#cooper anderson is a good (wing)man | Explore Tumblr Posts and Blogs

hazelandglasz · 4 years

Note

AU klaine prompt inspired by the video with the window washer playing with the cat where blaine is the window washer and kurt is the cat's owner?

The aforementioned video

On AO3

Window washing was the Anderson family business. His father did it, and then, when his back didn’t allow him to climb and wash the windows himself, he started training Cooper and Blaine to follow in his footsteps.

Cooper loved the job, but he always ended up having to go back because he left traces on the windows.

Blaine, well… It’s not that he doesn’t enjoy doing it, the physicality of it, the work-out it represents, and the happiness he brings to some of his clients.

But he could definitely do without the small percentage of clients who are insufferable.

Luckily, today is a light day, mentally.

Today is Tuesday, which means that he has to clean the Plaza building. Not a lot of offices, which he prefers, and large window panels without convoluted stone carvings to clean around.

Blaine slides down from the roof and starts cleaning the window when a small black kitten appears in his line of sight.

“Hello,” he coos, applying the soap and giggling when the kitten follows the motion of his brush with his little head. Blaine is truly delighted when the kitten trots up to him when he moves to the next window on his right, the feline walking with his tail swishing from side to side.

Once the window is clean, Blaine decides that he can spare a couple of moments to play with the kitten.

He is so focused on his reactions that he misses the appearance of two socked feet behind him.

The music notes do get his attention, though, and he looks up to find a man giggling his head off as he films Blaine and his cat.

Blaine grins at him and waves, only for the kitten to bat his hand through the glass.

The man laughs harder but looks up from his screen, waving back at Blaine.

The cat seems very interested in his owner and moves away from the window, visibly meowing to be picked up.

Blaine shrugs and waves again, this time to signal his departure, before sliding down to the next floor.

That was a very nice moment.

And that man was very, very, very handsome.

---

From that day on, it becomes a sort of tradition.

Every other Tuesday, Blaine gets to meet the black kitten (who visibly grows as the weeks go by), while his owner records their encounters.

As cute and funny as the cat is, Blaine doesn’t really know if he looks forward to those Tuesdays for the animal or for his human.

They don’t speak to each other, per se, but he feels like they are having whole conversations through their eyes and gestures.

It’s been two months since Blaine met the black cat and his owner, and he still doesn’t know their names, and it’s bothering him more than he cares to admit.

So he prepared a sheet, saying, “Hi, I’m Blaine,” in the hope that it will prompt his Mystery Man to reply.

But first, entertain the Mystery Cat while doing his job.

The moment two human feet appear, Blaine reaches into his breast pocket to unfold the paper.

The man turns off the phone and comes to sit next to his cat to read it.

It’s a good thing Blaine is firmly attached with his harness, otherwise he doesn’t know how well he would be able to maintain his balance, because…

Wow.

The man looked handsome, cute even, from afar, but up close…

W. O. W.

Look at those eyes.

The man smiles as he reads Blaine’s introduction, before pointing at himself and waving his fingers in the hair.

A vertical line; two short diagonales; then a curvy one…

Oh!

Okay, Blaine can do this.

K.U.R.T.

He says it aloud. “Kurt?”

Mystery Man nods and beams at him.

“Nice to meet you.”

Kurt waves between them while nodding. Blaine interprets it as “Likewise”.

He then points at the cat, and Kurt wrinkles his nose.

It’s adorable.

And then, Kurt lights up, holding up a finger, pointing at his socks.

“Socks?”

Kurt shakes his head, twisting his upper body to show Blaine the brand.

(Blaine is absolutely not distracted from said brand by the sight of Kurt’s backside, presented to him in the same motion.)

“Ah! McQueen?”

A vigorous nod.

Blaine makes an approving gesture before tapping the glass with all of his fingers to respond to the aforementioned cat who was busy batting the window, demanding his dose of attention.

Kurt smiles at the two of them before returning his focus to Blaine, who tries really hard to fight his blush under such scrutiny.

Kurt opens and closes his mouth several times, visibly growing frustrated with each aborted attempt.

Meanwhile, Blaine moves on to finish cleaning Kurt’s windows. When he’s done, he lowers himself until his face is at ground level for the apartment and its residents, waving goodbye and planning his next move.

The next fortnight, Blaine has another piece of paper ready for Kurt.

“Here is my phone number.”

Kurt’s smile is blinding as he rushes to take his phone and save the number, rapidly typing a message as he goes.

Blaine can feel his phone vibrating in his chest pocket, but he never takes his phone out while suspended mid-air. He makes a gesture he hopes Kurt will understand to say “later”, before cooing at McQueen who is sticking his face against the glass.

When he’s back on the ground, Blaine takes his phone out and reads Kurt’s message.

“HI! I’m so glad I can finally tell you how much you’ve brightened my days with your kindness for my cat.

I hope to see you many times, but would it be possible to do so without a barrier between us?

Have a nice day and stay safe,

Kurt”

Blaine presses his forehead against his phone (and wipes it against his t-shirt because his forehead is quite sweaty after all) before typing his answer, looking up even if it’s useless once it’s sent.

“I would love that. Tomorrow is my day off, so, you tell me?

And just so you know, cleaning your windows has been the highlight of my weeks ever since I met… McQueen.”

Yes, he’s playing coy. So sue him.

Kurt’s response is immediate. “Starlight Dinner. For lunch. My treat?”

And, not even fifteen seconds later, “I’ll make sure to let him know how much you enjoy your dates.”

Oh, okay. Two can play that game.

---

“What’s the big occasion?”

Cooper lets himself into Blaine’s apartment and drops himself onto Blaine’s couch, looking at his little brother getting dressed.

And there must be an occasion behind that outfit—Blaine knows how to highlight his assets, he learned from the best after all.

“I have a date.”

Cooper straightens up, and Blaine can’t help but smile proudly at the idea of the upcoming date. “With the cute cat guy?”

“I told you his name is Kurt.”

“Right, right.” Cooper comes to stand with Blaine in front of the mirror, handing him a different belt to tie the outfit. “And you really want it to go well?”

“Duh.”

“You know what you need to do then.”

Blaine glares in their reflection. “I am not going to serenade him with a poppy lovesong in a public space.”

“Ah?”

“Not on the first date.”

“Attaboy.”

---

Naturally, Blaine gets to the restaurant early—far too early, if he’s being honest, but he was so worried of being late, and so anxious to escape Cooper’s ridiculous advice, that he left and walked to the place—but it gives him the time he needs to compose himself and let the odd ambiance of the restaurant soothe his nerves.

And then, someone enters the restaurant and makes a beeline for Blaine’s table.

Someone Blaine has been eager to see and meet and hear, wearing the most perfect sweater Blaine could ever imagine.

“Hi,” Kurt simply says, and his voice is even more perfect than the one Blaine imagined.

“Hi.”

Kurt sits down and crosses his arms over the table, slightly leaning over it to get closer to Blaine. “I almost can’t believe this is happening,” he tells Blaine, in a tone of confidence.

“Me neither,” Blaine confesses. “I had to check and recheck your text. My brother even pinched me to guarantee I wasn’t having a very detailed daydream.”

“Oh, I hope he didn’t hurt you.”

Blaine shrugs. “Anyway, here we are.”

“Here we are.”

Silence thickens between them until they both laugh, awkward all over.

“This would be easier if your matchmaker pet was here.”

“Wouldn’t it be, though?”

“A black cat named McQueen, that is quite the statement.”

Kurt smiles at Blaine, before launching into a story of how the cat got his name.

(Long story short, when Kurt first fostered him, the black kitten would always find his way to Kurt’s beloved McQueen scarves to nestle in them, and the name stuck.)

The ice definitely breaks when Blaine pushes his side of fries toward Kurt while they eat and Kurt covers Blaine’s hand with his before devouring half of the fries, in the most inelegant way possible.

Blaine finds it absolutely irresistible.

And he tells Kurt so, while Kurt has his cheeks stuffed with fries like a chipmunk.

“You’re adorable.”

Kurt freezes, before gulping as his cheeks turn bright pink. “Oh. Really?”

Blaine leans his head on his hand. “Really.”

Kurt looks away before returning his hand on top of Blaine and squeezing it. “I, um. Me too.”

“You, too, think you are adorable?”

Kurt shakes his head. “No, you jerk, I think you’re adorable too.”

“Kind of sending mixed signals, here.”

“Oh, okay. I take it back. You’re not adorable.”

“No?”

“No,” Kurt says, his smile belying his tone. “You’re insufferable. I hate you.”

“Right.”

Kurt brings Blaine’s hand closer to him, rubbing his thumb over his knuckles. “But,” he continues, a darkness appearing in his eyes, “my cat loves you, so that must mean something about your character.”

“Oh, bless McQueen’s judgment call, then.”

“Indeed.”

Blaine nods, swiping the last fries for himself with his fork. “Didn’t mean to be a jerk.”

“Didn’t mean to call you a jerk.”

Blaine smiles. “This should make for an interesting second date.”

“Second date?”

“My turn to invite you.”

“Right.” Kurt cocks his head to the side. “A bit cocky of you, though, to assume there will be a second date.”

“I don’t assume,” Blaine replies. “All I know is that I would love to see you again, and not on my regular Tuesday.”

Kurt smiles, all bravado melting away. “I would love that too.”

“Then it’s a date.”

“It’s a date.”

“And I have to meet McQueen in person sometime in the future.”

Kurt laughs at that. “I’m pretty sure he will be beside himself to finally meet his favorite human.”

“Oh, second favorite, surely.”

Kurt smirks. “Surely, yeah.”

Two years later, when they get married and McQueen is the ringbearer, they are still debating who is his favorite human.

(The response is clearly a tie, but McQueen prefers to let them wonder.)

#Anonymous #sometimes i write #klaine au #cooper anderson is a good (wing)man #fluff

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jamesvanriemsdyk · 3 years

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Best GMs and coaches in the league ACC to you?

we can start with gms because coaching is a bit more complicated. best gms in the league is easy to look at because like, who has a good team? who has had a consistently good team? whose locker room is the most cohesive, whose coaching staff is the best? who is the best at acquiring and keeping the best players, coaches, staff, etc? and you can see that in the way teams play.

(putting this under the cut because it got long. and i mean Long.)

so, in no particular order: kyle dubas (leafs), steve yzerman (red wings, i will explain this later), don waddell (canes), julien brisebois (lightning), joe sakic (avs), and kelly mccrimmon/george mcphee (golden knights) (god i still hate that name and also will explain this later too) are the best in the league in my opinion. honorable mention to marc bergevin, who has held onto his job much longer than he arguably should have, but still has a decent team on the ice and a decent coaching staff, although the french rule does severely handicap them (i understand why it exists but it does, it just does).

david poile (preds) is the longest tenured gm in the league (has been the preds gm since fucking 1997, thats insane, thats legit before i was born, what the fuck), and i do genuinely think he is very good at his job, and that he is very hockey smart, but oh boy have his recent decisions been suspect as hell, and that reflects in the state of his team. doug wilson (sharks), who is the second longest tenured gm in the nhl, is in the exact same boat (the karlsson deal is a nightmare, and also did he just forget that his star core was gonna get old and retire or ??).

with dubas, waddell, brisebois, sakic, and mccrimmon/mcphee all have the same basic strengths: they draft well, they have a fundamental understanding of their team structure and how to manage public perception of the team and everything that implies, and they have two fingers on the pulse of their locker room at all times. im not going to pretend to know as much about sakic and mccrimmon/mcphee as i do the eastern gms, but it doesnt take much to figure it out. look at the avs, and their locker room, the success theyve found after being dead fucking last in the league. look at the knights and their incredible success that theyve found after literally not existing before 2017. ive talked about dubas a lot on my blog, but its incredibly easy to see that waddell and brisebois do the same shit he does, and i can do a deep dive on them if asked. bergevin has moments of brilliance, like the suzuki trade and acquiring caufield and anderson, but things like kotkaniemi’s development and their entire blue line give me a massive pause, which is why he’s not in the main list. he’s a good gm. he’s just not the best.

in regards to steve yzerman: you have to understand that this is the man that built the tampa bay lightning as we know them. this man was gm of the bolts until fucking 2018. tampa bay has been a monster in the eastern conference for years, BECAUSE of the work steve yzerman put in. his team set the franchise record for wins, and he was the first and is the only lightning gm to have won gm of the year. look up the 17-18 roster. it is, essentially, the roster that won them the cup last year. make no mistake, i think brisebois is great, and hes on the list for a reason, but the biggest part of brisebois’ success was steve yzerman’s incredible hockey mind. brisebois essentially had to sell off a fourth of his roster, and the lightning are still a top team in their division and in the league, and thats why he’s there (it is so incredibly easy to fuck shit up post cup win), but the brisebois lightning would not exist without steve yzerman, plain and simple.

what steve yzerman is doing in detroit should be watched very, very closely by every single person in the hockey world. youre fucking nuts if youre not paying attention to them, not gonna lie. the mantha trade was excellent, if really sad if you know even a bit about the wings, but the amount of draft picks steve yzerman has amassed and the way he’s using the prospects and players he already has is really fucking admirable. mike babcock left the red wings organization absolutely in tatters, and i think, honestly, it was always steve yzerman’s plan to go home to detroit and rebuild. if there is anyone who is going to strike absolute gold this draft year, it is steve yzerman. watch the red wings, i am telling you, keep a beat on detroit. they are going to be good. its not an if, its a when.

(real quick on the knights situation: mcphee was the first gm of the knights, and was also president of hockey ops at the same time, and then in 2019 mcphee said he was just gonna focus on his job as president, but we all know hes still an integral part of the way the knights are run, and he and mccrimmon have kinda been building the knight together since the beginning anyway bc mccrimmon was originally mcphee’s agm. so. thats why theyre together)

as for coaches, it’s very simple. rod brind’amour (canes), sheldon keefe (leafs, yes im biased, we’ll get into it), jared bednar (avs), joel quenneville (panthers), jon cooper (lightning), barry trotz (isles), and mike sullivan (pens).

