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#co-written by the research team
venussaidso · 6 months
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Saturn Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 𝐩𝐚𝐫𝐭 𝟗
In my research, I was delighted to find the magic which resides in the nakshatra Anuradha. Unfortunately, I haven't yet understood Vishakha so I cannot speak on the spiritual journey of Anuradha coming from Vishakha. But there is something about Anuradha that is so powerful that it stands on its own.
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This nakshatra literally has the power of transformation (8H) through imagination (mostly occultism but I will be touching a lot on fantasy in this post). It is symbolized by the lotus, a flower that is able to grow in dirty waters as long as there is stillness. This is interesting as I often associate this water sign with a muddy pond-- which would signify Scorpio's ability to navigate through the murky or unseen aspects of life.
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In Anuradha, Scorpio uses imagination as a tool to explore themes of humanity or challenge societal norms. Reality can be so harsh for Anuradha that it often escapes to pure fantasies, if not the occult, where they can actually take lessons from other worlds and transform for the better. Here, the still waters represent the real world for Anuradha; reality can be so oppressive and unchanging, and yet the lotus still grows despite its powerlessness over the waters. Their real power is learned from other realms. Here it is imagination that develops the resilience of Anuradha, this resilience and their newfound power signifying Saturn which is the lord that rules over this nakshatra.
The best film to first mention is "Pan's Labyrinth", which is written and directed by Guillermo del Toro who is Anuradha Moon. There is also a book version which was written by him and co-written by Cornelia Funke who is also Anuradha Moon.
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The story follows a little girl who lives in the harsh realities of post-war Spain in 1944. She travels with her pregnant mother to go live with a sadistic, psychopathic military officer -- that happens to be her stepfather -- in an extremely isolated area (8H/signs of coming danger).
The little girl discovers a mysterious labyrinth near this remote area, and she meets a mythological creature who reveals to her that she is the reincarnation of the Princess of the Underworld. This faun-like creature then gives her three life-risking tasks to prove herself as the rightful ruler of the Underworld.
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A little similar to Alice In Wonderland, as she navigates this magical, fantasy realm in which she encounters many other mythical creatures. Her reality outside remains the same. She still lives under the authority of her evil stepfather who becomes increasingly violent and overbearing. Yet, despite her unchanging reality, the tasks that she was assigned to in the labyrinth prove to be a metaphor of her strength, resilience, and her transformation which helps her face the harsher real world while still retaining her innocence/imagination and morality.
The oppressive figure in her life is something of a prominent theme for Saturn nakshatras so it is interesting how it plays into Anuradha; and how the tasks she was assigned to in this mystical world push her beyond her comfort zone which is Saturn simply refining her through difficulties and the 8H putting her in extremely dangerous situations.
Despite this story being the epitome of Anuradha, I still have some more examples.
The movie "Bridge to Terabithia"; which is about an artistically-driven boy who befriends a girl who is known for her creativity & imagination (played by Anna Sophia Robb who has Rahu in Anuradha). This movie is based on the book with the same name written by Anuradha Moon Katherine Paterson who literally explores the themes of resilience built from imagination to overcome harsh reality.
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The two friends team up in creating an imaginary kingdom called Terabithia just in the woods near where they live. This kingdom becomes a place they escape to when they go through extreme difficulties that they as kids are powerless in. They use their imaginations to overcome challenges and build their confidence through.
And, "The Chronicles of Narnia" which was written by C.S. Lewis who was Anuradha Sun.
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The story follows the Pevensie siblings during the harsh and challenging reality of World War II. They lived in London but have moved to the countryside due to the bombing raids which have affected their homes. Very interesting how this story also sets in around the times of war where there is loss of all comfort and security -- much like Pan's Labyrinth. Both very 8H themed.
Also, Pevensie siblings are almost all Saturn-ruled nakshatra moons.
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And Lucy Pevensie, who is played by Anuradha Moon Georgina Helen Henley, is actually the one who first discovered the world Narnia through the wardrobe (another gateway similar to the labyrinth in the Pan's Labyrinth).
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C.S Lewis explored many universal moral and ethical concepts by using Narnia as a sort of playground to take the Pevensie siblings through a journey of self-discovery, redemption, and transformations with many dilemmas they have to face which further builds virtuous character/resilience. They come out all the more wiser and better as people from their journey in Narnia -- and this leads to their eventual crowning as kings and queens of Narnia which further signifies the rewards reaped from Saturn from the total refinement and transformations.
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And Aslan, who was voiced by Anuradha Moon Liam Neeson, is an agent of transformation and great influence on each characters' path to growth/redemption.
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He encourages virtues such as courage, strength, kindness and sacrifice. His character is very pure, and he even acts as a father figure especially to the youngest sibling, Lucy, who is also Anuradha Moon.
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Very interesting how Aslan literally is an important role in the natural order of Narnia as his presence seems to be closely tied with the changing of the seasons and the restoration of harmony in the world of Narnia. This literally bears a resemblance to Lord Mitra's role in maintaining cosmic order and harmony in the universe. Very similarly to Mitra, Aslan embodies virtues like justice and nobility. This character is the embodiment of the retained purity of one's soul in a world full of the push-&-pull of good and evil forces.
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Now onto Alice in Wonderland, which was written by Lewis Carroll who was a double Anuradha.
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Now, Alice does not seem to come from any hardships at all. She is simply portrayed as a curious little girl whose character still grows in Wonderland. The story shows how she struggles with her identity and fitting in in Wonderland, as this world challenges everything she thought she knew. I did establish that Anuradha seems to use fantasy as a canvas to challenge norms, logic and point to the absurdity of societal norms. These themes are leaning in Ketu territories, and it can validate Scorpio being co-ruled by Ketu as perceptions of reality and the fluidity of truth is often highlighted throughout the story. Especially through the characters Chesire Cat and the Mad Hatter.
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A little off topic, but very interesting that Chesire Cat was voiced by Swati Sun Jim Cummings in the 1951 film version and the 2010 version was voiced by Magha Sun&ASC Stephen Fry which is literally just a darker version of the character. This character is very nodal influenced as it understands the madness in Wonderland, shamelessly embracing the absurd nature of the world which may or may not be illusory. (Also, Mad Hatter -- in the 1951 film -- was voiced by Swati Sun Ed Wynn AND Johnny Depp played a darker version of the Mad Hatter in the 2010 film and he has his Ketu conjunct his Moon).
Anyways, Lewis Carroll actually uses the Mad Hatter to shed light on the societal issues of that era. Anuradha utilizing fiction and imagination as a tool to explore Nodal themes would make sense as they have an understanding that the world doesn't really change (but that doesn't stop one from transformation/education). Anuradha is supposed to reject societal norms, but natives can feel really stifled by their reality and even by themselves sometimes.
But this nakshatra literally can unlock the power of bringing imagination to life, which is shown in an obviously exaggerated way in the book "Inkheart" written by Anuradha Moon Cornelia Funke. And the movie based on that was actually directed by Anuradha Sun Iain Softley. This story is about a man, named Silvertongue, who has the ability to bring fictional characters to life from simply just reading a book aloud.
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Very interesting that 'Silvertongue' is portrayed by a Jyestha Sun -- Mercury being a function in him speaking things to life.
Now, Anuradha is a Saturn nakshatra which obviously means that the other nakshatras ruled by the same lord will trine it and pick up on very similar themes. So just gonna throw some examples out there.
Like the film "Jumanji" (1995) which starred Pushya Sun Robin Williams who plays a character that got sucked into the world of a mysterious board game since he was a kid. He's brought back to the real world when he's his adult self (Anuradha/Saturn theme of growing and learning survival in another realm) -- but his release comes with the cost of the creatures from the board game being brought into the real-world to wreak havoc. The movie is just a bit similar to Inkheart, in the element of two different worlds colliding; as in Inkheart, the character Silvertongue brings a fictional villain into the real world which leads to a series of dangerous events.
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The film "Jumanji" is directed by Joe Johnston who has Rahu in Uttara Bhadrapada and the movie is based on a children's book with the same name written by Uttara Bhadrapada Moon Chris Van Allsburg.
The animated film "Caroline" is written and directed by Anuradha Sun Henry Selick, based on the book with the same name which is written by Pushya Moon author Neil Gaiman.
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This story follows a young girl, voiced by Pushya Moon Dakota Fanning, who finds a secret hidden door in the new home she just moved in with her parents. This doorway leads to a parallel world where her 'Other mother' and 'Other father' seem so loving towards her as compared to her real parents who neglect her and are always so busy.
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Her 'Other parents' are so attentive to her every desire but as Caroline explores this very twisted reality, she discovers just how sinister 'Other mother' is and the world that was once so perfect to her was actually designed as a trap to keep her there (4H themes). Despite this film having the Anuradha outline of the native finding a doorway to another world, this trope of the evil mother is literally Pushya-coded. Actually, I'll quickly touch on this as this is what I got so far regarding Pushya:
In the film "Tangled", Rapunzel -- voiced by Pushya Moon Mandy Moore -- has been continuously manipulated and exploited by her mother figure, Gothel, who has designed the tower, with which they lived in, as a way to trap Rapunzel in so that she never leaves her side, so that she'll continue exploiting her for the rest of her life. Very obvious that these are Cancer/4H themes mixed together with Saturn -- making the mother the oppressive figure in this Saturnian's life.
I find it interesting that Pushya Sun Gypsy Rose literally identified herself with Rapunzel, having even once said that "Tangled" is her favourite movie. It makes so much sense with what her mother put her through, she literally is Rapunzel in the real world if you think about it.
There is a movie already out that's based on her life events, and she is of course played by a Pushya Sun actress Joey King, in the film "The Act".
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Anyways back to Saturn nakshatras being otherwordly; the author of "The Shadowhunters" books is Pushya Sun Cassandra Clare.
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There are two media adaptions of her books, and it is fitting that they both star Saturn nakshatra women playing the same character, 'Clary'. At the start of the story, Clary is able to perceive creatures, symbols and buildings invisible to the regular human's eye. She is then involuntarily pulled into a whole new world she didn't think possible, and her character grows from there as she befriends different beings.
In the series version, Anuradha Sun&Moon Katherine McNamara portrays Clary. And the film version, Uttara Bhadrapada Sun Lily Collins plays Clary.
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Clary, in the beginning of the story, being able to perceive what any other human couldn't pick up on and being played by both an Anuradha and an Uttara Bhadrapada makes a lot of sense. Anuradha is the truth seeker and Uttara Bhadrapada's deity contains the truths of the world. In the film "The Golden Compass", a young girl discovers a fascinating device, called Golden Compass, which can reveal the truth and answer to any question asked of it.
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Any truth she seeks, the answer is always so close. The truth will be easily perceivable to a gifted Saturn nakshatra. The movie of this film is directed by Anuradha Sun Chris Weitz.
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Now, my last example. The film "The Neverending Story" is directed by a Ketu in Uttara Bhadrapada native Wolfgang Petersen. The story follows a boy who becomes immersed with a fantasy storybook.
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This boy faces hardships in his reality; not only is he bullied at school but he's also experiencing the grief from the loss of his mother. In this film there is no secret doorway that leads to an otherworldly adventure, but the boy becomes deeply engrossed in the fantasy book. He finds himself deeply connecting with the fictional characters, and especially with the events in the book to such an extent that his own life starts to literally intertwine with the storybook.
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His life begins to not only reflect but also impact the events occurring in the book. The line between his real life and the story literally becomes blurred. This being a theme in Anuradha which emphasizes the bridge of humanity between other worlds and our "real" world.
Anuradha builds a bridge between extremes that most people don't care to consider in their personal lives. Being under Saturn makes it feel impossible to physically overcome hardships and it is in this nakshatra that there is a theme of finding solace in imagination, but also building oneself from imagination as reality/circumstances can make it impossible to grow. This is a profound lesson from all Saturn nakshatras, but this is the main theme for Anuradha being ruled by the 8H. It is the 8H that makes us go within and explore our own realms and face the shadows of our subconscious mind to come out transformed & elevated -- thus rising above circumstances we were once powerless in. In Anuradha, innocence and purity is retained despite how destructive the 8H/Saturn and the reality it creates is. Again, going right back to the lotus growing in the still, muddy waters.
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qc-wiggles · 8 months
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they say write what you know and what i know is academic stress and yearbook pain. so anyways it's a yearbook club au!!!!
YEARBOOK CLUB MEMBERS:
supervising teachers: gertrude and leitner. they become uncontactable like a week into the project (do they die? do they resign? tim has a running theory that they eloped.)
elias: head of yearbook club. dips unexpectedly in the middle of the entire thing (something about an optical surgery) and forces jon to take over. his dad paid for the adobe subscription they’re using 
rosie: treasurer, she’s very efficient, they’ve probably exchanged like 3 emails in total and she’s gotten everything funded. knows well enough to stay out of the dumpster fire that is yearbook production otherwise
jon: de facto head of yearbook club. thinks it should have gone to sasha instead. hes a bit incompetent but plans like it’s doomsday the next week so they are always in a wealth of excel sheets. writer, editor
tim: joined partly because he wanted an excuse to get out of football fixtures. also because he is 1 out of jons 3 friends including his ex and jon asked him. he has a tiktok. marketing, editor
sasha: joined partly to impress gertrude (she’s looking for her to write her letter of recommendation as head girl in sixth form). also because she is 1 out of jons 3 friends including his ex and jon asked her. she still uses livejournal. designer, writer
gerry: sixth form, occasionally helps out with networking at gertrude’s behest. tim is a bit starstruck over him. he saves their asses many, many times
melanie and georgie: got unofficially roped in as photographers. why you ask? manuela dominguez may have the cutting edge cameras but she is simply too scary to approach. melanie has a youtube channel that all the girls and tim are apparently subscribed to. 
martin: there is not one single picture of him. apparently he didn’t turn up for photo day, neither was he involved in any school events. even the people who have shared half-remembered facts about him seem to forget about him when questioned a second time. where did he go?
PLOT:
it’s the month before the yearbook is due to be sent in for production, and the team have discovered numerous issues with the draft: pictures of random people keep getting swapped over like they’ve been photoshopped, some pages are illegible and distorted unless they are physically written out in hand and scanned, one paragraph is a leitner. and nobody can find martin blackwood so they can get his picture in the yearbook. what will they do.
SIDE CHARACTERS:
annabelle cane: current head girl
mikaele salesa: somehow knows literally everyone, involved in the funding of yearbook production
mike crew: uneasy alliance with gerry in their pursuit of jurgen leitner 
oliver banks: had a mental breakdown sometime during his gcses but hes fine now
david from research: nobody says it to his face but he has genuinely the most atrocious clothing choice in the entire school apart from michael shelley, and even then michael shelley makes work
grifter’s bone: the band of the school, except no one actually knows anyone who’s part of it. their shows are legendarily terrible. manuela says ambulances were phoned. 
daisy and basira: prefects, currently invested in making sure yearbook club remains LEGAL and not STALKING ANY STAFF OR STUDENTS, JON
jmag: principal. boo. what a creep
julia montauk: apparently her dad went to jail. but who is she living with now? i don’t know, manuela told me. how does manuela know? julia told her in a sleepover during year 6. and she’s telling other people? wow. that’s messed up. is that old guy her grandpa? why does he carry a rifle around
jared hopworth: prejudiced gymbro, but importantly, NOT a homophobe.
the admiral: what else needs to be said
FAMOUS ALUMNI:
agnes montague (campus celebrity from literally decades ago) (her relationship with jack barnabas is mythicised)
jude perry (allegedly caused some fire-related, agnes-related events)
edwin burroughs (allegedly commited atrocities during one year’s christmas dinner)
jane prentiss (left for uni a year ago, allegedly brought many live organisms onto campus) (keeps talking about this guy called jordan)
eric delano (he did WHAT to his eyes)
MISCELLANEOUS POINTS:
daedalus crew is astronomy club
breekon and hope are the manufacturers for much of the schools equipment and stationery
jon keeps finding notes from gertrude stashed in random places about yearbook difficulties its like a fun cool treasure hunt
they cant figure out where a computer they were initially using for yearbook club is from. it says ‘ushanka’ on the bottom of the display and the keys are slightly crusty
what the hell are the drama students actually up to 
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cfiesler · 2 years
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I recently made a couple of videos about an interesting group project in my Online Fandom class a few years ago, so I thought I would share here, too!  
TL;DR A group of students who knew nothing about fanfiction before this class really wanted to study sports fandom, so they did a study about sports RPF. Their research question was: What factors contribute to which athletes are most commonly written about?  In case you don’t want to watch the video, answer below the cut...
(1) They compared metadata from AO3 to sports stats - winning teams, individual performance, etc. - as well as net worth of players. What they found was... none of those things seemed to matter. (But one of the other students in the class said, “Well did you measure hotness?”)
(2) In the second half of the class I distributed a survey here (some of you might have taken it, this was in 2018!) based on questions that the student groups composed. They had a multiple choice question about which factors people cared about when writing and reading sports RPF and the two most popular answers were “physical attractiveness” and “personality.” But they also analyzed open answers, and the two other common themes were friendships or rivalries with other players, and the writer/reader feeling a personal connection to that player.
This ended up being one of my favorite projects in the class because it sparked a really interesting discussions about methods and measurement and knowing the right questions to ask and how to ask them!
Also! I mentioned a scrape of AO3 data in the video. FYI this was only metadata, and it was also de-identified - basically just numerical data (date posted, word counts, hits, number of comments, etc.) and tags like fandom and characters. No story names, authors, etc. If you’re interested in thinking through research ethics for using fandom data, I co-authored a paper about that!
(Also I just realized that despite filming these videos two weeks apart I am wearing the same shirt, haha!)
