#crowley's neighbour

[aziraphales-library]

Hello! I'm new here, and I'd like to say I love your account so much!! Would you happen to have any good posts centered around Crowley and the old lady that lives below his flat? Those always tickle me •⁠ᴗ⁠•

Thank you!

Hi and welcome! We have a #crowley's neighbour tag, so check that out for fics like this. There aren't loads, but here are a couple more to add to the collection...

The Neighbor Upstairs by DandelionDrabbles (G)

Like any little old lady worth her salt, Edna knew everyone who lived in her building, and then some.

All it took was plenty of spare time, open eyes and ears, occasional well-placed nosiness, and a keen understanding of how to read people. She knew the things about her neighbors and their lives that they openly showed the world. She knew the things that they tried, and failed, to keep secret. And she knew the things that they by and large successfully concealed from the rest of the world… but not from Edna.

For example, she knew that Mr. Anthony J. Crowley, who lived a couple floors up and sometimes gave her houseplants, really, really needed a hug.

Baby, It's Cold Outside by SparkKeyper (T)

Old habits die hard. Crowley and Aziraphale’s habits are very, very old.

Building their own side is difficult when 6000 years of instincts won’t shut up.

“Little old lady on the floor below” by Mischievous_Misfit (G)

"I headcanon that he helps the little old lady downstairs with her groceries and the like but that if anyone asks about it he just lies. She knows he's not human and removes all the religious stuff from her house to make him more comfortable. It isn't until she says something about having to hide her garlic away that he realizes she thinks he's a vampire."

A Tree of Life by aknightofthe7kingdoms (G)

Hope deferred makes the heart sick, but a longing fulfilled is a tree of life. Proverbs 13:12

Crowley was certain that he wasn’t ill. He just wasn’t feeling...quite well.

- Mod D

[knifeforkspooncup]

South Downs retirement Crowley but instead of tending his garden like a well-adjusted cottagecore gnome he prowls the vegetable patch revving a weed whacker and threatening to pave over the yard if the pears and dill don't grow well.

[mirtola87]

"Tale as old as time", or how Good Omens planted a seed in my soul that's growing more and more (bettah) [2/2]

[Continues from Part 1] Then we started watching S2, and as it happens in any good mystery story, clues became evidences. Crowley and Aziraphale started laying their cards on the table. Throughout the episodes, they act more and more like an "us" and we get used to the idea that their side is a fact. No matter what happens, they will face it together, as they did more and more in the last 6.000 years of their "tale as old as time". Being a coup... ehm, "group of the two of us" without telling themselves and each other, walking on a wire. And then came the rainstorm, the canopy, Jane Austen, the ball, Beelzebub and Gabriel going off together, Nina and Maggie talking with Crowley. The moment not only the characters but the audience, too, realize that the ineffable love could be actually named and told. "Just a little change, small to say the least / Both a little scared, neither one prepared." It was pure revelation, mind-blowing and delightful. After 9 long years, I finally knew that they loved each other, that I loved them, and that I wanted them to be happy together, forever. If I could feel it so deeply, I wonder what it could have been like for Neil himself to discover that the two characters he knew so well from almost 30 years were in love with each other. And then, after 6 "quiet, gentle and romantic" episodes, exploring the evolution of the characters and their relationship and mutual influence through the time (6.000 years of bickering, longing glances and building trust in each other, "bittersweet and strange, finding you can change, learning you were wrong"), the last 15 minutes suddenly came and leave them (and us) heartbroken, as their love is told and denied in the very same moment. It was painful and devastating. And here I am now. Two months have passed since I saw S2 E6, and all that I, all that we can do is wait (and see, hopefully). But it's not, it can't be as before. Something in me has definitely changed. Or rather, it woke as if it had been long asleep. And it grows better and better. This story made me feel things I hadn't felt for years. It's making me feel love, and pain, and longing, and hope. It made me remember how great stories (amazing lies) can make you experience true, deep feelings ("true as it can be"); and it awoke my desire to tell stories and share feelings as well, a wish that had lied sleeping in the back of my mind for a long time. So yes, I am obsessed with GO, but it's not just about this story I love, it's also about me, I believe. And all the time in-between reading the book, watching S1 once, rewatching it and then watching S2 lead me to this, because things can develop and grow only with time. So I guess I should be grateful for that heartbreaking cliffhanger. If S3 had already been there for us to watch, I would have already consumed the answers I wanted. My mind would be at peace and probably none of this would have happened. Instead, I find myself full of questions (about the story, and about my life), I'm restless and eager, I'm painfully alive. And I feel like a new path, a new chapter, is opening before me. "Certain as the sun rising in the East", in the next years I'll be waiting for Neil to tell us about the "Neighbour of the Beast", and in the meantime I'll try my best to cling to that feelings as a precious gift, don't let them go, nurture them and use them for the best. There are many things I wish to thank @neil-gaiman for, but this is probably the most important so far.