(disclaimer: obviously coaching is done as a team, and assistants and specialist coaches and staff are all very important, but the head coaches set the tone and organize the entire machine, if you will, so im going to be talking about head coaches as if theyre the entire coaching staff. its just easier this way im sorry)

im gonna just start with the easy ones: barry trotz, mike sullivan, and jon cooper have been in the league for years. cooper is the longest tenured coach in the nhl for a reason (again, just look at the tampa bay lightning. its the gm’s job to make the coach’s life easier and the coach’s job to make the gm’s life easier, and this is one of the prime examples of it in the league. its dope as hell tbh), trotz is one of the most respected coaches in the hockey world for a reason (the caps lost something when he walked. they just did. and now the isles are absolute hell to play against and that is largely the coaching of barry trotz, you legit cannot tell me im wrong), and while mike sullivan does have his faults, i think hes found a way to please both management and the crosby-and-malkin unit, which has been really really fucking hard to do. he also led the pens to back to back cups, which you can never really uh. ignore. lmao. so theres those three.

i know less about bednar, but again, another example of the coach and gm working together to make each others’ lives easier. sakic gets bednar the players and staff he needs to make the avs better, and bednar takes those players and staff and makes them into the absolute giant they are. it wouldve been really, really easy to fuck up makar’s development, or bowen byram’s, or sam girard’s, or ryan graves’s, or jost or mackinnon or rantanen’s, but he hasn’t, and he hasn’t just given up on players like burakovsky or kadri, he’s given them new life as players and made them more successful.

joel quenneville is the reason the bl/ckh/wks were a legacy team point blank period. sure they had the talent, sure the gm drafted well, but you do not get the legacy of the chicago bl/ckh/wks without joel quenneville. they fired him on a whim and it absolutely was a mistake, and the moment the cats hired him i literally out loud said ‘oh no’ because i knew exactly what that meant for the leafs and their position in the standings. the panthers are underrated generally, yes, but they would not be the powerhouse they are this season without quenneville. just look at q’s wiki stats. he’s absolutely unbeilevable. he won the jack adams in fucking 2000, before he’d even won any of the cups with the h/wks. i cant tell you what kind of a locker room coach this guy is, but i can tell you his teams win and win convincingly, and that firing him was the biggest mistake the h/wks have made in years.

whenever i talk about coaching, i talk about rod brindamour and sheldon keefe in the same breath every single time because there is no match, and i mean none, for the love inside those locker rooms. the avs, maybe, but my point stands. keefe and brindamour fucking BLEED team spirit, it is at the center of their coaching styles and their teams are good because of it specifically. marner and matthews are good, yes, and they always have been, but they have surpassed all expectation and then some with keefe. aho, teravainen, and svechnikov are good, yes, and they always have been, but they have surpassed all expectation with brindamour. brindamour and keefe have both hashtag played the game, so they Get It, and more than that, theyve grown and changed their understanding of the game as the game itself has changed, and so they can command the authority of their teams while also connecting to them on a really deep level. i should make a note here that keefe and brindamour are incredibly, deeply hockey smart, and that they are also just technically good coaches, skimming their wiki or nhl dot com articles will tell you that, but what makes them stand out to me is that their players would fucking die for them. the leafs would go through the end boards for keefe, the canes would do the same for brindamour. travis dermott said it best when keefe got promoted: boys wanna play for him. beyond that, the management skills both brindamour and keefe have are just frankly amazing (the amount of ego keefe specifically has to manage in the leafs locker room is astounding and he does it so incredibly brilliantly). the leafs and the canes are talented, yes, and would have been talented regardless of who was coaching them. but brindamour and keefe bring both of those teams from talented to exceptional, and the true mark of an amazing coach is not only how many games their team wins, but how they win them, and the leafs and canes have been winning games this year for and because of each other, and that starts with their coaches. what makes a great coach, to me, is not the talent on the team (though that certainly helps), but how the coach manages his players no matter who they are, and how he helps those players grow not just as players as people, because no matter how much pure stats people and twitter hockey dudebros wanna deny it, that shit does affect on ice play, and it does make good players better.

so theres my analysis of the best coaches and gms of the nhl, im so sorry this is so long, oh my god. also, shoutout to @bishops--knifetrick for sending me an ask about this literally a month ago that i just never answered, sorry for that, but here i hope this is good. :)

#anon #answered #hockey info #wow this took legit like several hours to write between stints of taking care of the baby #ok to rb lmao

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evelynspasta · 3 years

Text

Episode Reactions Masterpost

EPISODE REACTIONS

Would You Mind Reading For Tony (3x02) by justgleekout.

A Wedding: Production Draft (6x08) by redheadgleek.

Cold Feet (5x01) and Divided By A Common Language (4x21) by nadiacreek.

This is kind of about you (5x04), Boys that grew up better men than me and you (5x15), Keep going (6x08), Almost There (6x07), and Back to Where You Once Belonged (6x01) by pene.

Don't Say You Miss Me (6x01) by backslashdelta.

Blind Man's Bluff (3x11) and Second Hand News (2x19) by skintightsocks.

Cooper Anderson, Best Man (6x08) by chasingkerouac.

Season 6 Reaction Fics by emquin.

In the Interest of Time (5x01) and Delivery Route (4x08) by airy_nothing.

Play-By-Play (6x07) and Champions (6x03) by marauder_in_warblerland.

Kintsugi (5x16) and The Gentle Sin Is This (4x10) by syntheticpoetry.

You're No Lima Loser (3x22), Make You Feel My Love (Adele) (5x03), P.S. I Love You (The Beatles) (6x01), and I Just Called to say I Love You (Stevie Wonder) (5x14), 5 Times Kurt and Blaine Were Separated at their Wedding +1 Time They Weren’t (6x08) by blaindersonkummel.

Everybody Clap Your Hands and Shout (6x08) by KillerQueen80.

While You're Busy Making Other Plans (3x04), The Many Valentines of Blaine Anderson (3x13), Five Times Kurt Tried to Reach Out to Blaine... and One Time Blaine Reached Back (3x17), Schadenfreude (3x22), Sunrise/Reaching/The First Moments of Waking/As Inexorable as the Tide (4x04), Instincts (4x05), Listening(4x08), If the Fates Allow/The Perspective of Age/Soliloquy (4x10), The Day After Sadie Hawkins (4x11), Opening Doors: Five 'Missing' Scenes from Glee 4x14/Voice of Experience (4x14), Finding Normal (5x03), A Cold Slap of Reality (5x04), Thirteen Perspectives on One Graduation Party (5x13), Wounds (5x15), Heartache to Heartache (5x16), Waiting in the Wings (5x18), Gifts (5x20), Perspective (6x01), Finding The Word For Goodbye(6x03), Six People Who Push Blaine To Get Back Together With Kurt, Plus One Who Doesn't (6x04), No Exit(6x05), Thirteen Moments We Didn't See/When They Wake (6x08), Honeymoon (6x09), and Haven (6x10) by flaming_muse.

Falling Is Like This (2x14), Everything Changes (3x22), Fragile Gifts (4x11), The Sparrow (4x15), The Contract(5x01), Season 6 Episode Reactions by wowbright.

A Supermarket in Ohio (6x03) and All Out of Love (6x05) by Corinna.

Progress: After the Slushee (3x11) by InsightfulInsomniac.

Pining (2x10) by kurtiepie.

Heaving Through Corrupted Lungs (4x01) by mockanddee.

Hero (5x15), Glee Season 2 Reaction Fics, Season 6 Reaction Fics by flowerfan.

Bash (5x15) by moongay.

Whistle, I'll Be There (5x15), Boop (5x16), and My End and My Beginning (5x20) by lovetheblazer.

Getting the (Good) News (4x11), Competition Nerves (2x16), and A Dalton Boy (6x05) by notenoughtogivebread.

the baffled king, composing (6x10) by multicorn.

Simple Pleasures, Complicated Pains (6x05) by notyourdaydream.

So The Story Goes (6x11) by alilactree.

Somewhere Only We Know (2x18) by little_escapist.

someone who loves you with the lights on (6x08) by breakbonefever.

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duhragonball · 4 years

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Hellsing Ch. 70-76

I guess anything I say here is a spoiler, so yeah, this is “Heart of Dreams”, “Relics”, “Heart of Iron”, and the arc “Finest Hour”. Oh, and “Lunatic Dawn”. Gotta lotta ground to cover. Treacherous ground.

Not a whole lot to say about Anderson’s death. He tried to become a monster using one of the Holy Nails from the True Cross, and then Alucard defeated him anyway, once Seras gave him a little help and a reason to go on living. Alucard was pretty upset about Anderson’s demise, but Anderson says a few soothing words, and reminds him that Al only became a vampire because he couldn’t stand being a human, so it doesn’t make a lot of sense for him to cry now.

So yeah, as determined as Anderson was to kill Alucard, he’s a pretty good sport about losing this fight, and he seems to genuinely pity the man. He wonders how long Alucard will go on living with his regrets, and Al replies “Until my expansive future shatters my expansive past.” So, if we want to take that literally, I guess he’s trying to find redemption by being a good guy to make up for his years as a bad guy. Well, he’s been a vampire for 523 years, and a servant of Hellsing for 101 of those years, so I guess maybe he figures if he trucks along for another 321 years that’d balance the scales?

And maybe I’m finally starting to appreciate some of the complexities of Alucard’s character. The Team Four Star Abridged series spent some time on his desire for redemption, but I couldn’t tell if it was based on the original material or something they came up with for their own version. For instance, the Abridged!Alucard rejected the forgiveness offered by God himself, but later Anderson spoke of his desire for redemption and Alucard didn’t dispute that. It seemed contradictory to me at the time, but the manga does seem to support that. As Vlad Tepes, he refused to ask God for anything, preferring instead to fight and drive himself and his followers to the limits of endurance and decency as proof of their faith.

I find that idea heretical, because it suggests that a person can “earn” God’s favor, or God’s forgiveness, or a place in heaven. Arguably, Anderson tried to do the same thing, but I think he was coming more from a place of doing zealous deeds out of gratitude for the Lord’s grace, rather than trying to earn anything he didn’t already have.

The difference with Alucard is that he seemed to be really wrongheaded about his faith, trying to use violence to become a good person. Then it didn’t work, and he became a vampire, devoted entirely to his own selfish desires, and I guess he’s spent the 20th Century realizing that he’s back where he started, trying to fight his way to redemption, only now he has centuries of red in his ledger instead of mere decades.

Oh, anyway, while this is going on, Integra takes a sword and stands it upright so it looks like a cross to mark Anderson’s death. It’s like this quiet sign of respect. I’m not sure whose sword that is, but it looks like the one Alucard was using in his Dracula persona.

Anyway, fuck all that, because Walter finally shows up and stomps the ashes of Anderson just as everyone was having their final farewell with the guy. Rude.

Young Walter just looks kind of stupid to me. Why is he still wearing the monocle? He’s trying to be 14 and 69 at the same time and failing at both.

Seras asks what Millennium did to him, but Walter makes it clear that this isn’t some brainwashing trope. He’s doing this of his own free will.

He also doesn’t consider himself loyal to Millennium. They turned him into a vampire, but he’s doing this for himself, and he’s only cooperating with them because their goals are in alignment.

Yumiko Takagi tries to kill Walter for... Was she mad at him for stomping on Anderson’s remains? I mean, Alucard’s the one who actually killed Anderson, so shouldn’t she be mad at that guy?

It doesn’t matter, because Walt just slices her into pieces with his magic filaments. Now Heinkel Wolfe wants revenge, because she was her long-time partner in assassin stuff. The TFS Abridged series implied that they were lovers, too, which seemed authentic at the time, but I’m not sure there’s any confirmation to be found in the manga itself.

But before she can take the shot, the Captain shows up and shoots Heinkel in the face. Like, through one cheek and out the other, and the only thing saving her from serious injury was that she happened to have her mouth open at the time.

Side note: I caught myself referring to Heinkel as “him”, which frustrates me because I’ve known she was a woman for like five years now. When I first watched the OVA, I was confused, becuase I could tell it was a female voice actor, but maybe that just meant he was really young, like with Schrodinger. But the Hellsing Wiki set me straight, or so I thought. I didn’t think I’d still be making this mistake.

On the other hand, Yumiko sometimes looks a lot like Goemon from Lupin III, so her wearing a nun’s habit isn’t as heteronormative as it might seem. I’m getting off-track.

You’d think this would be leading up to some big double-team on the Hellsing group, now that the Iscariots are out of the picture, but the Captain’s only stopping Heinkel so Walter can have a clear shot at Alucard. That’s the sole reason Walter turned traitor, you see. He wants to fight Alucard and win, and for the last 55 years they’ve been on the same side.

But is that all it is? I never got to read or watch “Hellsing: The Dawn”, the prequel manga Kouta Hirano created after Hellsing. I’ve heard that it never got finished, but also an anime adaptation was released with the home video release of Hellsing Ultimate Episode VIII. All I really know about it was that there was this time where Alucard and Walter were fighting the Nazis, and the Captain showed up, and Alucard ran away because he didn’t think he could beat that dude. Presumably, he left Walter to fend for himself? But all three of them survived until 1999, so I’m not sure what the outcome of that was. I always wondered if Walter held a grudge over that. But maybe I’m reaching.

There’s also a suggestion of professional jealousy. Walter was a rockstar vampire hunter in his youth, but he’s been overshadowed by Alucard, who is--let’s face it-- a living legend. This would be doubly true in the 90′s, when Integra reawakened Alucard, and Walter having to step back even further from the spotlight. The only way for him to reclaim his former glory would be to challenge the greatest of all vampires and win. He’d go down in history as a traitor, but at least he’d be cemented as the absolute best.

Or... or, you can go with the TFS version, where Walter hints at his motives, only for Alucard to take the wind out of his sails and announce “because you wanna fuck me!” And I love that theory more than any other explanation, because it just brings everything together a lot more neatly. I guess you don’t need Walter to have had a crush on Alucard for 55 years, but it’s a lot more compelling than revenge or professional jealousy. Those things have weight, sure, but they work better as distractions, the things Walter might admit to because they hide the deeper reason that he can’t bring himself to say out loud.

And it’s not entirely rejected by the manga. Alucard remarks on how much more beautiful Walter looked in his old age, compared to this treasonous knockoff vampire look he’s sporting now. The last time he spoke this way, it was when he flirted with Queen Elizabeth II. The next time he does it, it’ll be with Sir Integra when she’s in her early 50′s.

Speaking of QE2, she’s safe and sound, because the Secret Service evacuated her to a fortified location in Dover before Millennium attacked. If things get really hairy, they’re prepared to send her to Canada, and if London can’t be secured, they’ll nuke the whole city, though the Queen is certain that Integra and Alucard will win the day. The vampires acting as Millennium agents outside of London are being contained and destroyed, so things seem to be getting under some semblance of control.

However, the Royal Order of Protestant Knights, also known as the “Round Table” is down to just three surviving members. Integra’s in London, but here we have Rob Walsh and Hugh Irons, reflecting on the death of their fellow Round Tabler, Penwood.

This whole scene struck me as a complete non sequitur when I first saw it in the anime. Walter’s betrayal seemed to sudden and poorly explained that it felt like the author was just winging it by this point, and now we have these two dudes struggling to provide some justification for the twist. But reading this manga in 2021, I find that it makes a lot more sense. We’ve already seen tons of Britons in rather lofty positions, all willing to sell out their principles for a chance to become a vampire. Walter is no different from any of them. It’s just more personal when he does it because we actually know the guy.

But as Walsh discusses the utter debacle of this Millennium invasion, he deduces what we’ve just learned back in London. There must have been a traitor in their ranks, because that’s the only way Millennium could have made it this far. I mean, they just flew a bunch of giant blimps full of rockets right into British airspace. That only worked because they had traitors sabotaging the U.K.’s defenses and communications, and Hellsing was especially vulnerable at the same time.

The only thing Walsh can’t figure out is who the traitor was, since it had to be someone at the Round Table, but they’re all dead now, except for Integra, Irons, and himself.

But Irons fills in the missing pieces. It doesn’t have to have been one of the Round Table’s members, but someone close to one of the members. Years ago, Irons warned Walter about Richard Hellsing. Irons knew that when Arthur died, Richard would try to make a play for the Hellsing estate. But when Irons’ fears came to pass, Walter wasn’t there. It’s like he wanted things to play out the way they did.

