#despite what later seasons would make you believe we are in fact still in japan

[asheblossomnjoyousspring]

also i recently found out about this but in the gx dub jaden quotes "we're not in kansas anymore" and i dont know why i find this fucking hilarious when yugioh takes place in our world canonically

[pineapple-lover-boy]

Can- can I just talk about the Victuuri relationship? Pretty please?

I just…. I’ve never seen a healthy relationship that starts from idolization and a need to get out that has ended in a satisfying way.

Let me elaborate:

We all know that Yuri idolized Victor. It’s why he was so nervous in the beginning and why it took time for them to build on their relationship, he saw Victor as a god.

Victor? He was depressed. He loved the ice so much but he longer found excitement in competitions. He didn’t have any worthy opponents that had a chance of beating him (sorry Chris).

I believe Victor “fell in love” at the banquet. He was attracted to Yuri but, even though he lost, he also saw potential in him. That night was probably the most exciting night for him in a long time. I think he felt genuine affection for Yuri but also saw a way to get out of his predicament.

Then, of course, Yuri didn’t show up the following season (a year had passed before the present timeline). He was most likely annoyed that someone who had gave him excitement didn’t show up. Did he think Yuri had a chance of beating him at first? Probably not. Did he see potential or at least someone he could have fun with during the season? Hell yes!

And then when he saw the video of Yuri skating Stay Close To Me, something that awarded him a gold medal. That’s all he needed. He saw how Yuri not only skated it perfectly but I bet he thought Yuri skated it better. Let’s not forget that emotion is a huge part of skating. If you don’t skate with the passion your supposed to hold for whatever theme you have, your performance can almost seem futile. Victor obviously won because he perfected it but if it was based on how he presented it alone, he would’ve lost. He saw someone worthy of skating an gold medal piece while also having the heart to do it. That’s talent.

Anyways, because of this, their relationship doesn’t hold well in the beginning. He’s passive aggressive towards Yuri because he doesn’t see his own talent and Yuri is just going along for the ride because holy shit it’s Victor fucking Nikiforov.

As they get to know each other and Yuri opens up more (plus Victor getting info on Yuri from the others) Victor starts to see Yuri as an actual person and not someone he can use to project himself onto and then later skate against. And Yuri starts to see him as an actual person too.

I saw on another post talking about how we didn’t see them during the summer and how the end credits of every episode suggest they got to know each other better as both in the credits and in the show they (Yuri) are able to touch each other more. I 100% believe this.

I also believe they might’ve had an argument or two on this topic. It’s not easy to switch from inadvertently seeing someone as anything but a person to an actual person with emotions and feelings. I believe Victor would’ve tried to back away from this subject but Yuri wouldn’t let him. It wasn’t big arguments like in episode 7. It was probably little quarrels that annoyed them both but after having a long conversation they finally started to become more comfortable with each other.

Yuri started letting go of the notion that Victor was a god like creature and Victor saw him as something other than a pawn. Yuri stopped getting as embarrassed with Victor touching him and Victor stopped trying to seduce him as much just so he could see the man from the banquet.

This most definitely leads the way towards a healthier relationship but episode 7 was inevitable. Yuri’s anxiety was at an all time high when he comes out on top. The fact that he needs to stay on top and not mess up is getting to him. As a person with anxiety, it’s pure hell. The thoughts of failing won’t get out of his head and even as he turns off all the monitors he can still hear everything.

Victor takes him away from prying eyes and has no idea what to do. Despite an obvious change that would’ve had to include some emotions from both occurring over the summer, he still has no idea how to help someone in distress.

Then he makes his first mistake. Yuri is visibly shaken by someone’s scores (can’t remember who) and Victor, who is at his wits end, yells at him to stop listening and puts his hands over Yuri’s ears. This tells Yuri how nervous Victor is too and despite knowing that Victor wouldn’t leave him now it shows to him that Victor doesn’t have faith in him (even if he does).

Victor tried to shatter Yuri’s heart. He must’ve expected Yuri to maybe sign heavily but tell him that he’ll do everything in his power to win (probably something that’s happened with him and Yakov). Instead he see’s the consequences of his carelessness. Yuri rightfully lashes out at him and even through all that Victor stills says “should I kiss you?”. Idk what Yuri was thinking but if I were him I would be extremely offended that Victor would try and use me like some doll he can play with and can assume that physical affection and love can fix everything, which was probably what Yuri was thinking.

There’s something off about Yuri and Victor when they emerge but Yuri is surprisingly better now. Cathartic crying can do wonders, kids. There’s also my favorite part of the entire show (couldn’t find a gif):

*head jab* “Hey, fuck you.”

*more head jabs* “Fuck you, fuck you, fuck you. I know you don’t like this you unempathetic dicknip.”

*head pat* “You’re forgiven.”

We all know what happens next: Yuri ends his love story with Victor’s signature move and Victor kisses him out of joy and the need to one up him (with love, of course).

I’m gonna get a little sloppy here with the timeline because I have the memory of a female protagonist that needs to go back to work to get something only to accidentally bump into the jerk CEO of which she will develop a toxic relationship for fan service, so forgive me.

Gonna skip ahead to the scene where Yuri tells Victor that he’s leaving skating, and basically Victor too. (At this moment I realized I’ve been spelling Viktor with a c and not a k which is really fucking with my brain but it’s too late to go back). Victor starts crying and realizes just how Yuri felt when he was rejecting him.

I believe Yuri found some light in the situation because of that fact, which Victor was not having. They’ve been closer than ever now. They’ve kissed, they’ve also announced they they’re getting married, so what the hell?!

Yuri, as we know, feels he’s keeping Victor from the ice. Victor, while he misses the ice and wouldn’t mind being competitive again, has found meaning and if he’s going to be Yuri’s coach to stay where he is than so be it.

He wanted to coach Yuri because he wanted a worthy competitor and while he still wants that, what matters most now is his relationship with Yuri. If he stops being Yuri’s coach and Yuri goes off the ice he knows it will be the end. Yuri loves the ice too and I’d bet he’d try to distance himself from Victor as to not feel regret from leaving without actually knowing that he’s doing it.

They’ve grown so much at this point. But that doesn’t mean it’s over. After all they’ve been through Yuri doesn’t realize that consequences of parting from one another. While being too dependent on your spouse isn’t good, it’s what they both need right now. They are what caused the other person to be happy again and while I hate those types of storylines this one executed it perfectly.

I find Victor’s silent plea to Yurio absolutely heartbreaking. He knows it’s bad to put pressure on people but now he’s doing that to a 15 year old boy. He’s putting his relationship and his life into this child’s hands because he knows there’s nothing else he can do.

I do think Yurio had a crush on Yuri but even if he didn’t: Yuri has taught him so much. He, although being an ass most of the time, has really come to love Yuri as family. It’s clear that Yurio was always lonely (Otabek being his first friend and all) but once he came to Japan and lived, truly lived there, he wasn’t lonely anymore.

Yurio wins, Yuri gets silver and all’s well that ends well.

I guess my point of this was to show how well the relationship in YOI was. I could’ve included some more detail on some points but I usually write stuff in one take (it’s very hard to revise without my mind shutting on itself).

I just love how an implicitly toxic relationship can come out so healthy. They don’t do any of that miscommunication bullshit and when they do it’s because the characters don’t know what to do or how to handle something. Like humans do!

They could’ve easily made this the hot famous guy thinks the kawai girl boy is just so adorable and the kawai girl boy is absolutely infatuated with the hot guy. Hijinks ensue which includes the kawai girl boy thinking the hot guy is in love with someone else. She He gets pushed into thinking that she’s he’s more independent in the end and happily ever after for the couple that will divorce in less than five years! Yay!

Seriously, I thought that was what was going to happen but YOI subverted my expectations so much. They are people that grew from their bad mindsets. And you know what? Yuri still has anxiety! Victor is still bad with handling emotions! And that’s ok! We don’t change that quickly. It takes time and hopefully another season.

