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#chip n dale fan art
algodon-de-azucar09 · 2 months
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Happy Tree Friends: Rescue Rangers
(TW: Gore and violence)
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boingodigitalart · 17 days
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Still in spooky season mood, so I did these from the witch au finally getting around to including Donald.
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toonrandy · 1 year
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Day 6 of DuoMonth Costumetober: here we have Kiff as Chip and Barry as Roger Rabbit!
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whereswaddle19 · 7 days
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Guess who’s been watching Chip N Dale Rescue Rangers 😄
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calistarodgers · 2 years
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“Hey! What’s the big idea?!”
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eagc1995 · 1 year
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(Commission) Chip and Dale in The Loud House Style
Commissioned by JekyllAndHydeChannel
If you would like to support my work, feel free to support me on either Patreon: www.patreon.com/eagc1995 Ko-Fi: https://ko-fi.com/X8X0WRTV
Shoutout to my Patreon supporters: Esteban Felix, ThePkmnYPerson, Christopher Mason, Sam Fimple, Mattthiamore, Amazingangus76, Robert Grgic, TheVHM108, Andrew Stutt, dreamerfield9420, Jacen C. Silva, Gh100, Liplover6930, Chase Taylor, GiganticLuv, Resident Daisy, Marianito, HasChannel, Stephen
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kittycat-sun · 2 years
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Zummi was shown at the end of Chip n Dale movie and I couldn’t help but draw him as a retired actor lmao
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theslimydude · 2 years
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Jeremys Mom and DTZ
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disneytva · 2 months
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Disney TVA Creator Pedro Eboli Reveals Rejected "Adventures Of The Gummi Bears" Reboot As Part Of Rejected Projects Trend On Twitter.
The Disney Afternoon IPs have been returning to our screens since the late 2010's and 2020s with projects like "DuckTales" (2017) on Disney XD, "Chip 'n Dale: Rescue Rangers" as a live-action/animation hybrid film for Disney+ ,"Darkwing Duck" & "TaleSpin" having reports of upcoming animated reboots by Point Grey Pictures & Disney TVA for Disney+ and "Gargoyles" with a live-action reboot with Blumhouse Television and Atomic Monster for Disney+.
The only properties left to reboot from The Disney Afternoon roster are "Adventures of The Gummi Bears", "Goof Troop", "The Mighty Ducks", "Bonkers" and "The Shnookums & Meat Funny Cartoon Show".
Back in February Becky Dreistadt and Frank Gibson ("Star Vs The Forces of Evil", "Big City Greens The Movie: Spacecation", Cartoon Network Studios "Steven Universe Future") revealed that they attemped to pitch a reboot of "Goof Troop" to Disney back in 2019 for Disney+. Their reboot pitch would have been a mixture between the original show and it's two movies ("A Goofy Movie", "An Extremely Goofy Movie").
It seems that Goof Troop wasn't the only Disney Afternoon property with plans to be rebooted as animation industry and current Disney TVA creator Pedro Eboli (Netflix “Cupcake and Dino: General Services”, Cartoon Network LATAM “Oswaldo”, Nickelodeon “Ollie’s Pack” and Discovery Kids LATAM “Bada Bean”, “NDA - Disney Channel Series”) took over Twitter to reveal that he and his partner in crime Mark Satterthwaite (Netflix “Cupcake and Dino: General Services”, Cartoon Network LATAM “Oswaldo”, Nickelodeon “Ollie’s Pack” and Discovery Kids LATAM “Bada Bean”) attemped to bring back The Kingdom of New Gumbria and The Gummi Bear Juice to a new generation of fans on a pitch for a "Adventures of The Gummi Bears" reboot likely for Disney Channel or Disney+. Eboli would mention that a pilot wasn't produced as they only had scripts for it and was very early on development when it was passed also that the artwork you're seeing in this post is not the actual art that was part of the reboot's pitch bible.
