#can i get uhhh...

[mwahnonreblogs]

I'm curious. What headcanons do you guys have for these characters' relationships? (I mean, besides the canon ones, obviously)

Above is a blank for pretty much every character who has SOME semblance of relevance in the Pieverse (excluding President, North Korea Boy, and most background cameos). The lines that are already there are non-negotiable :3

I might reblog this with my own headcanons if I'm not a lazy bum about it wahaha--

Below the cut are formats separating the SCM characters, the M&Z characters, and putting the CIGU... and RS characters together

[egophiliac]

missed the mark by (looks at calendar) uhhh. hm. but I really wanted to do something for the 5th anniversary! happy five years to these idiots 🎉

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[poorly-drawn-mdzs]

Your beats make me sick

[First] Prev <–-> Next

[teaboot]

Wait you had autism and still got along with the other kids and knew what was going on with them?? I was never able to do that! I still chose to do my own thing but would have been unable to answer those questions.

I mean I didn't really WANNA make friends for a super long time so it didn't really matter? And if anyone was outright mean I don't think I noticed till like 6th grade.

After 6th a few other kids liked to throw or kick things at my face or steal my art supplies or give me mean nicknames- I remember almost all the boys in my class one year started a thing where if I got within 4 feet of them they'd yell "[tea] GERMS!" and make a dramatic mad-dash escape, and that was kinda hurtful, but IDK how long that was a thing??

Anyhow I started asking them if they had a crush on me or if they were just stupid, and when they asked what I meant I'd just be like "well there's two reasons boys act stupid around girls. Either you have a crush on me, or you're just always this stupid"

And that invariably led to them yelling "I'm stupid, I'm stupid!" or telling me, "I'd rather say I'm stupid than say I like you!"

Which might have been hurtful if I wasn't growing into a mild superiority complex that assured me I was smarter than them, and nicer than them, and there was really no need to desire the approval of stupid, mean people.

(This was, of course, backed up by the fact that my father was one of those mean, stupid sorts of people, and I fully beleived if I could handle him, I could handle anyone my size, and so what if you dont like me? My own dad doesnt like me, am i supposed to value your opinion?)

Then by highschool I got hot, and if one of them started chatting me up I'd just be like "You wrote in my yearbook in 2002 that I was a huge loser. Why would I want to hang out with you"

And by THEN I'd met enough genuinely fun, interesting people who actually liked me that I was never around anyone who openly disliked me anyways.

Not until I started to realize I wasn't 100% a girl and cut my hair off- Then I started hearing other girls whispering to each other that I looked like a lesbian- gasp- which, again, was actually pretty funny, 'cause then I'd just tell them not to get their hopes up 'cause I wasn't available.

Then I graduated, and moved, and it turns out I'm actually kind of hot funny smart and successful, and whenever I fall into the deep deep pit of dumb ugly stupid imposter-syndrome, I remember that as mean as other kids were sometimes, their parents thought I was the best.

So anyways get fucked Gabe from ninth grade, your mom used to give me candy and bail me out of detention. I had the biggest fucking crush on your mom dude

[pepsibatz]

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[kelpermoosee]

Half dog, half man, all identity crisis

[yeloenk]

Inktobertale - Day 1!

some warm-up sketches of ink to kickstart day 1 of inktobertale!

the first few days might be sketches/unfinished works since i have a few commissions on my plate! but i hope to post some finished works later ^^

[perplexingly]

Henry is so funny in KCD1, that brawl with Hans really solidified in his mind that he's above law

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[mjulmjul]

Castiel’s creation

[mblue-art]

BAD SANSUARY // [8] boxed in for owl-bones's event !

sneaking in a little kissie under the desk or whatever hiding place we were in :]

[dovewingkinnie]

hypothetically what would happen if i gave sunny a lil kiss. hypothetically.

she would reject it and say: "hah! as if..." then turn around and brag about it anyway because it did flatter her

[sunlight-shunlight]

thinking about veilguard and bioware in general, i think we are reaching a point where people need to grapple with the inherent limits of what stories can be told in our Current Society and in AAA gaming companies.

on a labour level: mass layoffs, tons of developers leaving despite previously talking about how passionate and happy they were to be involved, not even paying severance, and crunching employees to the point of burnout. this is unfortunately pretty standard for AAA game companies.

on a cultural level: it is SO white and SO centrist-ly Canadian. i wrote up these asks outlining how. it is a repeated pattern of writing in which they go into tortured racial oppression allegories at best, while constantly peppering in a "but BOTH SIDES were wrong and made mistakes :( :( :(", in between their fictional atrocities that are clearly mirroring irl genocides and enslavement. or at worst, it's "the qunari are radical islamic borg" which has even less nuance. i personally thought, since dai came out in 2014, and a lot has changed since then about the world and in public awareness, that this would have filtered into the narrative and resulted in more satisfying and historically grounded writing. unfortunately not the case. it's shocking if you compare it to how sharp and aware and unflinching something like disco elysium is.

so what does this mean?

under these conditions, it is unavoidable that we get development by people who are rapidly cycled out of the company or demoralized into burnout. we get digestible, easy little soundbites of lore without much substance, because any complexity needs more time and coordination rather than the process of "quick, we have these assets, a lot of people involved in making them just got laid off, we need to make Something by next quarter to show the CEO". we get very little cohesion between games, despite the clear intent from dai to have so many plot points set up to follow through in a sequel, because the team and development are so chaotic that they can't hold onto a vision and complete it.

we also get this inherent caution and "conservatism" from the narrative, because on an ideological level, they're largely white people who want cops to be included in pride. so any major change to even a fictional society is Bad and Scary, and shouldn't be done without making sure that every character finger-wags appropriately at non-state violence. there is clearly not much ideological or even ethnic diversity within the leadership; or at least not enough that anyone there felt comfortable even speaking up on minor issues like the Incredibly Orientalist Isabela Outfit, let alone anything larger.

i don't personally think there's too much value in trying to analyze veilguard's plot or lore at this point. the final product is chaotically developed and does not seem to reflect the goals of the creators as set up in prior games, it's basically a ship of theseus in terms of the people and ideas involved in making it. this is sad for all of us, who were interested in the story, and attached to the characters, and were creatively fulfilled by engaging in the fandom. it's probably worse for the developers who have lost their jobs, burnt out, or feel unhappy with the game that they spent years of their life working on. it's certainly miserable as an indictment of The Industry, as well as the general societal climate of white Canadian centrism.

the solution is to create a society where people can develop games in peace and prosperity and stay on projects for longer, rather than constantly getting turfed out without severance pay. and to get some genuine leftists, poc, and indigenous people on staff who can weigh in and provide significant input, rather than a Council Of Liberal White Edmontonians every time.

in the meantime, at the very least, let's please stop preordering AAA games and supporting companies who notably abuse their employees.