I’m definitely using this show as a template for healthy relationships. It’s so hard for me to properly write them when I’ve never been in one and I’m not given the chance to see it happen in different environments (when searching it up all I get is “they trust each other. They blame each other. They’re compassionate.” Like ok but can you show me how?)

Yuri!!! On ice…. I love you so much. You have done so much for my mental health and my writing. Thank you.

[woeisme-iamwoe]

an absolutely massive Haikyuu!! fic rec pt. 2

IwaOi this time around. My favorite ship. The world’s favorite ship...there’s so many

Undecipherable, by ioo (4k. G. canonverse)

 I’m pretty sure the author meant ‘indecipherable’, nevertheless! I am appalled that this work doesnt have more hits. Y'all are sleeping on it and that's not okay. 

The sound of the door slamming against the wall has Hajime startling back to the present. He looks at the source of the disturbance and finds himself face to face with Oikawa, red in the face with breathlessness and a leather-bound notebook tightly clutched in both of this hands. When he spots Hajime, he makes a beeline for the bench and slaps it down right next to him.

"Koi no yokan," he says. "The sense one can have upon first meeting a person that the two of you are going to fall in love."

 primavera, by tothemoon (8k. T. canonverse)

All of tothemoon’s works read so beautifully 

They say it takes twenty-six years, for certain breeds to fully bloom. 

Learning to Walk (So That We Can Run), by ricekrispyjoints (27k. M. canon-divergence)

I've read this work so many times. Like, so many times and I’ve never tired from it. Gorgeous. The shift from friendship to romance felt so natural, love it. 

"I'm not healing like I should be."

In his second year of university, physical therapy just isn't cutting it. Oikawa's knee is getting worse, and he can't hide it anymore.

Or: the light angst, project-your-own-life-experiences-on-Oikawa knee surgery fic you didn't know you wanted.

 Priorities, by weirdmilk (2k. T. canonverse)

Kissy, kissy. 

‘I just -’ Oikawa begins, ‘it might be difficult to get married, sometimes, I think.’ He chews on his lip.

Iwaizumi makes a questioning noise.

‘Ah,’ Oikawa says, and then, in a rush, ‘if I didn't want a wife at all - what then? If I said that to you. If I told you I can’t see it. Like - the wedding dress. The bride. I just can’t see it.’

Iwaizumi swallows again, his heart beating much faster than the conversation warrants. He wonders whether Oikawa can hear it. ‘You’re eighteen. You aren’t supposed to see it yet.’ He snorts. ‘I mean - if we’re sharing shit, I’ve never even kissed a girl.’ He doesn’t mind admitting it. It’s not something that bothers him - he’s never prioritised girls very highly, and despite Oikawa’s largely undeserved status as Miyagi’s most eligible teenage bachelor, he doesn’t think Oikawa has ever wanted a serious relationship with any of his fan club, either.

Oikawa and Iwaizumi can't sleep before their first practice match with Karasuno.

 Before Midnight, by fathomfive (2k. G. canonverse)

Reads like a fairytale. 

The sky turns, the seasons turn over, and Iwaizumi and Oikawa track the movements of the stars. Nothing is ever quite constant, but it's close enough.

The grass is stiff with frost. They walk in silence past the raked-over vegetable garden and up the back hill, footsteps crackling, and stand side-by-side at the top of an incline that used to seem much bigger. Iwaizumi glances over but Oikawa’s already gone, eyes searching the sky with no hint of hurry, just a kind of reverent patience.

 make a bet, keep a promise, by raewrites (13k. M. canonverse)

Bet still on. 

Sometimes, in still moments, Iwaizumi wonders why out of all the people on earth he ended up with Oikawa Tooru. Why it’s his face that lingers on his fading conscious in the last moments before he falls asleep, in the first blurry seconds upon waking up again. Why when he looks to his side, he expects Oikawa to be there in the same way he expects to see five fingers on both hands, a natural extension of himself, ever present.

Why he can’t imagine a future without Oikawa in it.

It begins with a bet made between the two boys in the mid-summer of their eighth year. It starts with volleyball, but like with most things involving Oikawa Tooru and Iwaizumi Hajime, things are never quite that simple.

 our hearts still beat the same, by knightswatch  

 two birds, by thelittlebirdthattoldyou (5k. T. canonverse)

Of heartbreaking letters and paper crane wishes. 

Five months into the term, two months after he’s stopped replying to Oikawa’s texts, the first package arrives. A small square box, wrapped in brown paper and tied with string, and Hajime almost trips over it on the way to his dorm.

There’s a letter attached.

Oikawa doesn’t know how many times he’ll have to put his feelings down on paper before Iwaizumi believes them. 

Through My Eyes, by anchoringsouls (2k. G. canonverse)

Okay! Okay, we were doing great with the soft, happy love up until the last part! That's great, just great!

“I think if you ever saw yourself through my eyes, you would fall in love with yourself the same way the way I did with you.” 

in time it could be ours, by deusreks (3k. T. canonverse)

Anyone wanna go back in time and make a time capsule with me only to dig it up years later and we’re actually in love?

Set post Seijou's match with Karasuno. There's a moderate amount of rolling in the dirt. No pajamas were hurt in the writing of this fic.

There, in their joint backyard, was Oikawa Tooru, clad in his silly luminescent space pajamas, digging a hole near a cherry tree.

“What the hell, Oikawa.”

Tooru stubbornly continued digging. He looked pitiful in that moment; everything that was grand about him in daylight was meaningless in the darkness. He was only a boy with a shovel whose broken heart mirrored Hajime’s own.

 we can do better than that, by spaceburgers (16k. M. canonverse)

Of course, of course, the IwaOi road trip fic. AnD thErE wAs ONly OnE bED!

Oikawa and Iwaizumi go on a road trip during the summer after their high school graduation. It doesn't go as expected, but maybe that's not such a bad thing after all. 

They Say it Rains Diamonds on Jupiter, by exsao (35k. T. canonverse)

I don't know, just gorgeous. Hajime’s so in love. 

"You're in love with him."

Hajime considers denying it. He considers deliberately choking on his drink to express surprise, to create a distraction by spitting onto the man in front of him's pristine white shirt and causing a commotion. Instead, he swallows his mouthful of soda and heaves a small sigh once his mouth is free.

"Yeah," he says instead.

He's never been good at lying, anyway.

 Midnight boys/sunset town, by carafin (10k words. T. Housemates AU):

The author says they played off of the fact that Oikawa oftentimes forgoes his sleep in order to work, and wrote it so that he doesn't sleep at all. This was so cute, kinda sad, mostly not. Love how Iwaizumi just goes along with whatever crazy stilch Oikawa is on. 

In which Iwaizumi Hajime grows a few chili plants, participates in an eating contest, breaks into a park, and falls in love with a man who doesn't ever sleep - not exactly in that order.

5 Reasons Why Iwaizumi Hajime's Flatmate Is A Complete Weirdo (An Incomplete List)

1. He's obsessed with that stupid bucket list of his.

2. He's the proud owner of seven truly ugly, criminally hideous movie posters with aliens on them, which he insists on pasting all over the damn living room.

3. He's always stealing Hajime's sweatshirts.

4. Sometimes, he wakes Hajime up for breakfast. At 5AM. On Saturday mornings.

5. He literally never, ever sleeps.

 The Best I Ever Had, by FindingSchmomo (62k words. T. Canon-divergent):

You’ve read it, your mum’s read it, your dog has probably read it (you really need to take facial recognition for him off your phone, he’s got some weird nighttime habits). So basically this fic caused me physical pain and then pumped me full of morphine and now I’m good! Beautiful read, hated Oikawa for a while, Iwaizumi is the only boy I would ever feel safe alone with. 

A story of separation and time lost. Oikawa and Iwaizumi lose contact, and life goes on. Now, a decade later and back in Japan, Oikawa wonders if he can pick the pieces back together, despite knowing Iwaizumi has moved on. A story of their past, present and future, pieced together by shaky hands.

 darlin', your head's not on right, by aruariandance (13k words. T. canonverse)

Again, I’m pretty sure anybody who's anybody has read this fic and for good reason! Super sweet realizing you're in love fic. Makes me reconsider wanting to get married. 

