#car selection

[arcadebroke]

[hsmagazine254]

Driving in Style: Choosing a Car That Fits Your Lifestyle

Tailoring Your Ride to Your Lifestyle Needs Finding the perfect car goes beyond aesthetics. It’s about matching your vehicle to your unique lifestyle. Discover the key considerations to ensure your next car suits your daily needs and preferences. Understanding Your Lifestyle 1. Commuting Comfort Consider the daily commute. If you spend a significant amount of time on the road, prioritize comfort,…

[mournfulroses]

Paul Celan, from a poem titled "In The Reptile-Car," featured in Selected Poems & Prose

[fameone]

[bowserbabe]

@tmsource secret santa gift for @teresalisbns! Happy Holidays!

[shegoesbyjoy]

there's an unusually prevalent belief that Disco Elysium doesn't refer to a motor carriage as a "car" in-game, or that "Dolores Dei" is favored over the word "god"

but if you look at the game's dialogue, both of those words are very much a part of everyday vernacular within Revachol

a car drove / car keys / car crashes / a sunken car

swear to god / god knows / thank god / in the name of god

and just for fun, here's the use of both within the same chunk of dialogue:

[batsplat]

the anon who sent the biopic ask here. afsfdfhhjkk I did in fact sent it to get you to talk about the movie version of sete/vale rivalry! I am also the sete anon after all.

anyways.

the vale selling his would to curse sete stuff had me screaming bc you see…….a while ago there was this gif set going around where 2020 or 2021 valentino’s leathers are unzipped and you could see how concave his chest is. and my first thought upon seeing it was “haha it’s actually concave bc valentino made a deal w the demon and gave him his heart in order to become the god of motogp, and also to curse sete:)))”

love the casey stuff, I think if we get the minds that worked on revolutionary girl utena in on this they could make it work. mainly bc rgu had really great visuals, lots of surrealist stuff and all that while having a pretty low budget. (yes rgu is also very complex and deals with stuff like csa, escaping the cycles of abuse etc but we’re not getting into that.) so, in some far far away alternative universe that studio makes a casey stoner inspired animated film (with huge budged) and it a cult classic. alternatively, satoshi kon could have also worked some magic w that set up I know. lots of great imagery there.

dovi biopic could actually work, if we use his story to make into a movie about the man vs corporate machine, how futile that struggle is, disillusionment and ultimately choosing to walk away. so, actually it won’t be a dovi biopic in the sense most ppl think of what biopics are? it would end up more grim than general audiences realize bc the movie will show that in the end ducati succeeded and have won world titles etc and dovi was a cog in that machine, and had his imput being downplayed etc. but also like dovi has his family, his inner circle, his self of self to fall back onto and the audience is obviously ends up on his side so it’s not downright depressing. (I wrote this w a specific director in mind even afdgghjk)

w dani&jorge………ok I’m gonna sound insane for this but. we need to maybe fully fictionalize this. have original characters, who are totally not heavily inspired by jorge&dani *wink wink*. get pedro almodovar to direct or something. this movie is now about jorge-inspired-character dealing with his closeted homosexuality, his fraught relationship w his father….like I am in no way trying to suggest that real life jorge lorenzo might be gay here! but his story does land itself to these themes if you think about it. the rivalry is underlined by homoerotic tension the two characters cannot acknowledge (even to themselves) within the setting of competitive motorcycle racing. buttt after their retirement? they discover that there’s a life outside of it all and maybe mayyybe the movie implies they could get together or something.

also love the sepang 2015 movie framing but yeah it would be considered the worst racing movie of all time, like 5.4 out of 10 on imdb, tge director wouldn’t be able to make another feature film for another 10 years after that. but good news it gets some reappraisal and a small but dedicated cult following like 15 to 20 years later.

wow, did not mean to type all of this out actually! but I do want to say that your answers never disappoint and it’s always a good read. have a nice day!

