#chainmail core

[heavenlyechovirus]

[jazmatazzzzzz]

✦ Who me? Nahhhh I’m just a worm ✦

[notgilderoylockhart]

I've been busy making chainmail recently so I thought I'd make a moodboard for it

[streetmaille]

Add a touch of forest whimsy to your décor this holiday season with these metal mushroom ornaments 🌿🍃

More colors here: https://streetmaille.etsy.com/listing/1342899815

[saintsalmon]

The "Pilgrim's Coins" Necklace

Chainmail cord, pearl and glass beads, charms, safetypins, coins, and Catholic saint's tokens. Took four days to assemble and a lifetime of collecting random antiques and parking lot jewelry. April 11th, 2024.

Find me on Instagram at saintsalmonart.

[haplesshandmade]

a charm bracelet, from the convertible collection 🌱 available here

[thefrontierfacade]

Videos that give you life

[verysmallcyborg]

peeled fornax jumpscare but i saw everyone previewing the ff16 crossover event gear and well. needless to say, i Must port this to bulky mars asap because it's fornax-core, you understand

(and delete the chainmail on the arms so their big ole arms can be out fully ehehee)

[jazmatazzzzzz]

Cute pics of me and bee at Madi’s bday party ! ⚔️

We didn’t stay for long but I would love to next time :,)

[astralnymphh]

born of flora and fauna 𓇢𓆸 | ellie williams | series guide⛧

𓇢𓆸𓍢ִ໋- knight!ellie x princess!reader AU guide ⛧ (teaser II.)

✧˖ ° 🕯 bright blessings!

𓍢ִ໋-;this is purely a guide to my upcoming series, detailed with important places and their names, descriptions and reference photos. i'll also include short excerpts of ellie's backstory in this fic plus the readers. vol 0./the prologue is making quick progress so i wanna get y'all excited as long as it doesn't flop (ALSO I FIGURED OUT GRADIENT TEXT FINALLY!! kinda.. im too lazy to fix anything) cw: literally only one mention of mature themes. nothing crazy. the actual series on the other hand.. will be SMUTful

𓆸𓍢ִ໋-; castle maelony

𓍢ִ໋-; mount of the regal family, bejeweled in a facade that masks a strident haunting no king would wish to dig up from the catacombs lining the roots of this limestone beast. 𓆸𓍢ִ໋-; istenad

𓍢ִ໋-; core of the meadowland, visible from far mountain boundaries of all directions. adorned with dreamy spires and coliseums, to markets and common houses, every mother and their kin covet this kingdom. 𓆸𓍢ִ໋-; dunwich

𓍢ִ໋-; ellie, a knight bound in hide and chainmail, derived and nurtured in the prairie village of dunwich, where the fertile seasons prove flaxen of corn and the trickling sweat of every farmhand turns to gold. any newborn granted to this quaint village is fated to form calloused hands with labor written in their palm lines as time flows.

𓆸𓍢ִ໋-; glade 'ionspire'

𓍢ִ໋-; a front line of trees encircling this unmapped forest, conceals a beautiful loch only few souls venture to. it happens that a determined princess can be caught galivanting about with a weapon, playing her dreamt up persona of a maiden warrior she only dawns in private. 𓆸𓍢ִ໋-; clementine cottage

𓍢ִ໋-; no home is without its glamour of hearth. a picturesque getaway straying from the bustling streets of instenad tempts such who fiend for freedom. nights under the brilliant spangled sky in this cottage have been ones of love, tangled in bed, vowing to your beloved in a hysteria of lust.

(and there she is!! im really excited to get this fully fledged out its gonna be a JUICY series promise even for being centered in medieval times it is quite deviously lustful !!!)

[streetmaille]

These stretchy chainmail wristbands are great as costume accessories and for everyday wear ✨ 

See more here: https://www.streetmaille.etsy.com/listing/1160442600 

[tomyo]

Nimona and a Decade of the Queer Experience

To me one of the most anticipated aspects of the Nimona adaptation was to see how they changed the a lot of the queer themes from the original comic. Nimona was created in a time where it was still taboo to represent same sex relationships in anything trying to be marketable into an era where it is so commonplace that Nimona would have seemed regressive if it stayed true to the material.

Naturally the way Blackheart and Goldenloin are portrayed has greatly changed but also has a lot of the message from the original. Nimona is now about the trans experience.

This isn't to say transness was never at the core of Nimona but I don't think even baby nonbinary me would have been able to connect it directly to that.

