#charlotte tarvers

[wexhappyxfew]

Charlotte Tarvers and Ronald Speirs in Sunshine Solider - A Band of Brothers Fic

“You know that Zell Am See was established by monks in the 8th century.” he said, his voice soft. She looked up at him with a raised brow.

“ No.” she said,” Was I supposed to, sir?” she said a bit sarcastically.

“ No, I’m just testing you.” he said,” but it may be helpful in the future.”

“ Right, like when I tell my children that my CO told me stories of how monks established the base town that we reside in.”

[agendaculturaldelima]

 #ProyeccionDeVida

🌎 Cine Club del Banco de la Nación, presenta:

🎬 “FRECUENCIA MORTAL (Nunca juegues con extraños)” [Joy Ride]

🔎 Género: Thriller / Terror / Slasher / Road Movie / Asesinos en serie

⌛️ Duración: 96 minutos

✍️ Guión: Clay Tarver y J.J. Abrams

📷 Fotografía: Jeff Jur

🎼 Música: Marco Beltrami

💥 Argumento: Han empezado las vacaciones y Lewis está listo para marcharse en coche con Venna, la chica de sus sueños, que acaba de romper con su novio. Pero sus planes se van al traste cuando tiene que desviarse para recoger a Fuller, su hermano mayor, famoso por meterse en líos, que ha vuelto a hacer de las suyas.

👥 Reparto: Steve Zahn (Fuller Thomas), Paul Walker (Lewis Thomas), Leelee Sobieski (Venna Wilcox), Jessica Bowman (Charlotte), Jim Beaver (Sheriff Ritter), Basil Wallace (Vendedor de automóviles), Michael McCleery (Oficial Akins), Brian Leckner (Oficial Keeney), Stuart Stone (Danny), Kenneth White (Ronald Ellinghouse) y Jay Hernandez (Marine)

📢 Dirección: John Dahl

© Productoras: Regency Enterprises, Regency Enterprises, Bad Robot & LivePlanet

🌎 País: Estados Unidos

📅 Año: 2001

📽 Proyección:

📆 Miércoles 24 de Abril

🕡 6:30pm. 

🎥 Auditorio Artes de la Nación (av. Javier Prado Este 2499, 5º piso - San Borja)

🚶‍♀️🚶‍♂️ Ingreso libre, previa reserva: https://info.bn.com.pe/CineclubBN_Miercoles

[restlessmaknae]

10, 34 and 99

Hey~

Thank you so much for asking! ❤️

10: Hey Siri by Salem Ilese

34: Joke's On You by Charlotte Lawrence

99: Nicer by Katelyn Tarver

spotify wrapped is HERE! send me a number 1-100 and I’ll tell you the song it corresponds with on my top 100 playlist!

[rogue-sunday]

𝐦𝐞𝐫𝐫𝐲 𝐜𝐡𝐫𝐢𝐬𝐭𝐦𝐚𝐬!

this seems a bit random (it is), but a few weeks ago i decided i wanted to make something for the fics i’m currently reading/have read in this lovely little fandom. it’s nothing much, but it’s given me the chance to somewhat give back to the authors of these incredible stories and their characters (plus... to indulge myself with lyrical moodboards ;^) ) music and fiction have always been inseparable art forms for me, and in my little brain, these songs make me think of these characters &/or their relationships <3

disclaimer! i just wanted to state beforehand - in no way is this a ploy to push these songs/my music taste on these stories/characters :) if there are any issues with these songs that make you uncomfortable or negatively misrepresent the character, please message me and i’ll take them down immediately

CW / blood, smoking

     @julianneday1701​ ‘s under the banner and a soldier of no importance series

ALL THE WAYS (by wet)

➥ svetlana samsonova & ron speirs

“when you’re here, take all of it.

cause when we’re done there’s nothing left haunting me,

i hear the sound, i close my eyes, i push it down.”

SOME UNHOLY WAR (by amy winehouse)

➥ alice klein & lewis nixon

“he still stands in spite of what his scars say

and i’ll battle ‘til this bitter finale.”

   @easy-company-tradition​  ‘s catch her if you can series

THE GAME (by the regrettes)

➥ georgia fenley & dick winters

“and tell me why it has to be so damn complicated,

i’m thinking something so why shouldn’t i say it?”

     @wexhappyxfew​ ‘s landslide and sunshine soldier

THAT JOKE ISN’T FUNNY ANYMORE (by the smiths)

➥ natia filipska

“that joke isn’t funny anymore.

it’s too close to home, and it’s too near the bone.”

DAYLIGHT (by taylor swift)

➥ charlotte tarvers & ron speirs

“maybe i’ve stormed out of every single room in this town.

threw out our cloaks and our daggers because it’s morning now,

it’s brighter now.”

     @adamantiumdragonfly​ ‘s under the banner and a little discord

SUDDEN DESIRE (by hayley williams)

➥ zhanna polyakova

“everywhere i am, it sticks close like a friend.

just like him, just like him.

friendly reminder of a sudden desire.”

AFRAID (by the neighbourhood)

➥ virginia carroll

“oh, if they see it when you’re sleeping, make them leave it

and i can’t even see if there’s hope there anymore.”

     @wecomrades ‘s hélène

COMPASS (by zella day)

➥ grace whitehead

“if we make it out alive from the depths of the sea,

compass points you anywhere closer to me.”

          @vintagelavenderskies ‘s bleeding hearts

YOU (by keaton henson)

➥ lina grace komski & eugene roe

“if you must die, sweetheart, die knowing your life was

my life’s best part. if you must die, remember your life.”