(follow up to this post) omg pls I love long asks, I'm gonna not take this in order because I NEED to skip to the casey/valentino rgu vision because?? yes? casey is like... such a magical girl... (magical girl transformation into leathers, is this anything) the rose imagery!! I want to rose imagery casey!! obviously again yes the thematic overlap between these two things is only,, loose at best, we are very much ignoring many of the things utena is actually About,, but. disparity between idealised roles and how those roles actually function, having those images interrogated/torn down... growing up!! casey realising his parents' dream was imposed on him rather than chosen... even just kind of. the aesthetic make up of utena, the core components of how it actually tells its story. the focus on duels and being challenged... formalised process of DEMANDING to fight the current 'champion'... the shadow plays...

this to me is casey and valentino

anyway if u squint it is like. kind of the same energy as paddock gossip. the skits are also.... yeah hm. hm

moving away a bit from utena and its very specific themes, I think what you really can also do with this vision is like... play up the culture clash vibes for casey? I've been meaning to make the post on this forever, but there's a specific theme that comes through in a lot of the stuff casey's said and written over the years that's really concerned with... well, the trip from australia to europe, the hardship associated at various stages with that, never quite feeling at home in this new environment, zero paddock friends, never learning italian and being sick with the concept of italy by the end of his ducati tenure, saying that europeans weren't as straight talking and honest as the anglos (valentino did also help turn him off the concept of the british, mind you), saying the europeans were more partisan, bad sports fans, really kinda... wrestling with a lot of his loneliness and feelings of isolation by attributing a lot of this stuff to this different european mindset. where some of his competitors were nasty in part because that's what they're all like in big bad europe. and idk, that's something that you can really dig into with these abstractions, when you're isolating casey and then making him accept this Challenge of facing the god - through motorcycle racing but also through ritualistic sacrifice - and eventually he takes on this task that he's supposed to, that's supposed to be his duty, but for some reason everyone still hates him for it... and you play up how it's not necessarily his individual agency that even brought him there. he's there to win, and yet they hate him for winning. everyone wants competition, nobody likes the competition when it's actually there

also like. sleeping beauty him. pricked by the thorn of a rose and he's taken out of competition and has to recover and everyone criticises him for 'just' having his finger pricked with the tiniest drop of blood. idk a lot of his quite specific baggage and struggles are really made for abstraction. he's also got this... look. just a very specific vibe that I think you can magical girl-ify. vibrant red, a little bit delicate, as the shadows creep in on him

where it's kinda... he's unique, he's special, he's got All That Talent that allows him to take on a task nobody else has managed... but that's also part of what isolates him, that x factor of his raw natural ability that allows him to make it at the top of the sport In Spite Of All The Odds but also means he CAN'T get a quiet peaceful existence

and the rivalry with valentino, which, first of all they both make for great animated characters because they're incredibly distinctive (I would make utena!valentino so very very tall), but also that slight... element of menace. valentino constantly in the spotlight, and the brighter casey shines the more he's in danger - even if he rather wouldn't be the centre of attention. he still is.... even if he shies away from it, the world is still watching. valentino is still watching. and the gaze itself has consequences

literal glare of the camera lens, exposing casey in a way that makes him uncomfortable. unnerving and too bright and trapping him

casey looking at valentino and the changes in what he sees over time. the gradual adjustment of perception when he comes to learn of a different version of valentino (who is in turn still separate from Valentino The Person)

and that kind of animation style for the motorcycles and everything... thinking about specifically casey's phillip island 2009 which is his very first race win after his illness-induced absence and I've never personally been THAT big on white liveries (he still loves it though) but like. symbolism-inspired colour change for key step back into the fray, to a new moment of hope

his leathers also have like. a very specific vibe here. as do his interactions with valentino. the specific way they grasp hands idk I've got a vision

(they do also hug pretty warmly in parc fermé and there's a bit more to this race given it was a massive W for valentino as far as his title bid was concerned but he'd also been informed of a personal tragedy the day before - but we're gonna ignore all that here)

also OBVIOUSLY

the assen 2007 fight was SUPPOSED to be animated

it also lets you dig into kinda likeeee the weird elements of that rivalry where it switches from being a primarily on-track one to being a completely off-track one. like idk it feels you can play with that switch of them being real duels to just being. casey stabbing him while valentino taunts him. this disconnect where casey is now on top of the world in all the Actual Motorcycle Racing but the whole picture isn't quite as simple as that.... the ways in which casey can't entirely win....