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corrodedcoffins-blog · 2 months
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OK BUT SPENCER'S AND BAU TEAM REACTION TO TTPD????
spencer reid x famous!reader
warnings: miscarriage (will put a warning before and after), im basing most of the mention/emotions of miscarriages with my experience with my sister who has gone through a couple while she was trying for a baby as well as research i did, mention of weed
note: this has taken a while to write cause i wanted to interpret the songs on my own time before applying then to the au, so i hope it was worth the wait!
this quickly became my analysis of the songs (in the context of the au) rather than the bau's reactions
feel free to send a message to my inbox about what you think their reactions would be/fav songs i love hearing about that stuff from y'all 🩷
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Fortnight (ft. Post Malone)
I don't picture this song to be about Spencer. I see it as more fictional in the way folklore and evermore were more fictional inspired by different things that have happened in her life. Also I feel like Emily likes Post Malone so she was excited for this song, and Penny love the ai fortnight but love the real fortnight better.
Spencer is always worried when a sadder song comes out that it's about him, but reader always reassures him that it's not and that she loves him.
The Tortured Poets Department
THIS SONG IS SO SPENCER REID CODED. "you're in self-sabotage mode" !!!!
I feel like this is Rossi's fav off the album 🤷‍♀️
I said this in an ask a while ago but sometime in 2020, maybe 2021, they had a sort of break and this song was written during that time for sure.
"but you told Penny you'd kill if I ever leave, and I said that to Jack about you so I felt seen, everyone we know why it's meant to be, cause we're... crazy" I feel like this line really explains the break they were on. Like they were so co-dependant and loved each other so much that it was the problem. Everyone knows they're meant for each other but they still get in their own way, Spencer with not wanting to get married when reader did, and reader not wanting Spencer to spend so much time with work. And they just weren't thinking of the same things at that time.
My Boy Only Breaks His Favourite Toys
"He saw forever so he smashed it up" reminds me of "i wouldn't marry me either" but in 'you're losing me' she's blaming herself for the break whereas in this song she realized that it was Spencer and his commitment issues. Which always makes me think of the line "I'll tell you that he runs because he loves me" which can be seen as a really sad line but I think in this instance it's that she wants to accept him for all his faults, he's going to run sometimes when he gets scared but he always comes back, and they're working on that.
"Once i fix me, he's gonna mix me" reminds me very much like 'you're losing me'
"Stole my tortured heart, felt all these broken parts, told me I'm better off... but I'm not" do I have to say commitment issues and self-sabotage again?
Down Bad
Emily loves this song. She loves the vibes, she loves the lyrics, just everything.
In my eyes, it's about Spencer. Reminds me of "told me I'm better off... but I'm not."
So Long, London
Penelope's favourite part of the album is the opening of this song, first time hearing it she said it sounded like wedding bells.
In Virginia there's a town called New London thats 2hrs from Quantico... It's meant to be.
"Pulled him in tighter each time he was drifting away" you guys gonna make me say commitment issues every time?
She's clearly talking about her side of when they both weren't communicating and how he hurt her when he couldn't commit.
She really thought it was over when she wrote this.
But Daddy I Love Him
The shock in that room when she said "I'm having his babies!"... Derek found it hilarious, the girls were having a heart attack.
I think she's not not writing about Spencer in this song. Idk how else to explain, like it's kinda about backlash from every time she gets in a relationship no matter with who, which happened with Spencer so she's talking about that but not that exclusively. Does that make sense?
Fresh Out The Slammer
I think this song is about getting out of a relationship and now you're free to be with someone else who you've had your eye on. This song was written so long ago it's basically a rep vault track. In this au when reader and Spencer met reader was with Tom (i think??) but still gave Spencer her number and called him after she broke up with Tom, and that was the birth of this song.
Florida!!! (ft. Florence + The Machine)
Written about the idea of getting away, taking a break from life, while her and Spencer were on their break. She needed a break, all her friends were either single and smell like weed or they had kids and she wanted kids, but Spencer wasn't ready, so she had to get away from what reminded her of him.
Guilty as Sin?
"What if he's written 'mine' on my upper thigh only in my mind" she's imagining what it would be like if they got back together.
Is the second half of this song when she says "they're gonna crucify me anyway,,, i choose you and me, religiously.." And the song sounds like it ended but they she comes back in with the chorus, cause she thought it was over but now they're back better than ever.
"One slip falling into a hedge maze" a labyrinth is a hedge maze, because she fell back in love.
The last "Am I allowed to cry" is almost like can I cry from relieve? Relieve that it worked.
Who's Afraid Of Little Old Me?
This song is Spencer Reid coded.
Derek and Emily love badass-ery of this song. Pen loves the production "I love the production of this song!" "I'll pass that along to Jack."
Spencer just can't help but tell her he loves and is proud of her after hearing it.
I Can Fix Him (No Really I Can)
This is about a past relationship, no way can I see this to be about Spencer.
I feel like JJ really likes this song.
loml
This song was written, probably not too long after 'you're losing me' when they had that break and she was in the depression stage. She wrote this when she thought she lost him, she thought she did all she could and still lost him.
I Can Do It With A Broken Heart
warning!!!miscarriage
I had written down the idea of them having miscarriage in my notes app a couple weeks or maybe even a month before the album, cause of the song 'bigger than the whole sky' and when I heard this song with this in mind it broke my heart, that I knew I had to do it.
I'm thinking they were trying for a while and having lots of trouble, then stopped when the tour idea was falling in place, but she ended up miscarrying during the practice for the tour while not knowing she was pregnant. Likely she didn't know because she was on birth control and because she was working so hard and so busy with Midnights and the tour.
So with all the trouble they were having trying to get pregnant, Spencer was grieving in his own way, sadly it hurt reader a lot. He was angry, he probably said things he didn't mean, they were both feeling so much sadness and anger and they couldn't handle it. I think at this time, they were still going to bed every night together, but it was off and they no longer spent time together. Spencer needed the time to himself, when all reader needed was time with him (want to be clear no one is in the wrong in this situation, it's just a fucking bad situation)
"He said he'd love me all his life, but that life was too short" has two meaning (they were having a boy)
"I can hold my breath, I've been doing it since he left. I keep finding his things in drawers, crucial evidence I didn't imagine the whole time, I'm sure I can pass this test." 😭 Like referring to her baby, and since they'd been trying before they had a couple baby things like clothes that she couldn't stop herself from getting in hopes 😭😭😭
end of warning
The Smallest Man Who Ever Lived
Every verse I see as being about a different relationship. Working on re-records it's bring up old feelings and I think she just collectively put all the feelings into this song.
Spencer was beyond scared it was about him, he was already apologizing for making her feel that way before she could tell him it's not about him.
The Alchemy
This idea I have is so silly, that I think it works???
Spencer once said off-handedly that his job was kinda like football, it was strategy, and you failed a lot but sometimes things just fell into place like a puzzle. And reader ran with that idea, like she couldn't sleep that bight and just had the silly thought of Spencer, her Spencer, playing football and wrote this. Little off topic but I also think this about 'Miss Americana and The Heartbreak Prince' lol
Clara Bow
The self-name drop. The team's jaws were on the floor, their eyes were wide. When Pen realizes she's like "DID YOU JUST DAY YOUR OWN NAME??!?"
The Black Dog
Maybe like the team was seeing how Spencer was down recently and brought him out to a bar after work.
And Spencer didn't 'forget' to turn off his location he never did because he still had the hope that the relationship wasn't over, that this was just a rough patch.
imgonnagetyouback
Spoiler alert: she got him back.
Because no matter how much they hurt each other they're in love. And it reminds me of a boygenius lyric "You could absolutely break my heart, that's how I know that we're in love." that lyric in bodies them.
The Albatross
This is like a sister song to 'peace'
This song to me is obviously about the narrative that she's the problem. She's the one destroying all her relationships.
And she's telling Spencer in this song "I've been through this before, it doesn't matter."
Chloe or Sam or Sophia or Marcus
This song is her thinking about them seeing other people. Her imagining him with other people, how much that hurts.
And around 2020-2021 maybe there were rumours about her seeing some athlete or something cause of 'And you saw my bones out with somebody new, who seemed like he would've bullied you in school'
And maybe not the entire song is about him (that's me trying to make him sound better) I see it as mostly her thinking off some what-ifs.
I think they both caused each other a lot of pain, but their love out-ways that completely.
How Did It End?
Written the same night as the Black Dog and she's thinking about what Spencer tells the team.
I see the fact she says 'it's happening again' instead of 'it's happened again' tells us that this is not a sure thing, she's thinking about what people will think if it does end.
So High School
What if it's just a lover vault track lol.
I Hate It Here
I think Penny really likes this song.
It's definitely written in the state of mind of the prophecy, that she's just not meant to be loved but she wants to so badly. So she escapes into her mind which I picture is folklore/evermore.
thanK you aIMee
They love the petty vibes, probably was Penny that first showed or sent a TikTok of North listening to reader's music and was like "girl, you see this yet?"
I Look in People's Windows
In this au I see this as a folklore or evermore vault track.
The Prophecy
Very similar to 'how did it end' and 'i hate it here'
Cassandra
Again it's very similar to 'mad women' so maybe she chose which one to put on folklore and put the other on this album.
Peter
I think she wrote this as a break up song, with a lot of metaphors but what sticks out to me is in the bridge.
"Cause loves never lost when perspective is earned, and you said you'd come and get me but you were 25,,,forgive me peter please know that i tried to hold on to the days that you were mine."
Spencer was 25 in this au when they met and it's so perfect and sad and I love it.
The Bolter
In this au the 'She' in this song is reader.
Robin
I feel boring by saying I think it's another track written in the fictional world of folklore and evermore, but for the au that's what I think!
The Manuscript
In the directors on directors interview she called the All too well short film script 'the manuscript' that's all the evidence I need.
Spencer encouraged her to write this song, because he saw all the emotions she was dealing with while writing/directing the short film.
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locklyle1kanij · 7 months
Text
I’m gonna make a list of my fav Lockwood and co fics in the hope that someone will see this list then reblog it and say “wow good choices! You should really check out this fic!”
(PLEASE I NEED FICS) (Warning these are basically all mainly Locklyle fics just letting you know)
(okay obviously we need Policy 8 on this list!)
“Policy 8” written by by: The_Biscuit_Agreement
Ongoing
Plot Summary :
Policy 8 was established in the hope of encouraging the birth of increasingly powerful agents. All agents 18 and over must accept the marriages DEPRAC assigns them. Agents between the ages of 16-18 can volunteer to enter the programme or else be forced into it due to minor illegal behaviour.
Lucy Carlyle volunteered. Anthony Lockwood was forced. In an effort to protect the two teenagers from being turned into pawns in the games of the rich and powerful, Barnes ensures Lucy and Lockwood are married. But just because they aren't stuck as pawns, doesn't mean the teenagers aren't forced into the same dangerous games.
“As London Burns” written by: ScienceFantasy93
Ongoing
Plot Summary:
An AU About locklyle in the middle of world war two with Lockwood fighting as a RAF pilot and with Lucy as a news reporter. (very angsty) (idk what else to say about it tbh… BUT I LOVE THIS FIC!)
“The bones of our past written” by: moon2pluto
Finished (but has a sequel that’s ongoing)
Plot Summary:
Just a few months after the destruction of the bone mirror, the team of Lockwood & Co. has another big case to tackle:
When Lucy gets a letter from her little sister, begging her to come back and help her with a haunting doomed to kill them, she doesn't need long to make a decision, and neither George nor Lockwood are going to let her face this alone. To not get any unwanted attention in her hometown, Lucy and Lockwood agree to take a closer look disguised as a couple while George is busy researching. But when the haunting turns out to run much deeper and wilder than any of them thought, and other players enter the game, one question arises: Will Lockwood & Co. also make it out of this case unscathed?
(This one’s my all time favourite)
“The hidden archive” written by: BrooklynBooks
Ongoing
Plot Summary:
Ghost possession doesn't happen often, but fatality rates are high. Even if an agent does survive, there are the aftereffects to worry about. After surviving a possession, Lucy Carlyle struggles with recovery, delving ever deeper into the memories of Visitors and, in the process, stumbling into the world of blackmarket Sources. Meanwhile, George Karim races to learn the truth behind ghost possession in order to protect Lucy and save future agents. And Anthony Lockwood must face his own past with the London underworld if he wants to save his friends and himself.
“Connections” written by: The_Biscuit_Agreement (I’m sorry i’m so obsessed with their fics lol)
Ongoing
Plot Summary:
Lockwood forms a psychic link with a dead young agent and the group try to use it to work out how the agent died with disastrous consequences.
“Crushed” written by: itripandfallalot, Salvoirfaire
Ongoing
Plot Summary:
A bad case and broken leg leave Lucy no choice but to return to Portland Row until she recovers. Lockwood is definitely not using this as an opportunity to persuade her to come back for good, because that would be unfair. And he never plays dirty.
“Because everything is the same until, very suddenly, it isn’t” written by: Netflixcapricorn
Finished
Plot Summary:
What happens when the only way out of this mess is a fake marriage?
(Here’s a warning, extremely angsty)
“Lucy takes the long way home” written by: agents_cxrter
Finished
Plot Summary:
Lucy might have left Lockwood and Co, but she can't get Lockwood out of her system.
(So many annoying emotions in this one like WHY ARE YOU DOING THIS TO ME!!?!)
“This is going to end badly” written by: The_Biscuit_Agreement
Ongoing
Plot Summary:
When Fittes Agent Lucy Carlyle is cornered by relic-men alone in the woods, she is rescued by an unlikely source: Anthony Lockwood, run-away and relic-man. When Fittes gets tasked with trying to track the young man down, Lucy finds herself in an interesting position.
“Perfectly Incandescently Happy” written by: OceanSpray5
Finished
Plot Summary:
After the death of her best friend, Ms Lucy Carlyle is given the opportunity to be sponsored for the 1815 London season by Norrie's aunt. Instantly compared to the Diamond due to their astonishingly similar looks, she befriends Lord Lockwood quite unexpectedly yet is left wondering if she was a fool for believing he'd look twice at a mere country girl.
(This fic is literally the cutest thing to exist… if you exclude the angst lollll)
“No One Cares About The Nightwatch” Written by: Nomolosk
Ongoing
Plot Summary:
Lucy Carlyle is a Listener, a failed agent, a runaway, and now works the nightwatch in London. One might think her life a failure from start to last- but Lucy has goals. She will get a grade four certificate, and reapply to all the best agencies, and her life will get immeasurably better.
However, firsthand experience of the treatment most people give the nightwatch, and a chance encounter with Lockwood and Co. have her reevaluating those goals... maybe she can do some good before she moves on...
“The Injury of Finally Knowing You” written by: booknerds_unite
Ongoing
Plot Summary:
Anthony Lockwood, the only surviving male monarch from the Lockwood line, has six months to find a wife or Parliament will make a case to keep him from the throne. Lucy Carlyle has just arrived at the palace to work as a maid and to escape her horrific mother. They were never supposed to meet.
On the night of Lockwood's birthday celebration, their paths cross and nothing will ever be the same.
“What lies between the lines” written by: The_Biscuit_Agreement
Ongoing
Plot Summary
When she arrived in London, Lucy Carlyle took up a job at the British Archives, spending her days determining which love letters, suicide notes and other collected paperwork could one day produce a visitor. It's a taxing job, made easier by king archivists and the presence of young agents doing research nearby. As Lucy becomes close with some of these young agents, she starts to receive love letters herself and finds herself using her under-utilised talents to try to work out who might be behind the notes.
(at this point just go through all of The_Biscuit_Agreement fics tbh… There all perfection)
(okay i’ve read a ton more really good Lockwood and Co fics but i feel lazy now so maybe i’ll post a part two of fic recs later)
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ironboyxs · 5 months
Text
Unseen Hearts
Fandom: Stray Kids
Pairing: Felix x Male Reader
Word Count: 4652
Summary: Y/N is a young actor and singer on the rise who has great admiration for Stray Kids, especially a certain member with a huskier voice.
p.s. this is the first time I write about kpop on this blog, I hope you like it! In fact, I was extremely inspired because I've never written so much! and another thing: I mention a Korean ideogram in the story, I tried to do my research but my Korean is terrible, forgive any mistakes. and always remembering REQUESTS ARE OPEN, in the pinned there are the fandons for which I write
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You never thought you would be in a serious relationship with a K-pop artist. Of course, you've been a fan of Korean culture since you were 13 and a friend introduced you to the concept of K-pop, dramas and all the rest.
You were lucky enough to have well-off parents who let you study Korean from the age of 13 because you had become completely obsessed with everything about Korea.
But obviously your life didn't revolve around just that, of course you went to shows whenever you could, once you even got a trip to South Korea as a gift to go to a fan meeting.
But one thing that the idol life showed you was that you also wanted to be an artist, you were in doubt between acting and music. After all, you were good at both. In school plays you always got the lead.
Your mother played the piano and from a very early age taught you everything she knew about music, so one of your hobbies, and also a form of therapy, was writing songs.
When you were 18, a family friend who worked for Netflix knew he had a casting call that was a perfect fit for you. You took the test, with zero faith that you would pass.
But it ended up happening, the series was about a fantasy world, four wizard friends fighting an evil entity, you had a lot of fun recording the first season, you made incredible friends, but you never thought the series would be successful.
Until it exploded. And it became the number 1 series on Netflix, with everyone talking about it. And obviously you and your co-stars started doing press tours.
Jimmy Fallon Show
- Hey guys! Welcome back to the Tonight Show! Today we have a very special guest, a talented young man who is having great success with the new Netflix series: Witchbound Chronicles. Let's welcome the amazing Y/N! How are you, Y/N?
- Hi Jimmy! I'm great, thanks for having me here.
- It's a pleasure to have you. Firstly, congratulations on the success of your series! What has the experience been like seeing your face everywhere?
- It's surreal, Jimmy. I never imagined things would happen so quickly. I'm just enjoying every moment.
