#cw: discussion of murder

[phoebe-delia]

Chicago's 6 Merry Murderesses as Taylor Swift's songs

I thought of this earlier today and thought maybe one or two people on here might find it amusing so here you go lol.

For context, you've got to know the lyrics to Cell Block Tango. (If you don't and you want to read on, here are the lyrics.) I will refer to each of the murderesses by both their character name AND the sound they make in the song: Pop (Liz), Six (Annie), Squish (June), Uh-uh (Hunyak), Cicero (Velma), and Lipschitz (Mona)

I am assigning the songs based on the vibe their story gives me. I am also challenging myself by excluding "No Body No Crime," since that would be a bit of a cop-out IMO.

I had fun putting this together! I hope someone else finds it interesting lol.

CW: discussion of murder, guns, blood, violence

POP/Liz: "Bejeweled" from Midnights

Liz says she kills her boyfriend because she came home from work in a bad mood and he was popping his gum too loud, which was a frequent habit of his. She was annoyed and told him to stop, but he didn't, so she shot him. This is, obviously, completely unhinged. It gives me "Bejeweled" vibes because of the lyrics "didn't notice you were walking all over my peace of mind" and "familiarity breeds contempt." Idk I just see a similar feeling of "you've gotten on my last nerve and I'm done with you" from both.

SIX/Annie: "Babe" from Red

Annie says she killed her boyfriend because he told her he was single, they got together and moved in, and then she found out he had multiple wives. So then she poisoned him. This gives me "Babe" vibes because it feels like she fell fast and hard and found out he wasn't the person she thought he was. This one is all about betrayal and feeling blindsided by infidelity and I think the song fits really well.

SQUISH/June: "Getaway Car" from reputation

June says she was making dinner when her husband burst through the door, screaming and accusing her of having an affair with the milkman. She then says he "ran into" her knife 10 times. We don't know for certain if his accusations against her are true; she doesn't let on either way. If he was screaming and raging, she could've thought she was in danger and acted in self-defense. My interpretation, though, is that she was cheating, and then killed him to keep him quiet. For this reason, I chose "Getaway Car," because the milkman was her own "Getaway Car" out of that relationship similar to how Taylor describes in the song.

Uh-Uh/The Hunyak: "Haunted" from Speak Now

Her story is SUPER sad. She's falsely accused of killing her husband, and then no one will listen to her because she can't speak English and properly advocate for herself. To me, this song captures some of the turmoil and grief she's feeling, both for herself and her husband. As the song says, "Come on, come on, don't leave me like this/I thought I had you figured out/Something's gone terribly wrong/You're all I wanted." And like, obviously, her husband didn't leave her here. But I think it portrays a similar feeling of dread and panic.

Cicero/Velma: "Better Than Revenge" from Speak Now

This was the first—and I'm pretty sure only—time Taylor addressed a woman with whom a boyfriend cheated or wronged her. I think it fits Velma's story very well. Velma and her sister did a traveling dance act, and Velma's husband traveled with them. One night, Velma caught them having sex, so she "blacked out" and killed them. Just look at the lyrics to "Better Than Revenge" and see what you think:

"She came along, got him alone, and let's hear the applause/She took him faster than you could say sabotage/I never saw it coming, nor would I have suspected it/I underestimated just who I was dealing with/She had to know the pain was beating on me like a drum/She underestimated just who she was stealing from."

Lipschitz/Mona: "I Knew You Were Trouble" from Red

Mona describes Al Lipschitz as being a sensitive artist. She says she fell deeply in love with him, but that he was trying to "find himself" and ended up cheating on her with multiple women. She's vague about how he died, but she does give us this pretty crazy line:

"I guess you can say we broke up because of artistic differences. He saw himself as alive... and I saw him dead"

Anyway, to be honest, part of what made me pick this song was picturing the music video: this suave, charming artist flirting with this girl and then leaving her because he's a "loner" and a "drifter." I think the story she tells goes well with the vibe of the song.

If you made it this far—thanks for reading!! 💛

[thebigcjart]

Equius demands our attention next. He's a lot more involved in this AU than he was in canon.

He is part of the Noble Pure Caste, and the current Lord of House Zahhak. His mother was killed by a Skaa Pewterarm working in the Zahhak coal mines, and his father died soon after from refusing treatment for metal poisoning.

The chat client they use is called Palpuller. His Pullhandle is carburizedTourniquet. Carburization is a heat treatment process in which iron or steel absorbs carbon while the metal is heated in the presence of a carbon-bearing material. This is in reference to how he uses Hemalurgy to charge Spikes with abilities and qualities by putting the metal into ability/quality-bearing people. Tourniquet is something you put around a limb to limit blood loss by restricting bloodflow to that area.

His typing quirk is preceding all of his text with a Hemalurgic Spike "D-->". He also replaces all "sk" and "ks" sounds with "%", as well as any variation of "cross". He features a lot of "100%" motifs in his speech, replacing and "loo" or "ool" sounds with "100" and "001" respectively. He capitalizes the first letter of his sentences and STRONG and any derivatives. He does not use ending punctuation. He uses horse and cow puns frequently, finding aneigh e%cuse to inc100d such udderances through his STRONG le%icon. He abhors slang and profanity, and will not use terms like "rust" or "slag" outside of their clinical use, and does not invoke the name of Preservation nor Ruin without specific intention to.

The symbol he painted on his Apron is the ancient symbol for Aluminum, which corresponds to the "Z" sound in the Steel Alphabet, for House Zahhak. The center of its spiral matches up with the location of Equius' Hemalurgic Spike. I use the ancient symbols to represent Hemalurgy in this AU, but as they can only really be painted with a brush and ink rather than a quill or pen, he mainly uses the standard Final Empire script in his writings.

As House Lord, he has more formal wear, but I depicted him in his "work clothes", which he wears whenever he is experimenting with and/or practicing Hemalurgy.

After the death of his parents, he took the Skaa that killed them in and kept her chained up in his craft room, making sure that she was given no metal and that her feet were encased in cement should she ever get any. He would go to his craft room and stare at her silently for hours, sometimes days at a time. He neglected his own health and his duties as House Lord for months and was looked after by his personal Terris steward Arthour. His mother kept horses and cattle on the House's property, and so he would often go ride to clear his mind, but never could fully. He found a sheet of metal in the fields engraved with a very surface-level overview of Hemalurgy. Before him, Hemalurgy was only known about by the Condese and her Drones. He forged his first Spike out of Steel, as the plate instructed. He took the dose of Allomantic Pewter he had Arthour fetch for him, and following the ideas written on the plate, he killed his parents' murder by driving the Spike into a specific Bind Point between her ribs. Taking the Spike out, jaded to the sight of it still covered in the Skaa's blood, he positioned it pointing at the same Bind Point between his ribs. Whether it worked or not mattered little to him at that point, so he fell forward, allowing the floor and his weight to drive the Spike into him, breaking his teeth in the process. With the Intent present that the plate mentioned, he successfully transferred the Skaa's Allomantic power to himself. He did not Burn the Pewter immediately, even though he knew he was able, but allowed himself to feel the excruciating pain for a long, long time before he did so. He believed the pain to be a worthy punishment for murder, and the entire time he cried in agony, he cursed himself for killing the Skaa too quickly.

After such, he became obsessed with Hemalurgy in a strangely academic manner, considering the circumstances. He experimented more with all 16 Allomantically viable metals and documented their effects when used at different Bind Points, as well as dicovering where the Bind Points were. Most of Scadrialternia's public knowledge of Hemalurgy comes from Equius. He exclusively takes notes in metal plates, because he found that his paper notes seemed to change overnight, leading to contradictions and inconsistencies in his record-keeping, which was comepletely unacceptable.

He met Nepeta after she broke onto his property and fell asleep with her Lusus in the horse stables. He found her unconscious--passed out from malnutrition--and took her into his care despite his deep disdain for lower Castes. Her Lusus, PonDeil, was about to attack him once he noticed he was taking Nepeta, but he simply grabbed the beast and threw him aside with a single Pewter-aided motion. Once PonDeil assessed that he could not persuade him with violence, he simply talked to Equius. They got along well after it was understood that Equius was trying to help. Equius learned a lot about Hemalurgy from PonDeil, who was a Hemalurgic construct. Nepeta woke up and was treated to the best food the second-highest Noble House could prepare. She and Equius got along great, despite their many differences, and quickly caught pale feelings for each other. Now Nepeta and PonDeil will walk into House Zahhak like they own the place, much to the frustration of Equius. While Equius nor PonDeil do not explicitly forbid her from being around Equius' Hemalurgy practices, they would rather she stay away from the stuff. Nepeta is more than happy not to mess with her Moirail's bloody soul-splicing pastimes.

He has flushed feelings for Aradia, and while he is wise enough not to pursue her directly after she politely rejects his first confession, he believes her Goldshadows to be fairgame even though they are different every time Aradia Burns Gold. Much to Aradia's continued annoyance, many of her Goldshadows reciprocate these feelings, and a portion of those that do have had a (consistently across all instances where this is the case) fulfilling Matespritship with him in their alternate pasts.

He is the group's Hemalurgist. In chronological order, he gives Tavros a Gold Spike to heal him after Vriska (who was with Terezi at the time before their feud) pushes him off a cliff (which leads to her and Terezi's feud), he gives Vriska a Chromium Spike after Terezi blew her up (he didn't intend to give her the Destiny Spike, but she was tapping Fortune which led to the mixup), and he gives Aradia a Cadmium Spike with either Gold or Electrum Allomancy.

Some silly quotes:

CT: D--> I forbid this CT: D--> You will take your position on the b100 crew with me AC: :3 < y3ah right! i will tak3 my purrsition into this funny pounc3 ball and tackl3 you! CT: D--> That's nonsense, you're nowhere even remotely close to the STRENGTH Pewter provides that would be necessary to e%ecute such a maneuver AC: :33 < *ac rolls h3r 3y3s almost as hard as sh3 is rolling around in this r3ally int3r3sting sm3ll* CT: D--> The thought of you fraternizing with and abetting those stink-b100ded h001igans strikes me as scandal beyond measure CT: D--> I'm afraid you're too delicate to withstand that sort of corruption CT: D--> It's forbidden AC: :3 < nuh uuuuuuuuuuuuhhhhhhhhhhh CT: D --> Yes CT: D--> You won't AC: :3 < no AC: :3 < i will CT: D--> You won't AC: :3 < you cant stop m3! CT: D--> I am telling you not to CT: D--> And you will be on my crew CT: D--> That's final AC: XP < bllllraaaaaawwwwwlllllrrrrghgghghgh CT: D--> Quiet, I am trying to engrave detail into this plate AC: :{ < why do you do this, why are you so confurdent about your stupid commands? AC: :{ < dont you know you cant ACTUALLY t3ll m3 what to do?? AC: :{ < its not like you 3v3n hav3 any Zinc or Purrass or anything! AC: :3 < wait do you CT: D--> No CT: D--> Pewter is enough CT: D--> And yet CT: D--> You will do as I say AC: :3 < y3s w3ll w3 will just s33 about that! CT: D--> Yes we will CT: D--> You will join me on my crew shortly CT: D--> Go to the kitchens and stand by for further instru%ion AC: >:{ < hisssssssss! CT: D--> You're angry, and I appreciate that CT: D--> But it doesn't matter CT: D--> Di%ussion over AC: :3 < you AC: :3 < are a butt CT: D--> It is a sacrifice I am willing to make AC: :3 < AC: <:3 < <>? CT: D--> <> AC: :3 < okay fin3!!!!!!!!!!! AC: :3 < what3fur AC: :3 < *ac flops down onto th3 young lord's pil3 of cl3an lin3ns and cross3s h3r arms and swish3s her tail with a lot of sass* CT: D--> Equius, I mean I, acknowledge the sass AC: :3 < i'll s33 what i can do but sollux is still in charge of the crews CT: D--> Your efforts are always valued CT: D--> Do you AC: :3 < want to get something to eat? CT: D--> That is actually what I was going to ask yes AC: :3c < *ac pawnders this fur a long pawnderous time* CT: D--> Are you seriously doing this bit again AC: :3c < *ac cannot answer the question, fur she is d33p in th3 thro3s of pawnd3rtud3* CT: D--> pawnd, I mean pondertude, is not a word you are being rediculous AC: X3c < *ac clawnsid3rs the young lord's opinion, but th3n sh3 r3aliz3s that it is distracting h3r furom pawnd3rificating upawn h3r original thought, so sh3 ignor3s his whining and g3ts back to pawnd3rbusin3ss* CT: D--> My diamond, can we just go get AC: :P < y3ah i could go fur som3 grub CT: D--> I order you to stop interrupting me AC: XP < ar3 you going to stop b3ing a hug3 grumpypuss? CT: D--> I'll see what I can do, but Sollux is still in charge of the crews AC: X3 < LOL

[all instances of Vriska's deadname have been replaced in the following, but this interaction occurred before she realized she was trans]

