#but this is like genuinely hilarious to me as an american

[settsplitt]

Hey did you guys know Logan Sargeant's billionaire war profiteer uncle was like directly involved in that whole Ukraine thing that got Trump impeached the first time

[phantompeaches]

Went to watch ATSV and I am INSANE about it. Hobbies Brown you have my HEART.

[majorxmaggiexboy]

me when it’s time for cough syrup 

[sleepydrabbles]

As someone who has gone to Japan multiple times I can say there is no greater joy than accidentally swearing in front of a new friend your age, asking in true embarrassment if they’ve heard that before, and listening to them list out enough swear words to shame a lizard’s god because enough foreigners just assume they’re not listening when they swear in the streets. I have now bonded with multiple people over the word ‘fuck’. It’s great.

[wrishwrosh]

hey, i find your posts about historical fiction pretty interesting, do you have any recs?

anon this is the most beautiful and validating ask i have ever received. absolutely of COURSE I have recs. not gonna be a lot of deep cuts on this list but i love all of these books and occasionally books do receive awards and acclaim because they are good. in no particular order:

the cromwell trilogy by hilary mantel. of course i gotta start with the og. it’s 40 million pages on the tudor court and the english reformation and it will fundamentally change you as a person and a reader

(sub rec: the giant, o’brien by hilary mantel. in many ways a much shorter thematic companion to the cromwell trilogy imo. about stories and death and embodiment and the historical record and 18th century ireland. if you loved the trilogy, read this to experience hils playing with her own theories about historical fiction. if you are intimidated by the trilogy, read this first to get a taste of her prose style and her approach to the genre. either way please read all four novels ok thanks)

lincoln in the bardo by george saunders. the book that got me back into historical fiction as an adult. american history as narrated by a bunch of weird ghosts and abraham lincoln. chaotic and lovely and morbid.

the everlasting by katy simpson smith. rome through the ages as seen by a medici princess, a gay death-obsessed monk, and an early christian martyr. really historically grounded writing about religion and power, and also narrated with interjections from god’s ex boyfriend satan. smith is a trained historian and her prose slaps

(sub rec: free men by katy simpson smith. only a sub rec bc i read it a long time ago and my memory of it is imperfect but i loved it in 2017ish. about three men in the woods in the post revolutionary american south and by virtue of being about masculinity is actually about women. smith did her phd in antebellum southern femininity and motherhood iirc so this book is LOCKED IN to those perspectives)

a mercy by toni morrison. explores the dissolution of a household in 17th century new york. very different place and time than a lot of morrison’s bigger novels but just as mean and beautiful

(sub rec: beloved by toni morrison. a sub rec bc im pretty sure everyone has already read beloved but perhaps consider reading it again? histfic ghost story abt how the past is always here and will never go away and loves you and hates you and is trying to kill you)

an artist of the floating world by kazuo ishiguro. my bestie sir kazuo likes to explore the past through characters who, for one reason or another (amnesia, dementia, being a little baby robot who was just born yesterday, etc), are unable to fully comprehend their surroundings. this one is about post-wwii japan as understood by an elderly supporter of the imperial regime

(sub rec: remains of the day by kazuo ishiguro. same conceit as above except this time the elderly collaborator is incapable of reckoning with the slow collapse of the system that sheltered him due to britishness.)

the pull of the stars by emma donoghue. donoghue is a strong researcher and all of her novels are super grounded in their place and time without getting so caught up in it they turn into textbooks. i picked this one bc it is a wwi lesbian love story about childbirth that made me cry so hard i almost threw up on a plane but i recommend all her histfic published after 2010. before that she was still finding her stride.

days without end by sebastian barry. this one is hard to read and to rec bc it is about the us army’s policy of genocide against native americans in the 19th century west as told by an irish cavalry soldier. it is grim and violent and miserable and also so beautiful it makes me cry about every three pages. first time i read it i was genuinely inconsolable for two days afterwards.

this post is long as hell so HONORABLE MENTIONS: the amazing adventures of kavalier & clay by michael chabon, the western wind by samantha harvey, golden hill by frances spufford, barkskins by annie proulx, postcards by annie proulx, most things annie proulx has written but i feel like i talk about her too much, the view from castle rock by alice munro, the name of the rose by umberto eco, tracks by louise erdrich

[vaguesxrrow]

can u plsss write one about charles with an american reader? like the inspo is the olivia rodrigo song so american lol. like maybe him making fun of her accent and her doing the and back and like the differences between the two cultures?

ACTUALLY INSANEEE bc right before seeing this i was singing that song in my head (i dont listen to olivia but i probably should tbh). alsoo i wasn't sure if you wanted a fic or hcs, so i kind of made a 2 in 1. hope you dont mind! xx

a/n: im not american nor british and ive never been to the usa or the uk... so excuse any inaccuracies pleaseee

tags: g!n reader, american!reader, alive!reader

you shivered and exhaled sharply, your breath misting out in front of you. the moment you stepped outside, you knew you should have piled on more layers, but edwin had been eager in whisking everyone out the door to carry out an investigation for your current case.

you burrowed closer to charles. obviously, he couldn't provide any real body heat, but being near him was a boost in morale to keep going despite the temperature.

"alright?" he asked, putting an arm across your shoulders.

"i should've put on more layers," you grumbled.

charles laughed as he kissed the top of your head. "you can have my jacket."

shaking your head, you declined. "it's fine, it's not that cold. and besides, i wouldn't want to strip you of your british glory and your british coat."

charles snorted. "so it's my british glory, now? who was the one making fun of my accent literally just yesterday?"

"litch-rally," you parroted, grinning. "why is it that all your t's turn into ch's?"

"hey, you're one to talk - what is it you were ordering at the restaurant yesterday? a glass of wa-der, was it?"

"bite me, charles."

he raised his jacket up and engulfed you with it in a bear hug. you shrieked with laughter and wriggled in his hold, but didn't protest when he demanded you hold your arms out so he could put the jacket on you.

"what are you, a soccer player? i thought i was your [boy/girlfriend/partner], not your competition," you teased.

"soccer?" he mocked, outraged. "soccer? it's football, mate."

"mate?" you scoffed incredulously, although you were smiling. "way to friendzone me after months of dating."

"oh, come on, you know you could never get rid of me." charles pulled you in again, this time by your hand. "and for the record, you look cute wearing my clothes."

a few beats of silence, in which you two looked at each other with similar expressions of fondness and exasperation.

"yeah, okay, now get away from me, you victorian fossil." you shoved him playfully, and sprinted away to catch up with the other three. niko waved you over, giggling at charles, who was jogging to keep up.

"victorian fossil? i grew up in the 80s!" he exclaimed. "you know this!"

