#but whether she wants to mature or not is up to future episodes and writing

[rubywolf0201]

How Mahoro was initially presented in early promo materials and the first episode OP & ED

When Mahoro was first revealed, she was presented as this cute and peppy love interest character that you typically see in shoujo manga. And when I first look at her, I immediately thought she is kind of an odd duck due to the delinquent-like setting BUCCHIGIRI?! is.

The promo teaser even showed a split second shot of her just being the cute character who would give the main characters some motivation (well just Arajin lol). This of course made me fear that she would be a plot device that would cause a shitty ass love triangle.

OP and ED gets a bit weird in this. When she is presented in the OP, all of the guys (sans Kenichiro and Marito) are immediately taken aback by her. In the ED, all of the main guys are dancing with her, have few shots of them getting ship teased with her and when she did the heart hands thing, all of them are immediately charmed by her.

(Wish I could include all guys being heart handed by Mahoro but I want to put in more photos)

But in the main series? Nope. None of the guys except for Arajin (obviously) really like her or are close to her. And that’s because underneath her cute appearance, lies a selfish and toxic girl who only wants her brother’s attention only. And by doing so, she ‘dates’ guys in hopes that they become the new leader of Siguma and have Marito step down so that she can have him all for herself.

The Siguma members relationship with Mahoro:

- Outa is seen being exasperated by her fangirling antics in the first episode.

- One of the mooks commented that Mahoro dated guys 24 times all so that they can be beaten up by Marito, satisfying her brocon fantasies (which in truth they’re ’tests’ to see if they can beat her brother or not)

- Hagure is shown to be intimidated by her and kept running in circles while being behind Jabashiri’s back in the second episode.

- Jabashiri hardly noticed, much less pay attention to Mahoro.

- Marito is the exception since he is the older brother but even he has limits if the face he made in the second ep is of any indication.

This even applies to Minato Kai as well:

- Kenichiro, Kamao and Zabu doesn’t know her yet but in the case of the latter two, they probably know her in passing but otherwise they hardly paid attention to Mahoro.

- Matakara does but he dislikes the way she is manipulating Arajin for personally selfish reasons. When he tried to confront her, she straight up ignored him. When he did it again but with force, she screeched like a siren and ran off.

But with all that said, let’s take a glimpse of Mahoro’s character:

- Presents herself as a shojo manga-esque character.

- But in actuality, she’s a massively unhinged brocon.

- toxic and manipulative. All it takes is using a hand heart sign and guys would immediately be ‘motivated’ by her.

- Is known to go out with guys but has never really shown any care about their personal lives (if her actions in 1st and 3rd episode are of any indication)

- morally selfish but not downright evil. Just selfish.

- can fight back if she wants to.

- doesn’t care about anyone other than her brother.

- hates being touched by other random guys who tried to question her.

- ignores people who tried to confront her about her motives.

I know that I’ve made quite a few posts about Mahoro but she strikes me as an interesting character despite her actions in today’s episode but at the same time, I do hope that she at least have character development along the way, have a backstory that explains why she is the secretly toxic and selfish brocon that she is today and last but not least not thrown or sidelined into a unconventional damsel in distress.

Anyways, peace! ✌🏻

[uranium-city]

as an aspiring storyteller & writer i find analyzing what works & what doesn’t work in media to be incredibly important. not only does it help us realize where we may have made mistakes in our writing & how to improve going forward, but it also helps understand why certain stories work so well. it helps us realize why critically acclaimed media is so critically acclaimed & appreciate the thought, care, & intelligence that went into making it so special. without criticism- all that thought loses its meaning. bland stories become indistinct from the incredible ones & all the deeply well thought out plot points & messages wash away into a sea of poor &/or lazy writing. we need criticism to appreciate strong writing. being critical of your interests- whether it be a highly acclaimed film or a weaker piece of media that you hold deadly despite its flaws- shows maturity, media literacy, & overall the beauty of how different stories resonate so deeply with people regardless of its issues. that’s why the way Vivziepop responds to criticism irks me on such a strong level. Helluva Boss is a very poorly written show (in my humble opinion, at least). Season 2 has retconned a ridiculous amount of things established season 1 (most notably Stolas’ entire character), has a massive problem with maintaining tone, jumps around from plot to plot by introducing new threat after new threat only to abandoned that threat by introducing a new one the next episode, struggles with developing its own main & supporting characters, & perhaps most offensively of all often comes off as downright fetish-y of gay men. These are all valid criticisms, all of which Vivziepop tries to dismiss as “baseless & unfair”. She claims she respects fair criticism yet never makes a distinction between what is fair & unfair, treating everything as the latter, going on twitter rampages where she attempts to defend her writing decisions & ridicules anyone who dare challenge them. If Vivziepop believes she’s writing the show in the optimal way, fine. If she doesn’t want to listen to criticism & continues to take Helluva Boss in the direction it’s currently going, fine. so be it. She’s in such a unique position where she’s so close to her audience & actively listening to their criticisms, I personally don’t understand why one wouldn’t try to take advantage of that to better their show, but at the same time I can understand having a set story in mind & wanting to take it your way despite what anyone else says. It can be frustrating to have everyone telling you you’re doing your passion project wrong- i get that. but in that case- just continue writing the show how you want, ignore the criticism, & stop having hissy fits on twitter calling people homophobic for not liking your writing (seriously what the fuck? that’s laughable of her to saying given how she writes her gay characters, just saying). Your writing should speak for itself, you shouldn’t have to defend it by crying on twitter. Dismissing all criticism & trying to paint the narrative that you’re nothing more than a victim with a hatedom out to get you is BAFFLINGLY immature ESPECIALLY as someone in their 30s. It only bothers me so much because she’s actively fostering an environment that dismisses criticism which i think is genuinely harmful. & as much as Helluva tries to be an adult show, let’s be real here, a majority of its audience are teenagers who look up to Viv & if THIS is the mindset they end up developing surrounding criticism I think it could genuinely be a problem in regards to their media literacy in the future. People can like Helluva Boss, people can ignore its flaws, but that kind of relationship with criticism is not healthy. at all.

[so-bitya]

OK! I had some ideas for the plot and character arcs too i wanted to share. it felt like the show had some great concepts but didn't know where to go with them so..

–Main plot themes/changes

More focus more on the difficulties of growing up, being an adult, reality not being so simple as a child. What can't be easily solve as a precure, and what needs a precure attitude to solve it.

Oh and definitely all the girls are in contact with each other. Like we've been through Covid yall! you think they don't have discord or something?? and they're in contact with the boys too, more infrequently for sure, but they got Syrup, cmon!

–Angel

I think that rather than pollution and climate change, which doesn't really connect with main characters and rather feels too impersonal for the audience, human misery in the current age seems more appropriate. How people get wrapped up in their issues and find excuses to neglect others that it negatively impacts the town. Perhaps Angel was better taken care of in the past and something happened to her caretaker, or something else that's more personal, and she wants to reverse time before the tower is set for deconstruction?

A lot more focus on the passage of time and whether we cling to it too much, glamorize it through our nostalgia, instead of learning from it and moving into the future. I'd like if Angel was influencing the girl's transformations and her monsters were more time themed. (and obv something that saves Angel, because we can't have things too sad. Maybe they stop construction, or they don't stop it but the girls make something out of her memory? Like Komachi writes a book about the tower?)

–Nozomi

I think the first episode encapsulated what i wanted Nozomi's arc to be like. Nozomi became an adult, achieved her dream, and is great at her job! but she still misses being a precure, because the issues she faces as an adult aren't as easily solved back when she was a kid. Honestly, was hoping that the girls didn't transform so fast, or that there was more build up to it? Interesting concept if Nozomi was the last to transform, so she has to solve problems as the adult and feels distant from her friends that can transform.

–Rin

Rin's an adult now and she's got a lot on her plate! Between her demanding job, her hobbies, her family, she also wants to remain Nozomi's ideal best friend. She's genuinely bothered that she can't become a precure anymore, but doesn't even now if she wants to anymore! She and Nozomi have a great talk reexamining their relationship and despite how things change, they'll always care about each other.

–Urara

I thought her struggles were between deciding to be an actress or a singer. I think it would have been more interesting if the play was a musical to use both elements. perhaps Urara wants to emulate her mother too much (aka the actress) she neglects her own strengths (being a singer) keeping the same plot beat of Syrup saying he loves her singing but more involvement from the girls (and they all show up for her musical!!)

–Komachi

Pretty similar to her episode, but I'd like to go into her writing issues!! perhaps she's lost interest in writing fantasy that she was obsessed with when she was younger, so it's giving her both writer's block and a bit of an identity crisis. But after being so involved in the town and learning the townsfolk history, she wants to write about them and gets re-inspired to write more realistic fiction that's grounded and down to earth, that her audience appreciates for being more relatable.

–Karen

Stressed with her job, realizing that she can't simple treat people and expect them to get right back on their feet. She starts understanding some people lives will be permanently changed and can't be healed away (aka disabilities!) and thats okay! its just another matter of adaption. It would be a great mature topic for the show to have.

–Kurumi

Get that stinking manager out of there! Genuinely think workplace harassment should have been a bigger issue!! It would have been realistic issue that many people face, especially women, in the workplace. It would have been nice is Kurumi managed to get testimonies from her coworkers and got the guy fired. Or at least show that she doesn't have to put up with the constant disrespect and move on to a better job (i mean, not leave that for the finale).

–Coco

Cut the melodrama out lol. Honestly would have been fine with him showing up towards the finale so the girls could have some breathing room to revitalize their friendship, but well oh well. I think him having insecurities being king is interesting paralleled with the other girls insecurities after achieving their dreams. I could care less about the romance, but i think it would have been nice if he and nozomi worked on their issues with marriage on screen (like trying to live together for a while). It's nicer to think that they've been discussing it before and the big question during the show is whether they should take that one step further or to stop and move on with life (i don't even think nozomi thought about marriage in show, just being with coco).

–Nuts

idk man I just wanted to see more of him :( like interact with the girls or have a nice talk with komachi! i liked their editor writer relationship and it got him be more open with his feelings and relax more!! let me see it!!1

–Syrup

He's good actually (Except that outfit, throw the whole look out), but it would have been nice to reference his plot a bit, with cure flora and everything?

[stitching-in-time]

Voyager rewatch s2 ep4: Elogium

I was kinda dreading this one, and it still gets more cringey to watch every time I see it.

While addressing the future prospect of Voyager needing to become a generational ship is a valid theme to explore in an episode, it could have just been a secondary subplot that Janeway and Chakotay's little ready room chat covered just fine on it's own. Revolving a whole story around whether a teenager should have a baby with her grown ass adult boyfriend is just, oh my god, wtf?

Neelix treats Kes terribly, he yells at her almost every episode, he's possesive, he's jealous, he's dismissive of her feelings and abilities, and this episode was the first time he ever apologized for his behavior, and we're like, 20 episodes into the show already. Add in the fact he's old enough to be her dad, and it's just like, why was this ever a thing? Why were they ever a couple? Who thought it was a good idea or a good story that the audience would enjoy watching? It's insane. And then the writers hit us with 'should they have a kid together? Even though she's not technically not even old enough to go through her species version of puberty?' EWWWWWW!!!! NOOOO!!!!! Why would you write that?!?

Ocampa lifespan nonsense aside, Kes canonically being a year old and having to decide whether to have a baby is just so icky. Sure, there are times in real life where people might have to have sugery to remove a reproductive organ, and they'd have to decide whether to have a baby now or never, which could be interesting to explore in drama. But that's a concept to explore with a character who's already a grown up. If elogium doesn't happen till 5 or 6 for Ocampa, it's clear she's still closer to childhood tham maturity among her people, so putting her character in this situation is gross and unfair.

Watching it, I kept wondering: doesn't she have any women friends she can talk to about this before even bringing her shitty boyfriend into the picture? Half the ship must be women, are all her friends really old dudes? They shrugged it off with 'the captain is too busy right now' but like, Kes has no other female friends besides the captain?? Really?? (I'm still salty that she and B'Elanna never even talked more than once for a few seconds in 1 episode out of 20.) And sure, it's her decision- her body, her choice, after all, but isn't anybody looking out for her and helping to advise her at all? Nobody is saying to her, hey, you probably shoudn't have a baby with a guy who doesn't even trust you?? Like, damn, after Tuvok hears that line from Neelix about 'I don't have anything to teach a daughter! It's different from having a son!' he should have bopped that combage like: "Tuvok to Kes- girl, get out now. Dump his shitty sexist ass. You don't want to have a kid with this asshole, you can do better. Harry Kim is single and literally right there." (Tuvok provides the only bright spot in this episode when he tells Neelix about how much he loves being a dad, and schools him on his illogical assumptions about gender. Tuvok is the good space dad we deserve!!)