- This is amazing! Tell us a little about the series. What can fans expect?
- Well, the series is called "Witchbound Chronicles" and it takes place in a completely new world full of magic, fantastic creatures and lots of exciting twists. I play one of the main characters, a young man named Ethan, who discovers he has incredible magical abilities.
- This looks amazing! And what was the audition process like to get the role?
- It was a little crazy, actually. I auditioned without much expectation, and when I got the call that I had gotten the role, I couldn't believe it. It was a dream come true.
- And what was it like working with the cast and crew?
- Everyone was incredible. The cast is very talented, and the team behind the cameras did an incredible job bringing this magical world to life. I learned a lot from all of them.
- I'm sure fans would love to know if there are any funny or interesting behind-the-scenes stories you can share.
- Oh, definitely! One day, we were filming a scene with intense special effects, and one of the animatronics that plays the magical creatures ended up going out of control. It was hilarious to see everyone running for cover, but in the end, everything worked out, and the scene was incredible.
- And what can we expect from the future, Y/N? More projects on the small screen or maybe even the big screen?
- Absolutely, Jimmy! I love acting, and I hope to continue exploring different roles and challenges. Who knows what the future holds, right?
- Hey Y/N, our research team made some interesting discoveries on your social media. It seems like you're a big K-pop fan, is that right?
- Oh yes, Jimmy! I'm completely obsessed with K-pop, it's one of my passions.
- This is amazing! Any specific groups or artists that you really admire?
- For sure! I'm a big fan of Stray Kids.
- Oh, and our team also noticed that you have a certain “bias” as they say in K-pop at Felix! You've been expressing your crush on Felix a lot on social media. Any funny stories or embarrassing moments related to this?
- Well, now that you mention that this is public I would say that all my posts about Felix are kind of funny and embarrassing, actually. I try to keep it light and humorous, but of course, my friends always tease me a little about it.
- That is great! And if Felix or any of the Stray Kids were watching right now, what would you say to them?
- Wow, that's a tough question. I guess I would say how much they mean to me as an artist and as a person. Their work really inspires me, and I really admire their talent.
- I hope Felix sees this and who knows, maybe you can meet one day!
Some time later, on a live that Felix was doing, a fan asked if he had seen this interview.
Chat: Felix, did you see Jimmy Fallon's interview with Y/N, the actor from the series "Witchbound Chronicles"?
- Oh yeah! I saw! It was amazing. I couldn't stop smiling throughout the entire interview.
Chat: Y/N mentioned that he's a big fan of Stray Kids and that he has a crush on you. What was your reaction when you watched this?
- Oh, really? This is so cool! I was very flattered to learn that he is a Stray Kids fan. I think it's an honor when talented people like our work.
Chat: Would you have a message to send to Y/N?
For sure! Y/N, if you're watching, thank you so much for your support! It's amazing to know that you enjoy our work, and who knows, maybe one day we can meet. Keep being amazing!
Chat: It would be great to see a collaboration between Stray Kids and the series' soundtrack, wouldn't it?
- Absolutely! We would love it! Who knows what the future holds for us, right? Let's hope something like this happens.
Meanwhile at your house
- Y/N did you watch Felix's last live? - Your sister came running to ask you.
- No, I saw the notification but I was busy so I couldn't watch it.
- You NEED to see this excerpt!
Your sister takes the phone to you with a cut from the live stream where Felix Yongbok Lee is simply talking about you, and of course you completely freak out!
- MY GOD! FELIX KNOWS I EXIST!
- Imagine if you could meet him in person?
You stop and reflect for a second
- What is it? - Your sister asks.
- My Twitter account simply has 1001 posts about how handsome and hot I think he is! I need to deprive that now!
- Wow, but it's great that he knows you have a crush on him!
- He already knows because of that stupid interview, I don't need to be embarrassed anymore! - You run out to get your cell phone.
A while later on a gossip page
“Recently Y/N S/N deprived his Twitter account and opened a new one saying that it would be his professional account. Does the young actor have something to hide?”
/-/
Months later, with the end of recording the first season of the series, and the end of the press conferences, you feel that it is time to return to music. You had loved that whole period of recording and promoting the series but you felt the urge to write about it all, to put it all in the form of music, and deep in your heart, you wanted to write about something, something that you thought was really silly. actually, but your mother always told you that music was made to express all your feelings.
Unseen Hearts
🎶 Unseen hearts, a world apart,
In the shadows, you're the spark.
A crush so sweet, yet out of reach,
Dreams we chase, lessons we teach. 🎶
- This song is AMAZING! - A music producer friend of your mother said when he heard it.
- Did you really think so? I think it's no big deal.
- Is beautiful! What was the inspiration?
- Ah, silly thing, you know... stupid youthful passion - You said with a bit of shame.
- Y/N, I know you've been wanting to combine acting and music for so long, Bobby can give you that opportunity. – Your mother said
- You have so much potential Y/N. - Said Bobby, the producer and owner of the record company you were now part of.
- Now, ideas for a music video?
The Unseen Hearts video was a success, number 1 in views on YouTube. The clip takes place in a magical setting, reminiscent of the world of the series that you are part of. Include enchanted forests, ancient ruins and mystical locations, having a sense of magic and mystery. The story of the music video centers on you, showing your magical journey in search of your unreachable crush. Throughout the clip you searche for a masked figure who wears a necklace with the Korean character:  리
Comments on Twitter
🌟 Just watched the "Unseen Hearts" music video by @Y/NActorOfficial and I'm absolutely enchanted! The magical symbolism and emotional depth in every scene got me hooked. Matt's talent is truly spellbinding! 🔮💖 #UnseenHearts #Y/NMagic
✨ The "Unseen Hearts" music video is a masterpiece! 🎬✨ Y/N's portrayal of an unattainable crush, wrapped in magical elements, is pure art. The visuals, the symbolism – everything is on point! 🌌🎶 #WitchboundChronicles #MagicalMusic
🌌 Theory time! What if the "Unseen Hearts" video is a metaphor for the struggles we face in expressing our feelings? The crush, shrouded in magic, symbolizes the elusive nature of emotions. Y/N's journey represents the pursuit of self-discovery. 🧐💭 #UnseenHeartsTheory
📜 Lyric interpretation theory: What if the lyrics in "Unseen Hearts" reflect Y/N's emotions towards Felix? The masked figure embodies the lyrical expression of an unspoken crush, with the ideogram pendant serving as a musical symbol of admiration. 🎤💔 #LyricConnection #UnseenHeartsEmotion
🎵 Melodic connection theory: The musical journey in "Unseen Hearts" might represent Y/N's emotional connection to Felix. The masked figure, with Felix's ideogram, is the elusive muse driving the rhythm of Y/N's heart. 🎭💖 #MusicalMuse #UnseenHeartsMelody
//
The Kelly Clarkson Show
- Hey guys! We're here with the talented Y/N, who recently released the amazing music video "Unseen Hearts." Y/N, first, I want to say that the music video is amazing, but everyone is wondering: what is the meaning behind it?
- Hi Kelly! First of all, thank you for the compliment. You know, "Unseen Hearts" is a magical journey, an exploration of emotions and personal challenges. I wanted to convey the idea of pursuing something that seems unattainable, but at the same time, it is an experience of self-discovery.
- Oh, this is fascinating! And many fans are curious about the character that appears in the clip. Can you tell us more about this?
- Of course, Kelly. The ideogram is an artistic representation, a kind of personal symbol. It's a way to add a layer of mystery to the story, allowing each person to find their own meaning in the song and video.
- I get it, I love this enigmatic approach! And what would you say to fans speculating about the music video?
- Well, it's amazing to see the enthusiasm of the fans and the different interpretations they are creating. The beauty of art is in its subjectivity, right? I love seeing the theories and stories that people are coming up with. It's a gift to see how music resonates in unique ways for everyone.
//
Live from Felix a few days later
Chat: Hi, Felix! Did you see Y/N's new video, "Unseen Hearts"? What did you think?
- Oh, sure! I watched it, and I have to say Y/N did an amazing job. The magical atmosphere, the emotional narrative, everything was very well done. I really liked.
Chat: And the music? Do you think it has some connection with you? After all, the character with your name appears in the clip!
- Well, it's interesting, right? I think art is interpretive, and each person can have their own vision. If music is an artistic expression, it's hard to say exactly what it means to Y/N. But I loved seeing how fans are creating their own theories and stories around it.
Chat: We are really curious! Do you think Y/N might have been inspired by you for the song?
- You know, Y/N is an incredible artist, and I'm just one of the many artists who can inspire him. I think the beauty of music is its ability to connect with different experiences and emotions. If Y/N found inspiration in something we experienced, it's an honor.
Chat: Hey Felix, we know Y/N mentioned he's a Stray Kids fan. Do you think he could have a crush on you?
- Oh, really? That's kind of funny to think about. I think it's always flattering to know that people admire our work, whether as artists or as people. And well, I don't really know about that. I'm grateful for the fans' support and affection, but personal relationships are something private, right? Let's focus on the music and Y/N's work, which is incredible.
Chat: We're just kidding, Felix! But seriously, what was it like for you to see your character in his video?
It was a pleasant surprise, for sure! Y/N is a talented artist, and it was cool to see that special touch in the video. I think he did a wonderful job of creating something unique and meaningful.
//
A few weeks later you are invited to perform at the Billboard Music Awards, it would be your first time performing Unseen Hearts in front of such a large audience, you were nervous obviously, but something made you even more nervous.
- Y/N you have no idea what I discovered! - Bobby, who was now your manager, called you excitedly.
- What was it?
- So I was organizing your participation in this year's BMAs, and you know who will be there, STRAY KIDS! They will also participate
You froze, you had followed the news, given interviews, seen Felix's live and knew that everyone already knew the obvious, you had burst out writing a song about the crush you had on a boy you saw once at a fan meeting.
- Y/N… are you there? - Bobby asked from the other side.
- I'm sorry, I just got a little distracted.
- I thought you would be more excited.
- Yes, I'm excited, of course, it's going to be really cool - You said a little disconcerted.
- Now are you ready for the big news?
- My God, is there more?
- It has! So the organization was talking to me, and they asked me if you would be willing to sit at the same table as them, you know, you speak Korean, so you can help the members who don't speak it to fit in.
- BOBBY WHAT DID YOU ANSWER?
- I confirmed your place with them of course, I thought you would love it!
- ARE YOU TELLING ME I'M GOING TO COME FACE TO FACE WITH THE GUY I WROTE A SONG ABOUT?????
- Wait, was the song really about Felix?
- My God Bobby, I thought you were my manager and paid attention to the nuances.
You wanted to pass out obviously.
//
Billboard Music Awards Day - Red carpet.
- Hi Matt! We are excited to see your performance today. What can we expect from this presentation?
- Hello! I'm looking forward to the night, it's going to be amazing. The performance will be full of energy, with a touch of magic and emotion. I hope everyone enjoys it!
- Good luck! Now, we've heard rumors that you and Stray Kids have a special connection. Any future collaborations on the horizon?
- Well, I'm a big fan of Stray Kids, they're so talented. Who knows what the future holds? I'm always open to surprising collaborations. - You say with a bright smile
- Hmm, intriguing! And regarding the "Unseen Hearts" video, many fans speculate about the inspiration behind it. Any subliminal messages?
- Ah, "Unseen Hearts" is an emotional journey, an exploration of personal feelings and challenges. Fan interpretations are fascinating, and I like to leave the song open to different meanings.
- What about the ideograms? We saw Felix from Stray Kids in the video. Any special meaning? - The interviewer asks with an insinuating smile
- Ideograms are like artistic elements, each one can find its own meaning. Sometimes it's just a way to add a special touch to the visual narrative. - You say, wanting to curse yourself for when you had the brilliant idea of putting one of the ideograms of Felix's name in the music video
Interview with Stray Kids
- And we're here with Stray Kids! You guys are killing it as always. We're curious to know, are there any secret collaborations you have in mind? Maybe something with our dear Y/N, who is also here today?
- Well, you know, we are always open to new musical experiences. Y/N is an amazing artist, so who knows what could happen in the future? - Felix responds.
- Interesting! And speaking of collaborations, we saw Felix's character in Y/N's "Unseen Hearts" video. Any idea what this could mean?
- It seems like Y/N wanted to add a special touch to the video. I don't know if there's a deeper meaning, but it's an honor to be included in his art in some way. - Felix says smiling
- What if we talk about the music itself? Any thoughts on "Unseen Hearts"? - The interviewer says wanting to provoke.
- Of course, we all watched the clip and were impressed. The song has a unique vibe, and Y/N's performance is engaging. It's great to see artists exploring different styles. - Bang Chan responds
- It seems like there are a lot of secrets being kept! Speaking of secrets, do you have any future projects that you haven't revealed yet?
- Well, we never reveal all our secrets, do we? You can expect more surprises in the future. - Hyunjin responds, ending the interview.
//
Later, after the red carpet, you have to face reality and go to your seat next to the members of Stray Kids. You're dying of embarrassment, not only because you meet artists you admire so much, but because you know what the topic of the moment is.
You greet everyone in Korean, trying to be as polite as possible, they are all incredibly kind to you.
When it's time to sit down, it's as if fate hates you, and of course your seat was next to Felix.
- I really enjoyed your series on Netflix. - Felix said trying to start a conversation.
- Serious? Didn't you find it a little too fanciful?
- It's too fanciful, but I like things like that, it's really cool.
- Thank you very much - You said blushing.
He looked incredibly handsome that night, you were trying very hard not to stare.
- I really liked Unseen Hearts too, it's a beautiful song.
- Oh thank you, but it doesn't even compare to your work, I'm still quite an amateur. - You always had this habit of diminishing yourself.
- Hey don't say that, your work is incredible. - He takes a strand of your hair and puts it back. - Your eyes are very E/C
He immediately takes his hand out of your hair and apologizes. There was a slight awkward atmosphere but the touch of his fingers in your hair were still there. “You’re not living a fanfic, focus on reality”, you forced yourself to think.
You didn't want to do it but you had to, you didn't want them to keep bothering the boy because of the damn ideogram in the clip.
- Look at the clip, and the ideogram, I'm sorry they keep disturbing you with this, I saw some of your lives and how embarrassed you were.
- Hey no, I thought it was really cool! Was it really a reference for me?
You look down, well, there was no point in lying anymore, right? At least you would leave with the knowledge that your idol would never see you as anything more
- Yes, it was, but you know we all have crushes on famous people, don't worry, it doesn't mean anything big.
- What a shame - He said looking down
What? - You were shocked.
- I wouldn't mind, you know, if it was a genuine crush.
You didn't have time to respond because Bobby came to call you to say that you needed to get ready for your presentation. You ran away with your heart racing, what did that mean, what did Felix mean?
//
- Ladies and gentlemen, singing Unseen Hearts Y/N S/N
On the Billboard Music Awards stage, the "Unseen Hearts" moment begins with you positioned center stage, radiating a magnetic presence. The mesmerizing melody fills the room, creating a magical atmosphere that captures everyone's attention.
The scenery is full of fantastic elements, as you immerse yourself in the performance, conveying the emotion of the music through each note. The audience, enveloped by the magic of the presentation, watches attentively.
During the performance, the camera occasionally cuts to the audience, where Felix from Stray Kids is sitting. His eyes meet at various moments, creating a visual connection that transcends the stage. You, while singing, exchange intense glances with Felix in the audience, conveying deep emotions and a unique harmony.
The exchange of glances is loaded with meaning, as if you were sharing your story not only with the audience, but also with Felix. Every facial expression reflects the intensity of the song, as your eyes meet Felix's, conveying a silent, emotional narrative.
At the end of the performance, the audience bursts into applause, recognizing the beauty and emotion of the performance. You, as you come down from the stage, exchange a final look with Felix, a moment that remains suspended in the air before being lost in the effervescence of the applause.
On twitter
🌟 The exchange of looks between Y/N and Felix during "Unseen Hearts" at the #BBMAs was simply magical! This emotional connection transcended the stage. ✨🎶 #UnseenHeartsMagic
😍 I can't get over the intensity of the looks between Y/N and Felix during the performance! Their chemistry is palpable, and "Unseen Hearts" became even more special. 🔥💖 #BBMAs # Y/N xFelixMoment
🧙‍♂️ I'm absolutely delighted with the performance of "Unseen Hearts" at the #BBMAs. The looks between Y/N and Felix added an extra layer of magic to the performance! 🌈🔮 #EnchantedConnection
🎭 "Unseen Hearts" at the #BBMAs was an emotional journey! The looks between Y/N and Felix brought a unique depth to the presentation. A masterpiece of connection and magic. 🌌🎶 #MysticalPerformance
🤩 The performance of "Unseen Hearts" at the #BBMAs was a visual and emotional spectacle! Y/N and Felix exchanging looks made everything even more captivating. 😊💫 #KPopMagicMoment
😭 I cried at the beauty of the performance of "Unseen Hearts". The intensity of the looks between Y/N and Felix is heartbreaking. A unique emotional experience. 💔🌟 #BBMAs #EmotionalJourney
🎶 The chemistry between Y/N and Felix during "Unseen Hearts" at the #BBMAs is something that cannot be described in words. A perfect fusion of music, emotion and connection. Angry! 👏🌈 #MusicalAlchemy
🌀 "Unseen Hearts" at #BBMAs left my soul vibrating. The looks between Y/N and Felix transcended the stage, creating a unique and magical experience. 🔮✨ #MysticVibes #UnseenHeartsVibes
//
You couldn't believe what had just happened, you had performed Unseen Hearts in front of hundreds of people but it was as if you could only see Felix, you were completely embarrassed by it. How could you be so unprofessional to stare at the boy like that? What would they say about you? What would they say about him?