AG: HeeEeEeeey n8gh8or! CT: D--> Preservation's wings, Vriska. Come inside AG: You 8usy? I mean, of course you are AG: You're always 8usy! what with all your murdering and your 8lood magic and whatnot, hah hah. CT: D--> I assure you that it is not magic, and it may save your life, I order you to follow me AG: Say, do you think I could 8orrow a cup of spiders? CT: D--> I CT: D--> Spiders? AG: Um. That's my thing, right? Spiders? The House rusting Serket coat of arms! AG: I love spiders. AG: Just like you like horses and stupid slag like that! CT: D--> How rude. This way AG: Look, let's just agree that me asking for a cup of spiders is a totally plausi8le request, and drop it. CT: D--> I am happy to drop the spiders AG: Fuck spiders! Am I right? AG: We've lived next to 8ch other all these years, and we never hang out. CT: D--> Nobles do not "hang out" AG: I just want to 8e NEIGH8ORLY for a change! CT: D--> Neighborly like AG: Like a rusting horse noise HAHAHA AG: So how are you CT: D--> What happened to your arm AG: Huh? What arm? CT: D--> The one that is now missing from your body AG: Oh! AG: Haha, that old thing? Nothing! It was nothing, really. AG: I just stu88ed it, is all. CT: D--> You stubbed your arm AG: Yeah! You know how it is. AG: You get carried away with something, slip on some metal beads or something, then AG: WHOOPS! AG: You fall and stu8 a major appendage. AG: Pro8a8ly just needs a 8it of patching up. CT: D--> Nothing I can do will fix your arm AG: It's no 8ig deal, really. CT: D--> While you are conscious, lay down on that table, I am going to fetch my apron and a tourniquet AG: Like your handle! You're a hoot, Equius CT: D--> Address me as Lord Zahhak. I don't know how to angle this around your shoulder can you move over slightly AG: Actually, why don't we forget a8out the arm for a second. AG: Equius, we never really TALK, do we? We live RIGHT NEXT to each other. AG: We should get together more! CT: D--> You are beneath me, and we share very few interests. AG: HAHAHAHAHAHAHAHA AG: Oh man. AG: Gotta say, I LOVE your uninvested sno8 shtick, it is a RIOT! Lmao. CT: D--> It is not Zinc-derived. I am going to angle the table to get more b100d flowing to your eye. CT: D--> What happened to it AG: Huh? CT: D--> Your eye is also missing, and there is a great deal of b100d coming from the socket AG: OH! AG: Right. Would you 8elieve I actually forgot a8out it? CT: D--> No AG: It's AMAZING how quickly you get used to seeing out of just one eye. AG: Anyway, yeah, I stu88ed that too. CT: D--> How does one stub an eye AG: 8 like, FALLING and shit! AG: I dunno, man. I just did! AG: Look, this is all a LITTLE em8arrassing for me, if you want to know the truth. CT: D--> I heard a noise from your property AG: Huh? What explosion? CT: D--> Yes, it sounded like an e%plosion AG: Oh yeah. That was, uh........ AG: Just a loud and rel8tively uninteresting incident which caused me to stu8 my arm and eye, like the stupid rusting 8utterfingers I am. AG: It's not important. AG: Hey let's steer the su8ject away from my em8arrassing stu88ings and massive ongoing 8loodloss, CT: D--> I am getting my t001s in order here AG: Let's rusting shut up and talk a8out YOU. CT: D--> Okay AG: How are YOU doing, Equius? CT: D--> I already told you to address me as Lord Zahhak AG: Haha, right! AG: Yeah, you sure are the House Lord. AG: Hey do you want me to go fetch you a drink and fan you off, L8rd Aluminum? CT: D--> No, my steward will bring me such after he returns from storing wakefulness. AG: Oh yeah. AG: I forgot a8out him. AG: Must 8e nice, having a House that actually serves YOU, instead of the other way around. AG: You've mined out a nice little life for yourself here, Lord Zahhak. AG: You run a warm foundry. I'm impressed! CT: D--> Vriska, I cannot stall anymore. I will need to make this a rush job. AG: May8e a litte jealous, to... 8e... CT: D--> This will be e%cruciating CT: D--> I order you not to die

Homestuck Beta Trolls X Mistborn AU

Spoilers for Brandon Sanderson’s Mistborn series. This is what powers I think the beta trolls would have if they were born on Scadrial

Aradia Megido - Gold or Electrum Misting

Allomancy: ‘Augur’ (Gold: see own Past), ‘Oracle’ (Electrum: see own Future)

Hemalurgy: Cadmium (Placement Unknown: Gold or Electrum Allomancy

It is unknown what her original misting ability was, but the spike from Equius gave her the other one

Tavros Nitram - Cadmium Ferring

Feruchemy: Gasper (Cadmium: Breath), “Bloodmaker” (Gold: Health)

Hemalurgy: Gold (Between Ribs: Gold Feruchemy)

Cadmium compounder; Vriska makes fun of him for having a ‘useless ability’, but doesn’t see the potential that storing breath has. Equius provides him with healing powers to fix his legs through hemalurgy.

Sollux Captor - Born powerless

Allomancy: “Coinshot” (Steel: Push metal) “Lurcher” (Iron: Pull metal)

Hemalurgy: Steel X2 (Left and Right Orbit: Iron and Steel Allomancy)

These spikes were not given by Equius, but instead were applied in a “freak acciident” involving a “jaiilbroken beehiive”.

Karkat Vantas - Copper/Duralumin Twinborn (mutant)

Allomancy: Smoker (Copper: Hide Allomancy)

Feruchemy: Connector (Duralumin: Connection)

I’m not exactly sure why being a natural twin-born is bad in Scadrialternian society, but it is and Karkat’s gotta hide it. Also the castes follow a natural Misting-Ferring-Powerless-Misting-Ferring-Powerless pattern, and Karkat’s caste breaks that so it was completely eradicated through eugenics so im pretty sure he’s the only one.

Nepeta Leijon - Steel Ferring

Feruchemy: Steelrunner (Steel: Physical Speed)

Nothing special, just run-of-the-steel-mill feruchemy.

Kanaya Maryam - Chromium Misting

Allomancy: Leecher (Chromium: wipe allomantic reserves of target)

Her caste is supposed to be powerless, like Equius', but much like how she's a rainbow drinker in canon, she is somehow a misting in this AU. Snapped after Eridan shot her half to death with his “poison wwand strike” (toxic chromium bullets). He did not know that these bullets were Allomantically viable, and neither knew that she would be able to burn chromium. She uses this to sap Gamzee of his massive Zinc reserves, causing him to be distracted long enough for her to kill Eridan.

Terezi Pyrope - Tin misting - Tin Savant

Allomancy: Scout (Tin: Increases senses)

Terezi and Gamzee are the only Savants on the team, which forms the basis of their bond and later kismesitude on whatever this au’s equivalent of the meteor is. She snapped during a feud with Vriska, which left her blind, but she has been flaring tin for so many sweeps that she can basically assemble visual data through her other senses.

Vriska Serket - Cadmium Ferring

Feruchemy: Spinner (Cadmium: Fortune)

Hemalurgy: Left Eye (Cadmium: Destiny)

Forced Equius to use Hemalurgy on her to heal her during a feud with Terezi, but she was tapping Fortune so hard that Equius managed to select the wrong spike and gave her Destiny instead of some healing ability, which is apparently good luck according to the spiritual realm? It’s destiny to be relevant forever I guess so she can’t really die until the plot demands it. She also has Kelsier’s weird metal vision allowing her to peep into the spiritual realm just a little bit. She ended up having her arm fully amputated due to her spirit not being able to accept another spike. Equius in this au isn’t exactly a roboticist, so she won’t get a replacement arm until wayy later down the line.

Equius Zahhak - born powerless

Allomancy: Thug (Pewter: Strength)

Hemalurgy: Between ribs (Steel: Allomantic pewter)

Equius is a Hemalurgist, who was born without allomancy or feruchemy (much like the rest of his caste). He gave himself pewter to make future hemalurgy easier for him (pushing spikes into/through people is physically intensive). He has also given powers to Aradia, Tavros, and Vriska so far.

Gamzee Makara - Zinc Rioter - Zinc Savant

Allomancy: Rioter (Zinc: Riot)

As a Zinc savant, he is so used to being able to fuck with people’s emotions on a whim that he has no idea how to handle empathy without it. He has a very carefree attitude because if someone is saying/doing something he doesn’t like, he can just Allomantic them away. This also means that everyone around him naturally swell with anger and frustration, which leads to the events of the meteor. Rioters and soothers can also gain control of hemalurgic constructs, so I imagine he could take over any hemalurgy users in the party at a whim.

Eridan Ampora - Electrum “Ferring” (Full Feruchemist)

Feruchemy: Pinnacle (Electrum: Determination)

Eridan, like others in his caste, is a full feruchemist, but unlike his other caste members, he only believes that he has one ability.

Feferi Peixes - Mistborn

Allomancy: Mistborn

Feferi, like all others in her caste, is a Mistborn. The Condese is too, actually.

EDIT: Various bits of phrasing and removed the mature label (I have no idea why I wasn't able to before)

EDIT 2: Added links to longer posts on the characters

[starlightshore]

artwork I drew for my fanfic: Place Your Bets on Winning Hats, my "Loop won/Bad Ending" AU!

[jpeg-dot-jpeg]

no one:

not a single person:

dads at dinner: so have you guys heard about the triple baby homicide?

[crumbleclub]

on the subject of parentification. i wonder if this applied to how michael (and maybe elizabeth as well) had to treat william, in addition to having to raise self + siblings

i can absolutely see the afton kids having to make his dinner, having to calm him down, having to comfort him in his ramblings and make decisions they don't understand

[angorwhosebabyisthis]

[cws: violent ableism and fantasy racism, anti-indigenous racism mention, dehumanization, abuse culture, implied SA/CSA which did not happen but sure would have looked like it to outside parties.]

-

every single time i see someone talk about how the ancients (more specifically the amaurotines, because they always mean the amaurotines) weren't that bad--sure, their society had a few little problems, but overall they were responsible and compassionate and knew what they were doing, and had a good thing going that shouldn't have been interfered with even internally--i think about them turning the violent death of a grieving coworker's disabled daughter, the events of which they mock him for, into a funny story to share around the water cooler.

i think about how someone in a high position of authority, who was in charge of the legal aspect of her existence--of deciding whether she should be euthanized or not, in fact!--ignored blatant red flags for her being sexually abused when he was fully in a position to help. obviously, as fucked as what was happening with meteion was that was not the case. and hermes, i love you. but holy shit is 'haha yeah i made a little girl servant i have complete power over, and didn't register or approve her existence with the government like i'm supposed to. which also would have involved people looking her over. because she's my pet project :)' a REALLY bad look. people should have been investigating him, and the person whose primary job it was to investigate him went 'oh okay, you're an authority figure and i know you so i'll take your word for it :)'

i think about how that authority figure barely remembered she died or even existed, and thought the idea that she could be murdered or should be grieved at all was an odd little thought her quirky dad was self-harming by making such a big deal out of. i think about the fact that these people preen about their ~vigorous intellectual debates~ and ~constructive free exchange of ideas about society,~ and yet after untold thousands of years this idea is such an utterly unthinkable fringe position that supposedly no one has ever heard of it.

(no shade on hythlodaeus enjoyers but holy shit i do NOT like this man, and this is one of the biggest reasons why. jesus fucking christ.)

like i'm sorry but no amount of pretty parks and sharing and being polite and paying lip service to responsible creation, and speaking nicely to children (sometimes) and meaning well (sometimes), and just generally not being a bunch of malicious mustache-twirling cartoon villains, changes the fact that amaurot was a society of cruel evil selfish bastards who had the power to treat the world like their personal toybox and get away with it. and who are also strongly implied to have been colonizers long before the final days, no less. and it horrifies me how it sails over so many people's heads that the entire point of the Nicey Nice Everyone Shares and Gets Along and is Happy is that it's absolutely fucking terrifying how effective they clearly were at stifling any meaningful accountability, opposition, or reform.

(don't get me started on the take i keep seeing everywhere that the amaurotines are analogous to real-life indigenous genocide victims, oh my god do NOT get me started, jesus wept)

like. this isn't just annoyance over incorrect or kind of insensitive takes. the vast majority of the time when i see people try to defend the ancients, they say with their whole chests a mountain of absolutely horrible things--implied or mask off--about real life issues, and seeing things like this reduced down to 'having a few little problems, but really what society doesn't' is just. upsetting. it is really upsetting and i wish it was not such a constant, and that i could find more people actually talking about the nature of amaurot's fuckery without at best getting immediately derailed into SO YOU'RE SAYING THEY SHOULD ALL BE DRAGGED OUT AND SHOT IN THE STREET, IS THAT IT

all this is to say: setting aside any wider-scale events, it boggles my fucking mind that just for that passage alone the fandom as a whole wouldn't cheer hermes on if he started setting people in his vicinity on fire lmao

[marsixm]

for a while now ive been. fascinated isnt the right word because it implies some kind of awe but ive been interested in the topic of how the psyche leads people to enacting really severe ritualistic levels of child abuse (and other abuses), usually contained within a home and family. its something about how the house and family unit becomes its own mini universe where the benchmark for what is normal is constantly moving and the rules become distorted. this happens in every level of toxic household imo and is how you get both grown adult roommates being scared to wash dishes the wrong way all the way to children being tortured, which is the most extreme end of it. its like, in the same way that a male serial killer who has devalued women as disposable might kidnap and torture a woman, enough of society has disenfranchised children into non-persons that some people enact that level of abuse for no reason other than power and control. mostly im just interested in the way the context of things, such as the family and home units, alters peoples psyche.

[velvet-vox]

When depression ruins art.

Do you ever get so depressed that not even your comfort characters can help you, but on the contrary, they make you feel worse?

I'm talking about when you feel so depressed that you project your feelings on your favourite fictional characters, but you push said feelings to such an extreme that you make your comfort characters literally unlikable for the sake of expressing your mental distress to the point where you can no longer bare to think about them in the correct way, and so they become an empty shell of the complex individuals they once were as they are now just reduced to mere caricatures for you to cause them as much bad writing as possible, and yes, I am not talking about torturing them, I'm talking about giving them bad writing on purpose since it's more harmful to a character than just mere torture;

I'm talking about the worst coping mechanism possible where not only it doesn't make you feel better, but it actively drags you down and your comforts with you, in an endless spiral that just makes you feel worse, to the point where art isn't enjoyable anymore.

