#complex background composition

[depressed-teacup-inc]

(Click for higher quality)

Yet another full composition commission for @/AdiaLandfall on Twitter!!! Super proud of this one, and if it isn’t obvious, I’m confident enough in my skills that furry commissions will now be available!

(Check out my commission sheet for pricing details)

[awesomehoggirl]

gurls 💪 for the booshbians… theyre in gay love

[scourgebff]

01/01 HOPE ALL UR NEW YEAR DREAMS COME TRUE

[whataboutfractions]

composite of twist as he appears in ep 26

[littlefeatherr]

Julia Ibbini, courtesy of Heron Arts

The United Emirates-based artist sources elements from Islamic geometry, embroidery, meenakari enamel work, and even electronic music to inspire the designs that compose her laser cut paper works. The complex patterns and layers of her colorful compositions are a metaphor for the artist’s multicultural background as a dual national from Jordan and the UK, and share elements of symbolism seen in the Middle East region. Ibbini uses computer algorithms to create digital designs that she laser cuts onto paper. She then layers these detailed pieces and hand-paints them with ink.

[botanicalsword]

House ruler in 5H • where to find love

5th House

Theme: Love, Children, Your Talents, Adventure, Speculation, Entertainment, Gambling, Sports, Creative Activities.

Related occupations: Actor, artist, athlete, etc

Chart ruler in 5H

In romantic relationships, they are proactive pursuers, expressing their feelings with enthusiasm and sincerity. They are unafraid to showcase their emotions, bravely pursuing their love interest.

2H ruler in 5H

Relationships can be costly, but with harmonious 5H aspects, they can be profitable, transforming love's cost into an opportunity. However, if there’s challenging aspects in 5H, they could incur substantial losses, possibly leading to distress and a feeling of helplessness.

3H ruler in 5H

In love, they often choose friends, neighbors, classmates, or childhood friends due to shared experiences, memories, and understanding. Developing these relationships can foster trust, understanding, and friendship, aiding romantic growth.

4H ruler in 5H

Most of their relationships are formed through introductions by family, friends, or fellow townspeople with common backgrounds. They rarely interact with people whose environments and experiences differ significantly from theirs. Their relationships are usually not with people from other locations.

5H ruler in 5H

Their love life is thriving, fostering strong relationships and potential romantic encounters, with support from family and friends.

6H ruler in 5H

Romantic relationships often develop in office environments, where deep connections can form. While this may add complexity, it can also lead to their satisfaction and happiness at work.

7H ruler in 5H

They may potentially marry their beloved, not through matchmaking, but by experiencing love's joys and trials to find their soulmate.

8H ruler in 5H

In a romantic relationship, sexual activity often occurs frequently. If complications arise in the 5H / 8H, there's a risk of deception involving both emotions and property. This could lead to substantial material losses and becoming overly entangled in their feelings of love.

9H ruler in 5H

It's easy to have long-distance relationships, online relationships, or even interracial ones.

10H ruler in 5H

There is a possibility of dating a boss. They may experience an office romance, a special circumstance where they meet and fall in love at work, causing sweetness and contradictions.

11H ruler in 5H

Their community ties could open up exciting romantic possibilities, potentially leading to a complex love triangle, adding intrigue and anticipation to their relationships.

12H ruler in 5H

Their emotional lives, filled with unexpected twists, include complex love triangles, potential infidelity, and possible love affairs, adding uncertainty to their love path.

❥❥❥

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/ instagram : @le.sinex / @botanicalsword

[deepvelvet]

Composite moon through houses p2

MASTERLIST

PART 1

6th: This is a more difficult placement for the moon in composite, since it comes a lot of times with bickering and critisism of each other, keeping score, looking at the little things. So it tends to be more judgement of each other and feeling we are in service of each other, in some fashion. Its not the most romantic place to have composite moon but the two people can focus on tasks very well if we have the moon well aspected. Their ideas of improvement are not quite similar, when it has hard aspects to it. So the emotional energy this two people create it's based on how they will do improvement out of their individual lives, their couple dynamic and their response to the envoiroment. We can feel less accepted.