A knock on the dressing room door makes you stand up. It was the boys from Stray Kids and you quickly rushed to open it.
- Y/N, man, you just killed it on stage! It was amazing! - Bang Chan says hugging you.
You're grateful for the compliment, but a wave of self-consciousness hits you. Did they notice your distraction? Did they notice the prolonged glances in Felix's direction?
- Oh, thanks, Chan! I'm glad you liked it. - You say smiling, trying to hide it.
- Did you see the audience? Everyone was mesmerized. It looks like you worked some real magic up there! - Jeongin says.
Everyone laughs, and you join in the laughter, trying to keep your self-critical thoughts away.
- Y/N, that performance was incredible. You brought such a unique energy to the song. - Felix says with a shy smile.
- And I think our friend here needs to speak to you in private. - Changbin says leading the others to leave the room.
Okay, you thought: now he's going to say that what I did was horrible, that it could cause gossip and horrible repercussions for his career. And so you will have ruined the mere chance of having a friendship with someone you admire.
But his response was very different from what you imagined.
- Yeah… I wanted to ask… if you want to go out with me, do you know after the awards?
The initial perplexity is replaced by a mixture of relief and surprise. You expected the worst, but here Felix is, not mentioning anything about the intense stares, but rather extending an invitation to hang out.
- Wow, of course, I would love to! It would be amazing. - You smile trying to hide your surprise.
Felix seems to relax a little, like he's relieved by his answer.
- Great so! Will be cool. The awards are going to be incredible, but I think after that we can relax a little, what do you think?
- I will love it!
- Excellent! See you after the awards, then. - He says with a dazzling smile
He turns to leave the dressing room, and you stay there, processing the unexpected turn of events. What seemed like a potential uncomfortable situation turned into an invitation to hang out. Perhaps the intense looks were perceived differently by Felix.
Later that night…
"Y/N from 'Unseen Hearts' and Felix from Stray Kids spotted holding hands after the Billboard Music Awards!"
"The beginning of a new ship? Y/N and Felix, moments of romance after the awards."
"Fans are ecstatic over photos of Y/N and Felix together. Could this be the start of a new friendship or something more?"
And on Twitter…
😱 Holding hands? This is real? Y/N and Felix together? I'm freaking out! 😍🥰 # #Y/NxFelix  #UnseenHeartsLove
🚢 Is a new ship being born? The internet needs to know! 😏🚀 # Y/Nlix #ShipSpeculation
🌟 The friendship between Y/N and Felix is so beautiful! We loved seeing the two together. 🤝💖 #FriendshipGoals # Y/NAndFelix
🧐 Holding hands? Are we all witnessing the beginning of something special? 🤔🌈 # Y/NAndFelix #SpeculationsRising
📸 Exclusive photos of Matt and Felix leaving the event. Are we seeing the birth of a new partnership? 🤝💫 #CelebrityNews # Y/NFelixMoments
📚 What do you think of a fanfic based on these photos? 😏💕 # Y/NlixFanfic #ShippingDreams
And so maybe Unseen Hearts weren't so unseen...
126 notes · View notes
alwaysbethewest · 2 years
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Triple Frontier fic: A Pilot for Christmas
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It's @pedrostories Secret Santa day!! My assignment was for @frannyzooey, who requested domesticity, roommates-to-lovers, and fluff or smut 🥰 I had some of the most fun EVER writing this fic, so I hope it will make you smile, too, Kelli. Merry Christmas!! 🎄 Thank you to @mourningbirds1 and @fleetwoodmactshirt, both of whom I—not to be dramatic but—basically can't live without at this point, and at the very least couldn't have written this fic. And she's not a Pedro fan so I can't imagine she wants to be tagged in this, but thank you to my friend Alyssa for kindly helping me with one of the very few pieces of actual research I did for it.
Title: A Pilot for Christmas Pairing: Frankie Morales/f!Reader Rating: Mature Word Count: 4.8k Content/warnings: roommates to lovers, hot single dad Frankie, pining, yearning, lusting, questionable romance novel smut, compromising positions, sexual content, fade to black, food, domesticity. Unbetaed, so please let me know if you spot any typos/errors!
There’s a note for you on the kitchen table, written in Frankie’s even, boxy print: Mac + cheese + trees in fridge if you want some.
Your schedules never align on Wednesdays; your boss’s mandatory mid-week team meetings inevitably keep you late and Frankie is always on his way to Laura’s place by the time you get home. You haven’t met his ex-wife, but you think she must be nice enough since he’s usually in a good mood when he gets home from their weekly family dinners. They’re co-parenting, as he’d explained when you first moved in, and along with providing dinner on Wednesdays he does his part by taking their daughter on the weekends. He’s given you a break in the rent to make up for sharing your apartment with a three-year-old two days a week.
This is technically a sublet, and it’s technically temporary, but you get along well enough with Frankie that sometimes it feels a little like kismet. His old roommate had landed a contract overseas for a year just as you were moving to town, and a mutual friend had connected you. There are four months left on the contract, but you’d heard from the roommate recently that he was expecting the position to be renewed, so most likely you’ll get to stay longer if you want to. Nothing is official yet either way, and you’ve decided to give yourself another month before you start to worry about it.
Having the apartment to yourself once a week is the perfect opportunity to watch your favorite guilty pleasure TV shows without fear of male judgment—not that Frankie gets really rude about it but his silent raised eyebrow speaks volumes—and you happily warm up a bowl of macaroni and cheese and “trees” (broccoli; it turns out toddlers lose interest when you use the B-word) and settle in on the couch.
Living with Frankie has gone better than you’d feared it might. Knowing he was the friend of a friend of a friend had alleviated some of your anxiety about moving in with a stranger, and he’s turned out to be a mostly quiet, respectful roommate. After maintaining clear-cut boundaries for the first couple of weeks, you had both relaxed a little bit and settled into something of a shared routine. He likes to cook but doesn’t enjoy grocery shopping, so you often take his list along with your own to the store—and reap the rewards on nights like this when he keeps you well-fed. You both like to keep a tidy home, and neither of you minds the other person throwing in a few items when you’re doing a load of laundry. You’ve even mostly gotten over the embarrassment of the time Frankie had delicately handed you a pair of thong underwear he’d found trapped in the sleeve of one of his clean shirts. The barely-contained amusement on his face had haunted you for a full week.
When you’ve finished your dinner you pause the TV to go wash your bowl, and while you’re in the kitchen you take a few minutes to put away the dishes Frankie had left drying in the dish rack. It’s an easy symbiosis, you muse, a give-and-take that seems to suit you both. Underneath his note, you write back: Delicious!! Thank you, and sign it with a heart.
Most of the time your editing job allows you to maintain a reasonable work-life balance, but this month you’ve found yourself scrambling to get everything done before the upcoming holiday break. Your co-worker Deandra is off on an unexpected leave, and after taking on a share of her work on top of your own, the projects have started to form an intimidating pile. One Monday, two weeks before Christmas, you compromise your typical boundaries by logging back onto your laptop after dinner to work on a manuscript. Frankie is watching a game with the volume on low and it makes for comfortable background noise while you work from the opposite end of the couch.
Deandra’s specialty is romance, and while you’ve had to get used to covering a new genre, having some variety has been interesting. But a detail in this book is bothering you. You glance at Frankie, whose expression is quietly focused. His team is leading the scoreboard by a healthy margin. You don’t think he’ll mind a brief distraction.
“Hey. I could use your piloting expertise. Can I ask you a weird question?”
Frankie raises an eyebrow and shrugs his assent. “Go ahead.”
“Okay, so—is it logistically possible to have sex in a cockpit?”
You have his attention. He slowly turns his head to give you a long, wide-eyed look. After a moment of silence, he narrows his eyes, contemplating. “What kind of aircraft are we talking?”
“Like a regular… A commercial passenger plane?”
He nods, pursing his mouth and tilting his head up so he can gaze off into space, like he’s visualizing it. He glances at you again.
“Two people?” he checks.
“Two—yes, it’s—” he’s surprised you a little, and you fumble for words. “It’s not a cockpit orgy,” you tell him.
He laughs. “Pilots like to party,” he says opaquely, and now you’re the one narrowing your eyes at him, but he’s ignoring your questioning look. “Okay, is it possible? Theoretically, sure. Especially if the other person is short. Is it comfortable, though?” He pulls a face. “It wouldn’t be my choice. It’s a cramped space. Someone’s gonna end up hitting their head, or accidentally kicking the instrument panel, or…” he trails off, shaking his head in disapproval. “It’s… inadvisable.”
“Got it. Thank you.” You make some notes in the Word document on your screen, still internally recovering from his follow-up question, and Frankie turns his attention back to the TV, where the opposing team is starting to close the lead.
You’re no prude, but the genre you usually work in fades to black more often than not, and this author’s penchant for smutty detail has you feeling slightly in over your head. You’ve made it past the cockpit quickie but four chapters later Frankie’s team is on the cusp of winning their game and your protagonist is finally about to have her tall, dark, and handsome pilot love interest in a real bed.
“This love scene is… really something,” you comment. Frankie looks over in interest.
“Read it to me.”
“It’s dirty,” you warn him.
Frankie smirks. “I think I can handle it.”
You take a breath and start to read aloud from the page: “Isabella’s heart raced in excitement. Roderick was standing so close she felt as though his breath was entering her lungs with every inhalation. He took her hand and pressed her palm to himself, making her feel his turgid cock stirring in his pants—Obviously that needs to go—”
“Which part, the turgid cock?” Frankie asks. “I like it.”
“You like it?” you ask, incredulous.
“What?” he says. “A guy can’t enjoy a turgid cock now?”
“Jesus,” you laugh. Your face is starting to feel warm. “Isabella’s petite hand could barely fit around Roderick’s girthy length and it made her whimper with arousal. Roderick smirked down at her. ‘I can’t wait to be inside you,’ he rasped hungrily. He grabbed her by the waist and pulled her flush against his body. ‘Tell me you want it,’ he growled.” You glance at Frankie and see he’s got one arm slung across his chest and the other hand resting at his mouth, thumbnail running distractedly over his lips. He’s staring at the TV without really watching it, and after a moment of silence he finally blinks and meets your eyes again.
“It’s weird you get to read porn for work,” he says dryly, and you bury your face in your hands and laugh.
When the game ends, Frankie switches on an episode of Star Trek that he seems to be half watching while he does something on his phone. On your laptop screen, Roderick has you stymied.
Roderick’s muscular arms tossed Isabella onto the bed like she weighed nothing. “Ohhh,” she moaned. “Give it to me.”
“Give you what, baby?” he rasped. “I want to hear you say it.”
“Give me—” Her pale cheeks blushed prettily. How could she say it out loud? But he was looking at her with such lust in his eyes that she knew he only wanted to make sure she was ready to turn herself over to him, to let him use her any way he liked. The thought of it made her shiver with anticipation. “Give me your cock, Roderick. Make me yours.”
With a growl from deep in his chest, Roderick dragged her hips down the bed so that she was balancing on the edge, where his body loomed over hers. Turning her onto her side, he leaned down to nose under her ear, nipping at the delicate skin of her neck and making her moan. His broad hand clutched her thigh, maneuvering her leg to tuck her knee around his hips, and his other hand he ran tantalizingly down her back until he reached her other thigh. He opened her legs, like an explorer unveiling the treasure he’d been seeking, and he straightened up, lifting her ankle to rest against his shoulder, and grinding his hard member against her core.
You go over the last few lines again, whispering the words under your breath to yourself as you try to picture the position. You feel like you need a diagram.
“I’m lost,” you declare.
Frankie glances up from his phone. “Hm?”
“I don’t understand where these limbs are going,” you tell him. “I don’t know if my brain just isn’t working because it’s 9 PM or if this passage needs rewriting. Or if this sex is too advanced for me.”
He laughs and makes a grabbing motion at your laptop. “Lemme see.”
You hand it over, standing up to stretch while he reads it to himself.
“‘He opened her legs like an explorer unveiling the treasure he’d been seeking,’” Frankie reads out dramatically. “Really?”
“Don’t get caught up in the simile,” you say. “Focus on the legs. Is that position even feasible? For someone who isn’t a contortionist?”
“Maybe in the next chapter they reveal she was raised in the circus,” he suggests, but he squints at the screen again, reading through the text. “I think I get it. It’s like—” He gestures with his arms, posing them to mimic Isabella’s legs. It’s borderline incomprehensible.
Later, you’ll blame the late hour and your overworked brain for what happens next. If you’d been running on all cylinders, you would have thought through the boundary-crossing implications of this and stopped yourself, but as it is you frown down at him and say, “Show me.”
“What do you mean?”
“Come on,” you urge him, already heading down the hallway to your bedroom. He hesitates, but then follows a few paces behind, and it’s then—the moment he crosses the threshold behind you—that your brain finally catches up to your actions and you begin to realize this was a terrible, terrible idea.
But somehow, coming up with an excuse to turn back feels more mortifying than plowing forward. You sit on the edge of the bed, trying to focus on the matter at hand. Frankie is hanging back, but you give him an expectant look and he takes a step towards you. He clears his throat softly.
“On your side,” he says. It shouldn’t sound like a command—he offers it gently, a reminder of the scene you’re playing out—but something inside you can’t tell the difference and you feel a spot deep in your core go hollow and needy. You turn, obediently, and lay on your right side. He touches the knee of your right leg, urging you to pull it forward.
“This leg around me.”
He steps into the crook of your knee, between your thigh and your calf, and looks down at your other leg, tucked awkwardly between your bodies.
“This is where it gets weird,” he says, and you laugh out loud. The sound dies out when you feel his fingers firmly wrap around your ankle and slowly maneuver your left leg, straight in front of you and then pivoting towards the ceiling. You feel the stretch in your hips, your body turning to follow so you’re halfway between your back and your side. It’s awkward, and he must see your face twist in discomfort, because he stops midway through the movement and rests your foot on his left shoulder. His body is solid and warm against the back of your leg.
“I think in the book it was over here,” he says, tapping his right shoulder. “So maybe she is a contortionist.”
“Or I need to do more Pilates,” you lament. He looks amused.
“Does this position even make sense? Would this work for you?” you ask him, regretting the question as soon as it’s left your mouth. He blinks down at you and his eyes rake down the length of your body to where you’re tangled around him. His hand is still resting over your ankle.
“Your bed is too low,” he says.
It’s—You’d meant the question in a more hypothetical sense. With some other partner, in some other scenario, would this position work? The knowledge that he has taken in the question and assessed the situation—looked at your two bodies in relation to each other, here, in your room, and thought about whether he could fuck you like this—makes you lose your breath.
“Plus—” he continues. He nudges at you to roll you onto your back, carefully lowering your foot from his shoulder so he’s standing between your open legs, nothing between you but empty space and a secret, aching want. He leans in, bracing his hands flat on either side of your body, not touching you but close enough he would only have to lean in. “I like to be able to kiss someone when I make love to them,” he says softly.
He shoots you a smile that could almost be a smirk as he stands up and heads out of the room, leaving you clutching the duvet cover as the world around you tilts on its axis.
It’s not like you’ve never noticed Frankie is attractive. Anybody could see that he is. He’s boyishly cute when he’s playing around with his daughter, their matching, dimpled smiles on display; smoldering when he gets cleaned up to go out on the town with the guys, if a little less runway-ready the morning after; and confusingly, unrecognizably handsome on the occasions he goes clean-shaven. But he’s been so firmly relegated to “platonic male roommate” status since you moved in that you’ve never, even for a second, thought about pursuing anything more. Lusting after your roommate can only end in awkwardness and moving boxes.
So discovering that the man you live with isn’t just good-looking, but has the ability to leave you wet and aching with desire, without even trying, has you looking at everything through a new lens.
On Tuesday, mid-morning, your phone lights up with a text from him. It’s a picture of a small plane cockpit interior, just two seats and a display of navigational instruments.
See how tight she is? he’s written.
You blink at your phone. SHE??
She = the plane. Sorry, pilot speak.
Mortifying. You nearly pull up the local apartment rentals page on Craigslist right then and there. You dive into your work instead—not Deandra’s romance, but the grisly thriller in your regular docket. Roderick and Isabella need to give you some space this week. It’s not them, it’s you—and the images of Frankie and you in compromising positions that had popped into your mind when you attempted to pick back up the draft.
He’s like a specter, haunting you.
Wednesday evening is your night with the apartment to yourself, and you’ve never been happier to be alone. He’s left you dinner, again, and you almost don’t eat it on principle—you’ll have to get used to feeding yourself, after all, once he kicks you out for making it too blatantly obvious you want to jump him.
But it would be an actual crime to pass up his enchiladas. You savor the plate. Maybe he’ll give you the recipe as a parting gift, if you ask nicely.
You pour yourself a glass of wine and catch up on one of your shows, and some of the tension you’ve been holding starts to drain from your body. But underneath is a familiar, restless energy buzzing through you, desperate for a different outlet, that you can’t ignore.
You go to bed early. What you need is just a little quality time with yourself, to reconnect and remind your body that you’re perfectly capable of satisfying it on your own—or with the no-strings-attached assistance of a vibrator.
It’s a valiant, miserable attempt. Every tried and true fantasy keeps rerouting back to Frankie. You turn your toy to its highest setting and the sensation still pales in comparison to the thrill of his fingers wrapped securely around your ankle, the line of his body pressed against your legs, and his low, deadly voice telling you how to move.
You go to sleep more frustrated than when you started, only to dream of him. He’s hovering over you, pressing you into the bed, his hot mouth on your neck and sucking on your tits and working his way down to eat you out and bring an orgasm crashing through you—and you wake up at 3 AM with your cunt throbbing between your legs.
One of the things you’ll miss most about this place when you inevitably have to move out due to your incurable roommate attraction is the in-unit washer and dryer. Perhaps in solidarity with your own resolve and self-control, the dryer abruptly breaks in the middle of the week.