'“Our wedding,” Oikawa says by way of explanation, tapping his finger against his magazine more emphatically. “What colors should we use? Color scheme is important, apparently.”

Iwaizumi feels his lifespan shortening.

“I was thinking our Aoba johsai colors to go for more, you know, softer tones? Besides, I’ve always looked great in that sea foam green color. Oh, and I guess you look decent in it, too.” He grins, saccharine sweet, and Iwaizumi has never been so tempted to knock one of his perfect pearly white teeth right out of his stupid mouth."

or,

Oikawa teases Iwaizumi about a childhood promise he made to marry him when they were older, except suddenly it's not really a joke at all.

 the courtship ritual of the hercules beetle, by kittebasu (66k. T. canon divergent)

Is this one of the most famous Iwaoi fic? I don’t know. Looks like it, I know it's my personal favorite. Where Oikawa studies bugs for a living and can’t seem to come to terms with his feelings. Very angsty, love that in a fic. 

Tooru is pretty sure he could manage the mating habits of a mosquito. It’s the mating habits of people he can’t seem to get right.

 Terrarium, by sausaged (11k. T. Post-canon)

Honestly, I’m so surprised this fic doesnt have more hits! It’s so good! Made me ache! I love the memories and character growth shown through the growing of the terrarium, absolutely adore that kind of symbolism. So beautiful, give it some love because it's one of my absolute favorites. 

He's practically a professional at being proactive (lies, lies, and lies when it comes to Iwaizumi).

At this point, is he really happy with just staying best friends forever? Will he be writing journals and collecting rocks forever (he will, he knows, but that is aside from the point)?

Can he really tag his Instagram photos with #YOLO if he doesn't actually put that phrase into practice?

 A story about Oikawa Tooru, Iwaizumi Hajime, plants, and rocks.

 Lips like sugar, by ohhotlamb (8k. T. canonverse)

Why did my childhood best friend never offer to help me practice kissing only for us to realize we were only interested in each other? I had a fake high school experience. 

Hajime is offered to learn the art of kissing from a true professional, one Oikawa Tooru. It's not as bad as he thought it would be.

 Falling Slowly, by bravely (commovente) (3k. T. canonverse)

So special, imagine loving one person, and one person only like this for the entirety of your life. This is getting too sappy, I want off of this ride. 

over the years, some things change; but over the years, some things stay mostly the same.

(alternatively, mornings with oikawa and iwaizumi over the years).

 No sleep in the city, by loveclouds (7k. T. canonverse)

Mass/volume = Iwaizumi, apparently. (Please. If anyone gets this absolutely horrific joke, lets elope).

Along their journey to find Tokyo's best ramen, Iwaizumi finds himself asked again and again why Oikawa is still single.

 Time, by surveycorpsjean (5k. E. canonverse)

Growing older together. 

When they're twenty-three, their story only begins.

 Everything With You, by Ellessey (14k. E. canonverse)

Came damn near to crying, you can just feel Iwaizumi’s pain. Fight scene was probably the most emotion evoking one I’ve read in a long while. 

‘Hajime still loves Oikawa, but he understands now. Oikawa can't look at him and see someone he could potentially date.

And that makes it easier to not focus on the little things that used to drive him crazy—Oikawa's long legs, the way he's always hanging off of Hajime, how his whole face changes when he gets ready for a jump serve, and he looks like he could take on the entire world and win.

This new arrangement though, this living together situation, is presenting a new set of variables that must be adjusted to, and the nakedness is one of them.’

--

For years, being Oikawa’s best friend has worked out fine. Hajime is hopelessly in love with him, but it’s enough. Then Oikawa—who, by all accounts, has never been anything but determinedly, assuredly straight—gets a boyfriend. Or a boy friend-with-benefits. Hajime doesn’t know, and he doesn’t give a shit about the definition.

What he knows is that remaining best friends is starting to seem a bit too painful (way too painful) to be considered a solid option.

 The Best Best, by rikke (12k. T. canonverse/future fic)

Takeru is a whole mood. Don’t want kids, but I do want domesticity and this fic feeds me well.

“Congratulations, Iwa-chan! You’re a dad!” Iwaizumi hears as soon as the door opens. He’s dealt with Oikawa for all of his twenty-one years of age now, but this declaration is still sufficiently disturbing enough that he turns from his place on the couch and braces himself for whatever Oikawa has done this time.

 Or the one where Iwaizumi and Oikawa babysit Takeru for a week.

 cheek kisses, by ohhotlamb (G. 3k. Future fic)

Sooo cute!! 

“Every time,” Hajime murmurs, “every time I see you again I remember how fuckin’ crazy I am about you.”

 Routine, by snoqualmie  (2k. T. canonverse)

Again, anyone wanna be my childhood best friend so we can put face masks on each other and fall in love? I died, truly. 

Iwaizumi is fourteen years old, horny too often and angry all the time, and he’s just starting to notice that Tooru’s legs are really long, that his lips are kinda soft looking, and his fingers feel good pressed under his jaw.

 Thirty Years and Change (the Games of the XXXIII Olympiad, by sunsmasher (19k. G. canon divergence)

Be wary, I would give this fic an upper rating to probably Teen and the follow-up fic is Explicit. But, Oikawa on the Japanese national team is just a dream as is, but add in a rekindling friendship and an angsty make out sesh? Mwah, delizioso. 

It’s July 10th, 2024, and Oikawa Tooru is an Olympian. His smiling face airs on an NHK promo every 45 seconds. He’s captain of the national men’s volleyball team, reigning star of the professional leagues, and he hasn't spoken to Iwaizumi Hajime in two years.

He has, however, sent Iwaizumi tickets for the 2024 Los Angeles Summer Games.

“So go,” says Matsukawa's voice. “It’s only a few weeks. You’ve got a whole city to hide in if it gets awkward, and if it doesn’t get awkward, well…”

It’s like watching the future reconfigure, like being in high school again, watching team after team fall to Oikawa’s faultless planning and shameless charm.

“I’ll get to watch a whole lot of volleyball,” Hajime says, and resigns himself to fate and/or Oikawa Tooru.

“Hey, when you get there, can you bag a gymnast for me?” Hanamaki asks, and Matsukawa squawks.

 Chasing Paper Suns, by carafin (10k. T. Future fic)

Again with the growing up and coming back together, this time with more angst than the last. Lovely, really lovely read. 

Post-high school, Oikawa makes it to the national volleyball team but Iwaizumi doesn't. The next three years become an exercise in growing up without growing apart.

Some days Hajime likes to think of himself as Oikawa’s counterpart—the two of them blending into a single devastating unit, the invincible setter and his unyielding ace, the bond between them unbreakable and true. Other days he feels like he is chasing after a rising sun, always running and running with his eyes fixed on the distance, trying to cross a chasm that stretches on without end, caught in an endless and exhausting pursuit.

 the yellow room, by ohhotlamb (14k. T. canonverse/future fic)

Makki and Mattsun see bullshit and call you out on your bullshit. 

“I told you, we broke up like six months ago. We’re not dating anymore.”

Hanamaki eyes him suspiciously. “You live together.”

“Yeah, so?”

“There are pictures of you two kissing stuck to your refrigerator.”

Hajime shrugs. “That wasn’t my idea. Anyways, they’re good pictures. Good lighting.”

 the river runs, by tothemoon (11k. T. post-breakup)

My heart ACHES. Happy ending, promise! Just read it. 

One year since their breakup, Oikawa Tooru starts a list of daily reminders, tips, and tricks called HOW TO FORGET ABOUT IWAIZUMI HAJIME, and he’s determined to make it stick.

—

This is a firsthand account of how to deal (and rather spectacularly, at that).

