#but the storys still here. its fantastic!

[dalekowrites]

What would your favourite choice of the games interactive stories be? Would you have a favourite type? Romance, Fantasy etc. and did any of the inspire you with the ones you are currently writing? 😁

Oh boy! This is going to be a long answer, brace yourself lol

Let me start by saying that I have a degree in English literature (in fact, I'm going to do a PhD on it), so reading, in general, is one of the core activities of my life.

As for text adventures, even if not from Choice of Games Ltd., I'd like to mention a few inspirations: my passion first came from the original Choose Your Own Adventure series, and I still remember which numbers obsessed me as a child: Mountain Survival #28, The Dragons' Den #33, and more than any other, Space Patrol #22! (The latter may have also fueled my unhealthy obsession with Star Trek TOS, actually). For those unfamiliar with this fantastic book series, the genres of the three books I mentioned are, respectively, adventure, fantasy, and sci-fi. This gives you an idea of how varied my tastes are...

Later on, I discovered interactive fictions and text adventures. Dude, it was a dream come true. I started with Adventure ('76, never finished it, of course) and Zork ('79, never finished that either… of course. How damn hard were they?!). Then Mystery Mansion ('78), Castle Adventure ('82), and too many, many others. I'm a sucker for Sorcery! from inkle, and I deeply loved Magium (RIP Chris, you won't be forgotten). For my Italian-speaking friends, I also really enjoyed the Fra Tenebra e Abisso series (although its current status is unknown).

But back to CoG-related things. I've read a lot, and I'd probably be faster telling you what I didn't like! As you may have figured out by now, I don't have any particular genre preferences as long as a story is well-written, though horror-thriller stories usually grab my attention more easily.

Important note: I've read a lot of stories and, with a few exceptions, I liked most of them. To avoid writing a too-long list, here are the published stories that really impressed me:

A Crown of Sorcery and Steel,

A Midsummer Night's Choice,

Blood for Poppies,

Blood Moon,

Broadway: 1849,

Choice of the Cat,

Choice of the Vampire,

Donor,

Doomsday on Demand (1 and 2),

Gilded Rails,

Golden Rose: Book One,

Jazz Age,

Lies Under Ice,

Life of a Mercenary,

Life of a Space Force Captain,

MetaHuman Inc.,

Noblesse Oblige,

Paradox Factor,

The Evertree Saga (all four books),

Rent-a-Vice,

Revolution Diabolique,

Siege of Treboulain,

Tally Ho,

The Daily Blackmail,

The Dragon and the Djinn,

The Fernweh Saga: Book One,

The Fog Knows Your Name,

The Gray Painter,

The Grim and I,

The Ghost and the Golem,

The Lost Heir,

The Midnight Saga: The Monster,

The Parenting Simulator,

The Play's the Thing,

The Soul Stone War (1 and 2),

The War for the West,

Tudor Intrigue,

Vampire Regent,

Vampire: The Masquerade (all of them),

Way Walkers: University (1 and 2),

Welcome to Moreytown,

Werewolves: Haven Raising,

Zombie Exodus,

Zombie Exodus: Safe Haven.

And now, onto works in progress! There aren’t that many because I barely have time to follow my own (heh…), so here, in alphabetical order, are the ones I'm following with the most interest:

Adoriel's Tears (@adoriels-tears-if),

A Father's Love (@kal-down),

Crown of Ashes and Flames (@coeluvr),

Dawn Chorus (@dawnchorus-if)

Disenchanted (@disenchantedif),

Dragon's Edged (@dragonedged-if),

Elysium (@elysiumcircusif),

Fallen Lights (@fallenlightsif),

For King and Country (@forkingandcountry-if),

From The Ashes We Rise (@kal-down),

Hubris (@hubris-the-if-game),

Kingdoms and Empires (@kingdoms-and-empires),

Return to Misty Cove (@fluorescent-if),

The Abyssal Song (@ri-writes-if),

The Adventures of Sherlock Holmes - An affair of the heart (@doriana-gray-games),

The Lonely Shore (@thelonelyshore-if),

The King's Hound (@the-kingshound),

The Reaper Watches Me (@thereaperwatchesme),

The Bureau (@thebureau),

The Unseelie (@theunseelieif),

Van Helsing (@vanhelsing-if),

When Life Gives You Lemons (@when-life-gives-you-lemons-if).

Okay, that was… a lot. As for direct inspirations, I don't have any direct ones, but I can say I felt like writing a post-apocalyptic story after reading Doomsday on Demand! Other than that, I guess the collection of narrative, text adventures, and interactive fiction I've read have led me to where I am now.

Damn, it took me hours to write this answer. I hope it's satisfying at least! Thanks for asking ☺

[ragsy]

"Olive Branch Unlimited Pasta Pass"

A less-than friendly encounter between Dogmark and Kenneth. 993 words. Read under the cut 👇

---

Mark grimaced at the jangle of the shop bell. It was ten minutes to closing; surely nobody needed taxidermy services this urgently. He was going to have to fucking sweep again, and why can't these people ever just put the dead cat in the damn freezer for the night?

He was halfway through his Customer Service Greeting-- a dry and listless "Hi, let me know if you need anything" with an implied "I hope you don't," when--

"Oh. Uh. Hi Kenneth," Mark coughed.

Kenneth, as it were, stepped into the Tucksidermy shop, taking in the many display shelves of magician squirrels, burlesque raccoons, and deer with hats, before finally catching Mark's attention. He smiled, though it did not reach his eyes. "Ah! Mark! Working hard?"

Kenneth let the shop door swing shut behind him; he held a large tupperware container tucked under one elbow, and his other hand gripped something in his pocket. For a man who had walked with a cane for as long as Mark knew him, Kenneth was moving with awfully fluid, easy strides.

Mark eyed the container with heavy suspicion. If there was someone's dearly departed family pet in there, he just might scream.

"Just. Uh. Closing up for the night," he said, setting his broom aside.

"Fantastic!" grinned the older man. "Then I hope you don't mind me asking: is Tuck in?"

Mark's pointed ears flicked.

Tuck had been different since coming back from the last mission. They hadn't told him everything that had happened, and the wedge between them and Kenneth remained vague handwaves and omissions. But still, holes in a story still leave behind the shape of some great and unspeakable thing.

And, if he was being honest, Mark was kinda creeped out by the way that guy was always so chipper. If he had more than a measly ounce of candor, he wouldn't have minded telling the old man to fuck off.

Mark slipped his glasses off and polished them on the front of his shirt.

"Tuck's not here," he lied.

Kenneth's face fell. "Oh! Are they, ah, are they alright?"

"Just-... Busy. I dunno."

This was, at least partially, the truth. The usual signs of Tuck is Working were present: Muffled FM radio pulsing through the wall. A hovering scent of blood and chemicals. A bearing in the workshop vent fan that squeaked at a frequency only dog ears could hear.

Kenneth furrowed his brow. "Oh. Hm."

That was another thing-- In the days since the mission to that facility, everyone had returned drained, bedraggled, frightened, or pissed off.

Everyone, that was, except Kenneth.

Kenneth, who Mark had seen take up jogging. Kenneth, whose familiar lines and wrinkles had begun to fade. Kenneth, whose sharpened eyes and revitalized wits now studied Mark, searching him for answers.

It all made Mark's skin crawl. Even as a grown-ass adult, he couldn't avoid feeling like a kid caught in a fib by a teacher. What the hell else was he supposed to say?Desperate for a break in eye contact, he replaced his glasses, grabbed the broom, and resumed sweeping.

Kenneth cleared his throat.

"Well, then, in any case, can I leave this here?" He was hoisting the container aloft in both hands. At Mark's skeptical stare at the plastic lid, he cracked open a corner, revealing a mess of pasta, tomatoes, and cheese.

Kenneth mistook Mark's sigh of relief for gratitude.

"Lasagna. I thought you both might appreciate some leftovers from dinner at Alice's house last night. So-- Ah, so sorry you had to miss it again!" The smile returned to his face. Uneasy. Apologetic.

Sorry. Right. Maybe they stayed home for a reason. Maybe they didn't want to be there with him. Maybe Tuck would have gone if he would just get rid of that fucking tape recorder. Mark's fingers twitched. Maybe he could take it from him the hard way.

He bit his tongue and swallowed his words.

"Um. Great," he said finally. He set down the broom and picked up the dustpan, dumping its contents unceremoniously in the trash.

"Ah," said Kenneth, crestfallen. Heavy silence fell over the two of them.

Once it was clear that Mark would make no move to accept the offering, Kenneth crossed the room and placed the container on the register counter. He patted the lid conclusively.

"Well, ah, I-... I hope you enjoy it!" A glimmer of hope clung to the edges of his words with desperation.

Once again, Mark said nothing. Folding his arms, his gaze darted from the tupperware, to the clock above it, to Kenneth. He sighed and swiped a hand down his face.

"Please go."

"Wh— Pardon?"

"We're closed."

Kenneth blinked. "O-oh, so soon?"

He swept his eyes across the shop. "Will, ah, will Tuck be back soon then, maybe?"

Mark thrust a clawed finger towards the door. "Get. Out," he growled, his human mask vaporized in an instant. A snarl curled up his snout, and his hackles bristled. Enough was enough.

The older man staggered backwards, eyes wide in terror. He raised his hands in submission and, without another word, fumbled open the door and slunk outside.

Mark slammed the shop door behind him and twisted the deadbolt shut. He glanced at the clock again. Five til was probably close enough.

Seething, he finished his chores and stalked out the back door.

Later, he rapped his knuckles on the doorframe to Tuck's workshop.

