unhooks her bra, yadda yadda, he doesn’t look happy but he soldiers on and it’s implied they went All The Way. On the one hand, I will rage if they actually had sex. On the other hand, if they don’t, it’s yet another clip where the same shit happens, Robbe tries to bang Noor and fails.. 

Clip 3 - Robbe’s not turned on by Noor and this is BRAND NEW INFORMATION

… okay, so he didn’t have sex with her AGAIN? He couldn’t get it up?

For fuck’s sake. I mean, on the one hand I’m glad it was actually Robbe’s choice (apparently) to put a stop to the sex instead of like, someone else walking in and interrupting yet again, but on the other hand, I feel like we have done this scene SO MUCH. We KNOW. About the only thing that’s changed I guess is that Robbe kissed a boy and now he’s trying to be straight? If this was only like the second time this scene had happened, it would have been fine.

I just don’t have a coherent idea of Robbe’s arc. This season is going in circles. 

Anyway, Robbe couldn’t get it up, Noor is sympathetic, she asks if it’s her, Robbe says she’s amazing, he looks sad and haunted blah blah we’ve already seen this play out.

Why were these separate clips? In the first clip, we have Robbe seemingly determined to have sex with Noor, and then in the second, he can’t get it up. So why not SHOW THE MOMENT OF CHANGE? Are these filmmakers on drugs? This is storytelling 101. Like there’s no reason to split up these clips except to cause a bit of anxiety if you happen to be able to watch the clips at the exact time they’re posted, and from a real-time perspective I get it, but that’s ineffective for the vast majority of people who will have to watch later and then will watch these two clips together at the same time. I mean, the fact that it’s not even 10 minutes in between clips … just SHOW THE WHOLE SCENE. Holy fuck. How are they this incompetent?

The pacing of the scenes themselves is so weird. So many of the clips are oddly short, we don’t NEED them to be split into parts. It makes me really appreciate Julie’s pacing: Skam S3 episodes had 4-6 clips each, and in those clips, we got rich scenes packed with details, often multi-tasking within different story threads. wtFOCK’s pacing is simplistic and choppy and unnecessary.

Clip 4 - Milan gives Robbe a pep talk

Robbe is Googling erectile dysfunction which is honestly kind of funny (but again, probably would have been a better fit for earlier in this season, before Robbe had already kissed a dude ...) Milan comes in wanting advice on two shirts, Robbe is annoyed.

Milan tries to get Robbe to talk to him. It takes some prodding (and I do like how Robbe is swiveling in his chair and not looking at Milan) but Robbe admits there’s a guy who likes him and, after Milan asks, admits that it’s mutual. 

Tbh … I don’t find it so hard to believe that Robbe opened up to Milan even though they’re not anywhere as close as Eskild and Isak, because I do think another gay guy is a “safe” person to talk to about this situation and I can see Robbe doing it. What I do NOT get is why, here and now, Robbe is now openly admitting it. Why did we go from Robbe trying to fuck a girl and, before that, calling the boy he kissed a pervert and a homophobic slur, to admitting his attraction for a boy? Why the sudden turnaround? Based on the clips themselves, all we have to go off as a turning point is that he couldn’t fuck Noor, BUT this is nothing new for either Robbe and the audience, AND not being able to fuck a girl does not actually mean that Robbe would be able to fuck a guy, or that he’s into guys, and it especially doesn’t mean that Robbe would accept that he likes a guy.  I mean, he’s Googling “erectile dysfunction” not “am I gay?” which tbh seems still more like denial than anything. He’s blaming his lack of arousal on a medical issue, not his sexuality.

This scene would feel more true to me if Robbe was like, downplaying his side of it, or playing it off as only Sander had feelings and it wasn’t requited. That’s more in line with the characterization we have just been given, that Robbe is denying his attraction to Sander.

Another way would be to not split up the sex clip and to show like, Robbe flashing back to his kiss with Sander while he’s making out with Noor, so we get that it’s not just that he’s not into Noor, it’s that he’s very into Sander, and we see him grudgingly admit to himself that yes, he’s attracted to Sander (at the very least.) which would make it believable that he admits it to Milan. Cause and effect, etc.

MIlan is like, are you so nervous to tell me you have a crush on another guy (...????? um, yes, Milan, you have to know it’s hard to come out???) but is pretty supportive and says Robbe’s lucky to have him, Milan would have wanted himself when he was going through this. Robbe is just like, I don’t know what I feel and I want everything to be normal, there’s too much shit going on right now. Milan says Robbe IS normal and he doesn’t want to bottle up who he is, the pressure will get too real and he’ll explode, he’ll hurt people. Robbe seems to take this advice seriously, so hopefully this scene will actually lead to cause + effect.

Again, this scene is fine on its own? There’s just something about the pacing of the season as a whole that feels strange.

I don’t know if this is supposed to be the equivalent of the Pride clip, because Robbe doesn’t say anything offensive and Milan didn’t get upset. Milan’s advice is good about not pushing away who you really are, but there’s nothing specifically confronting internalized homophobia, which Robbe desperately needs seeing as he’s had some extremely homophobic outbursts. I think it’s a shame to lose that part of the scene, because it’s got a very pointed and urgent message. (EDIT from the future: We got the Pride clip later in the episode, so that’s good.)

Clip 5 - Robbe tells Jens he likes someone else

Robbe is sitting on the sidelines listening to music again. Jens comes over and asks how things are, Robbe says he took his advice with Noor and Jens is happy that he’s a matchmaker. Robbe is like no, there’s someone else. He says he thought it would go away, but it didn’t. 

For a moment it seems like this might be a sudden coming out scene, but Jens finally asks who it is and Robbe clams up and finds it hard to get out. Jens asks if she goes to their school. Robbe is saved by Moyo wanting to play a game against some guys.

This is some plausible conflict, at the very least, Robbe not being able to tell his friends that he’s into a guy. It would have been way better to focus on this instead of Robbe flinging a slur at Sander. Robbe’s friends seem like the clearest explanation for his internalized homophobia. 

Now Jens needs to follow up on this development, or else turn in his Jonas card. Because there’s dropping the subject if he senses Robbe doesn’t want to tell him yet, and then there’s forgetting about the subject because Jens isn’t that engaged with what’s happening with Robbe, and unfortunately the latter vibe has come across far more than the first. Like why does it seem like Jens is always walking away?

Clip 6 - Robbe breaks up with Noor

Old Town Road is playing as Noor meets Robbe in a cafe. One thing I do notice is that there are a fair amount of gay musicians on the soundtrack this season, so that’s cool.

Robbe is stressed because we can tell he’s gonna try to break up with Noor. He doesn’t order anything to eat. Noor is sympathetic about him not getting it up with her, but Robbe says he needs some time for himself, he has so much shit on his mind. Noor says she can help with that, he’s like nah, Noor is crying and reaching for him desperately. He gets up and walks out.

L O L I heard all about how Robbe supposedly handled this better than Isak, and I mean … on the one hand, I certainly agree that he did Noor a solid by officially breaking up with her and not just running away from her in the hallway. But er ... first of all, Robbe went wayyyyyyyyy farther with Noor than Isak EVER did with Emma. Robbe and Noor had an actual relationship for what, a month? Isak and Emma made out twice and flirted a bit. They were not exclusively, seriously dating. So yeah, Noor is owed this breakup. 

Second, Robbe still cheated on her with Sander before he broke up with her. The fact that they were naked while they made out in the pool frankly adds an on-screen sexual element to the cheating. And technically Isak making out with Even in the pool was not cheating … for sure it was a dick move to lead on Emma and then ditch her like that, I’m not going to say it was NBD, but like I said, they weren’t exclusively dating. I mean, in all my years of Skam fandom, it’s pretty rare that I’ve heard anyone refer to what Isak did as cheating - it’s usually talked about differently than Even cheating on Sonja. Robbe and Sander BOTH cheated on their girlfriends here. 

Third, it’s nice he did this with Noor but lmao, kinda small potatoes considering what Robbe said to Sander. 

Fourth, Robbe just gets up and leaves while she’s crying, lol. He let her order soup and then he ditched her! That’s cold as ice! Bro, you need to stick around until she tells you to leave, or you needed to pick a breakup location where both of you can leave ASAP without someone coming by with the meal you ordered.

And to be clear, I don’t think Robbe not handling this perfectly makes him a terrible person or anything. It’s more the comparison to Isak with how Isak is supposedly worse and Robbe is much nicer. Nah.

Sucks for Noor and all, but whyyyy are they making the Emma character so tragic and emphasizing this het relationship so much? We don’t even end the clip on Robbe’s POV. Because how he feels about this breakup doesn’t matter, I guess. Does he feel guilty? Free? Unsure? Conflicted? IDK because we close on her, not him! I’m sorry, but it’s not her season!

I mentioned this in an earlier reaction but I’m just super tired of gay storylines that have this intense focus on how much someone being gay hurts a straight person. I believe I mentioned Love, Victor as a prominent example, because Victor’s relationship with his girlfriend seemingly gets more screen time than the relationship with his actual male love interest. And I get why this storyline is relevant to a coming out arc, of course I do, but it really bugs me when the het relationship seems to overshadow the gay relationship, as it does here. At this point I feel like Robbe/Noor has been given equal plot relevance as Robbe/Sander, if not more, and that should not be the case. It’s not about shipping, it’s about wanting a story about a gay kid’s journey of self-acceptance to focus more on the life-changing love story that is the catalyst for embracing his sexuality, than the fake passion-less relationship that is doomed to failure that is just a momentary stumble in said journey of self-acceptance. There is no need to demonize Noor, but there is actually a middle ground between treating her with respect and empathy and making her the real victim of this story.

This narrative choice also does not exist in a vacuum. It is completely fair to be skeptical of the prioritization of a het relationship over a gay one. It’s fair to wonder why we’ve gotten multiple scenes of Robbe getting hot and heavy with a girl, why Robbe spends a pivotal clip being so sad about Noor that he doesn’t seem to really notice or care that he’s alone with the guy he supposedly likes. 

I mean, fuck, Robbe seems more upset about hurting Noor’s feelings by breaking up with her for legitimate reasons than he does about hurting Sander’s feelings by calling him a f*g and accusing him of sexual assault.

Clip 7 - Robbe tries to speak with Sander

Robbe goes to school (not his school, Sander’s) and asks where the art room is. He’s in a way better mood, a spring in his step, but LMAO you better pray that Sander actually wants to talk to you rather than kick your ass or avoid you for all eternity because of what you said to him.

Sander is sketching a nude male model. Robbe seems happy just to see him. He walks away and goes to the bathroom, fixes his hair, stares in the mirror, takes a deep breath. Then he goes up to Sander after the bell rings. Robbe wants to talk, Sander is not having it and walks away. Robbe is sad, angsty music plays. 

Uhhhhh, serves you right? No offense but I can’t even feel sad for Robbe in this scenario, because what he did crossed a line. Internalized homophobia is a hell of a drug, but there’s such a difference between Robbe just denying that the kiss meant anything or blaming it on being drunk or whatever, and essentially accusing Sander of sexual assault and calling him a slur. It’s not an ignorant mistake, it’s a malicious one. I feel bad that Robbe ever had such self-hatred that he made those comments in the first place and I certainly don’t hate him or think he should be forever alone, but it is 100% understandable why Sander would not want to speak to him after that.

Also, going up to Sander at his school was not the best move, because he’s basically ambushing him. Sander doesn’t have a choice whether to deal with Robbe in that moment. It would’ve been better if Robbe sent him some kind of apology text or voicemail first and left it up to Sander whether he wanted to meet. I get that’s not as good for televised dramaaaa, but it’s kinder to Sander. (And if Sander doesn’t respond, or if he’s blocked Robbe, well, those are just consequences of Robbe’s actions that he’ll have to live with.)  EDIT: Robbe actually did contact Sander first via text, wanting to meet up so he could explain. That does make it somewhat better, although I still think he shouldn’t have approached him at school. If Sander doesn’t want to talk to you? Then give him space. Maybe he’ll be willing to hear you out in time, or maybe he’ll decide he’s better off without you, but Robbe’s the one who did something wrong and it’s not up to Robbe whether Sander forgives him.