But why would Walter want events to play out that way? On her own, Integra had no choice but to unseal Alucard to defend herself, and she’s kept Alucard active ever since. And now, lo and behold, Walter reveals that he turned traitor just so he could take on Alucard. It’s like he arranged for all of this to happen years in advance. But how many years? Fifty-five, Irons wonders.

It’s never explicitly confirmed, but Irons’ reasoning makes too much sense to ignore. Earlier, the Major said that he decided back in ‘44 that Walter “Angel of Death” Dornez would have been a good “get” for his side. Now, Irons is suggesting that Walter might have agreed in the same year. So maybe Walter and the Major made a secret agreement even then. It’s possible that they might have done it later, but why not in 1944?

I mean, the whole backstory here is that Millennium is a continuation of a secret Nazi Vampire project that Walter and Alucard destroyed in 1944. Except they didn’t destroy it at all, which sure makes Walter and Al seem very bad at their jobs, unless Walter let them escape and covered it up.

Meanwhile, the Captain tosses a first aid kit to Heinkel, kind of like he’s saying that he doesn’t want to kill Heinkel, but he can’t let her interfere either. We’ll talk about the Captain later.

As for Alucard vs. Walter, Al wants to check with Integra before he goes through with it. He asks for orders, repeating his big speech from when he killed all those cops in Brazil. Yeah, Walter’s a traitor, but he’s been a close mentor and advisor to Integra for all these years. Does she really want Alucard to killerize his ass?

Yes, she does. If Walter stands against them, then he’s the enemy, and Integra has already ordered Alucard to destroy the enemy, no matter who (snif!) they may be. Integra doesn’t relish this command, but she refuses to compromise over sentimental feelings.

Man, fuck you, Walter.

Then the Major lands his airship near the battlefield and invites Integra to come aboard and fight all of his remaining guys. Alucard orders Seras to join her while he deals with Walter. I can appreciate Seras’ concern here, because the last time she watched Alucard fight alone, he took a flaming bayonet to the face. She probably doesn’t care for Integra and Alucard splitting up like this.

Before she goes, she thanks Walter for all of his support, which disarms Walter for just a moment. Man, fuck you, Walter. Seras is so nice and grateful and polite and cool and you just go right ahead with your 55-years-in-the-making Nazi Vampire Jilted Lover scheme. Fuck you, Walter. You don’t deserve to be in Seras’ life.

So the gals go on board the airship and Schrodinger’s there and Integra just shoots him right between the eyes without bothering to slow down. This is maybe my favorite Integra moment in this thing. I sort of wish Kouta Hirano had done a spin-off of Integra and Seras doing cool shit like this for 30 years.

Alucard taunts Walter with the fact that he no longer gets to be a part of Inegra or Seras’ lives anymore. It sounds kind of petty, but when you think about it, it’s a pretty sick burn. Walter may have been planning this for 55 years, but he still had to live that double life, and it’s not like he can just say he was faking it the entire time.

So they fight. Walter’s magic wire powers seem to be amplified, either because of his restored youth or maybe the boost offered by vampire powers, or maybe he’s always been this strong but now he no longer needs to hold back anymore. For instance, he can make mesh screens with his wires to deflect Alucard’s bullets. And when Alucard summons that dog creature he used to dispatch Luke Valentine....

... Walter just bisects it with a flick of the wrist. You really begin to see why he was “The Angel of Death” back in his heyday.

I never understood what this dog familiar was supposed to be. Walter refers to the Hound of the Baskervilles, but as far as I know that’s just a legend confined to the Sherlock Holmes novel of the same name. But apparently that concept was based upon “black dog” folklore of the same region. There’s a whole laundry list of “black dog” apparitions in Britain alone. Black Shuck, Padfoot, Hairy Jack, Bizarro Snoopy, and so on. So I’m not sure if Hirano is saying that Alucard was the source of these legends, or if they were all based on a single creature which Alucard eventually defeated and absorbed into himself.

Al tries to use the Jackal to kill Walter, but that’s kind of stupid, since Walter designed the gun in the first place. In the anime, I thought Walter somehow triggered a bomb he had planted inside it, but maybe he used his wires to make this happen. It doesn’t really matter, because we already saw that the Casull was useless against Walter’s defenses, and not because it had smaller ammunition.

Then Luke Valentine emerges from the black dog’s body. This part never made any sense to me, but I loved how the Major recognized him, but barely. “Oh yeah, it’s that guy from Volume 2! The guy with the brother.”

The doctor suggests that when the dog was killed, this allowed Luke to reassert himself from inside the dog. Something about a “control ratio”, whatever that is. Like, he was absorbed into the dog’s mass, but now that the dog is no longer conscious, he can think for himself again. Notably, only half of Luke actually makes it out . It’s like he’s half-Luke, half dead dog monster.

But before he can do anything else, Walter puts his wires into Luke and starts controlling him like a puppet, mostly so he can use the dog half to attack Alucard.

Alucard seems more impressed than threatened. Keep in mind, Walter was doing pretty damn well against him early on. You’ll notice Alucard’s missing his right arm along with one of his guns. This is better than Anderson managed to do. So why does Walter even need this Luke-dog puppet thing in the first place?

Well, it’s because Walter’s body is giving out on him. Earlier, when the Doctor was performing the procedure to turn Walter into a vampire, he spoke about how rushed the operation was. I mean, he had to finish the whole thing in one night, after all. And Walter’s a lot more powerful than Dandyman, whom the Doctor considered his finest artificial vampire work. So maybe Walter’s just too powerful for this, and he can’t sustain this form. The Luke-dog-thing is just to keep Alucard busy while he coughs up blood.

The Major sees this development, and likens Walter to a high stakes gambler who’s mortgaged everything for a single hand at a high stakes table. Walter’s risked everything just to tangle with Alucard, and it still isn’t enough.

Alucard does manage to finish off the dog-Luke thing, and this sets him up for Walter’s next attack, and then he goes to finish him off, so things seem to be going Walter’s way...

But Alucard used a decoy, disguising Luke’s severed torso as his own, all so he could sucker-punch Walter in the face. As it turns out, Walter’s physical breakdown is making him younger, which amuses Al to no end.

So Alucard follow suits and assumes the form he once used when they fought the Nazis in 1944. Yeah, say hello to “Girlycard”. I’m not sure why Alucard looked like a 14-year-old girl during World War II. I’ve heard this form described as a Japanese 14-year-old girl, and I can’t dispute it, but it also makes Girlycard seem even more random somehow.

I mean, I guess the idea here was for Walter and Alucard to be able to move inconspicuously through enemy territory. No one would suspect a couple of kids until it was too late. I’m imagining a similar scenario to the ones presented in “Cross Fire”. Heinkel and Yumi would play innocent bystanders, then whip out their guns and swords and go ham on the bad guys. Knowing Hirano’s style, maybe Girlycard and Young Walter operated the same way.

And this further supports the Walter-had-an-unrequited-crush-on-Alucard theory. He might have understood that Girlycard was a disguise. On an intellectual level he might have known, but maybe he still carried a torch, and told himself that there was some way that they could be together. Was he just in love with this disguise, or does he love the real thing? Alucard says that he told Walter the truth decades ago, and claims that this is the reason Walter turned traitor, so yeah, it sure feels like Walter couldn’t handle Alucard’s true nature, one way or another.

I mean, let’s assume that this isn’t just about Alucard not being a cute girl. Maybe Walter fell in love with Alucard in all his forms, whatever that means for his sexuality. The bigger issue is that Alucard’s a vampire, and he’s just fundamentally different from Walter, and maybe that was the problem all along. It’s interesting to think about, but the point here would be that there was some kind of problem, and Walter couldn’t let it go.

Meanwhile, Seras and Integra are busy looking like total BMFs. Just HBIC’s. What’s better than this? Two gals bein’ pals.

Hell yeah!

Bad ass!

The vampires on board this airship are happy to meet their doom, and Integra recalls what her father once told her about how vampires want to die on their own terms. Seras doesn’t get it, because if they want to die so badly, they could have just died in the war they were already in fifty-odd years ago.

So the Major gets on the PA system and explains to her that they want more than just a glorious death. They want bigger, better, more perfect battlefield, so as to make their deaths as meaningful as possible. That’s why I don’t understand that airship captain from a while back. Everyone else in Millennium seemed to understand that they weren’t necessarily fighting to win. Britain is prepared to nuke London if they have to, so it’s hard to imagine anyone in Millennium surviving past today, even if they won.

Anyway, as the Major explains all of this, the Captain appears before the gals. It looks like he’s here to stop them, or is he?

#2021hellsingliveblog #hellsing #alucard #seras victoria #walter c dornez #alexander anderson #heinkel wolfe #yumiko takagi #the major #the captain #warrant officer schrodinger #sir hugh irons #lt general rob walsh #luke valentine #really? luke valentine?

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angelmichelangelo · 4 years

Text

i’m about five years too late and nobody asked for this except me and i need to just get this out of my brain because it’s 2am so here’s a list of things i wish happened on glee that didn’t HERE WE GO:

- new directions being actual teenagers. just them hanging out. going to group sleepovers. giant study sessions (because school exists in this universe?) like remember in tpp when they were eating lunch together ? that’s what i wanted MORE of. just them being actual friends. a sleepover episode is all i wanted imagine all the abba songs we could have gained from that episode

- a halloween themed episode. the closest to this that we got was the ‘thriller/heads will roll’ mashup which YES was iconic but im greedy and it’s not enough. my idea for a halloween episode is that the gang gets trapped inside the school after staying behind to idk rehearse? or something? and then things get progressively worse as they start to go a little mad, thinking the school is haunted and they split up into pairs trying to find an escape and they think they’re seeing ghosts/someone lurking around the school and they’re getting real spooked but it turns out it’s just sue fucking with them lmao

- kurt and finn being brothers. THE POTENTIAL WAS THERE and sadly after furt we are left with crumbs. why ?? WHY?? little moments like finn saying that he’s driving back home with kurt or them saying they can’t do something because they have a family thing would have been good enough. more scenes of them hanging out in their home with their parents would have been *chefs kiss* but alas. it never happened because glee writers are bastards

- based off my last point: sam actually living at the hudson-hummel house because he actually did live there? but nothing is ever said like what’s the dynamic there why weren’t kurt and sam and finn close if they all lived together for what? like a year? was sam living in the mf shed? did he ever get close to carole and burt?? where tf did he live when everyone went off to college did he just stay in their house lol who knows not me LMAO

- blaine dealing with his trauma ? mental health was never dealt with very well on this show. emma’s ocd was just ignored after she got married or whatever and blaine mentioned his trauma once and then it was ignored until it was mentioned in passing a few seasons later and even he just brushed it off and it was never brought up again like wtf. i have no idea how they wrote a whole episode about hate crime in bash and they never once thought to have blaine and kurt have a single conversation together, let alone a conversation about how they’d both been victims of a hate crime. AND THE ONLY TIME BLAINE DOES MENTION IT IS IN TESTED WHERE ITS JUST USED AS A REASON FOR THEM TO FIGHT AAAAAAAA no wait im calm it’s okay. i just would have liked to have seen kurt and blaine have an emotional moment together in that episode that didn’t include blaine singing and kurt being knocked tf out. just sayin.

- kurt dealing with HIS trauma !! again, glee gets bad points for talking about mental health and it just is crazy that they had so much potential with kurt, ie: depression, anxiety, ocd (kinda?) his bullying, being literally assaulted (i see u ryan murphy taking that whole plot line so loosely mmhm) and then shoehorning in the fact that he was suicidal AT THE SECOND TO LAST EPISODE when they had a whole episode about suicide and they could have mentioned it at any time but ofc they didn’t because the writers just wanted to shove in as much as they could in the flashback episode AYE AYE AYE the potential!!!! oof.

- literally just more tina. jenna ushkowitz is a fantastic actor/singer/preformer and she was criminally underused. i like the episode props because of two reasons: one. everyone switching characters was amazing. and two. some actual tina scenes. even if she.. technically was rachel but also herself or something? either way. i digress

- this is just in general but MORE ABBA AND ALSO THE CARPENTERS and also some sound of music songs would have worked GREAT but they already had like a million songs and as the show progressed they veered away from old songs and more towards popular songs at the time to help chart numbers blah blah blah whatever it’s cool. but also how did they only do a few abba songs that is criminal

- a more fleshed out ending that wasn’t so rushed. like rachel won a tony and everyone else is just? there? why is sam at mr shue’s house ??? how did artie get up the stairs? did quinn graduate from yale? and where tf was kurt and blaine’s child during ‘i lived’ because burt and carole are vibing in the audience and rachel isn’t pregnant so like? is the baby just?? alone somewhere in the wings?! lmao where are u bby girl!! but once again i know they didn’t have the time to do it so idk it’s fine what they did it just sucks we didn’t get more! but again. fanfic exists so yah im all good

- more of blaine’s mum. or mom, in this case i guess. why cast gina gershon and then give her ONE line like ? ik there was a whole deleted script that explained why she was there but i love that up until that point blaine seemed like he genuinely murdered his parents, lived in their big house all alone and when people got suspicious he just told them that they were “out of town” :) either way pam is great i love her and i wish she had more to do in the one episode she was ever in. not even a moment with blaine?? wasted.

- more of cooper anderson, matt boomer is so fucking funny everytime i think of the emotion tornado i bust a lung laughing like it’s so fucking stupid but oh my good i love it. (and if you haven’t watched the special feature of cooper’s transformers audition tape please please watch it because it’s just so funny.) ik he was just a special guest but i wish they got him back for at least the wedding ep but guess my mans was just busy. boo ;(

- going back a couple of points, i wish they’d done a whole episode like props. every actor here just shines when they’re impersonating each other. finn and puck as kurt and blaine is beautiful and quinn and sugar is incredible. also idk why they refused kevin the right to wear the cheerios skirt; they could have put a little more effort into some characters but that’s glee for ya lmao but yeah. a whole episode like that would have been so much fun

- they should have let chris colfer write more episodes. purely for the fact that he wrote with his own bare hands the whole scene where lea michelle’s character gets dragged down a road by dogs. this guy. it’s a shame he only got to write one since he actually did a really good job! i would have loved to have seen what other episode ideas he had :)

- glee in the summer! obviously it only was centred around the school year but after season 3 who honestly gave a shit about the glee club and mckinley lmao i wanna see them in SHORT SHORTS and POOL PARTIES but nope we just got september - june so like rip all my hopes and dreams

- WHAT HAPPENED TO DALTON? bitch just burst into flames ?? and for WHAT?? oh yeah plot convenience smh this is so sad i wish they’d either written something better than “we need the warblers to team up with new directions so uhhh the school burnt down” like. it’s a private school. if the school is gone and they’re just staying at mckinley what are the parents paying for? they’re just cool with sending their kids off to public school now? every adult in this universe has been murdered by these kids, haven’t they? they’re just doing whatever they want jfc

- a wedding was a good episode. ish. and yknow, huge kudos to them because gay marriage wasn’t legal in the us at the time so im less harsh on the fact that they definitely threw up the rainbow flags and made it less about the characters getting married and more so “we have gay characters and look they’re getting married what a concept” but i do wish we could have gotten some more married!klaine since they don’t really have much to do after this understandably but a little moment alone together after the wedding would have been nice :) IT WOULD HAVE BEEN NICE IM TELLING YOU

- get rid of the hummelberry friendship and send mercedes to new york instead. i have nothing else to add to this other than the fact that i mourn the fact that kurt and mercedes went from bffs to just. school mates. this is tragic this is traaaaagic !! and all for more of the rachel berry show smh

- every day i wonder what was going through carmen tibideaux mind when she watched the kurt hummel preform not the boy next door and was like :) and then watched rachel berry have a breakdown on stage and then proceeded to give rachel the spot at nyada and kurt gets payed literal dust. and THEN she had the nerve to tell him it was because his performance had no heart. AND HOW DID ADAM GET IN THIS BABY GOT BACK MOTHERFUCKER?! nyada is a circus school oh my god !!!!! kurt deserved better im telling yall he deserved so much better

there’s so much more i could rant about but im going insane im so tired and i need psychological help after watching glee so im gonna leave it here and say peace out homies it’s been fun but i need to sleep so bad

#this is insanity #how did this happen #glee #tw hate crime mention #tw suicide mention #tw mental health mention #this was from my drafts lmao

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ginnyweaslays · 4 years

Text

80 Books White People Need to Read

Here’s my next list! All links are now for Barnes and Noble! If you are interested in finding Black-owned bookstores in your area, check out this website: https://aalbc.com/bookstores/list.php ; I also have additional resources regarding Black-owned bookstores on my Instagram (@books_n_cats) if you are interested! As always, please continue to add books to these lists! ((please circulate this one as much as the LGBT one, these books are incredibly important)).