“Do you want me to call the landlord, or will you?” you ask Frankie, but he immediately shakes his head.
“Let me take a look at it,” he says.
You bite down on the inside of your cheek.
Two hours and one trip to a hardware store later, he’s on his knees in front of the machine, working quietly save for an occasional soft grunt of exertion when he has to fit something into place.
There’s a bare strip of skin on display where his shirt has ridden up, and a black waistband peeking out from under his jeans. Your mind drifts, imagining away the denim and picturing how the tight boxer briefs would cup his ass and grip his muscular thighs, until your own thighs are clenching and you force yourself to go clean the kitchen instead.
“I’m moving out,” you call over your shoulder as you go.
“I promise I can fix it,” he says, like he thinks you’re just fed up with one broken appliance, not your own internal breakdown.
If only.
It’s 7 AM Friday and you’re fixing your coffee when Frankie ambles into the kitchen, bare-chested and barefoot and wearing nothing more than a pair of low-slung pajama bottoms. If you allowed yourself to look, you would see the soft curve of his modest belly and the sparse line of hair trailing down to disappear enticingly under his waistband. His voice is early morning-deep when he mumbles a good morning. His hand steadies casually on your wrist when he stands next to you to grab a mug from the cupboard just to your left, and you hope he can’t feel your pulse quicken under his touch. When his coffee is ready and he takes his first sip, he lets out a satisfied groan. You want to die.
“You must be doing this on purpose,” you say, dismayed.
He blinks at you over the rim of his coffee cup. “Doing what?”
You gesture helplessly, at his naked chest and effortlessly rumpled bedhead. “Just—being all—”
He glances down at himself, then back at you, raising an eyebrow. “Being all…?”
“Just—sexy, I guess,” you finally admit.
For a moment, he looks surprised. Then an amused smile spreads slowly over his face and he takes a step towards you, clever eyes taking in how your body straightens and your breath picks up.
“I didn’t realize it bothered you,” he says. “Didn’t you say you were going to move out, anyway?”
“I am,” you say. “I can’t stand you anymore.”
He takes another step closer.
“Are you sure?” he asks. “I could give you a reason to stay.”
You slump against the counter at your back, helplessly wanting him.
“Please,” you tell him.
He touches you carefully, one hand skimming your hip and the other on your arm. He cocks his head, looking skeptical.
“You really think I’m sexy?” he asks.
You nod miserably. “It’s torture.”
He laughs and you are desperately endeared by the way it makes the corners of his eyes crinkle, and the hint of a dimple peeking out under his beard.
“I’m going to kiss you,” he says, and he leans in, and the touch of his lips to yours makes you feel like you’re floating, like your body might drift up to the sky if not for his sturdy frame anchoring you in place. Like your legs might give out, sending you sliding to the floor, except that he’s pressing close enough now that his body is touching yours, bending you back just enough to easily reach, and his hand has crept up from your arm to wrap around the back of your neck, holding you securely even as he finally pulls his mouth away, leaving you breathless and dazed.
You think you understand the overwrought prose of Deandra’s romances now.
“I can’t stand you either,” he says quietly. “You were torturing me the other night, with all the dirty talk from that book and then making me go to your room. Christ.”
“Sorry,” you say, not really meaning it. You’ve never felt this intoxicated this early in the morning. You’ve never looked into his eyes this close up. They’re a rich, deep brown that you feel halfway hypnotized by.
He glances away and must spot the microwave clock, because he pulls away with a look of regret. “I need to get ready for work.”
“Take a sick day,” you suggest.
He smiles ruefully and shakes his head. “I can’t,” he says. “But what would you do if I did?
You take a deep breath. Your eyes drop to his waist, and you touch your fingertips gingerly to the soft skin on display there. You lift your gaze to meet his own.
“I’d ask you to take me to bed,” you tell him.
He forces himself to leave. You watch his fingers clenching as he turns away, closing around the empty air as though he wishes it was you.
You go to your own room on unsteady legs and finish getting ready for work, thinking of Frankie’s mouth for your entire commute and almost missing your exit as a result. This time, opening Roderick and Isabella’s romance is a whole new kind of torture, and you end up claiming a headache by 3 o’clock to go home early, not caring if your boss can see through the lie.
Getting home early means you have plenty of time to shower and shave and moisturize with intent this time instead of your regular lazy girl morning routine. You’re soft and smooth and clean, in the kitchen making a snack of crackers and cheese to distract your anticipatory nerves, when Frankie comes home.
He gives you a small, familiar smile and sets a grocery bag on the counter between the two of you.
“You pick which comes first,” he says, nodding to the bag. He steals a cracker off your plate while you peer inside.
He’s brought you two pints of Ben & Jerry’s and one box of condoms.
“All the essentials,” you observe, and he grins. You pluck the condoms out of the bag and hand them to him meaningfully. His smile turns a little sly and he leans in and kisses you, too briefly for your liking, before pulling away again.
“I have to take a quick shower,” he says. “Wait for me?”
You let out a sigh, turning to put away the ice cream. “Don’t take too long,” you joke, gesturing to the pints. “I’ve got two other men waiting for me.”
“Ha, ha,” he says, already halfway down the hall.
Out of the shower, he comes to you with damp hair curling softly around his head, dressed simply in a navy t-shirt and dark grey sweatpants, and looking so good you think you might combust. After a moment of flirtation—your room or mine?—you finally find yourself in his bedroom. He leans in to kiss you and he takes his time this time, cupping your face in his large hand, teasing gently at your mouth, sliding his tongue along yours to deepen the kiss. When he pulls away to trace his lips down your jawline, you take a breath to steady yourself—and then squint in confusion. There’s a familiar scent in his hair.
“Is that—did you use my shampoo?”
He goes still for a moment, caught, and then laughs.
“Mine ran out,” he admits, a little sheepishly. He pulls in closer, nosing at your neck. “Yours is nicer, anyway. I always like how it smells on you.”
“We can share,” you say generously. “I’ve never been one of those roommates who labels all their shit.”
“Good,” he murmurs, mouth hot against your collarbone. “‘Cause I also ate your leftovers.”
You make a sound of exasperation and he tackles you to the bed, promising apologetically that he’ll make it up to you. And then proceeds to do so.
Very thoroughly.
You awaken to find a note on the pillow next to you, in Frankie’s familiar printed handwriting: Going to pick up Baby M. See you soon.
You give yourself a minute to luxuriate in his bed, enjoying the calm, satiated feeling in your body, and the warm scent of him in the sheets, and then you straighten up his bedding and scurry back to your own room to get dressed before he arrives home with his daughter. You’re just pulling your shirt over your head when you hear their voices in the living room, and you go out to greet them. He’s juggling a Starbucks tray in one hand along with his keys and her travel bag. She’s munching contentedly on a snack and doing her part by carrying her favorite stuffed seal plushie.
Over her head, he shoots you a warm, intimate smile. You feel a giddy thrill bubble up in your chest and you grin back at him.
“We made a coffee run,” he says, nodding to the drinks. “Someone wanted a cake pop.” The toddler tips her face up to offer a beatific, icing-smudged smile. Frankie sets her bag on the couch and leads the three of you into the kitchen.
“That one is yours,” he tells you, pointing to one of the cups. Then, to her, “You want some real breakfast, mija?”
You look at the label on the drink and your jaw drops in surprise. “How did you know London Fogs are my favorite?”
He shrugs, like it’s not a big deal, but you catch a self-satisfied smile on his face as he turns away. “I notice things.”
He keeps a platonic distance while his daughter is in the kitchen but when she leaves to go put her stuffed animal away in her room, he pulls closer, nudging your hand with his. “You alright?” he murmurs.
You rub your thumb across his knuckles. “I’m really, really good.”
“I convince you not to move out?” he asks. You pretend to think about it.
“Almost. I think you could tip the balance if you make me some eggs.”
He clicks his tongue in affirmation. “Got it.”
Later, when the three of you have settled at the breakfast table with piles of fluffy scrambled eggs and buttered toast, his face changes like he’s just remembered something.
“Hey, how did that book end up, with Roderick and what’s-her-name?” he asks you, taking a sip of his coffee. “You never mentioned it after Monday night.”
You haven’t actually made it to the end yet, but you already know the answer.
“They lived happily ever after,” you tell him. “It’s a staple of the genre. The couple always has a happy ending.”
“Huh,” he says. He gives you a small, private smile, and taps his foot against yours, out of sight under the table. “That’s good to hear.”
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greatqueenanna · 8 months
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Previous Versions of Frozen (Rewrite)
The development of Frozen is famously known to be messy and obscure. Messy, because of the many last-minute changes made even months before the film released. Obscure, because the many versions there were before the final film are kept secret, with only slight tidbits being released and shown, leaving the previous stories being up to one's own imagination.
In my previous attempt to uncover the previous versions of Frozen, there was a lot of information left out or unknown to me at the time, and even some things I got wrong. Thus, I wanted to do a more in depth look at the possible previous Frozen stories, and update any misinformation.
Feel free to comment sources if there is something I missed.
Part 1 - Before Frozen
As everyone knows, Frozen was first considered to be an adaptation of Hans Christian Anderson’s The Snow Queen. However, over the development of the film, the creative team had decided that it would no longer be an adaptation, as at this point, they were just inspired by the fairy-tale and some of its themes – a Snow Queen, an Evil Mirror, an Act of True Love, and a Frozen Heart. Everything else was left alone, with only fan interpretations of what else could’ve been used, but never officially stated.
Before Frozen was even considered, there were couple attempts at adapting The Snow Queen. A common mistake made by many fans is incorrectly assigning concept art, songs, and story ideas from earlier adaptions of The Snow Queen. However, these versions are not actually Frozen, but completely different stories and attempts to adapt the fairy-tale.
The Biography Attempt -- 1937 – 1942
The first attempt at adapting the Snow Queen was to include the story in a bio-pic of Hans Christian Anderson. The Snow Queen was one of the stories that were going to be told in this bio-pic, alongside his other famous works. The rocky development for this bio-pic began in 1937, and ended in 1942 when the USA entered World War II, as Disney shifted into time on War Propaganda, officially halting the production of this project.
The first completed concept of the Snow Queen segment specifically was coined by Mary Goodrich in 1938, a researcher, who wanted to explore the theme of regeneration through faith. It was very faithful to the original tale, and was actually fully complete. However, Norwegian-born researcher Karl Berggrav dismissed the story. He said that while it was a technically good film, with the story being well-written and had no loose ends, it was boring and uninspired.
"This story rounds off everything nicely and ties up loose ends, but it is very uninteresting and just fades out into nothing, or worse than nothing, banality. It is hard to make good animation out of it.” - Karl Berggrav, The Art of Frozen, pg. 10
Walt Disney himself attempted to adapt the story in 1940, but as a live action and animated film. Hans Christian Anderson everyday life would be filmed in live action, while his stories were to be animated. This was going to be a co-production with Samuel Goldwyn and his new studio Samuel Goldwyn Productions, where they would film the live-action sequences.  
The Snow Queen -- 1990 – 2006
There were multiple attempts at adapting The Snow Queen during the renaissance era and after. Harvey Fierstein took a chance to pitch an idea for The Snow Queen, but it was shot down. Even Glen Keane attempted to try his hand at an adaption, but just couldn’t find a way to turn the Snow Queen into the sort of fully realized character.
Then, a new team took on the adaptation in 2000. The main idea that the creative team wanted to have was to omit the Trolls and the mirror, trying to explore different ways for Kai to be abducted by the Snow Queen. There was one version of Kai wanting to impress Erica (Gerda's first name change) by joining a whaling ship. The Snow Queen was often shown in artwork riding an orca all over the sea.
There were other versions that followed this initial premise with more comical side characters, ranging from penguins to walruses to, of course, Snowmen. The strangest outline for this version was how Greta (another name change for Gerda) was a devious gold digger, leading Kai to marry the Snow Queen instead.
The Snow Queen was described as a 'Taming of the Shrew" type character, who had a frozen heart that needed to be melted away by the warm and loving Kai.
I love The Taming of the Shrew idea. Take Martha Stewart. She’s tough, smart — a worthy adversary. If she were a doormat of a woman, no one would go after her. -Michael Eisner, Disney War
The artwork for this version was considered to be beautiful and inspiring, but the narrative was simply not compelling enough. Thus, the story was ultimately scrapped and shelved.
The below concepts are often mistaken for early ideas for Frozen, often named early designs for Anna, Kristoff, and Elsa - however, they are actually from the 2000-2003 version of The Snow Queen, while others are from even earlier versions, and are featuring completely different characters.
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The project was later brought back in 2006, but not for animation - but instead as a stage musical for Tokyo DisneySea at thier Broadway Music Theater. It was going to be directed by Amon Miyamoto, written by John Weidman and Glenn Slater and Alan Menken writing the music. However, it was also scrapped.
The reason I bring this version up, is because a song penned by Slater and Menken is often pushed as early love song that Kristoff was supposed to sing. However, it was not a Kristoff song at all. Love Can't be Denied was a song that was written for this stage musical, with no real details about who it was written for or its purpose in the plot.
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There are many reasons claimed why, but it is often contributed to Disney wanting the Snow Queen Adaptation to be a film, not a stage show. Menken was even reported to try his hand at making it an animated musical, but it never went through.
For years, (Disney had been) working on “The Snow Queen,” first as a stage piece, and then as an animated film, but that got shelved. Clearly, animated films are big commitments and it takes a lot for Disney to greenlight one. - Alan Meken, Jim Hill Media
Part 2 - Previous Versions of Frozen
After John Lasseter was given the reigns of Disney Animation Studios after the Disney merger with Pixar, he wanted to try and adapt this story again. Lasseter convinced his old friend Chris Buck to come back to the studio, and try his hands at another Snow Queen Musical film. Thus, the development of Frozen officially began.
"I pitched several ideas to John, and ‘The Snow Queen’ was one that he'd been interested in for a while. I pitched a musical version of it that he seemed excited by. So we started developing that project. This was back in 2008, around September.” - Chris Buck, The Art of Frozen, pg. 11
Starting 2008, Frozen went through a few versions before Jennifer Lee, Robert Lopez, and Kristen Anderson-Lopez entered the production in 2012. While Jennifer Lee was aware of the project while she was working on Wreck-it-Ralph, as the company typically has round-tables for their animated featured where all of their writers can give notes, she was not officially brought on as writer and then later as director, until 2012.
Both of these versions featured the introduction of Anna and Kristoff as replacements for Gerda and Kai, as adults instead of children. However, there were a few different ideas for The Snow Queen character that would prove to be the biggest obstacle.
Anna and the Snow Queen 2008-2010
The first version of Frozen was called Anna and the Snow Queen. There seems to have been a couple attempts at perfecting this story, none of which really made it to the final cut, due to the difficulty of making the Snow Queen character compelling. This version was meant to have hand-drawn animation at first.
Anna and the Snow Queen is very obscure, and not much exists for its early story ideas other than a few ideas sources from interviews and concept art by Claire Keane.
The Snow Queen Character (she was given the name Elsa at this stage) was based off of Bette Midler (some sources say that she was also meant to be her voice actress) She would take on a very Diva persona, and was of course a villain. Anna at this time was depicted as 'up-tight', and often was shown as some sort of secretary or assistant to the Snow Queen.
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Kristen Bell was cast as Anna before anyone else had joined the team, after she had initially auditioned for the role of Rapunzel for Tangled. Josh Gad was cast a little after, however the Olaf he was voicing was a very different character, much like Anna.
"I was originally involved in the project when it was a 2D effort and it was called Anna and the Snow Queen, and it was completely different. Completely different. Megan Mullally was playing Elsa and it wasn’t really about sisterhood at all. I think it had more to do with the source material of Hans Christian Andersen’s story. When I did that version, Olaf was a different character entirely." - Josh Gad, MSN Entertainment
What the story for this version is often conflicting. Anna goes to the Snow Queen to have her heart frozen after she is dumped at the alter, releasing Elsa from an ice prison. The below concept art by Claire Keane shows Anna as a bride looking for the Snow Queen, supporting this interpretation.
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However, other artwork by Keane suggests that Anna is possibly working for the Snow Queen as an assistant of some kind, as shown in the concepts below, and is also supported by the 'up-tight' secretary Anna concepts. It is possible, however, that after going to the Snow Queen to freeze her heart, she ends up working for her. You can also see the Bette Midler inspirations in some of Elsa's character designs.
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After this period, Anna and The Snow Queen was actually shelved for around one year in 2010, before being brought back in 2011 and renamed to Frozen. It was also around this time that the idea for it to be hand drawn was scrapped, with the film shifting to 3D animation.
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It was seemingly brought back with a story about a prophecy that says that Arendelle would be destroyed by a "Ruler with a Frozen Heart." The characters in the story would assume that this was Elsa, the self-proclaimed Snow Queen (Anna and Elsa were not royalty at this time, nor were they sisters) only for it to be revealed that it was Hans (possibly named Admiral Westergaard).
Frozen was to open with a prophecy that "a ruler with a frozen heart will bring destruction to the kingdom of Arendelle." We're then introduced to Anna, our pure-hearted heroine, and Elsa, an unrelated evil Snow Queen. We learn Elsa is a scorned woman; she was stood up at the altar on her wedding day and froze her own heart so she would never love again. Both Elsa and the audience assume she's the villain from the prophecy. Fast-forward to the final act: Elsa creates an army of snow monsters to attack our heroes while Kristoff has "a Han Solo moment" and comes to help Anna. To halt Elsa's attacking army, the two-faced Prince Hans (Admiral Westergaard) triggers a massive avalanche—not caring that the avalanche also puts Anna, Elsa, and all of Arendelle in jeopardy. Anna realizes Elsa is their only hope, so she convinces her to use her powers to save the kingdom. The twist is that the prophecy from the beginning is actually not about Elsa, but about Hans—he's the one with a metaphorical frozen heart because he's an unfeeling sociopath. Elsa's heart is then unfrozen allowing her to love again. - Peter Del Vecho, Entertainment Weekly
This is also supported with what Santino Fontana says in his interview with Paul Wontorek. He claims that he was hired and paid for his lines in 2011, way before Jennifer Lee was officially involved with the project in 2012, and just after Frozen was brought back from its year hold.
