#can you tell i like to write? yeah

[buggachat]

something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.

But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[kamaluhkhan]

I BET ON LOSING DOGS

ENVY — part ii of we'll write sins not tragedies

pairing: luke castellan x nemesis!reader (she/her pronouns) word count: 1.6k summary: luke is getting tired of keeping your relationship a secret, you get a new sparring partner, and silena beauregard wins a bet. warnings/disclaimers: jealous!luke, suggestive but no smut, biting + some blood bc of course author's note: i had to include some friend group shenanigans and silena x clarisse moments ♡ i'm imagining that this takes place during tlt/season 1 of pjo when the kids are on their quest, and the characters are slightly aged up to 20/21 years old....anyways, enjoy and feel free to reblog + comment :)

♪ "i bet on losing dogs" by mitski

"rumor has it that lee wants to ask her out." 

silena tilts her head towards the other end of the ping pong table, where you sit next to lee fletcher, a pair of wired earbuds and an mp3 player shared between you as everyone waits for the senior counselor meeting to start. 

luke clears his throat. “why would he want to do that?”

in theory, it shouldn’t bother luke: how you and lee nod along to music only the two of you can hear, how your shoulder presses against his ever so slightly, how he seems to lean into you even further. 

you and lee had always been friendly, but since when did you become such close friends?

“hm. let’s see. she’s strong, gorgeous, the right amount of dangerous, and perfectly single.” 

again, luke pretends that he doesn’t feel something ignite in the pit of his stomach. 

as far as everyone is concerned, you and luke are friends, too. 

the rush you both got from the whole secret relationship thing was fun, but, gods, sometimes luke wanted nothing more than to show everyone you were his and he was yours. 

“sounds like you’re the one who wants to ask her out.”

silena rolls her eyes. “please. i’m a happily taken woman.” clarisse turns to them as if she knew she’s been referenced. silena blows her a kiss before adding: “can’t really say the same for y/n, can we? i think her and lee would make a cute couple.”

chiron finally enters the room before luke has a chance to respond. he sits through the whole meeting, jaw clenched, hands curled into fists. 

throughout the day, luke reminds himself that he’s the one you’re with. and silena’s theory that you and lee would make a good couple?

ridiculous. laughable. unimaginable. 

later, during swordfighting, you and lee practice together. any time luke is leading a session, you usually pair up with silena, but she seems to have twisted her ankle. not enough to warrant a trip to the infirmary, just a seat on the sidelines. 

luke has no doubt that she’s trying to work her daughter of aphrodite, matchmaker magic. 

between teaching the younger campers, luke glances at the two of you, yours swords colliding and limbs occasionally intersecting. luke demonstrates a new technique, eyes sliding over to you, positioning yourself behind lee and correcting his form by gently adjusting his hips. something bubbles in the pit of his stomach.

gods, if he could switch places with lee fletcher.

you square up for another round, but the fight is over relatively quickly. even with the advice you seemed to have given lee, you manage to get him on the ground, straddling his waist while you point your sword at his chin. you smile down at lee, canines sparkling in the afternoon sun. 

luke remembers what silena had said earlier, about you — the right amount of dangerous.

out the corner of his eye, luke can see silena gazing dreamily at the pair of you, no doubt overjoyed that a new romance seems to be blossoming. 

overjoyed is certainly not a word luke would use for himself now, as you lift your shirt to wipe the sweat from your brow. for a split second, your entire torso is visible to everyone. including lee, whose eyes seem to linger on the tattoo on your ribs for a little too long.  

luke tells the kids to pair up and practice before walking over to your side of the arena. 

“hey,” you exhale, dropping your shirt and smiling at him.

luke doesn’t waste any more time, though, and crashes his lips onto yours. 

he thinks you start to melt into the kiss, but then you bite down on his bottom lip — hard. 

“ow!” he turns away to spit out some blood. “why did you —”

“you just landed me two weeks of extra laundry!” 

“i…what?”

 if silena looked overjoyed before, she’s ecstatic now, practically skipping over to where you stood, her ankle miraculously healed. 

“aha! i win — again! that’ll teach you to question a daughter of aphrodite, especially when it comes to matters of the heart.”

luke, slightly lightheaded, has no clue what is happening. things don’t get any clearer as chris, clarisse, and beckdorf join you. 

chris shoves luke’s shoulder. “bro, you just cost me 30 drachmas!”