Clip 8 - Robbe and Sander make up and kiss

Angsty music keeps playing as Robbe walks home. He sees a mom and her kids playing, more sadness presumably due to his own family troubles.

Sander has followed him and says he has five minutes. Robbe’s like “Why don’t you want to talk?” LMAO IDK ROBBE, WHAT COULD IT BE. 

Robbe says he’s sorry and that he loves Sander. LMAO WHAT. Is this a nuance of translation where “I love you” isn’t as strong as it is in English? Are you kidding me? 

First of all … he LOVES Sander when they’ve barely interacted? They’ve spoken only a handful of times. Hell, they only met in episode 3, and this is episode 5. It’s been like two weeks since they’ve met, and while I could buy that some ships fell in love in that short of time, this is sure as fuck not one of them.

Second … Robbe goes from shoving Sander and calling him horrible things and trying to fuck Noor, to professing his love for Sander, WITHIN DAYS? And this is the character who’s supposed to have a big coming out arc? What is nuance, what is good writing, what is a coherent idea of this character’s struggles with his sexuality and himself... The talk with Milan might convince Robbe to accept his feelings, but it would make way more sense if Robbe was more tentative about them. He doesn’t need to come out swinging the big epic declarations in order to accept his romantic interest in Sander.

Like this isn’t even based on what I personally think is believable for a romance, this is based on what wtFOCK has told me about this character! They made the choice to make him say more viciously homophobic things. They made the choice to have him go back to Noor and try to have sex with her for the millionth time.

I’m glad that Sander doesn’t buy the confession at first, at least. 

Robbe says that he was really fucked up and hat Sander is the first dude. There is a cute moment where he’s like “that kiss (mimes fireworks)” but then things went Chernobyl. Would have been great if we saw exactly what made him go Chernobyl and make him regret the kiss. He says he’s sorry but asks for one more chance.

Sander steps in, leans in for a kiss. “What about Chernobyl?” “Fuck Chernobyl.” They kiss, it’s really sweet, but lol they’re kissing in public??? Robbe is ok with this?? I just have abso-fucking-lutely no idea where this kid’s head is. Like ... how is he so cool with this considering where he was just days ago? Apparently Robbe’s internalized homophobia was so extreme that he was all “get away from me f*g” toward Sander with no clear catalyst, but also not so extreme that it couldn’t be fixed with a pep talk from Milan? Okay!

This scene would have been totally fine if Robbe’s mistake was less cruel and amounted to blocking Sander or telling him to stay away or w/e. It doesn’t feel satisfying for what Robbe actually did say.

Also, sigh, because Sander did forgive Robbe just like that, and I don’t buy it. I mean, if anything, it makes me sad for Sander. I want to tell him that he deserves better. I suppose I can buy this as part of his fear that no one will ever love him, that he’s desperate to be accepted and loved and so is quick to forgive.

It would have made more sense for Robbe to have a longer period of self-reflection, have him come out to his friends, etc. and then reunite with Sander an episode or so later, similar to how Isak and Even reunited at the end of episode 7. Or to have Sander take some time before letting Robbe talk to him, during which Robbe works on his own issues.

Sander gets a call from Britt, which he ignores, saying Britt’s the past, he and Robbe are the future (as the song lyrics talk about the future and the past … they’re going pretty on the nose this season. Fine by me, OG was also on the nose.) Lmao but Robbe has no right to be upset about Britt after he explicitly told Sander to stay away. I mean, it’s dubious of Sander to keep dating her after cheating, but he also thought Robbe was no longer an option sooo don’t be surprised Sander is still with her, dude.

Sander goes to meet Britt, but not before some make outs, some handholding. I think their chemistry is good! It’s just that I don’t really buy the depth of this relationship. It legit makes me sad that these actors are getting served this half-assed material. 

Clip 9 - Zoë gets a letter

Robbe goes home and gets a text from Sander, with a sketch of them, saying their kiss was Chernobyl. Well, that’s cute.

Milan is telling Zoë about seeing some straight-looking dude on the bus who melted when Milan looked at him. Robbe is in a good mood and is gonna do the cooking. Milan observes that he’s happy and asks if things went well with his (Robbe looks toward Zoë) “lovely girlfriend”. At least Milan covered for him! (EDIT from the future: Ahahaha, funny considering how casually people out Robbe this season...) 

Robbe hands Zoë some mail that turns out to do with Viktor, the apparent Nikolai in this version, about the case going to court. She has to testify. She is upset and walks out of the kitchen.

I complained a bit about Zoë/Senne drama taking up time in Robbe’s season, but to be clear, I have no problem with them following up on this plot point from S2. It’s a hugely important story. But I also think it works best if you integrate it into Robbe’s story, by drawing a parallel to their situations, finding a common theme, etc. And it depends on whether Robbe’s story is otherwise satisfactory, because if the writing is pretty tight, I’m not really bothered by digressions in other characters’ subplots. 

Clip 10 - Robbe and Sander get cozy

Oh hey, it’s the big cuddling clip! Robbe and Sander goof off, pillow fight, smoke a joint, make out. Mostly make out. Sander shows Robbe a sketch of him (Robbe) and implies how good it would look on a wall (big). 

Robbe’s fave actor is Leonardo DiCaprio, because hasn’t Sander seen Romeo + Juliet? It’s fucking beautiful.

Man, on the one hand, sick Skam reference, and it’s just a simple, cute little nod to OG, not something complicated. I can dig that. But on the other hand, now I’m annoyed at how Isak got all of this beautiful development and watching R+J actually meant something for his character, and Robbe has absolutely nothing like that. Stuff like the fact it’s Robbe who likes R+J instead of Sander, WHICH IS FINE, but like … doesn’t say anything about Robbe’s view on masculinity or w/e, doesn’t do much for his characterization.

Sander takes pics of Robbe. Their chemistry is cute. Once again I despair at gifted actors being given subpar material leading up to this clip.

LMAO at them copying the dialogue from OG, Sander being all life is like a movie. Again, irrationally annoyed because this dialogue MEANT something to Even. Even was a huge film buff and an aspiring director. Sander hasn’t mentioned movies at all, he’s into art and David Bowie and photography. So why not have Sander quote some Bowie lyrics that explain his thoughts on life? Mention what art means to him? Personalize this dialogue so that it’s specific to Sander. Or, if you’re going to borrow this chunk of dialogue, at least establish Sander as a film enthusiast prior to this clip.

Also that Isak brought up the multiverse theory because he was smart and inquisitive, but I have no idea who the fuck Robbe is. Does this make sense with Robbe’s prior characterization? Shrug.

I do like the multiverse reference to Spider-Man because HELL YEAH Into the Spider-Verse!!! Fucking masterpiece! I could be watching that for the 20th time instead of the upcoming gay-bashing hate crime.

I do like Sander’s acting in this scene and his reaction, how the music (“Ocean Eyes”) stops when Sander starts talking about multiverse theory. His dialogue is a little different here than OG, about thinking about what he’s done and wondering why he thinks something, his thoughts never stop, which fits in with bipolar disorder.

Robbe notices he’s a little agitated, Sander says the only way to stop your thoughts is from dying. So I guess we’re putting in the suicidal thoughts in this version?

“Sometimes I forget how young you are.” Are they the same age in this version? Lmao. It’s a joke so it’s not a big deal.

Robbe starts kissing him and asks when Sander fell for him. Sander is like, before you! When Robbe was spraying the graffiti he knew Robbe was the one. Robbe is like … you were there??

I mean. this is cute and all, but doesn’t it kinda take away from later events, if Sander goes back to Britt, then like … knowing Sander has been Pining All Along should create way less doubt in Robbe’s mind? When Even went back to Sonja, there was room for actual doubt in Isak’s mind (and the audience’s) about the sincerity of Even’s feelings. I think people forgot that the “I saw you the first day of school” moment at the end of the season was a surprise. I was in the fandom and I don’t think a lot of people thought Even had fallen for Isak that early. So Robbe now knows that Sander fell for him well before they even talked, doesn’t that remove some of the tension about Sander’s motives? I suppose it depends on how the story goes from here, but if it’s similar to OG, then I think it slightly lessens the ambiguity and tension.

Also, another reason why it would have been good to actually see the graffiti scene play out in episode 1… and to see what Robbe tagged on the wall … come on. COME ONNNN. Let’s see what got Sander’s attention! Did Robbe create something funny or clever or insightful? Wouldn’t that have been a great detail to show their connection? This is basic storytelling, hello? 

I guess if I’m being fair, we don’t know exactly what Even saw in Isak that first day of school, either. But then again, we didn’t see the first day of school in a clip, while we definitely saw the graffiti scene. Just a missed opportunity, IMO.

They kiss and Sander gets a text from Britt. According to Sander, he told Britt about him and Robbe, but she doesn’t believe him, which is what I assumed of Sonja too, btw. At least, that’s what I thought at Emma’s party where she initiated the kiss with Even. Sander says Britt is so controlling. Robbe seems uncertain.

Sander says there’s probably another universe where Sander is still with Britt, but he’s glad to be in this universe. I do like this part.

Clip 11 - Milan schools Robbe on Pride

Robbe’s alarm goes off in the morning. He smiles a bit, though, presumably because he’s got Sander in his life. He gets a good morning text from Sander, which is cute and makes him smile more. Goes into the bathroom and Milan is there. Sander texts Robbe that he’s been thinking about him in all universes, Robbe is happy.

Milan is like, when can I meet your boyfriend??? Robbe says soon. Awww, this interaction is pretty sweet. Milan is like, welcome to the club! You know, “our” club meaning dudes who like dudes.

Robbe is like, just because I’m with Sander doesn’t mean I belong to some club, I’m not like you. Milan is like … and how am I? Robbe gives the usual Isak-ish response of dressing up and talking about BJs, Milan gets upset. Robbe says there’s nothing wrong with being gay but when people think of being gay, they think of that and it’s not fair to those who aren’t like that. Robbe’s not going to put on leather pants and dance at pride just because he likes Sander!

Milan gets very upset and goes into the Pride speech. I always appreciate this scene and I’m grateful that it’s one thing the remakes don’t really fuck with, since it’s so important (I think the remakes all recognize that it’s amazing, heh). 

Senne wanting to use the bathroom is kind of a jarring thing, they should’ve just let the moment sink in.

Robbe takes a Good Hard Look at himself in the mirror which is on the nose but like, better than nothing. I think there was a mirror earlier in the season? I confess that I’m so hung up on the basic writing fumbles that I might be missing stuff that’s actually supposed to be symbolic.

Anyway, all things considered, I think they did fine with this clip. Robbe coming out to Milan earlier in the episode did help pave the way for this talk since they didn’t have the close relationship as Isak and Eskild. Like, any issues I might have with it are related to the bigger issues in the season, but on its own, I felt like it was decent, and the “welcome to the club” comment is something I can believe Milan would say and something that would make Robbe reply with a boneheaded comment.

Clip 12 - This fucking scene

Robbe and Sander flirt in a bar and get touchy-feely with each other. For some baffling choice, we start with some rap/hip-hop song and then it cuts to “Two Men In Love” by The Irrepressibles … like … you could just start the clip with that song instead of this weird non-transition?

They kiss and then move outside the bar and then kiss and cuddle some more (again … I ask, where did Robbe’s boldness with gay PDA come from ...) Robbe jumps on Sander for a piggyback ride. They kiss passionately in the street.

Ahahahahahahahahah HAHAHAHAHAHAHAHAHAHA HAHAHAHAHAA FUCK YOUUUUUUUUUUUUUUUUUUUUUUU

Some homophobes spot them and call them slurs. Robbe and Sander try to grab their bikes and quickly leave. The bigots manage to grab them and beat the shit out of them. It’s really brutal, like we get POV shots from the ground as the guys kick them. The guys call them f****ts once more before leaving Robbe and Sander crumpled on the ground in the fetal position. The wheels on the bike go round and round.

I mean … where do you even start.

OK, I’ll start here: worst decision made in a Skam S3 remake yet.

“Yeah, Skam season 3 was a masterpiece and all, but you know what I could have used more of? Violent gay-bashing,” said no one ever.

