watching community for a fun sexy time and getting devastated by the end of contemporary impressionists with troy and abed is a rite of passage for gay weirdos
troy trying to save abed from getting his legs broken by impersonators with illegal business practices and abed emotionally closing himself off as a result because he sees troy’s attempts at help as infantilization
“You have to stop renting celebrity impersonators. Vinnie was gonna break both of your legs. I had to work really hard to help you.”
“But that’s what you wanted to do.”
“Yes!”
“But I can’t do what I want to do?”
ahh. AHHHHHH
then the classic and ever painful “Well i don’t want to stop being your friend, so i guess I’ll let you tell me what to do sometimes”
and this is the start of evil abed living in abed’s head because he thinks he’s the only one who can truly understand him
kills me kills me kills me
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I drank every sky that I could
...the story unfolds as Hu Jundi expresses the poems in his heart through paint on cloth.
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contemporary impressionists followed directly by the pillow and blanket war and then one episode later virtual systems analysis. wtf dan harmon ar e you trying to kill me
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i’m thinking about trobed again. epidemiology!!! i love you / i know. the entire celebrity impersonator episode -> when troy goes for the handshake and abed leaves. ‘for the first time in my long history of being locked inside things, i knew someone would come.’ ‘he said; ‘i know you hate when people do this in movies.’ ‘you might notice some changes. like a compulsion to come back.’ i’m so unwell
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Bê Sadala (Portugal)
Auto-retrato com cachimbo, Self-portrait with pipe
Lembranca da Flor / Remembering Flor
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i shouldve asked for a name
kofi ♡ inprnt
likes <<< reblogs!!
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I watch contemporary impressionists anytime I publicly embarrass myself after a night out, to remind myself it could be worse
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WHERE WE COME FROM (2022)
MIXED MEDIA ON CANVAS
one of the more prominent pieces from my senior high school thesis portfolio entitled IMAGES OF VENUS. This body of work explored my personal relationship with womanhood and sexuality, as represented through art history iconography.
this piece only briefly saw the light of day, because yes, those are tampons.
this is the original version, there is an edited version that was displayed at my senior gallery show.
I will never forget when I had 3 of my instructors give me a working critique on this piece. Lots of hilariously awkward reactions
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