"Sometimes i don't understand your way of feeling things, but we can think through how to focus on getting common ground."

7th: Both people can feel deeply emotionally compatible. They feel assured by the other person. One of the most beneficial places to have composite moon because this two people relate with each other in a relationship context. They are looking for the same kind of environment within the relationship itself. It's easy to relate, to bond, to have support, to feel that the other person is looking for the same things in a context of a relationship.

"The echo moon - one of them send out a vibe and the other receives and send the same kind of vibe back"

8th: It's a very complex placement for the composite moon. So in that case, you will want to look at both natal moon as see how they are aspected and how their personal 8th house or plutonic/scorpionic difficulties exist there. The combination of the lunar dispositions of what's familiar to us, ups and downs, what's hidden from view, compulsions. So the two people are very driven by their combined compulsions. It can be a very obsessive placement. We can deal with a lot of fears, attachments, insecurities, pulling each other's strings, triggering each other. If they dealed with their own pluto stuff, their own eight house stuff, we have two people that have really evolved beyond being driven by their dark forces it can provide the climate for healing and transformation. For other people, is going to be obsessions, fear, crisis and challenges.

"It's hard sometimes, but we can heal together."

9th: There is agreement about their life views, philosophies, morality. Sharing of abstract ideas, there's quite a lot of conversation in this placement. Even if they have different backgrounds and moral views with this placement they will find a way to agree on each other's perceptions, or to have some kind of shared ideal, common ground. It's not a position that provides a lot of intellectual growth for the two people because we do tend to have agreement that's already built in. So there isn't a curiosity outside of what's going on between them. So they can enforce each other's beliefs, provide more of a concreteness to each other's philosophies or ideas.

" I believe in what you believe."

10th: The two people see the other person can provide what they need to build, in the outside world, safety and security. The moon is naturally opposite to the 10th house on the wheel. The other side of the same coin, moon and Saturn. So while the moon is our basic need for security and safety, the 10th is where those things happen. Where we go and do the things that the 4th needs. So in this placement we have two people joining their most subjective personal states and feelings in a context of getting ahead, public image, status, what's external to us. They can be prone to identify outside external circumstances as the problems, difficulties and the supportive things that are working within the relationship. Its not a really personal place for the composite moon to be. They relate emotionally in their thoughts about where they want to go, how they want things to go to achieve their goals in order to meet the moon needs.

"What we can become together? Where are we going? How our combined lifestyle can provide or be the vehicle for what we want to achieve?"

11th: Very fun and friendly relationship. The two people relate to each other as friends, they're Very accepting of the other person's weirdness. We get to be who we are. We invite the other person's unfettered natural expression. We get to fart in front of each other, eat too much in front of each other. We get to do whatever just happens and the other person Very much enjoys it. So, the spontaneity is similar. Very few expectations and demands made on each other. A great deal of forgiveness and tolerance. A free-flowing, exciting place. Cut down on resentments, score keeping

"I accept whatever it comes with you."

12th: As well as 8th, it adds some complexity to the relationship. Often that's something very obscured about each other. We aren't completely aware of what the other person's deep needs are, how are we combining, what exactly is going on. Revelations tend to come though being stimulated to act irrationally. We'll have something that will come up that we will discover about ourselves. The two people learn about what they don't know they don't know about themselves as a result of How the other person triggers them or feels along beside them. Combined sansitivities, fears, mysteries, some of our dark side that they are combining and triggering in each other.

"You made me see parts of me i didn't knew i have"

[art]

Creator Spotlight: @shencomix​​

Shen is a digital comic artist who mainly does short-form humor but also delves heavily into horror, action, and whatever he thinks is cool at the time.

Below is our interview with him!

How would you best describe your art style?