I don’t get triggered by media, not really, but boy am I glad I was spoiled for this. Because I do get fucking angry at media. And I’m angry now, but if I was watching this unspoiled? Man, I would’ve popped a couple of blood vessels. And I feel so, so sorry for people who watched this unprepared and were triggered. Because yeah, it is a remake and not 100% like the original, you can’t predict everything that will happen. But this isn’t something that you expect in S3, because you expect the writers to know enough to leave this shit out. This isn’t made with kind intentions for the audience, it’s made for shock value.

Consider that the WHOLE POINT of this very, very short clip is the hate crime, btw. It’s like two minutes long! They dropped a clip just for a cute kissing montage and then to interrupt it with a brutal beating! Something about that makes it even more repugnant than if it were like … a long involved scene about something else, and this happened. IDK, something about it feels even more tasteless, like this beating is their cinematic setpiece.

The first-person POV of the beating = not necessary. Like of ALL the fucking times in your season to actually give a shit about the importance of POV, lmao. This isn’t a video game. I’m not shooting zombies or getting jumped by bandits.

Remember when Skam faded to black on Noora’s blackout? And cut away from Even walking naked out of the hotel? Yeah, there are plot and POV reasons for those, but they were also ways to respect the audience and not include pointlessly triggering, exploitative material. 

There’s just so much to say about this bad choice that I’m at a loss. Why did we need to go here? In particular, why did we need to go here knowing how the rest of the season plays out? Because for me, that’s what clinches this as a terrible decision. This isn’t a shitty scene with a satisfying follow-up. The resolution - or non-resolution, as it turns out - of this plot development is what exposes wtFOCK’s true character.

There is an AMAZING Evak vid set to Two Men In Love and I recommend you watch it to get the bad taste out of your mouth from this scene.

HOW I WOULD REWRITE THIS EPISODE:

Sigh.

This is just textbook bad writing for coming out stories, not to mention packed full of tired cliches.

Closeted gay guy is violently homophobic (Robbe calls his love interest homophobic slurs and accuses him of being a pervert) - I’m sorry but I am so tired of the “dating your bully” trope and this is what it fell into for me. Why should Sander take back Robbe after that? After Sander told Robbe he was afraid no one would ever love him? 

Gay-bashing For The Drama, to make sure you know homophobia is bad, really bad.

Overemphasis on the heterosexual love interest (“love interest”) and how it’s hurtful to her, like I get that it’s a delicate topic with not demonizing her, but I always feel like there is SO much interest on straight characters in these stories! It’s not about them!

The hate crime has to go. Really. What is even the POINT of it in this particular story? As if there wasn’t enough angst in S3? Especially if you consider: they wasted a few episodes on repetitive nonsense. Their pacing is fucked up. And now you have to insert this monumentally offensive storyline and its fallout into a season already full of problems? Next.

Okay, I will offer ONE way to incorporate the hate crime, and that is simple: Make the rest of the season about the fallout. Similar to Noora’s season with her assault, dive deep into the trauma, spend a few episodes with Robbe and Sander recovering, telling their friends about it, going to the police about it. Cut back on other drama from S3. Don’t fuck around with Sander going back to Britt, unless you tie it in directly to him being afraid to date a guy after the hate crime. Don’t fuck around with Noor outing Robbe considering he has enough shit on his plate. If you want to bring her back, make her support him through the trauma. Honestly? Don’t fuck around with the hotel incident. Like I truly hate to lose Sander’s mental illness as a vital part of the season, but adding a full-blown manic episode on top of gay-bashing is way too much misery porn. I think you could probably show how the hate crime and resulting trauma affect Sander’s mental state without pushing it into full-blown wandering the streets naked while manic. 

Do I particularly like this plot? I mean, no, not compared to the original, and I feel like this is better off as its own thing rather than a S3 adaptation. But at the very least, I can see the attempt to take the hate crime seriously. You cannot just throw in this type of scenario to shake things up and leave it at that. This show is specifically made for teenagers, to take their struggles seriously and to give them positive examples of how to handle problems. If you prioritize the violent act itself because it’s dramatic and shocking, rather than the recovery (because that’s like, boring and uninteresting, amirite), then you’ve shown your ass. You don’t understand the purpose or the appeal of Skam in the first place.

Jumping ahead, I think this is exactly where wtFOCK exposes its true intentions. wtFOCK does not care about helping vulnerable teenagers find solutions to tough problems. wtFOCK does not care about healing or educating. wtFOCK is about shaking the audience so hard that viewers get whiplash. If wtFOCK gave a shit about helping the audience, the rest of the season would focus on Robbe and Sander dealing with the assault, giving them options to report it, showing them ways to cope with the trauma. Things that might help audience members who unfortunately also found themselves victims of hate crimes or homophobic violence. Those are not present in the rest of the season. It’s just a fucking soap opera. 

If you MUST have a homophobic incident to go with your dark ‘n’ edgy season, you can still limit it to some assholes yelling homophobic slurs without resorting to violence. That’s bad enough, and it did happen to Isak and Even later in the series. Even if you decide you MUST have a violent angle to this incident for whatever reason, I don’t fucking know why but OK, you don’t need to film it in this super exploitative manner where our heroes are getting viciously beaten on the ground. But there are so many ways to incorporate external homophobia without this shit.

Wouldn’t this dreadful scene make more sense at least if it had happened after the pool kiss? Like they go out a few days later, the hate crime happens, and then THAT’s why Robbe pushes away Sander and calls him names? Because now he’s afraid and he’s internalized what the bigots said? It’s tragic and gross, but at least there’s some character-driven logic in that sequence of events.

Another thing that really doesn’t work is that they’re straying so far from the original script, but at the same time they keep jamming in scenes from the original, except there isn’t the same buildup. Or any buildup, sometimes. This results in an incoherent mess of a season and of a POV character, where Robbe is part-Robbe, part-Isak.

I think all the remakes do this to a degree: there are certain beats they feel they must hit, and they hit them even though they’re off course. You need to commit either to doing a mostly faithful adaptation of the original, or to doing a remake with your own spin on the characters, but you need to be very, very careful not to just haplessly mix ‘n’ match the two. Does a scene from OG make sense within this remake universe? No? Then drop it, rewrite it, do what you need to do, just don’t carelessly recreate it if it doesn’t fit.

The way they’re writing Jens is bizarre because he seems to care enough about Robbe to ask him how he’s doing, but also not care enough to stick around and listen once the next shiny thing comes along. From the beginning they’ve set up the friendship tension with the boy squad as not just Robbe’s fault, but as a failure of his friends to pay attention as well. Like in the first episode Robbe is trying to talk to them and they just ditch him! They really need to make Jens more aware of how he himself has messed up with his friend, and not act like this is all Robbe’s doing.

We don’t need another Noor blue balls scene, thank you, bye. But if we keep this one, then we absolutely needed to see what exactly made Robbe stop in the act of sex with her, such as him flashing back to his kiss with Sander. Or even just letting us see him make the decision, because goddamn, what’s with wtFOCK not letting this young actor actually act out some of the meatiest material?

Overall, give Robbe more baby steps in his personal development, and not unbelievable leaps and changes in his behavior because the plot demands them.

I did try to think of a way to incorporate much of the same material from this week, including a hate crime, in a way that made more sense and was not ridiculously OTT or offensive. It’s hard because I really think you need to go back to the beginning of the season, but here’s what I came up with, borrowing some elements from the last episode as well.

Robbe wakes up the night after kissing Sander. He’s happy and glowing, he sees a cute text from Sander and smiles. Then he goes to the kitchen and Milan is there with a black eye or something, he’s talking to Zoë and Senne, maybe they’re tending to his injuries. Robbe asks what happened. Milan had a date last night and some homophobes started giving them a hard time, Milan wasn’t having it, punches were thrown. Milan is very shaken and upset. So is Robbe, who panics. Is this what he has to look forward to if he’s dating a gay? Will people harass him just for being out with his boyfriend? The implications of what it means to be a gay person in this world hit him really hard. He looks at Sander’s text again and ignores him and possibly blocks him. At some point we will establish that Robbe is also ignoring texts/calls from everyone else, too: Noor, Jens, his mom...

Sander shows up the next day outside Robbe’s place after Robbe has been ignoring him. He tries to talk to Robbe, but Robbe is freaked out and visibly nervous, his eyes darting around - he’s paranoid now about being seen with Sander, due to Milan’s incident. He’s worried about being a target for homophobic violence, understandably so. Sander doesn’t realize that Robbe’s frightened, however, and keeps talking and being nice. Robbe tries to play off the other night as just him being drunk, it was a mistake. When Sander physically gets too close to Robbe, Robbe yells that he’s not gay and runs inside, leaving Sander alone.

Robbe encounters Milan at home alone. Milan is still bruised from the homophobic incident. Milan is unusually subdued. Robbe says he’s sorry for what happened to Milan, it’s terrible. Robbe then sticks his foot in his mouth by saying something well-intentioned but hurtful and ignorant about how maybe Milan shouldn’t be so gay in public or w/e, since that will just attract homophobes, and that not all gay people act like Milan (meaning flamboyant, etc.) Milan gets really, really upset and snaps at Robbe about how gay people have been beaten and killed for just being who they are - basically a version of the Pride speech with a somewhat different context - and that it takes bravery and strength, Robbe doesn’t know what the fuck he’s talking about. So that ends on a bad note for them.

Now trying to get out of the house since he’s fought with Milan, Robbe meets up with Jens, or maybe Jens finds him at the park or whatever. Jens comments on how it’s been a while since they’ve talked. Robbe says he was just worried about what the guys would say since he blew up at them previously. Jens is like, dude, we’re your friends. You have to talk to the people who care about you, you can’t just ghost them and avoid facing your problems. Robbe takes this advice to heart. Jens tells Robbe that he’s ready to listen when Robbe wants to talk.  Maybe Robbe sees something that reminds him of Sander, like graffiti on a building, and despite his fears, we can see that he really misses Sander, and that his feelings for Sander are stronger than his fears.

Next he meets up with Noor. She’s really upset that he’s been ignoring her. He apologizes and a version of the breakup scene goes down. When Robbe leaves, we see him walk away with a conflicted expression. Sorry that he’s hurt Noor, but understanding that this was the right call, and relief that he doesn’t have to pretend any more. 

Robbe sees Milan again and apologizes for what he said last time. Milan accepts his apology. Robbe admits that he’s been confused lately because he likes a guy and he doesn’t know what that makes him. Milan says something like that’s great Robbe likes a guy and that Robbe doesn’t need to label himself right now, he should just follow his heart. Maybe that liking boys is scary (Milan points to his black eye) and sometimes you need to be careful, but at the end of the day, Milan has to be himself and live his life honestly, and so does Robbe. After Milan leaves, Robbe takes out his phone and texts Sander saying he wants to talk.

Sander meets Robbe somewhere and Robbe apologizes for ignoring him, says he freaked out because that was the first time he kissed a guy, but now he’s made up his mind that he wants to be with Sander. They kiss and make up, yayyyyy.

This is by no means a perfect solution (like the thought of then going into the shit with Britt next episode on top of this makes my head hurt), this is just an attempt to include stuff like homophobic violence, Robbe’s ghosting Sander, scenes with Jens and Noor, etc. in a way that makes a little more linear sense to me and doesn’t feel as haphazard, and isn’t super triggering or exploitative. I think if you have a hate crime happening to Robbe himself, that really needs to be the main focus from here on out, for at least a few episodes; if you have something off-screen happening to another character, you can address the topic of violent homophobia without having it dominate the season or featuring triggering scenes. And hopefully it would still have some emotional impact, because we see how it affects Milan, and some clear consequences for character development, because we see how it affects Robbe, as the situation he may find himself in one day.

If I missed anything, cultural notes, translation nuances, let me know!

[incarnateirony]

You didn't ship Destiel until S13!? That really took me by surprise! In that case, thank you for defending the ship even if you didn't ship it, that's really nice and your meta made it easier to deal with the antis. And welcome to the Destiel side of the force! :)

Yeah, several people -- @dotthings off the top of my head, I really don’t remember who else -- literally witnessed the screaming fall into the dumpster.

Again, I really don’t know if I still consider what I do ~shipping.~ I have no specific demands for how their relationship continues from here, I just acknowledge it within the work. The difference that hit in S13 was welcoming that content instead of guarding myself against it because we got slammed with several consecutive bookends that completed an entire romantic arc and punctuated it with a far more impacting mirror of an endgame that didn’t even have said romantic arc to begin with, in Swan Song, so like??? what am I supposed to do? Just ignore it? Act like I can’t understand what just happened in front of me?