Nimona the comic, to me, deals with similar but different issues from Nimona the movie. The comic was a story of trying to upheave an untrustworthy militarized state through the initially goofy lens of a budding father daughter relationship that ultimately fails.

Blackheart at the start of the comic already is trying to defy the government and Nimona seeks him out because he's actually playing the role of the villain already. She herself felt like this mix of female and queer rage. It made believe somewhat in the idea that the little girl by the end of the story was truly her who had once tried to do better for her home and was rejected for becoming something *different*. Overall you can feel more presently that deafening dread that Blackheart and Goldenloin love each other and acknowledging that would ruin both of their lives. This is moreso due to that whole conflict of their ideologies and sides they are on interfering but the metaphor is there. We could read this easily as Blackheart being out of the closet and at odds with society where Goldenloin on in the closet and working on the name of oppression. By showing Blackheart looking visibly like a villain it harkens back to the queer coding of Disney villains and a feeling a lot of queer people had to experience at that time, being an enemy to the public simply for existing. Coming back to Nimona, she's the perfect example of a trans masc egg experience; punk in a way that isn't fully certain in embracing or trashing anything feminine. Not fully androgynous but butchy and an unfocused anger at everything around them. I can never speak for the entirety of the trans experience but I know the feeling being born in an afab body and violently hating the society that I want badly to accept me, the way we insist that we intend to fully express our being while also creating this weird mix of unconvincing conformity. Again I laugh so much at her design elements; shaved head, tomboyish in chainmail but with curves, and short dresses, and impractical belts. Her actions also read as someone who's greatest sore point is loss of her bodily autonomy which ultimately she's subjected to during the climax. The monster/power of Nimona to me tends to ultimately mirror more of an emotional state rather than transness itself. Both version of Nimona have people see it as something Nimona is inflicted with rather than a part of her existence as she reveals at the end. Even Blackheart believe he can cure her of it with the equivalence of a procedure or medication but it's because he only perceives Nimona as the little girl and not the little girl as a part of the whole that is the dragon. I think there is a lot of things we can read into the dragon being and even at the idea that queerness is something people seek to cure that doesn't need one in the first place. And ultimately that's why the story ends on the somber tone it does, the biggest focus of the story was how Blackheart became the parent to Nimona and misguidedly tried to 'fix' her. And like a lot of people, especially for the time period, Nimona had to leave behind the family and society that couldn't accept her as her.

And so we move forward through the years.

Media is not made in a vacuum, Nimona the comic is a critique of early 2010s ideologies and maybe doesn't even worry about them as serious in a pre 2016 world. Nimona 2023 however exists on the other side of that threshold. Like I said, I don't think the original comic was consciously trans mostly because the zeitgeist wasn't conscious of transness. 2012-2014 (the comic's creation period) encapsulated me personally going from no aware knowledge of gender to confusion at learning my friend's pronouns to fully identifying as nonbinary in a world few people knew what that meant. But not long after that we had Korra's ending, the reveal of Ruby and Sapphire, Kaitlynn Jenner, Menanists, and then the nightmare of the 2016 election and all that came with it. The truth is a contradiction occurred; queerness became a part of the in group so long as it followed the rules of heteronormativity. I think it is fair to say a lot of queer people became more eeeh conservative for lack of better terms. For once we finally had a chance to be out and so long as we followed the conditions set out, exist well. We can live comfortably, why rock the boat? In other words, respectability politics. We are then at odds with those who believe we should keep complacent for fear of being rejected.

That brings us to Nimona the movie.

Blackheart no longer is the guerilla activist he once was, we now are introduced to him as a part of the system; specifically the model minority. Movies only have so much time for you to build understanding of it's world themes and ideas and so it tends to need to be more punchy with getting the point across otherwise become less coherent. So rather on the nose "Knighting a non noble is against god" as very flatly stated in the begging. Since the time of the comic, being gay has been normalized and we now see Blackheart and Goldenloin start out as a couple (to be frank I couldn't fully tell if they were official or not but they were all but in writing together) and by in universe logic, Goldenloin is the golden child pastor's son with divisively accepted boyfriend. Blackheart is an inspiration for his common men while his noble classmates are disgusted at the idea of him being allowed the same rights as them, essentially being allowed to be an policeman. It's his role as the model minority that he still believes the system is right when he is framed for murder; it is the one bad actor who's at fault despite a whole society shunning him with little reasoning needed.