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Who knows maybe in the future specially with Disney's plans to attract more subscribers to Disney+ and it's desire for bringing back "The Disney Afternoon" to a new generation maybe they will revive Mark Satterthwaite and Pedro Eboli's "Adventures of The Gummi Bears" reboot specially with their overall development deal at Disney TVA for new shows films and specials.
Not hope at all is lost for Pedro Eboli and Mark Satterthwaite as they have been developing a new original animated series for Disney Channel as of Fall 2023 with the pilot being recorded on January 2024, if picked it will be the first Disney TVA series created by a Brazilian.
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franki-lew-yo · 10 months
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I hate Disney's Mirrorverse so much. I have no words for how much it legit ticks me off and how I think it's an insult to even compare it to Kingdom Hearts, which isn't high art but was at least trying for something.
Kingdom Hearts, House of Mouse and other crossovers that really aren't all that good in retrospect but I find fun AREN'T 'better' because they're from my childhood and so couldn't be garbage. No, they are. The issue I have with Mirrorverse is the same issue I have with that awful Chip n' Dale Rescue Rangers movie:
it's Disney selling you you're own fanfiction premises and making it so you don't have to think or be creative, snark on, reinvent or just have with these properties yourself. You have to do it under the lens of something they can sell to you.
Kingdom Hearts was only ever trying to sell you itself and the current Disney thing at the time, which was what was expected of it. House of Mouse was hokey fun with the Mickey gang and the catalogue of classic characters Disney had, which is why so many people like it. It's all made for money and profit and brand recognition come on Disney has always been this way it's what Walt would have wanted.
Mirrorverse is wearing the skin of a heartfelt fan design project to sell you a sandbox game where Disney makes your favorite characters OP Overwatch ripoffs, not you.
As YMS put it, Chip n' Dale is putting on the guise of being self-aware which actually just being references and mean interpretations of it's own characters. The Lonely Island was wasted.
And they're doing all this more than ever to have a deeper stranglehold on their fandom which they know will fork over money to them no matter what. That's what's not just slimey, like it's always been, but sinister about modern Disney.
I refuse to use that asshat Steven Crowder image meme here. You legit aren't changing my mind.
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algodon-de-azucar09 · 5 months
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🧀Monterrey Jack 🧀
Este ✨rAtA✨ enserio me hace feliz jsjdjsjd
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boingodigitalart · 10 months
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One of my first procreate drawings that I decided to draw Park Life Gyro, Donald, and Daisy.
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dac-wolf · 2 years
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fbi yeen reporting for duty
or he an awd? anyways here’s some chip n dale rescue rangers fan art!
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xeo-kunsatan · 2 years
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Jeremy x Gabby's Children
Bro i have this post since Long lmao
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In a Chip n Dale the movie fan story.
Jeremy and Gabby after the cancellation of Ever After High, they were an actual couple behind the scenes about to separate forever because of Maika (Gabby's Mom) who wanted to bring Gabby back to Japan.
After saying goodbye to Gabby in the airport , Jeremy was devastated and drinking in a bar, but that awful moment was interrupted by an unexpected call, it was Gabby who cancelled his travel to Japan because he was pregnant. Why? Adventures and dates behind the scenes.
Of Course Jeremy will take charge of Gabby and his unborn child and meet once again promising to never separate again. After that thanks to Captain Hook, they found a very spacious place to live with the space to open a shop, thanks to the help of their old show friends Gabby opened a Coffee Restaurant while Jeremy found a job as an FBI spy because of his skills with stealth and shooting. His Codename is Black Cat.
After many months their first baby born, and of course they have even more children having like 6 in total, and still Gabby is pregnant with his 7th child.
For now I'm gonna introduce you the kids.
Baphoment – (First Born) The older brother in charge of make sure everyone of his siblings are doing okay, his specialty are the corpses, since analize their cause of death he also is very good in get rid of that corpses, sometimes in creative ways. He likes metal music and in his free time plays the guitar in his own band, don't make him mad or mess with his beloved ones or your head will be ripped off or his horns will be stuck in your chest, His Codename is Lucifer.
