me: finds cool art on twitter (NOT X, I AM NOT CALLING IT THAT)
huh lackadaisy is trending wonder what's happeni- OKAY THAT'S ENOUGH FOR TWITTER FOR TODAY -closes it-
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I have, once again, made fanart for @batbitesthebat 's Frankenstein au!
//TW: blood, open wounds, stitches, death//
Here's the full completed version!
Here's the version without shading (I worked FAR too hard on this for all my little details to be obscured by shadow)
And here's Bat as she creates The Horrors™
I'm SUPER happy with this piece, it's gotta be my fav!! I also get the bonus of Bat having a seizure whenever she gets fanart, lol :P
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I don’t blame people for wanting a “permanent ceasefire”, because that’s the end goal for all of us. we all want peace, we all want safety, we all want freedom. the problem there, is that it’s not going to work for anyone as long as Hamas has control of gaza. they haven’t been able to have any elections since the early 00’s. that has nothing to do with Israel - Hamas is a terrorist dictatorship controlling gaza and all the people in it. there will be a permanent ceasefire once Hamas is gone, so why don’t we advocate for their surrender? why aren’t we calling on them to fucking stop? even people who claim to believe they’re a terrorist group have been pedaling the ceasefire idealism, and it’s not going to do anything for palestinians. no one is advocating for real change, just something that makes them all feel better, and everyone in the region is going to continue to suffer.
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-Remembers how T’Pring looked as she watched Spock & Chapel vanish into the bathroom together after seeing them kiss on the bridge (which she knew was for a mission and didn’t hold against them but perhaps she could sense something there since they do have feelings for one another), maybe attempting to calm herself and her suspicions as she’s left alone again (and later finds she’s been left out entirely this whole time) and how she doesn’t know that Spock almost told Chapel he loved her then and there, with T’Pring in the other room waiting, and how Amanda and Sevet both think she could have more confidence in herself and how T’Pring thought that she and Spock were in this together (her holding his hand, subtly letting him know to pour slower so the tea flowers would bloom correctly, a whispered ‘well done’, the ritual is over mother) and how mere hours after she expresses to Spock how she feels: Like he doesn’t trust her, like he doesn’t care to include her in his life, how she’s trying her best to show him that she will accept him wholly, how she wants to be his partner instead of an adversary or an obstacle, after all this he’s found Chapel within the hour and is kissing her.-
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“the white hart scene was showing us rhaenyra is divinely chosen to sit on the iron throne for a shitty girlboss moment”
idk how people come to this conclusion beyond the fact that a lot of people wanted the show to flesh out and empathize with the characters the way f&b doesn’t, but are mad the show decided to flesh out rhaenyra even though she’s one of the main characters, bc they’re too dedicated to her as The Born Evil Queen bc that’s how she’s been treated by fandom since the princess and the queen came out.
it’s not just “she sees the white hart and it means she’s divinely chosen” that’s such a basic, surface level reading. for her part, the point is not just that she sees the white hart, but that she recognizes it’s personhood, it’s beauty, and it’s uniqueness, and spares it’s life in empathy. the point is that she slaughters the boar in self defense and brings it home to her people but is scorned for the messy way she did it. it’s not just that she’s “divinely chosen” it is that she can recognize the fear and humanity (so to speak) in another being and can empathize with it enough to let it live even though killing it may make her look really good in front of the lords. she does the moral thing because she is capable of empathy despite what the lords may say, a clear hint to the last episode where she attempts to do the right thing by avoiding war despite pushback from the black council.
on the other hand, she kills the boar - she is just as capable as any man of great violence when she feels threatened, and equally capable of a vindictive sort of violence that all the men of her house (and many of the other houses) are capable of. she brings them an animal she killed by her own hand and they are disgusted; the greens will strike first at every opportunity never realizing that she is capable of much greater violence bc a woman being capable of being violent is not something that would ever occur to them. they gladly named her princess of dragonstone to stop daemon from being heir but they are disgusted by her independent mind despite it being the exact reason they named her heir.
but just as important is viserys’ killing of the red hart. the white hart ran from his woods while the red hart is held down by his advisors for him to kill without viserys doing any of the work; still, he has to try twice to kill it, and only with the hand rotting from contact with the throne is he capable of taking its life. like robb’s messy execution of lord karstark being the definitive sign that he’s utterly lost control of the war, viserys having to be coached step by step and handed this “win” on a silver platter only to bungle it anyway is a definitive sign that he’s lost control of his court and of the politics in westeros. and as robb’s dark, shadowy parallel, viserys too will not live to see the bloody climax of a war he helped kick off.
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