 I sure hope that guy gets fired, by Xov (29k. T. canonverse/time loop au)

The only thing better than one confession, is MULTIPLE confessions. Oikawa trusts Iwaizumi unshakably, and that's beautiful. 

It was the fourth time experiencing the exact same day that Iwaizumi Hajime reluctantly admitted to himself that something was very wrong. 

 my only friend was the man in the moon (until i met you), by ohhotlamb (7k. T. canonverse)

Just so innocent and sweet. Oikawa said ‘effort’.

In which Oikawa has a life-altering revelation, and Hajime is starting to think it involves him.  

 Bet On It, by originalblue (13k. E. canonverse)

Tooru being nice for a week? That can only end one way… with a d*ck in Hajime’s mouth. 

Hajime knows exactly how shitty Oikawa's personality is, and has no scruples whatsover about betting Oikawa six thousand yen that he can't be nice for an entire week. 

 especially for tender ones like us, by viverella (17k. T. canonverse/post break-up)

Gods! See? See what I mean? How could I forget about a work as heart wrenchingly beautiful as this? Give it some love, actually, all of the love. 

The worst part of it all, Tooru thinks to himself sometimes, is that even as they fought and kicked and screamed and tore each other to shreds, it was never that Tooru stopped loving Iwaizumi any less. The worst part of it all, he thinks, is that loving Iwaizumi turned out to not be enough.

(OR: on finding the right person at the wrong time and learning how to pick up the pieces)

 sunset town, by skiecas (33k. T. canon-divergent)

Another work that I just CANNOT understand why it doesn't have more hits. Beautiful, beautiful, beautiful. I almost cried. 

In the summer of 2020, Oikawa Tooru returns home from his first successful stint as captain of Japan’s national volleyball team. In one hand, he holds the undisputed weight of an Olympic medal, and in the other, his unresolved feelings for a childhood best friend.

Two years down the road, reconciling his lifelong dream with his lifelong love proves to be the greatest challenge.

 of odd numbers and intimate regrets, by bravely (commovente) (5k. T. post-canon/one night stand au)

Basically, Tooru and Hajime sleep together after not speaking for seven years and of course there’s feelings and angst and a belated chance at happiness and a life together. 

Tooru’s spent the last seven years of his life in a carefully constructed schedule that is, he realises now, as much a habit as it was a way to forget about the person in front of him.

[or, the one night stand AU between two people more than friends but not quite lovers, measuring the passage of time in distance and long-gone memories, the expansion and contraction of the spaces between their fingers each time.]

 cross my heart, open wide, by acchikocchi (7k. T. canonverse)

Super cute, super short. Realizing you're on a date with the wrong person one-shot. 

For a minute Hajime doesn't know what to say. Everything and nothing crowds his mind, leaving no room to think. That he's never tried this. That volleyball's over. That he's graduating in five months. That it would be really nice, at least once, to go on a date with a good-looking guy.

 Hajime goes on a date. It's not with Oikawa. 

 Fernweh, by oikawashoyo (19k. G. canonverse/post time skip)

A mature(ish) Tooru?? I love works that show Tooru growing and living happily in Argentina and this one is just beautiful. (Plus! Plus, Skai did a piece on it as well and I love ALL their work so you can visualize everything). Love it. 

Argentina is stretching out before him, an opportunity, a challenge. He is reminded of his losses, his insecurities, his disappointments; sees them form a tall, tall wall blocking his path to success. He takes a deep breath and knows he is going to shatter it.

In which Oikawa's whole life is spent longing for the horizon — in the form of a dream, a home, and a boy.

 i breathe easily in your arms, by orphan_account (2k. M. canonverse)

Soft, soft sex

When, after completing their high school graduation ceremony and heading home to enjoy their freedom, Oikawa had pulled him into his room and pressed his lips hesitantly against Iwaizumi’s own, it seemed an inevitable development in the unfolding narrative of their shared existence.

Despite years of having a bed to himself, the sensation of another body taking up space in his sheets, curling against his chest, creating warmth, feels natural in much the same way.

 old and new, by Mysecretfanmoments (5k. T. canon divergence)

Finally a fic where they don't freak out on confession and it's sweet. 

“You seem—sad.” Was that the right word? Others sprang to mind: desperate, lonely, anxious.

Tooru looked away. “Are you going to make me say it?”

“Say what?”

Tooru folded his arms, sighed. “I missed you, of course.”

Hajime swallowed.

“No need to look that way. I told you, I’m not one of your macho man buddies. I’m allowed to say stuff like that without being embarrassed—”

“You’re being ridiculous,” Hajime complained. “No need to be so defensive. I’ve missed you too.”

“Oh?” Tooru seemed to get a little of his own back, leaning forward on his elbows. “What about me did you miss?”

((Going to separate universities, Hajime and Tooru learn the true meaning of "distance makes the heart grow fonder"))

 all i wanted was you, by spaceburgers (6k. E. college/fwb au)

This was more emotional than I thought a 6k friends with benefits fic could be, okay? Okay. 

Wherein Hajime and Tooru are fuck buddies, Hajime curses his treacherous heart, and Tooru is bad with feelings. 

 we shine like diamonds, by whitemiists (26k. T. canon divergence)

I couldn't not include this work. It deals with internalized homophobia so well and I really resonate with it. 

In all seriousness, I’m very lucky to live in a country where my sexuality is widely accepted and my heart goes out the LGBTQIA+ peoples who are forced to hide themselves. You are loved and your sexuality and gender-identity are not wrong and never will be.  

Oikawa is nine when he first hears the word. The boys on the playground whisper it like it's dirty, like the way they daringly mutter the word fuck and then look over their shoulders to check their parents hadn't heard.

"You know Abe-kun from class?" they snicker, hands cupped around their mouths like they're passing along a filthy secret. "I hear his older brother is... gay."

 Look For Him, by Leryline (18k. E. canonverse)

A collection of kisses. I love Hajime’s grandmother. 

She laughs gently. “I don’t think I’ve ever seen you so heartbroken before, Hajime.”

Iwaizumi sighs and prods at the mackerel with a chopstick. “Sorry. I can’t help it. It’s just different, you know? Like Oikawa pissed me off so much that now he’s not here I don’t know what to do with myself.”

“But you weren’t always annoyed with him, were you?” his grandmother smiles serenely and takes a sip of her tea. “My, my, Hajime, old women see everything. I saw you out there with my finches, when you were kissing Tooru’s nose. Your mother and father used to do the very same thing, you know, when they were younger. And look how long they’ve lasted. I hope you and Tooru last, Hajime. He’s very good for you.”

-

Oikawa has kissed Iwaizumi more times than either of them can count; it’s a constant thing, their lips never really leaving the other’s skin. There are, however, times when they’ve kissed that are burned into their memories. Eight of them, to be precise.

 film reel life, arsenicjay (8k. T. canon divergence)

Such a unique and creative idea! Reading from the eyes of a camera, so beautiful!

The only person Iwaizumi is lying to is himself, when he insists: I am not in love with Oikawa Tooru. 

 how to let your planets align, by tether (tothemoon) (15k. T. end of the world au)

This is the only remotely non-happy ending fic I will be including on here, and it's purely because it's a gorgeous read. And yes, I ached. Your lips, my lips, apocalypse. 

It is the last day on earth, December 2nd, 1985, when you realize you're in love with him.

[rebellionbeach]

The Usami brothers and whole family as a whole are really interesting characters.  Due mostly by the fact of how different Haruhiko and Akihiko are yet similar in many ways as well.  Let’s start with rabbit boy.