“seriously, dude,” beckendorf shakes his head. “you couldn’t have kept it in your pants for, like, a few more days?” 

“okay, but lena totally cheated,” clarisse huffs, stabbing her spear into the ground. 

“what! how?”

“you used lee to make him jealous!” the boy in question waves at you awkwardly before walking off to the archery range. 

“i did not cheat. i had a strategy, and just needed to add some drama to move things in my favor,” silena reasons. “besides, all’s fair in love and war. i’m sorry you had to find out this way, baby. ” 

she plants a kiss on clarisse’s cheek, which does make clarisse’s lips turn up ever so slightly, despite the accompanying eye roll.  

“okay, is someone going to tell me what’s going?”

you sigh and swipe your thumb over luke’s bottom lip, wiping away more crimson liquid that had emerged thanks to your bite. 

“i found out a few days ago that our lovely friends placed bets on when we were going to tell them about our relationship.”

“wait….” luke looks around at everyone. “you all knew? since when?”

“the whole time.” you grin sheepishly. “apparently, we weren’t as subtle as we thought we were.”

“you weren’t subtle at all,” beckendorf corrects, hands fiddling with some spare bolts he kept in his pocket. 

“love is difficult to hide,” silena defends, like you’re her favorite couple on a reality dating show. “the amount of times you’d both show up late to the dining pavilion together, with your clothes and hair messed up was enough to give you away. not to mention, the way you look at each other.” 

“yeah, like two idiots in love,” clarisse mockingly agrees with silena, who jabs her in the ribs playfully. clarisse gestures to her orange camp shirt. “by the way, these aren’t designed to hide hickeys. there are children here to think of.”

“be thankful you don’t have to hear them on the roof of the hermes cabin every night. it’s a wonder any of us get to sleep.”

"oh, and then there’s the showering at weird times and then smelling like the same body wash —” 

“moving on,” you interrupt, much to luke’s appreciation. “when i figured out what they had going on, i wanted a piece of the action.”

luke looks at you, teetering the line between frustration and awe. “so, instead of telling me about this bet and finally having everything out in the open, you got in on it and kept me in the dark, just to get someone else to do your laundry?”

“you know how much i hate laundry,” you shrug. “besides, like you wouldn’t do the same if you had been in my position.”

“well….” you raise an eyebrow. “yeah. i would,” luke admits. 

despite everything, luke is a son of hermes. he’s pretty sure that’s part of why you love him: for his mischievous grins and vices that were woven into his dna, imposed by the fates themselves. the urge to gamble, steal, sneak around, all the lying — everything you couldn’t help but indulge in, as well. clearly. 

you smile, and pull the front of his shirt towards you, kissing him like you’re proving a point. if luke wasn’t so preoccupied, he could have heard silena squealing in delight. 

“ow!” you groan as luke bites your lip.

luke smirks. “karma,” he teases, relishing in how you pout for him.

“get a room,” clarisse grumbles. 

“preferably not in the hermes cabin, please,” chris cringes, and this time luke is the one to shove his shoulder. 

it’s a little too silent in the arena, and luke realizes it’s because you’d all just given them quite a show. a few campers were watching eagerly, while others didn’t seem to be phased in the slightest, only taking advantage of the lack of supervision to goof off. luke tells the campers to keep practicing; you tell your friends to give you and luke some privacy. 

“40 drachmas that they’ll break up at the end of summer,” chris offers, and luke really wishes that he’d shut up. 

“nah, i think it’ll be sooner,” clarisse adds. “maybe right after the solstice.”

“i don’t know, guys. i have a good feeling about this one,” beckendorf says. “i think they’re gonna last.”

“thank you, charlie. i think they’re soulmates,” silena muses.

luke watches as the corners of your mouth turn up slightly, listening to your friends as they walk away. 

“so.” he hooks a finger through one of your belt loops to get your attention again. “everyone knows.”

“everyone knows.” you smile at him. “so, what do you think, tiger? are beck and lena right — that we’re gonna last?”

he can sense that there’s something more behind your teasing inflection. you’re gnawing on the inside of your lip, discreetly picking at your nail polish. 

even with the front you put up, sarcastic and cutthroat and sharp as your celestial bronze knife, you still had a heart. and here you were, looking at luke like he had already stolen it, and you didn’t care. 

you were just waiting to know if he would break it. 

but, luke doesn’t have the heart to tell you how this is going to end. 

how could he? he’d given up his to you, years ago.

he can keep pretending, for now, so he will. 

