#demeter deserves better

[punkeropercyjackson]

Pjo fans wild as shit,they always saying 'Actually,in original greek mythology,the male gods were genuinely good guys!!!' and then all the male Olympians have at least one myth where they r word'd someone and Hades and Persephone's story is meant to be a csa metaphor with a misogyny focus and Demeter's reaction is a tragic tale about how she couldn't protect her daughter from a pedophile because how normalized they were in their society due to the dehumanization of women and glamorization of male abusers.I guess this is why Luke feels like the perfect villain then.Me when i'm in a having low standards in men competition and my opponent is a Pjo fan:

[swallowtail-lotus]

🌾Blooming Tears of a Mother🌾

My version of the hymn of Demeter. Not too accurate, and I tried. It is told in the form of a short story.

Told mostly through Demeter's pov

This is kinda bad, but I tried to do Demeter justice. I really did.

I never wanted any of this.

My trust in Zeus dwindled the moment he forced himself on me. I never asked for it, yet he persisted. Soon after, I bore him a daughter, who I named Kore. She was the greatest gift given to me. Precious to me.

As any loving mother, I cared for her. Loved her. I let Kore grow up with me in the fields. Her joyous laughter filled my ears every day, filling me with joy. Such a wonderful sight to see her smiles, to engage in fun activities with her.

Until... That day.

I was tending to the wheat I had planted, and... It all fell silent. No sound of her voice, no sound of her running around, enjoying the nature. I looked around, no sign of her anywhere. I felt my heart drop into my stomach.

"Kore?" My voice was but a mere whisper of disbelief. I searched more for my sweet daughter, but still no sign of her anywhere.

"Kore!" I shouted, hoping for a sign of my daughter but still none. I searched endlessly for nine days, with no Nectar or Ambrosia and with no bathing. Even when I caused snow to fall, the breeze to blow unbearably cold, I still searched for Kore.

I was slowly losing hope when on the tenth day, I had met a child of Asteria and Perse, Hekate. She had told me she had heard the cries of my daughter, but did not know who carried her off. She advised we should find Helios, and so we did. Helios informed us that my brother, Hades, god of the dead, had taken Kore with the permission of Zeus.

No words could describe how angry I felt from the news. How dare they take my pride and joy away from me?!

I avoided Olympus and dwelt upon Earth with mortals. I conferred gifts and blessing when any gave me kindness, and severely punished those who repulsed me so or if they didn't receive my gifts with proper reverence. I came to Celeus at Eleusis. But still in anger, I brought famine from not allowing anything to grow.

I was met with Iris, goddess of the rainbow and attendant of my brother, who tried to induce me to return Olympus.

"Lady Demeter, please return to Olympus. The crops of the Earth will not grow without your hand." She spoke to me. I told her I will not do such and sent her on her way. Soon, I was met with others who tried to conciliate with me by gifting me with entreaties and presents, but I still refused.

"Do not persuade me with useless things. I will not restore the fertility of the earth, nor will I return to Olympus, less I see my daughter again!" I proclaimed to each and every god that approach me in my anger.

Third person (short)~

Zeus rubbed the sides of his face with my fingers as he listen to the many he sent to try convince his sister Demeter to come back that she refuses to not do anything unless her daughter is returned.

"Hermes!" Zeus called out to his son, who was in front of him in an instant and waited for his word.

"Demeter is still not convinced. I need you to fetch Kore from Erebus for Demeter." Zeus instructed. Hermes had hurried off to do his task.

Hermes had arrived to Erebus, telling Hades that Kore has to return to her mother. Hades consented, sending them on their way and gave Hermes permission to use his chariot to do so. The young goddess, who has been missing her mother, gladly followed him and told him that she ate a part of a pomegranate, which she now won't always remain with her mother. Hermes guided the goddess to the chariot and went off.

Back to Demeter~

Hekate consoled me as best as she can as I cried profusely for my daughter's return. My tears fell on my clothing, but I cared less for I wanted to see my beautiful daughter again.

"Mother!" I heard a familiar voice. I could never forget the voice of Kore. The sound of a chariot also caught my attention and I looked to where I had heard it, seeing Hermes riding Hades' chariot with Kore.

My heart fluttered with absolute joy and I couldn't wait any longer. I raced over to the chariot, where I felt the arms of my daughter bring me in for a hug, a hug I craved for. I heard the chariot leave, but I could care less.

"Thank goodness! I thought I'd never see you again!" Kore said to me. Her voice was what I wanted to hear again. I left a kiss on her forehead, giving her a sign that I missed her as well.

"I missed you too." That was all I could muster out, despite having thousands of words to tell how much I missed her. I felt a hand on my shoulder, seeing Hekate still by our side.

"I am glad to see the two of you reunited. I shall remain as Kore's attendant." Hekate told us and strolled back to the underworld. I looked back at Kore.

"Let's return home." I said to her, seeing her joyful faces always brought happiness to me and we went back to our home. My sweet Kore told me she had consumed some food down there by accident so she was bound to the underworld. I was rightfully angry at Hades for doing such a deceiving thing to Kore, but I couldn't do anything about it.

Some time later, while I was tending to my crops, I saw my mother Rhea approach me with her two lions at her sides.

"My dearest daughter. I received word of what had happened. I am so sorry." She said to me and gave me a hug.

"Do not fret, mother. I am glad Kore has returned." I spoke to my mother. Mother slowly pulled away, giving me one of her smiles.

"Come, my daughter. Your brother Zeus calls for you to join the families of the gods, and promises to give you which rights you prefer amongst deathless gods. He has agreed to let Kore spend a third of each year down in the Underworld, and to stay with you for the remainder of each year. So come, my child, and be not too angry at the dark clouded brother of yours, but rather increase forthwith for mankind the fruit that gives them life." Mother spoke to me with her gentle tone. I did not speak any further and simply nodded. I did not want to disappoint mother. I watched as she seemed relieved of my answer and left me be, her two lions following after her.

I had brought back the fruit and vegetation after my mother's words, all while thinking of Kore. The lands are laden with leaves and flowers once again.

I am not satisfied with the outcome, but as long as I get to see my beloved daughter again, I am fine. If anyone dares to harm Kore, I will not hold myself back.

She is my daughter, and it is my duty as her mother to love her and protect her when necessary.

[laurasimonsdaughter]

“Why a temple? Why now?”

She is only a voice, barely a presence, but her notice shakes the mortal beneath her. The reply comes slowly, fearfully:

“Because you are needed. By me. By so many others.”

A goddess can smile even in the silent, sightless nothing. “I have learned to love the little altars, the songs, the stories. But you no longer celebrate your harvests. There is no need for a temple to beg my presence.”

“I am not here for the harvest,” the exhausted mortal speaks. Her voice is painfully familiar, like every human voice, but more so.

“Then why are you here? Why am I here?”

“Because I cannot find my child.”

The goddess opens her eyes. The mortal before her is shaking in her worn down shoes.

“Because you lost your daughter once. Because you did everything to get her back.”

Her gaze is endless, and the silence gaping. But when she replies there is less of divinity and more of hesitance in her voice.

“There are many versions of that story.”

The parent’s eyes are bloodshot, wide awake and stubborn. “But you find her in every single one.”

The goddess lifts her head and looks around. It is a poor excuse for a temple. There are no columns, no statues, no sheaf of wheat, no offerings. Just empty chairs, and coffee cups, marker stained maps, and missing posters lining the walls.

And in the midst of it all, a woman who looks almost too familiar.

A plastic clock ticks to one past one, and the goddess Demeter seats herself under the roof of her new temple, a ripple of blind perseverance and unflinching hope rushing into the night.