[shemakesmusic-uk]

K-pop soloist Chung Ha has released a poignant music video for her new single ‘Killing Me’. The visual follows Chung Ha as she tries to move on from a bad breakup. It opens with her seeming looking forward to a new day, before she is swept into a world of heartbreak as she is reminded of a former lover. The singer attempts to party her pain away with friends  But by the end of the video, Chung Ha ends up sitting sullenly on a couch as her heartbreak takes over once again, while the party continues to rage on around her. “It’s killing me, killing me / Every day is a long tunnel / Again, I’m exhausted by the endless darkness,” she sings on the EDM-inspired pop song. [via NME]

FKA Twigs has unveiled a new video for recent single ‘Measure Of A Man’ featuring Central Cee . First released earlier this month, the clip for ‘Measure Of A Man’ features exclusive footage from the upcoming film, The King’s Man. The Diana Kunst-directed video sees FKA Twigs wield a sword against a demon-like figure while Central Cee raps against a red backdrop as FKA Twigs dances behind him. The track, which takes on a theatrical tone, posed a challenge for Twigs, who said in a prior statement: “This song has such a different sound, which is a challenge; you’ve got to really embody the song. For me especially with my vocals, I had to pull a different side of my artistry out.” West London rapper Central Cee added: “What I listen to when it comes to trying to find beats is something theatrical, it needs to sound like a movie. And that’s exactly what’s going on with this song, it sounds like it’s made for a movie regardless.” [via NME]

Witch Fever have a video out for track ‘Bully Boy'. The concept for the video was The Witch Trials but for drag queens and CBeebies. Violent, but in a cartoonish, over the top, completely unrealistic way, with watermelons and balloons being stabbed. It ends with the band being burnt at the stake with paper flames. Taken from their debut EP Reincarnate which came out digitally last month, ’Bully Boy' is a steel toe-capped boot to abuse of male power, which considers the concept of God within a patriarchal system.

Peckham, London based band Black Bordello release new single 'Drones' and announce their new EP White Bardo, out March 2022 via Hideous Mink Records (Opus Kink, Fake Turins, Body Horror). With inspirations ranging from PJ Harvey and Björk to Aphex Twin and David Bowie, Black Bordello's carnivalesque blend of art-rock, punk, jazz and Turkish psychedelia is a wholly unique aural experience. Written during lockdown 2020, (somewhat illegally) in a basement underneath a closed pub, 'Drones' opens with a theatrical descending bass line, before erupting into a roar of magisterial brass, fizzing synth runs, and frenzied percussion. Discussing the initial inspiration behind the track, vocalist Sienna Bordello said: "The idea for 'Drones' came about after I watched a documentary about a Drone pilot. He was a gamer who had been headhunted by the US military and recruited into the military workforce. He was given a gaming station with Xbox-like controllers and vintage screens which showed simplistic colours, much like the platform arcade games of the 80s and 90s. He was given missions like ‘cut the grass’, ‘trim the weeds’, ‘tidy this area’. After his service was done, he suffered PTSD when the realisation that he’d been controlling the distribution and attack of drone missiles on civilians sank in. I thought of this as an interesting subject matter for the song, namely because we were in a global pandemic and all life as we knew it had been halted, yet at the same time the UK and US (amongst others)  governments had put more money into military than ever before, and had recruited more troops to attack parts of the middle east throughout our so-called ‘international emergency’. I was gobsmacked that they were passing needless military operations whilst the world was distracted by the pandemic. Every person in this situation is a puppet, but who is pulling the strings?"

KRISTEENYOUNG shares a brand new single entitled 'Life Kills.' 'Life Kills' is the first song and single from the upcoming KRISTEENYOUNG album, The Beauty Shop (due March 2022 via The Record Label). The Beauty Shop is a song cycle based on the life of a serial killer, with each song taking on one major emotion. But, really, it’s about how life can kill our emotions and asserts that everyone is part victim/part perpetrator. 'Life Kills' is based on the emotion of rage. Young wrote, arranged, produced, co-mixed and played almost every instrument on the album, as well as designed and made the album art and visuals (including clothing). And 'Life Kills' is no exception. Young wrote, arranged, produced and co-mixed (co-mixer was Tony Visconti) 'Life Kills.' She played every instrument except guitar which was played by renowned avant-guitarist, Don DeVore (Collapsing Scenery). The bass was played by legendary producer/bassist, Tony Visconti. The song eschews genre but features her signature dissonant piano bashing, operatic vocals, tribal beats, and incisive lyrics. Young shot and edited the video herself, and designed/made all props and wardrobe. Most of the video was shot at location, Renditions (beauty salon) on Highway 66 in St. Louis, Missouri in October 2021. Some footage was also shot at Magic Touch Auto Spa in Lodi, New Jersey.

Constellation is pleased to announce a new artist, Kee Avil, and debuts the stirring video for Kee Avil's new single, 'See, my shadow.' Led by Montréal producer Vicky Mettler, Kee Avil combines guitar, voice, electroacoustics and electronic production to create song assemblages that teeter on the edge of collapse while oozing forward, like sticky resin picking up and shedding disparate elements along the way. Kee Avil evolved from playing guitar with broken cymbals and drumsticks to forging askew tempos and templates glued together by samples of screws dropped into crystal bowls. "A shadow’s moment, distorted. Warped piano samples, chipped ceramic cups, swirling metal, feedback assembled. I used to think this was a love song. Constructed from a demo, never finished, originally recorded for the Kee Avil EP. 'See, my shadow' is one of my most produced songs – a large part of the work was to strip it down and find the right balance between chaos and density vs stability and drive. It will be the first song on a new album. Writing this I find myself trying to find a reason why I would "stand here blind, deaf and mute" – ultimately the words are there for their rhythm, imagery and texture. The text for the ending was written in one moment, intense but fleeting, later adapted. The meaning of the song changes all the time – fittingly, it’s as though this moment has been passed on to my shadow. To reveal what I’ve hid, what is recognised, ignored, what is real. Blank, misdrawn, rebuilt, the creature as the i. With masks, I break and reconstruct these ideas, mix the familiar with the abstract."

Brussels-born, world-raised, Berlin-based, singer, songwriter and artistic director K.ZIA shares the breathtaking new music video for her latest single ‘I Got Your Back’. The track follows the release of previous singles ‘Sanctuary’ and ‘JFMB’, and is taken from her upcoming debut album Genesis, set for release on February 11, 2022. On her brand new conceptual album, K.ZIA brings forward her rich Universe and introduces two sides to her persona: K.ZIA who emulates light, warmth, passion and emotion and sings in English, and ZIA, her darker, bolder, intoxicating alter-ego who sings in French.  Effortlessly blending elements of alternative R&B, soul, Pop, trap and afrobeats with K.ZIA’s captivating vocals, ‘I Got Your Back’ showcases K.ZIA’s effortless and natural gift for storytelling. Drawing from her combined influences, K.ZIA thrives on being able to experiment with the emotions and feelings she’s able to convey through her music.  Speaking of the track, she says: “'I Got Your Back' is a song close to my heart. Dedicated to one of my closest and longest friends, It’s a song of comfort for the ones among us who suffer from depression. Life can feel so lonely at times, depression is a subject we don’t often talk about but touches so many. It’s ok to need some time off, it’s okay to feel a certain type of way. The last 2 years have been heavy on a lot of us and this song is a warm hug from a distance to make sure you know that whatever happens, I got you.”