other random fun bits of imagery/vibes:

again, you can have random animals running around in animation... tortoise turtle and the hare laguna '08 I will keep saying it

speaking of laguna '08, the most memorable move happens at the corkscrew... I think you can do something with concept of a corkscrew

laguna '08 overall is just a top ten anime battle isn't it, the fact that the whole thing depends on this. reversal. where rather than valentino always stalking his victims (inherently evocative) but is committing to obstructing casey from ahead (btw today's their anniversary!!! <3)

you have GOT to do something funky with pressers, like casey's relationship to the media is so fundamental to his entire story... essentially treat it as another form of combat imo. like give it the exact same visual lead in as the actual on-track battles, so that you have this collapse between the on-track and off-track

collapse between the identity of the rider and the bike. common thing anyway in the weird way these blokes talk about their bikes, obviously valentino is like. a number one offender for this. and obviously you can easily exploit this in animation!! and also if we're sticking with the yellow = infection stuff, then casey is constantly being at risk of overwhelmed by the yellow.... and once he's stepped away from that bike to go to honda instead, he has to see this thing that's separate from him but still somehow a part of him be infected

playing with how casey was inspired by valentino... you know the utena kinda. prologue of utena being inspired to become a prince... basically that vibe. stepping up to become a deity and being presented the blade to challenge a god. But Was That Really Such A Good Idea

you can do something with chequered flags I reckon. idk what but you do something with them

casey's obsessed with fishing. a symbol of childhood innocence and one of the things he would have loved to do when he was essentially being forced into making motorcycle racing his dream, something that caused controversy back in 2009 because he got backlash for going fishing during his injury absence (yeah I don't know what they were on back then too) and something he references when he retires on his pitboard 'going fishing'. it's innocence, it's his individual dream, it's peace away from the track... you can work with that

obviously valentino himself makes all this symbolism shit very easy given he did canonically give himself an eyeball helmet during one of his ducati races. like we get it buddy. that would SLAP in animation

okay I just need to say it. you know how in catalunya 2009 casey is just like. two seconds away from fainting on the podium and valentino/jorge are having their whole intense thing going on and are just. ignoring it. gets me every time, it's just such a bizarre discrepancy of vibes. like two different narratives are going on during that podium and they're just pretending like the other one isn't happening, except in casey's case that's extremely understandable and in the others' case?? idk I'd check on him?? power of animation I'm having casey literally faint and everyone ignoring it. maybe several times. sorry casey this is social critique on your behalf

if you have an equivalent utena walking up the stairs pre-race build up, it is so important to me to remember that casey crashed during the valencia 2009 warm up lap

something something valentino catalunya 2008 special italian football team leathers something casey's issues towards italy something them actually having a duel in that race while casey is just about trying to wrestle his italian manufacturer into making themselves useful for once... this is the first... second? turning point of the season. okay look there's several turning points. but crucially that's one of the big ones, when casey is starting to get the ducati situation sorted and they have a post-race test at catalunya and then casey goes on his little win streak that leads you to laguna. I think you can do something with the concept of italy here

something something taking on the number one plate symbolism

thinking of the utena stopwatch thing and how casey's mum was always making the notes for casey's races as a kid and they're included in his autobiography... like you've got this little kid with essentially performance reviews... idk something about constantly recording what he's doing. I can SEE that scene of animated kid!casey going around the dirt track while his mother is recording his progress with a stopwatch and notebook in my mind...

two-faced valentino... make it literal. Valentino The Racer and Valentino The Character and Valentino The Person as entities that casey meets separately

something about valentino's fucked up little fingers as his one vulnerability

valentino reeling in casey like a fish, is this anything

anyways. I love the dovi description... I still get like. nebulously sad about his 2020 where it's both kinda I get how this fell apart but it's so unsatisfying? which is the fun of it! narratively speaking. and the fact that he was such a big influence on the development of that bike, how possessive he got over that project and really saw it as his, how he ended up being unceremoniously dumped and he's seen them win again and again... again he does have the whole 'being well adjusted' thing working against him BUT idk there's a satisfying suitably cinematic story in there somewhere