[lady-of-the-spirit]

Audio: @/forbesversionoverlays on tiktok

This is a rush job so it's not great but I love this audio and needed to do something for it immediately. Lore Olympus Demeter I will always support you and the winter you should have caused. None of the assholes in this story deserve you.

@famouslysleepy 😘

[starrynights23]

What I wanted from LO 230: Demeter has a real and honest conversation with Persephone about her genuine concerns about Hades and the mistakes she made parenting her. Persephone is understandable and respectful towards Demeter, while also standing up for herself.

LO 230:

Demeter:

[imrileyidostuff]

Fuck Lore Olympus

I'm gonna make my own, just as cringy but not as insulting to my fav-gods. Also it won't demonise Demeter.

like how could someone make a story about a mother mourning the loss of her daughter and trying her best to get her back into something so twisted? And like-

Demeter's concerns are valid, completely and utterly valid- even if the helicoptering was maybe a bit stifling, she still loved and cared for her daughter.

Then again, I haven't read past chapter 60.

Still, I've read enough on the subject to know what happens in the story :(

[starsonabeach]

every once in a while, i get back into my lo hate phase and every time, without fail, it is glorious.

[nectaric]

ok but in seriousness something about the big six i think i find so compelling is that they endured so much together, and i think the fact that they become estranged is so real and raw because. trauma doesn't always bring the victims together, it makes them jaded and angry and hateful of one another and that's clear in the way many of the six interact. they hurt each other too, because that's what they have always known, and their relationship isn't stronger because of their shared trauma, its often worse.

and i think the reason i enjoy their bond, their movement towards being closer with one another, is because its them overcoming some of that pain and growing as individuals and healing. i just want them to be close with each other because i feel like, if they are, it means they've made that progress towards healing and it makes me very emotional because i think they all deserve it

[edwardallenpoe]

Rant time!: Why do we punish Demeter in retellings of Persephone's abduction?

Now. I don't care what version of the story you read. Did Hades force her, or did Persephone consent? Those things do not matter. The reaccuring theme, is that Demeter is looking for her, and wants her safe.

That's... reasonable, right? A goddess has lost her daughter, has no idea where she went, and is searching with all her might to find her.

Any mother would do that, any decent, good mom would do that.

But. In every retelling of the story, they villainize her. Why? Why do we do this?

Hell, it would be the version where Persephone was kidnapped and we STILL make Persephone hate her. When, in the fucking text, the whole time she just wished to see her mom again.

And okay, with the version where Persephone consented, why do we make Demeter a helicopter crazy bitch? SHE IS NOT.

And alright, alright, there is a version where Demeter does go batshit crazy, BUT WHY DO WE HAVE TO USE THAT VERSION EVERY TIME?????

Every time there is a retellings of a myth, which, obviously is about a woman struggling to save her daughter from being a rape victim like many other women have been in antiquity, a story that when women and mothers read it they feel some sort of hope for themselves that there is a goddess out there that can help them, she is villainized. She is turned into this, disgusting abusive woman that hurts Persephone, to the point she would rather be kidnapped and raped than deal with her. What? WHAT?

(also I am using rape in the original way; rape to ancient Greeks meant that a woman was forced into marriage against their will, such as virginity means that you haven't been married yet)

And why is Hades defended?! HE FUCKING KIDNAPPED A WOMAN AND MARRIED HER AGAINST HER WILL, but he's just a misunderstood uwu right?

Jesus. Get your shit together people.

[genericpuff]

Are there any characters from LO that you actually like/don’t mind

I have a lot more appreciation for Minthe now with all the hindsight that Hades and Persephone are often way worse than she is. She still had a lot of issues on her own end that she didn't deal with well, and while I would have liked to see her actually develop properly beyond her struggles both internal and with Hades, I think the best thing we could have asked for was Minthe being written out of the story the way she was. At least then Rachel couldn't continue to use her as a punching bag (she just tagged in Leuce for that, sigh)

Helios is great, zero issue with him. This scene is a lot funnier and more relatable to read in hindsight:

like ofc Helios is gonna rat on her, he's the fucking sun who's been around for thousands of years, why would he put any more of his limited freedom on the line for macaroni art LMAO (and yes, Rachel herself confirmed that Persephone made macaroni art cards for Helios, it's like... yeah okay it's cute but Persephone and Demeter still hid a crime from Zeus, the sentimental value of the birthday cards have no bearing on that LOL)

Thanatos is also in the camp of "characters I appreciate more in hindsight and wish got better character development". Adding in the 'twist' that he was Hades' adoptive son after we just spent nearly two seasons watching Hades treat him like just a lowly employee who didn't deserve his respect was certainly... a choice. And I don't think I should have to explain why it was a very very BAD one LOL

Hephaestus is also great, I know he's an extremely minor character whose only real role was to delete the blackmail photos from Apollo's phone but, like. look at him???

amazing. precious. sweet boy. and it has absolutely nothing to do with my absent older brother issues why would you say that- (｡•́︿•̀｡) that said, there are still flaws in his design (his prosthetics especially because he's constantly wearing running blades for every occasion which I feel like Rachel only chose because they "looked cool" and were "easier to draw" but like. his poor hips and back, that's gotta be uncomfortable 😭) but even just his face on its own is ironically one of the most unique character designs across the entire cast, not for any sort of outstanding or creative reasons, you just can't possibly mistake or color swap him with anyone else LMAO and though I can't feasibly give credit to Rachel for writing a neurodivergent character - because I have no clue if that was her intention here, afaik she's never really talked about it - I can wholly relate to him being the introverted computer guy who just wants to be left alone with his work and his airpods, like that's literally just me LOL

And of course nothing Rachel could ever do would make me hate Demeter, I think it's so ironic and tone deaf that Rachel claimed she "didn't get" why Demeter was so hated by the fans and didn't "agree" with the comparisons to Mother Gothel, but like... Rachel literally wrote her that way. And while she did "resolve" it, it wasn't with any actual empathy towards Demeter's own side of things, it was just bandaids on top of bandaids and then going "yep! She's all better now! That's character development!" Out of all the characters who deserved better, she was the one who deserved the most 😔💓

[swallowtail-lotus]

Something in me tells me to try writing the hymn of Demeter but focus it more on Demeter because it is her hymn after all.

[inthedayswhenlandswerefew]

1968 [Chapter 8: Demeter, Goddess Of The Harvest]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 6.2k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

Is it a story worth telling? I think so. It’s better than nothing. It’s better than watching raindrops slither down the cracked concrete walls until the prison guards come back to bloody us again.

Today I’m sending John McCain taps in the shape of the tale of Io. John has a hard time tapping back—they’re doing something to his shoulders, they’re destroying him—but he likes to listen. He’s getting it a lot worse than I am; perhaps even the North Vietnamese fear Aemond’s retribution if I die here. They should be afraid of him. He thinks he owns everything he touches, and he’ll snap bones to keep it.

So anyway, Io was a king’s daughter, a mortal who Zeus saw and wanted and took when her father kicked her out to avoid the god’s wrath. That’s easily half of Greek mythology, right? Zeus appears, irrevocably fucks up someone’s life, vanishes in a plume of clouds and thunder. He leaves human rubble behind him: ribs, nerves, disembodied hearts that leak blood from torn ventricles, minds broken in two. Zeus impregnated Io and then turned her into a cow to hide her from his wife Hera, ever-watchful, ever-vengeful, an aspiring mass murderess. When this disguise failed, Hera condemned Io to wander ceaselessly through the wilderness, tormented by the constant stinging of a gadfly. Eventually, Zeus returns Io to human form and she pops out a few bastard kids, as if Zeus needs any more of those. Then he ditches her and she marries some Egyptian dude. There are other details that I’ve forgotten. I don’t think John McCain will know the difference.