I try to draw cute and expressive. As a short-form comic artist, I don’t have a whole lot of space to work with, so I have to make use of what space I have by pushing poses and expressions and using eye-catching color compositions.

Do you prefer working with digital or traditional mediums? Why?

I work strictly digital. There’s something really cool about how easy it is to edit. I can change the entire color balance of a drawing in seconds, whereas with a physical medium, that would take hours—and even then, you might not be satisfied with it! The ability to separate things into layers also lets me move and resize everything however I want.

From idea to final piece, how long does it take for you to create something?

For a 4 panel comic, depending on complexity, it’s 1-4 hours. It’s really tough going under an hour with this stuff because you can’t really think at that point. You just have to go go go. For comics with more panels and more detail (like, say, a 12-panel horror comic), it can even take several full workdays. It can be stressful to bet all that time on just a single post!

Over the years as an artist, what were your biggest inspirations behind your creativity?

My inspiration to start my webcomic was Ronnie Filyaw’s Whomp!, which had a sort of raw humor that I had never seen in webcomics before. I binged it in just a couple of days and thought, “dang, I didn’t know webcomics could be this funny.” I also really love horror artists on Plastiboo​ and Trevor Henderson and of course, my comic friends like Sarah from Sarah’s Scribbles​, Zach from Extrafabulous, and Justin from Mr. Lovenstein.

What is your favorite thing to draw at the moment?

Really into scary doors lately.

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Alan Moore, Leonardo Da Vinci, and Alan Moore.

Alan Moore would get into a fight with Alan Moore, and I could catch Leonardo up on all that stuff that’s happened since 1519 in the background.

What are your file name conventions?

series name > YY > MM.DD - Comic Name > page.png

I’m straight-up methodical. They call me “Database Shen,” and by “they,” I mean nobody, but maybe somebody will call me that someday.

Who on Tumblr inspires you and why?

@plastiboo​​, who I've already mentioned, has a pretty active tumblr and always makes amazing stuff.

Thanks for stopping by, Shen! For more of his amazing comics and fun illustrations, be sure to check out @shencomix​!

[cusn0]

A new novel from the series about the famous detective Dick Mullen, soon in all bookshops of Revachol.

the song i got inspiration from is Natalie Wood by Tv Girl, especially the voiceover at the start. and the colours of background were kinda inspired by the cover of "In Rainbows" Radiohead album.

also this art was kinda challenging to me since i never drew complex backs and compositions before

[slavghoul]

Complementary to my previous post, this audio features Mary On A Cross harmonies without the lead vocal. The modus operandi for most Ghost songs is similar - in the studio, Tobias records his vocals multiple times, each with a different pitch. These recordings are then layered together to achieve a more robust and enriched sound. A lengthy and complex process. What you can hear in this audio is mainly one of the vocals which was layered with the lead one. For the final harmonies, apart from Tobias (and yes, he's doing the highest harmonies too!) you can also hear Vincent Pontare's voice joining in towards the end. I posted that final part minus the background music on my Twitter, if you'd like to hear it more clearly.

I think due to the TiktTok popularity, MOAC is now sometimes dismissed as overrated but in my opinion it's one of Ghost's best compositions to date, really showcasing how Tobias & the people he writes with can create pieces both accessible and intricate - it takes a lot of craftsmanship and musicality to do so! The layered vocals and harmonies are a staple of the band's sound by now, I think, and my nerdy brain always tries to pick them out of the mix, so this track has been particularly fascinating 🤓 Anyway, enjoy.

[kustas]

how i miss that mid-90s to early 00s anime era where they were mixing the simplicity of cel with its limited color palettes and little compositing and the complexity of character designs and backgrounds allowed by skilled artists and years of animation expertise + early CG imagery while still being drawn on traditional media...ough

[signed-sapphire]

Hi this is late but idc

Here it is… Saph’s DTIYS! ✨

The composition gave me hell but my iPad is already gone soooo you’re going to have to deal with this <3

Questions:

Does this have to be in The Fallen Star AU?