“i’d bet my life on it.”

[chromaherder]

Byler week day 4: Summer Love During which Mike vows to never do sports again after swallowing a good handful of salt water.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[tennessoui]

brain will not let me sleep until I say

same age padawans au where they’ve been in a weird wired frenemies thing for ages but now that they’re both mature adults (all of 24/25 years old) they’re more friends than enemies….

And it’s Obi-Wan that Anakin tells when he’s decided he’s going to leave the Order, not anyone else. He has a wife. There was a pregnancy scare a few weeks ago and it made her want their relationship to stop being a secret so they could really have kids. He has to leave the Order. Doesn’t Obi-Wan understand?

Obi-Wan, who has been a little in love with Anakin since they were younglings, does not understand. Not one bit. Instead of wishing him well and helping him pack, he goes to the Council and requests a mission in the Outer Rim….perhaps a month long or more…perhaps undercover? No contact with anyone on Coruscant. And maybe they could assign Anakin Skywalker as his back up? He can help with the undercover aspect.

And at first, Anakin is pissed because he was planning to resign from the Order in the next few days, but Obi-Wan convinces him to go on this mission with him….one last mission as a Jedi. To say goodbye to the Jedi life.

Obviously, Obi-Wan sort of wants to go on one last mission with Anakin because in his dreams, he wants the mission to go so perfectly that Anakin stays with him the Order. But realistically, he mostly wants to go on this mission to say goodbye to Anakin and then let him go, soaking up all his warmth and light, memorizing every casual touch bestowed on him because he knows they’re ticking down to the last handful of seconds together.

But then obviously the mission works TOO well and Anakin falls in love with Obi-Wan but doesn’t admit to it even to himself before they’re on the ship about to head back to Coruscant and Anakin realizes he doesn’t want to leave this planet because he doesn’t want to leave Obi-Wan if it could always be like this so he crashes the ship during take off so they can stay longer because he’s 24 and doesn’t know how to handle the immensity of his love except through destruction

[m1d-45]

You know, I've been thinking. The stars in our world often look quite dim, especially in areas where there is light pollution. Suddenly, I'm imagining that in the Imposter!AU, the Creator looks at the stars at night, captivated by their brilliance. Perhaps Scaramouche or Mona (Whichever you prefer, you may also just write another character you think fits this scenario :D) find them. The Creator looks at them, then back at the stars.

"They're very lovely, you know? The stars never shine this brightly back home. It's a lovely sight..."

They smile. "I'm happy that I'm able to see them, even if it's in another world. I appreciate you letting me look at them before I die."

Perhaps the character takes pause... And sits next to them.

It's a lovely night.

in the stars

word count: ~1k

-> warnings: violence, blood, both of those in your future so technically you’re not hurt yet, not written for mona mains, sorry, didn’t work with the plot :/ also diona/klee/qiqi/nahida/sayu mains are on thin ice with this one. questionable plot. barely edited.

-> lowercase intended

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie

< masterlist >

the stars never lie.

mona clutches her catalyst to her chest, wide eyes turned to the sky. she whispers to them, hoping they’ll change, shift into something she’ll understand, anything.

they don’t.

her head lowers, inspecting the book. thrilling tales, the spine reads, the cover a simplified dragon with a sword through it. she tries to read into it, to try and pick apart the motives behind the weapon, but all it returns is a simple needlepoint.

a compass. one she’d followed ever since she caved into the pull on her catalyst, one she’d followed out of the city at dusk and into the plains, hiking up starsnatch cliff at its behest. her twin tails had lost some of their curl on the journey, her hat flopping sadly. it was late, later than she’d normally be awake, and she stumbled once on a rock before quickly catching herself, checking to make sure you hadn’t moved.

you, sat at the peak of the cliff. you, surrounded by cecelias, face turned to the stars. you, who turned at her short cry.

“are you alright?”

she couldn’t bring her hands to shift her catalyst into its attack position. her hands, free from their usual gloves, dug into the cover of the book, shaking both with the chill of night and with… she couldn’t tell, couldn’t pin whether it was fear or nervousness, or something else that blurred the line between panic and excitement.

“just fine, thank you.”

her voice was harsher than it should have been. she could tell you were being genuine, the way the water in the air shaped around you like it wanted to cling made that clear enough, the stars shining down on you as if you were the only being on the planet.

the stars never lie. so why were they saying you meant no harm?

you turned back to the stars, your hands shifting back to weave into the grass between the cecelias.