Not only is this man extremely sexy but he’s also one of the most popular novelists in Japan believe it or not (not in real life guys)  Akihiko is the presumably biological son of Natsuko and Fuyuhiko and younger brother of Haruhiko Usami.  Growing up, he had always yearned for the attention of his parents, wanting to impress them and make them happy.  Haruhiko had actually been introduced to the Usami household at the age of 12 so Akihiko was 10 at the time and significant development seemed to grow from this change.  As shown from volume 21, everyone had been cheering Akihiko on as the legitimate heir of the Usami family meaning to take over the family business however he had never gotten this support from his parents before.  As a young child he had believed that if he just tried harder and became good at everything, then his parents would finally recognize him.  However, this wasn’t the case unfortunately as shown in the same volume once a young Akihiko came home from school gaining full marks on a test, eager to show his father when he caught him telling Haruhiko that he truly intended to make him the heir of the family business.  This impact was further felt once his mother, who had also witnessed this, declared that she should have never bore Fuyuhiko’s child which in the eyes of a young child must have been completely shattering.  An important seed was planted however and I believe that it was at this moment that Akihiko had started to evolve into the person he is today.  He poured all his emotion, pain, loss, suffering into his notebooks, his stories, proclaiming it to be his entire world.  Overtime we see that Akihiko grows to be very adept at the talent, being one of the top-selling authors from debut which occurred while still in high school and becoming a full-fledged novelist.  Doing this, he completely rejected his family and any connections he might have had to take over the business.  

Looking as Akihiko today it is very clear the type of individual he is, independent and self-serving, he’s his own boss and does only the things he wants to do.  From the first episode of season 2 we see this as there is a key event that takes place between the two Usami brothers in which a confrontation between two escalates into a full-out argument over Akihiko coming back to, as I assume, take over the lead of the Usami company and or serve there.  I will note later on Haruhiko’s tone and content of his language but it’s Akihiko’s response which truly stuck out to me as he stated that he had no inclination of going back to that house and if that Haruhiko truly didn’t like being there then why doesn’t he just leave as well.

This point may seem entirely irrelevant but I actually believe it highlights an essential part of Akihiko’s character that not only serves as his strength but also a blind spot in that of his independence.  Akihiko is the type of person who is able to do the things he’d like to do and encourages the people he cares about, basically Misaki, to do the same such as in episode 2 of season 3 where he is actually the one who encourages Misaki to enter into Marukawa after Misaki dismisses those thoughts as just a fantasy.  This is a thing for his relationship with Misaki as he allows the man a different perspective and in a way allows him, or at least encourages him, to be more selfish.  However this can also be seen as a flaw of his character as it can be interpreted that the only reason he has this lax and independent personality in the first place is because of his more well-off family and the fact that he’d had connections from the start.  In all honestly though, this part of Usagi-san’s personality is one of the main reasons why I actually enjoy his character, along with his thoughtful nature, as I believe that it’s a pretty unique and well-suited trait.

Let’s get into Harry Potter or the eldest brother of the Usami residence, Haruhiko.  Haruhiko isn’t Akihiko’s direct brother as stated before but rather a product of an affair that Fuyuhiko had with his mother.  For the first 12 years of his life, Haruhiko had actually been raised by his single-mother whom he loved very much.  During these times he had been seen to be much more happy despite living in poorer circumstances.  This is a large aspect that is pretty big onto why he is the way he is today.  After his mother tragically passing on, Fuyuhiko took him into to live in the Usami residence.  Now this in itself is absolutely devastating, living with a father-figure that had never truly been there for you with a new mother-in-law that despises your every existence because you’re the proof of the infidelities of her marriage and a new younger brother who seemed lifeless from the rest of this.  Top it all off with the devastation from losing the only person you truly loved and was there for you and damn I’m surprised that Haruhiko didn’t full out lose it.  

Now going back to the scene originally discussed with Akihiko’s backstory, let us switch perspective onto Haruhiko during this situation.  Your new dad just stated that the person he had truly loved in his lifetime was your dead mother and that he intended to make you, a 12 year old child, the heir of their family company that you had just learned about.  Not only this but everyone around you is your enemy as shown through all the people cheering on Akihiko to become the true heir and saying that Haruhiko stole his position.  There is basically no one there to support you, similar to Akihiko, and unlike Akihiko he actually was not used to this new circumstance making the situation even worse. 

I’d like to discuss the scene stated before during episode 1 of season 2.  Here, Haruhiko is visibly angry as Akihiko’s lack of care for his role in the Usami residence.  This is something we’ve never actually gotten to see ever since with Haruhiko barely showing any emotion at all.  However, if you take in the full context of his upbringing and circumstance to that point, you can see a fuller picture of what the man has gone through to become the stoic chosen one we know today.  Akihiko, after being hoisted by Isaka to finally start publishing his works, his entire being, finally achieved success independent from the Usami residence, marking himself finally as an individual allowing him to finally see that he only needs himself.  I think this is what caused Akihiko to cut most connection from his family, despite the occasional visits, and totally puts himself away from the idea of succeeding and become the heir of his family’s company.  This leaves Haruhiko with the burden of shouldering the entire Usami company’s future, something he never truly wanted to today with architecture being his main priority.  What he see’s in Akihiko is this lazy, selfish person who only thinks of himself, abandoning all his familial duties to a brother whom he barely batted an eye to during childhood.  This is what he hates in Akihiko, but also envies.  A very interesting point that season 2 makes with the connection between the Usami brothers is the inherent jealously Haruhiko feels toward Akihiko, with him trying to steal things from him during their upbringing together according to Akihiko.  Even Misaki finally has this revelation during episode 8 I believe when he was distracting him from Kaoruko.  I think his jealously mainly stems from the fact that Akihiko got his independence while Haruhiko is still confined to the Usami gates.  With all of Akihiko’s absent-minded behavior and to quote Haruhiko, “having the eyes of a dead fish”, Akihiko in the end still achieved that sense of independence that Haruhiko could only dream about having.  Add onto the fact that everyone around you hates that you got this position, lobbying for your younger half-brother who barely gives in the effort to succeed you, then baby that’s a recipe for childhood resentment if I’ve ever seen one.  

So what does this all mean, well nothing since this is an over-analysis on a yaoi manga but in a reality I think it comes to show the clear dynamic Haruhiko and Akihiko have on one another.  In recent chapters it is shown that Haruhiko is more and more aspiring in his own pursuits in architecture, even accepting his position as lead of the Usami household and accepting the fact that he’ll never get Misaki, wanting to stay as his ally instead (which is a lot more than I can say for a CERTAIN manga author).

I love Haruhiko AND Akihiko, they both are really great characters and I’d think it would be nice if in the future they could perhaps reconcile their relationship and kind of start to get along.  The Usami household fucked up a lot of kids but they are still going strong and who knows, maybe Haruhiko might get a lover in the future (AKA Todo)

Thank you and now I implore you to go listen to Nelson’s After the Rain album, 10/10 made me cry.

[hekatekun]

The metanarrative’s grand narrative: Osomatsu-san’s characterization throughout the franchise

The growing cynicism throughout the entire Osomatsu-san franchise shows itself in season 3 with more prominence than anything prior. I think that’s pretty common amongst any “long-running” gag comedy - replacing a plot with spiteful commentary that’s admittedly pretty hit or miss at times. However, it invariably creates a negative but pretty funny character growth, and I love the way the show (I’m including the movie too as “canon” material considering season 3 has referenced it way too many times for me to disregard) has set up this metanarrative across seasons. Long post ahead.

Obviously, Osomatsu-san is self-aware and has a casual relationship with itself. No linear plot (though S3 seems to be trying it out and I’ve enjoyed it - I love that they’re willing to experiment), rather a collection of unrelated skits; and so it points out its own metanarrative because of this “lack of consequences.” With comedy comes impermancy and Ososan AND -kun will always bounce back from that week’s insanity. From the Oxford Dictionary, a metanarrative is “a narrative account that experiments with or explores the idea of storytelling, often by drawing attention to its own artificiality.” Basically: a story about stories.

On top of this, is what I’m calling the “grand narrative,” which is often used interchangeably with metanarrative, but here I’m making a distinction to make it less confusing. Of course, Ososan is a story about stories, but with that comes a story it’s not directly telling, which is where most of the (little) character development is taking place. This is what I’m going to call the grand narrative of a show whose premise is being a meta-aware comedy. I’ll admit I’m by no means an expert on these subjects, but storytelling methods are something I enjoy trying to analyze. As a media format, Ososan really utilizes the fact that it’s a tv show.