⌦ ---

- you do know very well that charles grew up in the 80s - you frequently ask him what it was like back then, because naturally, you'd take an interest in your boyfriend's life

- however, charles loves how you're genuinely interested, and get how watching times change can feel a bit lonely for him sometimes

- you're a great listener when it comes to this (which you think you should be greatly accredited for; charles' good looks can be very distracting at times)

- imagine: you and charles in your room as he looks around, inspecting the decor you have on display as he rambles about life in the 80s

- he tells you about a huge movie premiere he went to:

- charles: "get this, right - a ridiculously long line outside the movie theatre. the weather is absolutely miserable, and so are the people. no one's talking at all. i think everyone was just hungry - i saw this lady have tea delivered.

- you: 'i keep forgetting you have stuff like tea times. and did everyone really have the patience to wait for that long, in silence?'

- charles, with a fake american accent: yeah, dude. in silence.

- you throw a pillow at him.

- you also like telling hilariously bad jokes relating to his accent

- you: psst. charles.

- he turns towards you, already expecting another jab at his british-ness

- you: what day do british people eat the most?

- charles, in a deadpan: what day.

- you: chewsday, innit-

- he yells 'NOPE' and walks through the wall, leaving you to wheeze-laugh on your own

[bestanimatedmovie]

Choose your favorite!

Vote in the other polls!

What fans say:

Spirit: Stallion of the Cimarron:

I was a Horse Girl TM, so I watched this movie a million times as a kid. It's honestly the best horse animation I've ever seen, all the backgrounds are gorgeous, and the soundtrack is incredible. Also the plot is anti-colonial/anti "taming of the west". Genuinely cannot pick a favorite scene, but I love the scene where Spirit commits many acts of violence against the US military <3

horsie :) I love how they use actual horse body language instead of just turning them into a dog. Also enjoy how the protags are easily understandable with just body language and neighs. Also the 2d and 3d animation blend seamless.

I cannot begin to tell you what makes this movie so good. It's a corner stone of animated media. The societal commentary. The incredible emotion of not only the story but the animation. The songs. Sound the Bugle makes me cry every time.

This movie was a key part of my childhood and “Sound the Bugle” still makes me tear up.

This is like the greatest horse movie of all time and I will not change my mind. I watched this movie so many times as a kid that both the VHS and first cd I had for it got ruined and we had to replace it with another cd LOL. I once convinced my teacher to let us watch it in class because it had a few scenes with Native Americans and we were learning about them at the time(It's about the old west and the expansion of the United States westward so it has some Native American characters but def not enough to make it a Native American film, but it does have positive representation I think?) The main character is the horse Spirit, a lead stallion for a herd of mustangs. His thoughts are narrated but he doesn't actively talk and the horse behaviors are pretty realistic, also the ART of it all, James Baxter was one of the lead animators for this film and his work is incredible, and hand done. Some of the behind the scenes stuff in the extras makes the animation look 3d its so good, and the camera work is also insane. As a horse obsessed child this movie was a staple for me, and I prefer it even over live action movies with actual horses. ALSO THE SOUNDTRACK OH MY GODDD how can I almost forget, the soundtrack for this movie goes so hard, I used to use some of the songs as hype music not even lying.

The Mitchells vs. the Machines:

It’s in its core about family, how we can drift and argue. Not because of one true fault, but because we are different. It shows how being weird and different don’t make you less of a family while not demonizing people who do have more stereotypical ‘perfect’ families. I think it portrays our humanity and the way we bond and what we do for those we love, what we sacrifice, so well. It’s so funny and so sweet.

It's funny and the family is neurodivergent and it's just really nice v good time it looks like anti technology at first but its clearly more of a criticism on capitalism I just really like that movie its pretty to look at.

It's funky!!! hang on, bullet point list time: - has such a unique and expressive animation style - has a lot of pop culture references that don't really feel overbearing - has honestly one of the best family dynamics in a movie I've seen???? - realistic characters!!! with realistic and interesting character arcs!!! - absolutely hilarious. makes me laugh every time i watch it :) - comedic villain! gotta love me one of those. also she's badass for a smartphone so - tHERE ARE FURBIES - basically it's very chaotic but also heartwarming, and it's honestly my favourite movie :D

Heartwarming story about family! Also kickass animation

Very good stylized animation. Well written and designed characters. Super funny and sooo heart warming. Fucking rad action scenes (again the animation is fantastic). The story comes together well, it's just quite well written. + Protective dad character who's not annoying as hell (that's rare!). I love every part of when they're at the dinosaur museum thing.

[eyeofnewtblog]

Things that happen at home:

So, me and my husband had to put down Noni cat last weekend, but her funeral was this weekend (basically because dad and middle sister couldn’t make it) but my dad brought the ingredients for her concrete slab tombstone and Middle Sister brought hugs and flowers.

It was a nice afternoon. We dug the grave in a nice spot in the front yard where I’d planted some irises that my grandparents gave me a few years ago, my dad micromanaged the mixing of concrete (to be expected, he literally got his Ph. D. in concrete structural engineering) then we held hands and said a quick prayer and got lunch and talked about Noni a bit before we started making plans for American Thanksgiving.

My husband was a mechanic before all this surgery stuff happened, and he happened to have a really nice wooden Snap On box that was lying around, so that was the “coffin” and my mom brought extra shovels with different heads, so we got the box a good two feet down.

I did the writing on the concrete slab, which was harder than I remembered it being.

Dad was funny; he’s very dry, so you honestly can’t tell if he’s fucking with you sometimes, but he’s the person who knows the most about concrete. At this point in my relationship with him, I just do exactly what he instructs and wait for him to do his quiet snort thing to see if he’s actually fucking with me. 9 times out of 10 he just gives you very serious instructions, then corrects you to SEEM like he’s being a typical nitpicking engineer, when whatever you are doing doesn’t actually effect the outcome…and then just watches you quietly for his own amusement.

Anyway, based on certain science projects from middle school and high school, I do actually know that he was being serious about how to mist concrete, but I also am vaguely aware that the type of misting that he’s talking about is only genuinely important for concrete structures meant to support millions of tons of weight.

Am I still going to mist my 12”x12” concrete cat tombstone every hour for the next 24 hours and every six hours for the next 7 days?

Yes.

My daddy told me that’s what’s best for the concrete and therefore what’s best for my poor dead cat.

Even though I know he’s fucking with me. It’s done out of love and he will genuinely think it’s hilarious.

[eastgaysian]

brian cox saying on the official succession podcast that jesse armstrong decided halfway through s1 that logan was scottish instead of canadian is hilarious because 1) it gives me valid reason to say any assertion that greg is californian is bullshit 2) brian cox also said he was trying to do a canadian accent through s1 and that it wasn't very good 3) the 'placelessness' of logan/the roys is genuinely really interesting to me and logan's origin is something jesse just changed midway through the first season lol. i do feel like the sense of white usamerican placelessness is a little bit of a general british/european-perspective-on-americans thing though (?). logan being born in scotland adds to it but it's not the sole component, and it's all part of the broader lack of solid... identity signifiers? historicity? that the family suffers from. they are capital(ists) in their purest form with literally nothing else to act as their foundation

[frociaggine]

Books of the month!!!