I’m sure you’re wondering how I acquired all this fabled trivia. I don’t seem like the type to lie around under trees reading folklore from religions that died thousands of years ago. You’re right, I’m not. But Aemond is. He would tell the stories, and Helaena would embroider scenes on quilts for us to burrow under in the winter, and I would dramatically act out the best parts (mostly murders), and Aegon would scribble comics in jagged black pen strokes. He has all these notebooks down in the basement filled with his new versions of ancient myths: Poseidon as a horny dolphin, Aphrodite as Marilyn Monroe.

Wait, I remember what I skipped. While Io was roaming across the globe, she bumped into Prometheus—chained to a rock for giving humans the gift of fire—and he cheered her up somehow. I guess meeting a guy who gets his liver continuously chewed out by a giant eagle would make me more appreciative of my circumstances too.

I have a lot of time to myself here in solitary confinement. My social circle is microscopic. I tap to John through the wall, I have dinner dates with Tessarion the rat. And I think about my family. They’re fucked up, but I miss them. I miss going to Monmouth Park with Fosco to bet on horse races, I miss getting hammered with Aegon while he sings Johnny Cash or Beatles songs. I miss my mother and Helaena and Criston. I even miss Aemond’s wife, though I only met her a few times before I deployed. She’s sharp, she’s hilarious. She’s mean as hell to Aegon, and sometimes he deserves it.

At first I wondered why Aemond hasn’t gotten me out yet, but I understand now. It sounds a lot better to have a brother being tortured as a prisoner of war than one who received a Get Out Of Jail Free card. It’s the kind of thing Aemond would consider. He understands which stories are worth telling.

I feel kind of bad for her. Aemond’s wife, I mean.

I don’t think she knows about Alys.

~~~~~~~~~~

On a chilly mid-September morning cloaked in fog, Mimi is laid to rest in the Targaryen family mausoleum at Saint George Greek Orthodox Cemetery in Asbury Park, New Jersey. Most of the golden plaques already have names chiseled into them: Viserys and Alicent, Fosco and Helaena. Aegon will one day be interred beside his wife. You have a spot reserved next to Aemond. All of you have already lived and died and been entombed; all of this was predestined by the stars eons before you had blood or bones.

Ari’s vault—an unnaturally tiny drawer, less than half the size of anyone else’s—is located just above yours. You can’t stop staring at it. You can’t hear anything the bearded priest in his black robes is chanting. Then Cosmo squeezes your hand and you look down at him. Mimi’s other children are somber but seem to be coping well enough—they are used to being raised by consensus, they would probably be more affected if one of the nannies died—but Cosmo always wants to be near you. He gazes up with those vast, wet, murky blue eyes, so much like Aegon’s, and you offer him a sad, reassuring smile. Cosmo smiles back. And you think: Life goes on.

Alicent is sniffling noisily; it echoes off the walls of the mausoleum. Criston—a man with no plaque assigned to him—is trying to console her. Aegon is watching you from across the cold granite chamber, grim and red-eyed in his black suit, the first time you can remember seeing him in one since your wedding. He wears no small gold hoops, only a row of stitches in his right ear. He wants to say something, to do something, but he can’t. Aemond is beside you, a hand heavy on your waist but muttering something to Otto. Back in Omaha, Otto had spent a few hours alone with the medical examiner, and when the death certificate was issued it revealed that Mimi died of a heart defect, a perfectly blameless sort of misfortune, an innate impending disaster. And so that’s what the newspapers printed, and any gossip to the contrary is confined to salacious rumors, untrustworthy and unproven.

When the ceremony is over, journalists are waiting to scavenge for photos and quotes under the guise of expressing their sympathies. It’s a shameless display, though they at least have the decency to wait by the cemetery gates. Aemond and Otto go to meet them. Alicent, Criston, Helaena, and Fosco, protective of the children, keep them far away from the feeding frenzy, hungry-eyed reporters like sharks without fins. Ludwika is reapplying her lipstick. Aegon is smoking a Lucky Strike and talking to his oldest son, Orion, a stilted exchange that holds the promise of turning warm with time.

You sit on a stone bench and Cosmo curls up beside you, rests his head in your lap, dozes off as you thread your fingers through his wavy blonde hair. In the mist there are shadows of gravestones and trees that turn skeletal as they shed their leaves.

“He is okay?” Fosco says as he ambles over, meaning Cosmo. He has his hands in the pockets of his slim black trousers that stop at his ankles. His suit is velvet, his eyeglasses speckled with drizzle from the slate-grey sky.

“He’s alright. He’s resting. Are you okay?”

“Oh,” Fosco sighs mournfully. “I keep thinking someone is missing. We came into this family together, Mimi and I. We got married six months apart. I have never had to do this without her. And I know she had her problems, but she was different when she was younger. She always liked a party, that’s why she and Aegon got along so well at first. But she was so loud and so funny, always telling these long stories, and everyone in the room would be grinning as they waited for the good part. Viserys loved her. Otto loved her. And then she had all those children one after the other, and that was hard, and Aegon self-destructed when he was the mayor of Trenton, and that was worse, and she was supposed to fix him and she couldn’t, the harder she tried the farther he ran from her. She started drinking her Gimlets before dinner, and then after lunch, and by the time you showed up it was never ending. But that wasn’t who she really was. She was like a moon that got smaller and smaller until the only thing left was a sliver.”

This family breaks people. This family kills people. “We’ll make ossi dei morti for Mimi tonight. I’ll help you, and we can teach the kids.”

Fosco smiles, swipes a tear from beneath his glasses, squeezes your shoulder with one wiry hand. “I am very glad you are still here.”

“I’m not trying to race you to that mausoleum.”

Fosco laughs. And then he says as he spies Aegon approaching: “Um…I will go avoid the paparazzi somewhere else.”

“You don’t have to leave, Fosco.”

“It is no trouble. And I suspect you enjoy your very rare privacy.” Fosco gives you a knowing glace and then heads back to where Helaena, Alicent, and Criston are lingering with the rest of the children. Now Ludwika is fluffing her blonde curls with her French tips, a smoldering Camel cigarette tucked between two fingers.

Aegon comes to you through the mist, plops onto the bench, and looks fondly down at Cosmo—now fast asleep, his face smooth and peaceful—before he speaks. “I can’t grasp that she’s really gone. We barely spoke for years, but she was always there, you know? Christ, she deserved better than this. She could have been happy somewhere else.”

“Your children need you.” It’s not the first time you’ve said it, but it’s the first time he believes you. He nods, staring out into the fog. “They have to get away from this whole circus for a while. And you have to learn how to be a real parent.”

“I’ll have time to work on it. I’m staying here. I’ve already been informed.”

You are alarmed. “What? By who?”

“Aemond and Otto.” Aegon says. “When the rest of you fly west, my kids and I will be at Asteria.”

“They’re getting you off the campaign trail,” you realize.

“They’re putting me on house arrest.”

Not seeing Aegon, not being near him? How long can I stand that? “I’m sure you’re relieved. You hate the grandstanding and the media.”

He shakes his head, running his fingers through his hair. “I don’t want to leave you alone.”

“I won’t be alone. I have Fosco and Ludwika.”

“I’ll talk to them.”

“About what?”

“About the fact that they need to look out for you.”

“Aegon, I’ve been doing the political wife thing for over two years.”

“But it’s different now.”

He’s right, it is.

“You’ll call, won’t you?” he asks. “You’ll let me know how the trip is going, you’ll tell me if anything bad happens? Because I can always get on a plane and meet you wherever you are. Otto might pay someone to murder me, but I’d risk it.”

“Of course I’ll call.”

“Hey.” Gently, he turns your face so you can’t hide from him. “Will you be okay without me?”

I have to be. I don’t have a choice. Instead you reply: “I’ll miss the weed.”

The tension breaks and Aegon smiles, and then he pats your cheek twice with his open palm. “Behave yourself.” He waves Ludwika over, interrupting her meditative chain smoking.

“What, what?” Ludwika says. “Are we leaving soon? Yes, it is so sad what happened to Mimi, but us standing around in the rain won’t resurrect her. And I look terrible in black.”

“I can’t be there for the last leg of the campaign.” Aegon points to you. “I need you to pay attention and check in with her at least a few times a day.”

“This is a common request. I should get a degree in it so I can charge people.”

Aegon furrows his brow at her. “What are you talking about?”

Ludwika smirks as she puffs on her Camel. “You are not the first person to ask me to keep an eye on her.” She nods subtly towards Aemond, then sashays off to give a quote to the journalists.