Nimona in the other hand is a bit more in control of the relationship. Nimona of the comic latched onto a spurned man who was more methodical than she was in her work but Nimona of the movie is pretty much what pushes Blackheart into the image of a villain. Movie Nimona's goal is more or less to find community and for reasons we will get to only believes she can find it with other cast aside from society. She is jaded enough to know that Blackheart will continue to be labeled as the way they do to her. This time the shape shifting is explicitly trans; Nimona now is no longer worried about experimentation or trying to be cured but of being called a monster, the fear of her, and eradication; words I feel like I've heard too much in lgbt spaces lately. She talks about wanting her own demise with her heard turned down and eyes somber in moments that hit too close to home. She is a worn down warrior for her own existence. On safer grounds with Blackheart she more wittingly challenges his transphobia. Blackheart cannot perceive her out of the binary that she is default a girl and her transformations are something else, he asks if her transitions hurt, and he tries to convince her to blend in with others for his own comfort. As he spends more time with her, he's able to view the world he was taught differently and doesn't view the less pretty sides of Nimona as scary. However, programming is hard to free yourself out of.

The Director is by definition, conservative. She believes is a religious like text that society should not change unless it all falls a part. Her belief in this runs so deep that she easily is willing to kill pseudo religious figures as her personal code of morals override any actual logic in faith(anyone remember how magas talk about Trump as being sent by God while also disavowing him for encouraging vaccinations?). Her rhetoric that non nobles with be a societal slip eminates classism and racism (commoner is somewhat of a race allegory). She denies her own words to hold power, criticizes Nimona of whispering deceipt into blackhearts ear while actually being the one doing so to Goldenloin, and justifies her actions through holy scripts. She holds a stern belief in cleansing the society of it's demons down to intending to kill a large part of her society to rid it of the tran metaphor Nimona is. She is the quintessential conservative power so bent on it staying that way that she will destroy everything in spite of any logic to why it's right. Goldenloin, as the champion of the institution, a head cop if you will, looks upon the chaos learning the director's intent to kill thousands and says "what are we doing here?" A lot of institutions (aah there's the naming for you) in our country are like this. I think to some like, there are people who entered religion or became a police officer because they wanted to do good. But the rhetoric in these spaces can skew that perspective exponentially. Some with better access out may find that point of "What are we doing her" The moment the logic of the system no longer makes sense. I would love to talk more a lot this an the comic institution at a later point.

Back to Nimona and the queer identity.

Nimona was searching for a group to accept her, changing her appearance to fit in. She thinks she has it with Gloreth until Gloreth is taught that Nimona's existence was monstrous and rejects her as well. The scene of the villagers attacking her is poinient as well; they endanger and threaten her with violence (which would likely have been more explicit if not for kids) and she first turns to something weaker to escape but they refuse and so she is forced to turn to something bigger ane vicious in order to live but it only sets up the narrative that there is a reason to fear her when she didnt attack first, she simply had to protect herself. Nimona in the present is ready for her death, the narrative so out of control that it breaks her.

Blackheart is able to bring her back from the brink by doing the important thing of truly apologizing, have humility for his mistrust and bigotry, and offer her support on equal terms. Nimona this time does not flee her friend that failed her but sacrifice herself for the hope of a better future beyond the walls.

The final part to mention; the walls. The walls are mad out as a big deal in this. No one leaves beyond them and the one small town of Gloreth fills to a big capitalist tech dystopia that markets dragons as both cute mascots and something to eradicate to as young as children. Society is a small shoebox not allowed to even see beyond the walls; see a new potential of this world. Simply put, the beyond is the beyond of heteronormative society. Even as society has become more accepting of LGBT identities, it has only liked to consume it in an easily interpreted manor. There are a lot of even just fringe identities that used to get lambasted for being weird simply for existing, trying to apply those same rules within their spaces as they've become socially acceptable. For every push forward we make, there is still presentation and identity that will get ostracized for being out of the box. We create these walls and only build them out further every so often rather than knocking them down. If there is anything to take from Nimona it's to embrace the beyond.