"they’re very lovely tonight. the stars, i mean. they never shine this brightly back home….” against her better judgement, mona glanced up. the sky was particularly clear, constellations shining down unhindered. “it’s a beautiful sight.”

orders from the knights echoed in mona’s head, orders extended from a god she’d never met. she knew the knights wholeheartedly meant what they said, truly believing the words they were told, but you…

hesitantly, she brought her hand in a circle in front of her, scrying for your constellation. you didn’t have one, unsurprisingly, and she relaxed slightly in the knowledge that you didn’t have a vision.. still, there was something strange about the empty space where yours would have been. swapping the sigils and rotating the outer edge, mona decided to read your future.

all the air was sucked from her lungs, the images depicted in the water making her mouth dry. the water warped and bubbled a dark color, as if it itself hated to show what it did.

you were on your knees, tight steel chains wrapped around you and latched onto hooks in whatever you were sitting on. in front of you stood the favored, the creator’s most prized, their weapon drawn. their form was taught with anger, nearly seething. it was strange, so uncharacteristic that it froze the astrologist in place for a moment.

no matter how fiery the disposition, vessels of yours were calmer after being wished upon, heart stiller for being by your side. they, the most prominent on your team of them all, should be at most handling such a severe situation with a tick in their jaw and quiet fury in their eyes, not…

she watched with sick horror as the favored attacks once, your chest caving once, twice with hitched attempts at breathing before you slumped over, blood trickling from your neck. the favored stepped back, weapon dismissed, and mona closed the illusion before it played any further. she hadn’t meant to look all the way to your death, only a few-

…only a few hours.

her hands shake where they’re still clasped in front of her, the remains of her scrying circle swirling in her palms. you didn’t even have a day.

she let the water fall, sending it towards the cecelias around you, willing them to stand brighter as she approached. she couldn’t bring herself to summon her catalyst, not now that she knew what your fate held.

the grass was damp beneath her, seeping slightly into her nightclothes. you didn’t say anything, simply passing her a flower that you had been twirling in your palms. she willed it to heal, restored the color to its petals and the strength to its stem, then passed it back. she had no use for it, not when you…

you chuckled as you took it, staring down at it for a moment before turning skyward once more. mona followed your eyes up, spotting a well known constellation directly above you. nearly perfectly straight up, glowing like a beacon, was the constellation of the favored, six stars making themselves prominent against the dotted sea of night.

“beautiful, isn’t it?”

she swallowed, eyes flicking down to you. you were still watching the stars, probably tracing the shape of the constellation above you. unknowing of what it spelled for your fate, unknowing of the warning written above you.

mona settled into the grass a little more, taking her hat off her head so it wouldn’t fall when she looked up again.

“indeed, it is.”

[front-facing-pokemon]

[the-judicial-assistants-notebook]

whatever you do, don't think about how lana saw herself in edgeworth, ok? don't think about how she wanted to distance herself from him the moment they met because he could possibly see through the sl-9 plan and ruin everything, but she couldn't because he was kind, if not a little awkward, to her terrified sister in a case where everyone else's only concern was securing a conviction. don't think about how she brought ema to the prosecutor's office (because she damn well wasn't going to let her sister face this alone) with her hackles raised and her defences bolstered because she'd heard about the "demon prosecutor" and his ways just to realise he's nothing but a young man, trying his best to survive under the weight of his mentor's shadow and ensure justice is served by whatever means he can. don't think about how she felt later, when she was under gant's thumb and knew for a fact that all those rumours surrounding von karma's perfect record were, in fact, true and that he was using edgeworth's faith in him to fulfill his own goals. don't think about how she felt when she had to begin doing the same. or what must have gone through her head when she entered her office one morning to find a case approval form waiting for her on her desk: the state v. miles edgeworth. don't think about how she knew, once she saw the name of the prosecutor assigned to his case, that she was signing his death warrant. don't imagine what she rehearsed saying to his sister or her realisation, after his miraculous survival, why he had been so understanding of her own. don't wonder, as she did, ineffectually, if it was his competence or her fondness for him that led to his car and knife being chosen to cover goodman's murder — a second attempt at his permanent removal — and whether it was affection or guilt that made her stand by the corpse, waiting readily to be caught in his stead. don't think about how she finds out, eventually, that he is gone, in a jail cell so far from remorse, gratitude and closure that she can only sit and turn in her head distorted thoughts about luck and fortuitous third chances. don't.