(for the past 3 months) (forgot to do this for February and March so they're all here)

April

Bring Up the Bodies, Hilary Mantel — MORE blorbo Thomas Cromwell! Unreliable narrator tortured evil meow meow goes VROOM!! Genuinely hilarious on top of it. More thots. Fave read of 2024 so far. READ IT.

Dimenticare Berlinguer: La sinistra italiana e la tradizione comunista, Miriam Mafai — Essays on Italian political history. Probably not relevant to tumblr's interests. Very relevant to mine.

Mademoiselle de Maupin, Théophile Gautier — Gender! 1835s epistolary novel with Gender and crossdressing and musings on the value of Beauty! I loved this but it's rambly in a period-typical way. The Italian translation has very witty pretty prose; no idea about the original French, but I've heard the English translation isn't great.

The Angel of Indian Lake, Stephen Graham Jones — Third book of a trilogy. Do rec only if you love Jade Daniels as much as I do. Otherwise, it might get a bit confusing. I DO enthusiastically rec the first book in the trilogy, My Heart Is a Chainsaw, so you will all come to love Jade Daniels as much as I do. You're welcome.

The Manicurist's Daughter, Susan Lieu — A memoir about grief and families and the immigrant experience (Vietnam to west coast US). It's not usually my wheelhouse but I appreciated so many things about it, especially because of the audiobook version. Nonspoilery goodreads review here.

March

Bride, Ali Hazelwood — I don't like werewolf tropes enough to have enjoyed this. Fun romp if you like mates and knots.

We Wish to Inform You That Tomorrow We Will Be Killed with Our Families, Philip Gourevitch — Nonfiction; a partial account of the Rwandan genocide. (I say partial bc I think it lacks context if you, like me, don't know much about the topic going in.) Very poignant, unfortunately remains relevant; do NOT go for the audiobook version because it's dull as dirt.

Wolf Hall, Hilary Mantel — The book that blorbifies Thomas Cromwell and it's also laugh-out-loud funny. Do yourself a favour and read it.

February

Wuthering Heights, Emily Bronthe — somehow I'd never actually read this in English before? Absolute banger. The first half remains superior.

American Elsewhere, Robert Jackson Bennett — I have screamed about this on tumblr before. COSMIC HORRORS TAKE OVER NEW MEXICO TOWN! Do rec.

Rebecca, Daphne du Maurier — Amazing incredibly showstopping etc.

Clarkesworld, Issue 209 — Love me some cool sff short stories. Standouts: Lonely Ghosts (Meghan Feldman); The Enceladus South Pole Base Named after V.I. Lenin (Zohar Jacobs); Why Don't We Just Kill the Kid In the Omelas Hole (Isabel J Kim)

january books || let's be goodreads friends! here

[amarriageoftrueminds]

Stumbled upon an old post about what awful lines were said about Bucky in TFATWS and holy fuck it is horrific.

"Your overextented life"

"Before you were his pet psychopat"

"Big cyborg brain of yours"

"They cleared the bionic staring machine and he killed almost everybody he's met".

Don't get me started on removing Bucky's arm without his consent. You DON'T take away someone's limb, especially not as a punishment for "bad behavior."

And people honestly wonder why some of us had issues with how Bucky was treated in that show. I remember people accusing us of not liking Bucky's story because "we don't want trauma survivors to find happiness and healing". Like I'm sorry but just because he's smiling at the end of the show doesn't mean his arc was written well. As a trauma survivor myself I don't have high expectations when it comes to Hollywood but Bucky's recovery arc (if you can even call it that) has been among the worst depictions of trauma and healing from it I've seen in recent years.

(I'd appreciate a link to that post so I can reblog it please, Anon! I was wondering the other day how many horrible lines there would be, if you put them all together. 😬 Yikes.)

.

*warning: this is gunna be salty af cuz I've been binge-watching House and have his acerbic voice in my head.

You're right not to call it a recovery arc, Anon. Bucky has never had a recovery arc, because that requires acknowledging he has something to recover from.

TPTB refuse to, because they want to paint Bucky as generic Crossbones dudebro villain, who needs to 'do better' after being a mind-controlled slave, and deserves to be verbally and physically abused.

As demonstrated by supposedly 'good' character X treating him like crap (ha! so hilarious! boys will be boys!) and/or not standing up for him when other character Y treats him like crap in front of them. (And yes I have to include Steve in this writing, too.)

Bucky in TFATWS is spoken of literally as Secretary Ross talked about Bruce et al in CACW. Comparing them to weapons. Things... not people. Just how a villain would talk about human beings. (And even badly-written!Steve was appalled by that, remember?) No alarm bells ringing in the TFATWS writer's room, tho? Hmm. Guess they were too lazy to watch the movies.

Although Disney skipped the actual arc towards happiness, to relegate SebStan to cheaper cut scenes, Bucky did have happiness and healing in the movies (thanks to Ryan Coogler, not the Russos. Thanks Ryan.)

But TFATWS had to shit on that, via the VA's Second-Worst Counselor. They wanted to take credit for what Coogler did -- by limp-dickedly retreading the exact same story beats (too lazy to come up with something original? too dumb? too reluctant to include Bucky in the first place?) Only with a different set of black people swapped in to replace T'Challa, Shuri, and the village people kids (because they're interchangeable? or because only black Westerners count, now? Ah but I'm forgetting that Arabic guy who came up to- uhh- thank the American Air Force? 😬 Genuinely jaw dropping. Gotta love those good clean Iron Man values.)

"I remember people accusing us of not liking Bucky's story because "we don't want trauma survivors to find happiness and healing."

I can't stand people who hijack that kind of therapy-speak to bullshit that that's why they like something.

IMO the truth is that fans don't want to admit that the writing sucks, that the writing of Sam has been sucking since CACW, because they like Sam and see TFATWS as his show -- when, jesus, is it really tho? Just because his name's on it?

Zemo and Walker got more attention and arc than Sam. Even Izaiah got the better speech. Steve got to demolish an American alphabet agency, what did Sam get to do in his show? Introduce the Flagsmashers when Sam is reluctant to dress in the flag, and he doesn't even get to lead them He gets stuck protecting the status quo?

That's the danger of 'media consumption' with Disney these days. Woke-washing.

It's... kind of like how fast fashion chains will greenwash their products, to pass off plastic fabric as organic material.

People who think of themselves as X-leaning, (or want to be seen as X), also want to believe they would recognise Y-leaning portrayals... but they lack critical thinking skills when it comes to media analysis.

So corps like Disney know they don't actually have to be left-leaning in their portrayals, because they can pass off any right-wing thing as a genuine progressive doodad just by cloaking it in the correct language or aesthetics.