Right off the bat S1E1 makes it clear what to expect: Nothing. Not a damn thing. But, the show had already been cleared for this first season, so it has to be produced. This same episode’s preview is done by Osomatsu, which I’m just gonna quote instead screenshot because there’s too many.

“...we plan on properly starting the anime the next episode.” “...you ended up with an extra minute, so you need me to do something to fill it?! Actually, is this anime going to be okay with episode one being like this? I’m getting worried about how the rest of this is going to be...” “There, I used up a minute! [EPISODE ENDS]”

Episode one is not only batshit referential, but downright mocking the state of anime in 2015. Which, truthfully, I don’t have much to comment on in that regard, as I’m not an avid anime fan. However, it does this under the premise of being indecisive about what kind of anime they wanted the Osokun reboot to be. 

They’ll do just about anything to stay popular and relevant considering that is, quite literally, all they have going for them as characters in the series and just being characters in general. They may be pieces of shit, but they’re likeable pieces of shit. The dynamics they’ve built upon to be entertaining is encouraged, and they’re basically just roleplaying different skits and fucking around.

All the AUs! All the skits! They’re just playing! They’re just fuckin’ around!! They couldn’t come up with any interesting plot nor could they “graduate” from being anime protagonists and join the real world, so they just fuck around and make a gag anime!

Even if we follow both as the audience, the show makes a difference between the what’s them in their “normal life” (crazy begets crazy, no?) and what’s their “show.” But, really, that’s just one way to look at it, as they don’t really follow any rules as a show. I could say the Joshimatsus are separate characters from the sextuplets, and it’d be a “correct” interpretation. It doesn’t really matter - I’m choosing to examine it all as being the six of them just running around and playing, because being entertaining and having fun is all they know as characters. Besides, having it blended together beyond recognition reinforces how it prioritizes entertaining us, the audience, above logic. Storytelling doesn’t need to make absolute spatial-temporal sense for it to be enjoyable to fans.

In any case, that mentality really seems to be what pushes their character development negative, as they look to reinforce habits and rituals despite them being really detrimental for them in the long run. They know they’re popular characters as is, and with really everyone from staff to fans encouraging this behavior further, so they see no point in fixing what isn’t really broken.

I found this 4 year old article from Manga.Tokyo discussing the Ososan phenomenon in Japan because while the craze died off pretty quickly in American anime circles (which deserves a whole other post), Japanese fans went fuckin’ nuts.

This portion caught my attention, as it makes sense that entitled and enabled asshole children would grow up to be entitled and enabled asshole adults. The article also goes on to compare them to idols (even beyond the F6 spoof) and that they are rooted in being comfort characters above all else. 

It’s worth a read, especially because Japanese fan response is what drives majority of the content post-S1, and, inevitably, ties into their character development. 

They know that they’re Characters, particularly Protagonists. You know what happens to protagonists? Everything works out. Just about every single story created has stuff working out for protagonists. In fact, we have a whole genre made that separates stories with bad tragic endings from our Normal Stories. Ososan is a comedy, not a tragedy, so surely there’s gonna be some payoff somewhere along the road, especially as the seasons and other content are still being pumped out. To a self-aware, entitled, enabled protagonist, assuming everything is just gonna work out for you isn’t that far off from your narrative truth.

However, Ososan is a gag anime, and a lot of gag content (like 4koma mangas) is dropped for other projects before any emotional cathartic ending is provided for characters and fans alike. So, three seasons and a movie later, nothing has happened. It’s a great idol cash cow with a Family Guy filter, and the characters (and writers) don’t even bother to hide it anymore. And I know I’m being hypocritical concerning my definition of “canon material” but I think this portion from one of the drama cds “Choroplex” basically summarizes my point:

CHOROMATSU: Wait, don’t make this into a gag! You don’t even care about becoming employed, right? KARAMATSU: There’s no way that could happen... CHOROMATSU: What kind of future are you imagining? Is it nothing but this? [HUGE PAUSE BEFORE THEY MOVE ONTO SOMETHING ELSE]

They’re parodies of themselves and are running out of ideas. Stagnation and decay is normal, if not unavoidable, at this point in time for them. They’re just 20 somethings who’ve hit a wall but they’re too scared and insecure to bring about permanent positive change. It’s easier for them to fall back into normal patterns and joke off the rest.

They have an antagonistic relationship with expectations. They can’t handle a single iota of expectations, or responsibilities. They’ve never needed to worry before, so why bother now? Once the biggest hits on the block, now they’re just guppies in the ocean, and there’s nothing they believe themselves to be able to accomplish to keep up with this big brave new world. This is epitomized in S3E15, where old man Osomatsu tells a bastardized version of the Tortoise and the Hare, blatantly projecting his feelings onto it. Again, too many screenshots so let me pull more quotes (bolding for my own reference):

“The place that the tortoise thought was the goal was not actually the goal. His journey down the road of life still continued on. The tortoise was quite tired, but he continued running anyway.” “No one actually knew who was in front anymore. There are too many people above you.” “After the tortoise found out how society worked, he thought, ‘So this is the difference in talent? No amount of hard work is going to fix this. All right. I’m done competing with others.’”

S3 has left more questionable endings than its counterparts. The last 2 skits I referenced don’t even a gag to them, and the marriage skit doesn’t play music for the entire second half of S3E5. There’s more involved too. I haven’t even brought up the rice ball twins becoming actual entertainers in their universe, or how they introduced this whole AI subplot only to reject it because All Six Of Them aren’t interested in expanding their little corner of the world. Here’s a transcript of the ending preview from S3E1:

“Hey, hey, Osomatsu here. I thought we were saved from being replaced, but I guess we get new characters next week. Man, we’re busy. New encounters, changing surroundings... We’re NEETs to begin with because all that is a pain. I guess a lot can happen after three seasons. [EPISODE ENDS]”

The sextuplets’ mindsets are extremely self-centered, which is also an environmental thing (the parents don’t even really care that they’re NEETs, for one) and an understanding of what they ought to be (epic successful protagonists). They also have a very black and white mentality, all or nothing. They’re extremely sheltered, and once they realized where they stood in society at large, they just gave up. To them the world is divided between winners and losers, and somehow, “inexplicably,” they found themselves to have fallen from grace. But they’re protagonists, that has to count for something! Everything’s gonna end up okay, right? Well... what this show has told them: No, not at all. They are consistently compared and warned of Iyami, and are perfectly aware of this fact, and have come to internalize it as a truth rather than a reversible self-fulfilling prophecy.

Too many screencaps, taken from the S3S5 marriage discussion:

JYUSHIMATSU: I wonder if we’re gonna get married someday, too. CHOROMATSU: Well, I mean... probably? I’m not exactly sure, but... TODOMATSU: What? You’re gonna get married, Choromatsu-niisan? CHOROMATSU: Huh? Well, yeah... someday.

Surprise! They have commitment issues! The same group that couldn’t commit to a fucking plot! Though their personality issues have several factors involved, I can’t overlook the theater motifs abound. Life’s a stage, and they’re performing entirely unscripted and it shows.

Do I think all of this is 100% intentional on the writers’ part? No, probably not. There’s also an extra layer here regarding contemporary Japanese commentary that I’m not familiar with, so I just ended up focusing on the characters. I can’t be in the writers’ heads, but whatever decisions are being made by executives regarding censorship and “compliance” are reflected in these character changes that result in being significantly more bitter and defeatist.

In the all or nothing, winner-take-all mentality, the only way to save face at this point, in their minds, is to own up to it - act like it’s what they wanted all along. And, hey, it’s funny to watch, right?

“Why is Osomatsu all my examples”, you might be asking. Well, he’s the damn blueprint for it all. The leader of the bunch, the first personality to grab your attention, has had all his issues projected and ricocheted in their echo chamber.