[sentientsky]

it’s saturday night!! u know what that means!! (sitting in front of the computer wrapped in a fairy princess-themed blanket, rewatching the final fifteen and totally 100% not crying not even a little tiny bit)

[the-metatron]

Now you’re insufferable AND boring. New low for you.

- @thedemon-crowley

"There are three ways to ultimate success: The first way is to be kind. The second way is to be kind. The third way is to be kind.

-Fred Rogers

Would you like to try again and be kind, Crowley? I know you can do it. And I do so want you to be my neighbour.

[unhingedpirates]

Someone who speaks French please tell me, how does Aziraphale refer to Crowley in this scene?

From what I understand he refers to him as 'mon garçon', which is something like 'my boy', but idk, i could be wrong (my french is very weak)

[snugsunresplendence]

I'll still love you, had to toe

Like the back of my car on a sunny day

You're the song on the radio I never play

You're the words in my soul that I wanna say

"Home" - Good Neighbours

[snakeeyesandangelfeathers]

Soo, could Maggie be a demon?

Still can't get over that one scene where her wrong spelling is literally Pointed out.

You know. By Aziraphale. In the first scene post-prologue.

It is overshadowed heavily by this scene coming in right after the highly important pre-fall!Crowley bit, meaning the viewer is still distracted by it as to disregard this small piece of info.

But. You know that rule 'if a gun appears on screen, it will at some point fire'? Shows don't tend to use their limited and very expensive screentime to throw in random stuff?

Might be just a joke thrown in by Neil to confuse us, in which case, hi sir, good job *waves*. However, if you look at all we know about Maggie from the demon-theory view, there's a few more bits a pieces that seem to fit?

Aziraphale's miracle does not work on her - the most obvious one. Honestly dismissed it on the first few rewatches as 'I guess it's just the gae girl power of Spirit', however. I guess an angel would not be able to miracle-hypnotize a demon either?

The record shop originally used to be 'in a corner of Aziraphale's bookshop.' - which would mean she has already been 'invited in' and can walk into the store, unlike all the other demons.

Not that sort of a teenager - maybe she is just a human who was never a party girl. Maybe she's a demon who had a completely different sort of childhood and teenagehood experience?

'I had brothers.' - maybe just a normal fam? or maybe other demons or angels could be the 'brothers' she is referring to?

'I've spent my life being scared of things, I'm done being scared.' - may be just a shy girl living an antsy life, scared of making a move on the girl she fancies? Or. Might be a demon, hiding on Earth all this time, trying to live a life away from Hell and Heaven and choosing sides, just like Crowley. Having had enough of living her life in fear, just wanting to be herself, express her love for her crush freely, not having to spend every second worrying someone might come get her, now finally ready to face the other demons?

Anyway. Might have just a crazy theory here. Might be something more. We'll see in s03, I guess ¯\_(ツ)_/¯

[handgiven]

❛  you look like you could use a hand with that.  ❜

first meeting starter sentences / @heavenfelled

The other must have been alerted by the sudden noise and clutter which accompanied the angel tripping while walking up the stairs, trying to carry an all too big araucaria araucana in a pot to his place. He had red eyes and overall seemed crumpled up like a piece of paper. It's been a horrid day, and all he'd felt he managed to save off it has been this little tree in a ceramic pot that was now in pieces all over the floor. The pot, that is. The tree was in two pieces, conveniently yet no less heartbreakingly so.

Emmanuel stood over the mess, a startled deer in headlights. The truth was, he couldn't very well decide what he should panic about first. The state of the shared staircase was somewhere around the top of the list, sure, but the plant dangling through the railing came in hot second. His eyes darted between Crowley and the floor, hands shaking. He winced, and shook them harder to get rid of the tremor, without success. "It's n-nothing." For that sinking feeling in his gut really felt like nothing. A sinkhole of emptiness.

He plopped down soon enough, unsure if his legs would carry him much longer, sat right in the middle of all the debris and hid his face in his hands. He seemed to miss the part where the other was essentially offering him help. He'd just be painfully aware of being observed while he was taking too long to solve what was a trifle. His voice, muffled by his own palms just barely made its way towards the other. "Sorry. I -- I will clean this up. Soon."