"Hey, we're all closed up now. I'm gonna get going." His voice shook a little, but he had at least managed to hide the dog back away.

Tuck looked up from its workbench. "Oh, heya Mark," it drawled. "Customers give ya any trouble today?"

"No. All good. See you tomorrow."

He hoisted the shop trash bag on his way out the door and slung it into the dumpster. It landed against the metal bottom with a heavy thud.

Kenneth's olive branch would be left there to rot until pickup day.

[viovio]

vio its junie (i got shadowbanned) can i ask about the vio family lore. Did your grandpa got eaten by a beastie or something i CANNOT help but ask because im both fascinated and terrified

HIIII JUNIE I'm so glad you asked actually, it's a story my mom once recounted years ago that I can't help but be fascinated by. She's not here to help refine my memory but I remember some key details anyway!

It was on her side of the family, it was my lola (her mom)— who was too young to even remember what happened at the time— in her childhood home. Her grandpa (or an elderly relative) was very ill, couldn't remember with that. So a young woman passes by the province introducing herself as a nurse right? (I think mom mentioned exclusively white clothes.) She takes care of lolo, but everyday he seems to deteriorate, his skin was either puss-filled or stripping off. He was worse off by then but she just seemed to grow more lively. Tending to him as a nurse.

Eventually I think the townsfolk grew suspicious, they chased her out of the house when they found her sucking on his skin. So she escaped through the window, and you know how houses back then we're elevated a bit off the ground with short platforms underneath? Like you could crouch underneath and crawl under the house, that was where she hid.

It's fuzzy from here on out but they set out in a wild chase with sharp weapons (makeshift or farmtools honestly), poking the beast and watching her transform into a dog or cat and sprinting towards the farm. Where she blend in with the pigs, I'm not sure if mom mentioned how they figured out which one was her but they killed her.

She was an aswang, it seems very strange to me that she'd feed on someone ill (maybe even on his deathbed) but it's not like I can ask her myself... The way my mom told and concluded this story was very riveting though! I really like how it was passed down because of how much people were witness and participant in it.

[quietwingsinthesky]

no one ever fucking talk to me about the leviathan dlc and its implications. even thinking about it made me mad again. how do you create a story about artificial intelligence that is a direct consequence of its creator’s hubris (thinking that they, unlike more “primitive” species, could create robots to fix their problems that WOULDN’T rebel and kill them. only for the robots to rebel and kill them.) and also a reflection of their beliefs uninterrogated: that there is no possibility for peace between artificial and organic life, that it must all be extinguished for the sake of “peace”. how do you have a story where one of the main (paywalled. dlc.) squad members is the remnants of an empire that conquered and controlled other species in the same way the leviathans did, and met the exact same fate because their imperial power was an illusion created by the reapers to make them weaker, to make them easier to exterminate. how do you make a story about these cycles, about how the council IS repeating these cycles, they just do it in a “kinder” way, a way with a veneer of democracy while still holding the same kind of power the protheans did over their empire, taking the same corrupted seat and continuing to rule their even after they find out, in mass effect 1, that it was a time bomb of extinction. how do you write all of that. how do you write the geth/quarian conflict and give us an ending that proves that peace and reconciliation is not only possible, but the best option. and then. star child. and you can’t even fucking argue with him that his ideology is bullshit.

[vaugarde]

okay so as a gen 5 stan who does adore the story in bw and bw2, and now that gen 5 has experienced both a vicious hatedom that wouldnt hear a single positive thing about the games, and now a super protective fandom that insists they were perfect and had zero flaws... can we admit now that the bw1 story at least was. a little mid.

[mejomonster]

Oh also when I start dropping the Red White and Royal Blue book quotes expect a FLOOD I'm highlighting the fuck out of this book

[blossom-hwa]

watching little women and it’s taking everything in me not to search up spoilers

[forcebookish]

every time i see someone say that bleach isn't that good i'm like HEY!!!! and then i remember that i think so too fjdksljfkgdsl

[partsnservice]

OH THATS SO FUCKED UPPP

[torpublishinggroup]

Celebrate Pride with Tor Publishing Group!

Rakesfall by @adamantine

They met as children in the middle of the Sri Lankan civil war. Later, in a demon-haunted wood, an act of violence linked them and propelled their souls on a journey through the ages. As they reincarnate ever deeper into the future, a truth emerges: Some stories take more than one lifetime to tell.

Running Close to the Wind by @ariaste

In this queer pirate fantasy, Avra Helvaçi has accidentally stolen the single most expensive secret in the world. To avoid capture, he flees to the open sea, where only his on-again, off-again ex aka pirate Captain Teveri az-Ḥaffār can help him survive, profit, and become a legend.

Cuckoo by Gretchen Felker-Martin

Something evil is buried deep in the desert. It wants your body and wears your skin. Welcome to Camp Resolution, a queer conversion center where everyone leaves a different person. In 1995, seven queer teens were abandoned here by their parents, but survived. Sixteen years later, they’re scarred and broken, but back to face an evil that threatens the world. 

Kinning by Nisi Shawl

In this alternate history where barkcloth airships soar and former colonies claim freedom from imperialist tyrants, the identity of the island of Everfair still wavers. Victorious in the wake of the Great War, a new threat looms. Can Everfair continue to serve as a symbol of hope for anticolonial movements around the world, or will it fall to forces within and without? 

Can’t Spell Treason Without Tea by @rebeccathornewrites

Can one of the Queen’s private guard and the most powerful mage in existence leave their lives behind to settle down in their new bookshop that serves tea? This cozy fantasy is steeped in sapphic romance and nestled on the edge of dragon country. 

The Fragile Threads of Power by V. E. Schwab

Once there were four worlds, nestled like pages in a book, each pulsing with fantastical power and connected by a single city: London. After a desperate attempt to prevent corruption and ruin in the four Londons, there are only three. Now the worlds are going to collide anew—brought to a dangerous precipice by the discoveries of three remarkable magicians.

Now available in paperback!

The Archive Undying by @emcandon

This is a story about misplaced faith, complicated love, so much self-loathing, and yeah—giant robots. Plugged into his AI god when its apocalyptic corruption renders him unfortunately immortal, sad gay disaster Sunai takes a die-again-or-die-trying approach to things. Unending life’s tough when intimacy is somehow scarier even than either of the warring police states set on turning you into a weapon or the rogue undead mecha-fragment of your old god that wants to eat you. 

Now available in paperback!

The Bell in the Fog by Lev AC Rosen

A dazzling historical mystery that dives into the shadowy, closeted world of the Navy, emerging in the gay bars of the city. It’s a whirlpool of missing people, violent strangers, and scandalous photos in 1952 San Francisco. 

Now available in paperback!

Celebrate Pride with more titles from Tor Publishing Group here!

[loverboydotcom]

like beau in this kind of fit for the halloween party meets a man who will be his lover for one night and the man slowly and delicately unravels the ribbon around his neck i don't know what happens next but that to me is gay sex. at its core

[thegreatwicked]

This obviously needed its own post and here it is, a collection of blog posts and resources I have found and used for my own writing, I hope they help you too! Go forth and write that spice!

The Smut Writers Dictionary By @maybeeatspaghetti Seriously, how many different way are there to write cock? Does anyone else wonder if they've used the word 'lips' too many times? Well, this is a good place to start!

The Ultimate Guide to Writing Smut This is the first one I found and I go back to it frequently! There's also some great information about specific areas of sex that may not be common knowledge for first time writers!

How to Write Smut By @urfriendlywriter Another great source of information from different verbiage to use and a few tips to hel you along (giggity)

Smut Thesaurus By @prurientpuddlejumper just what it sounds like and you can never have too many words at your disposal.

6 Steps to Writing Better Sex By @chaoschaoswriting If you're at a loss or just want some more help this is antoher fantastic blog!

Writing Prompts NSFW By @seidenbros Need some dialogue? Or a story idea? Have a look!

#100 NSFW/Smut Dialogue Prompts By @a-cure-for-writers-block More? More. This is also a fantastic writing blog with lots to offer!

Intimate + Sexual Headcannon Questions By @petalsprompts Good questions to ask your characters to get to know them better and make more well rounded characters!

Smut & Mature (18+) Master List By @pendarling A great list dialogue prompts, scenarios, and helpful bits!

Poly NSFW Alphabet By @smaoineamhsalach Another great way to get to know your characters and maybe a handful of ideas for story ideas.

Kink Prompts Another from the previous blogger above and I didn't know what half of these are! I'll work on a kink dictionary next!

Writing Smut 101: Overcoming Smut Shame @slightlyrebelliouswriter23 There's a lot to be said for this particular subject! It's hard to write stuff like this, so how do you get over it? Start here!

How to Write a Kiss Scene By @youneedsomeprompts Yes!!! I still struggle with this one! There's a thousand ways to kiss, find your favorite!

Smut Oneliners By @deity-prompts you can never have enough one-liners!!

How to Write a (Great) Sex Scene Another great article for new smut writers

9 Tips for Writing Steamy Scenes More tips to help you wirte good steamy stuff!

How to Write Erotica and a Damn Fine Sex Scene A WEALTH if information on writing, structuring, and helpful tips!

@saradikahas a fantatic blog with graphics for you to use to add some fun to your posts. Things like MDNI Banners, 18+ Content Warnings, Support Your Favorite Writers and Reblog banners! They are free to use but she does ask that you reblog her stuff if you do! She's also a very talented writer and she writes some AMAZING Din Djarin stories!