I know I had this problem, and ruined all of said tagged characters, so, if you have ever felt or feel this way, maybe leave a comment on this post for other people's sake or your own.

[mystalwartheart]

Since not everyone who follows this blog now may know Jill, Patricia Ja Lee or her work outside Resident Evil I decided to start sharing some of my favourite highlights from her acting career for anyone who wants a little more immersion or context for my face and voice claim.

Jill is a featured character in the Capcom crossover game TEPPEN, and PJ returned to voice her for the first time in eight years. Jill's story mode campaign begins with a quick recap of the events of Resident Evil (2002) and features nods to both Resident Evil 3: Nemesis and Resident Evil 5 as Jill sets out to bring Albert Wesker to justice for his betrayal and murder of their team and foiled plot to kill her.

[reiding-writing]

𝐬𝐭𝐚𝐧𝐟𝐨𝐫𝐝’𝐬 𝐟𝐢𝐧𝐞𝐬𝐭.

a case involving female students being murdered in their dormitories brings the team to stanford university. You have more of a connection to it than you originally realise.

s8!cold!reader ❅ 8.4k ❅ series masterlist. ❅ main masterlist.

CW | typical criminal minds violence, violence against women, detail of murder and injury, abuse of power, student-professor relationships, miscarriage and abortion, character death, manipulation, cynicism

“Three women, all doctorate students of Stanford University, have all been killed inside their dorm rooms in the last two weeks,” There’s a click of a button, and then three images flash up on the screen, headshots of the girls. “All three were found with their stomachs cut open and their reproductive organs removed,”

What a lovely way to start a Monday morning.

“So much for the best University in California,” Morgan nudges your arm with his elbow, and your roll your eyes.

“What was the medical knowledge of the unsub?”

“You tell me,” JJ clicks another button on her remote, and the smiling photos of the victims are replaced with their crime scene photos.

Hands and feet tied to their beds, a large incision at the pelvic bone that had been stretched open to leave the internal organs bare, and the uterus cut out of the body. The surface knowledge was there, but the execution was not. Messy lines and uneven incisions that left the gap left in the victims more blood and tissue than actual hole.

“So we’re not looking for a professional then,” Morgan points out the obvious with a cross of his arms, leaning back in his chair.

“They clearly know something about it though,” Spencer leans forward as Morgan leans back, squinting his eyes like it’s going to make the images clearer. “There’s several different ways to perform a hysterectomy, but for a complete hysterectomy like our unsub is doing, the most common method is to start with an incision just above the pelvic bone,”

We’ll discuss the details of hysterectomies whilst we’re on the plane,” Hotch taps both of his hands on the table as he stands. “Gather your things, wheels up in thirty,”

There’s a chorus of “Yes Sir,”s as you all follow him out of the conference room to return to your respective desks and gather your belongings for the flight, an air of fatigue still surrounding the group even through the graphic imagery you were presented with.

“Going back to your alma mater, how do you feel?” Morgan clasps his right hand into a fist and holds it out to you like an invisible microphone.

You push it away without much thought as you pack your laptop into your bag, rolling your eyes at him for what feels like the tenth time since you’d walked through the door an hour ago. “It’s been almost— no, it has been ten years since I graduated, what’s there to ‘feel’?”

“Okay robot face, damn, no lingering love for the College that gave you your career?” Morgan’s taunt is laced with that familiar air of light-heartedness that’s there to remind you that he really is just poking fun, but you’ve never been very receptive to his humour.

“No.”

He lets out a sharp laugh in a mix of amusement and surprise, opening his mouth to make another comment, but the expression on your face tells him you’re definitely done talking about the topic.

He does have some self restraint.

—

Stepping out of the San Jose International Airport almost felt like going into a time machine, spitting you right back out where you’d left that decade ago just 18 miles from your old campus.

It felt even more surreal actually reaching Stanford’s main site, walking around the place you’d dedicated four years of your life to. Not much had changed since you’d left, not that you really expected it to, but it felt almost foreign to you to walk around the campus as you were now, a properly matured adult compared to the almost naive teenager you started as.

You began where you always did, at the most recent crime scene, a college dorm room on the south-east side of the campus.

It was pretty standard, a bedroom big enough for a double bed and a desk, a built in wardrobe, and a private bathroom; Decorated how you would expect from a girl in her early twenties, covered in memories and interests that gave it a personality outside of the off-white paint on the walls.

Of course, it was mildly ruined by the fact the previously pink bedsheets were stained in a pool of oxidised blood that dripped down onto the rug adorned floor and ledger small spatters on the skirting boards, but what can you really expect when the girl had been cut open whilst she was still alive and most definitely struggling against it.

“There’s no signs of forced entry,” All Morgan could do was shrug as he examined the fire door that acted as the room’s only entrance. “The inside lock was unfastened and there’s no marks indicating it was forced open, or that it even could be without heavy grade tools,”

“So our unsub had his own key then?”

“Or,” Emily’s suggestion was side-stepped by Spencer, “He was let in,”

There’s a small hum from Hotch as he stands beside you, arms crossed and eyebrows furrowed. “Alright,” He turns his eyes onto you with a small nod, “Take Prentiss to the Mortuary and check the autopsy. Morgan, Reid, get Garcia to find a list of professors the victims shared and go and speak with them, they might’ve noticed a change in the girls’ behaviours before their deaths.”

“Will do,”

“Got it,”

There’s a series of shared nods between you as you spilt up, leaving Hotch, Rossi and JJ at the crime scene in search of any more information they could utilise.

—

Trying to catch a Professor when they’re not busy is harder than most people would think. So hard in fact that Spencer and Morgan had been left with standing inside one of the lecture rooms to endure the last twenty minutes of a forensic psychology lesson so they could get the professor between classes.

“Professor Callahan?”

“For any personal feedback on your essay please send me an email,” The professor doesn’t so much as look up from the papers he collects and organises on his desk, seemingly already in a rush even after barely two minutes of the lecture ending.

Morgan and Spencer share a glance.

“My name’s Dr Spencer Reid, and this is Agent Morgan, we’re from the FBI,”

Callahan looks up this time, rectangle glasses reflecting the two back to each other through the overhead lighting.

“We were hoping we could ask you a few questions, Sir,”

Spencer watches the Professor’s eyebrows knit in confusion before his eyes spark with a hint of realisation, and then understanding.

“Yes, of course,” He nods, collecting the pile of papers in his right arm. “Please, follow me into my office,”

His office is filled with bookshelves stacked with psychology texts and framed accolades lining the walls. Small busts of philosophers in the mpty spaces. His desk is littered with small rememberences of his former students, and lining the opposite wall is another, a small plaque reading Dr. Wittchen at it’s forefront.

“Did you notice any changes in the girls’ behaviour, or anything unusual leading up to their deaths?” Spencer’s question is cautious, if not a little bit emotionally insensitive.

Callahan’s expression shifts to one of concern. “Honestly, I hadn’t noticed anything alarming. They were all such high achievers, incredibly driven. The stress of their programs sometimes affected them, but nothing out of the ordinary.”

Spencer nods, then glances toward the accompanying desk. “What about Professor Wittchen? Does he interact with the students much?”

Callahan hesitates, his brow furrowing slightly. “Robert is highly respected, very dedicated to his work. He can be a little tough on their grades, but more often than not he’s sat in here doing one-on-one tutoring in his spare time,”

Spencer hums softly at Callahan’s assessment. “Do you know if he turoed any of the girls? He might have a better insight into any changes in their mannerisms,”

“I’m not sure I’m afraid,” Callahan shakes his head, “I leave him to his teachings most of the ime, but I can let him know you’ve asked,”

As they speak, Morgan’s gaze drifts to a nearby display shelf adorned with photographs of past students on the far wall, each one framed and labeled with a name and a date.

Etched into the wood of the shelf itself an engraving reading, “Shelf of Stars.” stood front and centre, and as Morgan’s eyes wandered the pictures, a certain label caught his attention.

Front and centre, there you sat, “2006 PhD” followed by your name, a picture of you and your Professors in what’s presuambly your first year.

“No way,” Morgan breathes out a laugh. “Reid come look at this,”

“What? What’s wrong?” Spencer and Callahan’s expressions mirror each other as they glance over at Morgan in concern, only for him to quash any need for worry as he holds up the frame in their direction.

“Look how different she looks! What happened, did she get hit by a truck when she turned 20 or what?”

There’s a flicker of recognition in Spencer’s eyes, one that almost turns to fondness as he takes in the bright smile printed behind the glass. He’s not sure he’s ever seen you smile like that since you’ve been with the team.

“You know her?” Callahan raises an eyebrow.

“Yeah, yeah, she’s on our team,” Morgan nods with a chuckle as he places the picture back where he found it, pulling out his phone to snap a photo, probably to make fun of you later.

“Really?” Professor Callahan looks more than a little surprised at the revelation. “I knew she was destined for great things, but the FBI, wow,” He breathes out a short sigh, nodding. “Robert’ll have a field day when he finds out she chose forensics over clinical,”

Spencer gives what’s almost a laugh, clearing his throat. “Well, Professor, thank you for speaking with us, we’ll contact you if we find any more information,”

“No problem at all, my door is always open,” Callahan follows Spencer and Morgan over to the office door, holding it open for them as they leave.

“Oh, Agents?” He stops them before they get too far. “If you have any time in or after your investigation, ask her to pay us a visit? It’d be nice to catch up,”

“We’ll let her know,”

—

“From what I can tell, the removal of the uterus was done antemortem, and the victims cause of death was the blood loss that resulted from it,” The Coroner lifts the muscle torn by the initial incision to give you and Emily a proper look at the damage.

“The nature of the incisions tells that they were most likely done with proper surgical instruments, a scalpel most likely, but their nature is unpracticed, see here for example,”

She points towards the left side of the victims pelvis, where the muscle had been separated from the uteral lining. “In a professional hysterectomy, this tissue here would also be removed, but in this case it’s been left attached to the surrounding tissues, and the same can be said for the others,”

“So our unsub knows the basics, is that something that would require medical training?” Emily furrows her eyebrows at the sight, and you’re much the same.

The sight is almost enough to make you feel nauseous, but you don’t need sickly thoughts clouding your judgement right now.

“Possibly, although with how the internet is, it’s possible they read an article or watched a documentary on how the procedure is done,” The coroner sways her head side to side, “I’d say that whoever did this has had some training, but not necessarily in the field,”

Emily hums, turning her gaze from the victim towards you. ��Medical student maybe?”

You hum absently, eyes trained on the gaping hole left in the girl’s stomach. “Maybe, probably won’t still be a student though,”

It affects you more than it should, you think, a malingering nagging in the back of your head that won’t leave you alone but also won’t tell you why it’s there in the first place.

You sigh, “We should look at biologists too, clinical fields,”

Emily gives you an agreeing nod. “I’ll call Garcia,” She pats your shoulder deftly as she leaves the room.

“Was there anything else strange about the body?” You tear your eyes away from the girl to look up at the coroner, who only gives you a small shake of her head.

“Not that I can see,” Her gaze, though objective, flickers with small amounts of uncertainty. “It’s so upsetting, things like this, what spurs someone to do something so… primally horrific?”

“A rejection probably, a denial of a sexual relationship or children that’s projected onto other women because he can’t get to the person he really wants to hurt,” You shrug out an exhale. “More common than you’d think,”

She frowns. “it’s awful,”

“Yeah,” You purse your lips together. “But it is what it is,”

—

“Did the three girls have any clear connections?”

Garcia taps away on her keyboard, and the jingling of her earrings over the reciever suggests that she’s shaking her head. “Apart from being Stanford students, not really. Julie was doing an MsC in Pediatric Therapy, Ophelia doing an MA in History of Medicine, and Marie doing a PhD in Psychology.” She sighs. “None of them had any classes together, no mutual friends, I don’t even think they knew the others existed,”

“There has to be some overlap,” Morgan groans exasperatedly, glancing over at the mostly bare profile board that him and Spencer were trying to put together. They’d spoken to most of the girls’ professors by now, and apart from offhanded comments about stress and pressure, nothing seemed out of the ordinary.

It was frustrating, really frustrating, and for all they knew, the team was on a time limit before another girl suffered the same fate. They needed a break in the case, sooner rather than later.

“What about the students Emily asked you to look into? Spencer bends almost awkardly towards Morgan’s phone, trying to raise his voice into the speaker whilst still writing against the whiteboard.

“Nada, I’m afraid, no one who had connections to all three girls, past or present, I’ve hit a wall,”

“No kidding,” Morgan exhales heavily, pinching the bridge of his nose with the hand not holding his phone. “Thanks anyway, sweetness,”

“Of course my love, I’ll hit you back if I find anything, Penny G out,” —

“So we’ve got three dead girls, no connections, and no signature to help us track down this guy, lovely,” Emily sips on her coffee, leaning back into her chair with a sigh.

“Isn’t this like every other case we’ve ever had?” You raise an eyebrow is disinterest, stretching you arms above your head and almost hitting Morgan in the face as he and Spencer reenter the room from their lunch break.

The Psychology department had been kind enough to loan you one of their staff rooms during your investigation, and comments had already been made about Hotch’s demeanour as he walked around you like he was keeping an eye on a group of toddlers.

“There’s something we’re missing here,” Rossi pours over the whiteboard with a disgruntled sigh, his palm dragging down the side of his face. “There’s always something,”

Reid nods, tapping his pen against his notebook as he takes a seat. “Even perfectionists leave traces. It’s just a matter of understanding their logic—how they justify their actions.”

“Change of subject quickly,” Morgan holds up a hand as he walks around the table, his other hand landing on your shoulder. “Talking of leaving traces, who was going to tell us that you actually knew how to smile?”