Ultimately, my point here is that you could think their “canon characterizations” (though canon means nothing in a show like this) as being intertwined with the nature of their self-aware existence. They’ve shown you all their tricks, the smoke and mirrors are getting boring, and they’re stalling long enough the story seems to be moving on without them - in spite of them. And when something genuinely threatens their way of life, they don’t know how to respond.

You can play it all straight, of course. Remove the meta jokes and all the same plot points can be hit, but, as a slapstick comedy, it’s able to easily add this additional layer in that I appreciate. I’ve said it in my last post and I’ll probably say it in more, but with comedy comes sincerity - the caveat of all the cartoon violence is that, on some level somewhere, this is how they really feel.

[fizzingwizard]

Episode 46! Battle-heavy, but pretty good. You could feel the stakes, and we got a pretty big reveal about one of the characters. It’s one I think a lot of us had already theorized about 30 episodes ago ^^; and I think it’s kind of a shame more hints weren’t seeded along the way... but that’s the way this show works. However, it’s pretty cool to have it confirmed finally.

Pic of the day:

Though he’s not the main character this episode, I’m a sucker for Taichi using his telescope.

More below!

We continue to aimlessly travel. Alright, we have an aim: destroy Millenniumon’s fragments. It just feels a bit aimless :P

Curtain opens with Jou getting carsick. The girls loudly egret the seating arrangement.

Turns out these Vademon cult members of Millennumon’s are still in the picture. Totally forgot about them. They’re still mega creepy

Jou goes to get some fresh air and Gomamon adorably rubs his back for him ;_; As someone who also tends to get a bit nauseous on bumpy car trips, I’m actually very much on Jou’s side right now :P it sucks. Of course, living in Japan, I pretty much never have to travel by car anymore. Big plus.

Jou sees a straight “green moon” (really, Jou?) and the kids go out to investigate. The huge green ball in the sky then abducts half the team in a ray of light.

“Oniichan! This is why mama tells us not to open the door for strangers!”

Taichi, Yamato, Koushirou, and Takeru wind up inside the ball, which turns out to be Sephirothmon. Another old Frontier fav!

Sephirothmon reads their data one by one and sends clones of Digimon whose data he’s absorbed to attack them. He can apparently materialize as many Digimon as he wants and the group are soon outnumbered.

This is a pretty cool battle setup, however, you can forget about everyone besides Takeru after this point. The battle is just a backdrop. A bit disappointing, since a Taichi/Yamato/Koushirou team-up is high on the list of Things I’d Like To See. But Sephirothmon looks like he’ll continue to be important later on, so the fact that half the team were absorbed in this episode probably does matter to the plot.

Put on yer fight face! Grr!

Pictured: Takeru’s fight face

Angemon under his helmet: -___-;

When Sephirothmon reads the other Digimon’s data, their reflection appears dark and shadowy in the green stone. But Angemon’s reflection is full color. It fluctuates and suddenly morphs into...

Devimon!

Takeru and Angemon figure out quickly that this Devimon is different than the other Digimon clones (which is expressed, I’m sure, by the difference in Angemon’s reflection as well). Rather than being a clone, he seems to be too much like the real thing.

Outside, the others try to rescue their friends, but are hit with attacks from MetalGreymon and WereGarurumon through Sephirothmon.

Devimon taunts Angemon, calling the Chosen Children a “curse” because their evolution and their mission is tied to them. Angemon argues back that Takeru is not a curse, but Devimon’s words seem to have more of an effect than you’d think. Then Angemon reveals that Devimon is actually a part of himself, the darkness and depression he fell into after the great war.

So... yeah. We had a few ideas about Devimon in relation to Angemon, but it wasn’t clear if the show would really take it that far or not. They did something similar with Tailmon and SkullKnightmon, so it’s no surprise that they’ve circled back around to reveal this about Angemon and Devimon as well. At this time, I’m not totally sure how I feel - I do like that they’re complicating what had been a typical “Good vs Evil” type crisis very much though. We can say that our enemies are also our friends, to a degree. It’s somewhat less poignant because Millenniumon is still the mastermind behind all of it and so far he appears to be pure evil. On the other hand! We’ve seen very little of Millenniumon. He’s more an elusive shadow, like Sauron. The way Devimon and SkullKnightmon are connected to the Holy Digimon may indicate there’s more to the story of Millenniumon this season than meets the eye.

Devimon multiplies over and over, until he’s able to drag Angemon down and submerge him in darkness.

Despite his resistance, Angemon starts to transform into Devimon... and then Devimon’s evolutions. My one thought at this time was that Takeru didn’t seem quite freaked out enough :P I mean, look at all those eyes:

Takeru gets a lovely moment where he says that he believes in Angemon, which I honestly liked. His belief rejuvenated Angemon enough to break from Devimon’s hold.

He’s quickly able to destroy the copies and appears to absorb Devimon’s essence into his fist. He then evolves to HolyAngemon and makes short work of breaking everyone out of Sephirothmo xP Deus ex machina Holy Digimon should be no surprise and yet I’m always disappointed by it.

Pictured: Beauty pageant winner who drank too much at the afterparty

Sephirothmon is not totally defeated, though. He first reproduces by dividing into two and then flies off to join the rest of his cells in the sky.

Everyone is mega impressed by HolyAngemon. Tailmon’s like, how come no one gets this excited when *I* evolve?

I mean, he is pretty impressive though.

It’s implied that Devimon is indeed still with HolyAngemon - in his hand - but HolyAngemon ensures Takeru that he can handle it. The metaphor for the lifelong battle with our inner demons is strong with this one.

So, yeah, pretty straightforward episode. I’m really glad to have the Devimon connection with Angemon finally explained and curious to see what it could mean in the future.

Next episode:

Taichi plays Legolas with a scare crow whose face is へのへのもへじ! I instantly like him. Idk what it is but I love scarecrow characters with patches all over their clothes. I hope he’s a good guy.

Super stoked for a Taichi episode!! We had so many for so long that even I, a huge Taichi fan, was glad for a change of pace when we started paying more attention to the other characters. Now I’m ready to see my boy show his cool side again!

[honeybeeadventures]

ALICE  IN BORDERLAND || a honeybeeadventures review

FULL DISCLOSURE: This review may be a little bit biased and that's gonna have to be okay this time because boy, do I LOVE this show.

If you're a fan of foreign tv shows and you haven't heard of Alice in Wonderland by now, then you may be living under a rock. This show, which premiered during the holiday season of the treacherous year known as 2020, is Netflix's most popular live-action adaptation to date. Yes, that's right, adaptation. That is because Alice in Borderland is based on the manga of the same name written and illustrated by Haro Aso.

This time, I will try to hold back all of my spoilers since this show is full of twists and turns and honestly, deserves a blank first impression going into it. I want to make sure that everyone who watches this show because of my review gets to experience it fully without my recapping the events haha. I will try to summarize without ruining anything, though.

Alice In Borderland is a Netflix Japan Original Adaptation of the manga that bears its namesake by Haro Aso which originally ran from April 2011 to April 2016. The show premiered on Netflix on December 10, 2020, and just 14 days later, a second season was confirmed by Netflix.

The show follows Arisu Ryohei and his friends after they witness fireworks in the middle of the day and are dropped into another world where most of the people in Shibuya are gone and the only way to survive is to risk their lives playing games that extend their visas and their right to live in that world. Every game is treacherous and usually ends with a loss of life, though some games do have finite solutions that can save players and preserve their well-being. Along the way, Arisu ( a name which is the Japanese way of pronouncing Alice, by the way ) meets a cast of characters that will seem fairly familiar to you if you've ever seen, read, or really have ever even heard of Alice in Wonderland by Lewis Carrol or any of its adaptations.