~~~~~~~~~~

In San Diego, Aemond meets with residents of a new public housing complex to hear their concerns about neighborhood jobs and infrastructure. In San Jose, he visits labor activist Caesar Chavez—being treated for debilitating back pain at O’Connor Hospital—and expresses support for the ongoing boycott of all grapes produced in the state. In Sacramento, he attends a Jimi Hendrix concert and receives a standing ovation from the audience; the next day he joins high school students protesting for a more inclusive curriculum. In Oregon, he makes a speech at Portland State University acknowledging the tremendous cost of the Vietnam War—in money, in time, in blood—and pledges to begin dismantling U.S. involvement as soon as he is sworn into office in January. Aemond talks about hope and despair, the bleak reality and the American Dream, and he is so overwhelmed by the crowd that he doesn’t even notice when someone takes his cufflinks as souvenirs. His lack of concern for his own safety exasperates Criston, but Aemond can’t be convinced to increase his security or his distance. If he expects the disaffected masses to carry him to the White House, he has to be real to them.

“What if another Wallace supporter tries to shoot you?” Criston demands. “What if a Nixon stooge stabs you or a crowd tramples you?”

“No one can kill me,” Aemond says, grinning wryly. “I’m not supposed to die yet. I’m supposed to be the president. It is God’s will.” And how can anybody disagree when that appears to be so true?

The earth dies as you drive north, summer withering into autumn. That familiar brisk cuttingness reappears in the air. You shake thousands of hands, smile for countless photographs. Mothers and wives of dead soldiers sob into your shoulder as you embrace them; teenage girls ask how they can get a good man like Aemond. Only one thing is missing from his glorious pilgrimage: something he wants desperately, something he cannot have (though he’ll never know why), you conceiving his child in time to announce it before Election Day. Each morning you sneak a pill and every night you bite the bullet. As often as you can, you duck into Dairy Queens to order lemon-lime Mr. Mistys.

George Wallace is in the South, galvanizing segregationists and accepting the endorsement of the Ku Klux Klan. Richard Nixon is working his way across the Midwest. He has chosen a politically moderate Greek as a running mate, Spiro Agnew; this does not strike you as a coincidence. He even shares a name with Aegon’s second son.

Nixon promises “peace with honor” in Vietnam, which means no immediate end to the draft. He makes speeches about “states’ rights” and “law and order,” ambiguous euphemisms designed to attract Wallace’s white supremacists without alienating too many suburban moderates. He commiserates with those lamenting the proliferation of sex, drugs, and divorce. He says he will return the nation to a more moral time. You wonder what he means. You can’t think of any such refuge in the bloodletting, spine-crushing history of mankind.

A kindergarten teacher tells you in Olympia, Washington, her eyes alight with reverence usually reserved for heroes, saints, gods: “People are voting for Aemond, but they’re voting for you too.”