(Hey, right wing writers! Want to make a dehumanizing ableist gag? Make a black woman do it! Ever wish sexual assault in the office could be shrugged at again? Make a white woman do it! (Make sure she's Upper Class and English, too!) Want to to make sure your protags can't be read as queer? Want to get away with basic locker-room homophobia without being nagged about it? Just play on the nostalgia of interracial 'buddy cop' movies, and - as usual - make a black guy do it! Want to portray the USAF as an heroic force in the Middle East? Make an Arab say thanks to a black American Airman! Wokewashing -- it covers all ills!)

Time was, Disney would only do this with their villains -- and you do get a hint of that Classic Disney long-coated predatory gay villain with Zemo.

Only now, instead of getting away with it because of widespread homophobia, Disney and fans can get away with it by accusing anyone who criticises of it being a homophobe.

But they're still writing the creepy gay scene-stealing villains. 🤔

Same with a shitty victim-blaming portrayal of a therapeutic 'arc'. The people who don't give a shit about that won't criticise it, and those that do- well, they must just hate trauma victims IRL, uwu. 😥

Insidious, isn't it?

Disney may be virulently allergic to giving SebStan anything significant to do these days, for fear of getting more gay cooties on Captain Comphet, or distracting from Captain Coloniser: Creator's Pet... but you cannot deny even those idiots M&M wrote a better arc for Steve and Bucky than the idiots that had a whole show arc to accomplish that for Sam and Bucky.

(Seriously, how do you fuck up in six attempts a thing you've already seen someone else manage in two? Oh- wait. Right. They haven't seen them manage it in two. They didn't watch the movies. 🤦‍♀️)

As far as friendship goes, I would have preferred Sam and Bucky ended as mutually-respectful frenemies (or even - imagine! both apologising for things they've actually voluntarily done to each other!)

Rather than just slapping some schmaltz onto a turd at the last second and calling it a rose. As you said: one instance of Mackie & Stan breaking character to smile at the end of a lazy montage does not equal a written arc. Let alone a well written one.

[lorcandidlucienwill]

Rhysand stans

Lmao I just had an argument about Rhysand with a feysand stan in the comments and it's insane the length some of you guys will go to defend the biggest asshole in this entire series. It's honestly really sad to me because it shows that a lot of you guys don't understand how sexual assault, abuse, manipulation, and power deficits work. The truth is Feyre never truly understood what was done to her because she was constantly manipulated and beaten into being Rhysand's perfect little chick. Also clearly some of you guys didn't pay attention in history class, because the Night Court is exactly what segregation is. Sarah J Maas is implying it's ok. I'm pretty sure the African Americans who fought for years to end segregation would not appreciate this sentiment. SJM is feeding impressible teens dangerous themes that such behavior is okay, and I genuinely feel sorry for people who believe Feyre was in the right capacity to "forgive" Rhysand when her sexual assault was only ever truly acknowledged by her best friend, Lucien. That doesn't even get to the manipulation of when Feyre was at the Night Court. I call it the "illusion of choice," when information is withheld from you, as well as a severe power deficit, and Feyre clearly not being in the right mind after everything she went through at the Spring Court. It's also hilarious how some of you guys will call Tamlin abusive for locking Feyre in a house to protect her but will defend Rhysand to the death when he also locked Nesta in a house to "help" her. Haven't even mentioned the numerous problems with the pregnancy trope. There's nothing wrong with liking a morally grey character but this is the furthest thing from morally grey and we should stop listening to people who tell us this shit is sexy.

[ladyloveandjustice]

2023 Anime Overview: SHY and Migi & Dali

SHY

Premise: In a world where every country has a superhero, 14 year old Teru is Japan's. Her hero name is Shy, and that's exactly what she is-- she's a bit of shrinking violet at times and deals with social anxiety, which makes the public part of being a hero a struggle for her. But with a mysterious boy going around and turning people's hearts and pain against them to make them into dark, painful threats, she and the other heroes are going to have to step things up.

SHY is very much a magical girl show with am American-style-superhero coat of paint, and that's really what draws me to the series. Powers are based on your heart and emotions, the heroes friends and loved ones have their pain and despair manifest as terrible powers when induced by an outside force and then our heroes having to reach out to these people with love and compassion...it is so magical girl core. There's even a magical battle where mother and daughter must reach out to each other!

Also very distinctly magical girl-esque is how a lot of the series is focused on Teru and her cute girl bff having yuri undertones. Said friend calling out her name even activates Teru's "heart" and her powers truly awaken. IDK Teru that's pretty gay.

It does some things that are cool to see in a superhero show- like centering female characters and featuring a disabled superhero. This Anifem article also has an interesting take on one of the fights.

It's also not overly fanservicey so far either, though Teru mentions once that her leotard is skimpier than she's comfortable with (apparently magic assigns them their clothes) which sucks, (and it highlights her rear more than I'm comfortable at times considering her age). Let her have pants! But hey, after dealing with MHA's bullshit, I'll count my blessings that it's a regular leotard.

SHY is often a little silly-- the fact that apparently every country getting a superhero ended ALL WAR somehow is so ridic it wraps around to being endearing. It's also engages in some national stereotypes --for instance the Russian superhero who is Shy's mentor whole schtick being that she's always drunk (but you see it's okay because her alcoholism is based in her childhood love for her parent and she's fine and). There's a weird moment where an adult acts like she's going to kiss a teenager as a prank, and the pacing is a little uneven.

But when it hits, it really hits, and you really root for Teru. Seeing a superheroic take on struggling with social anxiety is fun, and Teru's passion and strength shines through. I'm excited to see more of her adventures, and fortunately a second season is confirmed!

Migi & Dali

Premise: Orphaned twins Migi and Dali perform an amazing con to get adopted by a couple (who mention preferring to adopt only one child)-- they decide to pretend to be only one person, a boy named Hitori, with one of them always just out of sight as school or at home. They go to absurd levels to keep this up because they have an important goal-- their mother was murdered in this town, and they're going to do all they can to find her killer. But what mysteries does this suburban town hold?

It's hard to put Migi & Dali into words, but I'll do my best. It starts out as an utterly absurd show that plays it's "spookiness" so ridiculously that it becomes comedy (Mother's Basement compared it to the potato chip scene from Death Note, and I think that's apt, though it's very much intentional with this show). Seeing the ridiculous lengths the twins go to in order to keep up their con is amazing. Situations like them assuming their foster mother must be scalping children because they don't understand what a wig is or one twin throwing on a wig on so the other twin (who should know what he looks like because he can LOOK IN THE MIRROR) doesn't recognize him are hilarious.

But then the show also becomes a tightly plotted and genuinely tense murder mystery that is incredibly moving at times? WHAT? All while keeping up it's signature brand of goofiness and absurdity! Side characters I did not expect to care about go through great development, Migi and Dali have some great character arcs, there's some genuine commentary on abuse, the damage you can do to children by forcing perfection on them, the struggle of being a foster kid, grief and recovery and more.