and yeah I do see the jorge/dani vision!! I think that one's the one where I'm like. the least attached to the literal details and am quite happy to fictionalise it!! especially because lbr his path to his first title just Does Not Work narratively. like 2010 only works as a good conclusion of that arc if valentino is actually THERE to be defeated, or if jorge and dani actually have more of a title fight. and he does have an extremely queer-coded narrative!! you kinda have the actual family right, then the way he kinda... cycles through a few versions of what are essentially all found families, like he's got the whole manager situation which obviously in itself ends up a nightmare, then the coach turned manager he also split from then ?? it's kinda... that dimension of athletes where they're CHOOSING the people close to them (not that he's fully in a position to make a lot of these choices!!) and then has to cut ties when he becomes more aware of how those people are attempting to exploit him.... the whole number switching thing is explicitly framed as a form of liberation. his tendency to get Obsessed and a little Weird about all his major rivals (dani, valentino and dovi get the worst of this) like it's just a fun vibe to play with... the way the rivalry with dani is also a little Imposed from Above and also jorge doesn't get why dani keeps him at such a distance and is constantly trying to like. bug him into paying attention to jorge. he just makes for such a good coming of age story protagonist, like he's so vibrant and awkward and cocky and kind of ridiculous,,, prone to way too intense introspection and just overthinking EVERYTHING and he's trying to play a character while also wanting to find his authentic self or whatever... he's just such a Young Guy and his story with dani is full of that energy... yes

anyway. on to sete. you and me anon

valentino!!!! cuts!!!! his heart out!!!!!!!!!!!!!! I LOVE THAT omg.... I love the idea that he'd just. be motivated to destroy sete enough that he's willing to take the final step.... the one that ensures his rule over the sport will never be challenged in any meaningful way but he also cannot return from, a line that he can't un-cross.... AND y'know I've banged on enough about this idea that valentino really DID change his approach to his rivals after that, acquired a bit of distance which would be!! fantastic, it's also that element of not just him Losing something but also him not wanting to go through those kinds of complicated emotions at the hands of someone who had been a friend again... removes his heart!! exorcises his softness!!

I kinda love the idea of making it... the natural conclusion of where that particular journey was taking him. like the idea that that's kinda always where he was headed... it's why I think the sachsenring/brno 2003 thing is so neat, like the fact brno is the site of both the big comeback win against sete but ALSO where he agreed to ride for yamaha in the middle of the night. that you're drawing the line between 'he wanted to be his own man' (seemingly a harmless motive, even admirable) with what 'being his own man' involves, aka psychologically torturing his rivals (possibly a little questionable). another thing I adore here is his phillip island 2004 celebrations when he seals the title..... what a spectacle!!!! in retrospect it's just kinda,, oh look what a fun celebration! he's having fun!! it's all a show!! because sete has been erased from that celebration. and that race is the culmination of BOTH those arcs set in motion at brno 2003, it's his great yamaha victory while also being deeply cruel... and before that the sepang celebrations... I just like the idea that what people tend to see as Good valentino traits (joyous, fun celebrations) and Bad valentino traits (working to destroy his rivals) are fundamentally impossible to detach from each other, and the only way you get rid of them both is by suppressing who he is as a person... now I'm not saying that the devil tempted him to join yamaha but I'm not not saying that? works with the ibiza trip between sachsenring and brno too, like you can parallel that to sete contemplating honda the previous year (this did Not canonically happen but narrative efficiency). it's all their choice!! but they were also Twisted By Circumstances.... valentino's corruption arc why does nobody see this is valentino's corruption arc....

[princelancey]

Countdown to 150 | race 49/150 ¦ 2019 French GP

[aechlys]

Ok, it's actually going to be a cooler day tomorrow. What should I do on Aug 30th fam? Bc I have no willpower anymore im spent lmao

....u dont get a bald option bc participation is mandatory!

But yeah I'm really fuckin out of ideas for what to do with my time now shit sucks so that's why I'm now coming to y'all. 🤣

My fate is in your hands!! Choose and comment wisely!! 🫡

[syncope-syndrome]

Because @whumpprentice and I keep getting recommended car blogs... car whump!

Seriously, where amongst my #cats, #nature, #pretty people fainting do you think I'm interested in cars, Tumblr?

