#but she's also jealous and sad

[roseguided]

@feyras ASKED, 𝒂𝒓𝒆 𝒚𝒐𝒖… 𝒋𝒆𝒂𝒍𝒐𝒖𝒔? ( 𝒑𝒂𝒖𝒍 𝒕𝒐 𝒊𝒓𝒖𝒍𝒂𝒏 )

𝐈𝐓 𝐅𝐄𝐄𝐋𝐒 𝐋𝐈𝐊𝐄 𝐀 𝐇𝐎𝐓 𝐏𝐎𝐊𝐄𝐑 𝐈𝐍 𝐓𝐇𝐄 𝐌𝐈𝐃𝐃𝐋𝐄 𝐎𝐅 𝐇𝐄𝐑 𝐂𝐇𝐄𝐒𝐓, irulan subconsciously stiff & her hands clasping themselves at her front so hard that her knuckles almost turn white. while her body tells one story, her face tells a complete other: stoic, almost blank. eyes stare ahead at the situation in question with seemingly little interest & not even does her jaw clench despite how she feels on the inside. it seems , however , no matter how she appears on the outside to other people paul isn’t so easily fooled. he’s more observant , he knows her real feelings & even has the audacity to ask her about them ! aren’t they suppose to be separated unless it calls for public or social events ? irulan is only empress in name , one of the many things that are the source of such tense body language. ; what’s causing her this ? eyes fixate ahead to the scene of chani , his real wife , happily playing with a few month old set of twins. children she tried to prevent , children she had almost stopped from happening for years—so that she might be given even one thing that she could call her own. that was hers to cherish , love & raise. ❛ i am not. ❜ irulan says just as passively, voice control learned from the bene gesserit. a deep breath is brought into her chest as head turns to regard her husband: ❛ i don’t care about those children. ❜ another lie , something she wants to convince herself of. ❛ or chani for that matter. in fact , i find their messiness & squealing rather annoying. make sure they are raised properly , paul , i’d not take kindly to being subjected to goblins running around. ❜ hands are still balled as she almost turns to leave.

[atelierlili]

I always wondered why Katniss factored marriage and children into the equation when it came to reciprocating Peeta’s feelings for her. It’s a rather large leap, especially when Peeta himself never expresses wanting children at any point in the story. He uses children as a tool to persuade Katniss and the Capital to save her life, but the only time we see him express any desire/feelings of having one of his own is when he’s crying after the baby bomb. But we never hear his real thoughts.

But you wanna know who does express wanting children? Gale.

It’s one of the first thing he mentions in chapter one. And it pisses her off so much.

(I also want to add that Gale reframes/establishes the dynamic of Katniss and him caring for their siblings from something that is sibling-sibling to parent-sibling. And he is not wrong. Katniss doesn’t refute him. Both Katniss and Gale are surrogate parents to their siblings. Which is also why Katniss love and affection of Prim, is not just sisterly. I’ve seen people say Katniss is only sisterly to Prim- but she’s not. She’s parentified their relationship to the point she subconsciously see Prim as her child, which makes this a tragedy because she’ll loose her first child no matter what she does by the end of the story.)

But Gale’s phrasing here elevates himself as a potential suitor to Katniss by placing them both as the parental roles to these children. (Which irritates her a lot ). Which is why she brings the topic up with her relationship with Peeta. Because she’s subconsciously aware of Gale’s efforts and knows it will be a point of contention between them. It hangs over her head in a way.

With Gale, children are extra mouths to feed. (But Gale will do fine. He can work. He can hunt.) It’s all framed with calculated survival in mind. But it’s also not something she had planned in the future at any point.

But Peeta’s children? Oh they deserve to be born because Peeta deserves to be a father. He would be such a good father. They deserve to exist in a world where they can be safe and happy. (Even if it’s not with her.)

This is also why I think she subconsciously sees Peeta’s baby as her own. And I don’t think of it as a cruel/heartless thing, it’s just you’d be more protective of your own child compared to someone else’s. Katniss sees Gale as a reliable person who’s equipped to look after a kid. She doesn’t express the same kind of maternal instinct/yearning for the Baby Hawthrone’s safety as she does with the idea of Baby Mellark, because she doesn’t think of Gale’s child as her own. She never hopes for a better future for them, but she does with Peeta because he and that baby gives her hope. And she loves him that much.