Minneapolis artist and musician Frances Priya Anczarski released her new album as FPA, Princess Wiko, in November via 37d03d. Described by FPA as "the story of a young woman of noble birth forced to betray her heart, and marry a man she hardly knows, all the while going down the slow path of self discovery," it's a gorgeous album, full of lush soul and accented with electronic touches. There's also a new video for album track 'Last to Bloom,' a moody, candle-lit visual directed by Brendan Lauer and Ariana Bailey. "'Last to Bloom' is the final chapter of our story," FPA says. "It's about self-actualisation during what seems to be the end of the world. The rebirth of Princess Wiko has come, but nobody is left to witness, and nothing surrounds her but death and ash. ‘The leaves are all but wilted all but gone.’” [via Brooklyn Vegan]

Boston based singer-songwriter MAYA LUCIA shares her latest indie-pop single ‘ur ruining it !’. The single is accompanied by a bright and bold music video. Garage-Pop singer-songwriter MAYA LUCIA is the queen of hearts. Having spent the last five years bouncing between the Pacific and the Atlantic, the Minneapolis native pulls DIY sounds from both sides of the coast. Her distinctive vocal styling and angst-ridden lyrics effortlessly float between punk, pop, and surf-rock. Her next EP is due Spring 2022. Speaking of the music video, MAYA says, “Jack (Campise) and I have worked together previously on my music video for ‘sadgirl (rip moviepass)’. We met our freshman year of college before I transferred schools and have been friends ever since. Together, we created the idea of a reunion of sorts after the pandemic. We drew from the film Boogie Nights and their use of tracking one-takes to create the flow in the music video. A lot of our close friends were part of the music video and doubled as cast and crew mates, which made it very special.”

Los Angeles-via-Georgia singer/songwriter Katelyn Tarver recently released her stunningly beautiful new album Subject To Change on November 12. Now, she shares the all-too-relatable video for ‘Year From Now,’ a folk-infused meditation on the healing power of time.

On the music video for 'Maybe It’s Me,' mesmerising Brisbane act Pipin dons clown makeup. Aside from being visually intriguing, it’s also an insight into the multifaceted nature of the song, and the artist herself. On 'Maybe It’s Me,' we receive ecstasy and surrender. A radio-friendly kit shimmers along with a cute synth that teeters between major and minor chords, adding depth to an otherwise innocent pop structure. “Socks pulled off your toes, freckles on your nose, talking about someone I don’t know”, Pipin sings gorgeously, painting a vivid image of tension bubbling underneath a bright blue sky. Next comes the head-swaying hook, which gets stuck in your ears after just one listen. It’s a testament to Pipin’s captivating, idiosyncratic songwriting. “Maybe it’s me, I could be happy, I could be everything that I am not”, Pipin manifests, over the bubbly production work of real-life partner, Hugh Middleton. No wonder the sound and melody are so in-sync. You can sing along gleefully, celebrating a new chapter, or sing along ironically, remembering the weight of consequence that inspires such an epiphany. Both are feasible. The music video also contributes to this wondrous exploration, as Pipin performs in front of flashing, brightly coloured backdrops, both immersing and disorientating the listener. [via Happy Mag]

Parisian riser November Ultra has shared her new single 'le manège'. Out now, the single completes a memorable 12 months for the bedroom pop newcomer, whose DIY tactics have brought huge online success. 'le manège' pivots once more, with November Ultra discussing "endless love" while absorbing new sonic aspects. Melding together vintage R&B, Millennial pop, and the Spanish musicals she heard from her grandfather, 'le manège' seems to shift and evolve across several different planes. She comments... “This song is about endless love, about loving someone so much that you love them wrong, about being constantly close to short circuit. The beginning of the song pays tribute to Maurice Sendak's children's tale Max and the Maximons and this sentence pronounced by one of the monsters: "I'll eat you up I love you so'. This is what we wanted to show in this video, this carousel, a universe stuck between the real and the unreal. The beginning of the song is soft, light, a dream-like waltz. The little outdated but beautiful idea that we have of love and relationships when we grow up watching musicals. Then, the more the clip progresses, the more what we found beautiful becomes strange, as if it was going off the rails. The same scene repeats itself in a loop, the carousel gets stuck, like a movie you've seen so much that the film gets scratched, the dialogues scratch and everything that seemed beautiful, sweet and cute gets distorted, glitchy, and offers a new reading. Going from the mountain to the little volcano.” [via Clash]

Basel/London-based pop singer Emilia Anastazja just released her colourful new EP Flower House, bringing some warmth to the cold autumn days. With influences ranging from 070 Shake and Jessie Ware to Mary J. Blige and Whitney Houston, those sonic touch-points can be distinctly heard within Emilia's creations. New single and EP title track 'Flower House' was written in the aftermath of her previous home being torn down to be replaced by a new block of "overpriced apartments". A colourful amalgam of 90's inflected R&B and effervescent electro-pop, Emilia opens proceedings with a quiet admission of acceptance: "I‘m in the mood for taking what‘s good in my life / The more you pull down, the more I look up to the sky" before the track opens up into its soaring chorus. Speaking on the release of new single 'Flower House', Emilia said "The lyrics are talking about my reflections and memories of an apartment block that I used to live in with my best friends which was demolished in front of my eyes. It was a whole community of artists living there and we always had an open door for everyone and the rent was almost for free. The house was demolished because the state decided to build some more overpriced modern apartments there. This home holds a special place in my memory and is often a place I look back to as the last real place I could call home. I wanted to express both my anger and my fantasy to “Burn” down what now stands in its place."