[roguemirrorball]

u know the Feeling™ of suddenly Needing a Very Specific type of fic to read before bed. last night i really wanted to re-read a fic i read around this time last year ab crowley x aziraphale being neighbours (human AU) and kinda enemies to lovers and i couldn't find the specific one but i found this one!! and it's chef's kiss. enjoy! ❤️🫂

BTW if anyone recognizes the fic i was looking for last night PLEASE help this little homosexual in need 🥺

[osemanverseenthusist]

I’m pretty sure I saw some people dress as arizaphale and Crowley at Halloween and I was too nervous to ask but slay random gay people

[mirtola87]

"Tale as old as time", or how Good Omens planted a seed in my soul that's growing more and more (bettah) [1/2]

Hi everyone, I'm new here, and I just wanted to share my totally-personal-maybe-relatable experience with Good Omens, trying to figure out why it became sort of an obsession for me. This is a 9-years story so far, and - spoiler alert! - the passage of time played a major role in the evolution of my perception. (English is not my native language, so please forgive my faults!) I first read the book about nine years ago. I was in a public library in Bologna doing research for my PhD in literature, when I stumbled upon the Italian edition. I was driven by the funny title, which was translated as "Buona Apocalisse a tutti!" (we could back-translate it to English as something like "Merry Apocalypse!" or "Happy Armageddon Everyone!"). I was Christian raised, and among all the books of the Bible, St. John's Apocalypse had always fascinated me, I guess because it was the one that most resembled a fantasy book. So I took the book from the shelf and started reading it. Soon I realized that I didn't need it for my thesis because it didn't fit the topic (I did use Coraline, Mirror Mask and Sandman, instead!), but it bewitched me right from the first lines, so I decided to put the library copy back on the shelf, purchase a copy in English and read it for pure pleasure. I enjoyed it so much that it became one of my favourite books ever. I was young and bold and had no idea that almost ten years later that story was going to mean so much to me and tear me apart. Time passed by, and my life went on. In 2019, when the show came out, I was eager to watch it. The book was a masterpiece, and the show proved to live up to it. David Tennant and Michael Sheen were absolutely perfect in their interpretations and made me love the characters even more. While reading the book, I had found the relationship between Aziraphale and Crowley fascinating and irresistibly funny, but I didn't sense any love vibrations between them (and apparently they weren't supposed to be there yet, as we know from Neil that the love story is canon for the series but not for the book). I didn't read anything about the show before watching it, so I was quite surprised when I realized that there was something between the angel and the demon that I hadn't noticed 5 years before. I didn't see it coming at all, and I was all like, "Wait a sec... are they FLIRTING? I didn't remember that..." It was as in one of my all-time favourite songs: "Barely even friends, then somebody bends, unexpectedly". This unexpected twist left me somewhat bewildered: it was like I had suddenly realized that two long-time friends of mine were having a crush on each other. It was a bit odd as I was totally clueless about it before that moment, but then the season ended more or less like the book did, the way I already knew. That was cozy and reassuring, and all those longing glances between Crowley and Aziraphale were just an extra icing on the cake. At the end of the story, their love hadn't been named (yet), just suggested. That happy ending was nice, gentle and romantic, leaving their relationship open to interpretation and imagination. I turned off my TV with a deep sense of amusement and satisfaction, and kept on with my life. Four more years passed, then a friend of mine told me that S2 was out (I'm not very good at keeping up with news myself, I admit). I knew that there wasn't any sequel of the book, so I was surprised and really didn't know what to expect, but I knew Neil Gaiman himself wrote the script, so I was confident it had to be good. And of course it was. Since my partner hadn't watched S1, I decided to rewatch it with him before starting S2. This time I KNEW that there was something going on between Aziraphale and Crowley, and the bewilderment of the first watch gave way to something different, a sort of complicity. I found myself shipping them fondly and smiling at every little clue of their untold love. "Ever just the same / Ever a surprise / Ever as before / Ever just as sure / As the sun will rise." Life was good. [Continues in Part 2]

[luminous-faerie]

home alone and the first thing ive done is turned my music to the max and dyed my hair

[aydracz]

Something's up in Prague!

I finally completed my cosplay of the demonic fashion icon that is Shax and then spent a wonderful afternoon with other GO fans!

Information on Gabriel was gathered, junk mail delivered and sarcasm misunderstood. No humans were harmed in the process - the local population was actually quite pleasant and the children especially loved Crowley's wings.

Thank you, @fuzzywhispersbear and @drimmsydra , for geeking out with me in my local park and making my neighbours wonder what the kids are up to these days. And thank you, @neil-gaiman, for creating such amazing characters over which we can connect, get creative and make new friends!

Bonus: No demon is safe when Crowley deploys his wings.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[myfairstarlight]

hc that when aziraphale and crowley finally get their cottage in the south downs, their nearest neighbours will turn out to be madame tracy and shadwell