And you find yourself thinking as a thousand miles roll by beyond the glass of limousine windows: How many people will I condemn if I don’t help Aemond win? How many lives is mine worth?

~~~~~~~~~~

The Hotel Sorrento in Seattle insists on giving you and Aemond the honeymoon suite: a retreat from the breakneck campaign, a romantic oasis for the future president and first lady…according to half the country, anyway. You are in the impractically large pink bathtub, surrounded by snowy dunes of bubbles. The wall to your right is a mirror, foggy around the edges; just a few yards to your left is the king-sized bed. In the top drawer of your nightstand is the card Aegon gave you in July. You aren’t sure where Aemond is, and you don’t especially care. You are relieved to be alone.

There’s a passion-red phone built into the rim of the tub, conveniently located for sudden room service revelations, champagne and chocolate-covered strawberries, steak and lobster. You have a different idea. It’s 7:15 p.m. here, so after 10 on the East Coast. On the steam-slick keypad, you dial the number for the main house at Asteria.

Eudoxia picks up and demands gruffly: “Geiá sou? Ti?”

“Hi, Doxie. Is Aegon around?”

“Where else would he be? Making himself useful somehow? Killing communists, driving a rocket to the moon? No. He is a burden as always.”

“Please be nice to him. His wife just died.”

“And so he cannot put his empty cups in the sink?” Without waiting for a reply, she sets the handset down on the kitchen counter with a clunk. There is distant, muffled shouting in Greek; she seems to back and forth with somebody. Then Eudoxia returns. “Antio sas,” she says, and hangs up just as a phone elsewhere in the house is lifted from its cradle.

Aegon answers with something halfway between a groan and a yawn. “Yeah?”

“Hey, it’s me.”

“Hey!” You can hear it riding the wire like electricity: a rustling as he sits up, a fresh clarity in his skull. His voice is deep, hushed, still husky with sleep. “What’s up, little Io? Any interesting happenings to report from your neighborhood of the solar system?”

“I just left a riveting tea party. Apple cinnamon scones and smoked salmon sandwiches. We talked about what kind of couches I should get for the White House and I wanted to kill myself. Are the kids okay?”

He’s smiling; you can tell. “They’re alright. I could have used you this afternoon. I was trying to help Spiro with his math homework. Trying, not succeeding.”

“Well he’s in middle school and thus beyond your skill.”

“How’s Jupiter?”

You know who he means. “I don’t want to talk about Aemond.”

“Okay.” Aegon says, curious. “So what should we talk about?”

A few seconds tick by, silent and perilous. “Where are you right now?”

“In my lair. Like a beast.”

“Alone?”

A transitory pause. “At the moment.”

“On the shag carpet or your futon?”

Now he’s very intrigued. “Futon. Why?”

“I just want a visual.” Beneath the water, your free hand is resting on the velvety inside of your thigh.

“Where are you?” Aegon asks.

“You wouldn’t believe it.”

“Maybe I want a visual too.”

You chuckle, peeking over at yourself in the mirror. Your skin is dewy with steam; stray wisps of hair stick to your face. “I’m in a gigantic pink bathtub. It’s ridiculous, it’s shaped like a heart and everything. They have a phone installed right here in case I find myself in desperate need of filet mignon.”

“Oh.” And then he hesitates, like he’s afraid to say the wrong thing. “Big enough for two?”

“More like five. You should get a tub like this for your basement, it would delight the campaign staffers.”

“My basement’s been pretty empty recently.”

Softly, vulnerably, glass offered for him to shatter: “You aren’t seeing other girls?”

“Nah, babe. I want something they can’t give me.”

You picture him, messy hair falling over his forehead, drowsy eyes that gleam with clandestine wisdom. You can smell the smoke and rum that bleeds from his skin. “I wish you were here.”

“In Seattle?”

“No. Right here.”

Aegon exhales shakily, swallows, takes a few seconds to collect himself. “How’s the water?”

“Extremely hot and full of bubbles.”

“So I wouldn’t be able to see you.”

“No,” you say, baiting him.

“But I could touch you.”

“You already have.”

“Not enough,” he murmurs. “Nowhere close to enough.”

“Do you remember what I felt like?”

“Oh God,” he whispers, and you envision him closing his eyes, rubbing his face with the open palm of his left hand. “Yeah. Of course I do. I can’t get it out of my head. But I’ve been trying not to…you know…it felt wrong to think about you that way unless you were cool with it. Like I was betraying your trust or taking advantage of you or something.”

“No, I want you to think about me.”

You can hear Aegon moving around on the green futon, repositioning himself, yanking down a zipper. When he speaks again, his breathing is quick and jagged. “Where’s your other hand, huh?”

“Under the water,” you reply coyly.

“You bitch,” he says, laughing. “I miss you so fucking much. The house isn’t right without you in it. You belong here, you belong where I am.”

Beneath the veil of bubbles and steam, there is no scar on your belly, no infidelity, no campaign, no distance of almost 3,000 miles separating you and Aegon. Your fingers slip between your legs, finding slickness the water can’t wash away. It’s a familiar sensation, though you haven’t felt it in a while: rising steadily until you hit a plateau like a jet reaching cruising altitude. From here, it will either glide along smoothly until it dies out, or eventually turn sharp and painful. “Tell me about you,” you pant.

He can hear it in your voice, a needful surrender that sets him on fire. He can’t believe this is happening; he never wants it to end. “I mean, I’m…I’m insanely hard.”

“Stroke yourself, imagine it’s me. I wish it could be me.”

“Oh fuck,” Aegon whimpers. “Okay, okay…I want you. I want you with my fingers, I want you with my tongue, I want you to beg for it, and then…”

Impossibly, incomparably, your own pleasure is climbing faster than you can reconcile yourself to it, no longer a hunger but a violent aching, a crushing gravity you can’t fight against, a ship being dragged to the floor of the ocean. What’s happening? When will it end? You moan into the phone, amazed yet petrified. You can’t get enough air; it feels like drowning, like dying.

“I need to see you,” Aegon says. He’s close to the climax that you know men experience, he has to be; he’s gasping. “I need to be with you, let me give you what you want.”

“I want you to finish inside me.”

“Io…babe…oh my God, you’re gonna kill me…”

There are sounds out in the front room of the suite: a lock clicking, footsteps, keys and a wallet tossed onto the kitchenette counter. You’re so consumed you almost don’t notice. Aemond is back. Aemond is back!! And every ion of your ascending euphoria evaporates. “Gotta go, bye.”

“Wait—!”

You hang up just as Aemond is opening the bedroom door. He walks in—immaculately tailored dark blue suit, polished black leather shoes trampling soft pink carpet—and turns to you. He has already taken his glass eye out and put on his eyepatch. Vaguely, fleetingly, you wonder where he’s been. His gaze darts to the red phone, your fingerprints in the condensation. “Who were you talking to?”

“My parents.”

If Aemond doubts this, he doesn’t show it. He crosses the room, sits on the edge of the bathtub, peers down at you with an omniscient metallic glint in his eye. He’s always been less a man than a force of nature. “I know this year has been hell.”

You envision Persephone being stolen by Hades, Orpheus searching for his dead wife Eurydice, Charon ferrying souls across the River Styx. “You haven’t made it easier.”

There’s a flash of something in his scarred face, blazing and instantaneous like lightning, and then it fades. He reaches out to touch your hair, swept up and neatly bound with clips and pins. “We can’t forget everything we’ve accomplished together,” Aemond says. “I still need you. You’re my Aphrodite.”

He’s going to tell you to get out of the tub, to lie down on the bed, to open yourself so he can fill you. You distract him, forestalling the inevitable. Each morning Prometheus dreads the return of the eagle that pecks out his liver; as every summer ends Demeter mourns the loss of Persephone. “Any luck with Nixon?”

Aemond sighs, furious, brooding. “He still won’t agree to a debate. Wallace is onboard, he’s rabid for it, he’d show up if we held it in the fucking asteroid belt, any opportunity to spew his idiocy. But not Nixon.”

“Because he knows standing on the same stage as you can only hurt him. People thought he looked bad in 1960, can you imagine now? Television has gotten so much clearer. They’ll be able to count his sweat drops from their living room couches.”

“So how do I get him to do it?”

You look up at Aemond. It’s not a hypothetical question; he’s really asking for advice.

“I have to debate Nixon,” Aemond insists. “It’s close in the polls, which means it will be even closer on Election Day. I’ll underperform whatever is projected, my coalition is less likely to show up when it counts. College kids, hippies, transients. That’s just a fact. But the old people vote. The suburban housewives vote. Nixon’s resting on his political experience and accusations that I’m a communist, an agent of chaos. But I could slaughter him in an hour on ABC.”

You think of the mutilated Vietnam veterans waving their signs and screaming at LBJ from the other side of the wrought-iron gates of the White House. “Challenge him in public. Say that the American people deserve to see the candidates debate, and do it where everyone can hear you.”

“What if Nixon still refuses?”

“Then you call him a coward. You say he must have something to hide. You ask how he’s supposed to square up with the Russians and the Chinese if he can’t even face you.”

Aemond grins admiringly. “You’re vicious.” And he lifts your hand from the rim of the tub so he can kiss your knuckles. Once you licked up drops of his approval like Tantalus, cursed with eternal thirst. Now it is poison that turns your veins black.

“If there’s a debate, everyone should go,” you say, seized by sudden inspiration. “We should have a united front, including Aegon. It can be his return to the public eye. A month will have passed since the funeral, the timing is right. He can pose for a few photos with the kids to show the nation that they’re doing well and distract from any lingering rumors about Mimi.”

Aemond isn’t grinning anymore. He’s studying you with his cold blue gaze; no, he’s trying to intimidate you, to overpower you. “Otto and I will decide what to do with him.”

“He’s a Targaryen. He should be with the rest of us.”

Aemond stands and motions for you to follow, a snap of his wrist like a man calling a dog. “It’s late. Let’s go to bed.”

Panic, tension, an iron sinking in your belly. The water is only lukewarm now, but you don’t want to leave it. “I’m not done yet.”

“Yes you are.”

There’s nothing else to say. Legally, a wife’s flesh is one with her husband’s. You slip as you step out of the bathtub, and Aemond grabs your forearm. Not like he’s helping you; like you’re something he owns.

~~~~~~~~~~

Two knocks, swift and forceful. “Hey, it’s me. You ready? Everyone else is downstairs in the lobby waiting for the limos.”

You hurry to open the door, almost twisting your ankle as you stumble in your heels. They’re an inch higher than what you’re used to. Aemond chose them, and your dress too, and your sapphire teardrop earrings, and the silver chains around your wrist and throat, and your future and your past, and your life itself. It’s mid-October, and the night of what will almost certainly be the sole presidential debate of 1968. Aemond’s retinue is staying at the Hotel Saint Louis. It’s harvest time, the fields beyond the city being reaped of their soybeans, wheat, corn, cotton, and rice, the beef cattle culled in mechanical underworlds. Aegon’s flight must have just landed.

As soon as he sees you his eyes drop, wide and bewitched, ensnared everywhere except your face. You say: “Can you help me zip this, please?”