Moonchild Sanelly has unveiled the music video for her latest single 'Covivi'. Released at a time when it could not be more relevant, the message of the single and music video is a plea for the pandemic to end so that people can enjoy the outdoors, especially leading up to the festive season. The video speaks to a huge party culture in SA where celebrations are shared with friends and memories created through music and dance. With SA facing a new wave and variant of the pandemic, the video will bring positive energy during this lockdown phase. “I am super excited about 'Covivi' visuals dropping because it is literally us having a conversation with the one person/thing that has been blocking us from grooving because we want to save our lives but our bodies want to dance. So I am having a serious conversation asking Covivi to open the doors because we want to dance”, says Moonchild. [via Times Live]

Doja Cat embarks on another spaced-out adventure in the new music video for 'Woman,' a track off her latest album, Planet Her. The clip was directed by Child, and it finds an intergalactic queen being warned of an imminent threat to her throne before conjuring the most powerful weapon she has at her disposal: Doja Cat. Admittedly, the narrative plot gets kind of lost from there, but that doesn’t mean the rest of the clip isn’t lacking in eye-popping visuals, futuristic costumes, and expertly choreographed dance sequences. [via Rolling Stone]

The dynamic duo of Charlotte Adigéry and Bolis Pupul have shared yet another bop of a track off their upcoming Soulwax co-produced album Topical Dancer, entitled 'HAHA'. Previous singles 'Thank You' and 'Blenda' further established their knack for subverting the platitudinous into quick-witted critical commentary. It also helps that Adigéry and Pupul possess the productional smarts to make any living soul prance around like a complete fool. 'HAHA' doubles down even more on Adigéry’s signature lyrical minimalism: in fact, there’s but one hook, and a great one at that: “Guess you had to be there”. The song samples Adigéry’s burst of laughter, expertly and infectiously laced in between the song’s slinky electronic beat, in a way putting a modern spin on eighties luminaries such as Yello and Jean-Michel Jarre. Obviously, this is a song of suggestion rather than one of confession, though some hints of its backstory might be found in the offbeat musical video. The commentary the two artists have given remains just as cryptic: “a visual shorthand for unhatched potential”.  We’ll leave it for you to unwrap whether this is allegorical or a creative exploration of an inside joke. Undoubtedly, it’s fun as heck. [via Beats Per Minute]

[perfect-plac3s]

Here’s my January playlist ☺️

[ninjnerd-anaklusmos]

^ My Belphegor playlist that I've had since... March? Either way, I added some new tunes and I wanted to share it with my followers!

Belphegor (Pillow)

6h & 1m

Take You To Hell; Ava Max

moonchild; RM

Why Do You Love Me?; Charlotte Lawrence

Strawberries & Cigarettes; Troye Sivan

Honey Lavendar; ieuan

Pretty When U Cry; ieuan

Dead Girl! (Shake My Head); Au/Ra, Alan Walker

Can't Sleep Love; Pentatonix

Born To The Night; Ava Max

Therapy; All Time Low

Moondust; Jaymes Young

fake smile; Ariana Grande

Moonlight; Ariana Grande

Break Free; Ariana Grande, Zedd

Love Story; Sarah Cothran

Graveyard; Halsey

Wolf In Sheep's Clothing; Set It Off

The Kid's Aren't Alright; Fall Out Boy

I Will Follow You into the Dark; Death Cab for Cutie

Kids In The Dark; All Time Low

Riot; Hollywood Undead

my strange addiction; Billie Eilish

If You Want Love; NF

Silent Scream; Anna Blue

Happy Pills; Weathers

all the kids are depressed; Jeremy Zucker

Let You Down; NF

lovely; Billie Eilish, Khalid

everything i wanted; Billie Eilish

Tag, You're It; Melanie Martinez

When You're Gone; Avril Lavigne

Silence; Marshmello, Khalid

Animal I Have Become; Three Days Grace

Down; Jason Walker

Devil On My Shoulder; Faith Marie

Sweet But Psycho; Ava Max

I'll Be Good; Jaymes Young

Lonely Eyes; Lauv

You Don't Know; Katelyn Tarver

Boss Bitch; Doja Cat

I Can't Carry This Anymore; Anson Seabra

WTF; HUGEL, Amber Van Day

Bad Bitch; Bebe Rexha, Ty Dollar $ign

Do It Like A Dude; Jessie J

Mind Is A Prison; Alec Benjamin

Hard Feelings/Loveless; Lorde

this is me trying; Taylor Swift

Crazy In Love; Sofia Karlberg

I'm Gonna Show You Crazy; Bebe Rexha

Control; Halsey

The Village; Wrabel

Paralyzed; NF

Dreamscape; Belphegor (voice actor: Satoshi Onishi)

Nightmare; Halsey

all my friends are fake; Tate McRae

NVM; Faith Marie

yes & no; XYL🚫

Borderline; Nico Collins

In My Bed; Sabrina Carpenter

I Did Something Bad; Taylor Swift

LazyBaby; Dove Cameron

Panic Room; Au/Ra

Empty; Olivia O'Brien

Toxic Thoughts; Faith Marie

Twisted; MISSIO

Ferrari; Bebe Rexha

Sad; Bebe Rexha

feel something; Bea Miller

Nightmares; Ellise

HARLEY FVCKING QUINN; Sarah de Warren, Biometrix, Marcus McCoan

TRUST; NF, Tech N9ne

Hurts Like Hell; Fleurie, Tommee Profitt

Born Without a Heart; Faouzia

Panic Room - Acoustic; Au/Ra

Fighter; Glee Cast

Battle Cry; Beth Crowley

Therefore I Am; Rain Paris

Middle Finger; Bohnes

Boy In The Bubble; Alec Benjamin

Gasoline; Halsey

Hoodie; Hey Violet

Mad Hatter; Melanie Martinez

Redemption; Besomorph, Coopex, RIELL

Cravin'; Stileto, Kendyle Paige

Sweet Dreams; Besomorph

Walls Could Talk; Hasley

Milk and Cookies; Melanie Martinez

Nightmare; Besomorph, RIELL

Sweet Dreams (Scott Rill Remix); Besomorph, Bolshiee, Scott Rill

Teddy Bear; Melanie Martinez

Sippy Cup; Melanie Martinez

Training Wheels; Melanie Martinez

Pity Party; Melanie Martinez

Lost My Mind; Alice Kristiansen

Messed Up; Once Monsters, Chloe Adams

bad guy; Billie Eilish

The Man; Taylor Swift

good 4 u; Olivia Rodrigo

Darkside; grandson

Sarcasm; Get Scared

ivy; Taylor Swift

I Knew You Were Trouble (Taylor's Version); Taylor Swift

hoax; Taylor Swift

That's all I have right now.