You can draw this in any Wish AU you’d like, whether it be canon, The Fallen Star, or yours! Bonus points if it’s TFS, but whatever you choose works

How do I let you know it’s done?

Tag me when you’re finished! @signed-sapphire (If I don’t respond within a day or so, DM me!)

The tag for this will be #thefallenstardtiys

Will there be a winner?

You know what, sure! This DTIYS will last from, say… 29 March (today) — 20 April. My iPad should be back by then.

On 20 April, I’ll choose a first, second, and third place.

FIRST PLACE PRIZE: Coloured drawing with simple background— shading dependent on the complexity of the subject! Coloured lineart

SECOND PLACE PRIZE: Flat coloured drawing, simple background, coloured lineart

THIRD PLACE PRIZE: Coloured drawing, no background, black lineart

Please note that not all of these prizes will come out right away! Please be patient, I am a uni student with finals coming up

Idk if you need clarification on places lmk

Will you reblog every entry?

Uhhhh I’ll try for sure! Again, if I don’t seem to have seen yours, DM me!

Anything else?

Have fun with it! If anything is confusing, let me know!

Alt versions below

[raisans-art]

!!RAISANS COMMISSIONS!!

All prices are in USD

Please read below for text transcriptions of the sheet and further elaboration!

I sincerely hope you consider me to draw some art of your little guys!

Sketch:

Bust — $20

1/2 Body — $25

Full Body — $30

Coloured:

Bust — $40

1/2 Body — $45

Full Body — $50

Rendered:

Bust — $50

1/2 Body — $55

Full Body — $60

Backgrounds:

Plain (transparent; 1 or 2 colours with a simple pattern) — $0

Mild (multiple colours in a relatively basic hand-made scene or pattern) — $10

Spicy (minimally shaded scene or setting) — $20

Extra (I painted this for you with my BARE HANDS) — $40

Extras:

Animals/Pokemon:

Sketch — $10

Coloured — $15

Rendered — $25

Additional Characters/Animals: 50% of the base cost per character

Extra Effort:

Prices may increase if the commission requires more time and effort than normal.

Any additional charges will be explicitly stated and elaborated

Extra Effort includes but is not limited to: hand lettering/text, complex composition/scenes, extra polish, full painted style, etc.

Will/Won’t Do’s

Will Do (will draw this and am proficient at doing so) (will do list is not limited to these points)

OCs

Pokemon

Furries

Gore/Blood

Aus/Fanart

Horror

NSFW (under scrutiny. Please dm for elaboration)

Won’t Do (not touching these fuckers)

Mecha

Hateful or defamatory content

I have the right to refuse any commission for any reason.

Payment methods:

I accept Ko-fi, Venmo, and PayPal.

Note: PayPal transactions will have a 3% fee added to the charge to compensate for lost money during transactions.

I will clearly outline the total cost of the commission to you and ask for agreement on the cost. That cost will be split into 2 seperate charges, half of the money up front and half upon the commission’s completion.

What to expect from commissioning me:

Commissions will be worked on as I get them, so there may be a queue time for you to wait before work begins on your commission.

Once work has started, it may take upwards of a month to get completed depending on personal life circumstances and commission difficulty.

You will receive an update on the commission at every milestone of the drawing process (rough sketch, clean sketch, lineart, etc) and will be asked if there are any changes you wish to make at each stage. Big compositional changes can only be made at the sketch stages, beyond which only small tweaks can be requested (colour or effects changes, minor pose or character design changes).

[cute-ellyna]

Cliji 30 days drawing challenge 07. Cosplay

I'm really bad at backgrounds and complex compositions and it shows. But I liked the concept idea too much to let it go, so here you have a bad drawing about three too-lovely kids.