Gay Sex Positions Guide This is a WONDERFUL adition and thank you so much @b7bubby for bringing this to my attention, I didn't have any resources for writing M/M fairings but this is a much needed addition to the spicy community! i've never written an M/M pairing and I feel like such an idiot for overlooking the need for a resource like this!

Writing the Perfect Kiss Scene provided by @writers-potiona fantastic little guide to writing better kisses!

If you find any other great smut writing resources feel free to tag me so I can add them to this list! Good luck with your writing! Now go write that story and LET THE SPICE FLOW!!!!

[mariasont]

Please, Don't Prove 'Em Right - A.H

a/n: my girl sabrina can do no wrong and i have been listening to this song on repeat since it came out so i just absolutely needed to write a fic about it

masterlist

pairings: aaron hotchner x fem!reader

summary: aaron hotchner is a busy man and he tends to disappoint you by missing important events

warnings: angst (sorry in advance), aaron is like not a great husband, reader is also an imperfect character, reader is a girl boss though

wc: 1.2k

You were in your best dress. More expensive than you'd ever think about buying for yourself, but it had been a gift from Aaron. You had fought him on it, scolding him for spending so much on a dress you were sure to only wear once. But he had insisted, telling you that this opportunity was once in a lifetime and that it would be a sin for it to not be celebrated with a dress that made you shine like a ruby.

He was right, partly, you were shining--glowing, sparkling, glittering--as you moved through the library. It was beautiful, to say the least--all opulence and history that was almost too much to absorb. The marble floors almost seemed to amplify the conversations around you, the clinking of glasses, the swish of overpriced gowns and tuxedos.

Your eyes settled on the tiered desks fitted with bronze reading lamps, now repurposed as a station for hors d'oeuvres and champagne. The circular arrangement of desks, once centered around knowledge, now facilitated hushed gossip and the discreet laughter of society's finest.

You could almost hear what they were thinking: there she is again without her husband, that poor thing always by herself, and your personal favorite—does he even exist?

You wanted to be angry, to scold their prying eyes, for putting their noses into something that had nothing to do with them whatsoever. But could you really blame them? Every event you attended you told the same story--my husband is a busy man with an important job--a line you had grown tired of repeating. 

And that was all true. He devoted most of his time to saving lives--how could you find fault in that? How could you complain to having a husband whose very essence was self-sacrifice and heroism?

This evening was set to be an exception; he was in New York for a case, and the Pulitzer Prize ceremony was not something he would miss. He had given you his word.

You understood his passion for his job, completely, because you held that same passion for your own. You dedicated years of your life to your journalism, investigating corruption at its highest levels. This is exactly how you ended up here tonight, nominated for a Pulitzer Prize for that very work. A Pulitzer Prize.

The term once seemed like a fantastical concept to you, a lofty accolade reserved for the likes of JFK, Bob Dylan, Robert Frost--icons, not someone as ordinary as you. Yet, against all odds, you find yourself among the select few, a nominee for an honor that has only been won by 1,512 individuals since 1917, a fact Spencer had supplied you with.

Someone was speaking to you, saying your name. Almost without thinking, your hand found a flute of champagne, taking a generous sip before turning to face them.

"You look stunning, and a well-deserved congratulations are in order. Everyone back at the office is cheering for you." It was your boss, her stilettos adding inches to her already imposing frame.

The flattery didn't quite mask her usual coldness, it was all too artificial. She wasn't your biggest fan, and she had made that clear from your first day. Still, you mustered a smile and thanked her anyway, taking another sip of champagne, hoping to drown away her nauseating voice.

"It's too bad your husband couldn't be here," she began, and you had to resist the urge to rip out her extensions. "This is an incredible accomplishment, but he's quite the busy man, as you say."

"Yes, he is busy, but he'll be here tonight," you replied, flashing her your best smile as you smoothed the red fabric that suddenly felt too tight. "He's actually here in New York on a case."

"Oh, how great. I can't wait to put a face to the name." You could tell by the look she shot her own husband that she didn't believe a word from your mouth. "Anyway, I have to go speak with an academy representative, but I'll see you and your husband at the ceremony?"

You responded with a nod, not dignifying her with words as she left, her giggles a bitter sound. You hated her. And you were ready to make her eat her words when your husband, who looked absolutely incredibly in a suit, showed up.

But then it was dinner, and you found yourself alone, surrounded by a table of important people whose names you couldn't remember. The seat beside you was empty and suddenly that omnipotent, cloud-nine feeling you had vanished with the time that passed.

The text you sent piled up, feeling a little juvenile, like you were back in high school again getting stood up at prom.

Let me know when you're close!

Is everything going okay?

Call me if you can.

An onslaught of anxious thoughts skyrocketed around your mind as you mechanically chewed the fancy food that only seemed to upset your stomach further. What if something happened? Was he okay? Did the case go wrong? Did he get in a car accident on the way here?

You were a bundle of nerves, gnawing on the inside of your mouth as your heel tapped up and down against the floor. But this wasn't borne from concern for his well-being; deep down, you were certain he was fine. The truth was simpler and sharper: he wasn't coming.

You should have been prepared, should have braced for this, but you were convinced that this time, this occasion would be an exception.

You name was being called, but this time not by someone wanting to extract prying information or stir speculation, no, this time it was carried across the crowed, wrapped in the microphone's static hum.

Your head snapped up, fingers ceasing their fidgeting as you struggled to mask the shock and avoid the gaping, breathless look of a fish out of water.

You had won.

People were clapped, but it seemed far away as you made your way to the stage, hands coming from all directions to offer pats on the back and handshakes of congratulations.

You had won.

Your feet were carrying you up a small set of stairs. You were trying to remember how to walk--left, right, heel, toe. There was a bright light on you now, prompting a slight squint and you worked to keep a smile on your face as you accepted the award.

You had to be dreaming. Had to be. There was no other explanation.

You were on display now, under the intense stage lights. Your body was on autopilot, stepping behind the podium, words flowing out of your mouth--a speech you had rehearsed over and over again in the slim chance that you would win. And here you are.

But the more you spoke the more you seemed to deviate from the script.

You paused, voice catching as you tried your best not to let the tears fall--your makeup was too pristine for smears.

"But tonight, as I accept this honor, I am reminded that while we may seek comfort in the presence of others, our truest strength comes from within." Your eyes dart around the audience, clinging to the slim chance he's there, that he showed up. "It comes from knowing that when we step into the moment, we step in with conviction, with passion, and sometimes, with a singularity that says we are enough."

The final words of your speech hang in the air, a brittle hope that disappears as quickly as it surfaced. He proved them right, and no amount of applause can drown out the sound of your heart breaking just a little.

part 2

taglist: @hotchhner @khxna @readergf @sarcasm-and-stiles @edencherries @aurorsworld @princess76179

[foodfightnovelization]

ROTTEN: Behind The Foodfight

Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.

Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."

But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-

It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.

I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.

There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.

That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.

For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.

I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!

[ckret2]

Chapter 60 of human Bill Cipher almost wasn't the Mystery Shack's prisoner but he's back here for some reason:

Everything you never even imagined about how Bill survived his execution.

(warning for cultists doing cultish activities in this chapter. and i don't mean "fantastical Blind Eye Society hijinks," i mean "discussing how to indoctrinate & isolate new recruits.)

####

"Hiya, Stan!" Bill Cipher beamed brilliantly. His gold tooth matched his new coat. "Didja miss me yet?"

Stan punched Bill in the nose.

Bill tumbled on his back, hand over his face. Voice tight with pain, he said, "Just so you know, I let you do that."

Stan's voice hit a pitch he hadn't been able to reach since puberty. "WHAT ARE YOU DOING ALIVE!"

Bill sat up gingerly. "Well, funny story—"

"NO! Nuh-uh, I'm finishing you properly this time!" Fists raised, Stan lunged at Bill.

Ford grabbed Stan from behind, one arm around his neck and one hooked up under his armpit. (Bill took the opportunity to scoot backward and get to his feet.) "Stanley! Stand down!"

"YOU!" Stan flung Ford's hands off and whirled around, pointing accusatorially at him. "You gave me your word! Tell me you didn't let Bill out."

"I didn't let Bill out."

Stan grabbed Ford's turtleneck. "Don't you lie to me!"

"I didn't let Bill out!" Ford ripped Stan's hands off his turtleneck. "He was already gone when I went into the kids' room."

"Then who— Who else would've known—"

Stan whirled around at a creak on the stairs. Dipper, halfway down the stairs, jumped when Stan saw him.

"DIPPER!" Stan stormed up to the stairs. "Did you help the demon escape?!"

"What, no!" Dipper took a step back up. "I don't even know how he got out! All I did was not say anything!"

"Well, who's left that could've helped him?!"

"BIIILL!" Mabel barreled down the stairs. "YOU CAME BACK!" She climbed on the stair railing, jumped off, and Bill—who'd crept inside behind Stan—was once more tackled to the ground.

Stan's hands twisted in the air like he wasn't sure whether he wanted to strangle someone, punch something, or pull out his own hair. He finally settled on curling them into fists and shaking them at God. "AM I THE ONLY ONE WHO DIDN'T KNOW THE DEMON'S ALIVE?!"

Soos, still sitting in the living room by himself, staring into space, voice hushed with horror, asked, "So who did I sweep into the flower vase..."

"Okay, family meeting!" Stan pointed at the living room, "Right now! You," he pointed at Bill, "upstairs! I don't wanna look at you and your—your stupid Las Vegas magician sequined coat!"

Bill sat up with a wince and grinned, "Oh, do you like it?" He took off his backpack and checked to see if its contents had been crushed when he was knocked down twice.

"You look like a circus clown!"

