#camera operator

[djkerr]

The Pitt camera family BTS

📷🎥 @aymaedp IG

[cejav13]

Congratulations to Gary Malouf and Chris Dame, “B” Camera Operator on their The Society of Camera Operators (SOC) nomination for Camera Operator of The Year. They were nominated for The Bear, S3E1 “Tomorrow”

Recipients will be presented and honored during the annual SOC Lifetime Achievement Awards weekend on February 14 &15, 2025, at the Loews Hollywood Hotel.

[filmcourage]

Why I Quit Camera Work To Start A Business - Illya Friedman

Watch the video interview on Youtube here.

[rmny26]

MOOD

[sabrinalovesyou]

[geddyleespsychedelictrees]

do you have any fucking idea how excited the kid who ran this blog 15 years ago would be if he saw what my job was now.

[reveema]

Last night I spent my new years eve shooting video at a black church. I had never been to one before and it was a wonderful experience. So much energy in one room. I haven't had a spiritual bone in my body for a very long time, I'm simply too nihilistic, but I understand the need for spiritual community.

I have only ever been to white ppl churches, specifically catholic churches. Dull as dishwater to be sure.

But this church had so much energy. It was a concert atmosphere. The pastor didn't even make an appearance until the end. They had an emcee mostly, music, and then a full in-house produced play about Queen Esther.

And they clearly didn't want to do the bare minimum, no no no. They had musical numbers, interpretive dances, bits of comedy. It was quite awe inspiring. I was as much a viewer as I was a camera operator.

So, in effect, I got to shoot a concert and a play in one night. Hell of a job.

[vidyajyotieduversity]

A Master’s in Journalism and Mass Communication (MJMC) program equips you with advanced skills and knowledge for a dynamic media landscape. Here’s a breakdown of the typical content you can expect:

[throughtheeyesofcam]

ARANGKADA TAYO! EP 05: TRAVEL TUES-YAY! by ALUNIG Production

[lusin333]

I, @Lusin333, have a Coby Snapp CAM4000 digital camcorder.

I will use this to make funny videos to put on the internet.

Thanks to Coby Electronics Corporation for giving this camera to me FOR FREE.

[richardsontimhk]

Dead Packet

Director: Simon Yin Production Company: yentertainment Cinematographer: Derrick Fong My Position: B Camera Operator

[secroner]

2024 marks a new chapter in my creative journey, as I take the time to evaluate my career goals, my creative projects, and the time that I have available to me. During January, there were quite a few changes in my personal life that were both scary and exciting. As things calmed down and I have gotten a handle on adapting to those changes, I've begun to focus on a few items that fell lower on my priority list.

First, you'll notice that the website has had a giant overhaul from its previous iteration. I decided that it was important to consolidate and simplify both my portfolio and the content that I produce under the banner of "Cipher Eye Media". For this to happen, I chose to combine both of my websites. Going forward, both "Steven E. Croner" and "Cipher Eye Media" will be under the same house. They will only be separated by how I am producing or collaborating on content going forward.

For example, if I'm working on somebody else's project, it's not going to be "a Cipher Eye Media production". I am only part of a larger crew of very talented individuals and only play a very small role in that project. Content that I am solely producing, such as "Decipher the Media Podcast" will continue to have the "Cipher Eye Media" name attached to it. Simple, right? I hope so. Speaking of the "Decipher the Media Podcast", I realize that the podcast has been dormant for quite a while. I plan to bring it back and produce new episodes in my new studio with some new recording gear. I'll post more once I have an idea of when "Season 2" of the podcast is ready to drop!

While I've been spending time updating my website and showcasing new projects, I also posted a new highlight reel of my most recent work! All of the work in the reel is footage that I shot, and in some instances (like the podcast clips) produced myself! The reel also includes some shiny new motion graphics and logo designs that I recently created! Check it out and let me know what you think!

I'm very proud of the work I've done over the past couple of years and so lucky to have the opportunity to work with some many talented individuals! I hope to continue to produce more content like that in the years to come and create many meaningful relationships with fellow creatives! If you'd like to reach out to me about any collaboration opportunities, feel free to contact me on my website or email me at steven@ciphereyemedia.com.

[willcline-creativepro]

2022 06 AV in Rockville, MD for Abt

[filmcourage]

What Should Filmmakers Know Before Flying A Drone? - Ray Roman

Watch the video interview on YouTube here.

[shootinhockey]

Back on a shoulder cam in… I don’t know how long.

I just got done moving this past week and my shoulder is killing me, but what can you do?

[ghostlymemories]

Letters from an OHL Camera Operator

I am a volunteer. I work the equivalent to a 9-5 job at my place of volunteering employment. I work weird hours at my paid job. My 9-5 is a 2-10 (all PM hours). I set up the equipment, I test the equipment, I eat the same Pizza Hut pizza I’ve been eating for the past 2 years and I’m happy.

I follow players around the ice. Certain ones that is- I get told two to three numbers right after O Canada. Last year was 14, 16 and 26 (or 86). Year before was 14, 90 and again 86. This year just started but I’m following 23. I figured I’d be following 3, since Canada won the Halinka Gretzky cup this year.

I wake up at 11 am these days. I eat breakfast, grab some fruit bars and a juice box. I walk the dog and then I catch the bus towards downtown- to make it to the ice for 2:00 pm.

We take the equipment out of the brand new truck, lug it into the building and hope to the hockey gods (or whom ever you pray to) that the freight elevator isn’t broken. It was last week. We put our stuff on the small carts they have and pull them into the elevator and eventually into the media box.

The local radio guy is already there- he goes live at 3:00 pm so we tend to stay quiet during set up, just incase. The away team radio eventually funnels in as we put our cases cleanly against the wall, out of the way enough. Clean. Tidy. I set up commentators, the mics, the headsets, the back up mics, the monitors, the commentator camera, the talk back boxes, their lights- the list goes on.

Sometimes I ask the others why they still do this. One’s been here for 10 years. She does it because she loves broadcasting, as this is her last connection to the sports industry. Another does it to hopefully get an eventual job in the field- but she’s happy at Toys-R-Us for now. Both do camera with me.

Another does it because he enjoys the sports and wanted to see a different side to the game- he’s an electrician who is definitely in his 60s (I’ve never asked). Another does it as he’s interested in the sports but could never play- he’s got free time so he’s here. Our Graphics guy and I went to college together. He graduated, I didn’t. He works nightshifts at McDonald’s, gets about 2-4 hours of sleep but keeps coming back to us.

Our replay wizard, she works a retail job, is married to our CCU guy (our technical producer) and is genuinely one of the hardest working people I know. Our audio technician is my best friend. She and I attended high school together, we went to college together (I was a year ahead). She graduated and has worked on a bunch of side projects- really making a name for herself.

4 women on crew, 3 men on crew (volunteers)- the other two are paid. They work for the company. All of us together is 4 women, 5 men. We work hard. We don't get paid.

The local university and college are shocked that we aren't paid. Local business owners are as well. The company I do the volunteer work for has mare than enough money to pay us, but then again - why would they right?