And then there's the whole elogium itself, with starts with off with a creepy horror scene of Kes eating bugs (which was really gross btw). Kes basically turns into a feral animal, she has wild mood swings, she's eating everything in sight, she's sweaty and sick looking, her eyes turn into creepy yellow lizard eyes- it's just a whole litany of negative stereotypes of pregnancy or menstruation taken even further by making her almost literally a monster. Who thought it was progressive to treat a female character's reproductive process as a scary horror movie? There's ominous music playing in the background of all her scenes, even though the scene where she's eating everything she could find was actually being played comedically by Jennifer Lien. They could have made it a cute comedy scene instead, but no, we have to hammer home that women are scary monsters. It's really insulting. Can we stop othering and demonizing normal biological workings of people's bodies please?

To add insult to injury, in a story that should have been about Kes, we spend most of the time listening to Neelix whine about it being too much for him to handle that Kes asked him to have a kid with her, not knowing what he wants, and the last scene is him being all disappointed when she decides not to have a baby right away, even though she's basically a teenager. Oh my god, now we're supposed to feel sorry for Neelix? Who didn't even want a kid until he got talked into it literally yesterday, and who wouldn't have to deal with any of the physical consequences of childbearing? Nope. I don't feel sorry for him in the slightest. Kes had the infinitely worse dilemma here, and she got literally one scence to explore her feelings about it, while he got, like, three.

Even the B plot about the swarm of space creatures, whose presence causes Kes's premature elogium, is riddled with gender stereotypes. As soon as the ship begins to be attacked by a larger one of the creatures who sees it as a sexual rival, the crew all starts referring to that creature with male pronouns, with absolutely no evidence of what it's sex is at all. Apparently the writers thought big and aggressive automatically equals male, but scientists from an enlightented future would never jump to that assumption.

And to cap it all off, in the final scene, Ensign Wildman, in her first episode, comes to basically apologize to Captain Janeway for being pregnant. Why? Now, I like Ensign Wildman, and the baby plot too, but this scene was weird and nonsensical- why does Wildman seems nervous to the point of being afraid to tell her captain she's pregnant? Starfleet people have babies all the time. Do they all have to personally alert their captains? And why would the captain care? Starfleet can't fire you for being pregnant (especially in the Delta Quadrant lol). And she's justifying why she's happy about her baby to the captain- why? Does she think the captain is going to order her to have an abortion because they have a 'no babies in the Delta Quadrant' policy or something? It makes no sense. It's the 24th century for heaven's sake, you better believe that 'your body, your choice' will be enshrined in every Federation world's constitution, or else it isn't any kind of utopia at all. Don't tell me people still have to feel guilty or ashamed for being pregnant, or fear a negative reaction from their boss, in the 24th goddamn century! (And I'm now headcanoning that Ensign Wilman's husband's species must have a really long gestation period if she got pregnant before they left and she's just found out in the beginning of the second season. I suppose the time elapsed in the story is supposed to be less than the real time the show aired in, but still, it's a bit of a stretch.)

Tl;dr: This one is deeply uncomfortable to watch, and bogged down in misogyny from start to finish.

[bleulone]

Can we talk about about how Colin looked in ep 1 when he first saw Marina compared to how he looked when he saw Pen in ep 8. Almost the exact same look! Of course his look to Penelope is probably more about his guilt because he brushed her off when she tried to warn him but still..progress! Lol and then when he's getting ready to leave for Greece, he glanced towards Penelope's home. I think they're having Colin's feelings for her grow gradually in the show instead of all of a sudden like in the books.

Hey! Thank you for this insightful ask of yours :) Sorry for the late answer, I took a long time to write this— without further ado, here we go!

Indeed, Polin is first and foremost a story of gazes, those gazes being of many natures. Whether they are love ones, friendly ones, admirative ones or lustful ones, looking imposes itself to be a huge parameter in Penelope and Colin’s love story.

In order to understand that on screen, film-making has at its disposal a very rich and smart langage of its own. Sometimes, comparision helps to underlines the differences between one character’s relationship with person A mirorring person B. I feel like Shondaland and Chris Van Dussen wanted to introduce the audience to the evolution of our Bridgerton men’s perception of Love. For instance, while Anthony views attachement— to Siena— as a way to escape his responsibilities before becoming his villain (...until our queen ma’am Kate Sheffield comes to the picture), Benedict doesn’t comprehend this universal concept and prefers to enjoy the many physical pleasures life can offer. In other words, the older brothers already explored their sexuality here and there, making them the infamous rakes that they are. As for Colin, it’s a complete other thing.

Colin is young. Very young. At 21, he’s just left Eton College and barely knows anything of the world nor women. Like Anthony said in 1x06, Colin hasn’t been taken to brothels which is a very important step in the building of young men’s sentimental and sexual education during that time period. Since he missed this essential step, our sweet/immature boy has no clue about how to deal sagaciously with his feelings and his “foolish” impulses, baring his naivety. At this point of the story, we can easily come to the conclusion that Colin is a virgin who can’t drive XD. He’s just a child overcame by his passions, a hopelessly romantic who rushes things without taking the time to properly court or know his significant other. And his off-screen flirtation with those supposed numerous girls in London isn’t of any help to justify his (oh so little) experience. So when he sees Marina, he’s so struck by her... mainly by her alluring appearance. And he doesn’t seem to let his eyes nor mind go beyond her exquisite beauty.

In this perspective, the whole Colin/Marina storyline can be perceived as a parallelism to the Pen/Colin’s one. In 1x01, he is immediatley smitten with a dancing Miss Thompson, which happens to be ironically the same case with a 17 year-old Pen but with him. We got to see her, a few moments ago, dreamily looking at him from the back of the dancefloor (echoeing the episode where she fell madly in love with him after he fell off his horse at Hyde Park). She’s charmed by his dashing look and his kindness, yet she doesn’t seem to know anything else about him considering the rare conversations they share. Her burning gaze fits the original story from Julia Quinn’s books because in Romancing Mister Bridgerton, the 28 year-old spinster Penelope do realize later on that Colin is more than a good looking man : he’s a human who possesses a temper and flaws.

Either way, both of our boos are portrayed as hopelessly young people in love who childishly idealize the objects of their affection.

In 1x08, it’s the other way around. It’s Colin who sees Pen first, her who appears to wear the yellow dress’ lookalike from the pilot—what an interesting call back ^^. With his mouth slightly agape and his eyes wide open, we can catch sight of the timid spark of a change in his gaze : Colin Bridgerton notices Penelope Featherington. He‘s touched by the realization that she cares about him. It would be rather inappropriate of me to say that Colin is already in love with her. However, in the finale, I do believe that he’s more struck by her high level of deep care for him than her beauty.

We are thus able to spot two big differences in Colin’s relationship with women in this season : when his attraction to Marina was purely physical and rushed, his attraction with Penelope is more emotional and slow. And for now, he comes to cherish his special bond with her, especially after she tried to warn him of the dangerous trap he was about to fall into. Even if he just sees her as his younger sister’s best friend right now, Pen matters in his life. And it’s still a little yet important progress for sure.

Speaking of which, I agree with you that this look of awe as well as realization is mostly mixed up with guilt. Since he didn’t take into account her words, he felt the strong need to apologize. But bear in mind that guilt formulates a considerable part in Colin’s feelings for Pen... and it’s only the very beginning. In the future, he’ll blame himself for not seeing her as the beautiful goddess and siren that she is in the first place. He’ll blame himself for not reciprocating the feelings for her.... Though at the moment, due to his lack of experience with women, Colin is oblivious to Pen’s obvious signs of sorrow when he told her he’s leaving for Greece/Cyprus. Next time, he’ll detect her sadness and won’t let her go, I’m sure of it (if he doesn’t I’ll riot).

Furthermore, I’m so glad you brought up the scene where Colin glances at the Featherington house. I had the same thought as well. When you put this still and the one where Pen is crying while looking at her window side by side, it even seems like they’re looking at each other. In a way, it implicitly confirms Pen’s key role in his final decision... After all, she’s the one who inadvertently inspired him right ?

The act of traveling has always been seen as cathartic since leaving home to discover yourself allows you to heal your broken heart and soul. It’s natural for Colin to do this. To make his first real steps into the world. His choice is quite relatable more than it is essential for his arc in the series. I can’t wait for him to come back all changed, hot ^^ and mature. I think, like you said, they are planning on making him progressively falling in love with her. Colin’s feelings will gradually leave the platonic zone to explore and officially stay in the intimate zone throughout the seasons.

Overall, the Colin/Marina and Colin/Penelope parallel in s1 mostly helps viewers to compare the way Colin evolves from being a stubborn naive boy to a heartbroken young man who’s aware of his crutial need for Experience. His coming of age, just like Pen’s, has just begun. And they will surely lead to our boy changing himself into the true charming rake that he’s meant to be and our girl into a more confident woman. Consequently, I think their story won’t take 10 years but rather at the very least 5 years perhaps to fit the TV timeline. Once Polin will finally be able to discuss, we’ll hopefully get to see more interesting nuances and shades added to the portrait they painted of one another over the years. They’re indispensable to the slow build up of their emotions/attraction as well as the shattering of their childish idealization/perception of each other.

All in all, I’m so loving the fact that season 1 beautifully sets up the importance of the gaze in Polin’s love story. This first installment is like an expository scene of a play. It leaves a trail of clues and pieces of information here and there at the reach every viewers who can pick them up and analyze what can be the main themes which will determine one character’s story arc/romance. With Polin we have : admiration, wit, love and friendship, desillusionment. (I know they are more but it’s all I can think of rn lol).

If we’re already emotional messes just with the mere power of them looking at each other, imagine when they’ll actually talk and share real conversations. It’s going to be a long way to canon but luv me some good fluffy angsty steamy slow burn :) ✨ I hope this long of mine answers your ask ahah, even if I talked about many things other than just Polin’s looks. Also, sorry if you spot some grammatical mistakes, English is not my first language.

[eggrestes]

ladrien fic recs!

there are SO MANY amazing ladrien fics i cant possibly cover them all but here are a few!

(all the ratings used are ao3 ratings)

((this is a very long post!))

FLUFF

Of Ivy and Sunlight by cyanise [ T, 1509 words, 1/1 ]

When Adrien takes to wandering the streets of Paris in ungodly hours, Ladybug has no choice but to keep an eye on him. Still, things are bound to get a little out of hand between two overloaded teenagers with a lot of love and not enough self-control. 

a lovely post-chat blanc fic :’) it has a great flow and is just soft and so sweet and it’s just perfect. gosh i cannot really say more other than read it!!! also almost all of their other stuff is also ladrien so do check it out!

This can't be happening by PlaPla [ T,  6,467 words, 1/2 ]

Ladybug is unsure whether accompanying Adrien to a gala as his not-date is the best or worst thing that has ever happened to her. But when their table mates turn out to be none other than her long time friends Alya and Nino and with Adrien acting weirder and weirder she finds herself with bigger worries than an unrequited crush.

a djwifi/ladrien double date? hit me up! i love identity shenanigans, ball dancing, ladrien, and djwifi and this is a perfect mix for me. i know it’s incomplete but it doesn’t end in a cliff-hanger really, the part 2 is just a promise of more so it doesn’t feel incomplete! PlaPla also has a short oneshot of ladrien going for a motorcycle ride.

Falling again by emsylcatac [ M,  4,506 words, 2 Works ]

They had been dancing around each other for a while now, and while fifteen year old Adrien would have been ecstatic at the idea of dating Ladybug in secret, twenty-two year old Adrien knew better. But Ladybug wasn’t making it easy. It was like… she, too, was falling for him. And that surprisingly enough, she didn’t mind.

* * *

Or Adrien trying (and failing) to keep things professional between him and Ladybug when the two of them partner up for a mission. Older AU

things are a little steamy~ here (don’t worry, it’s only implied it’s very mild and closer to a T rating than the M) but it’s a great mature take on their dynamics! emsy has more ladrien one-shots in her collection of one-shots!

i'd love to go on a date with you by sae_what  [ G,  6,480 words, 1/1 ]

Once it had been falsely announced throughout Paris that Adrien and Ladybug are in a relationship, Ladybug pays him a visit to turn him down gently.

Only, she doesn’t. And instead, she has a formal dinner date. With Adrien. At 8 pm. Tonight.

LADYBUG IN A SUIT!! aaaaaaaaaaaaaa. okay but for real it’s so sweet and also??? they are on a date!!! a rooftop date!! (too man exclamation marks oops)

Always Welcome by  chatonne-rousse [ T, 1,683 words, 1/1 ]

Ladybug knows that Adrien's window is always open for her to swing by and stop in, whether for video games or a chat or, like tonight, for soft kisses and sweet nothings.

He loves these visits. His girlfriend is always welcome. Always. (Especially for kisses.)

Written for Ladrien June, day 8: bluebell eyes.

established relationship, pre-reveal ladrien. there is something very home-y about this fic and it’s all about the comfort and quiet that i adore about it!