White Privilege: Unpacking the Invisible Knapsack by Peggy McIntosh

Killing Rage: Ending Racism by bell hooks

Where We Stand: Class Matters by bell hooks

The Fire Next Time by James Baldwin

The Fire This Time: A New Generation Speaks About Race by Jesmyn Ward

The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander

Rethinking Incarceration: Advocating for Justice That Restores by Dominique DuBois Gilliard

Hood Feminism: Notes from the Women That a Movement Forget by Mikki Kendall

Rise of the Warrior Cop: The Militarization of America’s Police Forces by Radley Balko

Open Season: Legalized Genocide of Colored People by Ben Crump

The Black and the Blue: A Cop Reveals the Crime, Racism, and Injustice in America’s Law Enforcement by Matthew Horace and Ron Harris

From the War on Poverty to the War on Crime: The Making of Mass Incarceration in America by Elizabeth Kai Hinton

Are Prisons Obsolete? by Angela Y. Davis

They Can’t Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement by Wesley Lowery

White Rage: The Unspoken Truth of Our Racial Divide by Carol Anderson

A Promise And A Way of Life: White Antiracist Activism by Becky Thompson

White Fragility: Why It’s So Hard for White People to Talk About Racism by Robin DiAngelo

Disrupting White Supremacy From Within edited by Jennifer Harvey, Karin Ac. Case and Robin Hawley Gorsline

How to Be an Anti-Racist by Ibram X. Kendi

Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge

Why Are All the Black Kids Sitting Together in the Cafeteria?: And Other Conversations About Race by Beverly Daniel Tatum

So You Want to Talk About Race by Ijeoma Oluo

Uprooting Racism: How White People Can Work for Racial Justice by Paul Kivel

Witnessing Whiteness by Shelly Tochluk

Race Talk and the Conspiracy of Silence: Understanding and Facilitating Difficult Dialogues on Race by Derald Wing Sue

Towards the Other America: Anti-Racist Resources for White People Taking Action for Black Lives Matter by Chris Crass (be advised, this came out in 2015 and is not up to date with current events obviously)

Understanding White Privilege: Creating Pathways to Authentic Relationships Across Race by Frances Kendall

The Possessive Investment in Whiteness: How White People Profit from Identify Politics by George Lipsitz

Waking Up White, and Finding Myself in the Story of Race by Debby Irving

How I Shed My Skin: Unlearning the Racist Lessons of a Southern Childhood by Jim Grimsley

Stamped from the Beginning: The Definitive History of Racist Ideas in America by Ibram X. Kendi

White Like Me: Reflections on Race from a Privileged Son by Tim Wise

Benign Bigotry: The Psychology of Subtle Prejudice by Kristin J. Anderson

America’s Original Sin: Racism, White Privilege, and the Bridge to a New America by Jim Wallis

Biased: Uncovering the Hidden Prejudice That Shapes What We Say and Do by Jennifer L. Eberhardt

Raising White Kids by Jennifer Harvey

Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi

The Guide for White Women who Teach Black Boys by Eddie Moore Jr, Ali Michael, and Marguerite Penick-Parks

What White Children Need to Know About Race by Ali Michael

White By Law by Ian Haney Lopez

Between the World and Me by Ta-Nehisi Coates

My Soul Is Rested: The Story of the Civil Rights Movement in the Deep South by Howell Raines

Race Matters by Cornel West

American Lynching by Ashraf H.A. Rushdy

Fatal Invention: How Science, Politics, and Big Business Re-Create Race in the Twenty-First Century by Dorothy Roberts

White Flight: Atlanta and the Making of Modern Conservatism by Kevin Kruse

This Bridge Called My Back: Writings by Radical Women of Color edited by Cherrie Moraga and Gloria Anzaldua

Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor by Layla F. Saad

Racism Without Racists by Eduardo Bonilla-Silva

The Possessive Investment in Whiteness: How White People Profit From Identity Politics by George Lipsitz

Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment by Patricia Hill Collins

When Affirmative Action Was White: An Untold History of Inequality in Twentieth-Century America by Ira Katznelson

Sister Outsider: Essays and Speeches by Audre Lorde

Habits of Whiteness: A Pragmatist Reconstruction by Terrance MacMullan

Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper

Sister Citizen: Shame, Stereotypes, and Black Women in America by Melissa V. Harris-Perry

Heavy: An American Memoir by Kiese Laymon

I’m Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown

An African American and Latinx History of the United States by Paul Ortiz

Blueprint for Black Power: A Moral, Political, and Economic Imperative for the Twenty-First Century by Amos N. Wilson

The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood by Tommy J. Curry

Freedom Is A Constant Struggle by Angela Davis

Your Silence Will Not Protect You by Audre Lorde

Locking Up Our Own: Crime and Punishment in Black America by James Forman

The Half Has Never Been Told: Slavery and the Making of American Capitalism by Edward E. Baptist

The Price for Their Pound of Flesh: The Value of the Enslaved, From Womb to Grave, in the Building of a Nation by Daina Ramey Berry

Slavery by Another Name: The Re-enslavement of Black Americans from the Civil War to World War II by Douglas A. Blackmon

The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America by Khalil Gibran Muhammad

The Color of Law: A Forgotten History of How Our Government Segregated America by Richard Rothstein

The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit by Thomas J. Sugrue

From #BlackLivesMatter to Black Liberation by Keeanga-Yamahtta Taylor

Give Us the Ballot: The Modern Struggle for Voting Rights in America by Ari Berman

One Person, No Vote: How Voter Suppression is Destroying our Democracy by Carol Anderson

Antiracism: An Introduction by Alex Zamalin

The Racial Healing Handbook: Practical Activities to Help You Challenge Privilege, Confront Systemic Racism, and Engage in Collective Healing by Anneliese A. Singh

Chokehold: Policing Black Men by Paul Butler

Democracy in Black: How Race Still Enslaves the American Soul by Eddie S. Glaude

Tears We Cannot Stop: A Sermon to White America by Michael Eric Dyson

Things That Make White People Uncomfortable by Michael Bennett

When They Call You a Terrorist: A Black Lives Matter Memoir by Patrisse Khan-Cullors

#books #booklr #white privilege #black lives matter #text #nonhp #two more to go after this one!#again please circulate and reblog this one too!#the LGBT list got so much attention #but please pay attention to these books as well #and there's no way this list shows up in any tags #because of the links #so reblogs are very important!!!

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trick-photography1 · 4 years

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Are there any comics you're reading now that you'd recommend?

Oooh, comic recs. This ask makes me so happy!!! How much time do you have?

Alright, well let me preface this by saying I primarily read Marvel. Right now I’m rereading the Jason Aaron run of Jane Foster’s Mighty Thor which was AMAZING so I highly recommend that one. (Shameless self promotion, but I wrote a fic about that story - I love those comics so much.)

Before COVID, I was reading the following titles:

Star (which is a spin off of Captain Marvel where Riley was pulled into some shenanigans, came back as a hero who was actually a villain)

Hawkeye: Freefall because… Hawkeye being a bit of a fail boat and just generally a good story that pulls in a lot of other Marvel characters

Valkyrie: Jane Foster which is a continuation of her story in the Mighty Thor comics

Captain Marvel

Captain America

Ms. Marvel

Falcon & Winter Soldier (BUCKY WITH A CAT ON A MOTORCYCLE!)

Right now new comics are kind of on a pause and it’s kinda hard to figure out what Marvel is putting out. I know they pushed the last 2 Star and Hawkeyes out on digital.

Looking at my older stuff, the first comic I actually bought was an omnibus of Brubaker’s Captain America where he introduces the Winter Soldier, and then the Death of Captain America where we get BuckyCap. Those will always hold a special place in my heart, and I go back and reference them sometimes when I’m writing fic.

If you’re looking for a more fun dynamic, I really loved Tales of Suspense: Hawkeye and Winter Soldier which is a short run team up where they’re trying to track down someone who is killing Nat’s old enemies (I have not and will not read Secret Empire Nazi Cap but all you need to know is that Nazi Cap kills Nat during the run, which they cover in the beginning). Her two ex boyfriends think she may actually be alive and go looking for her which leads to some amazing snarky interactions between the two.

Winter Soldier: Second Chances is a more recent short run where Bucky is basically running a witness protection situation for reformed villain minions that are trying to get out of the life. He ends up taking a kid under his wing and trying to figure out how to help a young kid being forced to kill.

Nathan Edmondson’s 2014 Black Widow run with Phil Noto is hands down one of my favorite story and artwork combos. Not only do you get to see Nat being a bad ass, you also get to see her in her daily life and trying to make a difference. This story brought in a ton of additional characters from Bucky and Clint to X-23 and Frank Castle, and even a surprise cameo by Anderson Cooper!

Here’s the obligatory rec for Matt Fraction’s Hawkeye run. Amazing, loved it but you can read a million other people’s rave reviews.

One run that I actually really enjoyed but kind of started on a whim was Chelsea Cain’s 2016 Mockingbird. I started reading it because I was interested in Bobbi Morse on Agents of SHIELD and DAMN did I find out how much of a badass she was on her own. The story starts out with her going to a SHIELD clinic because she’s got to get weekly check ups and is kind of starting to get some superpowers. Clint and Lance Hunter, her ex’s, are featured in the story.

Charles Soule’s 2014 She Hulk run is another favorite. I love extremely competent lawyer Jennifer Walters who just happens to also be 7 foot tall emerald green She-Hulk. The story follows her starting at a new practice and trying to balance her drive to help the little guy with needing to charge billable hours. It also intersects with the old man Steve storyline when she represents him in a wrongful death suit facing off against Marvel’s other superhero lawyer Matt Murdock/Daredevil!

If you’re looking for a non-superhero comic, Ed Brubaker’s Fadeout is my favorite. It follows WW2 vet and Hollywood screenwriter Charlie Parish who wakes up from a blackout in the same room as a murdered starlet from the film he’s working on. This has the feel of an old Hollywood film noir who done it and talks about PTSD and the Red Scare. I do want to put a trigger warning on it that it does touch on sexual abuse but it isn’t explicit.

These are just the ones that come to mind off the top of my head. If I was at my apartment I’m sure I could pull a lot more of them.

As an aside, I know that getting into comics can kind of be cost prohibitive. While I 1000% recommend going in and supporting your local shop, I also know sites like GetComics.info are helpful if you just want to browse before diving in. I may have gotten a few off there myself when money was tight or I wasn’t super invested in a character. Just make sure you have a CBR program so you can read them once they’re downloaded.

Hope this helps! And happy reading!

#Comics #Asks #Read all the things #Winter Soldier #Mockingbird #Black Widow #She-Hulk #Jane Foster

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notarelationship · 5 years

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Anderson’s Ghosts 12/24

Klaine Advent 2019: Lecture

Thanks all so much for reading my Klaine retelling of (obviously) A Christmas Carol. I am working with a thin outline, but I am very much winging this for each word and posting without a beta, so apologies for any punctuation or spelling errors, and any inconsistencies if they pop up (I am actively trying to avoid them!).

If you have missed any earlier entries they can be found at Anderson’s Ghosts, or each individual chapter: Achievement, Beer, Creed, Date, Emergency, Fist, Ground, Hiccup, Interrupt, Joy, Kinship

Read it all on AO3

Thanks again!

“Let’s get the introductions out of the way. My name is Santana, and I’m here to take you on a tour of Christmases present. Like, now. Today.” She held out her hand, like Brittany had done.

He didn’t take it. “Blaine Anderson.”

“Yeah I know,” she paused, looking puzzled, “But I don’t remember who told me.”

“Whatever you’re here to show me, it doesn’t matter. I’m ready to change.” Blaine understood that he couldn’t go back, couldn’t change the things he’d done - or the things he’d failed to do, but he could be better starting now. “Is there any chance we can skip this lesson and I can promise to be a different man in the morning?”

Santana snorted a laugh. “Not a chance Hobbit. I’ve got a job to do, and I need you to do it.” She looked Blaine up and down, like she was trying to read through him, then held out her hand again. “Are you ready?”

Blaine signed. “If I have no choice.”

“Nope,” she said, popping the p as Blaine took her hand.

Either traveling with Santana was completely different than traveling with Brittany, or he had gotten used to the experience, because Blaine blinked and he was standing in the living room of his brother’s house.

The house was full of people he didn’t know, a few he recognized as Cooper’s friends. Blaine remembered that Cooper had invited him to a party earlier that afternoon.

“Do you know any of these people?” Santana asked skeptically.

Blaine shook his head, wandering from that room to another. “Not really. They’re my brother’s friends.” He found Cooper in the kitchen, his arm around a woman Blaine had never met, talking to a few people. Blaien wondered if this was Cooper’s girlfriend, and if he’d have ever have gotten around to telling Blaine that he had one.

“Did you invite your brother again this year?” One of the men asked, but the tone in his voice suggested he was asking as a joke, not because he had any interest in Blaine’s well being.

“Yeah, of course,” Cooper answered, his face clouding for an instant. Blaine noticed the woman give Cooper a supportive squeeze.

“I imagine he was working,” another answered.

“Just as well,” said the first man. “I don’t really need another lecture on how I’m wasting my life teaching in a high school for the arts.”

“Did he actually say that to you?”

“Two years ago, at some city council meeting on a new property tax,” the man confirmed.

Had Blaine met this person? He didn’t recognize him at all.

“Look,” Cooper said. “He’s my brother and he will always be welcome in my home. Do I wish he’d lighten up, enjoy his life before it’s passed him by? Of course. I hate seeing how much like our father he’s become. But I can’t make him want something better for himself. He has to get there on his own.” He paused to kiss the woman he was with on the top of her head. “Now would anyone like another drink?”