This puts into perspective any claims about Jennifer Lee basing Hans' character after her ex-husband, or that Hans was originally meant to be a good guy until they needed a new villain to replace Elsa. Hans was always meant to be the real villain of Frozen and was seemingly created as soon as Anna and the Snow Queen became Frozen.
The Story of Sisters -- 2011-2012
During one of the round-table sessions, in which Jennifer Lee was involved in but was still not working on Frozen, someone within the session suggested that Anna and Elsa should be sisters. This was the first major breakthrough that helped shape the story.
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This famous version of Elsa (onionElsa!) is meant to be based off of Amy Winehouse. It is unclear when Elsa's backstory transitioned from being that of a woman who was dumped at the altar, and being the more tragic villain that was forced to hide her magic.
Regardless, it was explained that this Elsa had ran away from her kingdom, and later on kidnapped Anna away from her wedding with Admiral Westergaard, trying to freeze her heart so that Anna would understand how she felt. It ended in the same way, however, with Hans being revealed as the true villain and Elsa getting a redemption.
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It was also around this time that Anna's character was also getting a much needed re-working. Anna's 'up-tight' personality was removed with the help of Kristen Bell, who always had issues with Anna’s characterization. She pushed for Anna to be more quirky and awkward, with a strong desire for love and companionship. Idina Menzel was also brought on at this time, where the two actresses prepared a song (Wind Beneath my Wings) to see how their voices would match up.
This deleted scene below showcases this version of Elsa, voiced by Idina Menzel.
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"We did a version where the Snow Queen was the villain, but we wanted to end with them reunited, and it was very hard to redeem her at the end. We decided on an adventure about two people who initially misunderstand each other; it allows for the bonding at the end.” - Peter Del Vecho, The Art of Frozen pg. 12
Jennifer Lee started on the project after all of this was already established, and tried to work out quite a few things with the story. Robert Lopez and Kristen Anderson-Lopez also came onto the project, and tried to write a few songs for this version - although, they didn't really like the story all too much.
One of the songs we know from this version was We Know Better. Interestingly, this is actually not the full song. It is supposed to end with Elsa's turn to becoming ‘evil’, and Anna becoming her 'up-tight' persona. This was omitted with a lot of earlier scenes of Elsa's evil nature (with the exception of the above clip) because the creative team wanted to try and distance Elsa away from this persona.
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Another deleted song was called Cool With Me. @stitchkingdom saw a concert where Kristen and Bobby Lopez performed some deleted songs, some of which were never performed anywhere. Cool with Me was a song that came before Life's Too Short, and has details about Elsa kidnapping Anna and wanting her to feel her own pain.
The next breakthrough for the story was when the Lopezes wrote Let it Go. John Lasseter had often made notes about delving deeper with Elsa's character asking why she is a villain. Jennifer Lee also pushed for more depth when she was writing Elsa. However, Let it Go was the trigger that helped se things in motion for a new version of Frozen.
“The minute we heard the song for the first time, I knew that I had to rewrite the whole movie.” - Jennifer Lee
Now, Elsa was being completely re-written as a sympathetic character - no more villainous tendencies, no more intentionally cruel stunts. Elsa was made into a tragic character who was forced to hide who she was, and only wanted to protect Anna and her kingdom from her powers.
Olaf was also re-written at around this time, going from an obnoxious side-kick of Elsa's to a more innocent companion that would represent the love between the sisters.
The newest version of the story was a mash-up of the original prophesy version talked about above, but with new elements. This included a story about Anna feeling less than Elsa, and feeling like nothing more than a spare. Elsa was of course changed to her new sympathetic character, and runs away from Arendelle from fear rather than being angry at anyone.
The Duke of Weselton was also theoretically introduced at this stage, but not as a red herring to Hans, but instead as a care taker to the sisters after their parents passed away. Hans was also supposed to gift Anna a special snow globe that had some kind of thematic importance.
The following songs and scenes are some of the ideas from this version of Frozen.
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At this point, the creative team was pretty confident that they had the story planned it out and it was ready to go. However, the team had decided that they were still having issues with the plot.
The Final Months - 2013
From February to June of 2013, there were extensive rewrites done to the film before having a test screening with both a family audience and adult audience.
One of the elements that were changed was the prophecy. After so many years, this story element was finally dropped. Then, Hans' sociopathy was explored more extensively by Jennifer Lee, and a character twist was pushed by John Lasseter to make his villainy more iconic.
Anna's feelings about being a spare was removed, as the creative team wanted to focus more on Anna wanting to find love rather than trying to prove herself (she was sounding a bit too much like Hans). The Duke was changed to being his current self.
Kristoff was actually changed as well, making him a bit more kind. However, when his character was changed is not clear, but we do know that Johnathan Groff pushed for him to be a bit more kind as well.
Some of the songs were also removed and replaced with the current versions we know and love today.
Conclusion
Frozen’s 10th Anniversary is coming up (here or passed depending on when this is read) making it a perfect time to talk about the journey Frozen went on throughout the years. It’s amazing to look back at all the attempts and stories, and see where Frozen ended up. It’s because of all these attempts, successes, failures, and hard-working people that we were able to get the Frozen that we have today.
Happy Frozen 10!
Sources:
The Art of Frozen by Charles Solomon
Disney War by James B. Stewart
Disney's 'Frozen,' Formerly 'The Snow Queen,' Will Be CG Rather Than Hand-Drawn by Russ Fischer for Slash Film
Countdown to Disney's Frozen by Jill Hill for Jill Hill Media
Lost Media Wiki - Frozen
Frozen Original Ending Revealed - James Hibberd, Entertainment Weekly
Show People With Paul Wontorek Interview: Santino Fontana on "Act One," "Frozen" & More
Interview: Frozen's Josh Gad MSN Entertainment
Scriptnotes, Ep 128: Frozen with Jennifer Lee
Exploring the Songs of "Frozen" with Kristen Anderson-Lopez '94
Kristen Bell Explains How She Became Anna in 'Frozen' | The Watch | The Ringer
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mindblowingscience · 7 months
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A team of archaeologists, co-led by a researcher at the University of Southampton, believe they have located the site of the lost Monastery of Deer in Northeast Scotland. It is believed that the earliest written Scots Gaelic in the world was produced in the monastery in the late 11th and early 12th century. These texts, Gaelic land grants, were placed in the margins of the Book of Deer, a pocket gospel book originally written between 850AD and 1000AD. Academics have long speculated that these entries, or 'addenda' were added while the book was in the monastery. Archaeologists believe they have now found the building's remains just 80 meters from the ruins of Deer Abbey (founded in 1219), close to the village of Mintlaw in Aberdeenshire. Alice Jaspars, Ph.D. researcher from the Archaeology department at the University of Southampton, led the archaeological investigations, working with Site Director Ali Cameron of Cameron Archaeology. They will present their findings in a lecture to the Fellows of the Society of Antiquaries of Scotland (23 November) and also feature in a new documentary about the project for BBC Alba (20 November, 9 pm).
Continue Reading.
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awesomedurraworld · 3 months
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Gonna be real, but i cannot stop thinking about recovery fics and how beautiful they are. They are amazing, the way we see the character gets better always just makes me feel so inspired, the way that they learn to get over- or get around- the thing that hurt them. The way that they learn to be alive and living. How to love themselves and embrace what happened to them.
As much as i love these types of fics, i only wrote like, two maybe? With this idea (I love and have written torture more than recovery) . And it got me thinking… why not write a whole recovery fic?
It is no secret that i love parental Roy and Riza to the Elrics, and how they take him after he was being hurt and help him recover and be better and feel better.
BUT
But.
I am proposing another idea. Same child parent dynamic. Roy And the Elrics. Here is what i am thinking:
Evil Millirty hating how good and you Mustang is and they know he is a threat + them setting up to kidnap him by evil gang or something + team Mustang for some reason not being that loyal in finding him + Elrics stop their red stone research and to find their missing dad CO+ THEM SAVING THIER ADULT + FAMILY DRAMA AND PROTECTIVE SONS™️= my new fic idea
Which has traumatized Roy who is trying his best not being so traumatized but in the middle of it all, the Elrics discover How badly hurt thier adult is!
WHO IS WITH ME!!?
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hee0soo · 1 year
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Limitless
Kim Hongjoong x Stylist!Reader
Summary: Watching your boyfriend film for their new MV was torture, especially when said boyfriend was also a giant tease!
Smut
(This is my first attempt at writing something spicy and probably the only time, pls be gentle with me! 🥺🥺)
IdolAU
Disclaimer: this fic is written and copyrighted by ©hee0soo on tumblr. do not rewrite or repost on any other plattforms without my permission.
ALL RIGHTS RESERVED
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Being part of the Stylist team KQ has hired to do the styling of their groups was not something you had planned when you finished school!
But you needed the money and since you knew make up very well because of the YouTube-channel you had started when you were a teenager, KQ took a chance on you. Hoping that you would become a permanent fixture on their Team after proving your worth!
The boys and you were quite close in age, so it didn´t take long for you to became friends with them. They were some of the funniest and sweetest people you knew and the group quickly added you to their little friend group!
Especially Hongjoong had taken to you very fast. You didn´t know why and he also wouldn´t tell you but soon after you started, the two of you became closer.
It even got to the point where the leader would invite you to his studio. Showing you his room and what he was working on at the moment.
Sometimes you even got to hear song drafts before his members did!
You couldn´t help him with any of them since you didn´t know how everything worked but you loved seeing him in his element and he loved having you with him!
Something at the way you researched new makeup trends and organized outfits for future shootings gave him the energy boost he needed to finish his work way faster than usual!
When it became clear that ATEEZ was there to stay in the industry, the head stylist offered you the chance of becoming the captain’s personal Makeup-Artist and stylist!
You were elated when she pushed the contract over the meeting room table, telling you that Hongjoong had requested you specifically would take that job and no one else!
And now that it has been almost 4 years since you started, you couldn´t imagine being anywhere else!
Somewhere along those years of working with the man, your feelings of friendship had turned into a crush on him which in the end turned into loving relationship!
It wasn´t something you two would show to the world as to not cause a scandal.
The only people who knew, were of course the members, the closest co-workers you worked with on a daily basis, the CEO of KQ Entertainment and Hongjoongs parents! That man couldn´t hide anything from his mother! Especially the person who made him happier than he ever was!
Telling the boys about it wasn´t as hard as you initially thought it would be.
A worry of yours was that the members weren´t okay with you two dating because of the problems it could bring if it were to get out to the public but the way Wooyoung had jumped out of his seat, screamed “TIME TO PAY UP HYUNGS!” and made his round to collect money from the disappointed members proved you wrong!
Apparently they had bet on how long it would take the two of you, to get your head out of your butts and just kiss already.
Some of them were called into Hongjoongs room that day…! What happened in there was a mystery even to you!
Atiny´s also knew who you were and even though they didn´t know about the nature of your relationship, they did know that you were a close friend of the members!
Having appeared in more than just one LOGlog_book had shown more than one situation where the boys tried to tease you about something and you teased back. There were even compilations online about these moments for you to watch in between breaks!
Today the boys were called in to shoot the MV for their new Japanese Song Limitless!
You had seen the outfit’s way before the boys of course, as you had planned them with your co-workers but seeing your boyfriend dressed in an all black suit with the red sash and detailed embroidery, paired with his swept back hair and natural makeup made you feel some type of way!
Having him stand in front of you to touch his foundation up was hard! Looking at you with those knowing eyes, he stood still to let you do your work, not being able to hide a teasing smirk.
“Stop it!” you pouted while dabbing at his face.
Your boyfriend couldn´t stop the laugh from bubbling out. He found the way you were squirming way to funny to not say anything!
“Stop what my love? I´m not even doing anything!”
Blinking at you, he tried to pull the most innocent of faces. Failing miserably while doing so!
“Not doing anything my ass! You know exactly what you are doing! Looking all handsome and I’m not even allowed to touch while you are just standing there, making fun of me for thinking my boyfriend is sexy…”
His hands that were previously hidden behind his back found their way to your waist, pulling you towards, squeezing slightly and making you feel his body heat through your blouse!
“Joongie not here, please!” you whispered, slightly panicked at his soft touch.
It was hard enough to resist him just standing in front of you but he made it even harder when he started touching you. This was, after all, still your work place and having the boys or staff witness this was not something you wanted.
His brown orbs were not letting you hide away from him while he let his right hand slowly travel down to your butt.
“What´s wrong, jagi-ya? Something the matter?”
Tensing slightly at the touch you punched his shoulder.
“YAH, Hongjoong-ah stop eye-fucking your girlfriend on set! She´s a mess already! No need for her to drop to her knees in the middle of the set!”
Seonghwa called over to the two love birds. Blood was rushing to your ears and neck and you hopped that nobody noticed the state you were in.
The leader startled but didn´t break away from you.
“He hasn´t seen how messy you can really get, but don´t worry my love, I’ll turn you into one as soon as we get home!” he whispered in your ear before removing his hands from your body and walk over to his members.
A frustrated sigh escaped you, before you went back to your little work space.
Sometimes you hated how much his teasing affected you! Filming wasn´t even close to being done and during the entire afternoon, Hongjoong send seductive looks your way.
You couldn´t wait to get home already!
Finally after hours of sexual tension at work you were at your apartment! Even your co-workers had wished you a fun filled evening while winking at you before leaving.
As soon as the door closed, you had found yourself pushed against it with a thud. Lips pressed to the column of your neck, Hongjoong was mouthing at your skin. A quiet whimper left you and you could feel yourself getting wet immediately!
Standing chest to chest, Hongjoong could feel the way your body trembled at the prospect at what was to come.
“Did you really get that turned on watching me work my love?”
Feeling the whisper against your collarbone made you shiver!
His hand slowly traveled down your sides, underneath your shirt, making Goosebumps rise on your arms,
“Joongie… don´t tease please!” you whined, biting your lower lip to prevent any more sounds from slipping out.
His head came up from your neck to look at you. The beauty this man holds left you breathless!
Removing his right hand from under your shirt, he lifted his fingers to your face. Thumb slowly running over lip currently stuck between your teeth. Releasing the abused flesh you instead searched for his mouth, wanting to feel his lips on yours so very badly!
Having him close to you but not allowed to touch was killing you and by the way the males bulge was steadily growing, he didn’t feel that different! It wasn´t that you were told not to show any affection but both of you knew that once you kissed even once, you wouldn´t be able to stop that easily!
Various moments of the members walking in on you doing something not so safe for work proved that.
Your mouths slotted together like two puzzle pieces and Hongjoong couldn’t help but moan when he felt your tongue licking at his lower lip, begging to be let in!
Willingly parting them, his hand went from your face to your hair, holding on tightly. Both of you were fighting for dominance in an intense battle which you quickly gave up when your hair got tugged on by him.
It only egged you on further. Gathering all your strength you pushed against his chest. Hongjoong looked confused for a second but realized what you were up to when you took his hand to lead him towards your bedroom.
He pushed you onto the bed before he removed his shirt and crawled on top of you. The man helped you out of your own blouse, revealing the black lace of your bra.
His mouth found its way back to yours while his fingers landed on your boobs, fondling them gently.
Another moan slipped out of you but got swallowed by him.
“You are, so fucking sexy jagi-ya! It´s driving me absolutely crazy!”
Hongjoong quickly helped you out of your jeans before removing his own. You sat up to roll down the briefs he was wearing, finally freeing him from his prison of fabric.
His cock sprang free and you could feel your mouth watering.
You licked your lips and made him lay back down while taking place between his legs.
“Love you don´t have to…” he began but got silenced by you licking at his tip like a kitten searching for milk. Your tongue ran a few more times over him before taking him in, sucking like you would on a lollypop while hollowing your cheeks.
Hongjoong let out a loud groan at the heavenly feeling of having you suck him like you were starving.
Your hand went to the base of his member, applying gentle pressure to the bit you couldn´t fit in your mouth. His dick hit the back of your throat, making you gag slightly.
Tears were starting to gather at your lash line but refusing to fall.
“Take it slow baby. No need to rush yourself!” he gasped, worried that you were taking him in too quickly.
His left hand gripped onto the sheets while his right went to the back of your head, keeping you right where he needed you most at the moment.
He loved being inside your mouth but he´d rather be inside your pussy more.
Not wanting to cum before you did, he pulled you back up. A whine escaped your lips at getting pulled away from your treat!
He opened your bra and ripped the panty you were wearing at the seams. Not having the patience anymore to fumble them down your legs.
“hey…!”  
“I´ll buy you new ones!” he shushed you, pulling you on top of his thigh.
“Love you are dripping already and I haven´t even touched you yet! Are you that desperate to get fucked by me? Is that it? Do you want my cock inside your pretty pussy? Huh? Answer me baby! Do you want me to fuck you?”
While talking your boyfriend put his hands on your waist and ground you down on his thigh! Your clit made contact with his skin and you nearly fell forward. His thigh tensed and he helped you ride it slowly, applying pressure on your hips to grind down harder. Lips mouthing at the sweet spot right behind your ear.
“Come on pretty baby, do you want to cum like this? Grinding down on my leg like the good girl I know you are?”
Listening to Hongjoong talking dirty so close to your ear made your pussy clench around nothing! You felt empty as you tried to make yourself cum on his leg.