Five Times Gabriel Agreste Caught Ladybug in His Son’s Bedroom (and the One Time He Caught Chat Noir) by agrestenoir [ T,  1,923 words, 1/1]

Gabriel Agreste keeps finding Ladybug in his son's bedroom. As a super villain and father, this will not stand.

this crack fic is... honestly so hilarious. it’s all through gabrie-i-am-trying-to-parent-and-failing-a-lot-agreste’s POV so it is so much ridiculous! 

an uncurtain discovery by  Missnoodles [ T, 4,684 words, 1/1 ]

When he returns from school on Wednesday afternoon, Adrien discovers the darkness in his own home. He struggles to come to terms with it. To his utter mortification and delight, Ladybug is nearby to rescue him.

(He does not discover that his father is supervillain. That will happen on a different Wednesday.)

Adrien is being a cat and gets tangled in the curtains on his window and it’s utterly ridiculous. all the bug and the cat tendencies make it funnier and adrien’s inner monologue is just a cherry on top!

secret valentine by a_miiraculer [ T,  12,245 words, 1/1 ]

this is the moment that we will come alive brace yourself for love sweet love, secret love

If Adrien had known that getting himself stuck in a tree would end like this, he would've gotten himself stuck sooner.

A drabble series.

i just,,,, don’t have words for how much i love it! it’s ridiculous, it’s cute, it’s funny, it’s whole-some and just ladrien. the writer also has a M rated multi-chapter ladrien kissing (no the M is very much real here) and a heroic adrien and ladybug one-shot too! 

Those Benevolent Stars by peachcitt [ G,  23,696 words, 3/3 ]

“Will you come back?”

She looked up at the deep blue sky, as if she could somehow find the answer there. “I shouldn’t,” she said, shaking her head and looking back at him. But the stars were still there, caught in her eyes, and Adrien persisted.

“But will you?”

or

adrien meets his soulmate, a thief who calls herself ladybug. he falls for her, but she seems determined to maintain a space between them.

oh my god this au.... just no words!! it’s poetry and it’s tender and it’s about the yearning and just!!! perfect :’). Her current ongoing ladrien june fic is also akin to this (and the fic i linked before it) so do check it out too! (literally check out all of their works it’s so beautiful)

Flowers on the Window Sill by LNC [ G,  2,144 words, 1/1 ]

The first time Ladybug saw him, really saw him, the universe stopped.

this fic feels like poetry and it’s so lovely. LNC is always short and direct but it always hits right in the feels while also being hilarious. Her  other ladrien works are just as good and i highly recommend going through them because it fulfills all of the ladrien needs (along with Reiaji)

whatever a sun will always sing is you by komorebirei [ T,  32,980 words, 37/37 ]

“I didn't think you'd actually... do anything," Adrien admitted, cheeks prickling with warmth. "I-I mean, I never expected... I didn't know you watched my interviews.” That definitely wasn’t how he'd imagined confessing to Ladybug.

“Of course I do!” Ladybug squeaked. “Uhh, that is…” She looked down at her hands, nervously turning her yo-yo over, over and over. “Maybe you’re not the only one with a crush.”

(After an unexpected confession, Ladybug and Adrien start dating in secret. A progressive character- and relationship-study quilted from drabbles, with the intention of digging treasure out of the cove that is Ladrien. Written using kashimalin-fanfiction's kiss writing prompts from Tumblr.)

it does such an excellent job at exploring this dynamic along with the characters. it’s such a sweet fic, each chapter short and fun!

ANGST

whose woods these are (I think I know.) by  Reiaji [ T,  105,000 words, 25/25 ]

Four years after his future turns to cinders, Adrien is a servant in the house he was meant to inherit. Disowned by his father and abused by his stepmother, his days are filled with drudgery until he meets a masked huntress in the forest behind his father's chateau.

As his friendship with Ladybug turns to first love, he dreams of a future spent at her side.

Then, on the eve of the Princess's masquerade, he meets his guardian—and is granted a wish.

[Ladrien Cinderella AU]

Warnings: Child abuse, Graphic depiction of violence

this is absolutely gorgeous. it has so many troupes and so many amazing character arc and great build up and everything just flows so well. it left me in awe for weeks and i just. want to experience reading it for the first time again. look at this gorgeous art inspired by this! {and you have to read  leonard bernstein too because LETTERS and LADRIEN and YEARNING}

i would do it again (oh, a thousand times) by bugabisous [ T, 2,266 words, 1/1 ]

Knowing you can bring someone back doesn’t mean you’re free of the pain of seeing them disappear before your eyes. He can’t imagine he’ll be able to look at her directly without replaying every horrifying moment when he felt her slip away in a puff of smoke.

When it happens once again, he already knows he’ll be trying again. He just can’t give up.

it expands on adrien’s feelings in the episode desperada (my beloved <3) and it is just ouch. such great angst, such great potential. the kind of tragedy that it offers is unusual for ml (it gets only rivaled by chat blanc tbh). to rival this angst bugabisous also has a fluffy one-shot :)

when the world gets too heavy (put it on my back) by Taliax [ T, 4,720 words, 1/1 ]

Chat Noir isn't allowed to cry over his father. But even when he's just Adrien, Ladybug won't abandon him.

Hawkmoth reveal hurt/comfort + Ladrien

the plagg and adrien bond written is just perfect, and oh this hits right in the feels :’) it hurts all in the right way. tali also has so many other ladrien works in all genres too

By Your Side by omniousunflower [ T, 4,361 words, 1/1 ]

(Angry and alone, Adrien waits on top of the Eiffel Tower for his lady.)

“So, how did my kitty get stranded up here?” Ladybug asks.

Groaning, Adrien pulls his knees toward his chest and presses his face against them. “Because he’s stupid and impulsive.”

“Chasing pigeons, then?”

“No.” Shame burns in Adrien’s veins, white-hot now that Ladybug is here to witness his stupidity. “I threw my Miraculous, and Plagg wouldn’t get it for me.”

post-hawkmoth defeat, and adrien is not doing well at all. i am cheating because it is post reveal, pre relationship but it’s still ladrien. this fic is a roller coater of emotions, starting from a slightly crack scenario to a cute, awkward, hopeful ending.  More Than You Know is another of sunny’s angsty ladrien work!

Breaking The Rules (AKA The Ladrien Fistfight) by ThisKwamiNeeds_aNap [ T, 8,714 words, 1/1 ]

Marinette may or may not be dying, but she’s still going to do her best to fix every single problem in the world. She’s not expecting Adrien to be the one who tries to stop her. (Takes place immediately after Kwami Buster)

Warnings: panic attack, broken bones, PTSD. please read the tags!

*slaps this fic* this fic can fit in so much angst. it just?? left me in PAIN oof. it says ‘ladrien fistfight’ on the lid but nooo there is marinette is just having a freak out and it’s all so much??!! and it’s not just marinette there is adrien too and chloe and alya and- wow it’s amazing. love it so much it fills up my angst needs :’)

so that’s it for now! my personal commentary isn’t impressive nor does it do justice to the fic but i still hope you read a few of these!! happy reading!!

[dindjarindiaries]

DIN DJARIN WEEKLY FIC REC #1

This week’s fic rec (January 24th to January 30th) is here! Below the cut, you can find a wide selection of Din Djarin fics to read, whether they’re multi-part, one-shots, drabbles, prompts, or headcanons. I challenge you to provide these writers with feedback if you choose to read their fic!

You can start submitting next week’s fic rec here.

MULTI-PART FICS

Space Cowboy by @punkrock-writer​​

summary: A Girl is teleported from her hotel room, and dropped onto the floor of the Razor Crest. Chaos ensues as she tries to convince The Mandalorian not to freeze her in carbonite, and do her best to find her place in the endless Void of space.

pairing: Din Djarin x F!oc

warnings/rating: Mature. Canon typical violence. Lots of swearing.

genres: angst, fluff, hurt/comfort

submitter comments: Hi this is my first fic, you can find it on AO3 also. I’d really appreciate some feedback or any ideas because I have a hard time figuring out if I’m doing the right thing😂 Thank you for doing this.

Touch by @magicrowiswritingstuff​​

summary: It seems so unfair that he is able to touch you and send shivers down your spine when you’re not.

pairing: Din Djarin x female!reader

warnings/rating: A bit of violence and injury/blood

genre: fluff

submitter comments: Just wanna say that I really love this idea and am excited to browse through all the recommended stories on Sunday! <3

Ciryc Ca’tra (Cold Night Sky) by @javi-djarins​​ (Ao3: brianmay_be)

summary: When you crash-land on a frozen planet on your way to Trask to find the Frog Lady’s husband and more Mandalorians, you and Din work together to keep the Crest afloat and keep your little family safe.

pairing: Din Djarin x wife!reader

warnings/rating: G

genres: fluff, hurt/comfort

submitter comments: She may be adding an epilogue that contains some smut, but right now all of the chapters are rated G!

Blossom by @dinthisisthe-wayson​​

summary: Alone.  You felt like you had no purpose in such a powerful galaxy, being the bystander is what you felt was the only thing you were good at.  But when a warrior with a child extend a helping hand.  You take it.  Not knowing that you will no longer be alone for the rest of your time in the universe. Not knowing that your place in the galaxy will be much bigger than you expected.  And just like any flower, you will blossom. In more ways than one.

pairing: Din Djarin x Reader

warnings/rating: Teen and Up, violence and language

genres: angst, fluff

submitter comments: N/A

Narudar by @zapsalis-d​​​

summary: You, an experienced bounty hunter working for the Bounty Hunter’s Guild, have found it difficult to sustain yourself lately, requiring more and more credits after each hunt to be able to buy your basic needs. Yet with so many members of the Guild, high rewards were tough to find. Until you’re given a bounty with the prize being something extremely valuable – beskar. During your hunt, you bump into an old enemy you were just so tired of fighting. On your attempt to finally get rid of him once and for all, he found out a secret you wished he hadn’t and now you don’t have any other choice than to team up with him, whether you like it or not. The both of you thought it would be simple. Deliver the quarry, split the reward between the two, and hopefully never see each other again. Oh, how you were wrong.

pairing: Din djarin x female reader

warnings/rating: Rated t for now (but im not sure if that writer will change that in the future or not)

genres: angst, fluff

submitter comments: N/A

Connection by @beskarhearts​​

summary: Din Djarin and you were very similar. You both were closed off from everybody and had on masks of your own. But, when the universe brings you and Din together, you form a connection you didn’t know you two could have.

pairing: Din Djarin x f!reader

warnings/rating: Cursing, family members passing away (think that’s about it so far)

genres: angst, fluff

submitter comments: N/A

Homeward Bound by TheStarvingWriter (Ao3)

summary: After Luke Skywalker takes Grogu, Din Djarin is adrift. He attempts to find solace in his old ways of bounty hunting, but he feels like an imposter—a shell of his former self, roaming around in a suit of beskar that no longer feels like his own. When a visit to Coruscant leads him to a Seer who tells him that Grogu is in danger, however, everything changes. Now, it’s a race to find his kid and return him home, before he truly loses him forever.

pairing: Din Djarin and Grogu (father/son)

warnings/rating: Teen and Up Audiences 

genres: angst, hurt/comfort

submitter comments: The writing of this is phenomenal. The way they write Din is fantastic and the angst is insane. There will be eventual reunion and each chapter leaves you wanting more. 158288483/10 recommended!!!

the light of stars by @tiffdawg

summary: In pursuit of the Child’s people, the mysterious Jedi, Din Djarin and his foundling find hope in a woman who shares the kid’s strange powers. Newly partnered with the Mandalorian, you are trained in the ways of the Force, but you’re no Jedi. You’re just trying to find your place in the galaxy.

pairing: din djarin x reader

warnings/rating: hurt/comfort, sexism, mild injury, mild language, angst, kissing

genres: angst, fluff, hurt/comfort

submitter comments: N/A

ONE-SHOTS

Only for You by @firstofficerwiggles​​

summary: You like to sing and it ends up bringing you closer to the Mandalorian. Events take place sometime between Seasons 1 and 2. It’s pretty much fluff with a teeny bit of story. Still has plot though :)

pairing: Mandalorian x female reader

warnings/rating: Rated: G, Warnings: None

genre: fluff

submitter comments: I hope you like it!