Blaine stood there as the party went on around him, Cooper pouring drinks for his guests, everyone laughing and having a good time.

“I do want something else,” he said to himself. “I always have.”

Santana appeared by his side. “Let’s go,” she said. “We’ve got another party to get to.”

Blaine nodded, but said nothing.

#klaine advent 2019 #klaine advent: lecture #anderson's ghosts

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a-wlw-reads · 6 years

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Do the wlw end up together : YES!

I don’t review every book that ends up on this site, so here is a big long list of books where the characters do in fact end up in a relationship (that’s not to say that the book is without drama or violence, simply that the characters’ relationship withstands it).

Out on Good Behavior by Dahlia Adler

Leah on the Offbeat by Becky Albertalli (YA)

Soft on Soft by Em Ali

Jam Jars by Yonnette Anderson (tw: H)

The Teahouse Fire by Ellis Avery

Jam on the Vine by LaShonda Katrice Barnett (tw: R, SV)

Girls Made of Snow and Glass by Melissa Bashardoust (YA)

The Prince and Her Dreamer by Kayla Bashe

Don’t Tell My Mother by Brigitte Bautista (tw: H)

Karen Memory by Elizabeth Bear (YA) (tw: R, SV)

The Normal State of Mind by Susmita Bhattacharya (tw: H)

Drum Roll, Please by Lisa Jenn Bigelow (MG)

A Thin Bright Line by Lucy Jane Bledsoe (tw: H, R)

Dare Truth or Promise by Paula Boock (YA) (tw: H)

Clean Slate by Andrea Bramhall (tw: H)

Waiting in the Wings by Melissa Brayden

Georgia Peaches and Other Forbidden Fruit by Jaye Robin Brown (YA)

Far From Home by Lorelie Brown

Double Exposure by Chelsea M. Cameron

Marriage of Unconvenience by Chelsea M. Cameron

Out of the Blue by Sophie Cameron (YA)

Echo After Echo by Amy Rose Capetta

Once & Future by Amy Rose Capetta and Cori McCarthy

Once Ghosted, Twice Shy by Alyssa Cole

Labyrinth Lost by Zoraida Córdova (YA)

Of Fire and Stars by Audrey Coulthurst (YA)

Dreadnought and Sovereign by April Daniels (YA) (tw: T)

The Dark Wife by Sarah Diemer (tw: SV)

The Witch Sea by Sarah Diemer

Landing by Emma Donoghue

The Dirt Chronicles by Kristyn Dunnion (tw: H, R, SV)

Otherbound by Corinne Duyvis (YA)

Wildthorn by Jane Eagland (YA) (tw: H)

Moonstruck by Grace Ellis (graphic novel, MG)

Unicorn Tracks by Julia Ember (YA)

Solitaire by Kelley Eskridge

Motor Crush by Brendan Fletcher (comic)

Tessa Masterson Will Go to Prom by Emily Franklin and Brendan Halpin (YA) (tw: H)

Bingo Love by Tee Franklin (graphic novel)

Annie on My Mind by Nancy Garden (YA) (tw: H)

Good Moon Rising by Nancy Garden (YA) (tw: H)

Girl Mans Up by M-E Girard (YA)

Cinnamon Blade: Knife in Shining Armor by Shira Glassman

The Second Mango by Shira Glassman

Being Emily by Rachel Gold (tw: T)

Love & Other Carnivorous Plants by Florence Gonsalves

Ammonite by Nicola Griffith

Challah and Callaloo by La Toya Hankins

Ask Me How I Got Here by Christine Heppermann (YA)

The Price of Salt by Patricia Highsmith (tw: H)

The Weaver by Emmi Itäranta

Paper Love by Jae

Robins in the Night by Dajo Jago (tw: T)

Hocus Pocus & The All-New Sequel by A.W. Jantha (YA)

The Afterward by E.K. Johnston (YA)

That Inevitable Victorian Thing by E.K. Johnston (YA)

The Dime by Kathleen Kent (tw: H, R, SV, T)

Run by Kody Keplinger (YA)

The Love & Lies of Rukhsana Ali by Sabina Khan (tw: H, R, SV)

Ask the Passengers by A.S. King (YA)

Ascension by Jacqueline Koyanagi

The Paths of Marriage by Mala Kumar (tw: H)

Everything Leads to You by Nina LaCour (YA)

You Know Me Well by Nina LaCour and David Levithan

Not Your Sidekick by C.B. Lee (YA)

Adaptation and Inheritance by Malinda Lo (YA)

Ash by Malinda Lo (YA)

Huntress by Malinda Lo (YA)

Ship It by Britta Lundin (YA)

37 Things I Love (In No Particular Order) by Kekla Magoon (YA)

Dating Sarah Cooper by Siera Maley (YA)

The Ada Decades by Paula Martinac

In the Silence by Jaimie Leigh McGovern

Heart of Brass by Morven Moeller

Sappho’s Bar and Grill by Bonnie J. Morris

Falling Into Place by Sheryn Munir

Gretel: A Fairytale Retold by Niamh Murphy

Girls of Paper and Fire by Natasha Ngan (tw: SV)

Roller Girl by Vanessa North

Under the Udala Trees by Chinelo Okparanta (tw: H)

Idaho Code by Joan Opyr

The Year of the Knife by G.D. Penman

When Katie Met Cassidy by Camille Perri

P.S. I Miss You by Jen Petro-Roy (MG)

Sing You Home by Jodi Picoult (tw: H)

Her Name in the Sky by Kelly Quindlen (YA) (tw: H)

Scars by Cheryl Rainfield (YA) (tw: SV)

Final Draft by Riley Redgate (YA)

Empress of the World by Sara Ryan (YA)

I Can’t Think Straight by Shamim Sarif (tw: H)

The World Unseen by Shamim Sarif (tw: R)

She Is Me by Cathleen Schine

Tell it to the Bees by Fiona Shaw (tw: H)

Everfair by Nisi Shawl (tw: R)

Loving Her by Ann Allen Shockley (tw: H, R, SV)

The Abyss Surrounds Us and The Edge of the Abyss by Emily Skrutskie (YA)

The Summer of Jordi Perez (And the Best Burger in Los Angeles) by Amy Spalding

Edge of Glory by Rachel Spangler (tw: H)

Thaw by Elyse Springer

The Princess Deception by Nell Stark

Chameleon Moon by RoAnna Sylver

Lies We Tell Ourselves by Robin Talley (YA) (tw: R)

Our Own Private Universe by Robin Talley (YA) (tw: H)

Heavy Vinyl by Carly Usdin (comic, YA)

Beauty and the Boss by Ali Vali

The Summer I Wasn’t Me by Jessica Verdi (H, SV)

The Color Purple by Alice Walker (tw: H, R, SV)

24/7 by Yolanda Wallace

Tailor-Made by Yolanda Wallace

Bleeding Earth by Kaitlin Ward (YA)

Fingersmith by Sarah Waters

The Paying Guests by Sarah Waters (tw: H)

Tipping the Velvet by Sarah Waters (tw: H)

Treasure by Rebekah Weatherspoon

Queens of Geek by Jen Wilde (YA)

Trigger warning key:

H - homophobia

R - racism

SV - sexual violence

T - transphobia

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mariocki · 5 years

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RIP Sheila Steafel (26.5.1935 - 23.8.2019)

I recently started watching Granada's 70's children's series The Ghosts Of Motley Hall (1976 - 1978), as certain mutuals will attest, and found it suddenly became compulsive viewing - so much so that I watched all three series in a little over a week. It's with some sadness, then, that I read of the passing of Motley Hall star Sheila Steafel during that very week.

Born Sheila Frances Steafel in Johannesburg, in 1935, to English emigrees Harold and Eda, Sheila was introduced to the stage at an early age. Her father directed and acted in amateur theatre productions, whilst her mother was a gifted pianist, and her childhood was one of music and culture: both parents were involved in organising a choir at the local synagogue, which Sheila sang for. At school she got into trouble for writing a risqué pantomime - already she was making waves as a comic performer.

In 1953, Steafel abandoned her university education in South Africa and moved to Britain. She applied to study at RADA, and completed a preparatory term before being told that her 'unusual' looks and mannerisms would be a hinderence for a young performer; she was advised to wait until her thirties and try to become a character actor. She refused to give up on her career, however, instead enrolling in the renowned Webber Douglas Academy, winning the Margaret Rutherford award for comedy.

Roles on television soon followed, with guest spots on the likes of No Hiding Place (1959), and a supporting role in the 1960 adaptation of H. G. Wells' Kipps. She fared even better onstage, taking over the role of Barbara opposite Tom Courtenay in Lindsay Anderson's celebrated production of Billy Liar in 1961. There were some more genre credits - episodes of The Odd Man (1962) and it's sequel It's Dark Outside (1965), Sergeant Cork (1963) and Danger Man (1966), as well as small film roles in the likes of Daleks' Invasion Earth 2150 A.D. (1966), Quatermass And The Pit (1967) and Otley (1968). By the middle of the decade, however, Steafel was settling happily into the genre for which she had always seemed destined: comedy.

Over the next decade or so, Sheila became the first choice of support for almost every major comedian on British television. The list of shows she worked on makes for an enviable CV, and she was variously comic foil, stooge, straight-woman and love interest to anyone who was anyone in TV comedy. She worked with Peter Cook and Dudley Moore, Frankie Howerd, Eric Sykes and Spike Milligan; she was in every episode of Bernard Cribbins' 1970 sketch show, appeared alongside Tommy Cooper, The Goodies, Kenny Everett and Roy Hudd. She was part of the regular cast of the seminal satirical series That Was The Week That Was (1966 - 1967), playing against John Cleese and Ronnies Barker and Corbett, all at the start of their long careers. The 'unusual' looks that had seen her dropped from RADA did not, seemingly, prevent her from becoming an almost ubiquitous face on British comic television throughout the 1960s and 1970s - it didn't hurt, either, that she had impeccable comic timing and a versatility which meant she could turn her hand to almost any role.

In 1976, Sheila was cast in the role which, for many viewers, she would be best remembered. Richard Carpenter, the actor turned scriptwriter, had already made his name with the children's series Catweazle (1970 - 1971) when he started work on The Ghosts Of Motley Hall. Unlike his earlier work, Motley was more of an ensemble piece, following the misadventures of a group of spirits tied to a former stately home as they attempt to prevent it's sale or demolition. There were to be five ghosts in all, representing a range of eras; from Arthur English's Elizabethan jester Bodkin, through to Freddie Jones' 19th century General, Sir George Uproar. The cast was completed with Nicholas Le Prevost, as Jones' dim ancestor Sir Francis Uproar, and Sean Flanagan as young stable boy Matt. To round out the show, Carpenter needed a female character - so Steafel was cast as The White Lady, the spirit of a long-forgotten and mysterious woman whose true identity is a mystery to everyone, including herself.

I was a little wary, going into the series: although I have enjoyed quite a lot of the classic children's television I have watched as an adult, it is undeniably a mixed bag. I needn't have worried, because Motley is that rarest of things - a show that truly appeals to the whole family. It's fun and it's silly, and there's just enough excitement to cater to a young audience, but it's also filled with subtle comedy, jokes and references for the older viewer, and moments of surprising pathos. At it's heart, it is held together by five superb performances from the central cast; Freddie Jones is having just the time of his life as the loud, blustering blowhard Sir George, Arthur English is gently good humoured as the fool whose jokes have aged as badly as the Hall, and Le Prevost reveals a gift for subtle physical movements that make his moments of confusion or distraction much funnier. As a young performer up against four seasoned professionals, Flanagan equips himself very well, and makes for one of the more relatable and likeable teen leads in this kind of programme. And, floating between them, Steafel creates one of her most memorable and endearing characters. Particularly nice is the unique relationship she has with each of the others - she is the ghost best suited to calming Sir George from his pompous rages, or curtailing Bodkin's comic performances when the others have had enough - and especially in her relationship with Sir Francis. It isn't outright stated, but the two spirits are clearly close friends: whenever there is a dispute, they side together; whenever the ghosts must search the hall for an intruder or lost item, it is Francis and the White Lady who team up first; if ever one of the others is rude or ungentlemanly in her presence, Francis immediately springs to defend her honour. Most adorably, they are shown more than once to spend time together relaxing without the others - in an early episode they discover a television together, and end up practicing yoga as a duo. It's a lovely, deep, subtle friendship that is never brought centre-stage but plays itself out in the background of the main plots.

Like her earlier comedy work, Motley allowed Steafel to try her hand at new things and to stretch her performing skills - the White Lady gets some wonderful moments, and a real range of storylines. There are moments of sorrow, concerning her lost identity and feelings of isolation; fury, when the business of the other ghosts interferes with her practice of wailing on the stairs; and much comedy, particularly from the discovery late in series one that she is the only spirit that can be seen by Gudgin - the hall's caretaker, played by sitcom stalwart Peter Sallis. This revelation leads to an ongoing element in the series, as the White Lady brings messages to Gudgin and notifies him of any complaints among her fellow ghosts - her insistence that the caretaker is slowly becoming accustomed to her presence, and in fact even becoming fond of her, in the face of his obvious and continuing terror, is one of the sweetest things about her character.

Like the other four key cast members, Sheila appeared in all twenty episodes of The Ghosts Of Motley Hall. Afterwards, she continued to make television appearances, but spread her wings wider - she became a regular voice on radio, and returned to the stage, making memorable appearances in the 1985 RSC production of The Merry Wives of Windsor and as Meg in the 2006 revival of Pinter's The Birthday Party for the Bristol Old Vic. She took numerous one-woman shows to the Edinburgh Festival, and her dry wit and sparkling personality made her a regular booking on all manner of panel shows. She continued working into her later years, making numerous appearances on TV soaps like Holby City and Doctors, whilst also turning her hand to writing. Her first book was an autobiography, When Harry Met Sheila, published in 2010 - in it she recounted her long career, as well as the story of her marriage to Harry H. Corbett. The two had met as young performers and married in 1958, divorcing some six years later. Sheila didn't remarry, but had several relationships and many close friends and colleagues throughout her long and distinguished career. In 2012 she published another book, a collection of short stories based on real encounters she had in her long life. With wry good humour, she titled it Bastards. Sheila Steafel leaves a legacy of laughter and entertainment, and a litany of comic performances that would be the envy of any young actor.

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what-if-rpg · 5 years

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Welcome to the family, NATALIE! Your application to BLAINE ANDERSON was accepted. I am really happy to have you around! Make sure to read the beginners checklist, and remember, have fun! I can’t wait to roleplay with you! Have fun!