There are some things to warn for--parental abuse, rape through deception (def framed as bad, but yep. that happens), general harm to children, a very uncomfortable strip search of a child that involved ass-grabbing, and the weird bits where teen characters are kidnapped and forced to dress up and act like a baby (which turns out to be very thematically important and follows an interesting arc of being played partly for comedy at first then becoming deadly serious later) and of course the murder and stuff you'd expect from a murder mystery. (There's also some stuff involving infertility I think is fraught, but I can't really get into it without spoiling).

I know that's a huge list, but the show is definitely very rewarding--entertaining and full of more incredible twists and turns that one show has any right to be. Including the greatest housekeeper of all time, i would follow her into hell.

I can't get into more without spoiling, but yes, if you can handle this weird, wild ride, you should absolutely go on it. Sano Nami was a true talent.

[terapsina]

Okay, it's been a while so here's an additional list of fantasy and sci-fi books with little to no romance in them that I've read recently and really loved.

---

First post with books not heavy on the romantic subplots HERE.

---

Once There Was ⭐⭐⭐⭐⭐ by Kiyash Monsef.

An Iranian American girl discovers that her recently dead father was a veterinary for magical animals and that she - like him - has inherited the ability to help these animals because of a family line reaching back for hundreds of generations.

The story deals with grief, rage, neglect and how it all intersects.

But it's also an incredibly magical story that wakes up all the wonder and love for animals that most children have and some never lose.

Interspersed through the book are also short fables and legends that Marjan's father used to tell her when she was young and are now gaining new meaning as she understands that they were more than stories.

(totally also recommend the audiobook version for those who enjoy good narration. Nikki Massoud does a freaking excellent job)

(Marjan does develop subtly budding feelings for someone in the story but it's kept very, very background. On a scale from 0 to 10 the romance reaches barely a 2).

---

Vespertine ⭐⭐⭐⭐⭐ by Margaret Rogerson.

A story about a girl named Artemisia who is training to become a Gray Sister. A nun who cleanses the bodies of the dead so that their souls would not return as ravenous spirits that would then threaten the lives of the living.

But then her convent gets attacked by possessed soldiers and she's forced to pick up a sword holding the spirit of a very powerful revenant - a malevolent spirit of mass destruction that could possess her and kill everyone around her indiscriminately - despite not having the training of a Vespertine. So the only one who can teach her what she needs to know is the Revenant itself.

(The main character is autistic, antisocial and extremely introverted. And as for the romance, there is someone who develops feelings for her and we as the reader kinda notice it, but Artemisia the character notices nothing (also, the someone in question is not the Revenant, just thought I should clarify that). Amounts of romance in the book, like 1/10)

---

A House With Good Bones ⭐⭐⭐⭐⭐ by T. Kingfisher.

A Southern Gothic light horror with a bit of humor thrown in.

Sam Montgomery is worried about her mother so when her Paleoentomology dig falls through after she's already sublet her apartment for the next few months, she temporarily moves back in with her mother.

The mother who seems to be very stressed out while saying she's fine, and also seems to have acquired a sudden personality transplant. More specifically, she seems to have changed the house from the bright and colorful place it's been for decades, into the cookie cutter, bland (and slightly racist) fifties commercial kinda place it once was under the iron thumb of Sam's dead grandmother.

Is this some kind of weird delayed grief? Early onset alzheimers?

And why isn't there a single bug or insect in the entirety of the back yard's rose garden? Or why does she wake up to thousand's of ladybugs crawling all over each other - and Sam - one night in her childhood bedroom? And what's up with all these vultures staring at their house 24/7?

(Sam's POV is hilarious, her relationship with her mother one of the most genuinely emotional aspects of the book, and the story creepy enough to be exciting without reaching the point that would have made me throw the book down a hole for my own peace of mind. The romance... eh, there's a very nice dude Sam wouldn't mind going out with but it's not all that relevant to anything so amounts of romance don't reach past 2 out of 10).

---

And finally some special shout outs to some other recently read books that I also enjoyed and that don't really have a lot of focus on the romance but that I don't feel like getting into rn.

Thornhedge ⭐⭐⭐⭐ by T. Kingfisher, Emily Wilde's Encyclopedia of Faeries ⭐⭐⭐⭐⭐ by Heather Fawcett (okay this one's a bit heavier on the amount of romance but it gets points for not being annoying and still doesn't reach past 4 out of 10 in its amount, would recommend this book for people who enjoyed The Memoirs of Lady Trent), Translation Slate ⭐⭐⭐⭐⭐by Ann Leckie, The Strange Case of the Alchemist's Daughter ⭐⭐⭐⭐ by Theodora Goss (the daughters of classical book scientists like Frankenstein, Dr. Jekill and Mr. Hyde, Moreau and others come together to solve some White Chapel murders and maybe uncover a society that has been doing human experiments on women. 0.5 out of 10 on amounts of romance).

[soyouareandrewdobson]

Asians are all the same, right? The racism of a company cock gurgling moron

Like herpes and unlike the Dobbear, I am back baby.

At this point, deepest apology for my long absence. Personal issues over the last two years prevented me from writing anything and also destroyed for the longest time any desire to really continue the blog.

However, I don’t want to let things unfinished and seeing how the hypocricyofandrewdobson still manages to get some rise out of old Dobson related stuff, I wanted to just return, in order to properly contribute a bit more critical thinking in regard to his old comics.

And while I will not immediately return to my retrospective of SYAC, here is at least (for a start) my opinion on one comic of his, that in my opinion just proved hilarious and controversial in hindsight, and rather racist even back then.

I admit, I don’t know anymore what the title of the comic here is. All I know is, that it came out around 2018, shortly after the release of his “Black Panther” comic, another malignant piece of Dobtrash that has made the rounds online ever since. However, unlike the Black Panther comic, which became the center of a lot of discussion regarding Dobson’s racist assumptions about comic book fans while ironically trying to present himself as woke, this one was weirdly drifting off into obscurity. Which is kinda weird, cause in my opinion, it is way more racist and actually kinda insulting to the very craft Dobson supposedly “dedicated” his life to.

Let me explain.

First, over the course of three panels, Dobson comes essentially off like he is considering the medium of comics as inferior to the medium of movies. Making it look as if comics are unsuccessful because they cannot rail in the same amount of money than certain flics and calling them at best nothing more but a pitching ground for corporations to create new shallow mass product.

Now I am a bit of a realist and I know that, especially in the world of mainstream American superhero comics, this is kinda the case. Most comic book characters, stories and franchises are owned by multibillion dollar corporations, who either have a direct hand in the creation of the product (via corporate mandate for example) and/or use the likeness of the product to make profit in additional, more valuable revenues than the printed medium. Such as cartoons, merchandise and movies. One example I can think of, to show that it isn’t just an American issue: Yugioh. The card game wouldn’t have come to be if there hadn’t been a manga starring a little boy putting together an ancient Egyptian puzzle, but while the original manga ended way back in March of 2004, the card game makes millions globally still after 25 years and counting.