[needlebeetles]

I am seeing a bit of straying from the source material in the Kipperlilly Copperkettle tag tonight, so I’d just like to say: She thinks magical hardship specifically gives students an unfair advantage at Aguefort, not having an association with the magical generally. So, Kristen Applebees the literal chosen one of a god, Adaine Abernant, Oracle of Everyone, and Fabian Aramais Seacaster, son of an incredibly rich pirate who later becomes an incredibly powerful demon, would not fall underneath this rule. Riz Gukgak, whose dad got eaten by a dragon, would. I will concede that experiencing magical hardship does can give characters a kind of automatic questline, (“your dad is cursed? go uncurse your dad!”) but also like. This questline comes at the expense of having experienced magical hardship. Riz’s dad is dead.

Kipperlilly (so far, I do suspect there might be something up with her family, cause kids who want so badly to have something loudly fucked up happening to them usually have something quietly and mundanely fucked up happening to them) lived a relatively comfortable, if boring, life, but grew jealous over the fact that other adventurers got cool meaningful quests while she and her party were killing rats in the starting area (by choice).

There is very much a “stigma” against normies in Elmville, and while I can’t blame Kipperlilly, teenager, for getting caught up in that, it’s literally fine to just be an accountant, or a janitor, or a librarian. Or a middling adventuring party. Kipperlilly Copperkettle is a theatre kid jealous of child celebrities, and while that’s like. Fair and fine, she’s not a martyr for having all these big emotions centering around being mundane and not going on incredibly traumatizing quests where the world ends if you fuck it up. She’s a teenager internalizing the social values of the place she grew up in and getting mad about not fitting them without confronting the fact that these values are flawed and harmful, because she’s a teenager (which is, imo, a much more interesting narrative).

[mspaint-flower]

vflower when wtree walks in

WHAT...............

[zahri-melitor]

I read two more issues, to get past the Robins fight, and...still so conflicted.

I can see exactly how, if Damian is your ultimate blorbo and you read for Damian, this story is doing exactly what you want it to do and reflecting back beloved stories.

Issue 5 is explicitly set up as a parallel to War of the Robins from Batman and Robin 2011, and even ends with Damian getting an 'I love you and here have a trophy' speech from Dick, to tie Damian back to Alfred and Dick and the layers of care in the family.

It acknowledges Damian's menagerie and comments that the last thing Damian did before leaving was check in on them. It has Goliath show up and save Damian's life.

It has intense Robin: Son of Batman vibes and the whole repeat of the 'finding yourself on an isolated tropical island and redeeming yourself'.

(I expect the whole Respawn thing to play out with very much the exact themes of how R:SOB dealt with Damian's clones once Damian clues in)

But I keep waiting for payoffs that just aren't happening.

Rose slopes off to call for help for Damian, and then Dick, Jason, Tim and Steph turn up and I'm like "oh! Rose went and called Dick, because she's looking out for Damian on the island in the same way that Dick looked out for Rose while he was training her as Ravager and in a bad place where she was hanging on every one of Slade's words and determined she needed to prove herself as worthy of her father...oh. She called Jason".

And look, I know that there's an underlying push for decades now that Jason and Rose do have a bunch of things in common and would work well together (and also hinting at whether or not they're romantically involved), but a lot of that is inferred off panel stuff while Dick was literally Rose's teacher. If you want themes of 'you don't have to be what your family expect of you' why on earth wouldn't you openly reference that?!?

In terms of who is on this island and is one of Dick's rogue's gallery:

Raptor

Double Dare (both Margot and Aliki)

Lady Vic

Brutale

Nite-Wing (seriously why is Tad here)

Blue Shrike is apparently Shrike's brother???

Is this going to get acknowledged? That a solid chunk of Dick's enemies are here and fighting Damian? That's like half the competition!