No flame/ice watecolor thing here because none of them has awakened yet T_T

PS: yes, Jill by now knows The Saint and the Secretary by heart too, after hearing it from Clive for 1237894298410928109238 times. Not that she minded that :3 PPS: please zoom-in because Joshua is my favorite :)

You can see the rest of the art challenge here

[flowerandblood]

Ophelia

[modern! photographer • Aemond x female]

[warnings: mention of sex, domination, sexual tension, fluff]

[description: Aemond is a photographer dealing with works referring to the painting of the old masters. His sister poses in class for a girl who catches his attention. He decides that she would be a perfect model for one of his photos. Lots of sexual tension and slowly built fascination.]

* English is not my first language. Please, do not repost. Enjoy! *

This is Part 3 of story: Girl with a Pearl Earring

_____

Aemond and she didn't talk about what happened at the last photo shoot. She couldn't stop thinking about what his mouth and tongue had done to her. How unearthly and sublime the experience was. How hard she came on his face.

She wondered if he did this with all his models. Did he ask her to pose for him just because he was physically attracted to her. She once asked Helaena if he ever had another model to pose for so many photos. His sister thought for a moment.

"I don't recall such a situation. Female models always frustrated my brother very quickly. He often complained that they couldn't focus on their task. He praises you very much in this regard." She added finally. She looked at her surprised.

"Really?" She asked, surprised and intrigued by what he might be telling his family about her. Helena looked at her with a smile.

"Yes. He says that you have amazing facial expressions and gaze. That you are able to show very complex, elusive feelings and emotions. He said that his professor is delighted with the photos you have taken recently. Especially the one where there is no mirror." She said contentedly.

"He said you have an inscrutable, thoughtful, jittery expression on your face that fits the whole composition wonderfully."

She swallowed hard, feeling her face turn red at the thought that his professor appreciated the most picture he took of her at the end of photo shoot.

She shuddered to think that perhaps he was doing it on purpose, deliberately, to get the shot he desired. To get the expression he wanted out of her. She pursed her lips, ashamed to think that she had succumbed to his advances so easily.

Although until now she had always looked for him in the hallway of the university to greet him, she decided to stop doing it. She decided that if all this meant nothing to him then she shouldn't have bothered to get his attention.

Aemond wrote to her a few days later informing her that the next painting they would be copying would be Ophelia painted by John Everett Millais. The studio was not suitable for water photography, so Aemond decided that she would be lying on the floor full of flowers. He booked the studio for next Thursday.

Although she usually wrote him very long messages, sharing her ideas and being inventive, this time she only wrote back that she understood and of course she would come at the appointed time.

She slowly finished painting Helaena's portrait. Her bright, beautiful face and almost white hair stood out against the golden background, her blue eyes and gown blended wonderfully with the yellows around. She was very pleased with the effect she got. Helaena looked light, gentle and happy in her portrait, her face framed by an almost imperceptible smile.

She heard someone enter the room, but no one paid any attention to that - students came and went as they pleased. She jumped in place as Aemond suddenly appeared in front of her, looking at her expectantly. She looked at him, swallowing softly, but didn't speak first. Aemond pursed his lips and cleared his throat.

"Can you give me a moment alone?" He asked unusually softly compared to how he usually spoke.

"Yes, of course". She said surprised, getting up from her seat and following him. They were led away by the curious looks of her classmates.

They went out into the corridor and stand in front of each other. She looked at him expectantly, smiling slightly. She felt her heart pounding hard and swallowed softly as the memory of him kneeling between her legs flashed through her mind. Aemond spoke after a moment.

"My professor is delighted with the photos we have taken so far. He thinks we are going in the right direction. I agree with his opinion." He spoke calmly and matter-of-factly.

She looked at him surprised. She wondered if he was implying something with that statement, wanting to say that what was going on between them should continue for the sake of his art. She swallowed hard at the thought, dropping her gaze.

"Well, I'm glad that you and he are satisfied." She said calmly, trying to smile. Aemond looked at her intensely, concerned. He was clearly struggling to ask her something. He gave up at the last moment, looking away.