TW: CAR ACCIDENTS, KIDNAPPING, DROWNING, VOMITING, DRUGGING

being trapped in the trunk of a car left out in the sun. they've slipped out of the restraints a few minutes ago, but the metal's too hot to safely touch, the heat exhaustion is weakening them, and there's not a sound from the outside. sweat makes their hands too slick to grab onto much securely and dripping into their eyes, mingling with the tears forming at the thought of them baking alive in this car, alone, and no one coming until it's too late.

sitting in the front seat next to their captor, the whumper's hand heavy on their knee as a reminder to stay quiet. the whumpee stares helplessly at the officer checking the car's registration, handing it back to the whumper with a smile and bidding them both a good day and a warning to go a little slower next time. there's triumph in the whumper's responding laugh, and the whumpee's heart sinks into their stomach as their potential savior walks away.

trying to slide their way out between two cars nearly crushing them, feeling the metal of the first car's bumper and the second car's license plate scraping and tearing into their skin with every little sidle.

a vital limb pinned down by crunched-up metal, the impact harsh enough to break bone. even if they wanted to move, they couldn't either way, trapped in by the wreckage and the intensity of their pain both.

a car sinking beneath the water, a whumpee's desperate struggle to try and shatter a window to escape. they bang their hand onto the glass until it's bruised, taking in a last-ditch lungful of air before they're completely submerged. finally, they find something sturdy enough to break the glass, but they have to pull themselves through the mangled window. every shard of glass that digs in or slices them brings a gasp of pain, and every gasp threatens the very little oxygen they have left.

a fever-ridden head pressed against the rain-cooled window, the passing streetlights and zooming cars a blur as the whumpee fades in and out.

trying to use anything and everything to keep the blood off the linen seats — the car's an antique, a rental, a friend's. if there was any other option, they wouldn't be in it at all... but there isn't. all they can do is smear more and more blood on their clothes, their blankets, even their bag in an utterly desperate and mispriortizing attempt to keep the car itself clean.

weaving through traffic with eyes on the rearview mirror, looking for the headlights of the car that's been following them for far too long. it's still there, even as they make a risky merge off the highway. it's still there, even as they make too many right turns through an unassuming neighborhood. it's still there, even as they run a red light to try and finally ditch them. relief floods their body as the tailing car stops, then there's a sickening, screeching crunch of metal on metal, and darkness.

rushing home after a bad date and an even worse dinner, struggling to focus on driving while working their throat hopelessly to keep their food from coming up again. their friend's voice drones on and on, blurring in the background as they lose the battle against their illness just as they pull into their residence.

a caretaker trying to hold a whumpee in place as the car swerves and weaves frantically towards the hospital. every sharp turn aggravates their condition, and the caretaker's voice is nearing overwork from the constant, reassuring whispers towards whumpee and the stern warnings towards the driver.

getting into a car after a party, stumbling into the arms of the all-too-eager-to-help driver. at the time, they think nothing of it, letting themselves lounge in the haze of a wild night out... but wait. they don't know this person well enough to get into their car like this. ... they didn't have that many drinks... this isn't their neighborhood... when they try to express this, their words slur to the point that the driver can't — or won't — understand them, and as their consciousness fades, the realization hits. that's not their friend's voice... it's whumper's.

[saph-yells-into-the-void]

i think what makes nagi's downfall so hard is that he dropped down to the top 11, which mind you isnt bad at all. thats still good, thats just shy of the top 10, for any other average bllk player you'd be happy with that.

but its nagi. the prodigy, the genius. arguably the one with the most talent and potential in the whole facility. so it isnt just that hes playing badly. its that he playing..average.

it must sting having so many people have such high expectations for you, telling you that you have all this potential but not living up to it. its like getting a B on a test when everyone expected you to get a perfect score.

[n64retro]

Ridge Racer 64 Nintendo Software Technologies / Namco Nintendo 64 2000

[shallowseeker]

Today, am a little obsessed with the concept of Cas + cars

The "pimpmobile" as the mark of immaturity & unsettled identity:

Ah, yes. THE Lincoln V. Very "Tom Selleck." (Magnum PI)

When he steals the Continental "pimpmobile," Cas is symbolically the young buck who hasn't settled down. Indeed, in seasons 9 & 10, Cas is wandering the world in search of penance, inevitably finding himself drawn into another guerilla-angel war. (The new flock with Hannah has all the markings of modern warfare, from the tracking to the maps on the wall. They're just trying to get home, but it's still war.)

In groups, Cas does not drive the car. (Driving is still pretty boring thing to him, and he misses his wings.) So, then, the Continental isn't perfect fit...he just likes it. It's a "searching" car. Cas is trying to find his preferred path.

1978 Lincoln Continental Mark V. (Image by Mikael.)

///

But perhaps Cas grows into the retro meaning of the Continental

The 1978 Lincoln Continental V was modeled after the Thunderbird and sold as a luxury item. Popular in its own right, colors like the one Cas drove were referred to as "understated like a diamond solitaire." It's aimed at the idea that "'real' men command quiet power and don't need to throw it around for show."