[laidenbreecatchall]

It may be crimbus eve but I did draw things for the modern Doctor/Surgeon!Law x ComaGhost!reader (in this case, me) Story that’s been percolating in my head. The main concept is that the reader has to get the attention of Law and to do so has to push him to the edge of exhaustion so he can see her. I don’t think she does anything outwardly malicious in order to keep him awake but she is totally haunting him. Edges of his vision, whispers of desperation in the night, general sense of unease, paranoia and anxiety. Ya know, ghost shit. There’s a few other ideas swirling in my head like some Penguin, Shachi, Bepo, ghost hunting to help, hijinks. And perhaps a reason that the reader is linked/drawn to Law, but nothing super solid yet. Just that her coma is induced and there may be some foul play involved in the hospital 👀👀.

Perhaps I’ll write out more for the au but for now enjoy this little context sketch page!

(Also the “explodes you with my mind” he just has a sleep deprivation migraine and I thought his pose looked like that lol!)

As usual, transcript under cut 💕

(Starting at top left to right)

*Explodes you with my mind*

“Please just let me fucking sleep”

Doctor, I need you to help me… please…

I’m so sorry I tormented you so, sleep well my sweet Doctor

[inkskinned]

Genuine question, because I don't know a lot about the topic and you're:

If someone identifies as non-binary and genderfluid, which from what I've gathered means something like "human" instead of male or female, doesn't that imply that women are not humans , like whole complete people with richer inner lives? And why is a dislike for (performative) femininity combined with a preference for things that are stereotypically associated with maleness an indicator that one is genderfluid? Does that mean a woman is only a woman if she loves to do make-up, wants to be a mother, only wears skirts, dresses and high heels, shaves daily, is always kind and never angry, has long hair, hates to get dirty and so on? Because I have never met a woman who's exactly like that in my life, but plenty who liked gaming, sports, being loud, opposed to shaving & make-up, who wore pants every day.

I do not believe this is a genuine question, but I'll answer it as if it was, just in case other people have to deal with this, and would like someone who is patient enough to give them the words. The argument you're making here is something that already stems from a deep logical fallacy in the beginning argument. You assume "If you are neither A nor B, and instead C, you think that A cannot be C."

It is a logical fallacy to say "X implies Y" when it does not do so. By this logic, I also believe men are not human. By this logic, I believe only nb people are human.

Some - but not all - rectangles are squares. Some - but not all - animals are dogs. Some humans are nb.

I have given no information about how I present, nor my interests. I am not going to give you that information, because it's irrelevant. What I need you to understand is that, again, you are making the incorrect logical assumption that "If a person dislikes X and likes Y, they must be Z." For all you know, I dislike performative masculinity and like stereotypically feminine preferences.

You then assume your own statement is correct and move forward with your logic as if I had debated you. This is not a "genuine question" about how nb people work, this is assuming being nb is based on a series of preferences.

As a teacher, I do think it's important to tell you: even if this is coming from a genuinely confused place: you are conducting bad research. You begin with an inherently flawed question, as it biased and assumes a position I must defend against - "why don't you see women as people?" Then you make logical conclusions about my personhood and experiences and ask inflammatory questions as if you were debating me, which I am not interested in doing.

If you were my student, and genuinely curious about how nb people see gender, I'd have no trouble with you asking an out nb content creator. If you're really trying to collect information, ask honestly, without personal bias. Here's some examples of what a genuine question would have looked like: - Do your preferences play into your gender identity? - How has being nb informed how you see femininity and masculinity? - What tools do you use to express your gender?

You are mistaking gender expression and gender roles as being part of my identity.

You are most crucially mistaking being nonbinary as being part of the binary and having to exist "in opposition" to other genders in order for it to "make sense". One of the most freeing things about realizing I was nb is that I don't exist in opposition to anything - and also that all gender works similarly.

Gender is a describing word, and this can be confusing for some people. In general, we tend to learn describing words in binary - short/tall, old/young, kind/mean. Therefore, there are (many) people who think - feminine/masculine must be oppositional. Gender is also a feeling word - and again, these are words that can be taught in opposition to each other. Hungry/sated, happy/sad, feminine/masculine.

But because gender is such a rare type of word - feeling and describing - it exists outside of binary. It exists more like art exists.