"See you on Thursday."

***

Already two days before the photo shoot, she felt that she had caught a cold. At first she had only a sore throat and a runny nose. She took vitamin C tablets and aspirin, but despite her best efforts on the day they were to meet she woke up with a fever. She looked at herself in the mirror as she changed clothes.

She was pale, there were light circles under her eyes. She thought she really did look like she was dying. That she really looked and felt like Ophelia, inside and out. She decided not to cancel the session.

She came to the set more stressed than ever before. As she entered the room, she and Aemond looked at each other quickly. They nodded to each other without saying a word. Aemond was spreading wildflowers on the floor for her to lie down on. They looked like a large, colorful eiderdown.

She went straight to the room where she could change. She did not consult it with him, but she sewed a dress for the photo. It was white and slightly translucent, a delicate, flowing material. It had puffy, long sleeves, ending at the wrists with embroidered cuffs. The boat neckline of the dress was also decorated with white embroidery.

She decided to take off her bra, knowing it would look bad in the photo. She shuddered at the thought, both terrified and excited that her nipples would be barely visible.

Her head was spinning from the fever.

She deliberately didn't take any pills, wanting to look as pale as possible. She decided that if he wanted her to sacrifice herself for his art, she would.

She left the room after a while, closing the door quietly behind her and headed towards the flowers and plants spread on the ground. Aemond looked at her and raised his eyebrows in surprise, only now noticing how pale she was. His gaze traveled down to her cleavage and froze for a moment. He cleared his throat, looking at his feet, and went straight to the point.

"Lie where the flowers are more piled up. I want them to be visible around your head in the frame as well." He said calmly. She thought he was trying to sound less cold than usual.

She lay down obediently, placing her face where he had directed her. She spread her arms out to the sides as in the painting, placing her fingers as if she was holding a needle. She tilted her head back slightly, feeling waves of heat flowing down her body.

Aemond crouched beside her, camera in one hand. With his free hand, he gently combed her hair as he saw fit. She saw that involuntarily his gaze escaped towards her slightly translucent breasts. He brought the camera up to his face and looked at her through the lens.

"Open your mouth." He spoke softly and she obeyed. She heard the sound of the camera shutter.

"Think of something depressing. Something that keeps you awake at night." He said finally, lowering the camera, looking at her expectantly. "Your gaze must express the emptiness of suffering."

She swallowed softly at his words. She thought about him. That once he took all the photos of her he wanted she would never see him again. That he would find another model and muse. That she was just a moment in his life that he immortalized on his films and nothing more.

She felt her lips quiver at the thought, her body shivering. Her eyes turned painfully red. She inhaled softly, trembling, a tear rolling down her cheek. She stared straight ahead, somewhere to the side, her eyes completely absent. She heard him get up on his knees and take a series of pictures of her.

"God, it's beautiful." He whispered.

After a while he lowered the camera down. She saw out of the corner of her eye that he was staring at her silently. Her chest heaved steadily. She couldn't stop the tears streaming down her face.

It was getting harder and harder to breathe due to the high temperature of her body. She flinched as she felt his cool hand touch her cheek, wiping away her tears. She heard him suddenly draw in a breath.

"Why are you so warm?" He asked worriedly, quickly moving his hand from her cheek to her forehead.

"Do you have a fever?" He asked, but she didn't answer him, looking away. Aemond pursed his lips.

"Why didn't you call me? I would reschedule our session, you should be in bed. Have you taken any meds?" He finally asked, his tone of voice impatient. She swallowed softly, feeling like she was all on fire.

"I thought it would benefit your photography." She spoke calmly, her voice weak and quiet. She felt him staring at her in disbelief. He lowered the camera, running his hand over his mouth and chin. He didn't know what to say.

"I…fuck. Do you think a good picture is all that matters to me?" He finally asked with a note of regret in his voice that surprised her. She turned her head to him with difficulty, the traces of her tears still adorning her cheeks. Her lips trembled.