Himawari – (Second Born and call her Miwa) the second older sister who tends to be very affectionate and pamper with her younger siblings, she tends to help her mother with the restaurant as receptionist and waiter, Miwa is very on with the gyaru fashion and attitude. Her specialty are the thin blades and dismemberments, sometimes using her charm to get close to her victims to then attack. In her free time she likes shopping, going to familiar travels and has her own streaming show, also she's part of the cheerleaders in her highschool. Her Codename is Asmodeus.
Akuro – (3rd Born) The middle older brother and a kinda grumpy trans boy (They/Him) , their adoration are the videogames, gore movies and criminology, he can be mostly introvert and with less friends (sometimes bullied but they disappear the next day) but He's a good sibling. His specialty is hacking, he tends to recompile the registrations of any crime happened in the city or other cities or countries, he's the one who gives his parents and Siblings the necessary info to go after their preys. Their Codename is Satan.
Katsuki – (The Fourth born) The Middle younger sister, Kinda Emotionless, serious and chill child, she's a quiet girl who loves horror and gore movies (tends to watch them next to Akuro and Baphoment), her specialty are the pyromania and mortal traps, be careful with falling in one of her traps because you may lost any member of your body or even end burned alive. Her Codename is Adonis.
Kenji – (The Fifth born) a younger brother, the most scaredy and sensitive of the siblings but also the scariest, his more a fanatic of fairytales, drawing and familiar comedies, His specialty is Stabbing and drowning but only when someone hurts one of his beloved ones or he's very angry. His nickname is Amon.
Nozoni – (The sixth born) The younger of the siblings, a very adorable but very scary little girl who is the adoration of her parents and Siblings, behind that adorable appearance hides a very Sadic personality who enjoys others suffering. Her specialty is cheat, similar to Himawari, she uses her cuteness to attract her victims to their death, so her other siblings or Mom ends with it, she's still training in the arts of assassination. She doesn't have a definitive Codename yet.
Jokes about them
- They auditioned for The Loud House but were rejected, and are proud of being rejected.
- Sometimes people call them the six deadly sins as a joke they are 6 siblings and coming soon 7.
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artforjaxs118 · 2 years
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Hello! Welcome to my Artblog where I plan to include most of my fan art works to share!
I have a keen special interest in cartoons and anime and drawing. I prefer to do drawings with pencil and paper but I also like to make digital art.
It's my first time trying out one of these and seeing what sticks
To see more of my art check out my tiktok page ✨️:
Tv Shows that I like and make content for: This can include both art and small headcannon writing:
Osomatsu San
My Hero Academia (Current Hyperfixation)
Ducktales 2017
Wordgirl
Chip n Dale Rescue Rangers
My Little Poney FIM
Happy Tree Friends
Bubble Guppies
Codename: Kids Next Door
Hetalia
South Park
Strawberry Shorcake
Littlest Pet Shop
I also have thought about doing some s/I and f/o art on here as well once I start to get more comfortable with it. More information about that will be on my carrd linked below.
Hopefully, I'm able to make friends wherever this blog takes me. I hope to share more about me in the future!
I also have a carrd link here:
Thank you,
Jackie!
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britesparc · 1 year
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Weekend Top Ten #579
Top Ten Lonely Island Songs
I’ve always been a fan of a good comedy song. Generally speaking I’ve always been out of touch with the musical zeitgeist; never knew what was supposed to be cool or uncool, and even when I did like a song chances are I didn’t know who sang it – or if I did, I didn’t know when or what album or whatever else they might have sung. However, if I heard a funny song, that would stick in my mind; instead of washing over me or just being interesting, it’d lodge in my brain on repeat and quite often be the gateway to becoming a big fan of the comedy artist in question.
Which brings us to The Lonely Island.
Like most people familiar with the band, I first discovered them through Saturday Night Live. Although we can’t really watch it over here in the UK, so many of their skits and songs that featured in the show became YouTube sensations back in the neolithic days of that all-conquering video smorgasbord. When I was at CITV, we’d regularly share funny videos around the office, and there are a couple here in this list that were office staples (not those kinds of office staples). And this is how I got to know who Andy Samberg is (alongside clips of his stoner-bro impression of Mark Zuckerberg), so that his appearances in movies became something I looked forward to, all the way up till Brooklyn Nine-Nine, one of my favourite sitcoms of all time.