Getting Through This by Whumptastic (Ao3)

summary: Din has a hard time dealing with Grogu’s leaving, and like a true friend Cara offers support.

pairing: Din and Cara but only as best friends

warnings/rating: none really, lots of crying/sad vibes tho

genre: hurt/comfort

submitter comments: N/A

Fifty Four by @themand0lorian​

summary: Reader gets a drunken holo from Din, based on Pedro Pascal's 24 hour play monologue (linked in fic)

pairing: Din Djarin x gn!Reader (no Y/N)

warnings/rating: E

genres: angst, fluff

submitter comments: N/A

Reassurance by @galaxysgal​ (Ao3: imjusttheoutgoingsidekick)

summary: You worry about Din and his recklessness during and after the events of Morak and the two of you have a small chat about it.

pairing: din djarin x gn!reader

warnings/rating: PG, major spoilers for The Mandalorian Chapter 15, canon typical violence, near death experience (for Din), some swear words (both sw swears and regular english ones lol)

genres: angst, fluff, hurt/comfort

submitter comments: since it's up on tumblr and ao3 i wasnt sure which link/acc name to give so I just gave both :)

ni kar’tayli gar darasuum by @pumpkin-stars

summary: Din was friends with another foundling as a child, they never saw each other’s faces, both shrouded in beskar from everyone. But feelings form from actions and words, not sight. AKA Din gets married to someone equally touchstarved.

pairing: Din/Reader (no pronouns)

warnings/rating: safe for everyone - warnings for (happy) crying, and it's my first attempt at a star wars fic so the finer details might be a bit dodgy

genre: fluff

submitter comments: i love your fics! i'm still new to the fandom but you seem so sweet and this is a really good idea/thing that you're doing! xx

The Vexatious Nine by Balsamique (Ao3)

summary: While searching for more of his kind on the desolate planet of Karth, a blizzard traps the Mandalorian, the child and seven lodgers in an isolated stopover. When one of the lodgers is mysteriously murdered, it’s up to the Mandalorian to catch the killer before they can claim their next victim. But as the storm thickens, so does the mystery — and this isn’t a problem he can shoot his way out of.

pairing: N/A

warnings/rating: General Audiences

genres: Action/Adventure, Murder Mystery

submitter comments: Author's name on Ao3 is Balsamique. On Tumblr it's first-order-media-department.

what happened to you? by @lesbisoka​

summary: After the events of Episode 8 (S1), Din returns to Sorgan to recover. Omera finds him in a less than ideal state.

pairing: din djarin x omera

warnings/rating: General Audiences, no archive warnings apply

genre: hurt/comfort

submitter comments: N/A

Sprained by @kesskirata​

summary: Rebel spy reader is injured and can’t make her meet up with The Mandalorian

pairing: The Mandalorian x reader 

warnings/rating: none

genres: angst, fluff, hurt/comfort

submitter comments: N/A

Over the Moon by gobuyastarwars (Ao3)

summary: Din and Grogu travel with Boba Fett and Fennec Shand for a time. The Mandalorian, Boba, Fennec, and Grogu stop to refuel and find an unpromising tourist attraction nearby– an amusement park. Din doesn't want to go into the amusement park, but Boba and Grogu do.

pairing: Din and Grogu

warnings/rating: Gen, no warnings

genre: fluff

submitter comments: N/A

You can start submitting next week’s fic rec here.

[killianmesmalls]

On your comments about Jack: ye-es, in the sense that Jack is a character who definitely deserved better than he was treated by the characters. The way Dean especially treats him reflects very badly on Dean, no question. But, speaking as a viewer, I think the perspective needs to shift a little bit.

To me, Jack is Dawn from Buffy, or Scrappy Doo. He’s an (in my opinion) irritating kid who is introduced out of nowhere to be both super vulnerable and super OP, and the jeopardy is centered around him in a way that has nothing to do with his actual character or relationships. He’s mostly around to be cute and to solve or create problems — he never has any firm character arcs or goals of his own, nor any deeper purpose in the meta narrative. In this way, he’s a miss for SPN, which focuses heavily on conflicts as metaphors for real life.

Mary fits so much better in that framework, and introducing her as a developed, flawed person works really well with the narrative. It is easy for us to care about Mary, both as the dead perfect mother on the pedestal and as the flawed, human woman who could not live up to her sons’ expectations. That connection is built into the core of SPN, and was developed over years, even before she was a character. When she was added, she was given depth and nuance organically, and treated as a flawed, complex character rather than as a plot device or a contrivance. She was given a voice and independence, and became a powerful metaphor for developing new understandings of our parents in adulthood, as well as an interesting and well-rounded character. You care that she’s dead, not just because Sam and Dean are sad, but for the loss of her development and the potential she offered. So, in that sense, I think a lot of people were frustrated that she died essentially fridged for a second time, and especially in service of the arc of a weaker character.

And like, you’re right, no one can figure out if Jack is a toddler or a teenager. He’s both and he’s neither, because he’s never anything consistently and his character arc is always “whatever the plot needs it to be.” Every episode is different. Is he Dean’s sunny opportunity to be a parent and make up for his dad’s shitty parenting? Yes! Is he also Dean’s worst failure and a reminder that he has done many horrible things, including to “innocent” children? Yes! Is he Cas’s child? Yes! Is he Dean’s child? Yes! But also, no! Is he Sam’s child? Yes! Is he a lonely teenager who does terrible things? Yes! Is he a totally innocent little lamb who doesn’t get why what he is doing is wrong? Yes! Is he the most powerful being in the universe? Yes! Does he need everyone to take care of him? Yes! Is he just along for the ride? Yes! Is he responsible for his actions? Kinda??? Sometimes??? What is he???

Mary as a character is narratively cohesive and fleshed-out. Jack is a mishmash of confusing whatever’s that all add up to a frustrating plot device with no consistent traits to latch on to. Everything that fans like about him (cute outfits, gender play, well-developed parental bonds with the characters) is fanon. So, yes, the narrative prioritizes Mary. Many fans prioritize Mary, at least enough that Dean’s most heinous acts barely register. To the narrative (not to Cas, which is a totally different situation), Jack is only barely more of a character than Emma Winchester, who Sam killed without uproar seasons earlier. He’s been around longer, but he’s equally not really real.

I debated on responding to this because, to tell the truth, I think we fundamentally disagree on a number of subjects and, as they say, true insanity is arguing with anyone on the internet. However, you spent a lot of time on the above and I feel it's only fair to say my thoughts, even if I don't believe it will sway you any more than what you said changed my opinions.

I'm assuming this was in response to this post regarding how Jack's accidental killing of Mary was treated so severely by the brothers, particularly Dean, because it was Mary and, had it been a random character like the security guard in 13x06, it would have been treated far differently. However, then the argument becomes less about the reaction of the Winchester brothers to this incident and more the value of Jack or Mary to the audience.

I believe we need to first admit that both characters are inherently archetypes—Mary as the Madonna character initially then, later, as a metaphor for how imperfect and truly human our parents are compared to the idol we have as children, and Jack as the overpowered child who is a Jesus allegory by the end. Both have a function within the story to serve the Winchester brothers, through whose lens and with whose biases we are meant to view the show's events. We also need to admit that the writers didn't think more than a season ahead for either character, especially since it wasn't initially supposed to be Mary that came back at the end of season 11 but John, and they only wrote enough for Jack in season 13 to gauge whether or not the audience would want him to continue on or if he needed to be killed off by the end of the season. Now, I know we curate our own experiences online which leads to us being in our own fandom echo chambers, however it is important to note that the character was immediately successful enough with the general audience that, after his first episode or two, he was basically guaranteed a longer future on the show.

I have to admit, I’m not entirely sure why the perspective of how his character is processed by some audience members versus others has any bearing on the argument that he deserved to be treated better overall by the other characters especially when taking their own previous actions in mind. I’m not going to tell you that your opinion is wrong regarding your feelings for Jack. It’s your opinion and you’re entitled to it, it harms no one to have it and express it. My feelings on Jack are clearly very different from your own, but this is really just two different people who processed a fictional person in different ways. I personally believe he has a purpose in the Winchesters’ story, including Castiel’s, as he reflects certain aspects of all of them, gives them a way to explore their own histories through a different perspective, and changes the overall dynamic of Team Free Will from “soldiers in arms” to a family (Misha’s words). In the beginning he allows Sam to work through his past as the “freak” and powerful, dangerous boy wonder destined to bring hell on earth. With Dean, his presence lets Dean work through his issues with John and asks whether he will let history repeat itself or if he’ll work to break the cycle. Regarding Cas, in my opinion he helps the angel reach his “final form” of a father, member of a family, lover and protector of humanity, rebellious son, and the true show of free will. 

From strictly the story, he has several arcs that work within themes explored in Supernatural, such as the argument of nature versus nurture, the question of what we’re willing to give up in order to protect something or someone else and how ends justify the means, and the struggle between feeling helpless and powerless versus the corruptive nature of having too much power and the dangerous lack of a moral compass. His goals are mentioned and on display throughout his stint on the show, ones that are truly relatable to some viewers: the strong desire to belong—the need for family and what you’ll do to find and keep it. 

With Mary, we first need to establish whether the two versions of her were a writing flaw due to the constant change in who was dictating her story and her relationship to the boys, which goes against the idea that her characterization was cohesive and fleshed-out but, rather, put together when needed for convenience, or if they both exist because, as stated above, we are seeing the show primarily through the biased lens of the Winchester brothers and come to face facts about the true Mary as they do. Like I said in my previous post, I don’t dislike Mary and I don’t blame her for her death (either one). However, I do have a hard time seeing her as a more nuanced, fleshed-out character than Jack. True, a lot of her problems are more adult in nature considering she has to struggle with losing her sons’ formative years and meeting them as whole adults she knows almost nothing about, all because of a choice she made before they were born. 

However, her personal struggles being more “mature” in nature (as they center primarily on parental battles) doesn’t necessarily mean her story has layers and Jack’s does not. They are entirely different but sometimes interconnected in a way that adds to both of their arcs, like Mary taking Jack on as an adoptive son which gives her the moments of parenting she lost with Sam and Dean, and Jack having Mary as a parental figure who understands and supports him gives him that sense of belonging he had just been struggling with to the point of running away while he is also given the chance to show “even monsters can do good”. 

I’d also argue that Jack being many ages at once isn’t poor writing so much as a metaphor for how, even if you’re forced to grow up fast, that doesn’t mean you’re a fully equipped adult. I don’t want to speak for anyone else, but I believe Jack simultaneously taking a lot of responsibility and constantly trying to prove to others he’s useful while having childish moments is relatable to some who were forced to play an adult role at a young age. He proves a number of times that he doesn’t need everyone to take care of him, but he also has limited life experience and, as such, will make some mistakes while he’s also being a valuable member of the group. Jack constantly exists on a fine line in multiple respects. Some may see that as a writing flaw but it is who the character was conceived to be: the balance between nature or nurture, between good and evil, between savior and devil. 

Now, I was also frustrated Mary was “fridged” for a second time. It really provided no other purpose than to give the brothers more man pain to further the plot along. However, this can exist while also acknowledging that the way it happened and the subsequent fallout for Jack was also unnecessary and a sign of blatant hypocrisy from Dean, primarily, and Sam. 

And, yes, Jack can be different things at once because, I mean, can’t we all? If Mary can be both the perfect mother and the flawed, independent, distant parent, can’t Jack be the sweet kid who helps his father-figures process their own feelings on fatherhood while also being a lost young-adult forcing them to face their failures? Both characters contain multitudes because, I mean, we all do. 

I can provide articles or posts on Jack’s characterization and popularity along with Mary’s if needed, but for now I think this is a long enough ramble on my thoughts and feelings. I’m happy to discuss more, my messenger is always open for (polite) discussion. Until then, I’m going to leave it at we maybe agree to disagree. 

[lordmomohismomoness]

Canon Divergent from Season 2

When The Mask Comes Off by Jamie Hasaku

Rated K 73K+ words Completed 2006

After freeing her and her friends from capture, Zuko has no choice but to care for a gravely injured Katara, who was left behind by accident. The trick? Keeping his face hidden so she doesn’t hurt herself even more by trying to fight him. Zutara Blutara

When The Mask Comes Off: Conquest by Jamie Hasaku

Rated M 121K words Abandoned 2008

It's been four years since WTMCO and as Katara deals with the attraction she feels slipping underneath her guard every time a certain firebender walks in the room, she must also come to grips with their future. Chapter 4 'Part 3' rated M. Zutara

Trigger Warning: Graphic Depictions of Violence

Note: Sequel to When The Mask Comes Off, takes place post series

Dancing in the Dark by DamageCtrl

Rated T 61K+ words Completed 2006

Post-Season 2 AU: While in Ba Sing Se, Katara and Toph hear a rumor about two tea servers in the lower tiers of Ba Sing Se and sneak away go to investigate only to have their suspicions confirmed. On her personal time, Katara tries to teach herself to dance and fails so badly, a masked man takes pity on her to try to help.

Closet Negotiations by Rashaka

Rated T 3K words Completed 2006

Empty closets are good for lots of things. As Katara is going to find out, hiding is just one of them.

Following Blue by Boogum

Rated T 42K words Completed 2014

One waterbender, one masked swordsman, and an ostrich-horse named Scratch. They didn't seem to have much in common, but circumstance changes everything, and sometimes new friendships will be formed whether you want them to or not. Just ask the Blue Spirit.

Rescue Me by Hootowl

Rated T 171K words Completed 2012

"Because they're going to arrest me for earthbending." And they did, but things didn't go according to plan. In fact, failure had never even crossed her mind. A capture!fic...of sorts. Muahahaha! Zutara (ongoing chapter edits)

I Don't Speak Meow Language by Boogum

Rated T 11K words Complete 2019

In which Zuko adopts a cat and Katara just wonders what spirits she pissed off to deserve this fate.