"Yes."

Aemond stared at her silently. His hand touched her cheeks and forehead again and again, as if he was constantly checking to see if she was getting worse. There was a tenderness and delicacy in that touch that didn't suit him. She had a feeling that if he didn't stop she would start crying again. For some reason she felt that the state she was now experiencing was literally dying before his eyes.

She thought he saw it, because his lips parted slightly, his gaze softer than ever. A pleasant shiver went through her as he stroked her head gently as if she were a small child.

"I wake up thinking about you. I fall asleep thinking about you." He whispered, his fingers running through her hair. She felt her breath go out. She thought she was hallucinating from the fever. She looked at him uncomprehendingly.

"You are my inexhaustible source of inspiration. I adore you, my muse." He whispered softly as if saying the words of some prayer.

She stared at him with wide eyes. She felt like she was about to collapse in this sea of flowers and just pass out. Her body couldn't handle what he was doing to her. Her lips parted slightly, trembling all over. She closed her eyes, burying her cheek in his hand. She heard him suck in a sharp breath and swallow softly.

"Do you have any pills with you?" He asked quietly. She nodded.

"Are they in your backpack?"

She nodded again without opening her eyes. Aemond took his hand from her and stood up. She heard his footsteps and the sound of the door opening.

She did not have the strength to open her eyes. She felt that she had fallen asleep for a moment when he was not there, completely weak. He woke her up by gently touching her cheek. He crouched in front of her, holding paracetamol tablets and a bottle of water.

"Take two at once and drink it." He said calmly, handing them to her, helping her get up slightly so she could drink some water without choking at the same time. She swallowed the pills and immediately fell back down, not having the strength to sit. As soon as she opened her eyes, it seemed to her that everything was spinning. After a moment she heard his quiet voice.

"Do you want to take a nap here?"

She nodded slightly. The smell of wildflowers, leaves and grass filled her lungs. Her body was already refusing to obey, demanding rest and regeneration from the morning, unable to accept any more stimuli. She literally fell asleep before his eyes.

She felt something warm envelop her, some large, pleasant material. She heard the rustle of fabric and felt arms pulling her close, a hand in her hair. His scent filled her lungs. Her fingers tightened on the material of his turtleneck.

"Aemond." She whispered.

_____

If you want to be tagged, leave a comment below. Bold are the ones I couldn't tag. ♥

@zenka69 @melsunshine @opheliaas-stuff @chainsawsangel @tinykryptonitewerewolf @malfoytargaryen @toodlesxcuddles @fan-goddess @bellaisasleep @skikikikiikhhjuuh @douadeer

[smpclippingpath1]

Image masking see more smpclippingpath.com is a technique used in digital image processing to selectively hide or reveal certain parts of an image. It is commonly employed in graphic design, photo editing, and computer vision applications.

There are several types of image masking techniques, including:

Layer Masking: This involves creating a layer mask in image editing software like Adobe Photoshop. A layer mask is a grayscale image that determines the transparency of corresponding pixels in the layer it's attached to. White areas of the mask reveal the underlying image, while black areas hide it, and shades of gray produce varying levels of transparency.

Clipping Masking: Clipping masking involves using a specific shape or path to hide or reveal portions of an image. This technique is often used to isolate objects from their background or to apply complex edits selectively.

Alpha Channel Masking: In this technique, an alpha channel is used to determine the transparency of pixels in an image. An alpha channel stores transparency information separately from the image's color channels, allowing for precise control over transparency levels.

Vector Masking: Vector masking involves using vector graphics, such as paths or shapes, to define areas of transparency in an image. This technique is commonly used for precise and scalable masking operations.

Image masking is widely utilized in various fields such as graphic design, photography, advertising, and web design to achieve complex editing tasks like removing backgrounds, creating composite images, or applying selective adjustments to specific parts of an image.