He blinks a few times, then shakes it off. “Sorry, what?”

“The zipper’s stuck. I need you to get it.”

“Yeah. Sure.” He steps into the suite and stands behind you. The gown is a vivid blue like the Greek flag, gorgeous and shimmering but a size too small. It wasn’t tight a week ago, but now it is, and you aren’t pregnant just always gaining and losing weight in new places, first the baby and then the pill, and it wouldn’t bother you if Aemond didn’t seem so confounded by it. Aegon says as he tugs at the zipper: “I don’t think it’s gonna fit, babe.”

“It has to fit.”

“Even if I miraculously get this closed, you won’t be able to breathe.”

“Do whatever you have to. Just…just…” You push every last molecule of air out of your lungs, suck in your belly, and you hear the triumphant squeal of the zipper. “Yes!” Oh, but Aegon was right: you really can’t breathe. “Okay. Let’s go.”

“You’re not gonna last the whole debate in that. You’ll be sweating more than Nixon.”

“I’m fine.”

“Io…”

“I’m fine. Come on.” You snatch your matching purse off the coffee table by the couch, check your makeup one last time, and hobble in your heels as you walk with Aegon out into the hallway.

At the Kiel Auditorium a few blocks away, the Targaryen children—Aegon’s five and Helaena’s three—are presented for photographs before being escorted back to the hotel by the nannies. And even in the few weeks that have passed since you last saw Aegon’s kids, there have been extraordinary changes. They talk to their father, and he talks back, and he ruffles their hair and rests his hands on their shoulders and asks them about what they’re learning from their private tutors. Cosmo tackles you before he leaves—a powerful bear hug, though he can only reach your legs—and he says he hopes you’re coming home to Asteria soon.

“Me too, kiddo,” Aegon tells him, and then smiles at you; but above his gleam of teeth his cloudy blue eyes, like the Atlantic in a storm, are gloomy and troubled.

As the audience takes their seats and the journalists are poised to capture the best images and quotes of the night, the three candidates and their wives (minus Wallace’s dear departed Lurleen) meet briefly backstage to exchange the perfunctory well-wishes. Pat Nixon is introverted and bookish, though she tries to hide it; but Aemond reels her in like swordfish until her eyes are filled with him. George Wallace gets one glimpse of your venomous glare and escapes, claiming to need one last trip to the restroom before the debate begins. But Richard Nixon beckons you to accompany him to a quiet, discrete corner of the room.

“I tried to call,” he says. He’s a remarkably normal man: medium height, receding dark hair, rough voice, weathered skin, not a god but a mortal, and—you have the impression—more aware of his flaws than his fiercest critics will ever be. “But no one at that damned beach house would ever put me through to you.”

You aren’t sure what he means. “Oh?”

“I never got the opportunity to tell you how sorry I was for your loss in July, Mrs. Targaryen,” Nixon says with unglamorous, plain, genuine compassion. “Pat and I, when we heard, we wept for you. We truly did. And for your husband to be clear across the country…I can’t even imagine. It must have been awful for you. A parent never gets over something like that. It stays with you like a scar.”

“It does,” you say softly.

“I lost two brothers. Arthur died when he was seven, tuberculosis killed Harold in his twenties. God, it just about destroyed my mother. You’re a remarkable woman. You’re lightning in a bottle for Aemond, do you know that? You’re like one of those Kennedy gals, but even better. More personable than Jackie. More intelligent than Ethel…although, to be frank, who wouldn’t be? And you’re not afflicted with any ghastly vices like Ted’s wife Joan. What would Aemond do without you? He’d lose, that’s what he’d do.”

Nixon’s smart, but he’s wounded. He’s capable, but he’s so desperate to prove it. Power could ruin a man like this. “You’re very kind, sir. You did some great work under Eisenhower. Self-made like my father was, a devotee of the American Dream. I believe you have an important role to play in this country…” You smirk, a bit mischievously. “Just not as the president.”

Nixon chortles. “No matter what happens tonight, rest assured that I hate Reagan more than I could ever dislike your husband,” he says, meaning the Republican governor of his home state of California. “You know that bastard tried to primary me?”

“Actors don’t belong in politics.”

“I couldn’t agree more,” Nixon says, and then bids you farewell as the lights turn blinding and the curtain begins to rise.

As soon as the adrenaline begins to fade, all you can think about is that you can’t breathe. You take your seat in the audience between Aegon and Ludwika, who won’t stop making jabs about Nixon: “He looks like a troll,” “He looks like a sasquatch,” “Do you think Pat makes him wear a  Creature from the Black Lagoon mask in bed so she is not so repulsed by him?” The most you can offer is an occasional distracted nod in response.

“You alright?” Aegon whispers.

“Yeah.”

“You don’t look alright.”

“I’m great.”

“Sure,” he says, and he acts like he’s teasing, but there’s something tremendously sad underneath. He can’t save you from this. He can’t save you from anything. What must that feel like?

On the debate stage—broadcast to a national audience—Aemond performs brilliantly. Nixon salvages what could have been a bloodbath with a handful of clever retorts that Aemond pretends not to be rattled by. The real loser of the night is Wallace, who is brutally attacked by them both: Nixon because Wallace is commandeering some of his voting bloc, and Aemond because of his near-assassination back in May. After an hour, the contest concludes and the candidates descend to the main floor to pose for photos and get lassoed into brief interviews with various journalists. Everyone in Aemond’s entourage besides you and Aegon flock to his side. By now you’re gasping in shallow gulps, close to tears and in agony from your ribs to your wobbling feet.

“I told you,” Aegon says. And then: “Come on. We’ll take the first limo back.”

In the front room of your hotel suite—one yellowish end table lamp glowing dimly, the rest of the space like twilight—Aegon wrestles with the zipper as you struggle for every breath, trying not to pass out. “Ow,” you whine. “Oh fuck, this was so stupid…”

“Don’t let him make you wear shit you don’t want to wear.”

“I have to do what he says, Aegon.”

“He doesn’t own you.”

“Legally, he does.”

He’s tugging futilely at the jammed zipper. “Are you planning on using this again?”

“I believe that would be wistful thinking.”

“You probably look better out of it anyway.” He grabs his Zippo lighter from the pocket of his emerald green suit jacket and flicks it to life. “Don’t move, okay?”

“Okay.”

“At all.”

“Got it.”

You can feel heat, intense but not painful. Aegon has pulled the edge of the fabric as far away as he can from your skin and is singeing it until it turns black and charred and brittle. Then he tucks the lighter back into his pocket and with both hands rips your dress down to the small of your back. Cool air rushes to meet the ridge of your spine; goosebumps prickle all over. Aegon is marveling at you; you can see it when you glance over your shoulder at him. Then he lays a palm against your bare skin, leans into you, inhales everything you’ve ever been: smoke and sex and starlight, strategies, shadows, secrets.

The others will be pouring into the hallway from the elevator any minute. Aemond. Aemond could find us.

“We can’t,” you whisper, hating yourself for it.

Aegon kisses the nape of your neck—so slow, so kind—and then goes to the doorway. You wait for him to leave, but he doesn’t. He’s looking at you as you hold up the ruined gown so it covers your belly and your chest. You gaze back helplessly, wanting him, needing him, a moon chained to another world’s gravity.

We can’t, we can’t, we can’t.

“I’m so sorry,” you say.

And only then does Aegon vanish.

[cosmic-ghost-hermit]

Pick a Card: Message from your Inner-Child

Your inner baby needs you to listen. This reading will help them speak their mind clearly. Will you hear them out? Take what resonates and let go of all the rest but be willing to accept new experiences.