You shrug his hand off of you with a furrow of your eyebrows. “What?”

“I’m talking little nineteen year old you beaming like you were trying to compete with the sun,” He digs his phone from his pocket, holding the screen out to face the group. “I mean look at this, look at you, its weird,”

You snatch the phone from him as soon as you recognise the picture. “Why do you have that picture?”

“We took a trip to see one of your old Professors,” Morgan wrestles the device back out of your hands before you have a chance to what he assumes will be deleting the evidence of your past sunniness. “He asked to see you at some point by the way, wants to ‘catch up’,”

“Delete that photo, Morgan.” You cross one leg over the other with a huff.

“No way, Ice Queen, I’m gonna make fun of you with this forever,”

“I hate you,”

”I love you too,” He blows an air kiss in your direction.

The shrill ring of the door opening cuts through the room, snapping everyone to attention. A mildly out of breath PD officer leaning against the doorframe.

“There’s been another one,” she says, her voice tight.

The room erupts into motion.

—

When you arrive, the scene is eerily similar to the others. The victim, a young woman in her early twenties, lies in the middle of her dorm room, fully clothed and carefully positioned. Her face is serene, as though she’s simply sleeping. The blood pooling out of her lower abdomen tells you that she’s not.

“Victim’s name is Natalie Yu. Twenty-one, Psychology major. She fits the profile—academic, driven, top of her class.” JJ fills you in easily.

You step closer, your heart sinking as you take in the meticulous staging. The unsub’s reverence for his victims is apparent in every detail. No signs of a struggle. No personal belongings out of place.

Reid crouches near the body, his eyes narrowing. “Same as the others. No physical trauma that would suggest a cause of death other than bloodloss. Removal of reproductive organs.”

Morgan stands by the door, his jaw clenched. “This guy’s escalating. Three murders in three weeks, and now this. He’s not slowing down.”

Something catches Prentiss’s eye. She kneels beside the victim and carefully lifts the edge of her blouse. Tucked neatly into the waistband of her jeans is a folded piece of paper.

“What’s this?” she murmurs, pulling on gloves before unfolding the note. The room goes still as she reads aloud:

“It was meant to be you.”

You lean over Emily’s shoulder to get a glance at the writing yourself. And then you immediately regret doing so. The handwriting is unmistakable—sharp, angular strokes that you’d recognise anywhere.

But you can’t say that. Not yet.

“‘It was meant to be you’?” Rossi repeats, stepping closer. “What the hell does that mean?”

Reid frowns. “It’s personal. Direct. He’s targeting someone specific now.”

“It could be a taunt,” JJ offers. “A way to throw us off or instill fear in the team.”

Morgan shakes his head, his expression grim. “No. This is different. This isn’t just about control anymore—this is about sending a message,”

“It’s personal,” Reid says again, his gaze sweeping the room. For a brief moment, his eyes land on you, and you feel like he can see right through you.

“Excuse me,” you manage, your voice steady despite the panic clawing at your chest.

You step outside, the crisp air hitting you like a jolt. Your hands shake as you pull out your phone, staring at the screen without really seeing it. The note wasn’t just a taunt—it was a reminder. He knew you were here. He’d known the moment you stepped onto campus.

It was meant to be you.

The words echo in your mind, a sinister promise that leaves no room for doubt.

—

“This is different from the previous victims,” Spencer says, “The note changes everything. If we assume the unsub has been fixated on someone specific all along, the other victims could have been surrogates—stand-ins for the real target.”

Prentiss looks at him sharply. “You think the unsub is escalating because the real target is now within reach?”

He nods. “Exactly. The murders were practice, perfecting the method. But now that the target is accessible, he’s shifting focus.”

“Great,” Morgan mutters. “Wonderful.”

JJ gestures to the note. “We need to figure out who he’s targeting—and fast.”

You stand by the door, your stomach twisting. You can’t let them figure it out, not like this.

“I’ll follow up on the note,” you say, forcing a calm you don’t feel. “Maybe there’s something about the phrasing or handwriting we can use to narrow down suspects.”

Morgan eyes you, his brow furrowed. “You sure you’re good? You’ve been quiet since we got here.”

You nod quickly, brushing off his concern. “I’m fine.”

He doesn’t look convinced, but he lets it go.

—

You barricade yourself in the staff room, spreading out the case files across the table. You stare at the note, the handwriting glaring up at you like a brand.

“It was meant to be you.”

You were just a kid, desperate to prove yourself. He saw that. He used it.

You grip the edge of the table, your knuckles white. You can’t let him win. Not again.

A knock at the door pulls you out of your thoughts. It’s Spencer, holding a cup of coffee.

“Thought you could use this,” he says, setting it down in front of you.

“Thank you.” You manage a display of gratitude, but his gaze lingers, sharp and questioning.

“You’ve been off since we got here,” he says softly. “Is there something you’re not telling us?”

Your heart skips a beat. Reid is too perceptive for his own good, and you know he won’t let this go.

“I’m fine,” you lie. “Just tired.”

He doesn’t look convinced, but he nods, stepping back. “If you need to talk, I’m here.”

As he leaves, you let out a shaky breath. The walls are closing in, and you don’t know how much longer you can keep this to yourself. Not if you don’t want anyone else to die because of it.

—

Spencer stands near the board, absentmindedly tapping his pen against his palm. Morgan is leaning against a table, arms crossed, while Prentiss and JJ exchange quiet remarks by the coffee pot. Rossi, as always, is seated with his chair tipped back, his eyes fixed on the board.

But it’s Hotch who breaks the silence. “This unsub’s timeline is escalating, and the note makes it clear they’re getting bolder. If we don’t figure out their connection to Stanford soon, someone else is going to die.”

Morgan sighs. “We’ve gone through the victim profiles a dozen times. There’s no overlap other than the school. No shared clubs, professors, dorms, nothing. It’s like this guy’s picking them at random.”

“Not random,” Spencer interjects, his voice sharp. “The victims are stand-ins for someone else. I’m sure of it. The note confirmed it—‘It was meant to be you.’ The unsub isn’t just killing; they’re trying to send a message to someone.”

Rossi tilts his head. “None of them bear any significant physical relation to each other,”

Reid nods. “It doesn’t have to be physical. It’s an ideal, there’s something specific that ties all of the victims together, something linked to whoever the unsub is actually after,”

JJ frowns. “But who is it? If it’s not one of the victims, how do we figure out who the unsub is fixated on?”

You tense in your chair, your hands curling into fists under the table. You can feel their eyes shifting to you, their collective attention like a spotlight burning against your skin.

Morgan raises an eyebrow. “You did go here. Maybe there’s something you’d recognise—something we’ve missed.”

You meet their gazes with forced calm, willing your voice to remain steady. “Just because I went to Stanford doesn’t mean this case has anything to do with me.”

Prentiss leans forward slightly, her tone gentle but insistent. “No one’s saying it does, but if there’s even a chance—”

“There’s not.” you cut her off, sharper than you intended. The words hang in the air, and you immediately regret your tone. It doesn’t change anything though. “We’re here because of the victims, not because I graduated from here a decade ago.”

The room falls quiet, and the tension thickens. Hotch watches you carefully, his unreadable gaze a weight you can’t escape.

“I need some air,” you say abruptly, standing before anyone can argue. “I’ll be back in a few.”

You leave the room before anyone can stop you, the sound of your boots echoing down the sterile hall.

—

Stanford’s campus feels both foreign and familiar as you wander its paths. The sprawling quads and ivy-covered buildings haven’t changed much in the years since you left, but the memories they stir feel sharp and raw.

You stop at a bench near the Psychology department, the cool breeze doing little to calm the storm inside you. Your arms wrap around yourself as if trying to hold yourself together.

“You’re not fine.”

The voice startles you, but you don’t turn around. You’d recognise that soft, observant tone anywhere. Spencer.

He sits beside you, leaving a respectful distance between you, his lanky frame folding awkwardly on the bench. “You’ve been different since we got here,” he says after a moment. “Quiet. Hesitant. That’s not like you,”

You don’t respond, staring out at the students passing by, their laughter and chatter a stark contrast to the weight in your chest.

“I know it’s not just the case,” he continues, his voice gentle but unyielding. “There’s something else. Something you’re not telling us.”

Your jaw tightens. “I don’t know what you’re talking about.”

“Yes, you do,”

His certainty grates on your already frayed nerves, and you finally turn to him, your eyes flashing. “What are you trying to say, Reid? Spit it out.”

He hesitates, his brow furrowing as he chooses his words carefully. “I think you know who the unsub is. Or at least… you suspect,”

You laugh, the sound bitter and sharp. “That’s a hell of an accusation.”

“I’m not accusing you of anything,” he says quickly. “I’m worried about you. You’re not acting like yourself, and the way you reacted to that note…” He trails off, shaking his head. “It was different. You looked like you’d seen a ghost,”

“Maybe I’m just tired,” you snap, the defensive edge in your voice sharper than you intend.

He doesn’t flinch, his gaze steady and unwavering. “It’s more than that. I can see it. You’re scared,”

The word hits you like a slap, and for a moment, you can’t breathe. He’s right, of course. You are scared. Terrified, even. But admitting that feels like surrendering, like letting him win.

“Stop it,” you say, your voice low and dangerous. “You don’t know what you’re talking about.”

Spencer leans forward, his elbows resting on his knees as he studies you. “I think I do. I think this unsub has a connection to you. And I think that’s why you’ve been avoiding us—because you don’t want us to figure it out.”

Your hands curl into fists at your sides, and you glare at him, your composure threatening to crack. “You don’t know what he did to me.”

The words slip out before you can stop them, and the moment they do, you see the understanding dawn in his eyes. “Who?” Spencer presses gently. “Who are we talking about?”

Your chest heaves as you fight back the tears threatening to spill. “One of my Professors.”

“Did he…” Spencer hesitates in pressing the subject, a mix of his usual timidness when it comes to you and the fear that he’s broaching on a very concerning topic.

“It was consensual.”

Spencer watches you closely, his eyes searching your face for a sign, some clue, as if trying to understand the puzzle that is your inner workings.

He doesn’t push, but the silence between you both is suffocating. His voice is almost a whisper when he speaks again, but it still cuts through the heavy air between you.

"You were just a kid," Spencer murmurs, his words soft but no less sharp. "He took advantage of you when you were vulnerable, when you were still figuring things out. That’s manipulation."

You flinch at the truth of it, at the way he so easily sees the pieces of your life you've tried so hard to bury. You didn’t want to think about him anymore, didn’t want to remember how he twisted every gesture, every word, until it was all about him, all about what he wanted.

You can still feel the weight of his hands, the way he made you feel like you didn’t have a choice, that this was all part of the price you had to pay to succeed, to be seen as worthy of your place in academia.

Spencer shifts slightly, his eyes never leaving yours. “He used his power over you. You were just a kid, and he was a professor. Someone you trusted.” His words are steady, but they cut deep. "You were in a position where you thought you had to do what he wanted. But it wasn’t your fault,”

“It was consensual.” you say again, more firmly this time, though it feels like you’re trying to convince yourself rather than him, the words raw and drenched in a cold calmness you didn’t really feel.

“Was it?” Spencer asks gently, his voice low. “If you were 19 and you thought you had to do it to get ahead, was it really? Was it truly your choice?”

You feel the air leave your lungs, and you want to scream at him, to deny everything, to make him stop asking these questions, because the answers are too painful, too complicated.

But he’s right. You were a child—so young, so desperate to succeed, to make a name for yourself in a field dominated by people like him. You thought you were lucky when he took you under his wing, when he offered you guidance, extra attention, time. But you weren’t.

“I had an abortion,” you finally confess, the words coming out in a broken whisper.

Spencer’s eyes widen, and for a moment, he’s silent, processing your admission. His lips part as though he wants to say something, but nothing comes. He doesn’t push, though, just watches you, his expression a mix of sympathy and concern, but there's no judgment in it. Not like you expected.

“In my shitty college dorm room,” Your voice catches, and you blink rapidly, trying to stop the sting in your eyes. “I thought I was dying. The amount of blood—” You let out a shaky breath, your hands trembling in your lap. “I didn't know how to make it stop.Sometimes I wish it didn’t.”

“Don’t say that.”

Spencer leans in a little, his gaze intense, but gentle. “You were just a kid,” he says softly, his words like a balm, soothing yet cutting through the guilt. “He took advantage of you. It wasn’t your fault. You didn’t deserve that.”

You want to believe him. You want so badly to hear those words and let them erase the shame that has clung to you for so long. But the voices of doubt are louder in your head. The fear that somehow, deep down, it was your fault. That maybe you could’ve said no, maybe you could’ve gotten away before it went too far.

“I didn’t tell anyone,” you say, your voice low, almost ashamed of the vulnerability. “I couldn’t tell my parents or my friends… or anyone. It was like everything I worked for, everything I had, was tied to him. If I said something, everything would’ve been ruined.”

Spencer’s brows furrow, and he lets out a soft exhale. “No one should ever have to carry that weight alone, especially not at your age.” His voice is steady, but there’s something deeply empathetic in his tone. “It’s not a burden you should’ve had to bear by yourself.”

“I lied to him too,” you whisper, the confession hanging heavily in the air. “I told him I miscarried. He was devastated. He wasn’t even angry—just sad. But I didn’t. I didn’t feel anything.”

“You…” Spencer starts, hesitating to make sure he words his response correctly. “Being in a state of shock is normal after a traumatic event,”

You shake your head. “I know what shock feels like. I was just numb. I murdered my own child and I didn’t even feel guilty about it.”