IN CHARACTER

CHARACTER NAME: Blaine Devon Anderson CHARACTER AGE & DATE OF BIRTH: 25 & August 13th OCCUPATION: Broadway actor / writer. Song writer FACE CLAIM: Blaine Anderson HOMETOWN & CITY WHERE LIVES NOW: Westerville, OH & New York City SEXUAL ORIENTATION & GENDER: Homosexual & Male RELATIONSHIP STATUS: Divorced POSITIVE TRAITS: Idealistic, Protective, Passionate NEGATIVE TRAITS: Insecure, Defensive, Needy CHARACTER QUOTE/LYRIC: “ I’ll swallow my pride, I only want to belong I’m trying my best to toughen up for these days” ANYTHING ELSE?: Any changes will be found below. SECONDARY CHARACTER CHOICE: Harmony Pearce

HEADCANONS

Blaine Devon Anderson was born into what many believed was a loving family. His mother Pam Anderson was a kind and seemingly fearless young woman: despite what her parents and family wanted, she left her first husband– a wild drunk who did not care a bit about her or their two-year-old child at the time. His father Thomas Anderson was a wealthy man who took in Pam and her young son Cooper without any issues, despite what those around him said. It was as if the two only cared about one another. It seemed that way for a long time. So, what changed? One could say that it was Thomas’ sudden promotion at his lucrative job, or having his own son and wanting him to be better than those around him. There was a side to Thomas that believed in being nothing less than great. This was a trait that he did not know would plague his young son.

Blaine is talented, there’s no doubt about it. Many who see him perform on stage just stare in awe. His flair for the theatrics however caused for concern with his family. While his parents pushed for him to continue being creative and perform, his grandparents and other family members pursued their lips and whispered about how Blaine was “not right”. At first, he didn’t understand. How was it that he was “not right” or looked at so differently than his brother. Cooper was dramatic, loved to act, dance, and sing. What was the difference? Well, it seemed to be quite simple to everyone else. Blaine was gay, even as a child, his family noticed. His father, not wanting his son to deal with the trauma the world would have thrown at him if that was true, demanded for Blaine to act manlier and just stopped showing as much support as he used to. At first, this pained the young boy, but he soon got used to it and even began to realize what others were so worried about. Yes, he was gay, and no, it wasn’t because he loved theatre or anything silly like that, but because he was born that way. Despite Blaine understanding this and slowly accepting that part of his identity, he hid it away from his family for a very long time. When he finally did come out to his parents, they didn’t seem as upset as he thought they would, in fact, even his father was accepting– though he didn’t seem too thrilled, but at the time, Blaine didn’t understand why. Nonetheless, he decided that since he was out, he would attend a school dance with another openly gay student from his school. It was fun and Blaine finally felt free! It was the best night of his life from that point and he didn’t want it to end. Alas it did and Blaine sat outside the front steps of his school with his dancing partner. They were flushed, sweaty, their hearts finally not pounding from the excitement of the dance. They waited blissfully for Blaine’s father to pick them up. The happiness and innocence soon drained away as three classmates approached them, circling around them. At the time, Blaine didn’t know how to defend himself, and neither did his friend. They tried, but to no avail. The two boys were left hospitalized, one worse than the other. His friend was left in a coma and Blaine ran away from his old school, never turning back.

Dalton Academy was worlds away from Blaine’s old high school. He didn’t have to worry about homophobes, and he actually fit in. Still, Blaine looked over his shoulder, memories of the attack sparking every so often. An upperclassman noticed and took Blaine under his wing. He helped Blaine by teaching him self defense and how to fight. That wasn’t enough for the young Anderson, however, he needed to see that he could actually win if someone were to try to attack him again. The idea really came after one training session. The night he returned from the session he was flipping through the channels, mindlessly watching TV. He only stopped once a particular movie flashed onto the screen. Fight Club. The idea just popped into his head and there was no taking it away. Blaine soon became the leader of the Dalton Academy Fight Club. With that and soon joining the Warblers, the confidence that Blaine never had before just flew inside of him. He was soon able to help people that he probably would not have been able to before. One person he helped was Kurt Hummel, a lost student who changed Blaine’s life forever.

Blaine’s life was a roller coaster after he met Kurt. The two started dating and Blaine even transferred to McKinley to make Kurt’s senior year the best it can be. Once Kurt graduated and Blaine talked to him about moving to New York, things began to get rocky. The attention was no longer there, it was hard to get into contact with his boyfriend. He was left behind. Thinking that there was no more Kurt and Blaine, the sullen Blaine turned to a mystery boy, hooking up with him. He instantly regretted it, in fact, he flew to New York to tell Kurt what he had done. The two ended up breaking up, leaving Blaine with guilt and depression. Still, he fought for another chance and even proposed once things appeared to be better between them. Of course, it wasn’t that simple. They were moving fast, faster than Kurt’s liking at least. The two broke up once again, leaving Blaine in shambles. He left to ohio again, his tail between his legs and in a dark place again. After dating another and a strange event in an elevator, Blaine and Kurt got back together, getting married right after. At first, things actually seemed to be going fine, far better than when they were dating. They even had a child– with the help of Rachel and Quinn. Blaine was happy.

All good things come to an end. The time together was no longer there. Work and other things seemed to get in the way. Blaine was left on the side lines. He felt lost, confused, angry. When the separation happened, it was as though Blaine’s whole world came falling down, all the color in the world just faded. Of course, he still has to keep a smile for his daughter. It’s been hard for Blaine being alone again. he’s trying to pick himself up again, and hopefully he will.

CONNECTIONS

THOMAS & PAM ANDERSON: Thomas and Pam are Blaine’s parents. While Blaine has a great relationship with his mother, things can be better with his father. The two don’t hate each other, but there are unspoken issues that fester. COOPER ANDERSON (brother): Truly, Blaine’s half brother, but they don’t see it that way. They’re not as close as Blaine would like, but they do talk every now and then. KURT HUMMEL (EX-Husband): Kurt and Blaine separated around October 2018 due to irreconcilable differences. At least that is what it is officially. Kurt was getting too busy and never had time for Blaine anymore, however, there is still love between them through the things they experienced together. They are in the process of sorting out their divorce along with joint custody of their daughter - Serena. She will be two as of July 2019. Kurt hopes they can still be friends for the sake of their daughter, and while Blaine wants to do the same, there is still animosity between them, at least, on Blaine’s side. SERENA HUMMEL-ANDERSON (Daughter): Blaine’s pride and joy, the main reason he didn’t just stay locked in his new apartment once he tried to move on with his life. SAM EVANS (EX-Crush & Best Friend): Sam and Blaine become friends when they are persuaded to run for Senior Class President together. Following that, Sam helps Blaine deal with the latter’s failing relationship with Kurt. It is thanks to Sam that Blaine manages to overcome his guilt regarding Kurt back when they were younger and Blaine cheated on Kurt. And that was what made Blaine fall Sam. He fell for how nice and funny Sam was, so different from Kurt, exactly what he needed at that time. But, Sam was not into him, and they decided to stay just friends. Now, they continue best friends, and always helping one another, no matter what, they are in this together. TINA COHEN-CHANG (Best Friend): Their friendship started almost as he joined Glee Club, but only when the Seniors left that the two of them got closer. They even joined the Cheerios together! But, as Tina started to fall for him, Blaine tried to make her see that there was nothing more than a good friendship between them. Yes, it took them both time until they were close again, but, now, they are good friends. SEBASTIAN SMYTHE (Frenemy): Blaine heard about Sebastian only a couple months after he left Dalton Academy. He was so sure that Dalton wouldn’t be able to find someone as talented as him that when he heard that a guy called Sebastian had transferred and taken his place of Captain, he couldn’t believe it. He needed to meet him! And the truth was that once they met, there was a lot of chemistry, and if it was not for Kurt, maybe they had been more than friends. But, all the chemistry went away when they started to ‘hate’ each other, and have a very complicated friendship that even ended with Blaine in the hospital. Only a few time later they were able to make up, and now, yes, Blaine still has a hard time trusting and believing in Sebastian, but they are friendly. RACHEL BERRY (Best Friend): Rachel was the only person that made Blaine question his sexuality. Maybe it was all the chemistry they had or all the songs they used to sing together, but she was the only one that ever made him think, okay, maybe I am not gay. They even went on a date, they even shared a kiss, but, after that, he was sure that he was 100% gay. Now, they work together on Broadway, but are still waiting for the moment they are able to share the stage, so far, they share the stage on private parties where they continue singing and dancing together. While they used to be close, Blaine closed himself off after the separation from Kurt.

#Blaine Anderson #Accepted #Glee RP #Glee RPG #RP #RPG

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tocinephile · 6 years

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The Morning After - Oscars 2019 Edition

My favourite photo from the 91st Academy Awards

My two favourite moments from last night’s Oscars are better represent in audio, those being Olivia Coleman’s speech when she won Best Actress over the heavily favoured Glenn Close, and when Rayka Zehtabchi exclaimed “I can’t believe a film on menstruation won an Oscar!”

It was fun keeping up with everyone’s reactions and remarks during the awards, and chiming in with many of my own even though I do, as always, find the speed of twitter a little breakneck. Also friends and colleagues who, knowing that I’m a big movie buff, came by or message me to discuss last night’s show. At times we got animated enough that random passerbys and company VPs felt the need to chime in, which is the best gathering of the minds possible in my world.

Here’s a list of the winners and what I thought of each recipient:

Best Picture

“Black Panther” “BlacKkKlansman” “Bohemian Rhapsody” “The Favourite” “Green Book” (WINNER) “Roma” “A Star Is Born” “Vice”

While not entirely classy of Spike Lee to turn his back when Green Book was announced, he was able to joke about it later that every time a film about driving was pit against his own film, he would lose to it (Do the Right Thing lost to Driving Miss Daisy) My silver lining was knowing that TIFF audiences picked yet another Best Picture winner. We do have quite a track record, don’t we? I really thought the Academy was going to make a different type of history in diversity by awarding a foreign film (Roma) with Best Picture. Or at least Black Panther, that would’ve been cool too.

Director

Spike Lee, “BlacKkKlansman” Pawel Pawlikowski, “Cold War” Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” (WINNER) Adam McKay, “Vice”

I agree with this win.

Lead Actress

Yalitza Aparicio, “Roma” Glenn Close, “The Wife” Olivia Colman, “The Favourite” (WINNER) Lady Gaga, “A Star Is Born” Melissa McCarthy, “Can You Ever Forgive Me?”

I was ecstatic to have guessed wrong in my Oscar picks for this category. Both Olivia Coleman and Glenn Close were such strong contenders (as was Melissa McCarthy). Glenn Close carried her film, Olivia Coleman elevated her already very good movie to another level.

Lead Actor

Christian Bale, “Vice” Bradley Cooper, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” (WINNER) Viggo Mortensen, “Green Book”

It’s nice that Rami Malek won, and I guessed he would. But I think Christian Bale was still better.

Original Song

“All The Stars” from “Black Panther” by Kendrick Lamar, SZA “I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson “The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice (WINNER) “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch

I don’t think any other song legitimately had a chance.

Original Score

“BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson (WINNER) “If Beale Street Could Talk,” Nicholas Britell “Isle of Dogs,” Alexandre Desplat “Mary Poppins Returns,” Marc Shaiman, Scott Wittman

One last time I’ll say this: Where was First Man? After not seeing it on the list I really had no one to root for.

Adapted Screenplay

“The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee (WINNER) “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty “If Beale Street Could Talk,” Barry Jenkins “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters

I think a writing Oscar is an excellent award for Spike Lee to win. I’m rarely familiar with the original story vs its adaptation, therefore it’s hard to say who did the best job of adapting their source material. That said, any way you slice it, BlacKkKlansman was a great script.

Original Screenplay

“The Favourite,” Deborah Davis, Tony McNamara “First Reformed,” Paul Schrader “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly (WINNER) “Roma,” Alfonso Cuarón “Vice,” Adam McKay

While I put my money on Green Book, I can’t fathom why anyone would think it’s a better script than The Favourite nor Vice (I didn’t see First Reformed, and I think Roma is at least on par with Green Book) Destroyer was an original script right? I’m personally disappointed it wasn’t up for any writing awards.

Live Action Short Film

“Detainment,” Vincent Lambe “Fauve,” Jeremy Comte “Marguerite,” Marianne Farley “Mother,” Rodrigo Sorogoyen “Skin,” Guy Nattiv (WINNER)

I didn’t watch any of the shorts this year.

Visual Effects

“Avengers: Infinity War” “Christopher Robin” “First Man” (WINNER) “Ready Player One” “Solo: A Star Wars Story”

Again, please to be wrong in this category. If anything I would have said First Man stood out more in audio achievement, but visual effects were also excellent and I’m glad the film got at least one Oscar because it is such a fine technical achievement.

Documentary Short Subject

“Black Sheep,” Ed Perkins “End Game,” Rob Epstein, Jeffrey Friedman “Lifeboat,” Skye Fitzgerald “A Night at the Garden,” Marshall Curry “Period. End of Sentence.,” Rayka Zehtabchi (WINNER)

Amazing acceptance speech. I want to see this now.

Animated Short

“Animal Behaviour,” Alison Snowden, David Fine “Bao,” Domee Shi (WINNER) “Late Afternoon,” Louise Bagnall “One Small Step,” Andrew Chesworth, Bobby Pontillas “Weekends,” Trevor Jimenez

Also a fine, inspiring acceptance speech by Domee Shi. I didn’t see any other shorts but I did watch Bao several times over and my Torontonian pride swelled when it won. Growing up Asian, there’s a lot of embedded humour in this short as well, the husband character is still my absolute favourite.

Animated Feature

“Incredibles 2,” Brad Bird “Isle of Dogs,” Wes Anderson “Mirai,” Mamoru Hosoda “Ralph Breaks the Internet,” Rich Moore, Phil Johnston “Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman (WINNER)

I really gotta see this movie.

Supporting Actor

Mahershala Ali, “Green Book” (WINNER) Adam Driver, “BlacKkKlansman” Sam Elliott, “A Star Is Born” Richard E. Grant, “Can You Ever Forgive Me?” Sam Rockwell, “Vice”

As expected. Though Richard E Grant is still my favourite, anyone catch his interview with Ryan Seacrest on the red carpet? And how he’s besties with Melissa McCarthy now? Love it.

Film Editing

“BlacKkKlansman,” Barry Alexander Brown “Bohemian Rhapsody,” John Ottman (WINNER) “Green Book,” Patrick J. Don Vito “The Favourite,” Yorgos Mavropsaridis “Vice,” Hank Corwin

Fixing up a film in editing doesn’t warrant it as best edited film of the year! I cannot believe Bohemain Rhapsody won in this category. Especially again films such as The Favourite and Vice, the former’s editing has a hand in shaping its visual mastery, the latter is entirely built from the art of editing. What the hell?

Foreign Language Film

“Capernaum” (Lebanon) “Cold War” (Poland) “Never Look Away” (Germany) “Roma” (Mexico) (WINNER) “Shoplifters” (Japan)

Capernaum was still better ;)

Sound Mixing

“Black Panther,” Steve Boeddeker, Brandon Proctor and Peter Devlin “Bohemian Rhapsody,” Paul Massey, Tim Cavagin and John Casali (WINNER) “First Man,” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis “Roma,” Skip Lievsay, Craig Henighan and José Antonio García “A Star Is Born,” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

-and-

Sound Editing

“Black Panther,” Benjamin A. Burtt, Steve Boeddeker “Bohemian Rhapsody,” John Warhurst (WINNER) “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Roma,” Sergio Diaz, Skip Lievsay

Just because a film is about music doesn’t automatically qualify it for best sound! Have all the Academy voters gone out of their mind??? If you’re gonna go by that misguided logic then at least give it to A Star is Born. It’s been a day and I still can’t fathom how anyone could think the sound editing of Bohemian Rhapsody is better than First Man, A Quiet Place, and Roma!