So as we shared their funny songs with each other instead of writing continuity links for Pocoyo or logging clips of My Goldfish is Evil, I discovered more of their back catalogue, and my interest grew. But I’d say it exploded with the release of Popstar: Never Stop Never Stopping, a hilarious film that boasts some of the bands greatest songs. That’s when I really started to think about just how many cool songs these guys had made, how funny they were, and how smart and complex they were in the way they parodied different musical genres or specific songs. In a manner similar to Weird Al, as the band has gone on they’ve tackled a variety of subjects with great aplomb, to the point where some of their parodies actually work as “for-real” songs – just, y’know with jokes. And probably this is most evident in the Popstar soundtrack; maybe it’s all that palling around with Justin Timberlake, but the Lonely Island fellas are very good at doing a boyband.
Anyway. I like them! And they’re good at making films too – right up to last year’s Chip ‘n’ Dale. And I think their sensibilities carry over so much from their music to their comedy to their movies, even in things like Palm Springs, Nine-Nine, and the animated movies they’ve been a part of (more on which a bit later…). So let’s don our turtlenecks, cut a hole in a box, and get our arms T-Rexing, as we celebrate the best ever Lonely Island songs as decided by me.
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Spring Break Anthem (2013): like most of their songs that I love, it starts by just being funny; the OTT celebration of riotous and disturbing spring break behaviour is, well, very funny, made moreso by the music video that seems to rope in an entire break’s worth of teenagers to contribute. However it’s the juxtaposition of the ludicrous, misogynistic alpha-male macho posturing against the placid and romantic scenes of same-sex marriage that flips it up into art. It's like there’s a commentary being made about how the worst kinds of discriminatory excess can hide hidden truths about the person being offensive; here, it makes the “hetero” activities seem like extravagant gestures coming from a place of denial or even self-loathing. The tender scenes of the Lonely Island trio planning their weddings – with celebrity grooms including Ed Norton, for Pete’s sake – are superbly done. The lyrics are fantastic: “two kings walking hand in hand”. Marry a man.
Finest Girl (2016): coming from the soundtrack to Popstar, this sees Samberg in character as Conner4real, singing a romantic pop song about the finest girl he ever met in his whole life, who turned out to be a freak when she started talking. And then it just gets weird. There’s no two ways about it, it’s a surreal one, comparing – well – the act of love-making to the execution of a terrorist. There’s a pleasing comic sense of schadenfreude and celebration with the chorus’ repeated refrains of (ahem) “Fuck Bin Laden”, but it’s the other lyrics – using the imagery of covert ops to describe sex – that are most funny, especially the lines “she said ‘invade my cave with your special unit’/I said he wasn’t in a cave but there was no stopping”. Look, it’s crude and it’s silly but it’s just weird and daft and genius too.
Natalie’s Rap (2006) and Natalie’s Rap 2.0 (2018): Natalie’s Rap might have been my intro to The Lonely Island. Like a lot of comedy songs, it really hangs on one simple but humorous conceit: in this case that seemingly straight-laced actor Natalie Portman – all serious roles, humanitarian causes, and prestigious universities – was in fact a sex-crazed drug addict spouting foul-mouthed angry hip-hop. And it’s a conceit so funny it worked twice. A large part – basically, like, all the parts – of its success is Portman’s full-bodied commitment to the role, tossing off grotesque obscenities and – in the videos – just throwing stuff around. And, of course, the lyrics themselves are really funny; there’s a purity to the first video (I just couldn’t separate them) but I think the wordplay is funnier second time round, with more specific references to things like Black Swan and Portman’s marriage, as well as an absolutely inspired and disturbing Star Wars sequence.