Keep Your Enemies Closer by Orphan_account

Rated M 20K words Completed 2018

Katara just wanted to escape the ninjas with all her limbs intact. Too bad she'd gained an extra in the form of a grumpy firebender. Handcuffs are a pain, especially when your enemy looks this good shirtless.

Rumor Has It by Fictionisocialinquiry

Rated M 50K words Completed 2019

"The Blue Spirit begins appearing in proximity to rumours of the Painted Lady. She cleans a polluted well and the sickness it caused in a tiny coastal town. The very same night, a crate of rice and cured meat wrapped in flame embossed bamboo appears by the well. Valleys of sword strokes and kisses of ash adorn the rough pine crate.

It is said, the Blue Spirit is hunting the Painted Lady. Or that he’s under her spell.

In a way, both are true."

Burgundy and Blue by Anothersilenttwriter

Rated T 3K words Completed 2020

Zuko didn't know who she was until it was too late.

He wanted so desperately to believe in something, anything. His whole life had been centered around destiny and honor, and always something bigger than him that he was just comfortable being around a spirit stronger than him. But to find out his new source of hope at his lowest point was nothing more than a girl, well he was disappointed.

But he learns that it isn't too bad.

A Bluetara Tale by Irishleesh93

Rated T 9K words Completed 2020

For Zutara Week 2020

What if Katara and Zuko (as The Blue Spirit) had met throughout the series by chance. Will she find out his identity? What are Zuko's motivations? Follow this light romance to find out. For Zutara Week 2020. A collection of interconnected Blutara one-shots. This is my fifth Zutara Week and first time writing Blutara so I'm very excited! Who doesn't love the Blue Spirit.

Containts Smut

The Sparrowkeet Series by Audreyii-fic with LikeADove

Rated M 89K words Completed 2018

Ba Sing Se has fallen and Katara has been captured by the Fire Nation; a more adult take on the potential progression of S3. AU series of interconnected one-shots. Zutara. Rated for lemons and general darkness.

Brightest Nights or Darkest Days by Kittenshift17

Rated M 128K words Abandoned 2018

When a blizzard strikes, Katara is torn from Appa's back and separated from her friends. Attempting to find them, she stumbles across Zuko, similarly separated from Iroh and searching for his Uncle or the Avatar – whichever comes first. Pairing up looks like the only option, but what effect will such close contact between two enemies have in the long run? Zutara.

Trigger Warning: Graphic Depictions of Violence

Note: Contains spoilers for "The Search"

Taken by a Faceless Stranger by Delectate

Rated M 11K words Completed 2011

Season 2 oneshot, between "Zuko Alone" and "The Chase". Katara thinks she knows all there is to know about a certain masked warrior. Bluetara. Written for Zutara Week 2011. Rated M for mature.

Satisfied by Kittenshift17

Rated E 28K words Abandoned 2018

Caught out after dark in Ba Sing Se, Katara is hunted by a group of thugs before being rescued by the Blue Spirit. Locked out of the Upper Ring for the night, it looks like she has nowhere to go until the Blue Spirit takes her home with him, where he unwittingly reveals his identity, and just maybe, Katara's destiny to never be satisfied outside of Prince Zuko's fiery embrace.

Bonus day: Tea Shop by Cincilin

Rated E 11K words Completed 2017

"Hello and welcome to the Jasmine Dragon. Today's special is—" he cut himself of with a sharp intake of breath, at the same moment that Katara placed the voice and looked up.

'He has hair.' was her first thought. Then the rest of her brain caught up with her and she started to get up, sending Momo scrambling to hide under the table.

Season 2 AU, during "The Guru", messes around with the timeline a bit, and with Upper Ring architecture.

Embrace by Alexb49

Rated M 3K words Completed 2010

Katara stumbles across a familiar boy out on a date in Ba Sing Se. Set during S2 episode "Tales of Ba Sing Se". Rated M for mature content of a sexual nature. Pairing: Katara/Zuko. Written for the Zutarotica 2010 Summer Challenge.

[veronicamarsconfessions]

Is Rob Thomas Jealous of Taylor Sheridan’s Success?

Remember when Taylor Sheridan was nominated for an Oscar for ‘Hell Or High Water’? Although Rob Thomas did congratulate him for his nomination, some people detected some sarcastic undertone within his tweet. Don’t know whether they are friends in real life or not, but many suspected that RT was a bit envious that TS was nominated for Best Writing.

Before he was famous as a great screenwriter who also wrote the acclaimed ‘Sicario’ franchise, he appeared as a recurring character Danny Boyd in VMars. You may remember Danny Boyd; one of the cousins of the Fitzpatrick and specifically Liam’s right-hand man. He also played the great Sheriff/Deputy Chief Hale from Sons of Anarchy. After many stints as recurring characters in many shows, he started to write a screenplay. Sicario is a film about Cartel hitmen and Narcos. Very well written and made, and it made him a household name.

This is why fans took notice when Rob started to inserted many Narcos-style storylines about a cartel hitman in Neptune (season 4 VMars). The plot was weak and seemed out of place from the whole VMars vibe. Rob wanted to put every ingredient that made Cartel drama, Noir, Comedy, and Romance into this one miniseries, he forgot about the characters and what made it good in the first place. He wanted to be taken as a “serious” writer so much, he forgot that he was using an existing show with a different vibe and insisted that the show was matured. He wanted the show to be Breaking Bad, Better Call Saul, Sons of Anarchy, Sicario... but he ended up using all the tropes into this blender and the result is a mess. It’s like making ice cream but then he decided to add some onions just to spice things up.

Rob is well known to ‘borrow’ many plots and storylines from his favorite movies into his shows. He claims that it’s more of a homage. But when every episode of his shows is some kind of homage of something, it bears a question of whether he could write an original story or not.

Taylor Sheridan’s Sicario was less about the hitmen plot but more about the characters. Many shows like Breaking Bad, Better Call Saul, and many more are about the characters and how much they are written brilliantly. Fans love the shows not just because of the plots (although they are good), but because of the characters. Fans care about them and want to see more of them. The plots are there to accompany them, not the other way around.

Rob thinks to get taken seriously is to have all those plots into one giant bowl. He forgot about the characters; therefore he forgot what made the show brilliant. He forgot (or ignore) why the show was great; it was all about the characters. And the fact that he is also jealous (based on his tweets back then) about his fellow creators, kinda cemented the idea that he is stuck in an old school writing that he is accustomed to and not liking the idea that other writers from his generation are more successful and more acclaimed than him.

What he said about Taylor Sheridan made people frown. He said, “Hey remember this guy who played this loser Danny Boyd?” (Paraphrasing, of course) and then he posted an unflattering picture of the character. “I made him!” I think many fans pointed out on Twitter that he was only joking, but could feel the jealousy seeping through the tweet.

When Jessica Chastain was nominated for an Oscar, he also tweeted, “I am assuming Jessica Chastain will thank me profusely in her acceptance speech tonight. Veronica Mars made her career!” Fans of Chastain (who didn’t know who he was and thought that he was the singer of Matchbox 20) immediately roasted him on Twitter, calling him out, and got angry because this man claiming that her success was because of him. He immediately said that he was only joking and that he was proud of her, that an Oscar nominee used to be on his show.

But this has become a pattern, that when someone he knew suddenly become successful, he would joke that they should thank him. Fans were surprised that he never said anything about Tessa Thompson’s success and soaring career when he was on Twitter, but glad that he didn’t. The only actors that always praising Tessa Thompson are Percy Daggs III, Erica Gimpel, Francis Capra, Jason Dohring, and Kyle Gallner. Fans never heard Rob Thomas said anything about her, but maybe that was a good thing. Tessa Thompson mentioned that she had a bad experience on the set of VMars because of the way they treated her character and the fact that they straightened her curly hair so it wouldn't look “ghetto”, and the fact that Rob wrote her character as a punching bag.

Back to Taylor Sheridan, the man is now known as a successful writer-director who directed “Wind River”, a movie about the rape and murder of a Native American girl on tribal lands, and is meant to provoke conversation about the exploitation experienced by indigenous women. When the movie was bought by The Weinstein Company, Taylor Sheridan threatened to destroy the movie after Harvey Weinstein's scandals. “I said, if my movie’s going to die, I’ll be the one to kill it,” Sheridan said in an interview. “I will take my name off it, and publicly denounce it. I would have said, don’t go see this movie, don’t rent it, don’t watch it. If he was going to remain publicly attached if he was going to benefit from a film highlighting the atrocity he perpetrated? No.” He also demanded that the proceeds from the movie would be given to charity and women’s organizations.

He was ready to nuke his own movie before letting it live on with Weinstein branding. Some of us always pondered... Whether Rob would even do the same thing (denounce his movie, giving the film money to charity, etc)? Judging by his own scandalous iZombie tv show when Robert Knepper guest-starred in the show it seems he wouldn't nor care. He never publicly comment about Robert Knepper and his rape allegations. The only people who commented were the actors like Rahul Kohli, Malcolm Goodwin, Robert Buckley, and Rose McIver. Maybe the people (Rob and Diane) who write rape in every show as plot devices but not as raising awareness are not really feminists as they claimed to be.

Taylor Sheridan might not be the next great screenwriter; occasionally his works are problematic. He is this manly Marlboro man writer who writes about men even when he writes about feminist stuff. His female characters sometimes are white and pretty with the tendency of damsel in distress or white saviors. But at least he is trying to hone his skill to be a better writer. We will see more about his future in interest. In conclusion, Taylor Sheridan, the glorified extra from Veronica Mars probably deserves those recognitions. Rob Thomas can steam.

[otakween]

I'm Standing on a Million Lives - Volume 10

A nice "bridging" volume. We get the end of the Rainbow Stair arc, some downtime and then straight into the Black Work arc! That last arc felt pretty long but I also took a mini reading hiatus that could have contributed to that. Wonder how many volumes this new arc will stretch across...

Ch. 45

-It seems we're going to wrap up the Rainbow Stair arc soon. Again, I kinda wish they just did that in the previous volume but oh well.

-Kusue and Yusuke debate whether it's worth it to stop murdering people after you start to "save your soul." Kusue is a catholic confirmed!

Ch. 46

-So we get a chapter mainly from Cantil's perspective. We learn that he (and Fatina) are older than they look due to creature magic. Malita then becomes Cantil/Fatina's apprentice because she wants a new start. Cantil muses about the time skip mechanic and how he might not even be alive the next time the heroes come around.

-I think it was a good idea to give Cantil's POV. He emphasizes how Yusuke's a kid and still very malleable. Since he's not going to be around he asks Glenda to keep an eye on Yusuke for him. Some of the writing in this part was a little too "all hail Yusuke" for my tastes, but at least there was some healthy skepticism thrown in there.

-We get a very unsatisfying Q&A segment with the Game Master. Learned nothing.

-The players plan for improving the Ihar-Nemore society was interesting, but it all seemed to go a little too smoothly and quickly towards the end. I feel like realistically there would be more push back and these kinds of changes would take years, not months. Also, it was a little too convenient how everything in this fantasy world was an exact parallel to real world crises. Well, I guess there's only so many ways humans can interact/mess up, no matter where you are.

-Was that a Fortnite reference at the end there? Another reminder that Yusuke's a child.

Ch. 47

-We get a nice, in-between arcs, beach episode. Definitely nice to have these "real world" chapters for balance. We also get to see how the characters dynamics shift from world to world.

-While I think Yusuke and Yuka's inner monologues about how they're not used to the "IRL" world are exaggerated, I can kind of relate. Especially during the pandemic, I'm in isolation for the majority of the year, so I'm also the stereotypical, under-socialized geek.

-We see some other players in the USA and the host of the gathering reveals that the fantasy world and the real world are already connected via a small portal. It will be interesting to see how the players pool their knowledge.

-Seeing all these players together makes me wonder how many players died and didn't make it to the gathering. Considering how rigorous the quests have been so far, presumably some people couldn't cut it.

-You can tell this series doesn't prioritize ecchi based on how modestly dressed all the girls were at the beach. That's kind of refreshing.

Ch. 48

-Yaaay new guy! I really like his design/personality. Plus, we get a more balanced group with another adult and male. Funny to see an isekai lover get isekai'd.

-I totally related to Habaki's job struggles. His reasons for not quitting and his thoughts on how his job sapped all his energy and prevented him from reading any challenging books. Too real. (Of course, my job is way cushier than his, but I think these are universal struggles for any full-time employee).

-I guess the Game Master can help Yusuke commit real-world crimes so long as it helps with the mission. Until they revealed that I was like "uh...why is he doing something so risky??"

-It's pretty ridiculous that the Game Master has to drive Yusuke to save Habaki. Can't he just teleport him? lol. Also, another Seaman reference.