Green can exist in opposition to red, but it also just exists as its own color. Blue is a part of green, but it is also a part of yellow - blue is still its own color, and yellow is still its own color, and green is still its own color. One painting titled "still-life with fruit" may be a series of vague colors and boxes. Another may be a hyper-realistic singular plum. They are both how the artist expresses their personal vision of the fruit. They might even be by the same artist! And although we may compare them, they are not opposites.

One song by Hozier is not in opposition to one song by Britney Spears. They are different styles, not oppositional styles. You may choose to see them as oppositional - but that is your personal opinion, and not fact. And some people may feel and experience those songs as being actually incredibly in-line with each other.

This is why we say: gender is a spectrum. That all gender roles are made up. Personality, interests, and experiences may shape how someone sees and feels their gender, but it does not define how they see and feel their gender.

When we question gender roles and gender expression like this, it tends to make people upset. People like me tend to make people upset. So much bigotry is based on the lie that "feminine" and "masculine" are oppositional. Opposition is rigid and important - it keeps white hegemonic structures in power. I don't have time or space in this post to talk about how rigid gender roles/enforced gender expression rules are not just sexist but also racist, classist, ableist, homophobic, and bigoted; but I really recommend you do the research on how disruption of the gender binary might put the patriarchy at risk.

The thing you feel trapped by - that "being a woman" is a complicated series of rules - is exactly the kind of thing a nonbinary person would agree with you about. We have to fight hard to be recognized for what is a basic truth about our identity - of course we don't believe that gender expression is equivalent to gender identity.

And truth be told... I think you kind of knew that. I think you kind of knew all of this. I am going to hope that you are young. I'll tell you this: I was raised by someone who was a far-right extremist catholic asshole. I certainly didn't have the research/knowledge/exposure to interrogate this stuff honestly until I was probably 23.

I am so much happier now. I hope one day you get the same opportunities as I had. I hope you choose to move away from bigotry.

love u anyway. all this in kindness only.

[thychesters]

wave after wave. zolu ; 4k ; post-thriller bark

“Zoro’s been asleep for a while,” he says, more to himself than his audience of one. Zoro always sleeps, that’s nothing new—he’ll twitch when Luffy pokes him in the cheek, crack an eye open right before he can yell ‘lunch’ in his ear—but never like this.

Zoro’s always run warm and now his hand is cold when Luffy touches it. 

“I don’t like it,” he says. He waits for an eye to crack open—an eye that’s green in the early morning sun, or gunmetal gray when the sun’s setting.

He wants to reach out and touch him—his arm, or his hand, something solid, something that tells him Zoro’s still here and tells Zoro he isn’t alone. But there’s barely a part of his body that isn’t bandaged, and with what exposed skin there is he isn’t sure if a simple touch would hurt him even more.

Now he sits beside him, and he is not a patient man, but he will wait for Zoro.

read on ao3.

[smile-files]

one of my favorite kinds of doodle: take the letters that spell out the name of a thing and use them to create the shape of that thing!!! (if you can't read any of these, they will be written out below <3)

going top down, left to right:

bone; butterfly; bee; joy; moth

kitty cat; snail; love; spongebob squarepants

eye; puppy dog; candy; wally darling; dolphin

hand; the element of kindness; lollypop; pencil

[findafight]

Au idea I'll probably never write:

Steve as seven au, BUT he escapes at the same time as El in season 1. They get separated after Benny's, when seven tells eleven to run and definitely kills a couple government agents to give her more time.

So the a plot of will being missing and Mike finding El? Standard canon except El is ALSO looking for her brother and is worried about him. She sees that he's mostly safe and tries to help find will but also insists she go to her brother soon.

B plot of barb and Nancy...idk I haven't really thought about how that'd work without Steve's kickback. Maybe they go to a party (like actual party not the five person hangout) together and get separated and no one notices barb disappear from the edge of the lawn. Idk

The C plot is seven, kinda bloody and definitely cold, wandering out into the middle of the street, and one Robin Buckley almost running him over with her bike. She immediately clocks "guy who seems pretty fucked up" about him, and offers him a ride to her house. But Robin has never been the most coordinated of people and biking with a(admittedly probably too skinny) teenage boy sitting in her package rack is hard, and combine that with a guy driving like the devil's after him, they end up swerving of the road.