To put some perspective, I’ve been running SPN games for... a while. My most recent one was on a discord server that’s niche, but my prior one was on a giant multifandom server. I covered for Cas to keep his power levels in check to the story balance without like, making the humans irrelevant. My Dean at the time was hardcore shipping trash. His name was Chris, he was a bisexual dude in Chile, psychologist, good dude. But like??? it deadass annoyed me? How up Cas’ ass his writing was? The shippers that came in actually kinda annoyed me with trying to matchmaker them in game??? Like. I saw it, but I guess it’s the old “That’s not what the show is about” (which unlike how fandom whips it around, doesn’t mean it can’t exist at all, it’s the obsessive tunnel visioned focus that pissed me off because it kept railroading scenes)

But despite that, during and before it, I was yeah, defending it. Just because I wasn’t an active ~shipper~ didn’t mean I was cool with people stomping on people for very reasonably seeing the stuff my last post mentioned. I just kinda kept myself from investing because I know this old media song and dance too well and didn’t expect it to break, say, S10 levels. And then 11 happened. And then 12. And then--

Because no matter what this fandom says, Castiel’s alien mystified staring at Dean, while great chemistry in old seasons, does not actually compare to things like frequent lunch dates, need and love yous, mixtapes, Eileen being Sam’s Cas in 15.09 and so on. In the actual, not-head-up-ass-about-old-rewritten-content-meta’ed-15-times-over often fused to really bad hot takes on what people call queer coding. But I could respect that, say, the ramifications of swapping Cas and Anna roles to keep Misha around while Julie was bouncing out and getting uncomfortable naturally landed Cas in the hero’s journey goddess role, ala princess Leia if you will, the distressing warrior nondamsel rebelling against the empire and whatnot. But that doesn’t start or end at star wars, that’s thousands of years of human writing.

So while yes, the show heavily stripped the actual content that would have traditionally structured it romantic, people like seeing that x their chemistry early on-- not crazy.

And I defended it for years /to my wife/ despite my server vexations. On this giant dozens-of-thousands-of-users multifandom server not connected to any core fandom spaces and hosting innumerable fandoms and walks of life, I was the oddball out -- me. As a nonshipper annoyed by the crowd, often having 20-30 people logged into my channel at a time playing everything from early Cain to Benny to TFW to Wayward to *throws dart at board* whatever, of the hundreds of names that drifted through the game in sum (including player rotations, OCs and audience that just came to watch/read like a fic), you know how many antis we had?

Three.

One was my wife. so removing her, two.

Do you know how many shippers there were? 

Yeah neither do I, just, “pretty much all of them.” a few hung in “see it, don’t care, moderately annoyed” like I did. But this idea that the GA is a bunch of het-guzzling bozos that can’t do the same basic math all of you fucking did before you got here, just because some other dead-ass irrelevant ship composed entirely on leftfield interpretations to validate niche fandom ships -- that shit’s so far fucking divorced from goddamn reality.

As for my wife, yes. She was an anti. In fact long before I wandered into fandom social media (I think I actually jumped in around S12 bc I saw Dabb taking over and Bobo getting promoted and was interested in Yockey-- Yockey was the first person I tweeted at), I was on these servers, running these games, having these ARGUMENTS with my wife to be quite honest, because like, look, I get it, Destiel fandom can be weird and needy and over the top but they’re not crazy for what they see out of it. By Carver era it was classic subtext.

But she had followed Winbros for years not realizing it’s literally run by the real world becky and her BFFs that have tasteful POVs like “Misha Collins is cancer” “Dabb is a disease” and whatever else on their personals that proxy through their posts and motivations. She attended it on Facebook, which is THE goddamn conservative magafarm asshole platform and yeah, read a lot of shitty arguments. Yes, she picked up sayings like “it ruins the show”. Yes, she hated it. No, that didn’t mean I felt anyone deserved more than mild frustration for their behaviors at the time just because they were stuck in fanfic-shipping-fiction-over-romanticised-land and not canon-divergent-show-genre-complex-interpersonal-relationships fiction. 

She, too, cracked about the same time I did. I was more receptive sure, I saw it more sure, but after a mix of addressing some personal problems, making an OC that completely changed how her perception filtered Dean and Castiel working together, whatever-- and yes, 12.19->13.5. The night of 13.5, the final shot, as the screen went dark, she stared over her phone and, with tonal distaste, said “Oh. So they’re going there.”

Yes, it’s that fucking obvious. No, she didn’t admit that’s what did her in. Not until the end of the season, when she admitted she had been bullshitting arguments since early season 13 because, literally, and I quote, “otherwise Min wins.” -- which, if that comes by way of my own wife, I can only stare into the fandom camera at other people that have turned this show into a decade long money sink and have been divorced from the actual canon path for like minimum 3 years, maybe 6, yelling about it being wrong all the time, etc. Because on the internet, people convince themselves they have ownership and power, that their opinion of what the piece should be overrides even the creators, et cetera. Yeah. There’s a lot of disingenuous horse shit.

TLDR my wife fell into the dumpster and, as the flag of the end of our weird spats, and a birthday present, I made her this, since she IDs as Dean (OLD vid, has hiccup issues newer ones don’t)

So, yup, dat me.

To this day I still don’t read fanfics or browse fanart or any of that. I’ve never cared about that face of the fandom. I’ve never cared about making up rando ships, I’ve never cared about exactly how any given relationship plays itself out, I just enjoy the ride and address it as it does indeed play out. Most shipping culture still pisses me the fuck off with its dialogue, as I’ve made very clear. But because I’m acknowledging the text instead of denying what keeps happening more centrally and critically every year on screen, I’d be called a shipper. Because I’m tired of watching people spew logic even most children could pick apart in an endless roundabout of negativity, because I have no tolerance for absolute horse shit and fandom whining so I just lay out counters to bad talking points, I’d be called a shipper.

But 13.5ish is when I finally let myself start emotionally receiving the content rather than barring it off in a distant wall of exhausted old gay that knows their media too well. Why? Because it already completed and went above and beyond every element of the original way they painted the original goddamn endgame and I guess because I won’t set unfair bars against queer relationships and set them at Extra Hard Difficulty, I’m a shipper. IDK. This fandom fucking exhausts me. Fandom culture in general exhausts me.

[fablecoingolf]

thots on LOGAN, on REAVER, on BEN FINN,

oh man, this might be long I warn you! I’m not sure how best to format it I think I’m gonna do like dots, coz otherwise it’ll be just a massive block of text

LOGAN:

honestly not as many thoughts as the other two aside from “nerd” and “inconsistent face” I look forward to trying to draw him one day and by look forward to I mean dread very much!!!

he’s totally not cishet look how he sits and his colour palette is pretty close to the ace flag so, though since he’s the villain for the decent amount of the game it’s important to be careful with that

I think that his design in combination with how the hobw tends to look feels antisemitic in a way that is recurring in fable that should be addressed more often I really hope if 4 ever happens they change the like good/evil morph pretty considerably, 3 is an improvement though

I don’t have many feelings towards him though as a character, there’s a thing with tone in 3 that I’ll talk about more with reaver that influences this I think, and just in general he sort of exists separately to everyone for most of the game, like he’s the player characters brother you should feel Something but there’s just no like. anything to their interactions. what��s his relationship like with theresa, with walter, with like Anyone, he just monologues at a map!!! do something talk to someone half a character is their interactions!!!! fuck!!!!!!!!!!!!!!

like he’s fun I’ve made posts about him before, on a surface level he’s fun but like past that I just don’t really feel anything towards him? so it’s kind of hard to talk about him

I had an image of him up on my screen while writing this so this entire time he’s been staring me down hdkdj

the uh, like art of him with, the front of the armor that’s shaped like a crown is very funny that’s supposed to go on your head what are you doing

I have my own idea of how Hero stuff works because this is my canon now and I can’t be stopped and I really don’t like some parts of how they say it works, but I don’t know if now is the best place or time to talk about that, it’s partially relevant to all these characters but it’s kind of hard to explain and I feel like by the time I reach the end of this I’ll have no more words so I should really save them? I don’t know, I bring it up because it’s relevant though I just can’t decide

REAVER:

it’s funny that that’s his name, dude’s not very creative huh? like a clothier named Tailor, we get it george you steal things

I mean my name is crow because.I like crows..but I’M allowed to name myself stupid things because I’M sexy and cool and awesome and my ideas are good ones always (sarcasm)

for real though my thoughts here are complicated because there are parts to this character that touch on things that I like(pirates,cool spooky void stuff,) but those don’t get like, any focus

I like him in 2! I only like him in 2. aside from the weird character design decisions 3 made, theres the tone thing I mentioned at logan that I’ve been thinking about lately I’m not sure I can word it right but I’ll give it a shot!

so like, I think, fable likes to be funny, the feel it generally goes for is fun and it’s a fantasy game yknow? characters like jack of blades and lady grey (and the crawler kiiiind of? a bit) are obviously bad but because of either the way the game treats them or the way the game feels or the things they do theyre fun villains who I like! reaver in 2 falls into this I think, yes pirates are real but, like knights and stuff there’s. I can’t think how to word it, there’s a difference between historical knights and fantasy knights and reaver is a fantasy pirate, the shadow court stuff is obviously bad but that’s also not real? the tone of 2 is more serious than 1 and I haven’t replayed it in a while so I’d have to play it to know how it lands Exactly. but reaver in 3 hits too real with actual things and lady grey is also evil rich person but the tone of the game carries that where 3 is serious about it and it’s effects that’s like the whole point and you can have a character and a game that does that but you can’t have that character Also be the fun villain because then it confuses things, that’s Also not to say the fun villain can’t be interesting or like metaphors or whatever obviously it’s just The Feel of the thing, fable 3 can have its evil factory guy but reaver isn’t the character for that for so many reasons. I really don’t think I explained this in a way that makes any sense I can try to word it clearer another time maybe

I have fixed this internal problem I have by pretending very very hard that reaver isn’t in 3 and that’s just some other guy and that’s fixed all of my problems, even that stuff aside from a character perspective I don’t buy it

I have a whole thing about what he’s doing in 3 because I don’t know who the onceler guy is but that’s not him. it’s very neat I think please ask me about it I need an excuse to talk about it and this is already an excuse sure but it’s already very long

anyone else noticed that he always wears things that cover his neck? I noticed it when compiling reference images for my animal crossing thing and I hate to give you the bad news but I am certain he’d never wear the sexy pirate shirt, if I had to design modern clothes for him he’d have a turtleneck

I feel like I could read into the way he dresses (gloves, high neck,yknow?) in an interesting way actually but I’d need to think on it more

also actually before I keep pretending he’s not in 3 I don’t want to brush over the transmisogyny in the poster which is supposed to be viewed as a positive thing since it shows up, like when the rebellion is progressing right? I don’t remember the exact point of the game but you get what I mean. or the dress which would be fine if he wasn’t an antagonist in this game + the poster making it clear it’s intended to be something to be made fun of

I have made pokemon teams for the fable 2 heros because I think about them a lot and pokemon a lot and I want to share but I might wait until I’m in a pokemon brain space so it’s easier for me to, but I have Thoughts

the man who lives forever by lord huron has oakvale reaver vibes for obvious reasons and it’s also a good song and you should listen to it

a few lord huron songs do actually but I don’t want to associate those other ones with him in my brain because I like them and,like, it’s not my fault our aesthetics overlap!! I hate that!!!!!! I’M the sexier bi/pan nonbinary occult pirate Back Off!!!!!!!!!!!!!!!!!! He gets ONE lord huron song, ONE, no more!!!!!!!!!!!!