“Joongie…” you breathed desperately, already knowing that you wanted his dick inside you and you wanted him now! The tears that still clung to your lashes made your eyes shine brightly
Seeing tears of pleasure and frustration made Hongjoong take your face in his hands
Letting go of your hips made you lose the rhythm you had found with his help.
Whimpers left your mouth and the man could see that you weren´t going to be able to get yourself off. To desperate and helpless to do anything without his help!
“Please! Please daddy I want you your cock! Can I please have it?”
Hearing you beg was music to his ears.
“Aren´t you such a good girl, asking so politely for what you want! Such a sweet baby! Of course you can have what´s already yours…”
Your pussy automatically clenched in anticipation!
Hongjoong took his cock in his hand and lined himself up with your wet opening.
Slowly you let yourself sink down on him you both let out sounds of pleasure and satisfaction.
As soon as he bottomed out, he turned you both so he was on top of you now and started moving his hips against yours. His thrusts were slow but powerful and he hit your sweet as spot with every move he made.
Your mouth fell open, not being able to produce any sounds other than the quiet panting.
The clapping sound of skin hitting skin filled the room and you hooked your legs around his middle, trying desperately to keep him close.
Hongjoong pressed a soft kiss to your mouth, speeding up his thrusts gradually.
“Doing so good for me, taking my cock so well!”
He could feel himself getting closer to the edge and judging by the way your walls tighten around him, you weren´t that far behind!
His thoughts got faster and sloppier the closer he got to Cumming but not losing any of the power!
Your orgasm rolled over you in waves and the tightening of your pussy made him spill his cum inside you!
In moments like this you were glad you were on the pill!
Too lazy to pull out right away, the male laid his head on your chest, still gasping for air.
Your heart rate slowly came down as you clung onto the man you loved so much!
“I love M/V shootings!” you sighed still blissed out by what just happened.
Hongjoong lifted his head to look you in the eyes, smiling lovingly at your happy face.
“I love you!”
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oblivious-idiot · 1 year
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London Calling
George Karim x gn Reader
Summary: You and George met while working for Fittes, you now end up secretly helping Lockwood and Co on cases. George has big fat crush and gets flustered.
Warnings: Fluff, spoilers to the season finale, swearing
Pairings: George Karim x gn Reader
Word count: 1.4k AN: I'm pretty sure I wrote this gn, but there might be a few slip ups here and there!
Back before George Karim worked for Lockwood and Co. he was working for Fittes, which is where he met you. The both of you worked on cases together and it was obvious that you two had become close - the sarcastic comments being thrown about by the two of you was enough of a sign.
Over a year had past since George left you with Kipps working at Fittes, not that you could really blame him. But every so often he’d use his little Karim charm to get some information on a latest case, because he knew that you wouldn’t say no to him, but he also used it as an excuse to see you again. He wouldn’t admit it, but George had a crush on you, and it had become so obvious that even Lockwood and Lucy had noticed.
Even with Lockwood and Kipps’ stupid bet on who could find the Bone Mirror first, you’d already started to help George and his team on cases and you wouldn't stop now, plus it would break you to see him lose his job you knew he loved. You didn’t plan on telling Kipps that you were helping George, obviously, he’d kick you from the team if you did, but it was a risk worth taking, and god knows Lockwood and Co. needed all the help they could get.
You were there when Lockwood and Kipps made their bet, if you rolled your eyes any harder they'd fall into the back of your head, but that case had been and gone now, even if you're still angry at George for what he said about himself, how he felt as if he wasn't needed. You needed that boy more than he would ever know.
A few weeks had passed since the Bone Mirror case and George is researching in the archives when you see him. You're off duty so you didn't have to wear your retched Fittes uniform, the thought of George wearing it still makes you laugh. You catch his eye from across the room and he motions to you to sit with him.
"What are we working on today Georgie?" you say as you slide down next to him
"You know, if you're so adamant on working cases with us, you should just join the agency" he says as he scrambles the papers into order for you.
You smile at his attempt to organise, you both knew the boy worked best amongst the chaos. "And miss out on pissing off Kipps and Barnes to sneak out with you? You would rid me of my happiness?" you laugh and elbows him playfully, he starts to go red in the cheeks.
You meet his eyes "You know I would George. It's not been the same working here since you felt. They really makes you feel disposable" you mutter out the last part, hoping he doesn't hear you.
George quickly adjusts himself and begins explaining the case to you. It seemed simple enough, a family had just bought a house which a Type One still resided in, so they agreed to the case - he made sure to mention to you how it took Lockwood some persuading, you both knew the boy was stubborn at accepting "easy jobs".
You arrived at the house before George, Lockwood, and Lucy showered up. It was still light so you pulled out the book in your bag you’d been reading about the Problem and just read until they arrived. One of the things George loved about you was the fact you were also interested in the Problem, he felt like he could talk to you for hours about the whole situation.
Once they arrived, you stood up to greet them - Lockwood and Lucy looked at each other when they saw your outfit, which if they didn't know any better, had George Karim written all over it. Under the scruffy leather jacket you wore, a pale green plaid shirt was visible along with an oversized band shirt tucked into your jeans. George looked a little flustered when he realised you still had the shirt you'd stolen when he worked for Fittes.
You all came together and set out the plan of what to do. You and George would set out on finding the source for the Visitor, while Lockwood and Lucy would keep it at bay.
You can’t say it exactly went to plan the way you wanted it to. Lockwood hadn’t gotten around to buying more supplies, so the team were all short on flares and salt bombs more than you would care for.
On top of all that, the Type One was more on the side of being a Type Two, making it a lot more unpredictable. George managed to find the Source, which was an old jewellery box, but when he moved the box it called the Visitor to his location. When you saw the ghost out the back of your eye, you called to George, but by the time he heard you the ghost tossed him across the room and away from the box, knocking all the air from his lungs.
Just as the ghost was closing in on George, you rushed to his side, rapier in hand, and managed to keep it at bay until Lucy threw a net over the Source. Your rapier dropped to your side as you helped George sit up and gather himself, he could see the look of worry in your eyes and grabbed ahold of your hand to let you know he was okay.
"George Karim, you are the most oblivious ghost hunter I know" you say, finally letting go of the breathe you were holding
He lets out a soft chuckle, his features soft as he looked at you. "What would I do without you y/n?" God he'd fallen hard.
"You'd be dead or had the Ghost Touch by now if it wasn't for me" you say as you pull him to his feet "and we all know Lockwood would go insane without his best researcher" you smile at him.
Once you and the team had cleared up the scene it had become light outside, you were all clearly exhausted and ready for some much needed rest.
"You should come back with us, to the house" George says to you "to rest up and eat I mean. You know my cooking is better than what you get at Fittes"
Lucy nods to you, you and Carlyle were becoming quite good friends over time. Lockwood just smiles at the two of you "You're welcome at Portland Row anytime y/n"
You spent the night, well early hours of the morning, asleep on a small fold out bed that Lockwood kept in the Lucy's room. George had lent you one of his oversized shirts to sleep in and a blanket. "Just promise you'll give it back this time".
You woke up early and got changed into your dirty clothes from the night before. You found the rest of the team were already in the kitchen, have a discussion that abruptly ended when you entered the room.
George set out four plates of food on the table and you forgot about the unheard discussion when you realised how hungry you were. Once you'd finished, you stood up and grabbed your jacket from the back of your chair.
"I'd best be off, before Kipps realises I'm gone and tells Barnes." you chuckle lightly "God knows he'll fire me if he finds out I've been working with you lot again."
You head up into the hall and grab your kit bag and rapier when you hear Lockwood call for you to wait up.
"George he-, he told us about your situation at Fittes, how unhappy you are there." he paused "I've seen how you fight, your researching skills are on par with George's. You'd make a great member of the team. Permanently."
You look at Lockwood, slightly taken aback from the proposal. "Lockwood I-"
He cuts you off and places a hand on your arm. "Think about it, but the job is yours if you want it. We all know George would be happier for it." He smiles and lets you go.
You nod and head out the door. You smiled at the thought of seeing Kipps' face when you tell him you're leaving.
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nottawriter · 3 months
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Fanfic Writer Questions!
Thanks for the tag, @fazedlight and @thatonebirdwrites
1- How many works do you have on AO3?
I have 16
2. What's your total AO3 word count?
356,960
3. What fandoms do you write for?
Supergirl – Arrowverse/ DC Comics: Primarily Supercorp, secondarily Dansen, Brainia, and J’M’zz, and I have one AgentReign with secondary Supercorp.
4. What are your top 5 fics by kudos?
PRIDE and Prejudice – Super gay retelling of Jane Austen’s classic. Every kudos equals $1.00US to a LGBTQIA2S charity I make at the conclusion of Pride month (June) each year (teen)
Tell Me It’s Not Too Late – Post-S4, Lillian believes Supergirl is responsible for Lex’s death. Lena rushes to J’onn’s for game night, to confront Kara on her identity, only to find she’s nowhere to be found (teen)
I Believe in a Thing Called Love – Full alternate Season 6 rewrite (teen)
Wouldn’t It Be Nice – 50 First Dates movie AU (teen)
How Lost We Are – Lena is placed by her Witness Protection team (Maggie, Kelly, and Lucy) in Midvale as a flower shop owner where she meets teacher Kara and coffee/bookshop owner Jess, among others (mature)
5. Do you respond to comments?
Yes, I do usually respond, though not always right away. I enjoy chatting about my fics, so don’t hesitate to ask questions, but I don’t give out spoilers though.  
6. What is the fic you wrote with the angstiest ending?
When She’s Gone, the Darkness Comes – Oof. It was so sad I had to write a second chapter. I much prefer happy endings (teen)
7. What's the fic you wrote with the happiest ending?
All of them have a happy ending of some kind, or they will once they’re completed. Though there are some with happy endings like Speak Now and Tis the Damn Season. Smut. I’m talking about smut (explicit)
8. Do you get hate on fics?
Yeah, though I’ve been mostly lucky. I don’t know why people leave hate on any fics really. If you don’t like something, close the tab.
9. Do you write smut? If so, what kind?
Yes. It started as a small scene here or there when it was a natural progression of the fic, but now I occasionally right full smut fics and pwp like those found here (explicit)
10. Do you write crossovers? What's the craziest one you've written?
Kind of, but the characters are all from within the Arrowverse/ DC Comics universes somewhere.
11. Have you ever had a fic stolen?
Not that I know of. I don't understand why someone would do this. Please respect writers.
12. Have you ever had a fic translated?
Yes. I Believe in a Thing Called Love is also in Spanish Creo en una cosa llamada amor (teen)
13. Have you ever co-written a fic before?
I’m currently working on one with @thatonebirdwrites, though it's not published. It’s a Supercorp fic where Kara is a building inspector and when she goes to inspect Lena’s home, she meets Lena’s daughter to tells her the floor is lava, so naturally Kara has to ensure that issue gets resolved.  
14. What's your all time favorite ship?
Supercorp. But I do love most wlw ships
15. What's a WIP you want to finish but doubt you ever will?
I intent to finish all of my active WIPs. I have some WIP ideas that may or may not ever get going, but once I start a fic, I intend to finish it.
16. What are your writing strengths?
I have no idea… I guess easter egg type stuff or like blending canon into storylines. If your a reader and there's something you think is a strength I have, let me know.
17. What are your writing weaknesses?
Actually writing. Words be hard. And it's hard to find the time.
18. Thoughts on writing dialogue in another language in fic?
I do it sometimes, probably not well. I like to include the translation in the fic (unless the characters themselves aren’t supposed to understand until later). But I'm sure the translations aren't fully right as I only use google translate and the Kryptonian dictionary.
19. First fandom you wrote for?
Supercorp. I started writing fiction in Dec 2020. Before that it was all scientific research papers for uni.
20. Favorite fic you've written?
I suppose What Has Been Lost (Mature). It was what started this crazy adventure, has been the most challenging piece, and my longest (still ongoing). It truly blends lore and characters from across the Arrowverse and DC Comics into a human world and original storyline.
For Tags, if you'd like to participate: @fyonahmacnally @casualsavant @luthordamnvers @itsalliebitheway @innamorament0
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reluctantjoe · 3 days
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A Good Girl's Guide to Murder - author Holly Jackson and the cast on staying true to the books and the big scenes fans will recognise
Filmed in and around Somerset, the series for BBC iPlayer and BBC Three is based on the smash-hit novels
It’s the Summer holidays, but teenager Pip Fitz-Amobi is focused on an unusual school research project. In Little Kilton five years ago, schoolgirl Andie Bell went missing. Her boyfriend Sal Singh sent a text confessing to the murder before being found dead, seemingly taking his own life. Andie’s body was never found. Case closed. However, Pip isn’t so sure and is determined to prove Sal’s innocence.
The six-part series is based on Holly Jackson’s smash hit novels and stars Emma Myers (Wednesday), Anna Maxwell Martin (Motherland, A Spy Among Friends), Gary Beadle (Rye Lane, Small Axe), Mathew Baynton (Ghosts, Wonka) and newcomer Zain Iqbal.
A Good Girl’s Guide To Murder was filmed in and around Somerset, England. Commissioned by the BBC, the series is produced by Moonage Pictures (The Pursuit of Love, The Gentlemen, Bodies) in co-production with ZDFneo and Netflix.
All episodes will be available on BBC iPlayer from Monday 1 July.
Interview with Mathew Baynton
Playing Elliot Ward
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Who is Elliot Ward?
Elliot Ward is Pip's English teacher and Cara and Naomi's father. He believes in Pip and wants to help her do well, and he's attempting to be everything to his girls after they lost their mother. He is trying to hold things together for their sake. It is that complexity that drew me to the role.
What is A Good Girls Guide To Murder about?
A Good Girl's Guide to Murder is about an ambitious and curious young student, Pip, who decides to re-open an old case in which Andie Bell was murdered by her boyfriend Sal Singh, who then killed himself. She suspects the police might have got it wrong. In doing so Pip re-opens old wounds in the community and puts herself in danger in the process. What's cool about it and what really sets it apart is that it's as much a coming of age story as it is a murder investigation. There's this procedural element, but the protagonist is not a professional detective and not even fully an adult yet, she’s someone emerging into adulthood and going through all of the things that you go through at that age. This young woman, Pip, is facing adulthood and all the excitement and terror that comes with it. New relationships, new experiences, both thrilling and scary. It's as much about the realisation that people can hurt you, and that as you go out into the world, you need to be careful who you trust.
How would you describe the dynamic between Elliot and his children, particularly Cara?
You get the feeling that he's really genuinely trying to keep a happy house. He's conscious of the loss that they've all been through, that he loves his daughters and that he wants them to be happy. It doesn't fully delve into how open they are with each other about discussing that grief and so maybe there's more than meets the eye. I feel like he tries to be light with them and there's a bit of humour in the way that they interact with each other.
Had you read the book before you got the role of Elliot?
I hadn’t but as soon as I was on board I started seeing it everywhere and everyone I spoke to who had teenage kids had read it so I quickly realised what a big deal it was. Once I got the part I read the book in order to find out how it ends, because when I was offered the role, there were only scripts for the first few episodes and I was desperate to find out what happened. Does Pip find the truth? Where does my character end up, and where do his daughters end up? I wanted to know more. It was exciting as Holly had written a character with real depth and shades, which Poppy, Dolly and the team translated perfectly to the script and then to screen.
What can we expect from the other casting?
For me I am most interested in Pip, Cara and their group of friends because I think groups of characters can often end up mirroring that. I was watching this bunch of people all become and behave like a really tight group of friends.
What was it like working with Dolly Wells (Director)?
I had worked with Dolly Wells years ago as an actor in Spy and was very excited to work with her as a director. It was a privilege to see her supporting this young cast, and fostering a really positive atmosphere in front of camera, one that ensured we could all do our best work.
What are you most excited for the fans to see?
With a book, it's your own imaginative world, you picture everything in your head and you get really close relationships with those characters. There can be a bit of a process when you get a TV or film version of something where you have to let go of your imagination and then take on the idea, oh, that's what that character looks like. I didn't picture them that way, or whatever. So hopefully there's added dimension to this and people can still go away and enjoy the books and their images in their head, too.
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maraschinomerry · 1 year
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hi lovely, adore your writing <3 i was wondering if i could get a lucy x fem!reader where lucy thinks she’s jealous of the reader cause she always thinks the readers so pretty and it’s just a lot of pining and everyone’s trying to make lucy realise she’s in love, and then one day she sees someone flirting with r and is like oh i’m not jealous i’m gay and just a lot of fluff and things thank yoy so much <3333
Chance Encounters
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Pairings: Lucy Carlyle x fem!reader
Content: oblivious flirting, pining, self-esteem issues, kissing
A/N: what a way to get back into writing, this is one of my longest fics yet! Thanks for being so patient with me, hope you enjoy it 💙
Word count: 3.8k
Taglist: @neewtmas @marinalor @ettadear @honey-with-tea (let me know if you want adding or removing!)
Lucy flopped into her seat with a stack of books and a dejected huff. "Do Fittes have a secret beauty quota for new hires or something?"
Lockwood and George both began speaking at the same time from the other side of the table - Lockwood to assure her that she'd be a shoe-in if that were the case, George to protest that Kipps would never have been hired.
The team were in the British Archives researching a particularly tough case, when Kipps and his crew strolled in with their newest member. If Lucy had thought Kat was pretty, this new girl was on a whole other level. Girls like that always got the best jobs, the most attention from boys, all the perks. It just wasn't fair.
You kept close, tucked behind Kipps' shoulder, as your team strode with far more confidence than you through the maze of shelves. You'd only joined Fittes a week ago and were still getting used to all the rules, both written and unwritten. Kat had at least warned you in advance about the odds of running into Lockwood & Co, how fierce the rivalry was between their leader and yours.
"Ah, Tony," Kipps said ahead of you, and you almost ran into him with how little you'd been concentrating.