Spencer’s jaw tightens slightly, a flicker of anger flashing in his eyes, but it’s not directed at you. It’s directed at him, at the man who should’ve protected you, not preyed on you. His voice is tight, but he keeps it calm.

“You did what you had to do. That’s not your fault.”

“It was alive. Seventeen weeks. I flushed it down the fucking toilet,” You drag your palm down your face, leaning forward until your elbows are resting on your knees.

“I didn’t even want to graduate after that,” you admit, your voice raw. “I couldn’t face him. I just wanted to disappear, but I was not going to put myself through hell without getting something out of it.”

Spencer is quiet for a long moment, taking in everything you’ve said. His gaze never wavers from yours, like he’s trying to understand every piece of you, trying to reach that place where you’re still hiding, still locked away from the rest of the world.

“You don’t owe anyone an explanation for what happened. You did what you needed to survive. And you are surviving. But you don’t have to do it alone.”

You close your eyes, letting the weight of his words settle over you. The storm inside you hasn’t calmed, but for the first time in a long while, it feels like it’s not threatening to swallow you whole. The walls you’ve built around yourself feel just a little more porous, itching to crumble.

“I’m scared,” you say, the vulnerability you’ve been holding back creeping into your voice. “He’s murdering people because of me.”

Spencer doesn’t hesitate. He sits up straighter, his expression serious. “We’ll figure this out. We’ll help you, and we’ll make sure that he doesn’t hurt anyone else.”

“You can’t tell anyone what I just told you.”

He lets out a sigh of your name.

“Promise me, Spencer.”

“Okay,” He nods solemnly. “I promise.”

—

The moment you walk through the doors of the empty lecture hall, you feel it—that same nauseating mix of dread and anticipation curling in your stomach. The air is stale, thick with the weight of memories you spent years trying to forget.

He’s already there, standing at the podium like he belongs there, like nothing has changed. Like he hasn’t left a trail of bodies behind him.

“Ah,” Professor Wittchen exhales as if relieved. “There you are,”

Your fingers twitch at your sides. “I should’ve known you’d pick this place.”

His lips curve into a small smile, a smile that used to make you feel seen. Now, it makes your skin crawl. “It’s fitting, don’t you think? This is where it all began,”

He watches you with the same unwavering gaze he always had, the one that used to make you feel special—chosen. Now, it just feels predatory.

“I missed you,” he says simply, stepping closer.

You don’t move.

“You should’ve visited,” he continues, his voice warm, inviting, like this is a casual conversation and not a confrontation between a killer and his last loose end. “You were my brightest student,”

“I was your victim.” you correct, voice sharp.

His expression doesn’t falter. If anything, he looks pleased. “Victim?” he echoes, like he’s rolling the word around in his mouth, testing its weight. “That’s not how I remember it.”

You swallow hard, jaw clenched. You knew this was how he would react. Knew he would twist things, make them blurry, like he always had.

He tilts his head, studying you. “I heard you became a profiler. That’s impressive. Though I always thought you were more inclined to be a Psychiatrist.”

“You shouldn't be surprised,” you say flatly. “I learned from the best manipulators.”

A flicker of amusement crosses his face. “Now, that’s not fair,”

Your nails dig into your palms. “I know it’s you,” you say, cutting through the act. “You murdered four innocent women because you couldn’t move on.”

He exhales, almost disappointed. “That’s not quite right.”

You don’t let him continue. “Why are you doing this? Why now?”

His gaze darkens, and for the first time since you stepped into this room, the warmth fades from his expression. “It’s been ten years since you left me,” he says simply. “You never even had the decency to say goodbye. I tried to find a substitute, but they weren’t like you. No body is. You’re special.”

A shiver runs down your spine, but you force yourself to hold his stare. “I didn’t owe you anything.”

Wittchen exhales through his nose, shaking his head like you’ve disappointed him. “That’s not true. I shaped you. I made you.”

A bitter laugh escapes you. “You ruined my life.”

His eyes flicker with something unreadable, and then—slowly—he steps down from the podium, closing the distance between you. “You don’t believe that.”

Your breath catches, but you don’t move.

He stops inches from you, his voice dropping to a murmur. “I see it in your eyes. You still need me.”

You know what he’s doing. You know how his mind works, how he bends reality to his will, how he rewrites history to suit his narrative.

And for the first time, you don’t fall for it.

“You’re pathetic,” you whisper. “You think killing people will make me what? Love you? Miss you?” You shake your head. “You mean nothing to me.”

Something in his expression shifts. It’s subtle, but you catch it. The crack in his mask. The first glimpse of the monster beneath.

His fingers twitch at his sides.

There it is. The control slipping.

Good.

You see the flash of something dark behind his eyes—anger, frustration, maybe even desperation. He knows he’s losing control, and for a man like him, that’s unbearable.

You take a step forward. Not away, but closer.

“I hate you.” you say, your voice sharp, cutting through the heavy silence of the room.

Wittchen’s lips barely twitch, but you see the flicker of amusement in his eyes, like he thinks you’re still playing a game with him. Like this is another debate, another test of wills.

“No, you don’t,” he murmurs. “Not really.”

Your hands curl into fists at your sides. “Don’t tell me how I feel.”

He sighs, tilting his head like you’re disappointing him. “I did anything you didn’t ask for,” he says, like it’s a fact. “You wanted me.”

Rage burns through you, hot and all-consuming. “I was nineteen,” you spit. You knew exactly what you were doing. You took advantage of me.”

Wittchen exhales through his nose, shaking his head. “It wasn’t like that,”

“It was exactly like that,” you snap, stepping closer. “And do you want to know the worst part? I spent years telling myself it wasn’t. That maybe I did love you, that maybe I wanted to be with you. But I didn’t.”

His jaw tightens, but he doesn’t deny it.

“I don’t regret leaving you,” you continue, voice trembling with fury. “I don’t regret moving on, or never looking back. But do you know what I do regret?”

He doesn’t answer, just watches you carefully, like he’s waiting for the killing blow.

“I regret ever letting you touch me. I regret every second I spent thinking you were something special, that you cared about me. You didn’t. You only cared about what I could give you.”

Something shifts in his expression—subtle, but enough. His fingers twitch again.

You steel yourself and drive the dagger deeper.

“You think I miscarried?” you ask, voice dropping to a whisper. “That’s what I told you, right? That I lost the baby?”

His face remains eerily blank.

“I lied,” you whisper. “I had an abortion.”

His entire body stiffens.

“Because the thought of being tied to you for the rest of my life made me sick. And I would’ve rather died from sepsis than deal with you.”

The silence that follows is suffocating.

For a moment, Wittchen doesn’t react. Doesn’t breathe.

Then, without warning, he moves.

His hand goes for his waistband, and in a split second, you see the glint of a gun.

But you’re faster.

Your own weapon is already in your hands before he can fully draw his, aimed directly at his chest.

“Don’t.” you warn, your voice steel.

Wittchen hesitates, his gun halfway raised, his eyes locked onto yours.

For the first time, there’s something close to uncertainty in his expression.

—

The team is listening.

They hear every word.

Spencer’s grip on his gun is tight, knuckles white, jaw clenched so hard it aches. The rest of the team stands tense beside him, ears trained on the conversation happening just beyond the door.

They could go in. They should go in.

But they don’t.

Not yet.

Because this isn’t their battle.

Still, when they hear the shift in the conversation, the moment Wittchen reaches for his gun, every muscle in Spencer’s body tenses, ready to move.

And then—

Silence.

A long, stretching silence.

Then a single gunshot.

—

“You’re lying,” Wittchen snaps, his voice rising as his fingers curl tighter around the revolver’s grip. He pulls back the hammer with a metallic click, the sound loud in the charged silence of the lecture hall.

His arm is steady, the barrel aimed at your chest, but you don't flinch. “You miscarried. You were sick. That’s the truth. I took care of you. I was there when you needed me.”

Your lips curl into a bitter smile.

“The baby was fine,” you say, voice cold and firm. “I just didn’t want it.”

The words hang between you, heavy and raw.

For a split second, something akin to disbelief flickers in his eyes. But he recovers quickly, his jaw tightening as his grip on the gun tightens. The cold, calculating look is back.

The man who used his power over you is right here, still trying to control the situation. But he’s unraveling, and you can see it now—the cracks in his façade.

“You think you can just walk away from all this?” Wittchen growls, his voice a low threat. His eyes dart between you and the gun in your hand, calculating the distance, the time it would take to react.

“You’re going to watch me.” you reply, your voice steady despite the chaos swirling inside you. You take a step forward, gun lowered in favour of a pair of handcuffs.

He lets out a sharp breath, taking a step backwards, his arm still outstretched, but his expression is one of rage and something else—desperation.

“I gave you everything,” Wittchen sneers. “I could’ve given you more. You were a star, you were going places. But you threw it all away.”

“I didn’t throw away anything.” you say, voice sharp, anger curling in your gut. “I made my life what I wanted it to be.”

You take another step toward him. Your hand grips your gun tighter, its cold weight a reminder of how far you’ve come, how much you’ve survived.

“I was a kid,” you say, quieter now, more dangerous. “A kid who wanted to make something of herself. But you? You made sure I’d always be tied to you, that I’d never escape your reach. You took that from me. And now?”

Now, you’re not just angry. Now, you’re done.

“I don’t need you anymore,” you continue, voice quiet but lethal. “And I don’t need to live in fear of you. Not anymore. Just give up.”

Wittchen’s face hardens. His finger moves closer to the trigger, and for a moment, it feels like time stands still. His eyes are cold, calculating—he’s trying to force you to back down, to make you fear him again. But you don’t. Not anymore.

And he knows it.

The silence stretches out, suffocating. And then, without another word, he turns the gun away from you and towards himself.

For a moment, the world is frozen.

The sharp scent of gunpowder lingers in the air.

You don’t flinch.

You don’t move.

Wittchen stares at you, almost smiling.

A slow, dark red stain spreads across his chest. His gun falls from his hand, clattering uselessly to the floor.

Then, his knees buckle.

He collapses.

The impact is dull, almost anticlimactic.

His breath comes in shallow gasps, and for the first time since you walked into this room, he looks small.

Weak.

The man who once held so much power over you is nothing more than a dying, pathetic heap on the floor.

And somehow, there’s no satisfaction in it.

You watch as the light fades from his eyes, as the last breath leaves his lips.

And then—

It’s over.

—

The gunshot sends the team into action.

Spencer is the first through the door, gun raised, eyes scanning the room for threats.

But all he finds is you—standing still, gun loose in one hand, handcuffs in the other, staring blankly ahead.

Wittchen is on the floor, unmoving. Blood pools around him.

For a second, no one speaks.

Then you move.

Without looking at any of them, you turn away from the corpse.

And then, numbly, silently, you walk past them.

You don’t stop when Spencer calls your name.

You don’t stop when JJ reaches for you.

You just keep walking.

Because it’s finally over.

And yet, somehow, it doesn’t feel like a victory at all.

—

The air outside the lecture hall is thick with tension.

Your gun feels heavy in your hands, and at some point, you register someone gently taking it from you. You don’t resist.

The hallways of Stanford feel different now. The ghosts you tried so hard to forget have been exorcised, but their shadows still linger.

You reach the nearest exit and step outside, inhaling sharply as the crisp night air hits you. You brace your hands on your knees, grounding yourself.

Then you hear footsteps behind you.

You know it’s them.

You straighten, forcing yourself to meet their gazes.

Hotch stands with his arms crossed, his expression unreadable but his presence steady. JJ and Emily exchange a look, worry etched into their features. Rossi, as always, watches with quiet understanding.

Then there’s Morgan.

He looks… shaken.

Guilt lingers in his eyes, and when he steps forward, his voice is lower, softer than you’ve ever heard it.

“I’m sorry,” he says.

You blink, caught off guard.

“For what?” Your voice is hoarse, raw.

Morgan exhales sharply, rubbing a hand over his jaw with his eyes full of regret. “I didn’t know.”

You swallow hard. You don’t want to talk about it. But there’s something in his voice, in the way his usually confident demeanor falters, that makes you nod stiffly.

“I know.”

It’s the closest thing to forgiveness you can offer right now.

Morgan nods, accepting it.

Spencer is the last to approach.

He doesn’t say anything at first—just stands there, his hands shoved into his pockets. His eyes, though, say everything.

You hold his gaze for a moment before sighing. “What?”

“I don’t know what to say,” he admits. His voice is careful, but there’s an edge of something else—frustration, sadness, maybe even anger. Not at you. Never at you. But at what happened. At what Wittchen took from you.

“You don’t have to say anything,” you murmur.

—

The hum of the jet is steady and low, a constant presence that fills the silence between breaths.

You sit by the window, staring out at the clouds, your reflection barely visible against the dark glass.

You should be exhausted.

You are exhausted.

But sleep won’t come.

Your mind won’t let it.

The seat next to you shifts slightly, and you glance over to see Spencer settling beside you.

He doesn’t say anything.

Doesn’t ask if you’re okay, because he already knows you’re not.

Doesn’t try to fill the silence with empty reassurances.

He just sits.

And somehow, that’s reassurance enough.

Sleep comes a little easier after that.

