Did a concept for a Naked Lunch video game, employing a literal cut-up technique to represent the art.
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cts ryan on the cut up technique
https://www.briongysin.com/cut-ups/
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them "gojo would extremely disapprove of maki killing the zenin clan" people shut right the fuck up when not only gojo don't give a fuck (as expected) but now yuta went and killed all the higher up lmaoooooooo
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Page Three from the Table of Contents for: When I Say No, I Feel Guilty by Manuel J. Smith, Ph.D. that I bought at a thrift store.
I am using the cut-up technique and going page by page.
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in an effort to rest my left hand from typing and also my usual exercises in doing random shit I don't have a lot of experience with, I have exported some .bmps and used the auto-tracer in inkscape (which i have done before for other things) so that i can turn this logo into an svg file with consistent angles and, you know, resizeability and sleekness.
The main thing I'm doing here is cleaning it up (fixing the angles in particular) and then I have to figure out how I want to do the shapes for the flame colors, which I'll probably do manually cause the color quantization tracing mode doesn't quite do what I need it to do lol
I don't even know if Seth is going to definitely be called Scratch (have been spitballing a variety of vigilante-friendly names in my notes) so I probably shouldn't be putting the effort into this on the off chance they end up called something like Aetherflame instead (lol) (like actually that's one of the names in my list) but this is the logo I have, so, you know.
anyway, practice, right? :P
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My Deltarune Pet Peeve is criticizing Toriel for being an emotiobally absent mother, making a speech about how all of Toriel's flaws are major problems in Kris's life, ignoring she's a single working mom with a full-time job in which she can't afford to snap at anyone because she's the authority figure in the room, because she's the emotional pillar for a lot of people, and then say nothing about how Asgore 'forgets his kids physical boundaries' 'unemployed to the point he's facing eviction' 'maintains a facade of strength when he's a deppressed mess' Dreemurr might've affected Kris's ability to care for themselves. Or even regarding Asriel, who had the time to look after Kris, and a better place to ask them what's affecting them, and a tracked history of maintaining distance from Kris while his friends bully them, but who doesn't get entire paragraphs described to how he might've created Kris's dependent state.
It takes more than one parent to raised a child y'know???
(This isn't a post to shit on Asriel OR Asgore. For all their failings, they're flawed but kind people who want to help people. Asriel himself was young when his parents divorced, and presumably couldn't rely on anyone for his own problems. Asgore... was a cop, which IS a moral failing, but he also doesn't deserve shit for being at the butt end of society, unemployed, alone, being C. Holiday's financial chew toy, and without the ability to ask for help without being a huge burden for somebody else. But if you are capable of understanding that, then you are also capable of understanding Toriel has not had the freedom to suddenly intervene in her child's life without fear of 'being an over-controlling parent', and making Kris's situation worse.)
Toriel IS aware Kris has problems, that's why she pushes them to go outside and connect to people! It's why she gets so happy Susie's there! It's why she asks Alphys how they're doing!
Toriel is also probably aware that Kris is more than a bit sensitive, that they like their privacy, that pushing them too hard will make them deppressed and keep on having self-esteem issues! It's why she's so hesitant to actually intervene!
All things considered, Toriel is a good mother, of course people like her, and more definitely, Kris likes her.
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Where are we when we dream?
Dream of flying? Of dust drifting
I have defied time. Adding dimensions.
Various shapes and places.
When you fall asleep you're still your essence.
Neurons, receptors
Everything becomes a curious.
Here and now
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