Like a Boss (2009): another one that rose high for me when I worked at CITV, and so was an early introduction into the band and their wider oeuvre. And the appeal of this one is very simple: the heavy refrain (“Like a boss”) is funny in and of itself, but then the lyrics become increasingly surreal to the point of outright derangement, all of this apparently taking place within the confines of some kind of job appraisal. But the randomness of some of the lyrics – “find a giant fish/fuck its brains out” – is to be applauded; it’s just a really silly, funny little song. And apparently it’s a parody? I dunno. But I guess that would make the Bosch ad campaign a little more understandable.
Jack Sparrow (2011): once more we have a song that benefits from a humorous juxtaposition, as Michael Bolton provides smooth accompaniment to a crude hip hop track about picking up girls. But, like quite a few of their songs, it goes super-surreal as Bolton just croons a bunch of film references. The call-and-response nature of the lyrics – “okay that was kinda weird but we’re back in the club” – provides a lot of laughs, but it’s Bolton’s very game insertion into typical Island craziness that excels, whether it’s dressing up as Erin Brockovich or singing crude lyrics from Scarface.
Dick in a Box (2006): in a way the song that seemed to start it all, an SNL skit – the first to co-star Timberlake – that’s a mid-noughties pop ballad about love and romance, all centred knobs in parcels. The obvious comedy is derived from presenting such a thing as a sweet romantic gesture, but the song – and video – gives so much more. Timberlake is incredibly game – as he is in all his contributions with Lonely Island, including sweeping the floors in Jizz in My Pants – and the scenes of him and Samberg dancing with Christmas presents strapped to their nethers is a comic joy. It builds so well, climaxing in all the places you can experience a box/penis interface (“over at your parents’ house”, “midday at the grocery store”) but what I think everyone who hears it loves the most is the instructions: “One: cut a hole in a box”.
Diaper Money (2013): contrasting the rough hip hop braggadocio style with something that seems culturally at the other end of the spectrum is a comic stock in trade – here the guys are angrily rapping, boasting about their success, but the things they extol are rather mundane. However, what floats my boat, is it’s a particularly middle-class, early-middle-age kind of boastfulness, about marriage and fatherhood. And, really, the very concept of “diaper money” is quite funny to me.
Jizz in My Pants (2008): most of the Island songs are some flavour of hip hop, R&B, or pop, but here they spoof an entire other genre. Really, this is their take on the Pet Shop Boys, and it’s really well done; fast staccato delivery, urban imagery, and a good fist of their accents to boot. And then, yes, there’s the song’s subject matter and lyrics, the rapid-fire wordplay leading up to a series of hilarious climaxes. The middle eight, running through a series of insane scenarios that produce the titular effect, is a comic gem; “When Bruce Willis was dead at the end of Sixth Sense…” The only real negative I can think of is that as a PSB spoof it’s not quite as good as Inner City Pressure.
Motherlover (2009): another of a trilogy of videos featuring Samberg and Timberlake as a weird early-noughties pop duo, I love the call and response lyrics here as they discuss their odd little plan, so fabulously icky and uncomfortable as they sing frankly about their mums and the “switcheroo”. It’s creepy and demented – “I’m pushing that lady where you came out as a baby” – and it gets worse as the song goes on. Worth highlighting the supremely game Susan Sarandon and Patricia Clarkson as the mothers who, er, get loved.
Equal Rights (2016): another terrific turn by Conner4real, duetting with Pink in a song about homophobia and oppression and, well, equal rights. It’s a great parody of incurious celebrities latching on to progressive topics in a cynical manner, exemplified here in Conner’s frequent assertions that despite singing about gay rights he’s “not gay”; a thread that grows until it takes over the entire song in a list of supposedly macho and heterosexual things (“hot wings!”). And hey, if girls wanna have sex with him just cause he said this, so be it!
So there’s one song that could have been on this list I guess – Everything is Awesome. But they only co-wrote and appear on the track, so I’ve decided it – and the other Lego Movie songs they contributed to – don’t really count as fully-fledged Lonely Island numbers. But it’d be up there! For reals!
Also, if I’m doing bonus stuff, I really love their “Oscar song demo” that was scrapped by the Academy.
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