-We see the I'm Standing on a Million Lives manga in the background at the bookstore which hurts my brain

-When the people at Habaki's company were like "EVERYTHING'S RUINED!" I was kinda laughing because I work in systems and if everyone busted up our PCs it wouldn't be that big of a deal and we could recover pretty quickly. Luckily, they do acknowledge cloud storage which made it more believable.

Ch. 49

-We get another non-fiction section, this time about the WHO's recommendations for presenting suicide in fiction. Very interesting and mature of the author to acknowledge the problematic nature of his own text. It kind of felt like the disclaimer you see before some shows these days in streaming.

-After the blurb about suicide we get another one about "black" companies and "invincible" people. I had never heard the term "invincible people" in this context before, so that was fascinating. I feel like we don't categorize people the same way in the US. If someone does something dangerous because their life's falling apart, I think we would probably just pull out the psychology terms (narcissistic, personality disorder, sociopath etc.). In Japan they have all these archetypes (NEET, Hikkikomori, Invincible Person). I guess we probably have some, but you don't hear about them as much.

-So, the previous quest was completely pointless because the cities they saved were almost immediately destroyed. Womp wommmmp.

-The fact that "black" = corrupt in Japan is definitely awkward, but I understand it's just a cultural difference...

-The new storyline of a policy being put in place that no longer makes sense but a lot of people have died so there's no turning back, sounds very familiar. I'm sure you can compare it to a lot of things but it reminds me of the Afghanistan war...

-I guess it's a good thing that Malita left Ihar-Nemore when she did! I expect we'll see her again in the near future.

[sparksflamesembersashes]

Random musings on 10.18 Find Me

Other Carylers have spoken about the episode and their interpretations of it and what it means for Caryl and their future and I've been sharing those and don't have that much to add to what’s already been discussed. Others have written well thought out and detailed analyses and interpretations and said it way better than I ever could. Most of them have been writing about Caryl forever and I started less than a year ago. I do want to speak to some technical stuff and a few other things, since I never do know when to shut up. Spoilers for 10.18 below the cut.

Brief talk on techie stuff... Wow, the cinematography in the plus six are really taking it up a notch. 10.18 has some of the most gorgeous images in the history of the show. The colors, the framing, and Caryl; separated by a stretch of water that's a literal stand-in for the divide between them, in an episode stuffed with signs and symbols and parallels. "Find Me" has some of the most visually breathtaking shots in the history of TWD... and do you know why? Because the plus six were filmed on digital cameras, for the first time in the history of a show that has always been shot on 16 millimeter film. Turns out, the digital process not only has fewer "touch points" (thanks for nothing, COVID) but it's also cheaper, faster, and easier on the environment.

TWD almost switched to digital for Season 2, and while AK claims now that they can still give it that classic TWD look, in a 2019 interview posted on comicbook.com, she said they were committed to shooting on film to preserve it's look and feel (confirming that film and digital are noticeably not created equal, an opinion/truth they are apparently backing off of, now). If the new episodes look different, its because they are. I am torn between which style I prefer. The grainy, Kodak-y type images of TWD as shot on film are increasingly rare on any screen, simultaneously nostalgic and beautiful and born of toxicity. The gallons of chemicals used in developing standard film are not environmentally friendly and probably need to go the way of the dinosaur. 

Digital is wonderful in its own ways, so minute in its details, and can easily capture images and light conditions otherwise incredibly difficult to duplicate on actual film... But digital doesn't look the same, it doesn't feel the same, in the way that CD's and vinyl records don't sound the same. Purists curl their lip at the new and improved version of the medium, but the truth is,most people don't notice the differences.

TWD has always used the sun and the moon to their best visual advantage and both the celestial backdrops show up in "Find Me." The sun filtering through the trees onto Daryl or in his general direction has made repeat appearances in S10. Is this a metaphor for his finally finding his enlightenment? (Or is it nothing deeper than AMC uses the light to make everything look as cool as possible?) 

10.18 shows us more of Daryl's soul (in a single episode) than we've seen before. His character goes through all sorts of colors, screaming in the rainstorm, grimacing as puppy Dog licks his face, meeting and spending time with this strange, lonely, gruff, almost mirror reflection of himself, someone who is grieving and angry and alone. Fighting with Carol! A real fight, but an honest and not altogether unhealthy one. You gotta work through to acceptance and let go of the past before you can look forward to a future, and these two have enough trauma issues between them to fill a psychiatric journal. They’ve a long, arduous road ahead of them, but they WILL reach their destination. Together.

Daryl throwing the fish at Leah's door and Leah throwing the fish at Daryl are my favorite moments in the episode. I laughed out loud. I did not get the impression that they only encountered each other once every several months, I took it that the time jumps measured the progression of their relationship, i.e. that it took that long for them to warm up to each other. When Daryl did go to stay at Leah's, it was literally out of necessity, as he was getting frost bitten in the woods and probably would have lost at least a digit or two had he remained in his camp.

For the first time, I didn't really enjoy the Caryl banter? (Please don't hurt me.) There was a sadness, a tension, and a sense of loss there I just couldn't shake. Carol was trying to run away from the horrors of the Whisperer's aftermath, and Daryl knew it, and he was annoyed by it. Carol's attempts at lightheartedness seemed forced. I feel like Daryl is a man with a whole lot on his mind at this point, and that Carol is a woman who is habitually trying not to think about the real stuff if she can avoid it. She jokes and banters but she's almost too cheerful... or maybe it just seems that way because Daryl's so grim. Not grim as in we're-all-facing-our-end-of-days-doom grim, but not in a laughing mood where Carol's concerned. He thinks she's running again, and seeing Leah's cabin reminds him that Leah probably ran from him, too. He lost both his brothers, Rick and Merle. Daryl has abandonment issues and an overdeveloped sense of responsibility going back as far as we know. He loses people and can't find them again, no matter how much he searches. 

Revisiting Leah's cabin, the devastation of Alexandria, and everything that's been building up over, about, and because of Carol has pressurized within Daryl till he finally takes a shot, and who can blame him? But he also shows his development and maturity by trying to express his disappointment with controlled words of frustration (compared to camp- or barn-rage Daryl in S2), telling Carol exactly what it is she does that's widening the chasm between them. 

Carol to Daryl early in the episode "I don't want to lose you because you can't figure out when to stop," and Daryl to Carol "That's on you. 'Cause you don't know when to stop.") Daryl doesn't know when to stop searching for his lost brother and blaming himself for things, Carol didn't know when to stop her revenge-fueled pursuit of Alpha. Daryl also tells Carol "That's all that matters. You being right." (after she says she was right to go after and destroy Alpha to avenge her son.) At the end of the ep., Carol says it again: "I was right" (this time about their luck having run out), then she goes to fix the door. 

So now Caryl know and have established what gets each other's goat. That could be a good thing, but tptb will undoubtedly attempt to convince us its a bad thing,, ya think? Neither of the characters knowing when to stop and their mutual annoyance over the fact could be something the show runners milk for a while.

Î wanted to know whether Daryl went back to the cabin after leaving his note, to see whether Leah had returned to it, or not. I want to know what Carol did with the note. Did she take it with her, or did she put it back? They never showed us. Daryl seemed anxious and tense about her finding it, and I did not miss the symbolism of Carol being the woman who eventually finds the note Daryl left behind years ago: "I belong with you. Find me." I mean, how perfect is that? 

Contrary to spoilery bullshit stinking up the Twittersphere, Carol did not seem exactly “upset” at finding the note, though clearly she was sad. She knew exactly what the note was, so Daryl must’ve told her about it, that he left it. Maybe he didn't tell her exactly what it said or everything about Leah, but my impression was that she realized what it was and where they were, and it was all yesterday's news to her. Seeing the note seemed to make her sad for Daryl because she knows Daryl can't handle losing people, and that he punishes himself for failing to help or save people by pushing everybody away and isolating. 

Leah didn't so much choose to be there in the cabin as she ran for her life from a dangerous situation and the cabin was just the place where she and her bitten son ended up.

So many yawning gaps in the Leah storyline. How often did they see each other? Did Daryl move in with her toward the end of their relationship? I felt like he did after the time she found him freezing in the woods, but that he'd leave for days to go look for Rick, or hunt, or who tf knows. Maybe he'd leave to see or meet Carol. Carol knew about Leah, but when? Before, or after it was happening? Why is that important? I just want to know when he told her.  Really hoping they didn’t leave things purposely vague so they can fill in the gaps to screw with us later. 

Timing is everything. Like, how much time passed between Leah telling Daryl to choose, and the time Carol told Daryl she couldn't keep visiting? Or did he leave Leah's cabin and return to it that same day? Which would imply Leah abandoned Daryl practically the instant he walked out the door following her ultimatum. It seems like Daryl was gone a while, it was dark when Leah told him to choose, and daylight in the scene with Carol at his camp and when he was walking in the woods. It could have been days. That makes a difference. Leah was obviously not Daryl's first choice, no matter that he ran back to her in the end.

The fact that Carol knew about Daryl's relationship with Leah is a crafty move on the show runner's part because we can't really be pissed at Daryl if Carol knew about it the whole time and was cool with it.... but we all know now that Daryl didn't tell her everything. 

No one is talking about how Leah obviously abandoned Dog, she left him shut in the damn cabin for who knows how long after she left. And she DID leave. The cabin looked abandoned when Daryl left the note. He obviously went searching for her with Dog, but for how long? 

Not to say there was nothing between them, but I never felt for an instant that Leah had Daryl's heart, or that he ever offered it up to her in the first place, but I am also 100% sure that’s because I’m ride-or-die for Caryl and can’t bear to entertain the thought. No matter what else they were, Daryl and Leah are isolated, damaged, traumatized people who wanted someone to hold on to. Someone to try and forget with. It's not like there were a lot of other people around to choose from.

So did Leah just leave Dog behind because the memories associated with him were too painful? (i.e. he was born on the day Leah's son died) Or did she feel that Daryl needed the companionship and gambled that Daryl would drop by soon and take him in? It really bothers me that she just split and left the dog locked in the cabin like that. 

Grateful they didn't show us anything extra of Daryl seeming to genuinely give a shit, tbh. (Throwing a fish at someone's door, having sex with them, sleeping in their bed or eating their cooking doesn't necessarily constitute giving a shit in this world, just saying.) That was both refreshing (cuz u know, Caryl is endgame), and kind of tragic. I felt like Daryl was rather emotionally detached the entire time, but that Leah was maybe falling in love with him. Not in a good way, but in a possessive, demanding, all-or-nothing type of way. 

How very very clever of AMC to leave us with all these ambiguities. So much room for interpretation, so many gaps to never be filled in. Bastards. On the bright side, all these holes in the story and missing material provide endless new opportunities for fanfic writers like me who can't break free of the bonds of canon. So, yay, I guess?

I am sad to give up the virgin Daryl trope, I was beginning to think that one was ours in canon to keep, but you know, it is what it is. It was a good, long run while it lasted, and I'm grateful we got to write inexperienced Daryl fics while we could still entertain the fantasy that Daryl was actually inexperienced. So, R.I.P. virgin Daryl. I'm not as upset about his getting laid as I thought I'd be (although it was incredibly underhanded, AMC, to pull this shit so very late in the game, there better be a good reason for it). 

All the Leah thing means to me right now is that our man has probably picked up some skills during his time with her, and Carol's gonna be the ultimate beneficiary. Plus, Daryl's evolved over the years from throwing a fish at a woman's door to delivering her dinner on a tray with a flower, so...progress was made, even if he didn't start out with the woman we wish he had. (News Flash: The love of his life was unavailable and actually married to another man at the time, so there's that.) 

There are a staggering number of Caryllels in this episode. Someone once said here that Kang loves her symbolism and they weren't wrong. No matter what's to come, we can be confident about where this road ends. At this point in TWD, to not eventually give us Caryl canon would be the absolute greatest trolling of a fandom in the history of trolling fandoms, and besides, we're getting a spin-off.

Another thing, the fact that Rick and Leah both basically disappeared on him shines a bright light on Daryl's determination to stick to Carol like glue in 10A and B. He was terrified that she was going to disappear on him, too.

What happened to the Caryl fandom following the spoilers wasn't worth it. How many times have we freaked out over spoilers? You think we'd learn. And you KNOW we are valued because AMC went so very far out of their way to provide the vaguest-ever depiction of a sexual encounter for Daryl. Remember the Eugene spying scene with Abe and Rosita, guys? Shane and Lori screwing on the ground in the woods? They could really have tortured us, and they chose to be kind.

I'm looking forward to "Diverged." Honestly, I could give a shit about most of the other characters, but they'll have to make do for us over the next couple of weeks. Just about the time 10.18's been dissected and interpreted to death, Caryl will reappear on our screens and mess with our hearts and minds some more. I can't wait.

Thank you for coming to my rant, and Caryl on! 

[tuiyla]

She-Ra’s like, really good, people

It’s been over a week since She-Ra season 5 came out and I binged it and this is not going to be coherent but I just want to rant about it a bit before writing some more structured metas. I deffo wanna write about Catradora and how I think SPoP is the true spiritual successor to the Avatar.