Thank you for 54 followers!

[bennydemarco]

Charlotte Tarvers and Ronald Speirs in Sunshine Soldier written by @wexhappyxfew

[thatwasthenightthingschanged]

hey sarah! after discovering artists like maisie peters or conan gray because of you (and absolutely LOVING them), I really started trusting your taste in music. therefore, I was wondering what other musicians you’d recommend, maybe even some songs of those artists (ones you really really like)? wishing you a wonderful Christmas (in case you celebrate!) and a wonderful 2022! 💗

ahhh it always makes me so happy when people find my fav artists bc of me so thank u🥺🥺💕 I will, in fact, put together a playlist of my favorite songs I discovered this year in a couple of days but until then:

1. wrabel: seriously HE'S SO GOOD. especially if you like gut-hitting sad songs. he made a lovely song about trans experience a couple of years ago ("the village") which is great! this year I absolutely fell in love with his debut album ☺️ my fav songs from on there are probably "london", "wish you well", "cars", "let love in" and "love is not a simple thing to lose"! he also got a Christmas ep!! I love "sometimes Christmas is hard" from there because I feel like we need more songs abt how Christmas is not always great if u got struggles in your family & this song is really soothing for that 🥰

2. Katelyn Tarver: (it's a theme here: sad songs agkslh) you might still know her from her role of Jo in Big Time Rush ☺️ my fav songs of hers are Never Fade, Don't Let It Change You and Somebody Else! I also recommend her project with the front singer of the band Parachute (their duo is called REAVES) and especially the song Never Was by them!

3. luz: if you're looking for a small wlw artist! she doesn't have that many songs out yet but I rll love "the author", "I'm lonely" & "permanent +1"!

4. Sody: yes somehow I love British female artists ahmslhs her song "Bitch (I Said It)" is a certified bop for all of your anger, but I absolutely love her songs "Whole", "Charlotte" (!!), "butterfly" and "time again"!

5. Violet Skies: known for my fav song I discovered last year, "This Could Be Love"! but this year I listened a lot to her EP "Lonely" and the songs on there are also rlly good!!

6. Maude Latour: for your Lorde vibes! my fav songs are "Lovesick" and "Block Your Number"!

7. Oh Wonder: they're the cutest little couple duo! with their songs it's kinda luck whether I like them or not but some of my favs are "Hallelujah", "Lonely Star", "This Christmas" (BEST CHRISTMAS SONG EVER IMO) and from their newest album "Don't Let the Neighborhood Hear"!

happy holidays and hope u have a great new year too, anon! 🥰💘

[xthefourthx]

[alltoowell-taylorsversion]

Hii, for the playlist theme thing, what about sad songs? 😬

1. Feel Bad - Katelyn Tarver

2. forever fifteen- Mothica

3. Everybody Loves You - Charlotte Lawrence

4. Funeral - Phoebe Bridgers

5. Stripes - Alix Page

6. Mansion - NF

7. Fake Plastic Trees - Holly Humberstone

8. If I Don’t - Hayley Orrantia

9. Charlotte - Sody

10. Too Sad To Cry - Sasha Sloan

11. Slow - Kensington Moore

12. Can’t Be Loved - Hank Compton

13. Is There Somewhere - Halsey

14. Long Sleeves - Gracie Abrams

15. Birthday - Maisie Peters

16. Smaller Than This - Sara Kays

17. DNA - Lia Marie Johnson

18. Last December - Nina Nesbitt

19. It’s Not This - Taylor Acorn

20. Falling - Harry Styles

[wexhappyxfew]

no hard feelings

(a/n): dougie deserves all the love and carrie achterberg was the perfect opportunity to test it out. had some ideas for these two a while back and finally pieced together their dynamic later in the war. there’s plenty of time to talk about their earlier dynamic but for now….enjoy these two and a look into their history together :) enjoy! ....oh and if you're a Sunshine Soldier fan (my first BoB fic), from ages ago, there's a treat for you stuffed in here!

"Well, well, well. Look what we have here. Pleasure seeing you ladies here."

Carrie glanced up from her rather in-depth conversation with Paulina and Bessie and found James Douglass, leaned up against the chair in front of them, across the table, a wide smile on his face, as he glanced at their faces and then settled on Carrie.

James Douglass - to which she had annoyingly started calling him Dougie, like the others - was never one to entertain nor hold onto something far longer than needed. However, when it came to her and, particularly, teasing her, he held onto that like a rope tied around his finger. He never let go.

"To what do I have the displeasure of seeing you," Carrie said looking up at him with a wry grin, to which he raised a brow at, "c'mon, let me have it. What is it? You need shoeshine for those things you call boots. You need me to go and kiss-up because you said something you shouldn't have. No wait - I got it. You managed to wake up late and missed breakfast, and need me to smooze you into getting coffee." The tables around them grew slightly quiet, a few heads turning; Paulina stuck to staring between the two, a bunch of scrambled eggs in her mouth, Bessie taking the opportunity to loudly sip on her coffee that was growing cold. Dougie sent her a look with his eyes and then looked at Paulina swiftly.

"Lieutenant Bradshaw said something about a fuse in Silver Bullets blowing," he offered, before dropping his voice, "right near the radio." Paulina's fork dropped and she launched up out the chair and darted away, calling over her shoulder through the loud lunch room, half-chewing, half-attempting to speak.

"I'll be back!" she called, wiping at her mouth, "James Douglass I'll have your head for this if you're joking around with that no-good head of yours!" Carrie watched her disappear and then watched Dougie look at Bessie, who sat rather unfazed and slightly tuned out of the conversation. Carrie momentarily shut her eyes when she knew what was coming.