(Images by Mikael.)

When Cas is with Hannah, he starts embodying the retro meaning of the car: "Good guy you got there," says the trucker after seeing him interact with her child. Slowly, throughout season 10, the idea of Cas + parenthood is being planted and watered.

At this junction, Cas makes a bold switch to try to appear more human than angel, and among this is doing penance to Claire Novak. Cas learns that being a father fills him with...something. It's a feeling that appeals to him and gives his life a new kind of meaning. He's starting to create a life-framework he prefers.

Yes, the Continental is a "searching" kind of car. Cas drives it primarily when he's without his own grace. (Who ARE you now? Who are you, without "all the bells and whistles?")

When Metatron steals the Continental, thus begins his own dark night of the soul, and we see him struggling with soul-searching up until season 11. Indeed, Metatron has also lost his grace, and he loses his faith in everything, from his father to the very idea of the novel and stories.

When Cas gets the car back, something has changed in him, and it no longer fits. He's got his own grace back, for starters. He also starts staying in the bunker more permanently, the choosing of the human struggle over heaven's war. He's feeling out his human family and finding where he wants to fit within it. ///

The brown truck as mark of family!protectorhood

And post-Continental, it turns out Cas is toootally a truck guy. A few things about trucks:

they sit higher on the road, so the driving experience is totally different than a sedan, or even a muscle car

in terms of handling, you can generally be much rougher with them

that is, they're less responsive to steering, so you can grip and turn considerably less delicately, which might be really nice for someone like Cas

they're less responsive to braking inputs due to their suspension and weight, so if Cas is a lead-foot, this would also be very nice for him

they can carry heavier loads than cars and for greater distances

they're also very reliable and they're less likely to break down

when they do break down, they're easier to work on

Cas's 1987 Ford F-Series from season 12

In season 12, when Cas steals the workerman's truck, he takes on family protector more overtly (or the "father" role, as Cas conceptualizes it in season 15's Gimme Shelter). The protector!truck is a SPN mode reflected all the way from John's truckzilla to the tan Ford truck (same model, nearly same year) that Dean drives when he's "dad" to Lisa & Ben's family unit. Though perhaps unlike Dean, Cas thrives in this role. It's comfortable to him.

From SPN 1x21, John's black 1981 GMC Sierra Grande truckzilla, and from SPN 6x21, Dean's tan 1988 Ford F250. Far right is the The Ford of the kind man who offered him water and a sandwich after The Great Fall in SPN 9x01.

The tan truck is a positive sign of a healthy father!protector, whereas John's truck represents a crumbling of strength and brokenness, with only the outward signs of being a stable father. The tan truck also has a positive motif of kindness, since it bears a striking resemblance to the truck of the guy who showed Cas compassion when he fell (offering him food and drink).

Cas's taking of this vehicle as he rushes to rescue a kidnapped Sam represents a resolution to offer support as a father figure to Sam, post-Dean's "death." Certainly, Cas is Sam's friend; it's not as simple as Cas being solely his angelic protector figure. But there is an element of "parental" support in how he interacts with Sam, especially in later seasons (Gadreel + grace extraction, loss of the AU hunters + subsequent mentorship).

///

Stealing the vehicles, though!

Nevertheless, there's something a little dark in Cas stealing the vehicles, subtly reflecting the horror of the taking of Jimmy's vessel in season 4.

However, since his body was restored to Cas directly a la "organ donation" from God, this late-seasons vehicle choice can also reflect a choosing of roles and identity.

Of note, in his later vehicles, Cas usually drives them, even in groups. They are more fully his.

///

The tan truck + Jack n' Kelly

But oh, back to the tan Ford truck. This little farm truck is cute. It is probably in this truck that Cas first listens to the mixtape.

Cas continues his parenthood journey in it when he spirits Kelly n' Jack away. When Cas is agonizing over whether or not to kill Kelly, his little tan truck breaks down. It reflects his uncertainty to take on this new mantle of mature fatherhood, almost like Jack is pausing the narrative as he considers if Cas will be a good choice of Father. And after this, in the hotel room, Jack indeed chooses Cas.