[reidrum]

wine or wine not | s.r

spencer reid x bau!reader

a/n: i think i love writing buildup to smut than actual smut, but i hope you guys like this lmk what you think. this was requested with the prompts "look at me when you come on my fingers" and "muttering compliments kissing down their body" and it was so much fun to write aaaaahh, my requests are open so please send more!!! guidelines in pinned <3

summary: you're hopelessly pining after spencer at a rossi party, and when you run into him in the kitchen when you're getting a refill and he asks if you want to explore the mansion with him, who are you to say no?

cw: 18+ minors dni pls, fingering, p in v, nipple play, soft!dom!spence, spencer being ridiculously hot its criminal, ooc penelope but it was for the plot, pining idiots, wine cellar sex wine cellar sex wine cellar sex, public sex, morgan and prentiss being dumb, rossi being a smug lil shit, a dumb ass title sorry i didn't know what else to name it lol

wc: 4.1k

★・・・・★・・・・★・・・・★・・・・★

these days rossi was always finding some reason to throw a party at his mansion. you’re not exactly sure what it was tonight, a birthday? an anniversary? regardless, you and the team appreciated the excuse to unwind, dress up, and have non murder related fun.

the sun is setting over the rolling hills the mansion is perched on, and you’re sat at a table with the girls— penelope, jj, and emily discussing penelope’s latest dating escapade. you’re trying hard to pay attention, you really are, but it proves to be difficult when you’re focused on the man showing magic tricks to the kids across the room.

you look on yearnfully as spencer pulls a coin from jack’s ear, all the kids are laughing and cheering and he has the biggest smile you’ve ever seen.

“hellooo?” penelope waves a hand in front of you dramatically, “i’m getting to the good part and you’re off in space!”

you jolt back to the present, “sorry pen, i’m listening i promise. so he shows up to your door with maple syrup and feathers?”

“YES, anyways so then he’s like i have a proposition for you…” penelope continues her story but you can’t help but zone out again. your eyes drift back to boy genius as he finishes another trick for little henry before rising up to his full height. it’s in that moment his eyes meet yours and softens as he offers you a small wave. 

you return the gesture back which causes the girls at your table to look in the same direction and they come to a glaring conclusion too quickly.

“ah, that’s why you’re not paying attention. too busy ogling mr. houdini over there.” jj remarks.

“i am not!” you scoff.

“oh you so are,” emily says, “when are you going to let yourself feel your heart’s full content.”

“first of all, i can’t stand you. second of all, it’s not worth it. he would never feel the same about me.” you say as emily rolls her eyes.

this time penelope interjected, “oh don’t be so cynical. you haven’t even tried how could you even know?”

but you did know. it’s not that spencer didn’t like you, he treated you the same as any team member, but that was just it. you wanted him to see you as more. during cases you would try to impress him or make breakthroughs in the hopes he would tell you ‘good job’. a couple times you brought him coffee when you got yours, just to hear him say your name and thanks. work conversations rarely seemed to move past small talk, but you’re a little sure that’s on your part because he just made you so nervous. and like, he’s a profiler. so you’re sure to some degree he knows how you feel, and it just makes you regress into your safe hole even further because you think he’s being nice by not acknowledging it and saving you the embarrassment.

the girls knew about your harbored crush for a month now, since the last bau drinks night you got a little too truthful during truth or dare. you were much younger in comparison to your colleagues, so they offered their sympathies at your unrequited love and tried to get you to come out more and let loose.

which is one of the reasons you’re sitting in rossi’s living room, wine glass in hand, as morgan recounts the craziest date hes ever been on. the other reason, which you wouldn’t admit to anyone, was so you could admire your (not) lover from an acceptable distance and not risk embarrassing yourself.

so here you are, two glasses deep, rising up from your spot on the floor telling everyone you’re going to get a refill. your heels click against the hardwood floors all the way to the kitchen where you just so luckily run into the (your) man of the hour.

“hi.”

you were looking down at your feet as you walked to the kitchen, your head snapping up to meet the voice, “hi spencer.” you said softly.

“if you’re looking for more wine, i think emily just grabbed the last bottle,” you must have outwardly deflated as he continued, “that bad out there?”

“only so much wine can get me through penelope’s sexcapades and derek’s crazy one night stands.” you joke.

he chuckles back, “oh i know, why do you think i’m hiding out in here?”

you laugh again before an uncomfortable yet strangely comfortable silence falls between you both. unknowingly you both take turns gazing at each other, indexing the others features as if this moment would be the only chance you got.

you’re about to take your loss and leave when spencer speaks up again, “you know, i wouldn’t put it past rossi to have a secret wine cellar somewhere.”

“honestly, you’re probably right. what kind of italian just runs out of wine.”

spencer pauses slightly before saying, “do you want to see if we can find it?”

you look at his eyes again and catch a glint of mischief? concern that you’re wine-less? whatever it is, you take the bait.

“i’m game.”

—

rossi’s mansion was humongous. it was well known that he was loaded from his years in the bureau and multiple book deals, but holy shit, the rooms just seemed never ending, and none of them were a wine cellar.

“i don’t know spence, i'm starting to lose hope, and debating to revoke rossi’s italian card.”

you’re both in one of the many studies and are about to leave to find another room, when spencer notices a smaller door next to the study. he slowly opens it and peaks inside to find a descending wooden staircase. he looks at you with a smirk, “i think we just found it.”

he holds the door open and gestures you to enter first, following shortly behind you as he shuts the door. he makes sure to check that it’ll still open even after it’s shut, and you both relax a little seeing it still unlock. you move down the stairs, gripping the handrail and praying you don’t trip over your heels and fall to an embarrassing demise.

spencer descends a step behind you, trying so hard not to let his eyes wander down your bare back to the curve of your hips. once he steps off you both go in opposite directions to explore. you take in the vast amount of shelves and wine racks, taking note of how it seems to be separated by year and by type. running your fingers over the labels, you’re intrigued by a shelf with the year you were born, and pause in front of it. you reach up to a shelf that is just a smidge taller than you, hoping to grab the neck of an old wine bottle.

even in your heels you’re struggling, attempting little hops to try and reach. you’re about to give up when you feel a warm hand on your right hip, while an outstretched arm on your left seamlessly grabs the bottle and brings it down to you, “careful sweetheart, don’t wanna break that pretty head of yours.” spencer says lowly.

excuse me, what the fuck did he just say.

you inspect the bottle he so kindly brought down for you, but it’s a futile effort. you can’t even remember why you wanted to see it. all you can think about is your hands clamming up, sending threats to the wine bottle it’s holding. your mind is fogging up fast, and you’re trying to order your brain to say something instead of going mute while he’s still an inch behind you. with his hand on your hip still.

“oh god,” you start shakily, “you scared me spence.” you angle your body to the left so you can attempt to show how unbothered you are and look at his face.

good save (not).

he’s staring down at you with a hint of a smirk on his lips, like he’s keeping a secret from you. his eyes are intently focused on you when he speaks again, “just didn’t want you to get hurt. s’all.”

with his close proximity, you’re sure he can hear your heart beating through both of your chests, hell it was so loud they could probably hear it upstairs. he’s still got you caged in front of him when he continues, “any particular reason for this bottle?”

“yeah no, i just, wanted to see what bottles of wine he had from the year i was born.” you answer, watching as spencer moves back to give you space when you turn to face him.

he nods, “did you know that wine is associated with the greek god dionysus?”

“no i didn’t, actually.”

“it’s really interesting,” he moves forward a tiny inch, “they call him the patron god of wine, but a lot of people often forget that he’s also the god of fertility and ecstasy.”

oh. “ecstasy?” you whisper confusingly.

“yes, he believes when you drink wine it gives you emotional and physical pleasure.”

“how does that even work?” you nervously laugh.

spencer reaches his arm above your head, never breaking eye contact, and grabs two wine glasses by their stems, “you wanna find out?”

with only so many words, you give another nod. he uncorks the bottle with ease and pours out two glasses, with his having a little less than yours, most likely due to his slow but steady return to drinking casually. clinking your glasses, you take a big gulp hoping it’ll satiate the building nerves. but you’re watching the way his fingers wrap around the glass, his veiny hand showing prominently and you’re unable to focus on anything else.

“you know, i’ve been running something of an observation the last few months.”

you take another small sip, starting to feel less nervous, “oh yeah, what about?”

“you.”

it took everything in you not to spit your drink out all over his suit. 

“me?”

he nods after another sip, “i’ve been watching you, and not in a creepy way i swear. but i’ve been keeping track of your habits; how you take your coffee, your tells when a case gets too much, things like that,”

that didn’t seem overtly terrible to you, you knew spencer was an observer of his environment, always seeking out patterns to aid his predictions. you’re about to speak when he cuts you off.

“i’ve also been noticing how you seem to change, when i’m in your presence.”

you feel like the sweat and nerves are just oozing out of you at this point, and he continues his verbal taunt.

“i’ve seen your breathing rate get faster,” he moves a step forward, “how your cheeks rise with the faintest red, kind of like right now,” another step forward, “and how you try to avoid looking directly at me because you think i’ll find out everything if you do.”

the room has to be at least a thousand degrees at this point, heart beating so fast it’s probably gone to the moon, and your brain just unable to have any coherent thoughts at the realization that maybe you weren’t as subtle as you thought.

he takes one final step to close the gap between you and delicately places two fingers on the pulse point of your neck, “i couldn’t figure out your heart rate from afar,” he pauses to count, “but now that i know it, i can come to my conclusion.”

the air in your lungs has all but escaped, nowhere to be found. “and wh- what is your conclusion d- doctor reid?” your voice betraying you by dripping with anticipation.

“that i make you nervous. do you agree? do i make you nervous?” he says while you feel the hot breath of his whispers ghosting on your lips.

your mouth opens to say something and then shuts, because what the hell are you supposed to say? any and all logic has left the room, but the last working neuron works to make an unthinkable conclusion of your own. there is no way.

spencer moves his fingers to grip your chin between them, guiding your face to look directly into his copper eyes, “i asked you a question angel, do i make you nervous?”

you’re cornered, “y- yes.”

“why’s that?”

“spencer..”

“is it because you’re thinking of me the same way i think i about you?” his thumb starts tracing the outline of your lower jaw. he’s pressed right up against your chest, his other arm covertly moving to snake around your waist. the way you lean in subconsciously towards him, paired with your silence is all the confirmation he needs.

the pad of his thumb traces your lower lip, dragging it downwards a little. there’s a hitch in his breath when his eyes flicker from your lips back up to meet your eyes again. he quietly mumbles, “can i?”

your eyes widen slightly, relishing in the way his arms are holding you firm and steady. this was about to really happen. you’d been pining after him all this time, believing you were destined for unrequited love. but as spencer stands in front of you, looking at you as if he’d been poisoned and the only antidote is your lips, you can’t help but wonder if there’s been a similar weight on his side that’s been holding him back too.

so you nod once again, and trust your voice this time, 

“yes.”

you’re fully expecting him to go into it full force, and kiss you like a man starved. but he lets the premonition bubble for a little longer as he so agonizingly leans down and closes the gap, teasing you with the ghost of his lips on yours without making contact. he waits a moment, and just as he predicted your subconscious betrays you again and you impatiently lean up in an attempt to meet your lips together. spencer can’t help but smile before he softly pressed himself against you.

the feeling of his mouth on yours is something you can only describe as cosmic, like a star exploding into a supernova, emitting a powerful and luminous show of energy. it’s all consuming, the light reaching every neuronal end of your body and electrifying it ten times over. your hands reach up to tangle in his curly hair and he lets out the faintest whimper, spurring you on to grab it more earnestly.

spencer loses all restraint. his hands begin furiously mapping out your body, running up and down your back, reaching down to grasp a handful of your ass. he moves his hands down further to grip your thighs, effortlessly lifting you to sit on the counter behind you. spencer slots himself between your legs and continues kissing you, his mouth marking a hot trail to your neck as he mutters between, “is this okay?”

“please don’t stop.” you moan softly.

his fingers move to deftly slide the straps of your dress off your shoulder, mirroring the movement on the other side while continuing to work his down your neck. he slides the dress far enough down to expose your chest, immediately taking the swollen nub into mouth and running circles around it with his tongue. you let out a sharp gasp at the sudden warmth, whimpers leaving your throat. he repeats the motion to the other one as you cradle his head closer in an attempt to keep him there, as if spencer had any plans of leaving.

he moves his mouth back up to meet yours again, in a lust filled attack sending shock waves straight to your core. you move your fingers to work the buttons of his dress shirt and spencer moves his hand further south and under the hem of your dress, something you don’t notice until his thumbs are rubbing circles onto the plush of your inner thighs. it makes you falter on his last button as he pushes your legs farther apart,  inches closer to where you desperately need him.

spencer looks directly into your eyes as his thumbs reach up to hook onto the side of your panties and slowly move them down your legs. he groans outwardly at the resistance caused by your slickness, “all this for me, baby?”

you’re rendered speechless watching spencer and his ministrations but he continues, “you are so goddamn beautiful, you know that?” his fingers are less than an inch away from your cunt, “i see you walk around the office in those tight pants, your hair and makeup all done, and those blouses jesus,” he reaches your entrance and dives in to collect your wetness, you brokenly moan as he begins to spread it all over. “couldn’t tell if you hated me for the longest time.”

“c- could never hate you.” you whine.

“i know baby,” he slides his middle finger into your hole, “just imagine the fun we could’ve had if we figured this out earlier. but it’s okay, we have all the time now.” he sets a steady rhythm before inserting his ring finger, actively working you towards a barreling orgasm.

“spencer, fuck, oh god.”

“you’re so fucking wet, bet you’re gonna come soon, right? gonna make a mess on my hand?” he baited.

you’re in shambles, one hand deathly squeezing onto one shoulder the other turning white from the grip you held on the counter. the moans won’t stop falling out of you, he works his fingers so skillfully within you it’s impossible to hold any resolve when he curves upwards and hits that spot.

your head tilts back, reeling from the intense pressure coil building inside you, the peak about to hit you any moment now. spencer uses his free hand to move your head back down, “look at me when you come on my fingers.”

that was all it took for the white hot to ravage through you, engulfing every sense and leaving you breathless. he continues moving his fingers through your orgasm, watching as you come back down to him. you don’t waste a second reaching for his belt to unfasten it, slipping your hand down to palm him through his boxers. he moans in your ear as he feels you slip inside, your small hand moving up and down, and getting impossibly harder when you take your hand back up to spit on it to then return to your movements.

you take the moment to lean into his neck and leave bites of your own, finding his sweet spot right behind his ear and sucking hard. spencer’s hands have taken a spot on your lower back beneath your dress, pressing so hard with his fingertips you know there’ll be evidence of this night tomorrow.