"Kidd's looking for ya. Said he had a few things to talk to you about, from the good Colonel himself." Dougie offered and she stared at him and raised a brow, before ceremoniously wiping her mouth and standing.

"I'll be back." she muttered, eyeing Dougie, before sending Carrie a look, to which she rolled her eyes. Which left Carrie with Dougie.

Good God.

She turned her eyes to look at him and then leaned against the table, lacing her fingers, offering a rather sarcastic smile instead of sweet.

Listen, she got along with James Douglass, the whole base did, but sometimes he sweet-talked her because he enjoyed it. And he knew how much he could get to her, even if it was just teasing. Bessie always teased Carrie back that it was because he was taking a liking to her.

Carrie Achterberg was absolutely not one to take to gossip like that and had promptly squashed that. He had joked with her like this since training - it was James Douglass for Chrissake - he did it because half the time, there was enough sadness on this base to fill up an ocean.

"What do you want?" she said, pointedly acknowledging how rather relaxed he was, and how drained she appeared.

"Does it always have to be something I want? What about you? What do you want?"

"For you to leave me alone, so I can enjoy breakfast. Without the fucking peanut gallery."

"That hurts me, Bergie."

"Don't call me that."

"What? A lil nickname never hurt anybody. Bessie calls you that." She raised a brow in his direction and he shook his head.

"Look, just, can you…I don't know, just do me a favor?" Carrie stared at him and raised her brow further.

"What?"

"Can you dance with me tonight? At the flying club?" Carrie stared at him, before shaking her head.

"No." Dougie sighed.

"C'mon, why not?" Carrie looked at him sharply and sent him a scowl.

"If I'm gonna dance with someone, they're going to want to actually dance with me. Not just do it because of some other girl." Carrie said quickly and inhaled more egg, "I know you've been eyeing up Charlotte Tarvers, so." Dougie blew a raspberry and waved her off.

"Nah, nah, she's….I think she's got some guy in the Airborne, I'm not....nah." Dougie said waving it off, "Really, it's just….you and I, ya know? And, look, listen, favors is a bad word anyway…." Carrie looked at him, her cheeks dotting red a bit and she shook her head.

"You're just doing it to try and get another girl to come and be all fluffy in your face. Newsflash, Dougie, I'm not taking part. Ask Margie or…or Judy! Judy would love to."

"If Benny DeMarco were here he would smash my face in for even dare touching Margie and I'd rather not become one with Captain Rosenthal's dark side so, respectively….I'll take my chances." Dougie said and then looked at her. Carrie grumbled under her breath and shook her head.

"Fine." she said, "But. You have to promise to make it worthwhile, alright? Give me a twirl, hold me agonizingly tight, but not too tight, 'kay? I might even do my hair."

"Do your hair? Oh, Bergie, that's an honor right there. I'm honored, truly."

"Buzz off, shithead. Not for you. For me." Carrie said and then bit into a piece of toast, "I don't know….maybe it'll get someone's attention." Dougie's face turned serious for a moment as Carrie enjoyed her toast and he seemed to recalibrate.

"Uh….what do ya mean?"

"I don't know…..some of the guys, you never notice how cute some of them are until you see 'em, ya know? In their Class A's, looking all put together….especially after some of those last few missions." she said, "Maybe they'll see us dancing and ask to butt in. We'll see." Dougie watched her, looking more confused by the minute, bringing a spark of laughter to Carrie's lips.

"But…..you and I, we're dancing. Together. And going. Together." Dougie said with a chuckle before shaking his head, "You can't……"

"Are you jealous, Dougie?" Carrie whispered quietly with a grin, smacking his shoulder, "You're cute when you're mad." Dougie watched her as she continued eating, frozen in place, without any sort of words.

"Don't give me that look, that's exactly how you sounded to me," she said, and raised a brow, "so….you promise, it's just gonna be you and I. No other extras, huh?"

"Promise." Dougie said quickly, "Shake on it." Carrie eyed him, but then met his grasp and shook on it, before going back to her toast and enjoying savoring the taste.

"Who's the jealous one now?" Dougie whispered quietly to her from across the table, sending the blonde a smirk and a wink, who offered nothing but a glare, "C'mon, just saying. Sounds like you want me all to yourself." Carrie looked at him and then placed down the toast and met his gaze.

"I'm doing this for no one but myself. Not you." she said. Dougie rolled his eyes and then leaned across the table and dropped his voice, lowly.

"No other extras, huh?" he whispered, "Afraid someone's gonna steal me away?" Carrie slowly looked to his face, her eyes unmistakably drifting across his face for a moment before looking back at his eyes.

"Who says I'm afraid? You're the one inviting me." she whispered back quietly, watching that stupid smirk grow on his lips - a challenge. She seemed to have caught Dougie in a crossfire as he chuckled to himself and then leaned back in his chair and laid an arm over the empty seat next to him.

"If anything, you should be afraid someone's gonna steal me away. I've met plenty of those gentlemen to know they'd take any chance they could." Carrie said, her cheeks flaming at the way he watched her, making her collar hot and her cheeks red, "Why didn't you just ask Paulina? Or Bessie?" Dougie sent her a look and crossed his arms.

"There's a reason I'm asking you and not them, sweetheart." he said and she felt her face dip darker in color, to which she picked up her toast and took an angry bite out of it, trying to ignore that look on his face, to which she was almost enjoying. Knowing he was getting under her skin, and she was liking it. She swallowed her toast and then looked at him, schooling her features evenly.

"Enlighten me. What are you trying to say?" Carrie said, staring at him with a cool expression. A bold question to pose, in her opinion. Like bait for a fish. He watched her and licked his lips, suddenly under the spotlight and met her gaze again, fully.

"I want to dance." Dougie said, a nod, like convincing himself this was right, "With you." Carrie's eyes moved to his quickly. He stared right back at her, holding her gaze tensely as she reached for her coffee cup.

There was something in his gaze that was different than before there. A longing, a want, an eagerness - something that made her stomach feel funny and her toes tingle.

Why, she wondered in her mind. There were a bunch of other wonderful ladies he could dance with that he would have a far better time both dancing and conversing with - people that were pleasant and friendly and happy. People that weren't like her. She looked to him again and watched as he leaned forward and shook his head.