I have a few conflicting ideas of oakvale reaver actually I need to settle on one but I’m not sure which I’m gonna go with, one that song matches with way better

he wins second place in having inconsistent face hdkdhk

I’m always torn talking about him for like all the reasons I’ve stated and like, people talk about him plenty and maybe what I could say is different coz I think I interpret the character different to the way I see a lot, but it feels like I could put my energy elsewhere better same reason why it feels weird to draw him? he’s popular adding to that pile rather than like anyone else would feel weird of me, but my brain latches on to pirate and goes wild coz they’re important to me separately so, yknow I’m torn

I could say more probably coz like I said the fable 2 heros are my favourites and I have the most thoughts on them, but I’ve been writing this for actual hours coz words are very difficult to make and I have stuff I need to do today

anyway the oakvale ghost pirate is still cooler, he says yarrrrr and Didnt cause oakvales destruction, and he loves his wife!!! that’s like +1000 sexy points!!!!!!!!!!!!!!!! and he’s a ghost which rocks

BEN FINN:

he’s good : ) !

I like him! he’s good

my thoughts here are very simple and I can’t elaborate past “: ) !!!”

oh he’s trans and bi

and while I usually don’t care about ships unless they’re the seafaring kind, page+hobw+ben finn is cute

he’s just good I have nothing to say and no complicated feelings i just think he’s neat : ) !

one day I’ll elaborate on the hero thing I was talking about with logan I just don’t have the energy right now

I genuinely can’t think of anything right now I’m sorry hdkdjf I just like him that’s enough!!

[purplesurveys]

1104

survey by kaybee-x18

What was the highlight of your day? I mean, Flowers for Vases came out earlier on Spotify Philippines and I had no idea, and I waited all morning thinking the release would be in sync with US timezones so I was in for a nice surprise of a whole goddamn tracklist when I casually checked my Spotify at around 11 this morning haha. The album is beautiful and I’m so excited to take it with me on my journey to healing.

Also got paid today, so that’s shweeeeet. As a reward to myself (since I’m doing a bit of OT tonight) I also recently ordered banh mi and Vietnamese iced coffee for delivery and it’s currently on its way to me :) All in all, pretty solid day!

Do you know anyone who is anorexic? Not that I am aware of, but it’s possible that I do.

Are you dating the person you texted last? No. That would be the delivery rider who’s bringing my sandwich to me, and that is just creepy to think about.

Who has hurt you the most this year? I don’t let Gabie hurt me anymore, directly or indirectly. Everybody else has been gentle with me so far in 2021, which I appreciate.

What's the last insult someone said to you? Ugh it’ll stress me out to think about it again, but last week my mom was asking for some money and I advised her that I might not be able to just for the meantime; she immediately got all condescending, asking me how much I make in a month and what I spend it on. I thought it very rude and tactless, and it ruined the rest of my evening. I know she knows she has a tendency to be tactless, so I don’t know why she never does anything to change that behavior.

Trigger warning on a few questions belowwwww.

Was it a boy or a girl to text you last? It was a boy. Man is more proper actually, but whatever.

Do you wish you were somewhere else right now? Dude, it’s a Friday night and I’m on the rooftop on a chilly night, I’ve laid out a mat with some pillows and a blanket and I’m surrounded by my banh mi and iced coffee while Hayley’s new songs are playing faintly in the background. I’m right where I want to be.

Have you ever given up on someone for good? Yes, and I had no idea how incredibly liberating it would feel :)

Who was the last person you talked to before you went to bed last night? I think it was my mom, since she briefly knocked on my door to say goodnight shortly before I passed out.

How much did your car cost? I’m not sure exactly how much, but it’s definitely in the six-figure range. It’s a hatchback and secondhand so there’s no way it’d be worth a million bucks.

Will you have a boyfriend/girlfriend in 6 months? No; I’ve ended up really liking being by myself. It’ll be a while before I open myself up to love again, if I ever do.

Who was the last person whose phone number you added to your contacts? One of our brand clients recently recruited a new guy to be a part of their team, so as we got acquainted I also got access to his contact details.

When was the last time you hugged someone? It was when Andi was leaving my car as we parted ways a few weeks ago.

What is the last picture you received on your phone of? Pretty sure it was work-related since my teammates share photos through Viber all the time. I can’t be bothered to check, though.

Are you better at remembering names or faces? Can easily spot familiar faces from a mile away, but I’m quite terrible at remembering names.

Have you ever tried your hardest and then gotten disappointed in the end? See: the entirety of my relationship that ultimately failed. I cherished and took care of that relationship as much as I could, but the effort I got was never the same and I ended up being hurt, too. It’s going to take a while before I gain my trust and confidence back when it comes to these things.

Have you ever let someone go because you thought they deserved better? This was Gab’s perspective and reasoning, not mine. I’m starting to believe it’s all bullshit though; that it’s an excuse she used so that I could feel better about myself. At this pont in time, I’m pretty sure she just wanted to be free from this “burden” of a relationship that she increasingly found “exhausting.”

Who did you last share a taxi with? God I have not been in one of those in a long time. My last ride in an actual taxi was with my family; but in the last ride-hailing service I took (like Uber), I was by myself since I was headed to school that day.

Is there anybody you're really disappointed in right now? No, no reason to feel that way towards anyone at the moment.

What do you hear right now? I can hear the faint engine of a motorcycle. I can also hear a couple of dogs barking.

Do you remember the first time you met the last person you kissed? Yes.

Do you like polka-dotted things? Not always, but sure. Sometimes the look can be tacky, but there are times that it looks cute.

Do you do anything to help the environment? In my own little ways, like dividing all my notebook pages into two columns to save up on paper; reusing paper and plastic bags, turn off my car engine when I have to idle somewhere, etc.

What do you think of people who complain about Valentine's Day? I don’t care lmao, it’s not my problem.

Have you ever had to get stitches? No.

When's the last time you did something you knew was wrong? Trigger warning: Self-harm. Last week when I grabbed a key in my room and did stuff to my wrist with it. A few months’ progress down the drain.

What was the last thing you wore that was black? The shirt I am currently wearing is black.

Is your tongue pierced? Nope.

Do you think that you have a pretty smile? Yes, I like the way I smile.

What month were you born in? April.

When's the last time you cried over a guy? Wow lmao, literally no idea. The only instance coming to mind is whenever I miss either my grandpa or Nacho, but I can’t pinpoint the last time I found myself in tears over either.

Are you keeping a secret that would shock people if they found out? I think so.

What pissed you off yesterday? The internet has been going on and off for the last few days.

The person you like at the moment finds someone new, what is your reaction? I don’t know if I like anyone at the moment, at least not anymore. But I think I would still get affected if the word ever gets to me that my ex is seeing someone new, should it happen in the near future. That’s why I’m one step ahead and just stopped talking to her and have muted her on all social media.

Are you scared to lose the person you fell the hardest for? I already did. I was definitely scared and devastated at first, and I was for a while. Once I came to terms with the fact that nothing was my fault and that it isn’t my loss, it became much easier to get over it.

Has anyone seen you in your underwear this month? Nah.

Is your life falling apart or coming together? Coming together.

Is there someone you wouldn't mind kissing right now? When it comes down to it, and considering my stupidity when it comes to love, yes.

Do you know anyone in the army? Yes but just vaguely. Angela’s uncle is a high-ranking...army person. Army official?? Idk how to refer to them but yeah he’s like a general or colonel or something like that.

Do you have any friends that actually model? I wouldn’t count any of them as friends but yeah, I went to high school and/or college with people who have since become influencers and have endorsement deals and stuff. Cheenie is probably the most notable one.

If you could go back in time and change something, would you? Probably.

Do you care about the last person you kissed? Again, when it comes down to it, yes.

Do they care about you? I have no idea but I don’t dwell on it anymore.

Are you for or against gay marriage? Of course I’m for.

Ever kissed someone whose name started with A, B, C, & D? No to all of these.

Is there someone you wish you were with right now? Mmm I don’t think so. I like spending this evening by myself.

Do you still talk to the person you liked 3 months ago? Nope. I don’t have a reason to.

When do you want to get married? I’d love to get married in my late 20s, but I don’t know if that’s still a possibility.

Do you know anyone who’s committed suicide? Yes.

Have you ever imagined how it would feel kissing a certain someone? I think about this with certain people sometimes, but most of the time they are annoying, unwelcome, invasive thoughts that I try to shake off immediately.

Would you fall apart if that last person you kissed died? What’s with some of these questions lmao??? Yeah absolutely. 

Is there anyone who doesn't like you? If there is, I don’t know anything about it and I doubt that I would care,

When was the last time you wanted to punch someone in their face? Yesterday when a client was being extra annoying.

What was the last thing you cried about? I stumbled upon an emotional scene from Grey’s Anatomy on Facebook this morning, and I let myself go while watching it haha. It was a great snippet.

Do you have nice eyes? I’m not particularly known for my eyes, like they’re nothing special. I’ve got nothing to complain about them, though.

What are the bad things you've heard people say about you? I’m not sure if I’ve caught anything bad. If I did it most definitely would have stuck and continued to stick with me.

Is there anyone that is jealous of you or anything that you have? Not that I know of.

How many true friends do you have? Right now, I would say two very close friends.

Does anyone disgust you? Sure.

Do you flirt a lot? Never.

Have you ever caught a friend cheating on their bf/gf? I have not, and I’m glad none of them have.

What phrase or saying do you use the most? I’ve said this on a recent survey but I say “Awesome!” a lot, but it’s a habit I picked up from my now-ex.

What mood are you in right now? I’mmmmmmm getting a little sleepy tbh, but I’m trying to keep myself up for a few more hours because it’s a Friday evening.

Have you ever kissed someone that was high? No.

Are you waiting for anything? Not really.

Do you have a good relationship with your mother? It’s civil at best. We don’t get at each other’s throats as often as we used to anymore but I don’t feel the need to improve our relationship, and I’d rather still keep a safe distance from her.

Do you think Jersey people are annoying? I don’t know any of them because I live on the other side of the world, so...

How many exes do you have? One.

Did anyone break up with you in the last 5 days? No. Last five months, sure.

Who was the last person that broke your heart? Cheesy phrase, but Gabie.

Do you love anyone? I love a lot of people.

Do you want to be single or with someone? Not looking for anything at this point in time. I mean I’d really rather be in a relationship when it comes down to it, but I wouldn’t force myself in one for the sake of being in one. If no one fits the mold, then I’d be just as happy being single, and this happens to be where I am right now. I’m okay with that.

What song are you listening to right now? No music.

Why did you kiss the last person you kissed? Because she was leaving and I wanted to say goodbye.

Does your mom think you’re a virgin? Yes.

Is there someone that wants you to give them a second chance? I think my brother, but my mind is set on never saying a word to him again.

Do you hate the last guy you had a conversation with? I don’t hate him; he’s just a particularly difficult client to deal with.

Would you rather get high or have sex right now? Getting high would be a brand new experience, so let’s go with that haha.

Do you know anyone with a star tattoo right by their hip bone? No, I don’t.

Did anyone give you anything last Valentine's Day? Last year, yes. This year, no.

Do you keep condoms in your room? No, I don’t need to.

What do you think about people who party a lot? Like, in 2021?? I would think they are highly insensitive and irresponsible and putting so many of their loved ones at risk. 

Have you ever been caught sneaking out of your house? Nopes.

How much time do you spend on AIM a day? I don’t.

Is there a secret you've never told your parents? I hold way more secrets than actual things they know about me.

Ever kissed someone over 30? No.

What size bra do you wear? Baby bra size, whatever the measurement for that is HAHA

Does the person you last kissed still like you? Lmfao no. She hasn’t for a while now.

Are your parents still together? Yes.

Was your first time good or bad? Good.

[invertedfate]

Random Ask Dump - Anniversary Edition (50+ REALLY OLD ASKS!)

Going through OLD AND CRUSTY ASKS to try and chip away at the inbox. HERE WE GOOOO...

That’s an interesting idea, and I could run it by Cake, but I think it would honestly be a LOT to track from a programming perspective. Especially ‘cause killing Sans is gonna result in a “bad ending,” so to speak.

An attempt was made by Undyne to have all three hang out at the same time. Papyrus was SUPER EAGER. ...but one thing led to another and there were many messy explosions of chemicals and lots of smoke. Alphys had to step in before things got out of hand. It was all very daunting for her. Pap and Undyne are VERY LOUD, VERY AMBITIOUS PEOPLE.

I actually have some ideas of some side comics I may do at some point! :o It’s just that right now there’s a lot going on.

I need to poke Carni about that at some point. He’s just been very busy with other projects!

Clearly he’s standing on the “out to lunch” sign.