Cinematography

“Cold War,” Lukasz Zal “The Favourite,” Robbie Ryan “Never Look Away,” Caleb Deschanel “Roma,” Alfonso Cuarón (WINNER) “A Star Is Born,” Matthew Libatique

This was a pretty stacked category and Alfonso Cuaron did make a beautiful looking film. I don’t know if it was more striking that Cold War or The Favourite, but all in all he did deserve the win.

Production Design

“Black Panther,” Hannah Beachler (WINNER) “First Man,” Nathan Crowley, Kathy Lucas “The Favourite,” Fiona Crombie, Alice Felton “Mary Poppins Returns,” John Myhre, Gordon Sim “Roma,” Eugenio Caballero, Bárbara Enrı́quez

Fine. At least it wasn’t Roma, and I get that more often than not the period film usually wins it, so it’s cool to shake it up. The Favourite is still my fav.

Costume Design

“The Ballad of Buster Scruggs,” Mary Zophres “Black Panther,” Ruth E. Carter (WINNER) “The Favourite,” Sandy Powell “Mary Poppins Returns,” Sandy Powell “Mary Queen of Scots,” Alexandra Byrne

Again, I like The Favourite more.

Makeup and Hairstyling

“Border,” Göran Lundström and Pamela Goldammer “Mary Queen of Scots,” Jenny Shircore, Marc Pilcher and Jessica Brooks “Vice,” Greg Cannom, Kate Biscoe and Patricia Dehaney (WINNER)

I’d have been surprised if anyone else won.

Documentary Feature

“Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi (WINNER) “Hale County This Morning, This Evening,” RaMell Ross “Minding the Gap,” Bing Liu “Of Fathers and Sons,” Talal Derki “RBG,” Betsy West, Julie Cohen

:) That’s the one I picked.

Supporting Actress

Amy Adams, “Vice” Marina de Tavira, “Roma” Regina King, “If Beale Street Could Talk” (WINNER) Emma Stone, “The Favourite” Rachel Weisz, “The Favourite”

I preferred Rachel Weisz and Emma Stone’s performances. Amy Adams even.

So, that’s it for awards season 2019. I did pitiful in my predictions this year because I was way off on the technical awards, not to mention some big ones too like Best Picture.

I’ll wrap it up by recommending that you watch First Man (with a good sound set up as it is superb technical, has a great score, and supporting actress Claire Foy), Destroyer (for its story and Nicole Kidman), The Hate U Give (that delivers a much stronger message than Green Book ever will), and Beautiful Boy (where supporting actor Timothee Chalamet actually has a sizable role).

#Oscars 2019 #oscars

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dweemeister · 6 years

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My alternative 91st Academy Awards

As always during 31 Days of Oscar, I partake in an annual fantasy. What would the Oscars look like if I stuffed the ballots - choosing every single nomination and choosing every single winner? It always would look a lot different. Fans of Black Panther and Bohemian Rhapsody and Vice? Come at me.

91st Academy Awards – February 24, 2019 Dolby Theatre – Hollywood, Los Angeles, California Host: None Broadcaster: ABC

Best Picture: ROMA

BlacKkKlansman, Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, and Spike Lee (Focus)

Burning (KOR), Lee Joon-dong and Lee Chang-dong (Pinehouse Film/Now Film/NHK/CGV Arthouse/Well Go USA Entertainment)

Eighth Grade, Scott Rudin, Eli Bush, Lila Yacoub, and Christopher Storer (A24)

The Favourite, Ceci Dempsey, Ed Guiney, Lee Magiday, and Yorgos Lanthimos (Fox Searchlight)

Mission: Impossible – Fallout, J.J. Abrams, Tom Cruise, Christopher McQuarrie, and Jake Myers (Paramount)

Roma (MEX), Alfonso Cuarón, Gabriela Rodriguez, and Nicolas Celis (Netflix)

Shoplifters (JPN), Matsuzaki Kaoru, Yose Akihiko, and Taguchi Hijiri (AOI Promotion/Fuji TV/GAGA/Magnolia Pictures)

Spider-Man: Into the Spider-Verse, Avi Arad, Ami Pascal, Phil Lord, Christopher Miller, and Christina Steinberg (Columbia)

A Star Is Born, Bill Gerber, Jon Peters, Bradley Cooper, Todd Phillips, and Lynette Howell Taylor (Metro-Goldwyn-Mayer/Warner Bros.)

Won’t You Be My Neighbor?, Morgan Neville, Caryn Capotosto, and Nicholas Ma (Focus)

Wholesale changes in this category compared to real life. The best three films of 2018, to me, were Burning, Roma, and Shoplifters -- none of these were in the English language. Films I tossed for Best Picture were Black Panther, Bohemian Rhapsody, Green Book, and Vice. I don’t think any of those four films have any business being in this category. In their place are the likes of Eighth Grade, Spider-Man: Into the Spider-Verse, Won’t You Be My Neighbor?, and one of the most technically marvelous action films in decades in Mission: Impossible -- Fallout. Yes, an M:I film (superb editing, setpieces, and audacious style that finally wakes the franchise up).

But I’m going for an unexciting pick according to some with Roma. To use an oxymoron, it is an intimate epic -- one crafted beautifully, daring to comment on relations between ethnicities and the sexes at a certain time in Mexico.

Best Director

Lee Chang-dong, Burning

Alfonso Cuarón, Roma

Hirokazu Koreeda, Shoplifters

Christopher McQuarrie, Mission: Impossible – Fallout

Paul Schrader, First Reformed

If you’re scratching your head, yes... Paul Schrader was nominated for Director in my ceremony, but First Reformed is nowhere to be found in Picture. I tend to do this for one Best Director nominee every year.

Best Actor

Christian Bale, Vice

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Rami Malek, Bohemian Rhapsody

Yoo Ah-in, Burning

The real-life Best Actor category this year is the most dire slate in a while. So here is your palate cleanser.

Best Actress

Yalitza Aparicio, Roma

Glenn Close, The Wife

Olivia Colman, The Favourite

Elsie Fisher, Eighth Grade

Lady Gaga, A Star Is Born

It is not so much acting, as inhabiting. And, as a non-professional actress, Yalitza Aparicio has it. And I believe that, in my alternate Oscar universe (yes, I’ve drawn up and thought about it for many ceremonies past... I’ll reveal those some day), Aparicio would be the first indigenous woman to be awarded an acting Oscar.

Best Supporting Actor

Mahershala Ali, Green Book

Richard E. Grant, Can You Ever Forgive Me?

Josh Hamilton, Eighth Grade

Tim Blake Nelson, The Ballad of Buster Scruggs

Steven Yeun, Burning

Ali is good, don’t get me wrong. But, compared to the movie Moonlight and his performance in it, it looks like he is about to get a second Oscar for a far worse movie and a lesser role. Ali is fourth or fifth in this lineup for me. Grant is fantastic in Can You Ever Forgive Me?

Best Supporting Actress

Regina King, If Beale Street Could Talk

Emma Stone, The Favourite

Marina de Tavira, Roma

Rachel Weisz, The Favourite

Michelle Yeoh, Crazy Rich Asians

This comes down to the fact I couldn’t separate Stone and Weisz’s performances in their saucy movie. Nor could I find the argument to give de Tavira or Yeoh the Oscar. This is a bit of a default choice, I hate to say.

Best Adapted Screenplay

Joel Coen and Ethan Coen, The Ballad of Buster Scruggs

Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee, BlacKkKlansman

Nicole Holofcener and Jeff Whitty, Can You Ever Forgive Me?

Barry Jenkins, If Beale Street Could Talk

Debra Granik and Anne Rosellini, Leave No Trace

Spike Lee would have at least one or two Oscars in my alternative universe by this point! The difference between the screenplays for BlacKkKlansman and Can You Ever Forgive Me? is far slighter than you think.

Best Original Screenplay

Bo Burnham, Eighth Grade

Deborah Davis and Tony McNamara, The Favourite

Paul Schrader, First Reformed

Alfonso Cuarón, Roma

Hirokazu Koreeda, Shoplifters

Not even a contest if you asked me. This category is something else if I consider The Favourite and Roma bringing up the rear. But Koreeda’s drama about a found family that does what they can to survive is the culmination of what he has done in his career thus far. This is his Oscar.

Best Animated Feature

Incredibles 2 (Pixar/Walt Disney)

Night is Short, Walk On Girl, Japan (GKIDS/Toho Company)

Ruben Brandt, Collector, Hungary (Mozinet/Sony Pictures Classics)

Spider-Man: Into the Spider-Verse (Columbia)

Tito and the Birds, Brazil (Bits Produções/Shout! Factory)

Longtime followers know that I have unorthodox opinions about animated features. The only Animated Feature Oscar I’ve handed to Pixar/Walt Disney Animation Studios since beginning this tradition in 2013 was for Inside Out. I thought Ralph Breaks the Internet was a painful addition to the Disney animated canon, so it is not here. Nor is Wes Anderson’s culturally insensitive Isle of Dogs or Mamoru Hosoda’s sloppy Mirai. At the end of the day? No boat-rocking this time, except in some of the other nominees.

Best Documentary Feature

Free Solo (National Geographic)

Hale County This Morning, This Evening (The Cinema Guild)

Minding the Gap (ITVS/Kartemquin Films/Hulu/Magnolia Pictures)

Three Identical Strangers (CNN/Channel 4/Neon)

Won’t You Be My Neighbor? (Focus)

Shoulda been nominated! Shoulda won! But in the spirit of Mister Rogers’ Neighborhood, these are all great documentaries. Minding the Gap is a close #2.

Best Foreign Language Film

Burning, South Korea

Capernaum, Lebanon

Cold War, Poland

Roma, Mexico

Shoplifters, Japan

Best Cinematography

Alfonso Cuarón, Roma

Caleb Deschanel, Never Look Away (GER)

Rob Hardy, Mission: Impossible – Fallout

Matthew Libatique, A Star Is Born

Łukasz Żal, Cold War

Best Film Editing

Barry Alexander Brown, BlacKkKlansman

Jay Cassidy, A Star Is Born

Tom Cross, First Man

Eddie Hamilton, Mission: Impossible – Fallout

Yorgos Mavropsaridis, The Favourite

Best Original Musical*

Julia Michels, A Star Is Born

Marc Shaiman and Scott Wittman, Mary Poppins Returns

Sia, Greg Kurstin, Scott Walker, and Margaret Yen, Vox Lux

*Best Original Musical – known previously as several other names – exists in the Academy’s rulebooks, but requires activation from the Academy’s music branch. To qualify, a film must have no fewer than five original songs. This category was last activated when Prince won for Purple Rain (1984).

Best Original Score

Michael Giacchino, Incredibles 2

Justin Hurwitz, First Man

John Powell, Solo

Alan Silvestri, Ready Player One

Brian Tyler, Crazy Rich Asians

The Star Wars universe is in good musical hands when John Williams leaves after Episode IX!

Best Original Song

“All the Stars”, music by Kendrick Lamar, Sounwave, and Anthony Tiffith, lyrics by Lamar, SZA, and Tiffith, Black Panther

“Nowhere to Go but Up”, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, Mary Poppins Returns

“The Place Where Lost Things Go”, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, Mary Poppins Returns

“Shallow”, music and lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt, A Star Is Born

“When a Cowboy Trades His Spurs for Wings”, music and lyrics by David Rawlings and Gillian Welch, The Ballad of Buster Scruggs

Best Costume Design

Alexander Byrne, Mary Queen of Scots

Ruth E. Carter, Black Panther

Sandy Powell, The Favourite

Sandy Powell, Mary Poppins Returns

Mary E. Vogt, Crazy Rich Asians

Best Makeup and Hairstyling

Cindy Harlow and Camille Friend, Black Panther

Göran Lundström and Pamela Goldammer, Border (SWE)

Jenny Shircore, Marc Pilcher, and Jessica Brooks, Mary Queen of Scots

Amanda Knight and Lisa Tomblin, Solo

Greg Cannom, Kate Biscoe, and Patricia Dehaney, Vice

Best Production Design

Hannah Beachler, Black Panther

Nelson Coates, Crazy Rich Asians

Fiona Crombie, The Favourite

Nathan Crowley, First Man

John Myhre, Mary Poppins Returns

Best Sound Editing

Benjamin A. Burt and Steve Boeddeker, Black Panther

Ai-Ling Lee and Mildred Iatrou Morgan, First Man

James Mather, Victoria Freund, and Nina Norek, Mission: Impossible – Fallout

Ethan Van der Ryn and Erik Aadahl, A Quiet Place

Richard Hymns, Gary Rydstrom, Cameron Barker, and Doug Winningham, Ready Player One

Best Sound Mixing

John Casali, Paul Massey, Tim Cavagin, and Niv Adiri, Bohemian Rhapsody

Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis, First Man

Chris Munro, Paul Munro, Lloyd Dudley, and Mark Timms, Mission: Impossible – Fallout

Michael Barosky, Brandon Proctor, and Michael Barry, A Quiet Place

Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow, A Star Is Born

Best Visual Effects

Daniel DeLeeuw, Jen Underdahl, Kelly Port, Matt Aitken, Dan Sudick, Avengers: Infinity War

Christopher Lawrence, Michael Eames, Theo Jones, and Chris Corbould, Christopher Robin

Paul Lambert, Ian Hunter, Tristan Myles, and J. D. Schwalm, First Man

Roger Guyett, Grady Cofer, Matthew E. Butler, and David Shirk, Ready Player One

Rob Bredow, Patrick Tubach, Neal Scanlan, and Dominic Tuohy, Solo

Best Documentary Short

Black Sheep (Lightbox Entertainment/The Guardian)

End Game (Netflix)

Lifeboat (Spin Film/RYOT Films)

A Night at the Garden (Field of Vision)

Period. End of Sentence. (Guneet Monga)

My omnibus review of this year’s nominees is coming soon (check this space later).

Best Live Action Short

Detainment (Twelve Media)

Fauve, Canada (H264 Distribution)

Marguerite, Canada (H264 Distribution)

Mother, Spain (Apache Films/Caballo Films/Malvalanda)

Skin (New Native Pictures/Salaud Morisset)

My omnibus review of this year’s nominees is coming soon (check this space later).

Best Animated Short

Animal Behaviour (National Film Board of Canada)

Bao (Pixar/Walt Disney)

Late Afternoon (Cartoon Saloon)

One Small Step (Taiko Studios)

Weekends (Past Lives Productions)

My omnibus review of this year’s nominees can be read here.

Academy Honorary Awards: Cicely Tyson, Lalo Schifrin, and Marvin Levy

Irving G. Thalberg Memorial Award: Kathleen Kennedy and Frank Marshall

MULTIPLE NOMINEES (24) Eight: The Favourite; Roma Seven: First Man; A Star Is Born Six: Mission: Impossible – Fallout Five: Black Panther; Burning; Mary Poppins Returns Four: Crazy Rich Asians; Eighth Grade; Shoplifters Three: The Ballad of Buster Scruggs; BlacKkKlansman; First Reformed; Ready Player One, Solo Two: Bohemian Rhapsody; If Beale Street Could Talk; Incredibles 2; Mary Queen of Scots; A Quiet Place; Spider-Man: Into the Spider-Verse; Vice; Won’t You Be My Neighbor?