"I liked the Vegas magician thing better."

"GO!" Stan pointed up the stairs.

Bill raised his hands, rolling his eye as he started up the stairs. "Fine, fine—"

Stan grabbed Bill's wrist, making him drop his backpack. "STOP!"

"Make up your mind!"

Stan yanked one half of the enchanted friendship bracelets down over Bill's wrist. "You're not getting out again. Not on my watch."

Bill jerked his arm free, shot Stan a dirty look, and stomped up the stairs, umbrella clutched angrily in one hand and backpack in the other. Stan pulled the other half of the bracelet on.

In the living room, Ford, Dipper, and Mabel were lined up shamefacedly on the couch, like three students waiting to be lectured by the principal. Stan glowered at them each, fists on his hips. "Now, I wanna know why my own family all joined in some big secret conspiracy to help Cipher escape! Is it alien mind control?! Did you join a cult?!"

Mabel took a deep breath. "I saved him because he's my friend and I don't want him to die and he really is getting better and you'd all see it if you just gave him a chance to prove it and you just don't understand how he thinks like I do"—she took another breath—"and I promise he won't try to take over the world again just give him a chance!"

Stan's glare melted into something close to guilt. "You're... you're fine, pumpkin. I know you wouldn't have let your friend get hurt." He shot a glare at the other two conspirators. "Which is why we weren't going to tell her."

"Listen," Dipper said, "I still hate him and I don't trust him, but—but I heard part of a poem about Bill that I'm sure is a prophecy; which means he's important, we'll probably need him to save the town or something! So we can't let him die before then! He's already passed up chances to kill us and even saved Grunkle Ford and me, that proves he can restrain himself enough to be useful!" He winced, "Plus... I didn't wanna make Mabel sad. I have seen a future where she loses a friend, and it is not pretty."

Mabel leaned against Dipper. "Thanks, bro-bro."

Stan screwed up his face, but just muttered angrily under his breath about stupid prophecies and stupid life saving, and turned his glare on Ford. "Well? What's your excuse?"

Ford didn't answer, staring down at his hands, grimacing as he searched for an answer.

Stan pressed, "You told me that if you couldn't pull the trigger, you'd give me the gun. Why didn't you?"

"Because I could have pulled it! The situation was different, I—I only changed my mind because he wasn't there. If he had been, I'd have done it—"

"Would you? If you couldn't even tell me that he wasn't dead, do you really think that if he'd been right there, looking you in the eyes, you'd have done it?"

In his mind's eye, Ford could see Bill, hiding under a towel, grinning up at him with one bright eye. And Bill, collapsed beside the lake, shaking all over, sobbing so hard he didn't even notice he was clinging to Ford's stupid borrowed t-shirt like a lifeline. And Bill, staring tiredly across a chess board, telling Ford that the black king was taking the whole board down with him. And Bill, lighting up the room as he taught Ford's niece about his own long-extinct alien civilization.

And Bill, glowing golden, lighting up Ford's dream as he taught him about fifth-dimensional calculus.

Ford didn't answer.

Stan asked, "Why didn't you tell me?"

Softly, Ford said, "Because I don't want him to die."

Stan spread his arms in disbelief. "Well, why the hell not?!"

"Because—I'm—beginning to think that there might be a chance that Bill could..." he winced, "change. Maybe."

Stan's silence was deafening. Mabel leaned forward to stare around Dipper at Ford.

Ford rubbed his forehead. "I—it made sense yesterday, but it sounds stupid out loud."

Stan slowly shook his head. "Have you all lost your minds? You think he can change? You think he's part of some prophecy?! Y—Mabel, honey, you're the sweetest girl in the world, but you could do way better for friends than him."

Mabel sorta shrugged, sorta shook her head, sorta grimaced, and sorta nodded. "Yeah, but, I like him."

"WHY?!" Stan roared, making Mabel and Dipper both jump. "Why, why are any of you wasting your time on him?! Guys like him don't change! He's a dangerous, self-centered crook, and that's all he'll ever be. He's a rotten, greedy, lazy loser, he's only gotten as far as he has by conning guys smarter than him, he's got no regard for anybody but himself, all he does is cheat and lie, and if you let him stay in our lives he'll just ruin them! The best thing he could do for our family is—" Stan choked on a lump in his throat. "Is d-die."

The room was silent. Dipper and Mabel, leaning back into the sofa to get away from the rant, stared at him with wide eyes. Soos, over in an armchair bearing silent witness to this family drama, had his hands steepled in front of his face.

Stan couldn't look at Ford. He didn't know why Ford looked so sorrowful. Thickly, Stan asked, "All I want is to get rid of him—why don't you?"

He could hear Soos wince. "Oof."

Stan pointed at him. "Not a word. Not one word," he growled. "Fine—if none of you will deal with him properly," he cracked his knuckles, "I will."

Mabel flinched. Dipper moved to stand, "Grunkle Stan—" but stopped when Ford put a hand on his shoulder.

Stan stomped up the stairs. He'd wring that monster's stupid neck, and if it started the apocalypse then so be it—

He stopped halfway up the stairs. Bill was sitting on the steps, just around the landing corner, leaning against the wall, backpack in his lap. His soaked pant legs were dripping rainwater on the steps. "You," Stan snarled. "What are you doing?"

"What's it look like, genius? I'm trying to eavesdrop," Bill said. "So what'd they say?"

"What? What did who say about what?"

"About leaving me alive. Why did they say they don't want me dead?"

He asked like he was genuinely curious. Like he didn't know.

Stan stared at Bill.

"I have a good idea for Shooting Star, but the other two...?" Bill made an uncertain gesture with his hand. "I've got my top guesses, but I want to know what clinched the deal."

Stan couldn't kill him, either.

He'd already lost this fight. Pathetic lonely dead con artist who'd rather lose a tooth than look scared, how could Stan take him out? He understood too well. "Just—shut your stupid mouth, take off that stupid circus outfit, and get out of my sight, Cipher."

Bill bristled. "Hey." He stood. "What's that for? It's not like I did anything wrong. Sure, I got your whole family in on a conspiracy, but that's their mistake! I was just doing what I had to! You can't blame me for—"

"I don't blame you," Stan said.

"You d— You don't." Cautiously, Bill asked, "You... don't?"

"How can I?" He shrugged heavily. "It was self-defense. Ford should've known better—but I can't blame you. I'm not an idiot, I don't expect you to just lay down and die for us."

"Oh." Bill squinted at Stan, like he thought this was a trick and he was waiting for the other shoe to drop. "Oh. Okay." After a pause, voice uncharacteristically small and confused, he asked, "So I'm... not in trouble?"

Stan's face did a gymnastics routine. "Heck," he muttered. "No! I guess not! I don't like it, but I'm not gonna punish a guy for saving his own miserable worthless hide! Just... stay out of my way, I don't wanna see your stupid face."

"I'm just minding my own business," Bill said. He sat again and leaned on the wall, arms crossed, staring into space thoughtfully. (He didn't know what to do with a reality where he'd done something everyone hated, but nobody blamed him for it.)

Stan trudged back downstairs. Everyone was where he'd left them. He glowered at his family. They quietly waited. "Well," Stan said. "We're stuck with him now. Since somebody wasted the only bit of fuel we had that could kill him. Is everyone happy."

Nobody seemed particularly happy. Ford shifted on his seat. "Kids... you should go to bed. Stan and I need to talk."

Dipper and Mabel quickly took the opportunity to slide off the sofa and escape the room.

"Oh! Oh you bet we need to talk! You have no idea how much we need to talk—"

"Downstairs," Ford said firmly.

"What, you don't want everyone else to hear exactly what I think of your crazy stunt?"

Ford lowered his voice. "Downstairs where he can't overhear. It's important."

Stan's face twitched with the effort of suppressing more shouting; but then he growled, "Fine! But this had better be worth it. Lemme get my bathrobe, your stupid underground office is like a freezer..." He trudged from the room, grumbling. "Hey, demon! Take off your bracelet, I'm done being tied to your sorry hide." After a moment, the thread reappeared on the stair steps as they both took their ends off.

Dipper glared at Bill as he and Mabel passed him going up the stairs. Bill gave him a tiny, cheery wave. Dipper grumbled, "I can't believe you finally escaped like you wanted just to come right back."

"Hey, it wasn't my idea! Blame your sister!"

Mabel hugged him again. "Thanks for coming back."

Bill said, "Thanks for absorbing Stan's wrath for me!" He laughed.

The kids ran upstairs.

And Bill placed the tip of his broken umbrella on the stair step and quietly walked back down, winding the enchanted bracelets' thread into loops as he went.

####

Soos looked at Ford and shyly raised a hand. "So... when you said the kids should go to bed, did that include..."

"Yes, Soos," Ford said. "You should go too."

"Yes." He quietly pumped a fist. "One of the kids." As he left, he said, "Hey, Bill. Sweet coat."

Ford looked over. Hovering in the shadows of the entryway, almost glowing gold from the living room's light, Bill peered into the room. He was by the coat rack, hanging the bracelets back up. Bill said, "Fancy meeting you here."

Ford sighed irritably. "I'm not in the mood to talk, Cipher."

"Don't flatter yourself, I'm not down here for you." Bill gestured at the sofa Ford was on. "I want my bed back."

Right. Ford stood so Bill could retrieve the cushions.

As he grabbed the first cushion, Bill smirked at Ford. "So..." (Not here for you. Sure.) "What was it that swayed you?"

Ford just glowered at Bill.