But that doesn’t change the fact, that comics as a medium still have value. Without the stories told within their pages, we wouldn’t have characters such as Captain America, Superman, the Mask, the Ninja Turtles and so on to begin with. Don’t get me even started on stories that aren’t falling into the American mainstream comic trend, but still succeeded in the printed comic medium partly because of genuine artistic and profound value such as Maus, Barefoot Gen, Watchmen, V for Vendetta, TinTin and a shitton of (other) stuff from Europe and Asia.

So when Dobson, who always acted like he is proud to be a cartoonist and that comics are a superior medium to others, suddenly reduces them to just being a “pitch ground for better stuff down the line” at best, I as a fan of the medium and just the art of creating stories in itself, get kinda pissed.

Additionally, the way how he compares movies to be better than comics, is severely flawed.

He brings up the fact, that “Captain America: Civil War” made over one billion dollars at the box office as an example, while pointing out the fact, that most single comic issues barely manage to sell 100.000 copies, while holding up a copypasted “Civil War” issue.

Already, Dobson essentially compares apples with bananas, while also giving both false and incomparable data, that also ignores many aspects to be considered.

For starters: He compares the earnings of both movies and comics with two different values. For movies, he goes by the monetary profit a superhero movie could possibly make, while for the comic issue, he goes by the total number of copies sold.

But here is the thing: Assuming the average selling price of a comic is at 4 dollars for a single 30 page issue, selling 100.000 copies would ring in like 400.000 dollars. And considering that producing one issue likely costs a company less than 20.000 dollars (obvious costs for mass production and distribution not withstanding) they can still make a decent profit this way from ONE issue alone. One issue. Not multiple issues of a long running, but sadly underperforming series. All of that by the way doesn’t even account for the fact, that most single issues at best tell only a quarter of a decent short story nowadays and ignores later “long term” factors, such as reprints of the issue, late term buying of the issue, tradepaperback sells of the issue, the longterm effect and cultural impact the issue may have on the actual series or plot continuity  (such as Amazing Spiderman 122, aka “The Night Gwen Stacy Died”). Don’t get me even started on the fact, that many of these issues get first sold in the US and only over the course of one year or longer may then additionally be sold in other parts of the world, therefore bringing in even more money for the publisher.

Example: The Duck comics by Don Rosa, which earn more than four times more in Europe, than they ever did in America, despite the guy being from California. Finally, a a little add addendum: that example Dobson gives indirectly via the “Civil War” issue? A quick google search revealed, that Civil War issue 1 sold over 300k copies in May of 2006 alone. Sure, not necessarily the best numbers ever for a single issue (as evident by the following list: https://bookriot.com/bestselling-comics-of-all-time/ )but still nothing to be ashamed of.

And yes, I know that we live currently in a time, where comic book sells have dropped significantly for a variety of reasons, one of them being an overall lack of decent stories. But as long as other stuff still manages to run freaking circles around American superheroes (*cough* One Piece *cough*) I wouldn’t say the medium itself is dead. Just a specific branch of it is suffering from a lack of quality and the customers are jumping ship.

A superhere movie meanwhile is a completely different beast. Ever since “The Avengers” came out in 2012, most superhero movies are 150-250 million dollar behemoths, that get overhyped by advertisement campaigns that are almost equally as expensive and try to trick the audience into believing, that they all are somehow the next big mindblowing thing on the big screen. Plus there hasn’t really been a superhero movie in the last 10+ years, that didn’t release simultaneously worldwide, instead of only coming out in the USA, and then a few months later, in other parts of the world.

So is it any wonder then, if a superhero movie that got advertised like the second coming of a saint, makes 1 billion, when there are already billions of potential customers worldwide all at once when the product launches?

That number btw becomes actually less impressive, once you start to think about how it came to be. Something our blue bear obviously didn’t.

See, on average every movie theater demands like what, 12-14 dollars per movie nowdays?

If we divide the box office of Civil war (1.152 billion btw) with 12 dollars, that makes on average 100 million people worldwide who watched the movie. A bit more than one or two percent of the worlds population. Not to forget, that of the box office success we have to substract such things as production cost of the movie, advertisement, the earnings of the theaters… so suddenly the movie may at best have had only earned one quarter of its box office for Disney as actual profit.

Not to forget, Dobson made that comic in 2018, when superhero movies on average did ring in so much money, because of the hype machine. But now we have 2023 and within the last five years (and especially 2023 itself) we have seen how superhero movies can also utterly fail to make money or even earn just enough to make back the production cost. Birds of Prey, Eternals, Ant Man 3, that Secret Invasion streaming show that still cost over 200 million… Do I need to get on?

Bottom line, Dobson’s indirect jab at comics as the less profitable revenue doesn’t hold that much water really in the real world, where once the hype dies down, comics may actually prove themselves as the more valuable longterm medium. Even if it may just be for the fact, that they end up staying longer relevant in the popcultural subconscious than the current movies, which tend to lose relevance with each new hastily produced and released installment in the franchise.

But where this comic really shines and shows Dobson’s ignorance on a cultural level, is in the last panel. When all off sudden it turns “racial” by claiming that Asian people, unlike “traditional” comic readers (aka white, in Dobbear s eyes therefore instantly racist people), would eat a Marvel character like Amadeus Cho up.

Question Dobson: Why do you assume, they would eat him up? You give no real argument based on anything the character does storywise, that the “target audience” may find admirable. So I can only think, that your reasoning is, because he is ever so slightly east asian coded.

Boy, do we have to unpack not just a can of worms, but a whole package of cans now.

First, the chosen language by saying “eat it up”. When being a writer, you should know that you need at times to choose your words wisely, because of the sheer implications they can carry. And the statement “eat it up” sounds way to close to a negative statement like “suck it up”. Making it come off as if Dobson considers Asian people to be mindless cattle that will consume the grub the House of Mouse will give them without question or any desire for actual quality to it.

Second, it recks of a certain mind set I hate within the American entertainment industry and some of its creators and consumers. That mind set being, that “non-traditional” American cultures supposedly don’t know better than Americans in what is okay for the sake of representation and entertainment or not. It’s a mindset that goes beyond the necessity of e.g. localizing a foreign product to the national market, by e.g. creating a sterilized, corporately mandated and rather unrealistic depiction of another culture within their product, that will fall apart as soon as the people who are supposed to be represented get a proper look at it and realize, how pandering and often times badly researched, if not outright offensive, it is.

Only recently did we see in the world of animation how that can backfire, when Disney released the trailer for “Primos” an upcoming animated show supposedly about a half Latina girl spending her summer vacation with her annoying cousins, people calling it based on the intro (and a leaked pilot) pandering towards a latino audience in a racist manner. And guess what: currently, Disney shelves it and tries to bury its existence like Dobson his old inflation art.