Also while I was looking all of this up apparently the Richard Dragon they're talking about is the son of actual Richard Dragon, who apparently got killed in a flashback or something in Green Arrow #32 during n52 and who apparently in that universe worked for the League of Assassins (oh god I am now tearing my hair out, RICHARD IS NOT LINKED TO THE LEAGUE. HE WAS TRAINED BY THE O-SENSEI. STOP DOING THIS TO ALL THE MARTIAL ARTISTS). Huh. Bet that doesn't stick. Richard's too important thematically any time someone wants to write a Question book to be left randomly dead.

And then there's the whole situation that there is a Tengu on this island. I just went down the rabbit hole and this is an import of the Titans villain who is just a Japanese goblin, NOT the Tengu mask that Shiva hands out to people who are trained by her and fighting somewhat under her banner (as seen in Knightsend and in the Circle of Six in Richard Dragon). Which is honestly a waste; if I were going to resurrect a Tengu for this plot, the Shiva and Richard Dragon aligned mask is far more thematic!

And plus, Silver Monkey? Silver Monkey is heavily linked to both Connor's Green Arrow stories, and Shiva (as Paper Monkey), and Deathstroke. It's War of the Dragons and Cult of the Monkey Fist and Brotherhood of the Fist. It's about death and resurrection (as Shiva almost kills Connor and Tim uses his marker with Shiva to save Connor’s life from the time he saved HER life). Is this going to be acknowledged? Because that's where I'd be playing the references by bringing in Silver Monkey.

And look I haven't seen what payoffs we get for Connor yet and there are definitely a bunch of opportunities built in; on top of Silver Monkey you have Constantine Drakon, who's defeated Connor before. Plus there's Artemis Crock, who in DC Comics comics terms isn't linked at all to Connor (she's JSA and Infinity Inc and was in the YJ98 Zandian Olympics team) but obviously has been used for archer purposes in tv and cartoon adaptions.

I keep seeing all these potential stories set up and wondering if there is going to be any pay off on them. I hope so. But also so far the story has slipped around those payoffs unless it's a direct reference to a Damian story.

Also Ra's al Ghul playing the hermit sensei meditating and in touch with the universe on a nearby island is the funniest nonsense possible. Ra's? RA'S? Taking time out to go meditate on the state of the universe? Just so he's conveniently in a place to give Sage Advice to Damian about what personal values he should work on? Pull the other one.

[all-too-unwell-13]

i just finished reading lockwood & co - hollow boy

and oh. my. god. (ik i said it for the last book too, but....) but i was not expecting that ending.

lucy leaving lockwood & co???? omg??? i can see why she did it (i probably would've if i was in her situation tbh), but still!! she actually needs the biggest hug ever after this whole book omg.

the locklyle crumbs we got in chapter 24; the "oh, come off it. you know i'd die for you." IM SCREAMING. lockwood is so ajfhakfhsjdhs

they're so cute :(

and the whole book how lucy was so jealous of holly because holly was just so perfect - everything that lucy didn't think she was.

ugh i loved the whole book, i think it was my favourite of the series so far!!!

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[theprinceandthewitch]

I'm pretty much done with TOH lol.

A braver and more energetic soul can try giving this show a constructive critique... because I will actually, wholeheartedly lose my humanity while writing out the script.

There is like... a problem this show has that permeates the whole thing: It says its going to do one thing, but then does something completely different. Like how the first two episodes of the series make you believe Luz is going to learn how her inability to separate fantasy from reality is actually inhibiting her growth as a person... only to make her a chosen one and to give her everything she ever wanted without Luz changing the way she treats people.

[anthromimicry]

jandy nelson, i'll give you the sun | jean anouilh tr, by lewis galantière | @soulinkpoetry | trista mateer, the dogs i have kissed | the bible

[i-may-be-an-emu]

People who call trans women trans men and vice versa as an attempt to misgender them make me laugh. Fool. You just look like a fool.