“spence..” you mutter in the crook in the neck.

“yeah baby?” he whispers back.

“can you fuck me now?”

he preens at your boldness, and wastes no time pulling his pants and boxers down enough to fully free himself. he pulls you closer to the edge of the counter before pulling his length out and giving it a few strokes. he lets it glide between your folds, gathering your wetness as lubricant as it hits your clit. both of you are panting hard realizing the anticipation has led to this moment. spencer positions himself at your entrance, never breaking eye contact with you, and watches your face drop into a perfect ‘oh’ as he pushes in.

spencer is absolutely wrecked as he hears your breathing pick up, reveling in the vice grip your cunt has on him. you’re no better above him as you’ve broken eye contact to stare at where the two of you connect, watching as he disappears into you and the feeling of being so full overtakes you and you’re letting out soft expletives. he bottoms out and stalls for a minute, waiting for you to signal that you’re okay for him to move. in the time he’s waiting, he takes a moment to really look at your face, how absolutely ruined you look, your cheeks are deeply flushed, hair flying in every direction, and he can’t help but tell you, “you look so pretty.”

your eyes soften as you gaze back at him and nod slightly, and he pulls back all the way to ease in again experimentally. once he hears you moan out loud at the movement, and feels you tighten even more around his cock, he loses any and all restraint he’d been holding onto this entire night.

his hips pick up the pace in harsh snaps to your core, sending ripples of pleasure all over you. your arms are wrapped around his neck attempting to pull him impossibly closer to you, “spencer…fuck…” you drawl with a whine.

“i got you baby, gonna take good care of you, promise,” he says back in between grunts. the sentiment causes you to squeeze on his cock again as he attempts to continue, “if you keep…fuck…keep squeezing me like that i’m n- not gonna last long.”

one hand in his hair and the other leaving dark red scratches on his back, you feel your second orgasm of the night hastily creep up on you. he can tell you’re close and quickens his pace as he thumbs your clit. you moan his name out once more before reaching your peak, feeling like your body is on fire as he continues to fuck you through it. 

spencer feels his own release building up, “wh- where should i..?”

“inside, i’m on the pill just please come inside me.”

it was more than enough for spencer’s movements to stutter as he released his hot load in you, groaning out loud as he finished.

he slows to a half, still hilted inside of you but softening post orgasm. you’re both breathing heavily as you look up at each other and take in the other’s fucked out faces. spencer presses a chaste kiss to your forehead before resting his own on it, “that was..”

“intense,” he quirks his eyebrows at you, “in a really really good way.” you add quickly.

he smiles down at you, “i wasn’t kidding, what i said earlier. i think about you an embarrassingly high amount each day. i’d love to take you out and make this a real thing.”

“yeah?” you gape incredulously, “thought i was the one embarrassing myself if you were able to notice all those things i did when you were near me.”

he laughs, “no, no it was endearing, definitely made it easier to be as forward as i was tonight knowing you wouldn’t freak out.”

you’re about to respond when you hear the door to the cellar open, you’re both hidden from view but know it’s only a matter of seconds before someone catches you. you both look at each other in panic as spencer pulls out of you, tucking himself back in and zipping up his pants. you grab your panties from the floor and begin to pull them up your legs when he notices his come dripping down your thighs. he swiftly gathers the release on his fingers and shoves it back inside you, causing you to let out a near pornographic moan as he pulls up your underwear all the way.

“did you guys hear that?” a voice sounding like emily said.

“see this is why i don’t do big houses like this, too many creepy ass noises.” morgan.

“mansion,” rossi corrects, “and for a couple of profilers, you both are stupid if you don’t know what that sound was.”

your eyes widen to match spencer’s, you’ve been caught.

“was it a mouse or something?”

“no more like, bunnies,” he joked with an innuendo, “come on, i found the bottle i was looking for, let the bunnies do their thing so they can leave and go home to do whatever it is bunnies do.”

“you’re a weird old man david…” emily muttered.

the door closes and you both let out a big breath, and burst into a fit of laughter, “how the hell are we gonna show our faces to him on monday?” you whine.

“that is a monday us problem,” he starts, “but right now, i think it’s time for me to take you home.” he winks.

two stuffed bunnies show up on yours and spencer’s desk on monday. you’re both redder than a tomato as rossi chuckles when he walks by. prentiss and morgan are still confused.

[l0v3sickl0s3r]

i am SIZZLING.

me and my friends are doing a snapcube style dub of murder drones and this is the result (Pilot)

[flawseer]

Hi! I’m a big fan of your art and work over all

I’ve been wondering, since I’ve seen you give your thoughts on some other dragons, what are your thoughts on Clay?

On Clay...

Clay. I’ve talked about him for a bit in a previous post somewhere. He is the first protagonist in the entire series and thus serves as our introduction into this world. While he enters the story with his own emotional baggage, he pretty much resolves all of that within the first book and mellows out from then on, fading into the background as a quiet support character.

Because of that it is maybe easy to dismiss Clay as that big guy who talks about food a lot and doesn’t do much else. But I do think he’s a bit more complex than that and is a well-rounded character with things going on in his own right.

CW: Discussion of physical abuse.

Formative Years

Clays early years were molded heavily by his belief that he almost killed Tsunami while she was hatching. He believed this because his guardians, mostly Kestrel, insisted this is what happened. Of course at the end of the first book we learn that this wasn’t the case and that they were just misinformed about how Mudwings work.

To us, this may all seem absolutely ridiculous. We look at Clay and see this obvious gentle giant without a malicious bone in his body angsting about being a blood-crazed monster. But for Clay himself, this was a very real, very horrifying situation. Suspend your disbelief for a moment. His entire childhood was marred by the crushing guilt of almost having murdered his surrogate sister at birth, and he couldn’t remember why he did it. He understood nothing about this situation, and didn’t know if this secret violent side could even resurface one day. Basic things like going to sleep would become terrifying; he may have laid awake, wondering whether his body might act on its own as soon as he fell unconscious. Just like back then, when it acted before he could even form coherent thoughts. The fear of losing control to the monster and waking up on top of a loved one’s mangled body was always there.

This perception of himself as a violent killer was at odds with his social nature as a Mudwing. He loved his surrogate siblings with the same intensity that any Mudwing would love their own, and thus he hated the part of himself that threatened them. As a direct response to this dissonant view, Clay developed a desire to protect them. If he willed himself to shield them from getting hurt with all of his strength, he would never be able to harm them again. This was his way of coping with the fear.

It is pretty apparent from the text that at least Kestrel was physically abusive towards them. Dune was possibly too, Webs I don’t think so, but he also didn’t do anything to stop it. As Clay grew older I think he began to recognize the patterns. He would start deliberately acting in ways so that most of Kestrel’s ire would be redirected towards himself instead of the others. This is why all the Dragonets of Destiny have such deep respect for Clay; they remember him always standing between them and Kestrel, even as he ended up with more and more scars for it.

Luckily, he is able to reconnect with his Mudwing heritage at the end of book 1 and learns that he never was that blood-crazed murderer the guardians insisted he was. But even so, the scars and memories would never fully fade, and he’d never lose sight of the need to protect his loved ones.

Personality and Interests

Clay’s love of food and eating is well-established, to the point where it sometimes seems like it is his only character trait from book 2 onwards. This is normal; he’s got a big body and I assume the self-regenerative properties inherent to Mudwings burn a lot of calories, so he needs to eat a lot to refuel them. I think there’s a bit more to him still though.

Clay is at his happiest when he can either prevent someone else’s pain, or take it away. Conversely he becomes distressed when he sees someone suffering. I believe he is incredibly earnest and built close to water. He cries easily, though never in response to his own pain or suffering. He feels positive emotions very strongly and can get overwhelmed that way, especially when he sees his loved ones happy. When he cries, he does so openly and without shame. It is very unsatisfying to tease him because he will usually just take what people say to him at face value and thus make them feel bad.

He’s also very physically affectionate and huggy.

People who meet Clay often get the impression that he is book dumb, or just stupid in general. This is not the case, as Clay does have a capacity for learning even complex subject matter. I just think he struggles with subjects he can’t see a practical application for, or aren’t relevant to things he wants to do. He has little interest in memorizing ancient figures or learning how to measure the sides of a triangle

When Glory fights Deathbringer in book 3, she makes mention of a “dragon anatomy class” which I assume was taught by Webs. Clay, as much as he struggled with history and numbers, excelled at this particular class because its insight could be used to keep people safe. As such, whenever the need for it arises, Clay is usually quick to act as the group’s primary healer/medical advisor.

(Excerpts from WoF graphic novels 2 and 3, censored for blood.)

This notion is further supported by the fact that, once they all become teachers at the Jade Mountain Academy, Clay is the one to lead an anatomy class, just like the one he attended before.

In conclusion

Clay is pretty much everyone’s big brother. While he isn’t as eccentric and colorful as the people he is surrounded by, his earnestness and general benevolence make him the backbone of the Dragonets of Destiny. Whenever anyone has a deeply-rooted, serious problem they are hesitant to bring up with others, Clay will usually be the first person considered as a confidant. Tsunami and Starflight know he would never judge or shame them no matter how ridiculous the thing they approach him with. Glory trusts him with her emotions whenever her stoic facade cracks. And Sunny has an incredibly strong bond with him.

I think that makes him pretty cool, even if he doesn’t really have much to do anymore once he overcomes his personal demons. I’m happy that he gets to be happy in the end.

[bananadramaaa]

CW: murder besties

A continuation of this little comic, because they live in my head rent-free & I have no self-control ~ Just the couple of pals having a drunken discussion.

(third part kinda)

[writingouthere]

bestfriendsbrother!Sukuna x pregnant!reader one-shot

summary: you're excited to finally share with all your friends that your pregnant when the party is interrupted by your best friend's older brother, who you didn't invite, but who you did have unprotected sex with less than two months ago.

cw: reader is pregnant, Sukuna is a bad dude, possessive behavior, minor smut, still as usual nicer than it sounds because I can't help it.

**************

"I'm pregnant!"

Your news is met with a period of silence before your friends look at each other, uncertain as to how to react.

Nobara finally breaks the silence, an eyebrow raised. "And we feel...."

"We're happy about it," you say and your friends are then quick to congratulate you. You hear some sort of scuffling happening behind you and you turn around to see Yuuji unfolding a "We're having a Baby!" banner which makes Megumi nearly jump out of his chair.

"Holy shit, did you two-"

"No!"

"Ew, no!"

Yuuji frowns at you. "The 'ew' wasn't necessary."

You and Nobara scoff. "It was," you tell him. "And I say that with all my love."

"Okay, so if this idiot didn't knock you up-"

"Hey!"

"-then who did?"

You'd been expecting the question and had prepared for it. "It was just a one night stand, he's not really father material." Everyone looks like they want to ask more questions so you smile at them, genuinely happy they all look ready to commit a crime for you. "It's okay, I have a good job and this is something I've wanted for a long time. This baby will be really loved because it will have me and, I hope, all of you."

Your friends are quick to agree and there's some lighter questions about potential names, nurseries and Nobara and Todo are looking at her phone debating baby onesies, when the door to you and Yuuji's apartment opens and someone you had definitely not invited comes in.

"Sukuna! You're late, you missed the big news," Yuuji calls out as he walks over and claps his brother on the back. A few people call out greetings as Yuuji's older brother looks around the apartment. His eyes linger on you for a second, a smirk tugging up on his lip before he notices the sign hanging crooked over the kitchen doorway and he laughs without an ounce of humor.

"You've gotta be fucking kidding me, you knocked someone up? You irresponsible piece of shit-"

"It's not his and don't kill him, you asshole," Megumi says from where he has now joined the onesies discussion and points over at you. "It's the other person who lives here."

Sukuna pauses from where he was about to murder his brother, to look back over at you. You wonder if his brain is doing the same cursed math that you had done when you were hyperventilating, holding a stick covered in your own pee, but before he could ask anything, Maki ended the silent stand off.

"And we're happy about it, so get happy you piece of shit."

With that, the party continues on, people breaking off until little groups and snacks being placed strategically throughout the apartment.

You're feeling thirsty, and a little exhausted from the burning stare that's been directed at you for the past hour when you excuse yourself from where Miwa and Mechamaru had been talking about their own future plans for children, who you're sure would be socially inept but gorgeous enough to make up for it, and made your way to the kitchen.

You were pulling out some water, no alcohol for you even though you really needed it, when you felt someone's presence behind you.

"So when were you going to tell me we were having a baby?"

"Never, because it's not yours," you answered firmly, slamming the door to the fridge for good measure. Sukuna leaned against the cabinet next to you but you'd known him long enough to see the pose for what it was. A ruse, a performance of casualness. The fingers on his hand tapped against his arm like he was playing the piano, one of the few tics he had that showed when he was feeling, well just feeling anything in general.

"Oh please, you're not fucking anyone else."

"You don't know that and we're not fucking, we fucked once. Singular, past tense."

He laughed and looked down at you, the same predatory look he'd had the night he'd helped you make this child.

"And once was all it took huh? Fucked you so good, you're going to have my baby," he says, voice mocking and he stands up to his full height which puts him over you. He takes the glass of water you're really regretting now, and places it on the counter opposite the two of you.

"It-it's not your baby," but you don't sound sure and he knows it and he presses up against you until your back is to the counter. Nowhere for you to run.