But first, let me just scream about how good this show is. I already started rewatching it, pretty much straight after finishing it, and I don’t rewatch tv shows often. The exception is Avatar (seen it like 15 times) and sitcoms. But She-Ra is so layered that I felt like I needed to watch it again just to appreciate the dynamics even more.

I already enjoyed the first season but it kept getting better and better. I’m not in love with the art style and it’s definitely for a younger demographic overall than my other favourite animated shows, but like any good kids’ show it balances tone well. It doesn’t talk down to its target demographic but also includes more traditionally mature themes in a digestible and entertaining way. Not all the jokes landed for me but as the series went on I learned to appreciate the tone and the type of humour She-Ra goes for.

It’s funny to me because this is definitely the type of show I would have rejected as a kid, with all the princesses I would have deemed it “too girly” and therefore not for me because screw gender roles. There’s a degree of internalized sexism to that, for sure, a rejection of the feminine because it’s always been seen as less somehow. But there’s also a truth that, at least in my childhood of the late 90s and early 00s, children’s media targeted at girls often had a poor quality to it, at least when compared to “boys’ stuff”.

She-Ra is not only a clever, heartfelt, complex story, it also transcends that binary of having to be either for girls or boys. I know most of modern animation rejects that as well, but She-Ra embraces so many traditionally feminine qualities while also going beyond gender roles and even the gender binary. This show is so queer, man, and I love it. It’s especially impressive when you consider the source material that was literally just the girly version of He-Man. I have no beef with 80s She-Ra, haven’t seen much of it, but this is such an upgrade.

That being said, I would have loved to watch She-Ra as a kid. I’m so incredibly envious of kids, aged around 10, who get to watch this show as they’re growing up. But I am so, so, so happy for them and for the future of animation that shows like She-Ra can be made now, that they’re being made. I’m going to go into spoilers soon, but just before that: She-Ra’s a perfectly enjoyable show in many aspects. I think the worldbuilding’s pretty cool, the story feels coherent and planned out, it’s lighthearted and so genuine. That’s the word that I ultimately choose to describe the series: genuine.

I feel like so much of TV aims to be dark and gritty nowadays, animation included, and though that’s slowly turning to dark comedy or a balance between fun and serious, it’s still the norm. At some point in the last decade, creators became terrified of being judged as cheesy. Even something like the MCU bathes in bathos to avoid being cheesy. But She-Ra proves that creators shouldn’t be afraid of being genuine, of basing characters and storylines on the simple power of love. Like, it’s such a cliché trope but I think that’s mostly because it has become stale.

Noelle Stevenson has talked about the importance of love in her story and I’m so grateful for that. Through, She-Ra, she’s truly proven how powerful love can be in a story and how it doesn’t have to be cheesy. It’s just so unabashedly genuine. The power of love and friendship literally saves the day several times but it’s always so genuine and more importantly it always makes sense that it doesn’t get boring. If the foundation wasn’t there, then I’d say “well this is just super cheesy”. But the show makes a point of building relationships and making them the focal point of the story.

Alright, so, spoilers because I need to talk about character arcs and THAT KISS and just everything. I really need to write more in depth about Adora and Catra and their relationship but for now I feel like it’s so important to appreciate how they’re developed. Everything from their shared childhood to their trauma with Shadow Weaver and the finding their way back to each other, it’s just *chef’s kiss*. It’s so well-written and believable. Ngl, I do have some minor issues with Catra’s redemption arc. Let’s just say that on a scale from Kylo Ren to Zuko, she’s definitely closer to Zuko. I also appreciate Shadow Weaver’s death scene and how it allows them to move on. I didn’t see that one as Death as Redemption and it shouldn’t be. Again and again the show made it clear that she was abuse towards both girls and nothing will negate that.

From what I can tell, the fandom really latched onto Catra, even when it wasn’t clear whether she’d get a redemption arc. I think that’s important, because unlike some characters in animation, Catra’s actions were almost always framed appropriately. There was always an understanding as to where she’s coming from, how she’s acting from a place of hurt, and yet her actions weren’t justified. They weren’t suddenly all okay just because she’s hurt, too. I especially loved in the season 3 finale when Adora was allowed to finally say no, to say that Catra’s actions were not her fault. That season as a whole was beautiful, like, episode three when Adora’s struggling so much and Catra has the opportunity for a better life but she still fails to choose her own happiness because she’s too bitter over SW and Adora? It’s poetic cinema. I love that angst, so well done.

It would be so easy to misfire in Catra’s storyline and either a) write off all the awful things she does because she’s just “misunderstood” or b) irredeemably stuck in her abusive environment with no hope of escape. They balanced quite well there and managed to handle such a complex character with delicacy. I’m quite happy with how Catra was portrayed because on the one hand, she’s painfully relatable to me and I assume to many others. The audience can see their own mistakes reflected in her character because we’ve all been too stubborn, done things out of spite, refused to acknowledge that we were wrong because we were hurting so much. At the same time, I always felt like the show gave me enough space to judge Catra’s actions and acknowledge that she was in the wrong. I honestly think I would have been a better adjusted teenager is if saw this show just before my angsty years, lol.

I’m going to write more about Adora at some other point but I love how vulnerable she’s allowed to be. Protagonists never used to be my favourite characters because they all seemed the same, with two major categories: the stereotypical male hero who can do no wrong or the angsty boi who can be shitty and the text still frames him as awesome. It’s only recently with series like The Legend of Korra and She-Ra that I go “damn, protagonists can be like that, huh.” Adora is a dumb jock who tries so hard and she deserves all the hugs in the world.

Also, Catradora? Breathtaking, amazing, groundbreaking. No doubt She-Ra needed shows like Adventure Time, LoK, Steven Universe and the likes to pave the way but still, it went there. I saw people be anxious about whether they were gonna be queerbaited, but I always, idk, knew? Trusted? That She-Ra would follow through. I didn’t wait six years for Bubbline to happen for Catradora to not get their big damn kiss. The series has been so effortlessly queer from the get-go that it just made sense that they were always heading there. I did see a gif of the kiss before watching s5 and ngl, that spoiler kind of bummed me out in a way that I wanted to be surprised. But even before I saw that I wasn’t worried. And the context of their journey in season 5? That cannot be spoiled by a simple gif. You have to experience that to fully appreciate it and that is the marker of good storytelling.

I understand that, though this should be the norm by now, Noelle Stevenson still had to be smart about how she approached the execs and she wasn’t sure this could happen. I cannot tell you how happy I am about what she said regarding how Catradora was so integral to the story that the execs couldn’t not allow it. That’s so brilliant, and it feels so natural in the story. Queer love saves the day and it’s not ambiguous, it cannot be censored because you lose a part of the story without it. You did it, Noelle, you funky little lesbian, what an icon. I can’t wait to see more stuff from her.

In other news, I appreciated other characters as well, like how all the princesses got to be different and awesome in their own unique way. Season 5 was great for so many characters, Mermista got so much to work with and Spinnerella and Netossa got so much more characterization than in previous seasons. Glimmer continued to be the third most important character in the story and I’m happy about all the relationships that also got to be canon. Good characters and dynamics all around, no wonder since the show is built on that.

Such a satisfying conclusion and one that makes you feel like this is just part one of a much bigger story. Such genuine, heartfelt moments, well-developed characters, complex themes explored in a respectful and digestible way, and such an unapologetically fun show. Melissa Fumero as a side character? Yes please. Catra’s new haircut? Heck yeah! She-Ra’s new design? Oh my.

I’m not even like, super into She-Ra, and I usually don’t write so much about things I only watch casually. But this show is so good and important that I had to rant. And I will write more about it eventually, but for now I needed to get all of this out. I’d give it a better structure but if I really get into I might never end up posting it so for now here, have this ramble of love. She-Ra, of all shows, deserves that.

[fucknoirfolklor]

Higurashi Gou spoilers! I liked this episode a lot better than the last one! The pacing of the last one and the fact it was all only in Satoko’s POV really made me impatient with Rika. It serves a purpose to make us sympathize with Satoko more, but yeah. I see why she went down the road she did...I have mixed feelings overall but I want to trust them to the experience! I can’t say my opinions have changed, except that the writing is pretty good for what it’s trying to tell...well, good for a Higurashi and Umineko fan.

It’s not so good by itself though, I don’t really seek for a lot of it to be justified because we’ve hit a point of no return, but I’m ready to let go of Matsuribayashi-hen as the “perfect” world, theatrically speaking. I can’t demonize Rika for her naivety and her dream personally. It was tiring to weave all of those thoughts together. Rika has been trying, heck I think even the rudeness of her friends was just because they felt like Satoko was rude to Rika. What I don’t buy is that the conversation never came up before then, that’s when the writing feels off. We could all assume Rika’s friends are bullies if we are exposed to Umineko, but to be real Satoko has been dishonest to Rika and has a inferiority complex. I’m saying this as someone who loves Satoko. There are some actions she needs to own. We still don’t know a lot about Rika’s reasons and perspectives, which is funny because I don’t think I was the only one hyper focused on Satoko’s reasons and motive...

I think it’s really hard to trust the writing of Higurashi Gou because of how it was advertised and because of the nature of it’s circumstances as a mind screw. That’s why I don’t get annoyed when people rage or feel angry about Rika or Satoko. Their positions are relatable and we’re meant to put ourselves in their shoes, so it’s only natural everybody would project on them. It’s like a whirlwind of who you want to justify and who’s side you want to take because there’s a lot more weight behind everything. We saw what happened to Rika and Satoko. They’re both abused, they’re both traumatized. Rika has kept a lot of secrets and moved on and Satoko is left behind, not only in regards to her grades but Rika’s entire breadth of knowledge.

Well, here’s the thing about being angry with Rika about her secrets. Besides her having experienced the same loops over and over, I’m not going to say she’s right for keeping Satoko and the others in the dark about her other personality facets (by this I mean Bern as we see her in Higurashi, Bern as we presume her in Umineko, and those things in-between).

Rika’s repressed self (I mean something more true than Bernkastel, but also Bernkastel) has never been accepted by anyone before. Only Hanyuu knows that part of her intimately, and what does Hanyuu do? Gives her a “dream” and pushes her to insanity by making her deny that witchy part of herself. Rika has been taught by harsh circumstances that the ones she loves won’t ever accept or understand her if she shows them everything, and that to survive she must put everyone’s happiness over her own.

Isn’t this peculiar then, that Featherine appears to Satoko? That Satoko is giving up everything for Rika even though if Rika knew what was going on, she would compromise? Featherine tends to break people down and groom them, and like Rika before her, Satoko is next...

Rika is more dense than Keiichi in some respects in my opinion, so it makes sense to me that she can pick up on Satoko’s stress but not know whether she’s wanting space or not. She’s shown in this episode to defend Satoko, which would have been great last time, but I’m digressing. Rika being dense is one thing, but it’s not just that. She blames herself entirely for her Bern persona and felt immense guilt for having taken a life. Then she was supposed to pretend it never happened. Hanyuu could give her “dreams” like that as much as she wanted if Rika didn’t act accordingly.

Besides, Satoko isn’t acting like herself. Remember when Keiichi remembered killing Rena and Mion in Tsumihoroboshi-hen? I can’t remember if this part was only in the anime, but take a listen to that conversation and how Satoko agrees with Mion. No, Rika hiding a side of herself from her friends isn’t the main issue. She’s slowly coming around to let that side out with her new life, in a very tentative way. The main issue is Satoko’s codependency on Rika, and how harsh it is when you’re stunted by abuse to know what you want with life. All Satoko knew was that she wanted to be with Rika. Not just any friend, but Rika. The other problem is the decades of repression Rika has endured for everyone else’s sake, and Satoko not accepting Rika’s very real interest in St. Lucia. Satoko fits as an audience surrogate really well here, especially if you know how bad St. Lucia is in Umineko or how Shion hated it there. To Rika though, she doesn’t know all of that because she’s giving it her all to flourish there and gets to release all she’s pent up. She gets to act like an adult and be admired for being mature.

Rika is also codependent though...remember when it was a sigh of relief that Rika didn’t “abandon” Satoko for St. Lucia? When she invited her to come along? So if she didn’t offer Satoko to come along, would we then feel betrayed by her, though we know now that it would be best if she didn’t invite Satoko? Rika knows she’s the only family Satoko has left. That doesn’t mean she can’t make her own decisions...however, it lacked the thought and preparation it intended. Maybe because Satoko always talked like an ojou, she thought she would fit right in.

Satoko was uncomfortable, but I doubt Rika could see that. It’s not solely Rika’s responsibility, that decision...it’s hard to believe they never talked about other options for Satoko, that Satoko never took Rika’s dreams at face value. For it to go on that long, for Satoko to deny Rika’s future hopes and disbelieve in her dream, makes Satoko pretty stubborn. I’m saying this by removing what we know about Satoko and how we expect her to act. Rika can’t think of everything, and she surely can’t keep going like she had in the past by meeting Satoko’s expectations. Poor Satoko, too, struggling so much. Maybe there’s some truth in it and Rika’s dream is just her overcompensating for being coerced into acting on a script for so long.