I wanna say that it’s very possible in theory. :o It probably affects them differently since monsters’ emotional state affects their magic and their physical state.

I do like little easter eggs like that, though I’m not sure where I’d fit it in atm just ‘cause I already showed Pap’s room, haha.

I made the chase theme for Mad Dummy as well as Mad Mew Mew’s battle theme. @pinewsun​ made the battle theme for Mad Dummy, and @thomasthepencil​ made the Season Dude battle theme and MD’s overworld theme. :o

That’s a really fascinating conundrum! You’re absolutely right- if IF was a standalone game, then from a writing standpoint, having more subtle implications would make sense! The reason I chose a different approach for IF is because it’s set after Flowey’s already known to be evil and I like to give different POVs rather than stick to just Frisk’s.

That’s an interesting thing, actually- both fights lean heavily on the fourth wall. Both are treated as climaxes for their given routes. It’s funny because Asriel’s fight is a lot more straightforward and less meta by comparison.

I agree! The thing with Papyrus is that he’s extremely powerful- he just doesn’t want to kill. But it’s a deliberate choice not to kill- he’s able to force his attacks to do next to no damage. He’s also pretty darn crafty, as he made the Gauntlet himself. It really is just a case of Undyne’s personal biases and concern for him.

That was a deliberate choice. :O Papyrus is very influential toward Frisk. He is best skeleboi.

Papybot loves you, anon! He just wants to feed you WHOLESOME SPAGHETTI!!!

It is possible to whistle through teeth. ...alternatively, magic. As for the music, Undertale implies that the music is heard! Maybe it’s just... a thing that exists in this world. Or it’s just meant to be a silly meta joke. I try to keep it somewhat ambiguous other than occasional nods to it. Chara’s pants are lighter because I just... felt like it, I guess? Haha. I wanted their feet and pants to stand out more from each other, so they have khaki pants. As for the Undyne fight being animated, well, this ask is old by now, but Sparks was the one who was down for it.

Well, the teaser’s been out for a long time now, but that’s the idea! It’s also why this has been in production for so long. The Determinator has some really over the top attacks (that weren’t even shown in the teaser), and Sparks animated in Photoshop. That’s how hardcore he is.

Shhhhh. Don’t give me ideas. I’m already slacking on Tem Village. :P

Sometimes I do have slumps and burnouts (see Antipode’s lengthy hiatus), but breaks lead to me being refreshed and coming back with even more enthusiasm than before!

Oh, there are a lot of these throughout the comic. For instance...

Flowey appears in a few background shots in the Ruins!

When Sans says “or maybe...” he looks at the empty flower pot. This was one of the earliest bits of foreshadowing about who created Flowey, and nobody noticed it at the time!

The MTT vending machines initially look like this but have helpful items.

And then they look like this, with an angry face and pose- Mad Dummy has possessed them!

As of Part 38, it’s been revealed that he did first meet Asgore as “Santa.” As for whether or not he knows the truth, time will tell. :o

Oh, these are excellent suggestions for calls! I’ll try to keep these in mind.

So, I believe Glyde uses the Mysterious Door motif. Jerry uses the motif in its battle theme- I believe it’s a mix of original motif and Wrong Number song?

Sans is a master of power napping. He probably gets a decent amount of sleep, though.

There are a lot of ways to interpret Pap’s lack of sleep! In IF, he can get by without it, but he also has a lot of reasons to avoid sleeping. Some reasons include productivity but also due to a looooot of heavy baggage. More on that later.

I think sleep can definitely make monsters healthier. Rest = better mental health as well as physical health, and with how important mental and emotional help is for monsters, that’s very important!

They just really like socks. Socks are warm. Socks are slinky. And googly eyes are the best. So they took on the form of a really eccentric sock puppet and sock collector. Scandalous.

It also has Alphys’ motif, as the two are the leaders of the royal guard!

I would say the lack of Asgore as an influence has left Undyne slightly less grounded? Like, she had Toriel and Gerson in her life, but her relationship with Toriel is... definitely not quite as close? Like, Toriel by that point kept people at an arm’s length due to losing multiple children (including one from old age). So, while they were on friendly terms until the aftermath of the DT experiments and the tapes’ release, it was more like mutual respect and a sorta professional relationship with Undyne admiring Toriel and wanting to spare her from more heartache.

That is a really interesting idea. While that didn’t happen, I do need to maybe revisit the grumpy dog at some point or another. He’s still a lil’ salty.

I think in terms of layout it won’t change much, but there will be new/different content for sure. :O

Mad Dummy’s base design is mostly original, but she has a wig + headband from DIO from Jojo Part 3! Fun fact: While MTT has Kamina shades, Papyrus’ goggles are loosely based on Simon from Tengen Toppa Gurren Lagann in terms of color. :O

So basically, when Asriel defeated Frisk, he had the power over the timeline to reset it as he pleased- in theory. However, that power was overwhelming for him, and due his lack of understanding OF said power and one last ditch attempt at resisting from Chara, things went wrong.

There is a track that takes some inspiration from Rage Awakened. It’s not released, and it’s not exact, but it won’t be released for a WHILE. Like until the part comes out.

I think it’s just the fact that tacos are so random. Like, my biggest beef in that regard was that OG Underswap had a lot of arbitrary replacements for things in UT and not all of them made sense. Like, if Sans was to make a foreign food, ramen would’ve made more sense due to Alphys being weeb trash, haha.

Okay, so the rough timeline iiiis... Falling: - Cyan - Green - Orange - Blue - Purple - Yellow Dying: - Cyan - Orange - Blue - Purple - Yellow - Green

You know, it’s funny because this ask is super old, but that’s basically sorta what happened. :O It became a beach-themed resort.

Never forget MTT fangirl Temmie’s pool escapades.

I think Forgespring for me because I had to make the tileset myself (it took a few months, I think?), but Aquarius was definitely in the works for a while. But once I had the tileset from Fours, the rooms were very easy to design!

That woulda been pretty rad! Maybe I can find another spot for it one day, haha.

I think for Dohj, I’d have to check with Fours, but I’m certainly not opposed at some point? Right now, the following chars can take questions: - Frisk - Papyrus - Sans - Undyne - Alphys - Napstablook - Mettaton - Asgore - Chara - Flowey

Cyan appears in Part 45! :O No answer about orange for now, tho.

I do have vague ideas for Tem village. I just haven’t had time to go back and do it.

Stay tuned and you may find out! :O

Hmmmm... I had a lot of fun with MTT SPIRAL and the Determinator, tbh. They were both very time consuming, but I love how they came out! Also, buff Jerry.

Turnabout Storm. :)

It’s a really awesome fan crossover that works way better than it should. :P

None taken! We know that with headcanons, everyone is gonna have their own interpretations. These are just the voices we liked for Fireglobe Production, but everyone has their right to their favored interpretations!

Yeah, Knight Knight is one of the coolest CORE mercs in the original game. It was fun to repurpose them for Inverted Fate as royal guards. :o It made room for unique encounters in the CORE in the form of them robots- as Undyne would rather use machines than other monsters to do her work.

Personally, I see it as an Asriel motif, but I also acknowledge that at one point it WAS gonna be an Asgore motif. Toby has a habit of just using whatever music works for a scene (see sans. at the snail farm.)

I do have a few ideas, though I won’t say for what yet. :o

He’s likely made blueprints for that train. :P

It probably would just have different flavor text/progression!

So basically, I treat the starting motif for BAaTH/Power of NEO is just a “true hero” motif.

MTT is definitely major in IF! As for whether or not he’ll have a hangout, time will tell. There’s definitely more to resolve with him, though.

I’m gonna remake at least a few of the older tracks, including Regret. My goal is just to bring the OST to a similar standard of quality.

So, animated parts coming up: Part 47, Part 49, Part 50. There may be some other parts, but we’re gonna wanna scale things back for a little bit for the sake of all our sanities.

I go with both. ;)

Honestly, probably fairly similar to the bully fight in the Ruins- which is why I ultimately decided not to do one. Both fill similar archetypes, though I think if I did do a battle, I woulda still had Flowey interrupt at the end and scare them off.

It’s a very emotional scene. Far more tragic than her geno death, IMO.

Well, the main goal in that regard is the remasters (Part 9 is in progress). Otherwise, I do think these hiatuses are good for working ahead. I’ve still gotta do more work, though, because my buffer this time around is a lot smaller from the trial-hiatus buffer. Alas!

Honestly, the website is the best thing to happen to IF. It’s allowed us to do so much with the comic’s presentation that would be impossible with imgur. NORIX IS THE BEST...

[imbellarosa]

1989 things that keep me up at night

Or, that one Taylor Swift album that I ADORE while it confuses the fuck out of me. I’m doing the thing that I listen to the album as I write this, because I have so much to say and want to get it all right. This isn’t a cold read, I’ve heard it before, and I love it, but I did want to do a deeper analysis. If you want to read the last one that I did, it’s here. It’s about an accidental love song and it was tons of fun to do. The rest of this analysis is under the cut, because it might be the longest one yet. I’m a big fan of hers. 

As always, I’m going to go back to posting more political content in the morning, but I am very happy that all four officers in the murder of George Floyd have been charged with murder, and that Derek Chauvin in particular is being charged with second degree murder. If you’re looking for next steps: consider participating in activism on Breonna Taylor’s birthday (June 5th) or donating to Tony McDade’s memorial fund. 

So, on to the album! There are a few stand out songs, for me, in the album, including “I Wish You Would”, “Clean”, “This Love”, “Out of the Woods”, and “You Are In Love”. I don’t know if any of these were singles - the album is older at this point and I could go check but, eh. I don’t really think it matters anymore? I think if I stretch my memory to 2014, it was “Bad Blood”, “Blank Space”, “Style”, “Out of the Woods”, and “Shake it Off” that were singles. I don’t know if there were more, but I do remember those. Something that I find interesting is that the only crossover between the singles (that I remember) and my favorites is “Out of the Woods”, but that’s a phenomenal song. 

I think the first question I have to address is why this album confuses me. And the more I think of it, the more I realize that this album more sounds like two albums, telling two stories. The first story is that of a whirlwind romance in the public eye, filled with late night hook ups, seeing other people (publicly), and a superficial connection that will invariably go down in flames. This story features dramatic fall outs with contemporary artists, wild parties, and whispering voices. The second story is about a harder love, and a deeper one: it’s a story of fighting and fixing things, and letting go and coming together. It’s sweet, and beautiful, and tragic, and worth it. And these stories are fundamentally incompatible, at first glance. Your relationship is not simultaneously ephemeral and ethereal, and if you think it is, it’s time to reevaluate how honest you are being with yourself and what you want in your partner. (Spoiler alert: the song “Style” isn’t it. And neither is “Wildest Dreams”. No offense to either song or the people they were written about.)

The more I thought about it, the more this bugged me - until I dug deeper into her discography, and I noticed something interesting: Taylor Swift is a storyteller. She primarily tells her own stories, especially in Lover and Reputation, but that wasn’t always the case: “Mary’s Song” is sung in first person, and is about her neighbors’ love story. “Starlight” was written about someone in the Kennedy family's relationship with her husband Bobby (Bobby’s name is in the song). It is also sung in first person. “Ronan” is a song she wrote for charity, about a little boy who lost his battle to cancer, from the perspective of his mother. I always cry when I hear it, but it is, also, written in first person. I think those are enough for now, but I definitely can keep going.

Anyways, my point is this - I realized very quickly there were two ways I could read the album. The first is completely autobiographically: she is publicly one person and privately another. Her public persona is (at the time of 1989′s release) someone who parties, dates many people on and off, and fights with artists loudly. The private story she is offering is of someone who is deeply in love with one person, who wants to be successful, who wants to be themselves and safe with themselves and their partner, and is afraid of showing this side of themselves to the industry and the world. “Out of the Woods” highlights that anxiety well, as does “I Know Places”, and so does the line “you two are in a snow globe spinning round and round” (in “You Are In Love”), but that’s because I always imagine a snow globe like a sort of transparent show that is being obscured by the flurries, you know? Like everyone is watching, but if you move, the truth gets harder to see. 