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(fund my inner child's joy)

Feel free to drop any reading suggestions in my inbox. I'll keep them in mind when divining the wisdom that needs delivered to y'all's lil ears. Thank you in advance for all your help and support!

Decks used are The Kawaii Tarot, Pure Magic Oracle, Romantic Lenormand and The Karma Cards.

_____________________________________________________________

PILE ONE

Astrology: Capricorn, Aquarius, Libra

Song: Pantsuit Sasquatch by Molly Lewis

Vibes: Green, red, night sky, thorns, bouquet, red flowers, chess, star gazing, alligator, aroma therapy, herbal remedies, apothecary, rabbits, snake skin, olive branch, Zues, Demeter

Cards: 6 of Swords, Saturn, Tower, Lilies, Herbal Craft, Hallowed Heart

Hello, pile 1. Your inner child is really tired of having to be the adult for people who are older than them. They are tired of playing mentor for those who should be mentoring. They want to be done with those people. They are holding up a building with their tiny arms and their shaking frame. As if someone put the world on their shoulders and asked them to carry it with bones that were not developed enough to hold it and without the mental fortitude to withstand the pressure. They wish to rest. They wish to lash out at the adults who relied on them before they were ready or willing. I see your inner child resembles Alice in Wonderland. After the wicked adults in your inner child's life grew white flowers, they demanded it was your fault and made you paint the white roses, red. They took their purity. They hurt you a lot.

The main message I am hearing from them is, "Please be gentle with my little heart and my small frame. I was treated harshly purely for being alive. I need healing. I need time to rest and recuperate. Please do not yell at me for my mistakes. Please do not hurt me for my shortcomings. I did not ask to be here. I only wish for it to get better than it is now. I'm sorry I wasn't mature. I'm sorry I've been impatient but I have been patient for so long. I've spent so much time waiting for my caretakers to do their jobs. Please. I don't need structure. I need relief."

They do not hold you accountable for everything that happened to you, my dear. They are reaching their little hands out for you to help them up. They want to be more present in your life. They want to have fun again. They didn't have enough of it as a child. They want to play outside. The last message I'll leave you with is some advice I find very important.

"Play is the psychological opposite of Trauma."

____________

PILE TWO

Astrology: Scorpio, Gemini, Cancer (maybe libra)

Song: Burn Your Village by Kiki Rockwell

Vibes: Grey, pink, purple, corvids, pinecones, sage, lavender plant, grizzly bear, spider, scorpio, eagle, hummingbird, long hair, video games, D&D, law, Zephyr, Eurus, Callisto, Artemis, Hecate

Cards: Justice, Clouds, Bear, Hecate's Path, Songbirds, 8th House

Hi, pile 2. Your inner child is full of vengeance. I see that without the vengeful energy they are very respectful and kind. Their anger is extremely understandable and a reaction induced by the environment they grew up in. Your inner child has an intense sense of justice. They know they have been treated unjustly by the authority in their life. Those in control of their circumstance took their autonomy and right of trial. The authorities judged you harshly for no good reason and were unpredictable. The authority would explode at random instances making them hard to anticipate. They were dangerous. Purely because they wanted to make your life miserable to cope with their own miserable life. Your inner child did not deserve that. Your inner innocence was corrupted into a furious and resentful person. They are aware they deserved better. They were conscious of their mistreatment. I see they could have been mistreated because of their race or gender.

The message I am hearing the loudest from your inner child is, "Those filthy horrid people deserve to atone for their wrong doings. No one helped me. They didn't even listen. They took that authorities word for truth and no one heard my side of the story. I am not a liar. I am not guilty. I did nothing wrong and now my older self doesn't even believe me either. The people who did this to me will pay. They will face justice if I have to be the one to dish it out. I hate them. I hate what they turned me into. I was pure. I was innocent. Now look at what they have made me. This isn't fair. This isn't right! Why was I treated this way!? Why does no one believe me?! I will never abuse power like that person did. I will end this cycle of abuse. I release and remove everyone who blamed me without learning the whole story. I am letting go of the pain they put me through. They do not deserve me or my kindness. They only deserve my hatred and resentment. I hope they burn."

Your inner child begs you to protect them from the people who did this to you. I can feel they are still in your life. It might be a father or a brother or an uncle. I also see it could be a pastor. Your inner baby will continue to lash out at random times because they have no where to aim all this negative emotion. They want to be free of guilt that shouldn't be theirs. They want to be free of judgmental eyes. Free them from the illusion that this authority laid over everyones eyes. I leave you with one last message.

"The weakest link will target the strongest link to avoid that they're useless."

_________

PILE THREE

Astrology: Virgo, Leo, Sagittarius

Song: Heart of a Dancer by The Happy Fits

Vibes: Blue, pink, forest green, androgenous, duality, 2b hair texture, robins, blue jays, coffee mugs, sculpting, yin/yang, balance, rose quartz, pearl, magnolia tree, gardening, bonfire, 3rd eye, Aphrodite, Hermaphroditus, archangel Samuel, Lucifer Morningstar, Baphomet

Cards: 8 of Cups, Birds, Woman, Pyro-kinesis, Closing Circle, Virgo, 7th House, North Node

Hey there, pile 3. I feel many complex emotions from your inner child. I see how they were conditioned is much different than how they genuinely are. They were conditioned to be quiet, serene and passive. But when they are acting genuine it is exact opposite. They are loud, angry and active. There is a need to walk away from their conditioning and those who conditioned them. They don't know how to ask that of you because of how they were taught. They do not speak unless spoken too and this makes it difficult for them to communicate with you. They are anxious they will be punished if they ask for anything of you. Invite them forward and allow them to speak their mind. They hold back a lot of emotion that needs to be expressed. You need to be open to hearing what they have to say.

The important message I need to tell you from them is, "You will benefit from our collaboration. I'm sorry for speaking up but you are not following your heart anymore. You are following what you have been told. This is not authenticity that you display. It is fake. Even if it is well-meaning you are not yourself. You are pretending to be someone else. Please let me express my rage. Please let me express my heart. I can't hold it anymore. I don't wanna feel this way anymore. Let me chatter and chirp and yell and scream. I wasn't allowed to when I was young. I need the freedom to do so now. Allow me to open doors I was never allowed to enter. Please see me in my full complexity. I am more than just a pretty face. I am more than my body. I am a person. I have personality. I have beliefs. I am a benefit to society when I can speak. I am not a waste. I am good as I am. I don't need to bottle my true self to make others comfortable. Free me, please."

They are asking you to allow yourself and your inner child to be themselves. They deserve space to exist freely without having to hide themselves away. I honestly don't need to say much more but I will leave you with one more piece of advice.

"Authenticity is the most powerful way to exist."

___________

PILE FOUR

Astrology: Taurus, Aries, Pisces (maybe aquarius)

Song: If My Heart Was a House by Owl City

Vibes: Muted colors, yellow, orange, fairies, sunflowers, barn owl, cat mint, raptors, vase, eyes, beards, lotus, candles, chimneys, diamond, playing cards, hobbits, anime, Apollo, Athena, Aphrodite

Cards: King of Pentacles, Sun, Owls, Ancestors, Gnomes, Aquarius, Venus

Hello and welcome, pile 4. Your inner child is asking me to tell you that you won't find the love you are looking for in other people. You won't find it in romance. You won't find it in friendship. At least not until you can find it in them. They didn't have the luxury of building their life on an identity that was theirs. They don't even know who they are. You need to explore them. Discover yourself in them. Be friends with them. They long for connection and the only one who can give that to them is you. They spent their whole life just trying to survive that they found identity in the pain they experienced. There is so much more to them than victimhood. So much more than their trauma. They are bright as the sun and immensely smart. They are funny and creative. Let yourself and your inner child grow beyond your collective pain and become something more. Your family isn't the pinnacle of humanity. I have a feeling that your family might have a narcissist among them. They are only a facet of humanity, my friend. There is so much more to your life than being approved by others. You are made of magic. You need to see that.