Whatever you'd been expecting the members of the infamous agency to be like, this wasn't it. The one scowling most intensely at your colleague must be Lockwood, not the older man you'd pictured but a thin, smartly dressed teenager with bags under his eyes almost as dark as his hair. He was only accompanied by two other people, a curly haired boy who was only visible down to his glasses over the top of an enormous stack of books, and a pretty brunette girl who hadn't taken her eyes off you from the moment you walked in. Her gaze was unwavering and unreadable, and you had to resist the urge to squirm.
You tuned back in. Kipps was speaking again. "Allow me to introduce (name), one of the most prestigious agents the country has to offer." It would have been embarrassing enough had he just called you prestigious, but the way he emphasised it made you wonder if it was some kind of dig at them. You tried to shrink further behind him, cheeks growing warm.
"I'm Lucy Carlyle," the girl suddenly blurted. Her eyes widened as though she was surprised by her own actions. The boys also looked at her, a little stunned. "I mean," she fumbled, "obviously just call me Lucy. This is Lockwood and George."
Learning her name finally made it click where you'd heard of the other agency. "Oh, you solved the Annabel Ward case! I remember seeing it on the news, you're amazing!"
Kipps elbowed you without subtlety, but you didn't miss the way Lucy's face changed. It was only brief, but there was a flicker of pride and something like awe.
"I was going to say the same to you!" Clearly she hadn't noticed Kipps' reaction, nor the unusual look her boss was shooting her. "I'd give anything to have been there when you fought that Rawbones, it sounded so impressive."
"Well," Lockwood chipped in at last, "when you get fed up of Kipps you know where to find us to exchange stories and advice." The flash of a glare he shot your boss was sharp as a rapier, but he smiled warmly at you.
You returned the smile. "Either way, I'm sure we'll run into each other again."  Lucy met your eyes again, but where before she'd stared intensely, now she quickly averted her gaze. Odd. Kipps led you away before you could address the matter further.
Nearly two months went by without so much as a glimpse of Lockwood & Co. Part of you wondered whether Kipps was intentionally avoiding them, but you knew that was irrational - even he couldn't predict their movements all the time.
This proved true one Saturday afternoon, when you were sent on a last-minute errand to Satchell's. Your team was out of flares, Kat had said, and Fittes wouldn't get an official restock until Monday. Armed with your rapier, a wad of petty cash, and firm instructions not to return empty handed, you hailed a cab across town. It was a pleasant enough day, but you didn't much feel like walking. Best to get the supplies and get back to whichever task Kipps no doubt had lined up for you next.
Kipps wasn't a bad team leader, not by any stretch of the imagination. He was fair, mucking in on tasks and never asking anyone to do something he wouldn't be willing to do himself, and caring enough to always check in after a case. Nonetheless, it was clear this rivalry with the other agency had had an impact on him and made him so desperate to push himself, and by extension his team, to higher and higher standards. Frankly, it was a little exhausting.
You were so caught up in your thoughts that you didn't realise you were running on autopilot until you reached for the handle to Satchell's door and another hand came to rest over yours. A streak of blue appeared in the corner of your eye, and you looked up to see a familiar brunette.
"Lucy, hi!"
The other girl jumped a little. "Oh, (name) I'm so sorry, I was in my own world there." You waved the apology away with your free hand, glancing briefly at the other under hers. She noticed, following your gaze, and quickly snatched hers back with a nervous chuckle. No longer at risk of accidentally smacking her with the door, you opened it and gestured for her to go ahead. She stepped in, reaching back to hold it open from within for you.
Inside was a maze of weaponry. Shelves upon shelves of neat packaging stamped with the Satchell's logo; you recognised many of them, of course, salt bombs and Greek fire and lavender water, but there didn't seem to be much logic to how they were laid out. Turning one corner brought you face to face with floor-to-ceiling silver-glass. Where did you start?
You'd frozen on the spot, and Lucy was a little way ahead of you before she faltered. She must have realised you were no longer behind her.
"Everything okay?"
You nodded unconvincingly. "Fine, I just… haven't actually been in here before."
"Oh, it's easy enough to find your way around once you know. They sort of organise by intensity so you can't get someone popping in the door and making off with an armful of bomb flares." You both giggled at the thought. "But, um, I can show you around a bit if you know what you're looking for?"
You felt your smile ignite, but she continued hurriedly without noticing. "Only if you want, I mean, the staff are super helpful here and they probably know more than me. Not that you can't figure it out on your own, you seem like one of those cool independent types so-"
Finally, you cut her off with a gentle hand on her arm. She stopped talking instantly, like you'd managed to find a secret 'off' switch, and actually looked as though she'd short-circuited entirely. Cautiously, shyly, you slid your hand down and through until your arm was linked with hers. 'Off' no longer pressed, she sprung back to life with a fierce blush.
As Lucy led you round the shop, she chatted away about the different types of defences on offer. She’d taken you to the flares you were looking for first, of course, but when you made no move to leave she took you along to gather her own supplies. She’d seemed so jittery at first, you almost worried she was uncomfortable having you there, but the more she spoke about her experience making her own salt bombs and the run-in she had with a bunch of ghostly monks and a bomb flare, the more confident she became. Something about seeing her so in her element helped you to relax as well. It broke the ice.
“So what’s it like at Lockwood and Co?” you asked eventually. You’d been curious about the other agency ever since that first meeting - nothing about them had been expected, and you wondered if maybe the impression Kipps had given was more biased than you thought.
Lucy glanced at you, arm deep in a shelf stocked to the brim with vials of lavender water (they stock from the back, she’d advised, so the fresh ones are the hardest to reach). She hadn’t expected the question, but the answer came naturally. “Great, actually. I came to London hoping to get in with one of the big agencies like Fittes, but I didn’t have any of the right papers so I ended up there as sort of a last resort. It was difficult to get used to at first, they’re not exactly by-the-book as you’ve probably heard from Kipps, but now I wouldn’t trade it for anything. Lockwood and George are like family.”
The final part hit you like a ton of bricks. That was what you’d felt missing in your team. They were all good people and had quickly grown to be your friends, but they didn’t feel like family. Fittes didn’t feel like home. And here was this girl, who before today had barely had a full conversation with you, guiding you round the shop like it was nothing and telling you how this funny little agency was just that. Home. A weight you didn’t even realise you’d been carrying shifted, working its way up from the pit in your stomach to your chest where it settled, resolute yet comforting.
You realised you were now the one staring when Lucy waved a fistful of vials at you. “I think that’s me sorted,” she nodded to the smartly dressed man at the till. You picked up your basket of flares from the ground, wrapping your other hand around the wad of cash in your pocket, and followed her lead.
The rosy hues of evening were beginning to drift across the sky when the two of you emerged onto the high street. You hadn’t realised how long it had been; Kipps would be wondering where you were. The weight in your chest and the smile on your face told you that you didn’t much care. Now that the temperature had dropped a couple of degrees it was much more pleasant, and a gentle breeze ruffled your hair, carrying a soft floral scent. There were no flowers nearby, and you wondered whether it came from the girl beside you. It was lovely, whatever it was.
“Thanks again Lucy, I’d still be lost in the first set of shelves if it wasn’t for you.” The laugh that got from her was as fresh as the breeze, and you couldn’t help but smile wider. It gave you the courage to continue and ask, “Could I walk you home?”
Lucy frowned, and you worried it was too forward. You’ve only met her twice, for goodness sake. “Isn’t Fittes the other way? I don’t want to drag you all the way across town for no reason.”
That was hopeful - she wasn’t concerned about your intentions but for your wellbeing. “I don’t really want to head back just yet,” you admitted. “Besides, you’ve got more bags than me, the least I can do is give you a hand after all your help in there.” She tried to protest, but you held out a hand and with some reluctance she handed one over until you had two each. “There’s something I need to ask Lockwood too, so…”
This was turning out to be a day full of surprises, because you couldn’t possibly have predicted what Lucy said next. “Oh, he’s single, if that’s what you want to know.”
All the breath in your chest rushed out at once, the weight pressing hard on your lungs. “What?”
Your shock was mirrored on her face. “I just… after you were both talking about meeting again in the Archives… and since he’s a bit of a charmer and you’re gorgeous, I figured-” The words died in her her throat as the blush returned, this time reaching up to the tip of her ears and down past the collar of her playsuit.
You fought to keep your smile from breaking into a full-blown grin. The poor girl looked like she wanted nothing more than for the pavement to open up and swallow her whole, and while it was so tempting to tease her a little and see how far that blush could spread you resisted. Plenty of time for that, if you’d read things right. For now, you gave a light chuckle. “Thanks, but I don’t think I’ve been charmed by him.” You tried your best to give the right amount of emphasis on the fact it wasn’t by him, but it didn’t seem to help. Maybe you’d misunderstood. You hoped not. Maybe she was just embarrassed and not thinking about it properly. At any rate, she didn’t shy away when you tucked in close for the walk back.
Lucy paced anxiously through the library. George was curled in one of the armchairs with a comic; you and Lockwood were away in the living room, discussing goodness knows what. She hadn’t dared to ask any further on the walk home. She’d eventually plucked up the nerve to talk to you again after what she’d said (why on earth had she said it in the first place, she wondered) and found you to be so easy to talk to. You’d told her about life at Fittes, she’d told you about life in Portland Row. It sounded fun, chaotic at times but in a good way.
“Will you please sit down before you wear a hole in the carpet,” George groaned. Lucy sighed dramatically, but obeyed and slumped into the other chair. The lamplight cast unusual shadows across her face - it was well into the evening now, curfew had descended, so clearly whatever you had to discuss was of vital importance or you’d have gone back to Fittes by now.
“What do you think they’re talking about?”
George didn’t look up. “I really couldn’t say, I don’t know her well enough.”
“Exactly, and Lockwood doesn’t know her very well either, so if she is trying to ask him out then-”
“Whoa whoa whoa,” George interrupted, dropping his comic with uncharacteristic urgency. “You really think that’s why she’s here?” He studied Lucy for a moment - the way she kept glancing at the door like she expected them to walk in hand in hand, the way her index finger tapped rapidly where her hand rested on the arm of the chair, the way her lip wasn’t curled with disgust or outrage but quivering with upset. “Oh my god, you’re jealous!”
Lucy rolled her eyes. “Obviously I’m jealous, George. I know what it’s like with girls like her, they’re always one step ahead or one move beyond me. Just because they’re pretty it means they get everything.”
George’s comic was thoroughly neglected now, this was far more interesting. He had his suspicions about why she was reacting like this, but knew her well enough that he couldn’t just come out and say them or she’d deny it. She had to realise for herself. “Riiight, you’re jealous that she gets Lockwood and you don’t.”
Her nose wrinkled, the first confirmation of his theory. “Ew, no. He’s like my brother. I just don’t think it’s fair, is all. She’s been so sweet all day but as soon as there’s a better option I fade into the background again.”
Second and third confirmation: Lucy thought you were sweet (and he remembered she’d said pretty before, a fourth point on the tally) and, whether she realised it or not, had just called herself an option. George was getting more certain by the minute. God, as much as it hurt seeing her think so low of herself, he had to admit it was amusing trying to make her see that perhaps the ‘better option’ was the person you’d gushed over and pointedly said you hoped to see again and whose arm you’d been hanging off the whole afternoon, not the person you’d barely said five words to. “Got it, so you’re just jealous on principle, not of her specifically.”
“Right!” she said confidently.
“And it's nothing to do with you having feelings?”
“Right,” she said less confidently.
George didn’t say another word, just pushed himself up from the armchair and left the room.
Five minutes later, he returned with Lockwood in tow. The taller boy didn’t fully enter the library, just leaned round the door with an excitable twinkle in his eye.
“Ah, Luce, I was just about to give (name) a demonstration of the training area, if you want to come and help? I’m not sure her mind’s really on training at the moment.” He raised an eyebrow suggestively, but Lucy only looked more disappointed than ever.
George grumbled under his breath, low enough that Lucy wouldn’t hear. “Is that your best attempt at acting coy?”
“Coy?” Lockwood hissed back. “I thought I was helping her realise that (name)’s crush isn’t on me, it’s on h-” A sharp elbow in his side cut him off. He returned to normal volume. “Anyway, she’s also going to stay over tonight, if you’re okay sharing your bed? Or I can always put her in-”
Lucy shot up. “No, no, I can share.” Her gaze flickered to George, who gave her a triumphantly smug grin. “And don’t worry about the training, I’ll go with her.” Lockwood matched the other boy’s grin, and ducked out again.
George made his way back to the armchair, Lucy’s eyes following him the whole way. Her expression was a conflicted mess - irritation at proving him right, amazement at her newly discovered feelings, worry and hope all blended together.
“So you were jealous that she might like Lockwood, but not for the reason you thought?” he asked gently. It wasn’t you she was jealous of, seeming to get his attention, but him for getting yours.
She shook her head, tears beginning to well as her lower lip wobbled. “Okay fine, you win, I have feelings! Still doesn’t change the fact she went straight for him. She doesn't like me the way… the way I like her.”
There was no more amusement to be had from this, and it broke George’s heart to see one of his closest friends so upset. He stood and pulled her into a hug, feeling her sniffle into his shoulder. “You know it was you she was talking to when she said about running into us again, right?” Lucy pulled back and looked at him incredulously, puffy cheeks bearing the telltale streaks of tears. She reached up and wiped them away vigorously with her cuffs. “And when Lockwood said she’s too distracted to train it’s not because she’s flirting with him, it’s because she didn’t shut up about you the whole time she was asking to join the agency.” Immediately, Lucy stopped scrubbing at her face. In fact, she stopped crying all together.
“She what?”
“Something about you showing her how much she was missing having a family, and she wants to be part of yours. And she has a bag of flares which technically she’s now stolen from Kipps to sweeten the deal, if you’ll have her. Lockwood said it’s your call.”
Lucy’s frantic rubbing resumed, trying to erase any evidence of her crying even as she hastily made her way to the door. George called after her, “Does this mean you finally acknowledge that I’m always right?” He laughed at the chain of expletives he got in response.
You were alone in the basement, admiring the collection of rapiers and trying not to overthink what was taking Lockwood so long, when Lucy came barrelling down the stairs. She skidded to a halt in front of you, breathing heavily and as flushed as she had been earlier.
“You were flirting with me?!” she gasped.
“I… yes?”
“Why didn’t you say so?”
“That’s generally how flirting works, love.” Her face grew redder at the pet name. “You only just realised?”
She cast her eyes upwards. “George helped. I thought you were just being nice to get to Lockwood.”
“I told you it wasn’t him I was charmed by.” You wrapped an arm around her waist, pulling her close. She folded willingly into you, burying her incredibly warm face in the front of your blouse. The heat sparked something in your chest.
“You didn’t say it like that!” she whined.
“Well you know what I just realised?”
“What?”
“How cute you are when you’re flustered.”
“Really?” Her hands ran slowly down your back, coming to rest on your waist, and her eyes met yours before gliding down to your lips.
“No, of course not - I realised in the Archives.”
She smiled shyly, melting your heart even more. “I can’t believe you think I’m cute.”
You dragged her even closer, reaching up to boop her nose which made her scrunch her whole face up in the most adorable way. Your hand continued to the back of her neck, gently bringing her face towards yours. Perhaps you could make her even more flustered.
Lucy had other ideas. Her hands on your waist gripped tightly as she bounced up to meet you, lips soft and sweet yet firm and passionate. Her intensity took your breath away, and you felt your knees buckle. She held you strong, backing you up against the wall for support. You gasped a little into the kiss, trying to regain some air, and she did the same when your hand wound its way into her hair. When you both ran out of ways to breathe, you broke apart, but her hand found yours and yours never left her waist.
“Kipps is going to be absolutely fuming when he hears about all this,” she murmured with a grin.
“Oh trust me, I can’t wait to tell him myself. I quit, I’ve joined a better agency, and I get to be with one of the most amazing agents - one of the most amazing people - I've ever met.”
“I could say the same.” She puffed up her chest, pulled a face and lowered her voice in a silly impression of your now-former boss. “Allow me to introduce (name), one of the most prestigious agents in the country and my girlfriend… if you want to be?” Her voice returned to normal and she bit her lip nervously.
“There’s nothing I’d want more,” you smiled as you leant in to kiss her again.
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saltygilmores · 1 month
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Gilmore Girls Trivia: A Summary
A co worker and I went to Gilmore Girls trivia at a local restaurant last night. The event host/ DJ stated he had never seen the show which means he compiled questions from some light internet research on the show and had no freaking idea what constituted a challenging question to this fandom, lol. There was at one point at least a nine-way tie for first place because no one was getting anything wrong. The questions were things like "What is the name of Luke's troublesome sister" or "What is the name of Rory's father" . One of the big difficult round-ending questions was "What was the name of the 2016 sequel", lmao. Needless to say... we got all but one question correct. At the very end there were three prizes available for first/second/third place and four teams (including us) had tied with a near perfect game. The tiebreaker was to cite the number of episodes in the series and we only had 20 seconds and my brain did not process quickly enough that my friend had written down "500". Strike me dead if this show ever had 500 episodes, lol. So we placed fourth solely on the basis of that one question! The big final question (which is supposed to be the most difficult question of the night) before sudden death was to identify Richard's ex fiancee? Come onnnnnnnnnnnn. (literally the episode I'm in the middle of watching). It was honestly so much fun. A few of the questions that just eked their way above being pre school level were: -What character had to spend a night in the gazebo after a fight with their cat? (it was Kirk, my friend knew this immediately but I don't recall it) -What girl group was Michel obsessed with? (Destiny's Child) -The only question we got wrong was attributing the following quote to Lorelai instead of Rory (only two teams got this anyway). "Relationships are a big honking leap of fatih" Had to think about who would use a word like "Honking" and I heard Lorelai's voice in my head.
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