Morning edit; Hiii thank you for reading all of this. I kinda furiously typed this after watching the movie last night and there are certainly some flaws for it. Towards the end you can see a lot of typos because I was literally falling asleep and there are definitely some concepts I would've liked to flesh out better but kinda glossed over to focus on what the stories were saying about Nimona specifically. I think if anything, I'd want to reexamine Blackheart in both stories because I honestly forgot a lot of his actions in the comic, same with the institution because it took a while to even remember about the Director being a character from the comic. To be real, there's some really specific events on where Nimona was made that tend to hit me pretty hard so I rushed through the comic when I read it last year. I might try to take me time now because Nimona is so meaningful. I even want to talk about how it made sense Disney tried to shut it down (I'm certain there's a lot of business reasons but I don't think it was compatible with the Disney brand). For all the ways we have queer stories, I don't think we see a lot of trans stories yet. I'm hoping the series like Dead End Paranormal Park and Nimona are the start of a new era that focally represent that.

[moodymisty]

Hi! Anon that wrote the huge ask about the yandere Night Lord (and implied yandere Salamander) scenario (the one with the in between pink coloured words), Ive been having thoughts about it again. And you know, the whole Knight fighting a Dragon dynamic becomes really funny when you think about how narrative-wise, all space marines are dragons.

A space marines, just like dragons. Are big huge monstercreatures who (in most cases) randomly arrive into a settlement of innocent people and wreak havoc all over the place (destroying cities, killing innocents, probably stealing some stuff if its a xenos settlement, and so on and so forth). They’re powerful, clever, and very hard to kill. You must kill them nonetheless. But the only difference between them and dragons is that space marines are, theoretically, on your side. They’re humanised enough for you to overlook the atrocities they commit. They’re doing this because it will help out humanity in the long term, they’re doing this because their primarch said so, they’re doing this because they think its right. But in the end it all boils down to how they have no other option, or a better way of phrasing it: its all that they can do. They’re made to kill. They’ve been irreparably transformed into something horrible and theres no going back from that, and its not like they had any choice in the matter either. You could even say that this mirrors the trope of someone’s greed and ego being the cause of a dragon to appear in a story (that someone in question being The Emperor)

So i find it kind of funny that in this scenario the Salamander sees himself as a knight. Like babe! You’re no different from any other space marine!! The fact that his legion interacts with people more doesn’t change who he is. He has just convinced himself that what he is, is noble. Like he’s some sort of symbol of hope and strength instead of being a walking talking murder weapon. He’s a dragon thats been brought up to think his scales are chainmail and that his claws are swords, that he’s totally not like his traitorous cousins, that he’s humanity’s loyal house dog instead of a fire breathing beast chained to a leash.

Yes he is fighting to save you, yes he loves you more than words could ever express. But to an outsiders perspective this isn’t a brave hero battling a monster to save his beloved, its two serpents fighting over the most sparkling jewel in a treasure hoard

I vehemently adore all of this. Particularly the part about how they think of themselves; As from their view of the story, they're the hero, but another might view them as the villain. Forgive my unfiltered, unrevised ramblings.

It reminds me of a moment from (I believe it was Unremembered Empire? forgive me if I'm wrong) where the Night Lords are waging war on Macragge and the civilians are seeing other Astartes besides the Ultramarines in action for the first time and realizing that, holy shit, these guys are actually horrifying. And looking at their 'protectors' in a whole new light. The Ultramarines proclaim they're different because they choose to be, but we've seen before that even the friendliest of space marines can change their tune when they feel it appropriate.

But back on topic. Salamanders.

Something relevant would be that even their beloved might possibly view them as that brave hero, at first. But as time goes on, they might see cracks in that visage and realize that the man guarding them is more beast than man, holding back a near animalistic desire for carnage. We know that even the most loving of Salamander is more than capable of being an emotionless killer when he desires it. Hell, you could even say it's a core part of them; It's not like you can muzzle a dragon. You can at best point them in the direction you want them to go.

Your Salamander might spare you some of the goriest of details, or the darkest parts of him, but you can see the tail wrapped around you, and how you're kept so close not only because of your safety, but also because he sees you as his. You're the treasure he's found, you're the jewel that rests on top of a pile of gold, and you're not going anywhere. He always looks at you(his treasure) fondly, but there's a possessiveness in his eyes that only gets worse over time.

Other Salamanders are seen as threats and thieves if they get too close. He's the hero of this story, duty bound to protect you even if he has to get his hands bloody. It's all for a purpose, therefor he's leagues different than the Night Lords that act as his chapter's opposite.

If you ever have to do your job or duty, and interact with other Salamanders or other members of humanity he's always right there; Guarding his treasure. And while he might technically be on a leash, it's extremely taught.