"Listen, Bergie, I'm sorry," he said quickly, waving his hands in front of himself, "it was too forward, I get it. You got a lot of shit going on back home, you don't want-"

"No." Carrie said, stopping him mid-sentence, his eyes flashing to hers as she sat there, cheeks turning red again as she tried to stop it. She shook her head and balled up her fists and fixed her shoulders.

"It's not that." she managed out in a stammering pace, shaking her head. The two watched each other - him, waiting on her to open her mouth, and her, waiting for her mind to connect with her mouth to speak. But it didn't happen.

"What's going on, Bergie?" Dougie asked quietly, noticing as she looked at him, trying to gather what thoughts were left in her mind.

All she could think of was the casualty list - the way it grew, larger and larger. The amount of planes that had gone up and never come down. The amount of men they'd lost, the people that were gone never to return. The families that would never get their sons and daughters back.

"James." she said quickly, and he looked at her in earnest, "I….." He stared at her, the most serious she'd ever seen a look appear on his face.

"This is…." she couldn't get her words right, the puddle of her mind overwhelming. She couldn't look at him and speak what she actually wanted to say. It was too real. All of these. These feelings, what was going on around them. This war.

"Did something happen?" he asked quickly, "Listen, I just joke with you, no hard feelings, just-"

"I'll dance with you." she said quickly, "Tonight. Just-" she stood quickly with her half-finished cup of coffee, looking down at her pants rather than him, "-just….I'll see you there." She took her plate and then spun away, moving around the edge of the table, her eyes on the door.

"Wait, wait, Bergie-" Dougie said, jumping to his feet, and lightly placing a hand on her elbow. She turned to look up at him, catching him in the haze of late morning light and watched as his eyes softened, only seen by her, his eyes lingering on parts of her face she hated to show a soul, his body heat penetrating her own with how close he seemed to be.

"Are you okay?" he asked her quietly, dropping his voice, "I mean, you don't have to dance with me. I just…..we never have and I figured I owed ya-"

"I'm fine." she managed quickly, "No, we'll….we'll dance. It's fine. I'm fine." She offered a smile his way and he watched her, regarding her face quietly.

"I didn't ask you because there's another girl or to have a laugh, none of that, that's a shit thing to do, alright?" he said quietly, "I asked you because I want to dance with you. You, Bergie." She stared at him, her eyes flicking back and forth, over and over. The longer she stared at him, the more her heart began to race and the blood rushed to her cheeks.

"What I'm trying to say is that you're the most beautiful woman I've ever met, and I finally have the opportunity to dance. With you." Dougie said quickly, his ears and upper cheeks turning red, even though he seemed to try to hide it. Between both their faces and the redness of their cheeks, it was quite a sight for any onlooker or eavesdropper. She stared at him.

"I almost did. Back in Greenland. You definitely didn't want anything to do with me, but I almost did it." he said, a nervous smile on his face, "Figured you were pissed with me. So I didn't. As usual." She continued to watch him - him, rambling, her, staring. After a few moments of silence that lingered between them, she blinked.

"I'm always pissed with you." she said, but she said it in a way that was both factual and sarcastic and got a smile going on Dougie's face.

"Well, I know that," he said, "figured you wouldn't want to dance with the guy you're pissed off at. I don't know, as I go to twirl you, you'd probably try to push me into a wall or something."

Carrie stared at him - she'd let him twirl her into his chest and more, hold her close to his chest, in his broad, warm arms, tell her it was okay, that this was okay, that this was allowed, that she could feel this. She stared at him, her heart racing. And he stared back, that deep look in his eye that was enough to make her lose it.

"Keep looking at me like that and you'll get more than you bargained for." she whispered softly and then offered him a small, smirking grin, and walked away, her cheeks and ears burning.

If she looked back, she'd get that look that she knew was on his face, forever implanted in her mind and she couldn't have that yet. Not now.

As she placed away the plate and took one last sip of her coffee, she moved towards the door with her arms crossed and glanced over her shoulder just as she stepped out and looked to where Dougie was, stood still, hands in his pockets, watching her like something holy had just appeared right in front of him. She winked.

[mercurygray]

Thankful Thursday - Charlotte

@wexhappyxfew​ said: 

This is Charlotte Tarvers, (my first ever OC!) who was brought into Easy Company as the first female combat medic. With a natural instinct for brightening people’s day with a smile and a warm hug, she was quite literally the Sunshine of Easy Company. Quite the nickname :,) Her hands were like an angel’s and even in the face of war, she would save the lives of any man without fear. It seems her sunshine-like love she brought everywhere could only draw a certain mysterious, dark-haired Lieutenant by the name of Ronald Speirs, closer to her. You can find her in Sunshine Soldier, a Band of Brothers fic. <3

( i decided to stop off once more, i hope you’re having a lovely thanksgiving!! )

Miss Charlotte sounds like a lovely person, Shannon - thanks for sharing her with me and the rest of the world! I’m trying to remember now who my first OC was. 

Sunshine Soldier, on : Archive of Our Own || Wattpad ||

[superanchorbouquet]

August Playlist

Cool Me Down // Margret

Slow Motion // Charlotte Lawrence

Only a dream // Zella Day

Starlight // Zella Day

Catch me if you can // Yeager

Lighthouse // G.R.L

Melanie Martinez

99 Cent Store

Blue Knees

Haunted

I Scream

Schinzo

Unhappy Meal

You Love I

Can't help falling in love

Strawberry Fields Forever

• • •

Love Somebody like me // Anne-Marie

Why do you love me // Adele

Say Something // Kylie Minogue

Love Me Land // Zara Larsson

One Day // Dua Lipa

Blue Velvet // Lana Del Rey

I Can Fly // Lana Del Rey

Heal // Ellie Goulding

Lost and Found // Ellie Goulding

Winner // Ellie Goulding

• • •

Lana Del Rey

Serial Killer

Hollywood

Maha Maha

Because of you

Driving in Car with boys

I don't wanna go

JFK

Last girl on Earth

Paradise

Starry Eyed

TV in Black and white

Bartender

Venice Bitch

Damn You

Big Eyes

Dream Girl

Hundred Dollar Bill

Kinda Outta Luck

Put the radio on

Raise Me Up

• • •

Easy // ILIRA

Marilyn Monroe // Astrid s

Energy // Katy Perry

Black Widow // Katy Perry

Crazy Together // Kate Lomas

Young // Katelyn Tarver

Tick Tock // Clean Bandit

Benny My Dear // Zella Day

Passenger // Katy Perry

[vigilantesyd]