[fruitytulip]

Also what if Constance actually did have friends at the orphanage she lived at like really close friends who are like Kate reynie and sticky and they come and visit Constance and Kate reynie and sticky get jealous like how reynie got jealous of Marcus

[pianapplez]

Hello there 👋👀,

So I just found your blog and had a lot of fun scrolling through all the pjo show crit😂 I couldn't help but notice that one tag you left on a post where you said you had some beef with Annabeth's portrayal in the books 👀 Would you mind elaborating on that if you're comfortable with it🙈? Because I absolutely share that sentiment, but it's sooo veeeery rare that I see other people express anything like it... I've found that trying to be a part of the fandom can be pretty alienating most of the time, if you're not exactly the biggest most devoted Percabeth shipper...😅 And often any criticism leveled at Annabeth just gets you a smack with the "internalized-misogyny" hammer... it's even worse in the tv show now due to... obvious reasons...

Again just if you're comfortable with answering of course🙈 There is a reason I stayed on anon after all...😅😂

Really glad you asked because i finally get to ramble about this heheheh (going forward, know that i skimmed over The Last Olympian to have a clearer sense of what I meant because that's the book where Rick fumbles her character more than the others)

i'm gonna try to make as much sense as possible but short answer would be, she's underdeveloped. Long answer:

She really got on my nerves in the last two books, with the whole Rachel debacle and then the Battle of New York. I can't really remember a single moment in those books where she and Percy aren't bickering or having heated discussions, which really made me question their friendship status. Of course, it's not like friends can't fight and it obviously builds up the (romantic) tension between them, but it got unbearable at one point.

I understand she's a teenager in an incredibly stressful situation that didn't even get to have a normal upbringing- she grew up way too fast (run away at 7, head counselor at 12) while also not really maturing, which is not a problem for a character, if it is handled properly. Given the fact that I am writing this, Riordan did not.

On the surface, my biggest beef is that Annabeth is not exactly held accountable for her actions (ie. treating Rachel a bit like shit and going off on Percy for a bunch of stuff.) I know Percy is to blame a bit here: as far as we know, in TLO he basically cuts the greek world out of his life as much as he can as a coping mechanism. And while yes, he never apologizes either, he doesn't give her nearly half the hard time she gives him: always either giving him the cold shoulder (there must be at least one example of this in the entire series but i cant be bothered to look it up sorry) or starting an argument only to then storm off (see the "you're a coward, Percy Jackson!" scene, which is not the fairest example since she was confronting Percy about ignoring camp but also was a bit too harsh about it) (especially after finally reading the prophecy and being under the impression that he was absolutely going to die when he turned 16 lmao) or just straight up storming off (see, Annabeth reacting when Rachel shows up for the first time during the battle of new york). While most of these feel, at least to some degree, fairly justified given how the entire situation does an absolute number on her emotions, she comes off a bit brattish and like she's trying to rile Percy up, especially when it comes to Rachel, which in the context of a battle that could mean the destruction of the world.... Well, it reads as a bit childish to me, and i wouldn't exactly have that much of a problem with it if it was dealt with in some way (a two-way apology would be nice).

After that first impression, i realized that Annabeth is barely ever anything else other than a plot device (when relating to Luke) or a love interest (when relating to Percy). This might be because the books are on Percy's POV. Hell, on the third book he's even conflicted when Annabeth is considering joining the Hunters of Artemis, aka, when making a choice for herself would mean he loses her (which is fine and dandy but it feels like Percy is more upset about her choosing her own path rather than being sad about not seeing her as often); we really only get a few glimpses of her, as in, actually her when she's on her own.

Obviously it's impossible to talk about Annabeth without touching on percabeth, which also is, in my opinion, what hinders Annabeth's character the most. On paper they sound great. The guy whose fatal flaw is loyalty falls in love with a girl whose been let down by people over and over, and she decides to never give up on the boy whose always had people give up on him (can't find one of the million posts that talks about this right now but it always goes something like that) And yeah, the bickering is really well written! But that's literally as far as it ever goes: they don't ever seem to have fun together, because 8 times out of 10 the bickering ends up being passive aggressive, and mostly done by Annabeth. My biggest gripe about percabeth is that their friendship seems to be based off... shared trauma. Literally. Other than going on quests together we are given no examples of them hanging out, nor a reason why they would want to spend time together in the first place, not even a shared hobby. Yes, in the fourth book they had a movie "date" planned but of course they didn't even get to it, and surprise surprise, they had a minor discussion, and surprise surprise, Annabeth was passive aggressive again. It's hard to picture them having fun together when even the author doesn't write in any scenes in which they get along smoothly (and before you say anything, a scene in which they get along where neither of them is about to die, and they're not talking about previous adventures. Gets a bit hard then, doesn't it?) It's even harder to picture them as a couple when the moment she gets upset about something, she starts coming off as emotionally manipulative (see, again, literally any conversation with Rachel or about Rachel)