Eddie steps out, apologizes profusely, and offers them a ride. seven is sceptical, especially when both of them pause when he tells them his name, but does end up in the van. He finally gets a chance to breathe once they get to the Buckleys', and Robin gets him some leftovers.

He sits in front of the tv set to a blank station, tucks his head into his shirt instead of blindfolds, and tries to see El.

He sees her older, with flowers braided through long hair, laughing. Too far. He sees her with short curls, a patterned button down, eating something in a cone beside a mustachioed man. Too far again. He sees her tiny, scared, holding his own small hand. Not far enough.

Finally, finally, he sees her as she knows her now, mostly, standing beside a group of children and in front of a monster in a large room.

Eddie and Robin have no idea why their new friend? Has turned the tv on to static and is hiding in his shirt, but figure he's had a rough day. He pops his head back out, blood dripping from his nose, and grins, telling them he knows where his sister will be.

Anyways blah blah blah El sees where people ARE Steve sees where people have been/will be (based on where/who they are right now. Futura is constantly in motion etc).

Idk season 2 would happen very similar as canon minus stancy break up (they never date and are just friends) (also Steve tells Robin and Eddie he and El are safe and they pass it on to the kids) El finds Kali, Steve fights demodogs, etc etc.

But I want a (pre?) season 3 scene where Robin and Steve are hanging out as soulmates do, door closed because they are discussing Sensitive Subjects (gay shit) and giggling like schoolgirls. Hopper, in all his disappointed dad glory, opens the door and starts in on a rant about keeping the door open three inches.

Steve, bitch that he is, just tilts his head to the side and says "but that is for when we are with people we date. I am not dating Robin."

Hopper, not yet picking up what's happening, sighs. "Kid. It's about propriety. You can't be alone with Robin, because what if you do start dating. Then it's. You have to set an example for El!"(it would be a nice move bringing up Older Brother Responsibility, except...well.)

"but we aren't. I am dating someone else?"

"still need the door open three inches, pal. When El is home, at least"(El is almost always home)

"we do! And you complain about the loud music!"

"wait. Who are you dating? I thought Nancy was dating Jonathan still. She barely comes over." Hopper please pick up what Steve is putting down oh my god.

(hop has forgotten Robin is there and she is trying very hard not to make noise but Steve keeps meeting her eye sometimes because dear god. truly an iconic moment in friendship history.)

"yeah obviously. Eddie comes over all the time, though."

"what does Ed- oooh. Ah. I see. That's why you keep the door open even though he complains."

Steve nods like Hopper is the dumbest man on the planet. He might just be. "Yes. Because you said El had to and she asked why I didn't have to so then I started to leave it open when Eddie was over. At least Eddie doesn't laugh at you to your face"

"Eddie laughs behind my back?"

"he said you didn't know we were dating but I told him of course you knew, the door is open three inches."

Hopper clasps Steve's shoulders and looks him in the eye. "Steve, I need you to keep telling him that. And not mention this very awkward conversation we had."

"because he was right."

"he doesn't need to know that."

That's all I got lmao (also check the tag ramble I added lol)

[crybaby-bkg]

ohhh my god I’m looking at all these sex toys for this fic and saw this like pleasure tape that you can use for a lotta stuff and????? thinking about being a brat to gojo and acting like nothing he does is enough for you and he gets a little fed up about being sooo under appreciated!!!

so he lays you out on the bed and goes to work with the tape. tapes your mouth shut and your wrists together. tapes your tits so they sit up nice and perky for him to nip and lick at whenever he damn so pleases. then moves down between your legs, shushes you with condescending coos when you wiggle and plead through the tape for him to let you up, even though you’re wetter than he thinks he’s ever seen you.

and he tapes your cunt from top to bottom, despite your little hiccuping moans about how mean he is to you. at least, that’s what it sounds like, but for that, he still flips you over to tape your asshole too, biting at the flesh when you groan.

and then he leaves you there, wiggling and moaning and looking so pretty for him like this. tied up and teary eyed, and when you beg through the tape to be freed, only then does he feel a little more appreciated because you need him. that’s all he’s ever wanted from you.

[obey-me-headquarters]

So, I haven't gotten too far into Nightbringer to write any specific smut for it. (Literally only just started lesson 6). But I do have some ideas!!

A lot of my ideas revolve around being the demon's "first" in something. Like, you know your demons inside and out at this point. You know all their kinks, fantasies, and where to touch them to make them squirm. So you can introduce them to all sorts of things that make them scream in the future but they have no experience with now.