it’s the best time of the year!!!! spoOoOoOky season!!!! have a v spooky october everyone and enjoy these tunes while you do

fresh laundry // allie x

wont you stay // birdtunes

kintsugi // gabrielle aplin

learn to love // jessi smles & joey

graveyard // halsey

seven minutes (feat. maris) // honeymoon arcade

miss americana & the heartbreak prince // taylor swift

confetti // freak daddy

dracula // bea miller

true love // ariana and the rose

probably crying // girl wilde

old friend // sister

big kid // avonlea

recess // melanie martinez

clementine // halsey

death by a thousand cuts // taylor swift

tell me it’s a nightmare // kim petras

dead to me // melanie martinez

navy blue // charlotte Lawrence

pink light // muna

paradox // jaymes young

cynical // katelyn tarver

smiling when i die // sasha sloan

in the next life // kim petras

season of the witch // lana del rey

afterlife // hailee steinfeld

i can’t believe // cyn

make me wanna die // the pretty reckless

black & blue // nina nesbitt

baddie // emily vaughn

hands off // muna

[auroracalisto]

Alphabet Songfic Challenge

Hello everyone!  So, I’ve wanted to do one of these for some time.  I’ve included several songs for each letter of the alphabet, so you can choose or your followers can request a certain one!  If you’d like to use these for your own blog, definitely do so!  These are some songs that I have on my phone.  If you want to add some to yours, just reblog and add it to your reblog!  

Here is my personal request list along with a direct link to my ask box.  

A: According to You, Orianthi.  All I Want, Olivia Rodrigo.  Atlas: Two, Sleeping At Last.

B: Bedroom Ceiling, Sody.  Battle Scars, Chase Your Words.  Be Alright, Dean Lewis.  Before You Go, Lewis Capaldi.  Break My Heart Right, James Bay.

C: Can I Be Him, James Arthur.  Cornelia, The Eastern Plain.  Cherry, Harry Styles.  Coffee Breath, Sofia Mills.  Collide, Howie Day.  Crumble, Jeremiah Daly.  

D: Dancing On My Own, Calum Scott.  Dear, Cavetown.  Deeper Conversation, Yuna.  Down for the Ride, Slaves.  

E: everything will be okay, eli.  Electric Love, BØRNS.  Elise, The Greeting Committee.  Emeralds, Letts.  everything i wanted, Billie Eilish.  

F: The Fall, half alive.  F**k U, Kailee Morgue.  Fall for You, Secondhand Serenade.

G: Garden Song, Phoebe Bridgers.  Give Me Love, Ed Sheeran.  Golden, Harry Styles.  Good Day, Paul Westerberg.  Green Light, Lorde.  Grow As We Go, Ben Platt.

H: Happiest Year, Jaymes Young.  Happy Yet, Devin Kennedy.  Heart, Sleeping at Last.  Heather, Conan Gray.  How Do You Sleep?, Sam Smith.

I: I miss you, I’m sorry, Gracie Abrams.  I Bulit a Friend, Cavetown.  I HATE EVERYBODY, Halsey.  I Knew This Would Be Love, Imaginary Future.  i love you, Billie Eilish.  I Wouldn’t Mind, He Is We.  i’m lonely, Luz.  i’m so tired..., Lauv & Troyve Sivan.  

J: July, Noah Cyrus.  Joke’s on You, Charlotte Lawrence.  

K: Kids in Love, Kygo.  Know Your Worth, Khalid & Disclosure.  

L: Liability, Lorde.  Lego House, Ed Sheeran.  LEMONS, Brye.  Let Me Live, Queen.  LET’S NOT FALL IN LOVE, BIGBANG.  Lost Cause, Beck. 

M: Make You Feel My Love, Adele.  Made It This Far, Katelyn Tarver.  Mess Is Mine, Vance Joy.  More Hearts Than Mine, Ingrid Andress.  Must Have Been the Wind, Alec Benjamin.  

N: Numb, Meg Myers.  The Night We Met, Lord Huron.  Nobody’s Keeping Score, CYN.  Not How It’s Supposed To Go, Ashe.  Notre Dame, The Bombpops.

O: Only Love, Ben Howard.  ocean eyes, Billie Eilish.  The Only Thing, Sufjan Stevens.  

P: Peppermint Smiles, tiffi.  Peace of Mind, Villain of the Story.  Pieces, Red.  Pretty Girl, Clairo.  

Q: Quite Miss Home, James Arthur.  

R: Running Up That Hill, Meg Myers.  Real Love, Ashe.  River of Tears, Alessia Cara.  Roslyn, St. Vincent & Bon Iver.  Ruin My Life, Zara Larsson.  

S: Sadness is a Share of Blue, Låpsley.  Satisfied, Hamilton.  Say You Won’t Let Go, James Arthur.  Selfish, Madison Beer.  She, dodie.  A S****y Love Song, Jye.  Shoot Me, DAY6.  So Close, Jon McLaughlin.  

T: Take Care of Yourself, Maisie Peters.  This Is Home, Cavetown.  This Side of Paradise, Coyote Theory.  To Die For, Sam Smith.  Truce, twenty one pilots.  

U: Unfortunate Soul, Kailee Morgue.  Unsteady, X Ambassadors.  Use Somebody, Kings of Leon. 

V: Vanlila Twilight, Owl City.  Video Games, Lana Del Rey.  

W: Where’s My Love, SYML.  Wait, Grace Ackerman.  Walking On Air, Kerli.  Warrior, Demi Lovato.  Wasting All These Tears, Cassadee Pope.  We Don’t Eat, James Vincent McMorrow.  we’ll be fine, Luz. 

X: XO, Eden.  

Y: you were good to me, Jeremy Zucker & Chelsea Cutler.  You Were Beautiful, DAY6.  You Said You’d Grow Old with Me, Michael Schulte.  You Will Be Found, Dear Evan Hansen.  

Z: Zero, Imagine Dragons.