Sadly she has responsibility for her own dreams, as does Rika. That’s not to dismiss the pressure they’re under. Seeing this friendship break apart feels so personal to me because when I didn’t have folks I talked much with that understood me, I got through many depressed days by thinking about Rika and Satoko.

[jeffhane]

dynasty live watching: an incoherent post so that i’m not spoiling people on the twitter tl (i doubt any of this will be chronological or coherent enough to actually contain spoilers but better safe than sorry!)

oh my god the “previously on” - i forgot abt fallon and evan....

Theyre at a FUNERAL??? this was actually predicted but oh my god. if its steven i am going to be so mad. what an unfitting end to the- WAIT WHAT SIX MONTHS? what was that font;;;;:; whes sueiwjwk

copper arch🥵🥵🥵

this is cute. this is cute i like faloon pretty women so true

BYE I FORGOT ABT THIS VASE

fallon is genuinely such a bad person this is so bizarre,,,, i think she needs to calm down about oiterally everything ever

“This wedding is our chance to break the cycle of craziness” babe ur literally the one making the cycle of craziness

w. was that an ikmenn of liam getting his head off

JEFF MY BELOVED HE LOOKS STUNNING IN THAT OUTFIT. WHYS ALEXIS HERW “POWER COUPLE” YOU WERID MANIPULATIVE PERSON GET AWAY FROM HIM LOL

alexis is up to no good. bad bad jpeg. why do they write her dialogue like this

adam is acted so well lmao he’s the most unhinged person to ever exist *screams*

ohhh dominique, i don’t remember much abt her 😭😭😭 this woman she’s with is beautiful

ITS LAGGING????? i cannot Believe tjis

~rebrand~ ok girlboss!!!!!!!!! can we ship this businesswoman i dont recall her name with fallon???? id like that i think

too many plotlines have happened in too many minutes, i’m already forgettint things that have happened... isn’t blake supposed to be in prisoj? no? Ok: sure

adam is constantly doing this expression that is like 👁👁👁👁👁👁👁👁👁 HI SAM HI SAM HI SAM BEAUTIFUL MAN I LOVE HIM WHOS THIS MAN

raf is so stunning ughhhh i’m loving the costumes this season, everyone looks great! is this man a sam love interest? nervous? that is kinda cute. i miss stevej though. sadness. so many emotions

UHHHH hi alexis sure ig ur here

~OMENS~ babe that’s a tad dramatic don’t you think?????????? “Ignore the lore at your own peril” alright

WHOS THAT? WHOS THAT? OH HER OK

bye everything is going wrong for this......:..:::... *rubs hands together evilly* that will certainly be entertaining

credit scene!!! such a beautiful cast! where’s anders, oh how i miss him... i miss monica too wasn’t she supposed to be BACK🤔🤔🤔🧐🧐🤨🤨

its a commercial break... havent had to watch the show with these for so long😑😑😑. getting american ads is so funny bc the vast majority of them are Not at all relevant... at all

BACK TO DYNASTY!!!!!! was that a slinky? huh? oh ok that’s why the marriage is happening at the manor. #whenyouonlyhaveoneset oh hi ok monica so shes not going to be here?????😑😔😳

WHY IS SHE GETTING A CAR I FEEL LIKE THATS FORESHAWDOIWIJG FOR UMMMMM.... NOT GOOD THINGS ..... ITS LAGGING AGAIN 🤨

blake having dinner... ok hi cristal,,,,; is the priest subplot back? that was a weird one

adam???? how on earth does adam work his way into everything? NEXT GUEST? HUH? are you cheating on your wife? HI CULHANE! HI!

“straight people are exhausting” i mean yes, objectively, absolutely, but culhane is #notstraight .... idk how i feel about sam and this man. also what? huh? staying here? ok cool ig

OHHHHH he got married i see i see

“Haven’t you milked the carrington cow already” but....... she is literally the person who deserves the stuff..... k......... i don’t like dominique but she was given the short end of the stick also blake stop manipulating people just bc they tell u the truth😶😶😶😶😶😶😶

frustrated that we haven’t seen fallon in any non-wedding related stuff yet i always liked her more ~dramatic~ plots . like she’s a sweetheart but i do want her to evolve beyond thsi. idk if that makes sense. ok bye

“A relative’s happy marriage” uh???? we live in a society😔📈

who is father lynch<3333 oh he is in the hospital that’s not great oh adam upset that’s new /s

y is kirby dressed like an elf. god bless.

ughhhh i just think adam is not good for kirby. he’s not good in general. so true . what is he up to. ads again hhhhhhhhhh💯

omg we are back!!!!! blake wear the suit!! hi liz!!! i’ve seen pictures of this outfit, it looks nice. “I really want things to work out with liam” now that would be great but you’re in a soap opera so the chances of that are .... I DONT EVEN ONOW IF U CAN WEATHER ANYTHING W CRISTAL...)))))!$$ NOT NECESSARILY THE BEET CHOICE????

~technically it wasn’t cancelled~ alright love i feel as though you’re not telling the full truth here. ok his name is ryan . we know that now . cool . this relationship is awkward but it could be sweet

what the Fuck is dominique talking about this is so creepy😭😭😭 please do not market lingerie to ur niece 🙂🙂🙂🙂🙂🙂 why does no one in this show know how to be polite

“You want me to stake my personal assets” i’m sure this would be meaningful if i knew anything about finance????? WAIT WAIT WIAT WAIT WAIT DHE REHEARING THE SAM DONS G THE SONG ALEXIS DONT INTERRUPT HER SINGING THE SONG🧐😔😔😔🤬🤬🤬🤬🤬🤬🥰🥰🤬😤😤😤😤😤😤

~duplicitous sham~ that’s quite a juicy phrase ms fallon. alexis i dislike your marriage. and you in fact. yes x . “We were just like any other newlyweds” except the newlywed factor........:

anders. oh my god i adore him so much. he reminds me of my grandfather . YES adam is dangerous. anders i love you so much. be my grandfather figure. top 10 cool old dudes of all time.

liz is so beautiful how am i suppised to “Focus” on the “storyline” kirby just went 🥰🥰 also hi culhane ily babe

“My father’s convinced adam is pure evil” you see, that is......... trueeeee...........:.::: im sorry culhane ily love

this dialogue unfortunately does not flow all that well LOL . people dont think up things like this on the fly “my love is like that boutineer” sir i guarantee that metaphors r not going to save ur relationship... HI sam. so true. hi ily. samhane? culsam? 😳😳

DONT STEAL ANDERS SPOT OH HI JEFF YOU LOOK STUNNING.......... BEAUTIFUL BOY ....... HI!!!! ~you are the only family you’ve ever needed~ shit none of this wouldve happened if the Carringtons werent so greedy ij the first place

~true love has many faces~ how many anti liam omens can they sneak in into the episode 😭😭😭😭 hi laura whats up

the poor waiters at this establishment...... why does laura look like a rlly young version of my grandma........: huh.... wont think abt it /... alexis bad mom.jpeg

“I don’t want to miss my sons special day” ok bye i don’t #care she’s kind of rude

fallon trying to avoid future drama is confusing to me as that used to be her ENTIRE THING? HUH??? everyones talking to their moms today what the heck do that many people talk to their moms???

jeff hiiiii <333 that maroon suit!!!!! love!!!!!

Dont hurt anders you strange little evil man!!!!!!!!!!! (Adam, for reference)

fallon likes to ~e n u n c i a t e~ her dialogue. Drama Teachers Love Her

FIRBY SCENE! WELL THEY R TALKINF! UWU ! UWU ! smiles:) smiiiiiles:) the height difference i cannot do this😑😊😊😊🕯🕯🕯 BYE

BueirHWIIDWJDIWIFJWIFJWJJFWJFJWJDJWJDJWIFJWJFJWJDKWJDJWDJJWHDWHDHWHEHWHDHWJDJWJRJWJEJWJDJQUEUWJEJWJEJW CRIES SOBS SCREAMS THIS OS SO FUCKING FUNNY

Kirby you dumbass😭😭😭😭😭 ALEXIS WUDIWNDJW JEFF CAN YOU NOT HEF FCANKREMTIWN WHY IS THIS DIALOGUE IM SCREAMIGNRJFJD

kirby babe you are the kist imorjri WHQT? HUH? when all the characters have the maturity of a 13 yr old <33333 DID THE SHOW JUST END?????? OK.... DAMN.... they were really 2 minutes away from the end and remembered that things are supposed to happen in tv show episodes.... i cannot tell whether it os over actually?????? huh??? going to keep watching because it would be so embarrassing if i missed a few minutes oh yeah theres more

IM SORRY WHYBARE THESE PEOPLE SO STUPID. every single one of them. ih my god l. ohhhh my god . “I never meant to hurt you” you cheated on him. both of them are bad people. 🤨🤨🤨🤨🤨 kirby darling what were you thinking . this dress on kirby is STUNNING ugh, she’s so charming . adam Shut the fuck up. He hasn’t said anything but shut the fuck up. OH MY GOD ADAM SHUT THE FUCK UP. OH MY GOD I HATE ADAM SO MUXH. OH MY GOD HOW IS HE THE WORST PERSON TO EVER LIVE 😑😑😑😑😑😑😑😑😑😑😑😑😑😑😑😶😶😶😶😶😶😶😶😶 HES SO EVIL

“I didn’t want to tell you because i didnt want you to think of me as a monster” why did you do that stuff then bro . Kirby you SHOULDNT trust someone after they say that? How naive? Huh ?

omg hello jeffs grandma!!!!! she deserves better than every shitshow in this family... god🤨 dominique being a good person? i like to see that. she seems so genuine. ok this is nice . wait... SAFE? 😳😳😳😳 💴 💵 #money i miss monica

why do they never have sufficient lifhting in WAIT..... HER?????? #dumbofass HI JEFF <33333333 HI you can scam and whatever ur allowed to i support u

ooohhhh GORGEOUS fallon outfit

“Such a fail” IS THIS 2012 . CRINE HEIDJWJFIWNDWJDNWKFJW ENJDJSDJWJNDJWJD they keep saying folklore and im thinking its some sort of reference to the album and i get confused. wheres scheming fallon. need scheming fallon. do a scheme. do it

“We are that lucky couple” press x to doubt .... wait who is this🤔🤔🤔🤔🤔🤔🤔🤔 this seems cincerning im cocnentwd why did it zoom in on this random man

[chicgeekgirl89]

So, let me just say right now, I love Kensi Blye so very much. But I am not 100% on board the Densi baby train. I’m not saying everyone else should get off, I’m just saying I’m uncertain because I have trust issues with this show. I totally get why people want it. But if hearing how I don’t necessarily want it is going to bother you, perhaps best not to read on. 

The show had a great opportunity tonight. They brought in a new mother, one who is on the journey that Kensi has supposedly decided she definitely wants to be on, despite the fact that there still has been no resolution about whether or not they are going to leave NCIS. Seems like a good idea to just make the baby and then decide what will happen next. Very adult and mature. That’s besides the point.

It would have been so amazing to have this badass FBI mama show Kensi what’s up. Like yeah friend, I can totally do my day job and take care of my kid at the same time, and it’s tough but it’s working.

BUT NOOOOOOOOOOOO.

FBI lady clearly dislikes and resents her child’s existence which is...pretty terrible. So now are we going to see Kensi waffle? Is this going to put her into a place of NOT wanting a baby AGAIN? Because she seemed super skeeved out by all the baby mama stuff. Kensi is a smart lady. Are you telling me she hasn’t been researching this? I know that you can’t fully know until you’ve done it but like...she just seemed super not into finding out more from someone who is basically living her future life.

And then, her mushy gushy, “What’s it really like?” was so out of character I just could not. If they had been having a wonderful, heart to heart conversation then yes, that line could have worked. As it stood in the episode it did not. I will possibly allow the idea that she did it as a distraction to place the tracker on the car but...that seems unlikely.

It seems clear to me that the writers cannot figure out how to make a baby work into the show. Someone would have to take a step back, either Kensi or Deeks, which would mean less time on the show. The clear choice is Deeks as he has the bar and/or lawyering to fall back on (and ECO has been out a lot because of his other stuff). But do we really want less Deeks on the show? I don’t. I don't want less of either of them. So until they can figure out a way to make it work for both of them to be on the show and maintain a healthy environment for a baby, I’m out. 

Right now this is a dead plot point. They truly haven’t done anything to push this story forward all season. Yes, we’ve gotten some words, but no real action (double entendre absolutely intended). There are ways for this to work but so far the show has chosen to do exactly none of them. I’m tired of it. I want growth, I want character development, and it’s just not happening. Somebody (I’M LOOKING AT YOU FRANK) needs to step up and write something decent for them next season or I might lose my mind.