For example, showing Lucifer how much of a masochist he is. I don't think Lucifer is a complete virgin in Nightbringer as I think he fooled around as an angel at least a few times. I mean, he's still a few thousand years old, he was bound to get curious and try getting frisky with a few angels. But him trying out BDSM? I seriously doubt it.

So once you and him finally fall into bed together, you show him all the ways he didn't know he loved to be touched. Having such an inexperienced Lucifer is a bit of a novelty and a bit of an annoyance. Present day Lucifer knew what he wanted and he wasn't ashamed of asking for it. The Lucifer you're currently bedding? Doesn't know what he wants.

It's actually really cute how shy Lucifer is. How he tries so hard to stifle his moans when you heard much louder, much needier ones from your present Lucifer.

And you don't want to push him. It's entirely possible that past Lucifer has no interest in BDSM. That his particular taste for masochism and being owned evolved after many centuries.

But you still want to try, to possibly open his eyes to a new world of domination and submission.

So one evening, one careful evening you've been planning for. One evening in which you make sure that his brothers haven't wreaked havoc, one evening where Diavolo doesn't up to distract Lucifer cause him stress. One perfect, relaxing evening, you spring the question onto him.

"Lucifer, have you heard about BDSM?" You ask in your most light, most casual tone to not raise any alarm bells and spook the demon.

Lucifer pauses his undressing, his hands suspended in the air as his tie hangs loosely around his neck. He turns to you in slow motion, looking so bewildered and confused that it makes you want to laugh. Surely your demon couldn't be that pure right? You know he's only been a demon for a little more than a year now, but, come on.

"I'm sorry, have I heard about what?"

"BDSM! Like, Bondage, Domination, Submissive, Masochism. Have you heard of people doing that sort of thing in bed?"

Lucifer's face turns a bright scarlet and he turns away from you. Like, actually physically turning his full back to you, turning away from you. You can see his ears still burning though, and elect not to tease him about it in worry that if you do, Lucifer might become so embarrassed he'll stop being the Avatar of Pride.

"It's fine if you haven't. If you would rather I never bring it up again say the word and I wouldn't." You tell him, concern starting to creep in.

"No. No, it's fine. I just. Why did you choose to bring that topic up?" He asks stiffly, hands clenching and unclenching at his sides. A classical Lucifer "I'm nervous about this topic because it inflicts Feelings in me" move.

"I was just wondering. I have been in dom/sub relationships in the, um, past, and was wondering if that was something you'll be into," you say gently, so extremely gently. "It's fine if that's not something you're into." You add.

"You have?" He asks in surprise, and because you know him so well, with a hint of excitement. "What... what role did you fall into?"

Relief crashes into you like a tidal wave. He's into it. He's really into it from what you can tell. He hasn't had any experience with subbing, you know because your Lucifer didn't when you meet him, but he was so desperate to finally try he practically threw himself at your feet.

Not this Lucifer though. This Lucifer most likely knows of the idea, maybe he picked up some porn featuring a dom/sub relationship and knows on some level that he's interested in subbing, but hasn't had the time to stew in that knowledge like your Lucifer did.

"Dominate." You say with confidence, a grin painting your face. "I like control in the bedroom."

And judging by the shiver that shoots up Lucifer's spine at your words, so does he.

Grinning, you stand and begin stalking towards your prey.

"I like taking control of my partner. Make them beg for relief. And if they misbehave, I like to punish them."

"Do. Do you?" Lucifer asks breathlessly.

You're standing behind him and you know he knows you're there. His demon sense picking up on it, and by the way he almost leans backward as if to meet your touch, you know he wants you.

"I do." You state confidently, mere inches away from Lucifer.

"But," your hand grasps Lucifer's shoulder and he flinches. "If my partner didn't want that...." You give him a light pull and he complies, turning to face you.

And oh, what a sight that is.

You missed your subby little Luci. You missed his cute moans, his tears as you edged him, and his screams when you overstimulated him. And you missed his flushed face when you lowered him into subspace.

And this? This perfectly mimics that face.

"Oh, baby." You breathe out, fighting the urge to pepper his face in kisses and pull him into your chest.

"And what if I do? Would you do those things to me?" Lucifer asks, and you're so, so proud of him for asking.

"Darling, I would do all that and more." You say as you kiss him.

Like your Lucifer did in the past, like he will do in the future, he lets you take control.