In doing so, Jack's also choosing the Winchester human family of which Cas is a part. We see this when Jack literally steals Baby, and Kelly waxes poetic about how Cas has been chosen as she drives it. (And Baby does NOT break down. She complies, like she's agreeing that Jack should be born and Cas is indeed the Father.)

(Images WinchesterFamilyBusiness)

Alas, it ends in tragedy. There's something so achingly sad when we see the abandoned truck in front of this dilapidated lakehouse in the valley. It's a desolate image next to the dusty, dull impala. And unlike with the Continental, which represented a Cas trying to fill a graceless, human role by reflecting Dean, the truck showcases a more integrated Cas with new familial role: spouse. Which is why the widower arc feels like that.

Visually, Cas (the truck) and the house (the family unit) are dead. The war has killed them and left only an orphaned child in its wake. And Dean and Sam are in the valley. (Indeed, when Cas returns, in the script, he's described as long-lost father, returning home from War.)

(Lakehouses have so much spooky symbolism with regards to the interconnectivity of space and time, but that's another tale for another day.)

///

The Dodge SRT-10, AKA The Family Truck: renewed faith + fatherhood + retaking of Angelicity

Ah, the Dodge.

So, I love that Cas has this truck in particular. This truck is legendary, kinda controversial and it's just SO ridiculously overpowered and goes SO fast for a truck, hahaha. It's definitely a family support vehicle.

Originally, it is ALSO the vehicle, throughout multiple versions of the script, that was supposed to have the broken tapedeck. (Which means, since it's a 2000s-era truck, that someone probably had to put in a CD-tape combo. Ahem. Anyway, I prefer these original scripts, because this broken tapedeck mirrors Cas's empty deal wonderfully.)

So, the Dodge. With 500 horsepower and 525 lb-ft of torque, it is the fastest truck available, doing 0-60 in a reported 5.2 seconds. It's just so overkill for a quad family truck. ("Nobody else was making a four-door truck with 510 horsepower, so the Dodge people took it upon themselves to fill the void.")

This looks like a shopped-for truck. You're not just gonna happen across a truck like this. "Less than 10,000 of these were ever produced and with a fire breathing V10 under the hood, they were quite possibly one of the coolest trucks ever made." So, we can guess that yes, Cas does appear to genuinely like trucks, and he definitely seems to have chosen this sledgehammer of a vehicle.

The Dodge Ram 1500 SRT-10 pickup truck (specifically for work/hunting and family support). It's a stupid lot of power stuffed into a truck, like how Cas is an angel is stuffed into a human.

Also, this hints that Cas likes rapid acceleration and driving fast. This makes sense to me, as he complained about the Impala being slow, and he told Hannah in season 10 that he would take the curves FASTER "to help her nausea." (Oh, Cas...)

For the later seasons, this truck is visually very "Cas," and in scenes and drafts, he's exclusively the one driving it, and he's usually driving it when other family members are feeling vulnerable; ergo, support. (See original draft versions of The Spear.) Like the specter of the double diamonds in 15x09, The Trap, Cas is utilitarian and pragmatic, a divergent-convergent thinker.

In season 14, Cas also drives:

The blue Ford Fiesta

But I'm 99% confident this is Sam's car

Because vintage SPN underlines that blue, nondescript cars are actually Sam's preferred car make and look

It's fuel efficient, so Cas takes it to the shaman

Also, Cas's acting on behalf of Sam's wishes when he goes to see Sergei

Ford LTD Crown Victoria (the bird poop car)

Presumably, he drives the bird poop car in Peace of Mind to be a little more incognito than the big, imposing truck

It also reflects Sam's low state of mind

Sam drives it in Moriah, too, a direct parallel to Sam versus Chuck and Sam versus Mayor Harrington from Charming Acres

The super sexy 1968 Mercury M100

Another truck Cas drives in late season 15 with Jack is this open-bed teal classic. The incredibly collectible 1968 Mercury M100.

And this M100 is delicious.

It's also, like the SRT-10, highly sought after and not a truck you're going to just happen across. It's another shopped-for truck. (I find it unlikely that it was one of the classics sitting in the MoL bunker, since they were slaughtered by Abaddon in 1958 and this one's make is 1968.)

So, either Cas has gotten into rare trucks (a real possibility since this one is even more challenging to drive), or Dean shopped this one with him, too. It's probably a mix of both, considering that in 13x22's Exodus script, Cas is shown helping with basic mechanics and repair. It's very possible that Cas has developed an interest alongside his newfound interest in human language and metaphors.

