#cuz like what

[rippersz]

.

[bahrtofane]

i’m not gonna speak till something is confirmed….

[mfshipbracket]

[musubiki]

my favorite fields of mistria boys 🥰

[incredubious]

MODERN AU ACESAN !!!! first impressions with a guy who barely passes the No Shoes No Shirt No Service rule

[daigah]

We lose everytime a girl in fiction who is on the masc side and happy with it becomes very feminine as a supposed sign of maturity

[joshuamj]

Hero.

[squidflavoredsoup]

mad bill n billford

[scarecrowgolem]

Hey uhh @/nativenews has been posting antisemitic shit and platforming sketchy tweeters can we maybe stop rbing from them

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[tiny--cryptid]

OK this question has been bugging me all morning so y'all please let me know

bc ours did nd I never thought much of it as a kid but know I'm thinking about it and it feels kinda gross? so pls tell me if this experience was universal or not it will haunt me forever otherwise

[dragonpyre]

What I love about Jason Todd is that he's angry about his trauma. Life fucked him over and he's rightfully pissed off. We already have "healed from their anger" Dick Grayson and "ignores their emotions" Bruce Wayne. Thank you DC for giving us "hurt and upset and lashing out" Jason Todd.

[catharsistine]

The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"

THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.

Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?

Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.

Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)

Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.

And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[hell0mega]

it's incredible that tumblr fandom went from DESPERATELY trying to see ANY sort of queer love in the shows we liked, to having shows—high budget, well-made, interesting, mainstream shows staring known actors—that are ABOUT queer love. explicitly, without argument. and just ten years later.

i saw (and reblogged) a post about how GO, ofmd, and wwdits are the new superwholock and i havent stopped thinking about it. cuz i was there, i was in the trenches back in the day. i was there when the writers and actors made fun of us for seeing on screen chemistry and perfect stories to set up romances. they all humored us then shat on us and saw us as a joke. a bunch of weirdo faggy teens that don't think two men can just be friends.

and now look at us. we're seeing the on screen chemistry and it's REAL. it's ON PURPOSE. these ARE romantic stories about queer people. we're not projecting or have wishful thinking... it's TRUE!! it was written and directed and edited and acted that way in earnest. i will take NO SHIT regarding these shows and people's love for them.

and do you know WHY these shows are being made now? these well thought out, feels-real, non-pandering queer stories? it's BECAUSE OF WHAT WE DID ten+ years ago. a lot of queer media never got the green light to be made because execs don't think there's enough of an audience. that more people will dislike the gays than like them. and we've shown them that that's unequivocally untrue. the outcry we had for all those years, the reviews we left, the statements we made, the backlash, it gave show runners ammunition to say "hey. people will watch this. they will like it. let us make it."

[shotmrmiller]

kyle asking price and johnny what's up with simon having his earbuds in and phone in hand the moment they touch foot on base because before last week, he hadn't even known simon had a phone.

how did you think he got in contact with people?

i just figured he didn't.

anyway, price just shrugs and says, "gotta new girl or somethin'." johnny nods absently, lips twisted in thought.

"somethin' like tha'."

sure enough, come dinner time he can hear a higher pitched voice carrying a sense of urgency or excitement, he can't make out which it is, words coming out in a rapid fire manner.

accent is distinct too, colloquialism that hints at a different region or even country, peppered with slang he's only ever read online.

curious but it's nice to know someone's come to get to know the big man past his rough (and he means bloody rough) exterior.

he quickly tunes it out after, of course, not wanting to intrude on personal matters. but then it's a rare moment when simon's without them.

kyle manages to get snippets then.

(hey, love, just making some dinner; your favorite, actually. shrimp pasta alfredo.)

price taps him on the shoulder and he turns away, snapping back to reality. in the back of his mind, he vaguely remembers simon having an aversion to seafood.

he must be remembering wrong.

in the debrief room while they wait for price, he catches another.

(actually just finished unpacking the last of my stuff. you were a real help with this, i would've hated having to pay for movers.)

kyle recalls seeing simon haunting the hallway as per usual. he must've taken a time off.

on the way to the local strip club. why simon's there at all is a choice but his relationship with you is none of his business.

(yeah, uhm, i'm home and i checked the windows and bathroom like you taught me too. i still can't shake that feeling, yknow? i don't mean to worry you.)

since simon isn't talking to them about it, he must be getting rid of that issue soon. good on him. at least one of them gets to go back to a warm home and a soft pair of thighs.

(kyle doesn't question the other male voice in the call. nor does he question why simon isn't saying a word during it. simon's relationship with you is none of his business. he just hopes he'll get an invitation to the wedding.)