Dobson himself has actually indulged in that sort of shit kinda, back with his infamous Nintendo comic.

Essentially calling the “true”, Nintendo corporation approved depiction of his childhood Nintendo heroes disgraceful, for not falling in line with the late 80s depictions he saw in localized, made in America products such as the DiC cartoons. That and minor homophobia mixed with misogyny by calling Link “girly” for having longer blond hair since Ocarina of Time and blaming fangirls for it.

Third, and that is kinda related to my prior point, the reality of things is, that “Asians” actually did not eat up that sort of thing in the last couple of years. Sure, there is always that thing about a Chinese market. the big movie companies try to pander to and may succeed with some dumb action flics featuring big robots.

But the reality is, that not even people living in a dictatorship will eat up every trash you give to them, just because it comes from Hollywood or is supported by their glorious leadership. Disney tried to create two pandering messes of movies for Chinese people to watch, called Mulan (the live action adaptation) and that Shang Chi movie. And how did they do there? Oh right! The government did not even allow Shang Chi to be released and Mulan was released but supposedly didn’t do so well, considering (COVID not withstanding) it only made 70 million globally!

Don’t get me even started on every human right controversy in relation to the later, starting with filming in China near a concentration camp and ending with the main actress being essentially a Chinese propaganda puppet.

So, if those movies flopped, why would Chinese people for example flock for an Asian Hulk? A hulk that is not even Chinese but Korean.

See, this is another issue that fails with the example: The actual choice of character Dobson name dropped is actually kinda terrible.

For those unaware: Amadeus Cho is a supporting character in the Marvel comics, created in 2005 by American writer Greg Pak and artist Takeshi Miyazawa. The later, despite the name being very east Asian, sounding, actually being from Canada. Now both do have east Asian roots so to speak (Pak  e.g. is the son of an Korean-american man with a Caucasian woman), but they also have grown up within a society that taught them both western social values more so than we would see in east Asian countries. So with the creators already not necessarily having the most real life experience with the average mindset of a Korean citizen, can we really say that their actual creation helps “represent” those people of a foreign, non-american culture?

And that is not even covering stuff like the actual story of the character itself.

See, in the comics, Cho is supposed to be an American-Korean genius (wish fullfillment much, Greg?) and one of the smartest people in the Marvel Universe. His parents named him after Amadeus Mozart (a pretty white motherfucker as far as I remember) and he grew up under Methodist beliefs. So basically the “Korean heritage” of the character has already been thrown out of the window. Now I don’t expect the character to act stereotypical Korean, listen to K-pop, declare bulgogi to be his favorite dish or any of that shit. But when you want to sell me the character as being in some way or another connected to his ancestral culture, shouldn’t he engage at least in some “Korean coded” things?

I mean, the character of Anne Boonchuy in Amphibia is a Thai-American who acts more like a 13 year old girl that learns to be less selfish and impulsive over the course of the show and whose “heritage” isn’t thrown at us, the viewer, most of the time. In fact, Anne herself acknowledges that she e.g. can’t really speak thai, despite her own mother being fluent in it and a season 3 episode reveals, that Anne is “begrudgingly” a part of the L.A. thai community. And yet, in connection to the shows story and as part of Anne’s characterization, her heritage is acknowledged and plays a part of who she is. Even if it simply means she knows how to cook certain thai dishes, loves her parents and their customs, helps out in their restaurant, can speak a few words thai and knows the basics of Muay Thai, a form of martial arts (and fighting sport) from Thailand.

Amadeus doesn’t even have Korean parents anymore, because they were killed as part of his tragic hero backstory. Nor has he ever visited an Asian country. Oppps.

To build further up on it, Amadeus becomes for the longest time simply a major supporting character in the Marvel universe for the likes of Hulk and Hercules, two white coded characters. Sure, he plays a major role in the defeat of some cosmic horror level villains (such as Mikaboshi in the Chaos God storyline most people forgot even existed) but it takes a long time for him to become a “A-lister” so to speak.

In fact, according to Wikipedia, it wasn’t till after “Secret Wars” in 2016 (eleven years after the character was created), that Amadeus thanks to a chain of events eventually got his chance to Hulk out. And then they still had to kill Bruce Banner to make Amadeus “stand out” initially (don’t worry, Bruce came back. I mean, characters actually staying dead in comics, so that heroes can learn there are consequences? Preposterous) In fact, Amadeus hasn’t really proven himself as a decent “solo” act. Instead he became a member of the Champions (among Miles Morales, Mrs. Marvel, Vision’s daughter Viv. Nova and Cyclops), essentially creating yet another superhero team for teenaged vigilantes. Despite the fact, Cho himself should be by now in his mid 20s.

Now look, I do not want to shit talk the character. Partly because I haven’t read everything he was in myself and partly because in the few things I did see him in (both pre- and post Hulk) he was okay. He is a decent hero and person, who tries to do good, even if he screws up here and there. That is something I can admire in a character in general. But he is not a good “representation” of another culture, because his complexion and minor physical features aside, he is NOT embodying even minor values or traditions of that foreign culture. He is simply a Korean-American (or technically Canadian), who falls more on the American side of things.

So essentially, Dobson who virtue signaled on multiple occasions how bad it is when companies he didn’t like tried to speak on behalf of other cultures, would have no problem at all to ask for Asian people to swallow this obviously “Made in American” product. The “Made in America” line actually working both on a metaphorical and a storytelling level, cause trying to google what “east Asian coded” heroes in the Marvel Universe actually come from an Asian country instead of being simply born on American soil, is pretty damn small.

After 20 minutes I only found Shang Chi, as he was born in China, and that character was created as part of kung-fu exploitation in the 70s by white dudes.

Yaiks

However, none of that tops the next two points that really sell Dobson to me as an American centralistic racist. Or at least a twat who doesn’t understand how through bad wording he comes of as ignorant of other people’s cultures.

The way he generalizes Asian people in his statement, while also ignoring the actual accomplishments in the creation of entertainment in multiple Asian countries.

If you’ve read closely what I typed, you may have seen that I used the term Asian at times in tandem with the term “east Asian” to e.g. describe Amadeus Cho.

And that had a very deliberate reason. While I was not a fan of geography in school, even I know that Asia as a continent is not “nationally” as homogenous as let’s say Australia or North America. In fact, Asia is the biggest continent on the planet, hosts more than half of earth’s population and consists of at least 47 internationally acknowledged states.

States such as Turkey, Russia, Afghanistan, Pakistan, India, China, Japan, Malaysia, Thailand, Vietnam, North- and South Korea, Egypt, Israel, Iraq, Iran and so on.

Now what all these states have in common, is that they have their own unique historical, social and “racial” culture and background. Heck, religiously speaking, Asia is the cradle of the world.