To be fair, the books are relatively short and don't allow many "filler" chapters, if you will; there's always something happening to keep the main plot or a minor plot point moving forward, but it's not like there is no room to develop the characters' relationships, especially when we're talking about the main char and what is essentially his endgame. As an example we have Percy and Clarisse, or Percy and Beckendorf. Their interactions are brief but still hold so much weight.

Worst of all, Annabeth could be one hell of a character; what's most interesting of all is how being a daughter of Athena she is still incredibly emotionally driven, which is displayed very clearly with her fatal flaw being pride: her telling the Sphynx that her questions were too easy was not smart nor strategic: it was completely impulsive. I seriously think she wasn't far from being the best character in the series had she been given more time.

I guess i have as much beef with Annabeth as i have with Rick for doing her dirty. I really could sum this up with: while her emotions are justified, she acts upon them quite poorly. And this is what i mean when i say she's underdeveloped, because it would've been nice to see her come to her senses a bit.

Would love to read anyone's opinions on her character though, feel free to comment, even (or especially) if you don't agree with me!

[nothingwithdignity]

...

[thatscarletflycatcher]

*And another one*

I don't hate Rory, but I still think Mitchum was right, and I also don't think he was conspiring against Rory and Logan's relationship, and I also don't think he was extraordinarily mean and harsh (read extraordinarily as "beyond average experience of people in such a situation").

First thing: neither Mitchum nor Rory when speaking of her career are speaking of her becoming an average, serviceable, or even a competent desk research journalist. All references we get to the sort of job Rory aspired to is the kind of aggressive, go get it journalism: running through war zones, uncovering conspiracies, relentlessly pursuing the news and truth, demanding it, tearing it from people that don't want to give it.

And in that, Mitchum is right: Rory doesn't have what it takes. She's a kind, shy, sensitive people pleaser. She works well in structures where her duties and perks are delineated, where she receives encouragement, support and praise. She's not an entrepreneur the way Jess is, for example.

And her internship proved it. She did not push Mitchum to give her what she needed, she did not take every opportunity to showcase her talent, she just looked around and settled for the secretarial and managerial tasks no one else was doing. Which I think are important tasks that require skills that are not as easily found as you might think (punctuality, asiduity, patience, a well organized mind, manners and words that make other people cooperate with you and with each other, ability to recognize people's talents and put them to good use, comprehension of the big picture as a whole and in its details, all traits that Rory showed excellence in also later on in the DAR and as editor of the Yale Daily News).

Mitchum didn't tell her she didn't have what it takes to be successful in general or to work in journalism in general; he told her she didn't have what it takes to be a top dog aggressive reporter. And the series proves him right. Rory never becomes that, but she does become, an extraordinarily talented editor there where someone like Paris failed miserably.

As for the harshness, I'm not saying it is desirable, this is not "people need toughness to become good". But I was made to cry three times a year for three years as a student teacher. Every evaluation was a devastating list of all my failures in teaching a class. That wasn't the thing that made me a competent teacher, but I can attest to you none of those professors had any personal beef with me.

They weren't harsh or unfair for some secret motive. They had evaluated hundreds of students and I was just one more; the tearing to shreds of my classes was not personal. Mitchum is the owner of several newspapers and an empire. Rory is not the first person he has mentored, and given Logan's track record where he slept and fooled around with his sister's bridesmaids when his relationship with Rory had a couple months hiatus, Rory also isn't a specially distinct face in the universe of Logan's lady friends. We are so used to everyone seeing Rory in the show as super special, and also because she's a main character, but that doesn't mean everyone in her universe sees her that way.