The second way to read this - and I think the way I’m leaning - is that these are two different stories. The first one is still about that media image, and she’s playing off of her media image - one that has been proven to be demonstrably false at this point, and that she has admitted was almost forced on her at a really young age (and we’re gonna have a whole ass conversation about how the media treats children one of these days, you just watch). And the second story is still a love story: it’s just not hers. To me, this makes the most sense because of her switch between first and second person pronouns in these softer, gentler songs, as she gently steps in and out of the role of narrator. The other thing is that I don’t know a whole lot of her dating history? I never really cared. But I don’t remember her being in a really serious long term relationship at this point. I remember a lot of stories of short relationships with famous people, but nothing concrete or long lasting, in the way the song “I Wish You Would” or “This Love” or “You’re In Love” suggests. 

This perspective is fortified by “I Know Places”, in which she is literally talking about a secret relationship. She’s describing something that is hiding in plain sight, but can’t be honest, because “something happens when everybody finds out/ love’s a fragile little flame/it can burn out...”. So they (the people involved) go hide in these secret places (look, let’s be real. every celebrity has a secret place). What I think is interesting is that this isn’t the first time in the album that she talks about sneaking around and hiding. The first time this comes up is in “Style”, where she mentions that the dude comes searching for her with “no headlights”. She is clearly referencing herself in that song, as she describes her “red lips” and her “good girl thing/in a tight little skirt”. But the context is super different. She describes “Style” as a song that calls out trends - how people never get tired of listening about this kind of relationship. It’s always in style, so to speak. When she talks about “I Know Places”, she says its “about...everybody’s like trying to get in to it and ruin a love or whatever and it’s like...whatever. You know....” and then she goes on to keep talking about what she wants it to sound like. I got this from her voice memo in the preliminary conversation with her producer. 

She also describes I know places as “dark”, and she wanted that to carry over into the bridge, and it definitely does. However, I can definitively tell you that this story (and relationship) is different than the one in “Style”, because of the end. By the end of the song, she says: “They take their shots, but we're bulletproof (I know places)/And you know for me, it's always you (I know places)/In the dead of night, your eyes so green (I know places)/And I know for you, it's always me (I know places)”.  (Look I usually remove the hyperlinks for the lyrics but I really need y’all to click that because it freaked me out when I saw it. Very uncomfy). In Style, her bridge says “Take me home”, or some variation of that, and she doesn’t have an outro for the song, she repeats her chorus again, which reads: “Oh, you got that James Dean daydream look in your eye/And I got that red lip classic thing that you like/And when we go crashing down (And when we go)/We come back every time/'Cause we never go out of style, we never go out of style”. So rather than being something private, this is something that everyone will be talking about for a while. 

SIDE NOTE: If you like “Style”, I think you’d really like the song “Sun Queen” by Gerry Cinnamon . It’s also about the expectation of the industry and how the art affects the artist. The difference in this song is that the relationship is the real part of his life, and his art is what he feels is fake. 

ANYWAYS. I think she did a really clever thing by playing on her image. She kind of “became” the person they wanted her to be, while making it very clear that there was something else she wanted: the kind of love - the kind of life - she’s singing about. My favorite song on the album is “I Wish You Would”, which is about “remembering what we’re fighting for” in a relationship, and it’s also a song which she mentions is written about “two people”, and not herself (voice memo, delux album). I think that’s probably true. I think it is probably the case that she was not in the middle of a Great Love Story at this point in her life, and so she was borrowing material. The same thing happens in “You are in Love” - there, she can’t be any clearer - that it’s about someone that is not her. (It’s actually about her co-producer and writer Jack Antonoff’s relationship. Btw, he is a brilliant lyricist in his own right and his music is *chef’s kiss*).

The song that I think happens to be the crossover song between the real story and the carefully presented narrative is “Out Of The Woods”. She’s said that this song was about a relationship she had where the primary feeling was anxiety, and it makes sense (at least with the lyrics)! But at the end of the song, the relationship is stronger than ever: “...I walked out, I said, ‘I’m setting you free’/ But the monsters turned out to be just trees/ And when the sun came up/ You were looking at me”. And then she repeats her chorus again, where she seems to be relieved to finally be “out of the woods”. 

So here’s where I get stuck: I stand by my theory that her gentle love songs on this album aren’t about her own romances. But I don’t think she’s lying. I think this song is about something that was anxiety inducing to her. However, I don’t think that this means that she is the narrator of the song. And I know that the question then is: what is her role in the situation? I don’t know. A close friendship with someone who’s going through it, maybe? That can be really rough, and I know that I’ve gotten sucked into people’s drama. But I think that it’s someone else’s perspective, especially because this fits into the “hard, worth fighting for, intense and long term” category, rather than something like “Blank Space”, in which she literally does not know who she is talking about ( “I’ve got a blank space/ And I’ll write your name”). 

And there is SO MUCH MORE I can say, but that was really my main point: I think she’s telling two different stories, and that it creates an environment that you don’t really know what’s going on or where to turn to understand the story. I listened to the full album a bunch of times before I came up with this read of it. Do I know who the other people I think she’s talking about are? Nope. And I don’t super think it matters. The songs and words are hers, and they’re gorgeous. Do I know what people think this album is about? Yup. Does it change my read of it? Not at all. I think my analysis stands, even - and especially - in context. 

So I still love this album. And I’m beyond thrilled that she has the kind of love she’s always been singing about. And I really hope that the other people she was hanging out with/dating/writing about are all doing amazing as well, particularly the human(s) in “I Know Places” and “I Wish You Would”.  I hope that they are still fighting for each other, and that they still feel like it’s “Always You” (/Always me but that sounds more narcissistic haha). If they are different relationships (like, if rather than her just focusing on one couple, she’s talking about many), I hope that they are all happy, successful, and in love. I hope that they don’t hang out in “Wonderland” anymore (although I think that song’s about a fake relationship, I’m just saying). I hope that they have long nights with fairy lights and soft songs. I hope she does, too. 

[silverbastardgoldenfool]

Realm of the Elderlings Ask Meme Thing

Created by @hermitknut and brought back by @elderling-magic

Thanks @blackandwhitemotley for tagging me :) this is gonna be unnecessarily long because I’m a messy bitch with too many feelings and not enough brain cells

Favourite RotE Book: God it’s impossible to choose properly so let’s just go with the one that always gives me flashbacks when I see it on my bookshelf: Golden Fool

Why: I was already deeply obsessed at this point and had laughed, cried and panicked countless times throughout the series BUT Golden Fool stands out because of the Fitz/Fool confrontation which all but gave me a panic attack. Sure, I’ve been overly invested in book characters my whole life but the fact I was like physically fuckin sweating just because these guys were having a verbal fight, which had nothing to do with the actual plot, is fuckin wild my dude. Also despite my distress I was thrilled in a way because I never expected Robin to address the homoerotic tension in the actual text - and I was even more impressed that she makes the Fool the winner in this fight. You feel for him (ouch!!!!!!!!) but he gets the last word and the whole time you’re on his side and wishing Fitz would just keep his goddamn mouth shut (unless he’s gonna use it to kiss the Fool). She makes you empathise with the Fool without compromising his dignity, without making him a pathetic pining gay stereotype. He is hurt, he is human, but Fitz is the fool in this exchange (forgive the unintentional pun). It’s crazy how this one scene defines this whole huge book for me but it overwhelmingly does. Man it fucked me up.

Top Three Favourite Characters: I’m excluding Fitz, the Fool and Nighteyes cos that’s just a given honestly and there are too many incredible characters to choose from. Also I’m going to choose three characters I think are exceptional on a technical level since that’s the easiest way for me to pick a few out.

1. Burrich - Forever fascinating to me because I disagree with him probably more often than not AND YET I love him so much. It’s seriously like I have the same relationship with him that Fitz does - and/or the same relationship many of us have with father figures. That weird thing where you can fundamentally disagree on some pretty important stuff, and he makes a lot of mistakes and probably irrevocably fucked you up in a lot of ways but you can’t help but love him because you know he’s not doing anything from a place of malice or pettiness or selfishness. He simply knows what he believes and is righteous to a fault. He’s always doing his best - whatever that looks like to him. There are so many things he says or does that make me amazed that I don’t hate him. I think in another series he is the kind of character I would hate. The fact that Robin makes me love him - and conflicted about that love - is a marvel.

2. Malta - I won’t harp on about this too much because we all know the deal. Malta’s early POVs were a tween nightmare. I had to skim them because they were so viscerally irritating. I guess it’s a huge testament to the writing that it really did feel like you were stuck in a tween girl’s head; the problem is that is the worst hell imaginable. It’s an even greater testament to the writing that, through some of the most masterful character development I have ever witnessed, you actually end up loving this girl.

3. Kennit - He’s such a monster that I hate actually saying he’s one of my favourite characters but it’s true. Especially from a writing perspective; it’s fucking witchcraft how Robin has you judging everyone around Kennit for falling for his charms even while you are in some way charmed by him. He’s intelligent, charismatic, enigmatic. You know he’s not a good person yet you enjoy spending time with him, you’re kind of rooting for him just because he’s interesting and you want to see what he’s going to do next. You even know - the narration straight up tells you - that most of his successes are down to pure dumb luck yet we still kind of buy into this persona of his. Absolutely brilliant writing. Not to mention his backstory, which is so tragic and compelling, and manages to explain his actions without excusing them. Without a doubt one of my top five favourite villains of all time.

Top Three Least Favourite Characters: Okay so again going for the writing angle; characters I just felt weren’t handled all that well on a technical level. Keep in mind that this is suuuuuper subjective. Also I can only think of two.

1. Molly - I’ve seen a lot of people assume that people who dislike her feel that way because she “gets in the way” of Fitz/Fool but that’s not true for me. I’ll try and keep this shortish because I have way too many feelings about this topic lol. Having read the whole series I wouldn’t change anything, but for a long time I really felt like the story would have been better if she wasn’t in it, or especially if she had not come back after Assassin’s Quest. Maybe that’s harsh, but I honestly just generally dislike the whole “first love, last love” trope (and in my personal experience have found it v toxic). I never found her character particularly engaging, but by the end of Farseer I had made my peace with her role in Fitz’s story; the way I saw it, she represented the life Fitz wanted but could never have. Of course you could argue then that it makes sense for Fitz to get her back once he is allowed to have a window of normal life - and that would be true EXCEPT the whole reason I saw her as a symbol and not a real love interest was because their relationship was TERRIBLE. It was seriously toxic and literally based on lies. I really felt what would have been healthy for Fitz at the end of Tawny Man would have been to find peace in realising that Molly was his past, not his future, and that what they’d had was teenage lust and not the stuff of soulmates. I don’t like the implication that Fitz was right to idealise this tumultuous, dishonest, immature relationship he had as a teenager all these years. Honestly this is why I was FURIOUS when I finished Fool’s Fate lol, even though I knew this wasn’t the ultimate ending. Now that I know where Robin went with this and that Fitz wasn’t really fulfilled in his life with Molly I don’t mind it as much but I still don’t love it. There was never enough of an honest, genuine, selfless connection established between the two of them for it to feel like anything other than an unhealthy fixation that Fitz projected all his unattainable fantasies onto. He never seemed to see Molly as a fully realised person which made it hard for me to do so. Also seriously, if I had been pining after my high school fling for the last ten years everyone would agree that the best thing for me would be to move on, not get back together with them. I’m not saying Fitz didn’t deserve his little bracket of peaceful years, but it just didn’t have to be with Molly. Sometimes not getting what you thought you wanted is the happy ending - I guess it’s just really jarring in a series that’s generally so subversive to get a standard fantasy trope like this. I really truly was shocked when Fitz got his feelings back from the stone dragon and his realisation was not “Molly is kind of just a girl I used to know a long time ago and our paths have long since diverged” but “yes no actually that girl I haven’t talked to in over a decade is my soulmate” like, wig in the worst way. ALSO SHE WAS FUCKING HIS DAD ALL THAT TIME. SHE BORE HIS DAD CHILDREN. HIS DAD HAD TO DIE SO THEY COULD BE TOGETHER. BRUH. Seriously it did feel like Burrich was sacrificed solely so these two little shits could get back together, and again, that was so infuriating and so not like these books. This and Burrich not being canonically in love w Chivalry are the only two points I actually get riled up about from a writing/critical perspective lol, every other flaw and quirk in this series I will absolutely pardon but for some reason these just get to me dude.