As such, Dobson stating that a “Korean coded” character such as Amadeus Cho (who is only Korean on the most surface level and would technically just be a legacy character of yet another white person) would be an immediate hulk smash hit with all these different people of different backgrounds…. Yeah, it sounds like condescending, colonization inspired shit, a smooth brain would come up with.

To Dobson “Asia”, at least based on that comic, is only defined as the “yellow skinned” people from the far east, who like rice, noodles, spicy food and give us anime, Godzilla, fireworks, buddhism and communism. It does not include anyone from the middle east or of more European ancestry. And if you are even remotely familiar about history, you would also know that Japanese, Koreans and Chinese all around do not e.g. like to be thrown into a pot with the others for a variety of reasons. Many of them political.

Or to sum it up even shorter: Dobson insinuated that a very shallow, “east Asian” coded American comic character would be an immediate hit with more than 47 different countries, ignoring that not all of them share the same background despite being part of the “same” landmass. And in doing so, he simultaneously generalized and denounced entire groups of people based on their racial and cultural background, which in as far as I am aware of, is considered racist.

But the “racism” is supposedly justified, because “representation” matters, it would be giving the middle finger to “traditional” comic fans and those nations and their culture are underrepresented globally.

Which is baloney.

Don’t get me wrong, I myself think that representation does matter. But the world does not necessarily rely on the good old US-Ayy only to give it to us.

Cause a lot of the Asian nations I brought up here? They have their own entertainment industry and stories, which again, get ignored by Dobson to make a dumb and false point.

I mean, manga is currently dominating the international comic market, all while Japan has also a booming animation industry and some of the most iconic heroes in modern popculture with the likes of Son Goku, Kamen Rider, Super Sentai etc.

China has a prominent -if propaganda driven- movie industry.

India has Bollywood and delivers some of the most ridiculous but awesome musical movies on the planet.

Russia had authors such as Tolstoy and movie directors, that redefined the “art” of filmmaking.

Korea had a few years ago one of the biggest streaming hits with Squid Game, while also earning an Oscar for a movie titled Dobs- I mean “Parasite”.

Egypt, Iran, Iraq, Turkey… even nations that have not entertainment living up to “western standards” still produce stuff in some way or form to entertain the masses and their people. Just google up the character Kara Murat aka the avenger of Anatolia.

And don’t get me even started on the sheer ton of mythology, stories and history each of their cultures have provided the world with. Journey to the West? Baba Yaga, the entirety of the Gilgamesh epos...

And yet, there is this indirect assumption by Dobson, that all of them would be so deprived of “heroes” in their media and folklore, they would letch on second hand shop Hulk? Fuck off, Dobbear. I know you like to suck corporate cock as long as you think they are woke and you have childhood nostalgia for them, but this is pathetic. Take Amadeus before A Rama Raju comes around and roundhouse kicks him back to Canada. Then get the taste of mouse smegma of your Disney cock gobbling lips.

[snoocupz]

Yesterday my friend and I finished playing Ace Attorney: Apollo Justice on German! NOW,

Here's my personal opinion review of the German AA4 translation!

(And my free pass to ramble about my favourite game!) POSSIBLE SPOILERS for Apollo Justice, at least if you speak German!

1. Settings and names:

The game is set in the fandom-wide known Japanifornia still, and the translation doesn't really seem to make an effort to make it look like the game is placed in Germany, which I am somewhat glad about! Locations are, if so, translated very directly and at least to me it seemed like it kept its funny "Japanese/American" touch!

No names have been changed in the German version APART from Klaviers. Which makes sense, as the world Klavier in German is a literal object (just meaning Piano as most people know) and as a piano is also frequently mentioned I am not surprised they changed it. However, Klaviers German name is "Kantilen" which also includes a reference to music - however I mist admit I would have NEVER gotten this connection myself, making it... not a really good reference in my mind. I am quite surprised that they didn't stick with his French name Konrad, which is in fact an actual known and used name in Germany, other than Kantilen. There is no hint on the Gavins culture or anything, means Klavier unfortunately loses his touch of switching between languages, however I am somewhat glad that they didn't just changed it to any other language! So I am satsified and believe most of the English name puns were easy to figure out for a German person as well! :)

2. "Quality" of translation:

Here is a hard one. I should criticise the translation after all. Because I am genuinely surprised HOW MANY random typos the translation had. Sometimes they forgot words, sometimes a random letter would show up, sometimes a word was written wrong, or two words were written together that shouldn't. HOWEVER...

I must be honest, I thought it was absolutely HILARIOUS. It brought me a really good laugh whenever a random typo or word showed up, as if the person speaking ingame hasn't quite nailed the language yet. So I cannot actually say that it bothered me! I'll use one of said mistakes to come over to another point -

3. Use of formal language:

Now, this is something I just thought would be interesting to mention! In Germany "you" can be either said more commonly "Du" or more formally "Sie". Personally I thought it was extremely interesting to see who would use which word on which character as it was great to see how "different" their relationships actually are! As an example: When Apollo meets Phoenix and Trucy, they both immediately use the common "you" (du) on him, Apollo himself instead uses the formal version (Sie) for Phoenix mostly. Even more interesting was to me how Phoenix and Kristoph at the beginning of the first case while still being "friends" did use the common "you" on one another, until things get heated and they both don't only start calling each other by their last names, but also addressing each other formally and therefore more distanced! I thought that was really cool!... Up to the point where they appearantly couldn't decide between formal or non formal and just... made it to one non existing word. Another mistake that made me, personally, laugh rather than shaming it tho!

4. Use of specific language/ dialogue flow:

Lastly, the game translation deserves a big plus for the use of very specific German words that I wasn't expecting to see from the characters! Words as "Sonntagsfahrer" which cannot be directly translated but bring so much more character into it! The German language has a lot of specific words to express certain situations or emotions and they made really good use of this! Additionally it was simply funny to see the character use them. Of course Phoenix (no licence) would know what a Sonntagsfahrer is.

Here are some of my personal favourites when it comes to the use of specific words I somehow didn't expect!

Also; They make good use of common German slang. As an example, on some point Phoenix calls Zak "Kollege", not as in workmate, but a slang, and Woky keeps on saying "Alter" a lot, which is so very fitting. I was really expecting hin to say "Bruder" or "Diggah" next.

Lastly; Despite the errors they made the conversations on German feel really natural! I've got a lot of random scenes that made me smile and gave the characters such a strong personality! So - Here are some more!

If you made it this far: Congrats and thanks for coming to my Ted talk! Fact is - if you speak German and find it just as hilarious to me to hear and see these characters speak German I definitely recommend AA4 on German, it's been FUN!

PS: The fact that psyche locks are translated as "Psychosche Blockaden" truly killed me.Klar, ich hab jeden Morgen auch so ne psychische Blockade. 🫡