"It's mine, just like you're mine. I don't know who you think you're kidding with this denial of me but it's done now, sweetheart."

You go to answer him and Sukuna covers your mouth with his hand like the rude fuck he is and then leans down, his mouth next to your ear. You look around, worried someone might see you but the gap between the fridge and the counter conceals you both and the room next to you keeps getting louder and louder. The sun had set and there were maybe some lamps in the living room, but here in the kitchen it was dark.

"I let you have your space and your time, two months of it actually. I let you have your little moral crisis about fucking a criminal and it being the best dick you've ever had wah wah, but I was impatient before I knew you were having my baby, and now," he leans back so his eyes, and they're on fire his eyes, are level with yours. "I'm done waiting."

You tug on Sukuna's hand and he rolls his eyes before removing it from your mouth and places it on your hip which doesn't seem like a good trade-off but at least you can speak again.

"What does that even mean?" You ask him, your voice showing the incredulity you're feeling but if Sukuna had anything, it was audacity.

"I mean I'll give you a week to tell your friends you're having our baby and that we're getting married." He says it so seriously that you can't help but laugh which seems to be the wrong response when his other hand moves to your hip as well and squeezes, tight.

"We are not getting married, are you out of your mind?"

"Why not, we're already having a baby, are you going to deny me the ability to live with my own child."

"Still not your kid, and we can't get married Sukuna. We never even dated! We fucked one time, that doesn't mean we should just be together forever."

"We fucked for one night, it was more than one time-"

"Not the argument you think it is," you interrupt him but you still let him pick you up and place you on the counter. You sit there while he runs his hands up and down your thighs, the sounds of the party washing over the two of you as you stay in your little bubble.

"We'd be good together," he finally says. "Not just because I knocked you up on the first try." You hit him but he just smirks and moves his hands more purposefully on your legs. You let him pull them apart and step between them even though warning bells are going off in your head, telling you these are moves you'd seen before and they had led to you being in the predicament the two of you were debating in the first place.

"It's inevitable, the two of us. You can say you hate me, or that I'm not a good man, and that's true. But there's a reason why you've never stayed with any of those nice boys," he says and his hands slips up the skirt you're wearing to get at your bare thighs underneath. "Because you don't want a nice guy, you don't want a good man, you want me and I'm too selfish to let you keep torturing both of us by doing this pretending shit."

The fingers on his right hand press against your cunt through your panties while his other hand squeezes your thigh and he moans sinfully into the quiet air.

"God, I knew I didn't make up this warm, wet cunt. Been fucking my fist until I chafed the past two months just thinking about it."

You whimper as he moves your underwear aside and slips one finger up and down your slit, not touching your clit or going where you want him, but doing enough that you move against his hand.

"This does not mean that we should get married," you protest and he teases a finger against your opening, pulling it back when your hips tilt up in an attempt to get him where you want.

"Why not? I heard pregnant women get super horny, what are you going to do without me around to make sure this filthy pussy gets stuffed just the way she needs." He finally slips one finger in, his thumb moving to tease against your clit, just the way you like it and your head smacks back against the cabinet. He moves the hand that had been on your thigh up so he can cradle your head.

"I'm sure I could find someone willing to help me out," you say scoffing and his hand freezes which makes you whine a little and try to get him to move again but his legs limit your range of motion.

"You ever try to fuck someone else ever again and the coroner is going to have to get dental records to figure out who the dumb fuck with no fingers, no eyes and no cock is, you got it?"

He's not joking, you know he's not joking but it doesn't stop you from leaning forward until you finally get your lips on his. He hums into your kiss, cupping your cheek in his free hand while the other one goes back to opening you up. You're so wet that the kitchen fills with the sounds of his him finger fucking your cunt but you can't even find it in yourself to be embarrassed. He's not wrong that pregnancy has made you more sensitive, or maybe it's just you not having gotten laid since the two of you had slept together.

He's got three fingers in you when you come and he swallows your moans greedily with mouth while his fingers slow inside of you, curving just right to make you think you could probably come again soon, oversensitive or not.

Before you can test that out, he pulls away from you. He licks the fingers he pulled out of you clean and you you're reminded of how the last time he'd made you come twice just with his mouth.

"Where are you going?" you ask him, a little more breathless than you like.

"We are going home," he tells you, grabbing your hands and helping you down off the counter. Giving you a kiss on your forehead that you would tease him for if you were anyone else.

"Home?" you ask, confused because you are currently standing in your apartment unless his orgasms suddenly give one the power to teleport.

"Yeah, our home, not the shitty apartment you share with my brother. I mean we'll have to get somewhere bigger soon, for our baby."

For the first time since you found out you were pregnant, someone who was not you laid out their palm on your still just the same stomach. There was no change from how it always looked but Sukuna looked smug just the same and you felt like you were still missing a few things.

"What-"

"I mean I can fuck you here, I just thought your sensibilities and the fact your friends were all out there would make you uncomfortable."

Your post orgasm flush finally leaves you and you look up at him in panic. "Oh my god, do you think someone saw-"

"It's okay, Fushiguro kept them out I'm sure."

You don't want to know but ask anyway. "Why?"

"Because he walked in earlier and looked like he'd seen a ghost. Tell me, is the kid still a virgin? He's pretty but I can't imagine he has a lot of good options in your crowd."

When you leave to go to Sukuna's, the only people who don't look confused(or horrified in Yuuji's case) at your departure are Maki and Megumi.

If the confusion hadn't been cleared up by the time the baby came, the pink hair probably answered any follow up questions.

dealing with some writer's block and had this idea. didn't feel like writing a whole smut scene, my b but saving that energy for the next(?) neighborsukuna x singlemom one.

side note: Megumi is scarred for life, for sure. Yuuji gets over his horror once he's an uncle.

[hoe4hotchner]

hey! can i request aaron x lawyer!r where r is unexpectedly the lawyer of one of the teams suspects and hotch is interrogating the suspect with r in the room and she's being a little harsh with him bc she's just doing her job? maybe a little nsfw? that's up to you totally 😚

also! the team knows aaron's married but they've never met his wife that ought to be fun

Conflict of interest | [A.H]

Pairing: Aaron Hotchner x lawyer fem!reader | WC: 1.4k | CW: Tension (maybe on the cusp of a lil sexual tension), law language. They yell a little

The walls of the interrogation room were suffocatingly close, the air thick with the scent of stale police station coffee, that had likely been in the pot for hours. The overhead light cast a gloomy glow over the metal table where Hotch sat, his fingers laced together in a show of composure. His eyes were sharp and remained locked onto the man sitting cuffed across from him—Mr. Holt, their prime suspect in a long line of brutal homicides.

But it wasn’t Holt who made Hotch’s shoulders tense beneath his suit jacket. It wasn’t Holt who sent an unwelcome current of frustration coursing through his veins.

It was you.

Seated just to the right of the suspect, clad in a perfectly tailored black blazer and exuding impenetrable confidence, you sat with your hands folded neatly atop a thick legal pad. The elegant pen between your fingers tapped soundlessly against the paper, the only outward sign of your simmering irritation. Unlike Hotch, your composure wasn’t practiced—it was definite.

You had to be. After all, you weren’t just any defense attorney. You were the defense attorney. And right now, you were his opponent.

Hotch’s voice was steady as he laid out the facts, his tone laced with authority, but you saw right through him. “Security footage places you at the victim’s home at 11:42 p.m. Your car was seen parked half a block away, and your fingerprints were recovered from the front door. Would you like to explain why?”

Holt shifted uncomfortably in his seat, but before he could even consider an answer, you leaned forward, exuding an air of casual yet deliberate defiance. “My client is under no legal obligation to respond to a question that presumes guilt,” you said smoothly, tucking a loose strand of hair behind your ear. “Unless, of course, you’re implying that the mere presence of fingerprints constitutes irrefutable evidence of criminal activity? Because if so, I’d love to hear how you intend to argue that in court.”

Hotch’s jaw tightened almost imperceptibly. He should have expected this—should have been prepared for the way you would anticipate every angle of his interrogation and counter it before he could press his suspect any further. But that didn’t make it any less frustrating.

He shifted tactics, leaning back slightly, his voice lowering just enough to force the suspect into hanging on to every word. “We don’t need a confession. We already have enough to charge him. But I’m giving him an opportunity to cooperate, and that cooperation might be the difference between second-degree murder and manslaughter.”

Your laugh was soft but biting, a quiet scoff of amusement as you crossed one leg over the other. “Ah, so we’ve moved on to coercion. Good to know.” You tapped the pen against your notepad, feigning contemplation. “For the record, are you extending a plea offer, Agent Hotchner? Because if that’s the case, I’d be happy to discuss terms with the ADA. Otherwise, I’d appreciate it if you refrained from making veiled threats regarding my client’s sentencing.”

There was no mistaking the flicker of frustration in Hotch’s eyes as his gaze locked on you. Tension hung between the two of you, thick and charged, stretching the air around you tight, neither of you willing to back down.

Holt shifted again, clearly uncomfortable as he glanced between the two of you. “Uh… you two know each other?”

You didn’t so much as spare him a glance, your focus entirely on your husband. “Irrelevant.”

But for the first time, Hotch allowed himself to react. His gaze flickered over you, assessing, weighing. Then, finally, he sat forward, mirroring your posture, his hands flattening against the table. “Not quite,” he murmured, the words carrying an undertone only you would recognize.

The suspect’s brows furrowed, but you ignored him, your fingers tightening around your pen. This wasn’t the time for personal matters. Not here. Not now.

With a measured inhale, you pushed your chair back, the scrape of the metal legs against the floor slicing through the quiet room. Gathering your papers with careful precision, you rose to your feet, smoothing out the sleeve of your blazer as you spoke. “Then I assume this interrogation is over. If the state wishes to pursue formal charges, you know how to reach me.” You turned your gaze to Holt. “We’re done here.”

Without another word, you strode toward the door, your heels clicking against the linoleum with unwavering confidence. But as you passed by the observation room, you could practically feel the weight of their stares.

The BAU had always known that Hotch was married. They just never knew to whom.

Hotch was on you the second you stepped out of the interrogation room, his long strides easily matching yours as you moved through the precinct’s fluorescent-lit hallways.

“You didn’t think to warn me?” His voice was low, but there was an unmistakable bite beneath it.

You barely spared him a glance as you kept walking, your expression composed, your heels clicking against the scuffed linoleum with confidence.

“That would have been a violation of privilege, Agent Hotchner.”

His last name, spoken with deliberate coolness, it was a dagger—pointed, sharp, meant to wound. It shouldn’t have affected him.

It did.

“Don’t give me that,” he bit out, his pace unyielding beside you. “This wasn’t just any case, and you damn well know it.”

“Oh, I’m sorry,” you shot back, finally turning to face him as you came to a stop near the bullpen, where uniformed officers and federal agents milled about, some stealing glances at the two of you. “Would you have preferred I compromised my ethical obligations to make your life easier?”

Hotch’s jaw tightened, his eyes burning into yours. “I would have preferred not to walk into that room and find my wife sitting across from me, blocking my every move.”

A few nearby officers looked up from their desks, their attention settling on the argument unfolding in front of them. The BAU team wasn’t far, either—standing just past the evidence board, pretending not to eavesdrop.

They weren’t great at pretending.

You squared your shoulders, lifting your chin slightly. “Then maybe you should learn how to conduct an interrogation without bordering on prosecutorial misconduct.”

Hotch exhaled sharply through his nose, a slow, measured breath that did little to temper his frustration. “I wasn’t coercing him.”

You let out a humorless laugh, crossing your arms. “Implying that the only way out of a harsher sentence is to confess—without an official plea agreement on the table—is dangerously close to a violation. And don’t try to argue otherwise, because you know I’m right.”

His lips pressed into a firm line. “That’s an overstatement.”

“No, it’s a legal precedent,” you shot back. “One that I could use if I wanted to. And don’t think for a second that I won’t.”

The tension between you burned harsher by the second, coiling, tightening, thriving under the scrutiny of the station. Officers slowed their movements, their conversations quieter, their curiosity thick in the air.

Hotch’s team wasn’t even trying to be subtle anymore.

Morgan let out a low whistle under his breath. “I gotta admit, this is better than I expected.”

JJ nudged him sharply, but even she couldn’t hide the way her lips twitched in poorly concealed amusement.

Hotch took a step closer, his voice dropping just enough that only you could hear it. “You’re making a scene.”

Your eyes glinted, sharp as a blade. “I’m winning a scene.”

That earned you a look—one that sent heat coiling low in your stomach despite every ounce of frustration pulsing through your veins.

He sighed, rubbing a hand over his jaw, exasperation written into every taut line of his body. “You were harsh in there.”

Your arms stayed crossed, your stance was riggid. “I was effective.”

“You were antagonistic.”

“I was doing my job, Aaron,” you countered, voice sharp but controlled. “Something I refuse to apologize for.”

His fingers twitched slightly at his sides, as if he was holding himself back from a response that would tip this battle into something else. Something neither of you could afford to acknowledge here, surrounded by far too many watchful eyes.

Instead, he inhaled slowly, steadying himself before speaking again. “We’re not done discussing this.”

You arched a brow. “Then I suggest you take it up with my office.”

With that, you turned on your heel, striding toward the station’s exit, your every movement exuding the same unyielding confidence that had been driving him insane since the moment you walked into that interrogation room.

Hotch watched you go, the muscle in his jaw twitching.

“Damn,” Morgan muttered, breaking the silence that had settled over the bullpen. “She really just left you on read in real life.”

Hotch barely spared him a glance.

But as he adjusted his tie and turned away, his team wasn’t fooled.

This wasn’t over.

Not by a long shot.