Bill pressed, "Was it that handy list of starter spells I gave you? I doubt it was my chess prowess, that wasn't my best playing." He laughed, "What am I asking for! You humans are suckers for a life debt. You can consider it paid off—a life for a life, fair and square—"

"It wasn't any of those."

Bill's smile disappeared. "Then what?" he asked. "Don't tell me you did it out of the goodness of your heart, I've seen enough of yours not to buy that—"

"It was Mabel."

Bill dropped his first cushion on top of the second and awkwardly tried to get his arms around both. "What'd she say about me?"

"Nothing." Nothing that had changed Ford's mind, anyway. "It's how you treat her."

"How I—?" Bill was so baffled that he almost looked offended. "What are you talking about? I haven't been treating her any way at all! I'm just... just goofing around with her. She's a fun kid."

"Exactly," Ford said. "If you can treat just one odd little girl with kindness, for no reason—then maybe, just maybe, there's hope for you." He sighed; he felt the sternness in his face slacken. He felt tired. "At least... I want to hope there is."

There was a flash of something Ford couldn't recognize in Bill's face. Something like pain; something nearly like guilt. It was gone almost as soon as he saw it.

"Well, sure," Bill said flatly, glancing away like Ford had lost his interest. "Why wouldn't I be nice to her? I like weird freaks." He managed to stand with his awkward armload and turned away, cutting the conversation off. "Anyway. It's been a long night. I'm going to bed. You should too," he shot back over his shoulder from the bottom of the stairs, "when's the last time you got decent sleep? Your eye bags are more... bag than... eye." Bill cringed at himself. "Don— Don't say anything. I'm tired." He headed up the stairs, his umbrella hooked over his left elbow. They'd have to get that umbrella back.

Tomorrow. Ford couldn't be bothered tonight. Bill wasn't killing anybody before morning.

Ford leaned on the doorframe where he could still see Bill. "I hid your hoodie in the box of spare bedding in the loft. Under the spare pillows."

Bill stopped halfway up the stairs and turned back toward Ford. "You didn't incinerate it?"

"No."

"Why?"

"I assumed you'd be back here eventually. I thought you'd want it."

Bill's face was unreadable.

He turned away from Ford and continued upstairs without saying a word.

Mabel's crayon drawing of Bill—"YOU CAN CHANGE. I BELIEVE IN YOU!"—felt like it was burning a hole in Ford's pocket.

####

Saturday, 7:52 a.m.

Bill stole a handful of loose change out of a tip jar and timed his exit so he walked out of the Triple Digit Truck Stop just as a man walked in and kindly held the door for him.

Gravity Falls really was a charming little town. Behind the times. The Triple Digit Truck Stop had expanded significantly in the past decades to add a convenience store and additional amenities for travelers, but the diner that made up the heart of it had barely changed. Same patchy grassy parking lot, same giant lumberjack sculpture watching over the cars... same public pay phones around the left side of the building.

He put in a few coins, punched in the number he'd memorized, and leaned against the wall while he waited to be answered. "Hey, Sue! Guess who?" A smile curled across his face. "That's right. Hey, how many people can say they've been personally called by god?" He laughed. "My Star Boy told you what preparations to make, right? Good. It's time. Midnight. Just north of the county line. I'll see you there."

Then he hung up the phone, left the clearing around the diner, and vanished into the trees.

Unless something dramatically changed, he'd be meeting his dear devotee that night.

####

9:30 p.m.

Something had dramatically changed.

His disloyal devotee had saved him.

It was a long walk to the county line. If Bill wanted to make his midnight meeting with his cultist, he had to leave before sunset.

He was still up on the cliff when the last of the light left the valley, pacing restlessly back and forth—first toward the side of the cliff overlooking the town (he could see the Mystery Shack's roof through the trees), then toward the side aimed away from the valley, toward the county line.

He should go. He needed to go. He needed to go now. He needed to go two hours ago.

He'd spent three out of the last four days hiking all over this town's forests and caves. In the last thirty-six hours he'd barely gotten a quick nap. (In the morning, when Mabel heard that Ford had covered for Bill, she'd come straight here.) He told himself he didn't have the energy for the hike to the county line. (What if Mabel got here and couldn't find him?)

If he didn't show up tonight, surely his cultist would try again tomorrow night. He'd go tomorrow.

It was fine. Everything would work out for him. Everything always worked out for him.

####

Sunday, 4:10 p.m.

He'd been right. Mabel had come straight here. As the platform lifted him back up, Bill watched her wheel her bike through the trees, slowly heading toward the main road back into town.

For a midsummer day, it was chilly in the rain.

Don't you wanna be in the shack with your only friend on Earth? Would you really rather spend the rest of summer in some dumb old busted alien ship?

Interesting question.

####

8:30 p.m.

It was a long walk to the county line. Bill packed his supplies—he didn't have that much to pack, he'd only ever needed enough food and shelter to last him a couple of days. He flung one backpack over each shoulder, closed and concealed the alien ship fragment, and shrunk his floating platform with the height-altering flashlight so he could wrap it in a shirt and stuff it in his second backpack.

And then, under the cover of the rain and the falling night, he began the hike north.

####

10:45 p.m.

Even to Bill's eyes, the weirdness barrier around Gravity Falls was typically invisible. He could only see it where something touched it or passed through it, making waves travel out in circles from the point of contact. The circles glowed a dull coppery color at their peaks. Tonight, with the rain falling, the barrier rippled as though the rain were falling on the surface of a lake, and the whole thing glowed a faint filmy orange.

Precisely in the middle of the barrier was a sign marking the border of Roadkill County.

Ten feet beyond the barrier, just off the edge of the road, headlights and engine off and lurking beneath the trees, was a black car.

Bill walked straight through the weirdness barrier as though it wasn't even there. He didn't feel a thing.

The car engine started and the headlights turned on. Bill didn't even blink. The driver's door flew open and Sue popped out, fumbling to open an umbrella as she did. "Bill Cipher?"

"Hiya, Sue! You made it early."

"Oh, thank goodness." She hurried up to him. "I was so worried—I didn't know if I'd come to the wrong place, or if something had happened... And when I didn't hear anything from you the next day, and Gideon didn't know anything..." (Great, she'd gotten Gideon involved?) She started to offer Bill her umbrella, realized he was already holding a closed umbrella as a cane, looked up as she registered that no rain was falling on him, then stared at him in wonder.

"Yeah, sorry about that—an unavoidable emergency came up, I couldn't get out and couldn't call." And he'd gotten a pretty good night's sleep. "But look at you, loyal enough to come try again the next night! You're a rare sort of human soul, you know that? This world could use more people like you."

Sue flushed with pleasure. "Oh... thank you, I..."

Bill tilted his head toward the car. "Let's not talk out in the rain, huh? Another car's coming by in about a minute, I think we shouldn't be seen."

"Right! Of course, my lord." She hurried back to the car.

"There's a terrific diner just a few minutes up the road. We can talk there, it's safe enough. Cute decor, too—have you ever seen a twenty foot tall lumberjack...?" He paused uncertainly by the car. "Hey, Sue? This'll sound silly—but I'm gonna need you to get the passenger door."

The car's interior lights flashed on as Sue opened the passenger door, long enough to catch the glittery purple nail polish on Bill's fingers. Sue gave it a curious look. Even though they'd just gotten painted three days ago, the polish was already scuffed again from his escape; but a few tiny flower stickers were still sticking to his nails.

Bill grinned. "There's a thirteen-year-old staying in the shack. Sweetest thing. She's a real artist."

"Oh! I see." A smile stretched across Sue's face. Bill suspected it wasn't for Mabel. That's right, your god's good with children. He lets little girls give him goofy manicures and proudly shows them off. Chicks dig that kind of thing.

When they were both buckled in, Sue hesitated, holding the steering wheel. "Lord Cipher... I wanted to say... if my... actions the last time we met were out of line in any way, I want to apologize—"

Bill placed a finger under her chin, turned her face toward him, and kissed her lightly. (He was so smooth. He mentally congratulated himself.) "Sorry if you got confused. I had to keep the outsider from getting suspicious, get it?"

She sucked in a small breath. "I... yes. Yes, of course."

"Don't trust anything I say or do when unbelievers are listening. The only time you can be sure I'm telling the truth..." his voice dropped to a near whisper, "is when we're alone."

He could see the goosebumps raise on her arms. "Yes, my lord."

He was so good—and his worshipers were so, so stupid. That was why they followed him. "Now, let's get to that diner, huh?"

As they got on the road, he studied his nails; to a normal human it was too dark to see, but to Bill's eyes they still glittered bright purple. The question Mabel had asked him earlier had been playing over and over in his mind all afternoon: Would you really rather spend the rest of summer in some dumb old busted alien ship?

Naive, trusting kid.

She really thought she was his best option.

######

"... And then, as if directly launching a psychic attack on my ethereal essence and forcing me into a mortal fleshly form wasn't bad enough," Bill said, "they imprisoned me! And get this: just to rub salt in the wound, they thought it would be funny to take a divine muse who's spent an eternity helping mortals build doorways between dimensions—and curse it so it can't open doors. I have to ask my kidnappers to open the fridge for me. Have you ever heard something so condescending?"

"Insane. That's just sadistic," Sue said. "After all you tried to do for them."

"You don't know what a comfort it is to hear a human say that."

They fell silent as someone approached. A waitress stopped next to their table. "Hey, I—Goldie!"

"Dani Miranda! Hey, how's it going! I see you found the treasure map I left you."

Dani was wearing two large gold earrings, two heavy gold necklaces each with a large gem-encrusted pendant, and four rings. "Yes, oh my gosh. I cannot believe you knew where a whole treasure chest was and you just gave it to me? That's the nicest thing ever?"