WINNERS 4 wins: Roma 2 wins: First Man; Mary Poppins Returns 1 win: BlacKkKlansman; Black Panther; Border; Can You Ever Forgive Me?; Cold War; Crazy Rich Asians; First Reformed; If Beale Street Could Talk; Marguerite; Mission: Impossible – Fallout; Shoplifters; Solo; Spider-Man: Into the Spider-Verse; A Star Is Born; Weekends; Won’t You Be My Neighbor?

19 winners from 25 categories. 39 feature-length films and 15 short films were represented.

#91st Academy Awards #Oscars #31 Days of Oscar

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jackiebarnard11 · 6 years

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(updated 3/11/19)

Drum roll…

These FIVE Oscar Pool Players Will Now Receive a Prize-In-the-Mail!!

First place: Jane!

This is Jane’s 5th Oscar Pool and 4th win!

Jane is the Meryl Streep and Katherine Hepburn of the Oscar Pool...

Second Place Three-Way Tie: Caroline, Josh, and Sam!

This is Caroline’s 3rd Oscar Pool and 1st win!

This is Josh’s 5th Oscar Pool and 1st win!

This is Sam’s 5th Oscar Pool and 2nd win! - see new 3/11/19 press posting with his prize-in-the-mail. The Academy confirms all prizes are now in the mail.

In last, but not least place, Diana who also was the first to join this year’s pool – thank you!

Final scores:

Jane 17

Caroline 14

Josh 14

Sam 14

Lizz 13

Ben 12

Sarah 11

David 10

Holly 10

Mollie 10

Debbie 9

Rebecca 9

Amanda 7

Tracy 7

Jeanne 6

John 5

Patty 5

Diana 4

My ballot doesn’t count, but I got 9 correct 😊

I liked this year’s Oscars; had to watch it over two days on DVR…but it was fun. I especially liked 3 of the song nominee performances: Bette Midler (Mary Poppins), Jennifer Hudson (RGB), Lady Gaga/Bradley Cooper (A Star if Born). Loved Olivia Colman’s and Alfonso Cuaron’s acceptance speeches, too.

Thanks to the 19 of you who played; the biggest turnout thanks to Sam getting his friends to play! This was fun.

Winners: stand-by your mail boxes for your coveted 2019 Oscar Pool prize-in-the-mail!! (small type: you must send me a photo of you with your prize-in-the-mail and be available at anytime for interviews and TV appearances!)

Congratulations again Jane, Caroline, Josh, Sam, and Diana!

2019 official Oscars website with stuff:

https://www.oscars.org/oscars/ceremonies/2019

Random comments below from me with the full list (updated 3/11/19):

Best Picture:

“Black Panther” - JT: Fun but sometimes get bored by marvel-type movies

“BlacKkKlansman” - JT: Sam says problematic FBI wrong doings, we liked it

“Bohemian Rhapsody” - JT: well done. Debbie has seen this at least 3 times!

“The Favourite” - JT: I liked it but a bit dark for me

“Green Book” - winner. JT: entertaining, but bit dated, formulaic. Lots of criticism out there on this choice.

“Roma” - JT: great

“A Star Is Born” - JT: I want to see this. There’s an “encore” version playing in NY for one week w/20 extra minutes..

3/11/19 update: we saw the “Encore” this weekend. 12 extra minutes...I loved it and thought Bradley Cooper did a great job and what a good singer! Lady Gaga was amazing, what a good actress! Very sweet, romantic, believable (except for two glaring moments to me: one when they first met and two, when they first sing together). Otherwise, now I want to get to know the soundtrack and see the other versions (Streisand, Judy Garland, Mitzi Gaynor). I just bought “American Sniper” with Bradley Cooper on Google Play for $3.99...

“Vice”

Lead Actor:

Christian Bale, “Vice”

Bradley Cooper, “A Star Is Born”

Willem Dafoe, “At Eternity’s Gate”

Rami Malek, “Bohemian Rhapsody” - winner

Viggo Mortensen, “Green Book” - JT: just saw yesterday at the schmancy dine-in IPic theatre South Street Seaport. Thought he was really good and should have won best actor, though I loved, loved Rami’s performance. Haven’t seen much Viggo - his movies are too rough for me

Lead Actress:

Yalitza Aparicio, “Roma”

Glenn Close, “The Wife” - she was good, but I found the movie mediocre, so not surprised she didn’t win this time

Olivia Colman, “The Favourite” - winner

Lady Gaga, “A Star Is Born”

Melissa McCarthy, “Can You Ever Forgive Me?” - JT: excellent movie and she was amazing; could have won this.

Supporting Actor:

Mahershala Ali, “Green Book” - winner

Adam Driver, “BlacKkKlansman”

Sam Elliott, “A Star Is Born”

Richard E. Grant, “Can You Ever Forgive Me?” - JT: he was excellent

Sam Rockwell, “Vice”

Supporting Actress:

Amy Adams, “Vice”

Marina de Tavira, “Roma”

Regina King, “If Beale Street Could Talk” - winner - JT: want to see this

Emma Stone, “The Favourite”

Rachel Weisz, “The Favourite”

Director:

Spike Lee, “BlacKkKlansman” - JT: should have won in my opinion even though Roma was great

Pawel Pawlikowski, “Cold War” - JT: want to see

Yorgos Lanthimos, “The Favourite”

Alfonso Cuarón, “Roma” - winner

Adam McKay, “Vice”

Animated Feature:

“Incredibles 2,” Brad Bird

“Isle of Dogs,” Wes Anderson

“Mirai,” Mamoru Hosoda

“Ralph Breaks the Internet,” Rich Moore, Phil Johnston

“Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman - winner - JT: so good, trippy, fun to see on big screen

Animated Short:

“Animal Behaviour,” Alison Snowden, David Fine

“Bao,” Domee Shi - winner - JT: want to see

“Late Afternoon,” Louise Bagnall

“One Small Step,” Andrew Chesworth, Bobby Pontillas

“Weekends,” Trevor Jimenez

Adapted Screenplay:

“The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen

“BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee - winner - JT: good choice

“Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty

“If Beale Street Could Talk,” Barry Jenkins

“A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters

Original Screenplay:

“The Favourite,” Deborah Davis, Tony McNamara

“First Reformed,” Paul Schrader

“Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly - winner

“Roma,” Alfonso Cuarón

“Vice,” Adam McKay

Cinematography:

“Cold War,” Lukasz Zal

“The Favourite,” Robbie Ryan

“Never Look Away,” Caleb Deschanel

“Roma,” Alfonso Cuarón - winner

“A Star Is Born,” Matthew Libatique

Best Documentary Feature:

“Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi - winner

“Hale County This Morning, This Evening,” RaMell Ross

“Minding the Gap,” Bing Liu

“Of Fathers and Sons,” Talal Derki

“RBG,” Betsy West, Julie Cohen - JT: still need to see this

Best Documentary Short Subject:

“Black Sheep,” Ed Perkins - JT: Sam told us this was produced by The Guardian newspaper!

“End Game,” Rob Epstein, Jeffrey Friedman

“Lifeboat,” Skye Fitzgerald

“A Night at the Garden,” Marshall Curry

“Period. End of Sentence.,” Rayka Zehtabchi - winner - JT: this is free on Netflix, excellent, funny, touching

Best Live Action Short Film:

“Detainment,” Vincent Lambe

“Fauve,” Jeremy Comte

“Marguerite,” Marianne Farley

“Mother,” Rodrigo Sorogoyen

“Skin,” Guy Nattiv - winner

Best Foreign Language Film:

“Capernaum” (Lebanon) - JT: must see, so moving and well done

“Cold War” (Poland) - want to see

“Never Look Away” (Germany)

“Roma” (Mexico) - winner

“Shoplifters” (Japan) - JT: we are probably renting it for $3.99 today..

3/11/19 update: wow, what a wonderfully filmed, acted film. Sweet, but also very heartbreaking.

Film Editing:

“BlacKkKlansman,” Barry Alexander Brown

“Bohemian Rhapsody,” John Ottman - winner

“Green Book,” Patrick J. Don Vito

“The Favourite,” Yorgos Mavropsaridis

“Vice,” Hank Corwin

Sound Editing:

“Black Panther,” Benjamin A. Burtt, Steve Boeddeker

“Bohemian Rhapsody,” John Warhurst - winner

“First Man,” Ai-Ling Lee, Mildred Iatrou Morgan

“A Quiet Place,” Ethan Van der Ryn, Erik Aadahl

“Roma,” Sergio Diaz, Skip Lievsay

Sound Mixing:

“Black Panther”

“Bohemian Rhapsody” - winner

“First Man”

“Roma”

“A Star Is Born”

Production Design:

“Black Panther,” Hannah Beachler - winner

“First Man,” Nathan Crowley, Kathy Lucas

“The Favourite,” Fiona Crombie, Alice Felton

“Mary Poppins Returns,” John Myhre, Gordon Sim

“Roma,” Eugenio Caballero, Bárbara Enrı́quez

Original Score:

“BlacKkKlansman,” Terence Blanchard

“Black Panther,” Ludwig Goransson - winner

“If Beale Street Could Talk,” Nicholas Britell

“Isle of Dogs,” Alexandre Desplat

“Mary Poppins Returns,” Marc Shaiman, Scott Wittman

Original Song:

“All The Stars” from “Black Panther” by Kendrick Lamar, SZA

“I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson

“The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman

“Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice - winner

“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch

Makeup and Hair:

“Border”

“Mary Queen of Scots”

“Vice” - winner

Costume Design:

“The Ballad of Buster Scruggs,” Mary Zophres

“Black Panther,” Ruth E. Carter - winner

“The Favourite,” Sandy Powell

“Mary Poppins Returns,” Sandy Powell

“Mary Queen of Scots,” Alexandra Byrne

Visual Effects:

“Avengers: Infinity War”

“Christopher Robin”

“First Man” - winner

“Ready Player One”

“Solo: A Star Wars Story”

[email protected]

Jane: if you make it this far in this post, check out David’s comment about you, he he!

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Text

TV Guide, December 21-January 3

Cover: Mayim Bialik stars in the new comedy Call Me Kat

Page 1: Contents, Ask Matt -- The Outsider, Coroner, Transplant, Who Wants to Be a Millionaire

Page 2: Win an autographed Supernatural poster, plus order Supernatural prints for your home, Your Feedback, Coming Next Issue -- 2021′s exciting entertainment possibilities such as Ted Danson in The Mayor and returning favorites like The Witcher and Prodigal Son

Page 4: The Years in Cheers and Jeers

Page 6: Matt Roush’s Top 10 of 2020 -- Mrs. America, Schitt’s Creek, The Crown, The West Wing/The Trial of the Chicago 7, Perry Mason, Upload/The Good Place, Fargo, Zoey’s Extraordinary Playlist, Hamilton, The Last Dance

Page 8: Cover Story -- Mayim Bialik takes the lead on the new sitcom Call Me Kat her first major role since The Big Bang Theory and along for the ride: some friendly felines

Page 9: Catching up with the rest of The Big Bang Theory cast -- Jim Parsons, Johnny Galecki, Kaley Cuoco, Kunal Nayyar, Simon Helberg, Melissa Rauch

Page 10: A Fond Farewell -- we remember the stars and behind-the-scenes talent who left us in 2020

Page 14: Captain Jack is back -- fan favorite John Barrowman returns to save the world again in the Doctor Who holiday special

Page 16: What’s Worth Watching -- Week 1 -- David Hyde Pierce on Frasier

Page 17: Monday, December 21 -- Everybody Loves Raymond, The Incredible Dr. Pol, The Bachelorette, Greatest Holiday Commercials Countdown 2020, Dr. Pimple Popper: Season’s Squeezings, Tuesday, December 22 -- Live With Kelly and Ryan with Mariah Carey and Alanis Morissette, Matlock, Next series finale, The Curse of Oak Island, Let’s Make a Deal Primetime

Page 18: Wednesday, December 23 -- Buddy Valastro: Road to Recovery, General Hospital, Santa Claus Is Comin’ to Town, Christmas at the Castle, The Misery Index, Hart to Hart

Page 19: Thursday, December 24 -- It’s a Wonderful Life, 24 Hours of A Christmas Story, Scrooge, Meet John Doe, Father Knows Best, The Bold and the Beautiful, Christmas Eve Mass

Page 20: Friday, December 25 -- Helen George on Call the Midwife Holiday Special, Carol Burnett and Friends, Disney Parks Magical Christmas Day Celebration with Tori Kelly and Julianne Hough and Tituss Burgess, Live Rescue: Top 20 Moments of 2020, Surprising Santa Claus

Page 21: Saturday, December 26 -- Doctor Who Takeover, A Year in Music

Page 22: Sunday, December 27 -- Paula Abdul on The Masked Dancer, A Winter Preview-Land, Lucy Worsley’s 12 Days of Tudor Christmas, Your Honor, Modern Family

Page 23-37: TV Listings

Page 38: Stream It! Your Guide to the Very Best Streaming Available Now -- Netflix -- The Midnight Sky, Ma Rainey’s Black Bottom, Bridgerton, Leaving Soon -- The West Wing, The Office

Page 39: Prime Video -- Yearly Departed, The Affair, Hulu -- New Year’s plans gone wrong -- Absolutely Fabulous, Designing Women, How I Met Your Mother, Frasier

Page 40: New Movie Releases

Page 41: Series, Specials and Documentaries

Page 42: What’s Worth Watching -- Week 2 -- Erin Napier on Home Town

Page 43: Monday, December 28 -- His Dark Materials, Atlanta Justice, Tuesday, December 29 -- Laura Ingalls Wilder: Prairie to Page, 7 Little Johnstons, Streets of Dreams With Marcus Lemonis

Page 44: Wednesday, December 30 -- The Godfather Marathon, Heroes on the Front Line, Married at First Sight: Season 12 Matchmaking Special, True Conviction, The Big Bang Theory

Page 45: Thursday, December 31 -- New Year’s Eve marathons -- The Twilight Zone, Law & Order: Special Victims Unit, Homeland, Quantum Leap, Three’s Company, Countdown to 2021 -- Dick Clark’s New Year’s Rockin Eve with Ryan Seacrest and Lucy Hale and Billy Porter, Fox’s New Year’s Eve Toast & Roast 2021 with Ken Jeong and Joel McHale, New Year’s Eve Live with Anderson Cooper and Andy Cohen, United in Song: Celebrating the Resilience of America with Josh Groban and Yo-Yo Ma and Audra McDonald and Renee Fleming and Patti LaBelle, NBC’s New Year’s Eve with Carson Daly and Amber Ruffin and Blake Shelton and Gwen Stefani

Page 46: Friday, January 1 -- Michelle Visage on RuPaul’s Drag Race, TCM’s New Year Comedies, The Rose Parade’s New Year’s Celebration, Law & Order, Self-Made Mansions

Page 47: Saturday, January 2 -- Critical Thinking, Kindred Spirits, Saturday Morning Cartoons, Sunday, January 3 -- Elizabeth Is Missing, Batman, Jimmy Carter Rock and Roll President

Page 48: Sunday, January 3 -- Nathan Fillion on The Rookie, The Watch, Last Man Standing

Page 49-68: TV Listings

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