2. Starling - Promise this one is simpler lol. I always found Starling quite irritating “as a person” but didn’t mind her as a character. What I didn’t love was the way her lifestyle (promiscuity, independence, nomadic etc.) was kind of justified when it didn’t need to be, with the typical explanation that she’s only like this because she can’t have kids. It just felt really unnecessary, and it was even worse when she did get pregnant and basically just became a completely different person. But I’m generally touchy when it comes to female characters and fertility/pregnancy storylines as I just feel like they’re rarely done well. And I just really don’t like it when infertility is implied as a justification for character traits (usually traditionally male traits) that don’t need justifying.

Favourite Ship (of the floating kind): Paragon of course, we love a problematic fave.

Top Three Favourite Ships (of the people kind): Fitz/Fool, Sedric/Carson, Althea/Brashen (the only heteros whomst deserve rights)

Would you rather be Witted or Skilled: Honestly wouldn’t want either but if I had to choose I guess the Wit? I’d much rather be inside an animal’s head than another human’s no thanks bb

If you were Witted, what animal would you bond with?: If I’m still living in my current situation in this hypothetical then I guess a house cat. If I really get to go wild then I am absolutely bonding with a big cat, like a tiger or a panther IMAGINE THE SNUGGLES.

Would you rather live in the Outislands, the Mountain Kingdom, the Six Duchies, Bingtown, the Rain Wilds, Kelsingra, Jamaillia, the Pirate Isles, or Fool’s Homeland?: Dude I am so bad at visualising locations so idk lol, I guess queer utopia Kelsingra although obviously it has its drawbacks.

How were you introduced to the books? My mum had been telling me for years that if I liked A Song of Ice and Fire I would like Realm of the Elderlings. I was putting it off because there are so many books and I also knew how much she loved them so I was worried I wouldn’t like them and she’d be let down. But I eventually got so close to rereading ASOIAF (which I swore I wouldn’t do til Winds of Winter is released) that I decided to finally give RotE a go in its stead.

Share a quote you love: I don’t have a book on me rn but that part in Fool’s Errand when Fitz is talking about how the Fool has wandered into the place he’s been living for years and immediately, effortlessly made it a home is TENDERNESS BEYOND COMPARE ARE YOU KIDDING.

Tagging: if you see this and haven’t done it yet, consider yourself tagged!

Take the thing, copy and paste it into your own post, tag it “elderlings” and then tag as many people as you can that you know in the fandom.

[eggoreviews]

My Top 25 Games Advent Day 8 - Dragon Quest XI: Echoes of an Elusive Age (#18)

“To even hope to best such a foe may seem pure folly, but we cannot flinch or falter. We are our world’s last and only hope!”

Dragon Quest is undeniably the grandparent of all JRPGS, kickstarting the genre in a way that exploded in Japan and led to the likes of Final Fantasy and Chrono Trigger making their mark over here in the west. Dragon Quest, as pretty much the first of its kind, is as traditional as gaming gets: it has a big old magic world with castles and monsters and dragons, with a villain that wants to take over the world probably. It is role playing at its simplest form, so how is its eleventh entry still a relevant and engaging experience thirty years after the series’ conception? Because it did enough with the formula to feel like it belongs in the modern age.

Dragon Quest XI drops you into a story of growth, friendship and slaughtering countless creatures that may or may not be vital parts of the ecosystem, all from the perspective of your nameless dude with the dodgy hair, the Luminary. And what do you know, he’s a chosen one because one day there won’t be anyone left alive to be sick of that trope. As I’ve already mentioned, this game plays heavily off a traditional story that, while still impactful and in some way memorable, doesn’t exactly amount to much more than, you know, Dragon Quest, which is fine because it’s not why it’s on this list. Dragon Quest’s combat system has had a hell of a long time to be perfected and finally, I really think they’ve ironed out every single problem it had in the past. Turn based combat remains fast-paced and exciting with the new dynamic camera, vibrant character animations and vast array of attacks and spells to make each character feel unique and important in some way. In this sense, it then becomes genuinely important who you choose to put into your main party, as the right combination of damage, defence and healing is absolutely essential to maximising your chance of success, especially in the later game. Each skill tree is unique, expansive and encourages experimentation with each class and you can genuinely feel the growth of your party throughout the game, thanks in part to the game’s consistently fair difficulty level. Nothing ever feels totally out of reach, but it sure doesn’t hold your hand either. There’s still some grinding necessary here and there, but there’s nowhere near as much necessary than in previous titles. In a game so completely packed with content (I’m talking like 100 hours of just main story alone), it never has a problem with pacing in story or combat, which is a phenomenal feat in itself considering the game’s length.

What helps with the pacing fairly significantly is the fun, passably developed cast of characters that populate the rest of your party. The likes of Erik, the lovable rogue who definitely should’ve ended up dating your protagonist, Veronica and Serena, the polar opposite mage twins who are bound to protect you because reasons, Sylvando, the knight turned bard whose relationship with his dad basically has to be a metaphor for coming out, Rab, the fun Scottish old guy, Jade, the mega cool one who can step on me and Hendrik, big gay knight. Generally speaking, these guys are really fun to have around and the majority of their dialogue feels natural, but every so often a line feels janky and like something was very slightly lost in translation. Overall, the characters really add to your immersion and end up having great chemistry with your player character, and each of them have that signature Dragon Quest charm to it, made even better by the ever-present, vibrant art style from Akira Toriyama. It doesn’t matter how much time goes by, I don’t think I’m ever getting over how much I love his character art (for fellow Toriyama stans, I bigly recommend the Dragon Quest Illustrations book). To match this, the world is equally bright and colourful, acting as an excellent example of faux open world design. Each city has different characteristics and a distinct visual style that means you don’t get bored of having an explore around. Erdrea is as alive as the characters and the great new and returning monster designs, which all make an absolutely stellar JRPG and a testament to why I love Dragon Quest so much.

And now we move on to my main gripe with XI, and to be honest the direction the series as a whole is taking. Just to say, this mild incoming rant only comes from a place of love for the series and how much I want it to improve, and this is regarding the soundtrack. Much like Toriyama for the series’ signature art style, Koichi Sugiyama has been the lead composer of every Dragon Quest game since the first. Putting aside my fairly potent hatred for Sugiyama due to his views on various topics, I’ve always understood and enjoyed what he brought to the series, up until about 2010. Sugiyama is old now, really old, and it shows with XI’s soundtrack. It’s by no means bad, but you really start to get fatigued towards the end of the game when you’re hearing the same 4 Midi tracks for the entire thing; one song for field exploration, one for cities, one for enemies, one for bosses etc. For a game absolutely packed with content, this barebones soundtrack just stands out in the worst possible way. For Dragon Quest to continue on its path of innovation, the soundtrack needs to develop alongside it. Bring in some fresh, new talent! There are so many passionate composers and musicians out there who would bring something new and amazing to the table, take advantage of that Squeenix!! Sugiyama has had a long and successful career and he absolutely is a big part of the reason why Dragon Quest is so iconic, but thirty years on, it’s time for something new.

So there you go, Dragon Quest XI is long as hell, but somehow doesn’t lose its steam. It’s the epitome of how traditional video games can still be improved upon and developed and Dragon Quest, with a little more flair, can still be something ground-breaking.

Standout Moment Award: Honestly, the majority of the second half of the game as you re-recruit each of your party members and see the aftermath of a devastated Erdrea. And the surprise recruitment of my boi Hendrik?? Hell yeah.

Standout Character Award: Erik. I love my perfect viking boy and you’ll never be able to convince me he doesn’t belong with the Luminary. Best couple. Also, Jade should step on me and Hendrik and Sylvando totally fucked one time, if you wanted more hot takes.

Tomorrow: No. 17; pretentious painter rips holes in the universe.

[kenetijamesupdates]

I Still Believe Reviews and KJ Praise in Quotes pt 3

Say Goodnight Kevin

“The acting, for one, is really great. This movie stars KJ Apa. He’s best known for playing Archie on Riverdale. I’ve never really watched that show, I watched like the first episode. And so, for me, I was kind of able to go into this movie with the perspective of, this guy’s an actor playing Jeremy Camp, yet, it didn’t bother me that he didn’t sing like Jeremy Camp, I actually, I’m not a huge fan of Jeremy Camp’s singing, he sounds very much like, kind of, the creed inspired, alternative rock music that was popular in the early 2000s. Somehow he’s won the favor of the soccer moms and somehow has a pretty good career. A better career than my career. This guy, I actually like his singing better. It didn’t bother me also that it wasn’t actually someone imitating Jeremy Camp. I don’t think it was necessary, and they didn’t go that direction, and I think it worked much better.”

CJ At The Movies

Movie Guide Review

LC Screen Talk

“I want to start off, actually, with our two leads. Cause, I found them to both be very endearing, and their chemistry worked. KJ Apa is Jeremy Camp, our lead role here. And, I found him to be very charming and a really likable presence on screen, and very convincing in the role.”

“Apa and Robertson have a great chemistry together, so you are rooting for them.”

From a Distance

“KJ Apa is excellent in this movie. I really bought what he was selling, and I hope to see him more. It was a very emotional role for him to pull off and he crushed it. I totally bought what he was selling.”

Keith Loves Movies

“While its extremely cheesy dialog didn’t do it any favors, the best part of I Still Believe was Apa’s performance as Jeremy. He brings boatloads of charisma to the role and was still somewhat compelling to watch despite being handcuffed by the material. Meanwhile, he also sang and played guitar and surprisingly wasn’t bad.”

Madd Wolf

“While Apa and Robertson are both masters of the recent “realism” acting style that comes with pauses, repeats, and “ums,” neither has an opportunity to deliver a great performance because of how hard they have to work against the script.”

Nights and Weekends

Reel Talk Reviews

“The most loveable couple of the year is comprised of bucolic actors KJ Apa and Britt Robertson.”

“Twenty-three year-old KJ Apa, a young Samoan-Kiwi actor from New Zealand, plays real-life singer-songwriter Jeremy Camp, seller of millions of Christian-based albums.  As Jeremy, KJ gets to show off his own musical talent by being featured on several songs that have been released on a Capitol Records album. Despite the fact Apa came to prominence in America on the near-soap opera/ cartoon TV series “Riverdale” as Archie Andrews, he’s a good actor and projects deep-felt emotion when it is called for in the script.”

“Plus, a lot of up-lifting music shows off Apa’s talent at performing. He’s so handsome that guys all over the world will be smashing their mirrors because they don’t look like him. He’s a major up-and-coming movie star for sure.”

Writer of Pop

“KJ shows a lot of range with his acting skills with this movie. He also sings and plays the guitar too. He and Robertson fit together well like a hand in a glove. They have some experience though. They played a couple once before for the movie A Dog’s Purpose. Their love seems genuine and Hollywood should take note that it is possible to portray a chaste relationship that still comes across as believable. And when the story calls for this love to go deeper, KJ and Britt are able to do that too.”

T Movies

“And by the way, KJ Apa. And of course, we all know him from playing Archie on Riverdale. I tell you what, this dude has acting chops. You know, I’ve seen him in other stuff outside of Riverdale. Like, he was also in that movie A Dog’s Purpose, which also had his I still believe costar, Britt Robertson in that. He was also pretty good in The Hate U Give. He’s actually becoming a pretty solid actor, and I thought he was terrific in this. And that dude, and, we know he has singing chops, you’ve seen it on the musical episodes of Riverdale, so yeah, the dude has some singing chops. And, his on-screen chemistry with Britt Robertson, who, by the way, I’m also a fan of Britt Robertson, I think she’s really terrific here, their chemistry really sells this movie perfectly.”

Movie Reviews with Ryan Jay

“He does his own singing, he’s fantastic.” 

The Film Frenzy

Cinema Nerdz

Flick Hunter

“The strength of the film is in the three lead performances of Apta, Robertson, and Dean.”

Steve the TV Man

Lola Lambchops

“First of all, KJ Apa from Riverdale stars in it, and he does a fantastic job of showcasing his acting and singing skills. He and Britt Robertson have great chemistry, and it starts off as a teen romance/love triangle and then turns deeper when Melissa is diagnosed with cancer.“