The message I hear from your inner child is, "I'm done striving for love from people who never intend on giving it to me no matter how perfectly I perform. I'm tired chasing something I'm never going to catch up too. I've always known I'm better than that. They made me feel so small though. They made me feel so pointless and useless. I worked so hard for their love but they will only ever love themselves. They will never have enough room in their heart for me. They make me feel like I'm not enough. I want to give myself the love they never could afford for me. I want to be loved so much. I want to be held and cherished the way I deserve to be. I am enough even if they say I'm not. I've always been enough even though I'm small. They are a giant black hole of emptiness and nothing. They are jealous of my light. I wish my older self could see that. I'm not selfish for wanting to be loved. I'm not wrong for wanting to be adored. I'm worth the effort. Please, see that it's true. I want to be known for who I am. I want to be discovered. I wish so deeply to be seen and appreciated. I'm the only one who can do it."

Your inner child is asking something of you. They ask you to take the role of mother and father for yourself. A role that was never filled even if you had your parents in your life. They neglected you. So much so you felt like you didn't deserve love but you desperately craved it. My dear, I will leave you with one last message and then the rest is up to you.

"You are worthy of being loved by you."

[codenamethebird]

Ok here's a little (not really) analysis/theory post about Hades 2, because I'm obsessed. Its consumed all my thoughts. And I need to talk about a theme I think will (hopefully) be addressed as the game progresses.

Here's some examples of dialogue that starts to touch on this conflict between mortals and the gods. What exactly do mortals deserve? We also have literal Icarus "flew too close to the sun" here too (and probably Pandora). Chronos was able to sway many to his side with a promise of a golden age without the gods, which is presented by the narrative as a foolish venture. And not saying it isn't, or that Chronos is the secret good guy here, but I believe Chronos is taking advantage of a very real hurt that exists for mortals.

This line from Nemesis really stood out to me, because it implies that while mortals have a concept of evil, the gods don't. Which sounds ridiculous but the more you think about it makes total sense. The gods in Hades (and just greek myth in general), are kind of the worst. They are petty and selfish, they literally attack you if their boon isn't picked first, and most vitally in this context, often utterly disregard mortals.

For example, one of the things that drove me a little crazy in Hades 1, was how chill everyone was with Demeter's never ending winter. Demeter was killing possibly millions upon millions of mortals and everyone else just sort of let it happen. Maybe complained a bit because it was annoying to them, but just stood by. And that's just one example. Mortal's have a very valid reason to hate the gods.

And considering we have more areas of the surface to explore that aren't out yet, I have a feeling Melinoë is going to be meeting some of these discontent mortals. And my hope is they are going to be nuanced characters, that will challenge Melinoë not just in a fight, but her very ideals.

Because Melinoë is very deferential to the gods, waaaaaay more that Zag ever was. Unlike Zag, who was more like a bro to them and was willing to suck up to them for personal gain, Melinoë seems to genuinely mean all the respect she gives them. She praises them, defends them when they are insulted, and just generally very polite to them.

In a smaller scale, she describes Hypnos as having a wisdom about him and can somehow sense her intensions while asleep. Which as Nem implies, the version in Melinoë's head doesn't exactly line up with reality (though sidebar, I am a believer in Chekov's Hypnos and that he's going to somehow save the day and put Chronos in a never ending sleep or something, but that's beside the point haha).

Melinoë's reverence to the gods makes total sense of course. She was denied her family and a happy childhood, and because of that has glorified them all in her head. The Olympians are sending her vital aid on her holy mission for vengeance and to save her family, even as their own home is being attacked, how honorable of them!

And I think part of Melinoë's arc is that perfect picture of them breaking into pieces. Yes, they are the better of the two options between them and Chronos, but that doesn't mean they aren't also kind of the worst. That mortals deserve better than frivolous gods that can decide on a whim their fates for better or worse (love u Moros but I'm still fucked up over you and your sisters giving mortals horrible doom endings when you were bored. At least he feels bad now but still. Perfect example of gods even when not intending to having horrific consequences for mortals). And maybe like how Zag healed relations with his family, Melinoë can start repairing relations between the Gods and Mortals.

[blood-starved-beast]

This interaction was included in the Tech Test but man it remains amongst my favorite ones in the game. One of the major themes touched upon by Hades II is the concept of what's good for the gods vs what's good for humans, and the desires, perspectives, biases etc. of each or. Humans, allegedly, lived in a Golden Age during Chronos's time (was it golden, or is it a matter of pre-civilization simply having better means in some cases) and suffered during their time under the gods. Especially when you recall how Demeter froze the Earth after Persephone disappeared up until the finale of the last game. Makes sense, then they'd side with Chronos if only cause they yearn for an idealized world.

Melinoe of course, was not raised in such an enviornment. She interacted with mortal shades yes, and regularly (Icarus and Odysseus come to mind, Arachne too) but she was also raised with a singular purpose. That is, kill Chronos. And she's too, justified. They took her family! She had done nothing to deserve losing that other than being born. She wasn't permitted to grow up in a normal environment or manner cause of it.

It makes for an interesting dynamic with Nemesis. As I mentioned a while back, Nemesis is all about people getting what they deserve - no more, no less. So if the gods are being "punished" in this manner -this is what they asked for no? Nemesis is much older than Melinoe - Achilles mentions her as one of Nyx's brood talking to Zagreus old day in the old game. She saw first hand what the gods have done. And they've wrought the consequences we see here. But she has no answer to Melinoe, cause while that logic applies to those gods, it definitely doesn't apply to her, who by and by lost her arm trying to help shades.

Fascinating stuff I say. Can't wait for the story to update to see where this taken, especially in the surface arc.

[pictureof-dorianstorm]

im so normal about the trials of apollo you guys

the way that prophecies adapted to different types of poetry aside from couplets (sonnets, terza rima)

appearances from past protagonists, but not in a fan-service-y way and it makes sense for the plot (i.e. visiting sally in manhattan bc it's the only safe place that doesn't have cameras from the triumvirate)

ESTELLE IS THE CUTEST

apollo lowkey taking notes on how to be a better father by observing paul blofis' selflessness

will and nico. that's it

minor characters being brought to the spotlight !!! kayla and austin, sherman yang, malcolm from the athena cabin

demigods of other gods getting more rep, demeter and the other dryads deserved it.

the big bad of the series was fascism/the 1%. that's dope asf.

i love how nobody really questioned the funding behind the princess andromeda and now that was brought back as a major villain???? amazing

apollo and meg are best buds with no bitches. we love platonic relationships

WILL GLOWS IN THE DARK ARE YOU KIDDING ME. THAT'S ADORABLE

apollo recognizing the tyranny in zeus' rule by drawing parallels from nero and deciding to spend more time on earth whenever possible

"ill be there for you. the sun always comes back." i'm in tears are you kidding me

apollo's character development is so amazing, seeing victory through battles that were well fought with bruises and scars, rather than laurels that were given to him

apollo choosing diana for the summoning ritual bc if he was going to die, he would at least want to see his sister one last time

reyna joining the hunters??? that's so perfect for her

i can go on for ages. this series was amazing