I'm not saying that it's contradictory to canon the idea that Mitchum might have had second motives, but it's also not a given, and the opposite is as arguable and as plausible.

[nerosdayinanime]

Please post more about giyu just dating everyone

i should...... gonna start right now cuz ive actually thought about mitsugiyu for the GiyuusFuckingSad au- when hes still moping around in the cafeteria corner she pops over because she saw shinobu, shinobu stops her excited rambling and explains that its Quiet Time and shes like 'oh! okay! i can be quiet!' and she just hangs around to doodle in her sketchbook across from them. giyuu once again baffled by another random girl deciding she wants to hang out near(with?) him when hes literally never said a word in response.

she sees him in the halls and tries to talk with him, he responds minimally but shes encouraged by any response at all and talks to him outside the cafeteria any chance she gets- giyuu's incredibly confused as to why she likes talking to him so much, but one time when he realizes he missed the turn to his class about three halls ago finally notices how much he enjoys listening to her stories (he ended up just walking her to class to hear the end of the story, he was a few minutes late when he got back to his own)

when shinobu starts inviting him to little outings with her friends mitsuri's the first to welcome him, kyojuro and suma quickly follow and hes. very overwhelmed. why did he get introduced to the loudest ones of the friend group first?? contrary to what he thought would happen though, they actually love him and despite how hype the three of them get (and how not hype he usually is) he doesn't ever feel left out or pushed to the side (physically speaking too- suma frequently hangs off him since hes the most stable one around now and mitsuri & kyojuro aren't hesitant to pull him in to make him focus on whatever they're talking about. he likes how free they are with affection towards him like that)

months later he's acquainted with and knows the whole group and they're all out at a restaurant chatting and having fun- giyuu notices how entranced everyone else is at kyojuro's retelling of a story and he can't help but think how much sabito would like them all... mitsuri stops paying attention to kyo and turns to him, "Giyuu? Are you okay?" "Yeah, why?" "You're crying"

the grief finally hits, the tears get heavier despite his attempts at drying them before he starts to panic and excuses himself- he practically runs out and mitsuri worriedly glances back at everyone before excusing herself and running after him. she follows him to the side of the restaurant in the little alley where hes having his breakdown and hugs him- he buries his face in her shoulder and holds back shaking like a leaf for a while before the worst of it passes. she asks what happened, "I-i just- he'd like you all.. he would've loved to meet you.." she knows who hes talking about- well.. she knows he was extremely important to giyuu, and that something happened and he's not around anymore, and that its extremely painful for giyuu to talk about so he just doesn't. she says shes honored by his thought and goes on to try to calm him down/cheer him up, his face looks a mess from the splotchy flush and eye liner- it got smudged to hell and back and hes a little embarrassed by it. only for a moment tho because mitsuri immediately offers to fix it for him. when they're finally ready to go back in they notice obanai standing at the entrance of the alleyway, blocking the view from outsiders. "aw! you're so thoughtful obanai!" "You two good to head back inside now?" "how long were you standing there?" "long enough, you worried everyone running off like that" "sorry.." "don't apologize, idiot. c'mon, lets go eat" and they followed an excited mitsuri back to the rest of the group.

after that mitsuri started inviting him to her apartment to practice makeup art on him since she knew he was okay with it. he was good at sitting still and he liked how gently she touched and moved his face however while she worked, quiet and serene with her music playing from the room over- the first thing she tried out was a simple little water-esque mark on his left cheek. when he was finally allowed to look at it he remembered the time when they were kids and sabito backhanded him there for saying he wished he had died with his sister. remembered how badly he wished he could have gone with sabito too. remembered his final words, 'promise me you'll love again'

he looks back up at mitsuri with a little smile, maybe that promise isn't as impossible for me to keep as i thought. "i like it" "oooh! i just had another idea! what if i made it look like a stream of water coming out the corners of your mouth!?"

[rosicheeks]

I get mad about Fb posts too!! I struggle with being jealous of others and it makes me hate myself. I wish I wasn't like this lol

I relate to this so much omg