ANYWAY, these M100's are as classy as fuck and are actually workhorse trucks, too.

It's got a legendary straight six engine, and again, there weren't many of these vehicles built or sold. (Straight six is a trusty little pump of power, especially for the time. It's also easier to work on than most; would be great for someone who's only so-so at maintenance.)

This truck, unless it's been upgraded, is a little bit hard to handle, too. It takes a firm grip and a heavy foot, because it's a manual through and through. Manual gear shifting and no power steering. It's a two-hander just to go around curves.

In terms of its style, it's a little more laidback than the Dodge, which is probably why Cas is taking it on the murder investigation (i.e. not hunting). It's got an open bed, which means it's probably a little more fun for Jack, too. (Indeed we see Jack enjoying sitting in the truck bed. The green/teal is a symbol of renewal & growth, visually keying into Jack's return and the slow healing of the family unit.)

CASTIEL: My name is, um well, my name's not important. I do know what blind faith is. I used to just follow orders without question, and I did some pretty terrible things. I would never look beyond the plan. And then, of course, when it all came crashing down, I found myself lost. I didn't know what my purpose was anymore. And then one day, something changed, something amazing. I... I guess I found a family, and I became a father. And in that, I rediscovered my faith. I rediscovered who I am.

This is Castiel's preferred answer to season 15's question of nihilism.

This is what Castiel has chosen, and his later-seasons vehicles reflect this desire and this chosen identity. He even walks away from it in 15x06 to meditate on his path, and when he steps away, he sees Chuck for what he is. He chooses to come back specifically to fight Chuck's machinations and protect his family from them. To help them find their way post-existential crises, the way they helped him find his way re:Heaven. For better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish...till death do us part.

//

Some other Cas + cars fun stuff

The broken tapedeck in the script

The Fiesta is totally Sam's car

[marzipanandminutiae]

[muffled sounds of getting swole to carry Victorian lamps across three large fields]

it's spring, New Englanders, and you know what that means!

time to start the Brimfield Antiques Fair training montages

[fameone]

[tuituipupu]

friend I see you watched the Czech selection! I was already asleep so could you kindly fill me in with the highs and lows? 👉👈

heyyyy of course of course!! 🥰💖

idk if i'm the best person to come to for this (especially the highlights bc... were there any? i'm a miserable girlie >.<) but here we go:

(also side note: you were already asleep? i'm so impressed pls teach me your ways of not going to bed at 1am!!) 🧸🩶

ok so idk if you watched escz last year but the same bloke was hosting and he was somehow even worse than last year. if that's possible.

(he seemed to be reading directly from the teleprompter and not even looking into the camera and he just has the charisma of a a damp paper towel 🤩)

the song that stan twt seemed to be hyping up (pedestal? i think it's called? by aiko?) absolutely flopped hard af. she was out of breath within seconds of the song starting. her annunciation was awful too, i couldn't understand anything she was huffing and puffing about and then she let out this really alarming scream out of no where (not in a good way) and just... yes. it was the definition of a mess.

i think there were 2 boring ballads idk i lost count. they weren't pretty ballads - they were dirge-y ballads. this is why i lost count.

one girl was COMPLETELY FLAT and out of tune. i was seriously wondering if she couldn't hear herself because she also sounded a little out of time at parts too. god that was awful.

now the ONLY HIGHLIGHT 🌟 (and i'm using the word highlight generously): the band MYDY had an up-tempo track and guess what? THE LEAD COULD ACTUALLY SING 🤯 the song is... not my cup of tea but she has good energy and the esc spirit so i'm sure they'll win the nf. it has potential to be elevated at least. people compared mydy to måneskin??? (which... no? they have glam stylistic elements and that's all. the song doesn't sound måneskin at all).

then i think there was a cringey male melfest reject style song with dancers throwing some very sussy (read: funny) shapes and him singing about being "sweet like teriyaki" 💀

and another male led song that relies on drops. super forgettable stuff.

then we are domi performed at the end and that was a bit rough around the edges as well unfortunately.

the only other HIGHLIGHT 🌟 i can think of was just before all the acts performed, lake malawi performed 'friend of a friend' and actually sang in tune and it was very nostalgic and cute. more of this please escz.