That's right, it was. "What are you doing working here! You can retire on that kind of money. Unless you want to rebury all that gold yourself?" He'd respect that.

"I'm still getting it appraised. Besides, I like talking to the late night travelers."

Bill ordered a strawberry banana shake, the monthly pancake special—which meant three quarters of the pile covered in stripes of strawberry sauce and cream cheese frosting and one quarter covered in a big puddle of blueberry sauce—floppy bacon, three eggs prepared "any way except scrambled," a cup of bleu cheese dressing, a cup of salsa, and a bottle of hot sauce. Sue ordered a water and a small grilled chicken salad.

(Bill tried to remember whether the Death Valley girls were one of his "purify the flesh by practicing harsh asceticism" cults or his "hedonistically revel in the pleasures of the senses" cults, in case he needed to make up a justification for why god was ordering pancakes instead of practicing what he preached—something something a human body containing a divine soul burns through much more energy, maybe—but no, he had the Death Valley girls on psychedelics, that was a hedonism cult. He kept them controlled through drugs, exhaustion, and poor air conditioning, not starvation. Small grilled chicken salad, indeed. The only thing stronger than cult brainwashing was diet industry brainwashing.)

When Dani was safely out of earshot, Sue lowered her voice and asked, "'Goldie'?"

"My captors decided to keep my identity secret so an angry mob won't execute me before they get the chance," Bill said. "The entire town's against the All-Seeing Eye named Bill; but only a handful know there's anything unusual about the handsome human in the Mystery Shack they've been calling Goldie."

She looked taken aback at the angry mob comment. "The entire town's against you?" Her gaze roved around the Triple Digit Truck Stop, taking in a lone trucker several tables away and a bored waiter scrolling on his phone behind the counter. "Is there anyone we can trust?"

"Gideon's on our side, of course—good kid—but, well... he isn't completely reliable. You know what happens with child celebrities. The fame and fortune spoils 'em a bit."

"I never would have guessed from his television appearances. He seems so... gracious."

Bill choked back a laugh. "He'll grow up all right—he's just going through a phase. But I'd rather not trust him with more involvement than necessary until he... matures a little."

"I understand." Sue sighed. "It's too bad the dawn of the new age didn't begin closer to us, where we could have assisted your work."

She didn't have the guts to question her god, but Bill heard the implicit question: why here? Why in some tiny tourist town that didn't even like tourists, buried in a forest in the middle of nowhere, amongst the ignorant ungrateful masses? "Yeah—too bad," Bill agreed with a shrug. "But hey, I didn't choose where the veil between worlds would be thinnest! There's energy in this town like nowhere else on your planet. It's the only place where a machine built with modern human technology is strong enough to punch through dimensions—and that's with the help of extraterrestrial equipment."

Besides, he didn't like Death Valley.

Dani returned from the kitchen. "One chicken salad, and one breakfast combo with the pancakes of the month."

"Great! I'm starving." Bill picked up the little plastic cup of salsa and dumped it into his shake. Sue choked on her water.

Dani's brows shot up. "Is—is that good?"

"What can I say, I've got the palate of an alien." (Sue choked on the sip she'd taken to recover from her first sip of water.) Bill poured the bleu cheese over his eggs, then started drizzling hot sauce on his pancakes. "Anyway, it keeps people from stealing my food."

"I guess so!" Dani laughed. She hovered near their table a little too long; and then she said, "Okay, I've got to ask: how did you know where to find buried treasure? I mean...!"

"I know lots of things." He fought down a smirk. "I happen to be psychic."

"No way." But she looked curious. She wanted to believe.

Bill had had a hunch that giving her that treasure would pay off. Nice to know his understanding of human nature was still sharp, even when he couldn't double-check the far future to see how his meddling would turn out. "If I wasn't psychic, would I have known your last name? Or where that treasure chest was?" he asked. "Or that you keep three pictures of tarantulas and a Canadian twenty in your wallet? Or that you have recurring dreams of trying to hide in sewer manholes from a fire-breathing dragon?" While he waited for her to process that, he triumphantly dug into his pancakes. He had a feeling he wouldn't be eating much more before his food got cold.

Dani's smile had disappeared. The blood drained from her face. "How...?"

"I'm... let's say, connected to a higher plain. I can see dimensions most humans can't."

"It's true," Sue piped up. (Bill took the opportunity to dig into an egg. Oh, the bleu cheese was a great choice.) "The insights h—she's offered me and so many others have been... life-changing. World-changing." Good girl.

"Insights?" Dani asked weakly.

Bill shrugged modestly. "You could call me a 'spiritual teacher,' I suppose, but that makes it sound like I'm preaching some kind of religion! All I do is teach people what I know and tell people what I see if I think it'll help 'em. Like if I see a bunch of buried gold that could change the life of a nice kid working minimum wage."

Dani reflexively touched one of her necklaces.

"You didn't think going to parties in togas was my full-time job, did you?" Bill laughed.

Dani laughed feebly too. She hadn't moved away. She was closer now, her thigh leaning against the edge of the table. "That's... wow. I've never met an actual psychic before. I mean—I went to one of Lil Gideon's live shows, but that was before the big scandal and his arrest."

"You hate to see a pillar of the community go down like that, don't you?"

"What..." Dani swallowed hard, lowered her voice, and asked, "What kinds of things does a psychic 'teach'?"

Got her. "It depends! Everyone's got different lessons they need to learn, right?" He slid out of his seat, nodded toward Sue, and said, "Excuse me ladies—I'd love to elaborate, but I'm afraid I need to hit the restroom. Sue, why don't you tell her what you've learned about, give her a concrete idea of what I do."

"It would be my honor."

As Bill passed Sue, he leaned over and whispered, "Don't mention triangles." And then he got out of her way, to let Sue do what his Death Valley girls did best.

####

When he returned to his seat, Sue leaned over the table and murmured, "I got her phone number and email."

"Good work. I bet she'd be an easy recruit."

"I bet. She's already asking how much lessons cost."

"What'd you say?"

"You offer your help to others for free, but cover your living expenses and travel costs with donations."

"Attagirl." It had been easier to use that line when he was a triangle—of course our great mentor and muse doesn't need money, he's above such earthly concerns; his mortal devotees who spread his word, though, subsist on donations... It was better for his image. They'd just have to modify their fundraising pitch for a while. "This is exactly what I hoped would happen when I invited you to this diner. I knew you wouldn't let me down."

The ghost of a smile flitted across Sue's face. "I'll follow up with her by phone. It's a pity we don't have enough time to really put the pressure on her in person."

"Why not? I bet we'd win her over in less than a week."

"I've already contacted the main compound in Death Valley. We've got plane tickets for first thing in the morning."

(Bill's blood ran cold. Somehow, it hadn't dawned on him until that moment that escaping Gravity Falls meant leaving Gravity Falls.)

"I have a motel room a few towns over, it was the closest I could find to Gravity Falls," Sue went on. "It's a straight shot to the Portland airport in the morning. Everyone's so excited—"

"Hold on," Bill said, figuring out what he was about to say next as he went. "There's been a last minute change of plans. I'm staying in Gravity Falls."

Sue stared at him. "But—my lord! You're a prisoner here, why wouldn't you come home to the people who love you?"

Love you, love you, love you. The word love alone was nearly enough to make him change his mind again. How he missed being revered. He could picture them now, these zealots who adored him so much they'd willingly bend their bodies into a throne to lift him up—and he didn't even need to turn them to stone first. It would be so easy to get away from all his human enemies forever...

Don't you wanna be in the shack with your only friend on Earth?

He shook his head. "Two reasons," he said. "One: no matter what, eventually I'll have to come back. The Age of the Triangle can only dawn in Gravity Falls. Staying makes it that much easier to get things started again. And two... I'm—working on a couple of potential recruits." He was? Wow. He was impressed at himself.

"You mean Gideon, or...?"

"No, others. One's the girl who helped me escape." He drummed his fingers on the table, calling attention to his purple fingernails. "She's a good kid. Lots of potential. Could be a real leader someday—she's a natural fit for our new world. She's got a few strings, but I'm working on helping her untie 'em."

Strings was a term that Mary, the leader of the Death Valley compound, had come up with and spread to the other girls: it meant petty mortal concerns that could tangle and tie you up, dragging you away from pursuing true spiritual growth and preparing for a better, liberated world. Your childhood religious beliefs were a string. The misguided ideas about morality you learned from the secular world were a string. Your job was a string. Your spouse was a string. Your family was a lot of strings. The intervention where your friends sat you down and told you they were worried about how much you'd changed lately and they were afraid you'd joined some kind of cult was a string. You had to cut them all.

And then Bill could tie on his puppet strings in their place.

"How old is she?"

"Thirteen. Fourteen at the end of the summer."

"Oh, wow—younger than I thought. That's great, kids are more open-minded," Sue said. "Though if she decides to join, it'll be hard to get her away from her family without a kidnapping charge..."

"Ugh, you don't need to remind me. I remember how we almost lost Karen and Jennifer. The legal system in this country is a mess." Bill had needed to torture that divorce court judge with nightmares for weeks before he caved and awarded Jennifer's mother sole custody so they could move to the Death Valley compound together. "But hey, got some good news: the other potential recruit. You remember the 'ex-cultist' who gave you gals my location. He turned on the humans who are pushing to execute me. He's almost back on our side. And he just so happens to be the girl's great-uncle. The family trusts him. If we can get 'em to pass her to him as her guardian, then she's ours. We can work out how to get her to the compound later." That was a lie. Bill was never handing Mabel to the Death Valley girls. She was better than them.

Sue looked less enthusiastic for this ex-cultist than she had for the girl. "Is he one of your captors...?"

Bill waved off her concerns, frowning. "Look. He's obviously been corrupted by the outside world. I lost contact with him for thirty years and he came back with more strings than a mop head. But I don't think he's beyond purification. He's already shown major improvement, now that he's once again under the shining light of my influence."

"But, this town..." Sue shook her head doubtfully. "Cipher, my lord, they nearly killed you once. You'd risk staying just to try to recruit two people? One who's already betrayed you—?"

"Yes!" Bill snapped. Sue flinched. "They're worth it." (He didn't question his own vehemence, his own anger at their value being doubted. He rarely questioned himself. If he asked questions, he might get answers.) "Don't you dare let this face fool you—I'm still your all-seeing god and I know what I'm doing better than you do. These two are perfect. The Age of the Triangle needs them. The traitor will repent. He WILL worship me again."

Sue stared at him with wide eyes; for a split second her breath froze in fear. She gave him a tiny nod. "Of course, my lord. My apologies."

Dani appeared at their table again. "Hey, how was everything?"

And Bill was immediately all good cheer. "Terrific, thanks!"

"Great!"

As Sue reached for her wallet, Dani waved her off. "Oh, don't worry about it—it's on the house." She winked. "I think I can afford to cover it."

Already making donations to the cause. Pretty soon all the profits from her treasure chest would be in one of Bill's bank accounts.

As they headed back out into the rain, Sue said, "So, we're staying in town at least long enough to pick up another three recruits?"

"Maybe four," Bill said. "There's another kid in town I think needs some help finding a direction."

"Another? Is this one old enough to leave home alone?"

"Not for a couple more years—but she's dying to get out just as fast as she can," Bill said. "I think you can handle her."

####

They parked just up the road from the Mystery Shack and turned the headlights off.

"Here's everything Gideon said you wanted," Sue said, handing over a paper bag. "Candles, matchbook, knife, pens, spare notebooks, five thousand dollars, a burner phone, new clothes..."

Bill pulled out a flashy golden sequin-covered coat. "Oooh!" He dug around until he also found a button-up shirt and a pair of black opera gloves. He shrugged on the shirt.

"That's... what Gideon said you requested, right?" Sue eyed the tacky, gaudy coat uncertainly.

"As long as I'm in this body, I don't have the benefit of showing up glowing in people's dreams when I have something they need to hear! I need to make them pay attention any way I can." Also, normal people had boring tastes and sequins were fantastic. He buttoned up the shirt.

"I also brought—I—thought you might want..." She held out a large pendant on a thin chain. It was an eye inscribed inside a triangle inscribed inside a circle; rays radiated out from the eye, as though it were the sun. Bill's heart leaped into his throat at the sight of it.

He realized this was the first time since his death that he'd seen his own face in any form other than a thirteen-year-old's artwork—and his own corpse. His face was ubiquitous on this planet; it was plastered on everything from money to buildings to common consumer goods. Its conspicuous absence in Gravity Falls was uncanny.

"I'm not sure if it's inappropriate—"

"It's perfect." Bill snatched the necklace from her and fiddled with the clasp until he got it on. "Exactly what I need. What did I always say about your intuition?" He considered the gloves, decided he wasn't ready to pull them on quite yet, and shrugged on the coat instead.

She restrained a pleased smile at the flattery. "Thank you, my lord."

She looked out the windshield. Just up the road was a flock of wooden signs and arrows pointing which way to turn to reach the Mystery Shack. Bill wondered whether Sue's eyes had adjusted enough to the dark that she could see their silhouettes. Sue said, "If you're not coming back to us yet, then I suppose it's time to..."

"Hold on a minute," Bill said. "You've been a bigger help tonight than you know. If it weren't for your loyalty and diligence, I wouldn't have been able to consider escaping." Blah blah blah. The truth was he'd been soaking in her reverence for the past hour and a half, like a dehydrated cactus under a cloudburst, and he wasn't leaving until he'd sucked every drop from her. "There isn't a lot I can do for you right now, trapped in this form, but you deserve a reward." He leaned toward her, his elbow against her car seat, hand on the headrest. "Let me express my gratitude the way I would have if we hadn't been interrupted during our last meeting." He tilted his head toward the back seat.

She froze as she processed the offer; and then she leaned in to kiss him hungrily.

####

"The tide's changing in this town," Bill said, pulling on his gloves, smoothing his hair back into place, putting his new coat back on. "The dawn is coming. You should stay in town now that our enemies are losing their teeth."

"Yes, Lord Cipher," she said breathlessly, still trying to get her wits about her.

(From what Bill had eavesdropped between her and Dani while he was pretending to be in the restroom, he was right that she'd been one of his "dissatisfied housewife" converts. This was probably the first time she'd ever been touched by somebody who understood anatomy. Unfortunately, she didn't know how to return the favor. But he'd been touched by reverent hands, he'd tasted tears, he'd heard a voice whine "Bill, my god, my god, my god—" That would have to hold him for a while.)

"And ditch the rental. Buy a used car," Bill said. "There's a place in town called Gleeful Auto Sales. Ask Bud for the best car on the lot, pay whatever he asks—and tell him Mr. Locke sent you."

"'Gleeful' as in...?"

"His father. My Star Boy was the only person in town who supported me—and the town's turned on his family for it. They could use our help."

Sue pursed her lips in displeasure. "Of course."

Bill gestured toward his door. "I think we've put this off long enough."

While he waited for her to get his door, he slung his two backpacks over each shoulder. Under his breath, he muttered, "'Coffee break's over; back on your heads.'"

Sue opened the door; he picked up his umbrella and stepped out into the rain.

As he walked back to his prison, he tucked his necklace beneath his shirt.

Bill reminded himself that he didn't have anything to be afraid of. Ford had thrown away the one shot that could have killed him. He was safe.

####

1:20 a.m.

As Stan followed Ford into his underground study, he shot a glance at the barren far end of the room. He grumbled, "Nice to see you haven't started putting triangle posters back up."

"I'm not..." Ford sighed in irritation. "Never mind."

"So what's so important that you had to drag me down to your nerd cave? If this isn't good—"

"I didn't waste our shot."

"What?"

At his metal worktable, Ford unlatched the Quantum Destabilizer's carrying case and opened it. "You said I wasted the only fuel we had. I didn't." He detached the NowUSeeitNowUDontium's fuel tank and held it out. The needle on the side indicated it was about a quarter full—nowhere near its full capacity, but enough for one shot, and just as much as they'd brought home from Fiddleford's.

Stan gaped. "But... hold on—we saw that shot through the walls. How the heck did you fake...?"

"Before he started developing a process to generate Dontium, Fiddleford came up with a power adaptor that could plug into the town's electricity." Ford picked up the power cord wound up in the carrying case. "He determined that it only gave the Destabilizer enough power to operate like a laser, not destroy matter and energy, so we still needed to develop the Dontium... but, I still had the cord on hand."

####

Saturday, 12:07 p.m.

Ford looked at the dummy. Looked at the note.

And then he lay the note on the dummy, knelt by the edge of the loft, opened his case, and removed the Quantum Destabilizer.

He slid out its fuel tank, returned it to the case, and pulled out the cord.

He climbed down to the bedroom; unplugged the room's air conditioning unit from its dedicated higher voltage wall socket; and plugged in the Quantum Destabilizer's cord.

In the loft, trying to figure out how to plug the other end of the cord into the Quantum Destabilizer, he was suddenly struck by the hair-raising feeling that someone was watching him. He whipped around; the eye on Bill's hood stared at him resentfully.

Ford stared back at it a moment; then he stood, pulled the hoodie off the dummy, and stuffed it into a nearby box.

He knelt. He plugged in the cable. He carefully lined up the shot with the dummy.

He fired.

####

12:09 p.m.

The atmosphere abruptly grew eerily quiet and still as the unplugged air conditioning unit fell silent. There was a shrill, whistling shriek and a blast of blue-white light so brilliant it pierced the cracks of the wooden boards in the attic bedroom's walls.

Every light in the house went out as the Quantum Destabilizer's power adapter drained every drop of electricity in town.

####

12:10 p.m.

The air was hot, stagnant, and stuffy. There was a pile of ashes three feet in front of Ford's knees.

Ford heard Dipper and Stan come into the bedroom and climb the ladder. He was seized by an urge to sweep away the ashes and the evidence of his trick before they could realize what he'd done:

The Quantum Destabilizer, at full power, completely destroyed all matter and energy.

It didn't leave behind ashes.

####

Monday, 1:23 a.m.

Ford said, "Bill left a letter in the attic asking me to help cover his getaway. If I didn't fire the gun, Bill would have known I'd told you he escaped. But if he could see the Quantum Destabilizer firing, he'd think I'd chosen his side. The only way to lure him back to the shack was by making him think I'd used up the only substance we have that could destroy him." He muttered, "Granted, I'd assumed he'd try to contact me secretly rather than knock on the door in the middle of the night, but..."

Stan gaped at Ford. Then he burst into loud laughter. "Sixer, you tricky sonova! I don't believe it!" He socked his arm. "I oughta retire from the conning business and hand it over to you!"

A smile slowly crept up Ford's face.

Stan pointed with his thumb over his shoulder at the elevator. "So we can go up there and finish him off now, right? Just wait for him to fall asleep, and...?"

Ford's smile disappeared. "No."

"N—What do you mean, 'no'?"

"I..." He took a deep breath as he chose his words. "I was serious, earlier, when I... said I want to give him a chance."

"Wh—? Still? Ford, come on, you can't think he deserves it?"

"No. Of course not. Not even close." Ford didn't hesitate. "But... does he need to deserve a chance to get one? I wonder if maybe Mabel's on to something. If he could be better, he can't show us unless we give him the second chance—before he's earned it." He sounded like a lunatic. "He can't earn it if he's dead."

Stan looked for a moment like he wanted to argue; and then something painful flashed through his eyes; and then he looked away from Ford, scowling to himself as he thought. He sighed heavily. "Yeah. Okay. Fine. Darn it, I don't wanna do it either. The creep's actually starting to grow on me. Like some kind of foot fungus."

Ford huffed. "What's important is, if we give him a chance and he throws it away, I haven't left us unarmed." He gestured to the unplugged fuel tank.

Stan looked at the tank; then looked at Ford. "You could've told us about the power cord trick yesterday, and you didn't." Stan crossed his arms. "Be honest. Do you really think, if it came down to it, you'd be able to pull the trigger now?"

"No." And again Ford didn't hesitate. "I want to believe I could; but I... don't trust myself. Yesterday morning, I never would have thought I'd decide against executing him for any reason. I know Bill's playing games with me, and yet I'm still playing along—so what else might I do?" He shrugged helplessly. He hated that Bill could still take control of his mind—even when he couldn't physically get inside it. "To some extent, he's gotten into all our heads."

Stan grimaced, but he didn't argue.

"That's why I think Fiddleford should keep the Quantum Destabilizer. He's never been taken in by Bill's tricks. If it becomes necessary, he won't hesitate."

"You know the situation's bad when Old Man McGucket's the voice of reason," Stan muttered. "But, I like that idea.  We can drop it off with him in the morning."

Ford sighed. "He's probably spent the last two days thinking Bill's dead. He won't be happy to see us."

As they walked back to the elevator, Stan said, "Maybe leaving Bill alive isn't an end-of-the-world bad idea. How much trouble can he get in when he can't escape that magic barrier around town?"

"That's true," Ford said. "He's essentially harmless—at least to the rest of the universe."

Ford didn't have anything to be afraid of. Bill was trapped in the weirdness barrier; and he couldn't even leave the shack without help. They were safe.

####

As fancy as his new coat looked, Bill was was grateful to crawl back into the comfortingly formless body-obscuring shelter of his hoodie. He pulled his hood over his face, curled up on his usual cushions (sigh) in his usual spot (sigh), and quickly fell asleep.

And began to dream.

And, in his dream, saw through his nearby eyes.

In his sleep, he could see the attic from where he lay on his cushions. He sat up, realized his vision was crooked, straightened out his hood, and stood; and he began sleepwalking.

He crept silently downstairs. He walked backwards into the gift shop. He walked up to a spinning rack of keychains that Soos had set up on the display case, took off his necklace, and hung it from one of the hooks.

He pulled aside the curtain hiding the ladder to the roof.

Bill was very good at lying. Bill was very good at lying to himself. No, that wasn't true—Bill had never lied to himself in his life, and he was willing to kill anyone who tried to say he had. Bill didn't tell himself lies; he told himself what should be the truth. Believing in a new reality was the first step toward making it real. All you had to do was lie until you weren't lying anymore—and then, you'd never lied at all. It was very simple.

He'd spent billions of years swimming in and out of dreams, until he was more comfortable with how reality worked in dreams than he was with how reality worked in actual reality; and there was no other state of existence where the line between truth and lie was blurriest. Unlike the physical world, where altering reality tended to require a little more actual work, in a dream, lying until it came true really was as simple as thinking about your new truth.

That was all it took. One bright, lucid thought to shine order through the confused fog of the subconscious.

Bill was getting good at lucid dreaming.

Bill was dreaming now.

A couple of weeks ago, Bill had heard Wendy called the trap doors in the ceiling "roof lids."

No, that wasn't true. A couple of weeks ago, Bill had heard Wendy call the roof lids "roof lids," because that was what they were. Bill couldn't open doors, didn't have the first idea of what to do with a door, but he could open lids. Jar lids. Pot lids. Toilet lids. He'd practiced with toilet lids—they had hinges, that made them the most similar to roof lids. If he could open all those lids, he could open these lids.

As he stared, the trap doors changed, in the way that dream images had of swimming and shifting dizzily before your eyes, into roof lids.

He climbed the ladder, pushed up the roof lid, climbed through; and then opened the second one that led onto the roof. He moved so silently. The rickety rungs and old wooden boards didn't even creak beneath his footsteps. He climbed out, sleepwalked his way to the roof hangout spot, and jumped off the roof.

He descended, slow as a feather, to land lightly on the ground, as though gravity hardly touched him.

Almost a month ago, on his birthday, Stan had taken off his gold chain and chucked it off into the forest so he could put on his birthday gift instead. Bill had watched enviously from the window. Now, triumphantly, he scooped up the long-coveted chain and wrapped it several times around his wrist.

And then he went to the tree where he'd hung up his second backpack full of contraband and retrieved it.

There were several pine trees right next to the shack. As near-weightless as Bill was in his dream, it was easy for him to climb one of the trees and get back on the roof.

In the gift shop, the vending machine swung open as Stan and Ford returned to the house level. They went into the living room, heading toward bed. The All-Seeing Eye hanging on the keychain rack watched as the door swung shut behind them. After waiting a few more seconds to ensure they were gone, Bill slid down onto the ladder, shut the roof lid, and jumped noiselessly to the floor. He retrieved his necklace from the keychain rack.

This was a vending machine. It wasn't a door. It clearly wasn't a door. Bill punched in the vending machine's code and stepped back as it swung aside for him. He crept down the stairs.

This was an elevator. The elevator had doors, and he didn't know how to open them, but he wasn't worrying about those. The doors would sort themselves out somehow. All he cared about was the elevator. He was NOT trying to open the doors. He wasn't even thinking about opening the doors. He pushed the button to call the elevator.

The elevator doors slid open. See, just like he'd thought: the doors took care of themselves.

He pushed the button for the lowest floor. The doors slid shut.

As he rode down, he wove his new necklace's thin chain between the links of Stan's much thicker chain. Oh yeah. That looked much better. 

The doors opened again into the interdimensional portal's control room.

He put on his necklace and stepped out. It was about time he made it back here. Bill really should have taken more time to check this place out at the start of summer. Why had he been in such a rush to kill the Pines? He'd had time travel. He could have rebuilt the entire portal by himself, won the lotto in Texas, spent a week in a seven star hotel, watched the Titanic sink, become President Trembley's First Lady, gotten Mysterious Mo's autograph, planted a NASA rocket in an Aztec temple just to give those ancient alien morons an undeserved but funny win, and then come back to finish the job.

Well, hindsight, whatever. At least he had a list of things to do if he ever got his hands on that time tape again. Anyway, he was back now.

He didn't think he'd need to be asleep to get back into the gift shop, and he probably needed his full brain turned on for the task ahead. He pulled his hood off, opened his eyes, and woke up.

The world looked so much less malleable.

He fished a notebook and red and black pens from his backpack, picked his way through the rubble of the portal, and began taking notes in Plaintext on how many parts were salvageable. Every few minutes, he flipped a page forward to begin work on blueprints for a new portal.

####

(And that concludes... season 1. idk out of how many seasons, but it sure feels like a season finale, don't it?

Next week's The Book Of Bill y'all! I'll be posting a chapter, but which chapter depends on TBOB. If TBOB is either compatible with the backstory I've got for Bill, or so wildly incompatible that there's no way I can reconcile my backstory so don't bother trying, I'll be posting a flashback chapter! But if TBOB is compatible enough that i MIGHT be able to reconcile it with my backstory with a lot of editing, I'll be posting the first chapter of "season 2" to give me time to edit the flashback. We'll find out next Tuesday!

In the meantime, a whole lot happened in this chapter, and I can't wait to hear what y'all think—about this chapter, about everything that's happened so far, about what's coming up, whatever!)

[obsidiangx]

cyberpunk at its core is about speculative dystopia. fantastical developments that should benefit society but exist in a system fundamentally designed to beat people down. alluring transhumanism imprisoned by money, class, and other axes of oppression. it's about the real world issue of new and exciting technology corrupted by the world that produces it.

armored core stands out against the common war stories in mecha. it's about gig workers risking their lives thanklessly to kill poor people just to survive and get ahead. even while the entire system around them crumbles

dorohedoro is a story about a stratified society where incredible magic that could be shared to benefit others is used in petty arguments and 'experiments' on those treated as subhuman. it's about how hierarchy creates struggle for everyone, but the blood and tears always runs down to the bottom.

i do love the basic cyberpunk aesthetic. the edgerunners kind, the blade runner kind, like ghost in the shell and gunnm. sci-fi, cybernetics, robots and cities are dear to me. but when you put on the skin of a dystopian genre without knowing what the bones look like, you make something that isn't just bad. it's insulting.

i live here. i know how it goes. the robot dogs are cops and my smartphone was obsolete when i bought it. the air quality is garbage and my health is a mess because my government treats corporations more like people than me, even though we can magically cure or prevent almost any ailment. there are more vacant houses than homeless people. it's theft to take food out of the garbage.

cyberpunk is a city full of vacant buildings and streets full of poor people. it's a raspberry pi duct taped to a cybernetic arm to intercept advertisements before they reach your brain. it's a gig economy that forces you to work overtime just to get paid enough to eat. isn't it frustrating? isn't it frustrating that we have to live like this? flying cars, body augments, virtual reality, and we still live like this.