I typically talk about diversity when I review shows, however, as this is a Japanese show, it's not really fair or easy to judge them on that metric because of course, everyone in the show is Japanese ( as they should be since the manga is set in Tokyo ). However, I will say that in the show, there is a character who says that everyone is free to sleep with whoever they want, no matter what gender and there is also a character that is a part of the Alphabet Mafia ( LGBTQIA+ ... I should make a glossary for this blog lol ). While only one ( confirmed ) members of the Alphabet Mafia isn't a lot, it is based on a manga, and considering the manga is written/illustrated by a Japanese man who was in his 30s at the time, I'm gonna chalk that up as the progressiveness of Haro Aso while still wanting to keep his audience.

Now, down to what you really came here for. I'll list the scores below before we get into why I gave them these scores.

Originality of Content: 8/10

Production Quality: 9/10

Resolution: 6/10

Acting/Cast Members: 10/10

Ability to Keep Interest: 10/10

Provocation: 8/10

Obviously, this show did really well by my standards, and here's the breakdown so you can see why.

Originality of Content: 8/10

If we're being honest here, Alice in Borderland definitely isn't the first manga/anime based on the premise of playing a game to survive or get somewhere in the world ( see: Kakegurui, No Game: No Life, .hack//, Gamble Fish, etc. or Rengoku Dead Role which is actually...very similar to AIB ). However, despite this, it still feels like there's some strong originality brought to this concept. Combining the Japanese love for games and a classical western story gives Alice In Borderland just what it needs to easily become a fan favorite. As someone who really favors game-based anime and manga ( because I really favor game design ), I think that the way that Alice In Borderland is a refreshing nod to the genre.

There's a couple of reasons for this but I'll boil it down to just two. The first is that it's not predictable. The issue with a lot of the game-based animes that I'm familiar with is that they are fairly predictable since most games work the same way, but with Alice In Borderland that is different. The rules to each game that is played seem so simple that they seem deceptive but they also seem complex in the way that a riddle is simple yet complex. Every answer that first comes to your mind is probably going to be wrong and you need to think about it more deeply than that. Sometimes, when the rules of the game were being explained, I found myself wanting to pause to see if I could figure out the solution of the game, too, as I watched Arisu think of it, as well.

The second reason is that Alice In Borderland keeps things fresh with its cast of characters. Rather than some characters being evil because that's 'just the way they are', Alice In Borderland really speaks to the effect of the pressure that is put on young people to succeed and how that can end up in them being more mentally lost than they were, to begin with. It also highlights struggles with gender identity, self-worth, complex family relationships, and living up to one's potential. It does this in such a way that even when a character is downright evil, such as Niragi ( IYKYK), there is almost a feeling of pity for them. This isn't because you sympathize with their actions but more so because it isn't difficult to see how the pressure of life turned them into this monster that you are now watching there. I also enjoyed the fact that there wasn't as much dramatic irony in this show as in many others. While dramatic irony is never a necessarily bad thing, it was nice to genuinely be surprised when a character did something instead of knowing that someone was plotting behind someone else's back.

Production Quality: 9/10

This is a statistic that comes with an asterisk of context and that context is that before this, I had been watching Uchu Sentai Kyuranger and if you know what the production quality of that is like then you understand how it may have influenced this show's score a bit. Even without the comparison fallacy of the two, though, AIB scores high in production quality for one reason more than any other to me. For a show with a lot of blood and death, I wasn't unwilling to believe that these people had actually died. Yes, I'm sure that no actors were harmed in the making of this series, however, if I was a little more naive, I might've doubted that a bit. After all, Live Action adaptations are definitely not known for their believability. I will give AIB the benefit of the doubt in saying that this concept wasn't that difficult to pull off since most of the injuries were similar to what you'd expect on your typical action movie set ( compared to...you know...something involving sci-fi or fantasy) but even in the scenes where people get their necks blown off by explosive collars, it looked like they were nearly decapitated...the way that you would expect if someone's neck was blown off by an explosive collar. All in all, if you want to believe it, you will. It's definitely not a hard stretch.

Resolution: 6/10

Okay, okay, so if you've read the manga or have even glanced at the r/AliceInBorderlandLive subreddit then you know this is kind of an unfair score since...well, they're not done. There's more to the story and the eight episodes that we've seen thus far are only about a third of what AIB has to offer since the manga has two sequels, one of which will be finished on Feb. 18 of this year. However, I will see that statement and raise it with "What if it hadn't been such a great success?" I'm all for ending on cliffhangers to force the network or in this case, Netflix to continue your show but since the first season of AIB covers so much of the storyline, it almost feels wrong to end it short the way that it did. I did like how they had the big reveal of the villain at the end and the way they showed what was coming next but it did feel a little anti-climactic when I realized I was on the last episode since it seemed more like a mid-season break type end instead of a season finale. Since there is a sequel to AIB, I wasn't feeling too discouraged but it's definitely something to think about when watching. If you don't plan on reading the manga, you might be left content starving and questioning until sometime near the end of 2021.

Acting/Cast Members: 10/10

If I was just scoring this show on acting, then it would've gotten an all-kill because each and every single actor in this show from the side characters like Nijiro Murakami and Dori Sakurada to Kento Yamazaki who plays Arisu himself is beyond talented and amazing. It is important to remember that all of the characters in this show had a life before they were transported to the Borderland and in this twisted world, something about the changes that make them different than before so in a way, these actors are responsible for not only playing the characters but also the characters past selves before this growth period in which they change into something either completely opposite or completely different than who they were before.

Somehow, this cast manages to take characters that are already so established ( in the manga ) and become them to the point that looking at them within the role and looking at them outside of the role, it almost seems as if they are really two completely different people. As I said before, some of the characters in Alice In Borderland have a correlation to characters from Alice in Wonderland and have their own unique backgrounds on top of that. This gives to the depth of the characters and makes them dynamic but on top of that, it makes them complex, and yet, these actors seem to have the act of embodying these characters down so well that it astonishes me to see them in other roles and know that it's the same person.

I'll be breaking down my three favorite performances to give you a bit of insight on the reason why this show's cast is well-worth looking into.

Dori Sakurada as Niragi Suguru

So let's be honest here, as much as we all like to pretend that we're immune to someone being attractive just because they also prove to be an awful person, but if we're being honest with ourselves, we're not and I am most certainly no exception to that rule. Dori Sakurada is a handsome man whose good looks are only matched in quality by his amazing acting skills. If you're familiar with his work then you know exactly what I'm talking about and if you're not, then I'd recommend watching 3B no Koibito ( Available with English subs on Youtube ) or Scum's Wish ( Available on Rakuten Viki )  to get an idea of how varied this man's acting skills are. In AIB, he plays a character that is somewhat villainous and can almost be classified as your stereotypical movie sociopath. Yet, still, there's something intriguing beyond just his good looks. Dori Sakurada's performance breaths new air into the lungs of the character of Niragi by not only becoming the villain but also, by picking up the mannerisms and master gestures associated with the character that make him such a memorable part of the story. I haven't seen Dori's full Filmography but the character I have seen outside of AIB are a complete left turn from this character which makes me think that the casting director at Netflix Japan needs a raise for having chosen someone who looks so sweet to be such a villain.  

Nijiro Murakami as Chishiya Shuntaro

When it comes to characters that become scene-stealers, Chishiya Shuntaro is definitely one of them. This character is so powerful that I, even, named my cat after him. That is a fact of which I am not ashamed. From the second episode of the show, when we are first introduced to him, he becomes an integral part of the framework of the game he is involved in and it is obvious that we will see him again. That being said, there is no way to word Murakami's performance besides 'integral' as my friend put it, "I literally could not imagine anyone else playing this character." As Chishiya, Murakami takes on such a life and ease in the character that it's almost difficult to believe that the sly facial expressions paired with his nonchalant air are not in his nature and are, in fact, something that he donned for the role. I look forward to seeing not only more of Murakami as this character but exploring more of his filmography in general.

Aya Asahina as Hikari Kuina

Kuina as a character is someone that the protagonist does not meet until a few episodes into the show but when it comes to backstories and characters with rich personalities, she shines compared to a lot of other characters I have seen like her. I won't spoil her backstory for you since she's definitely someone who represents something that's a little bit rarer in stories from more reserved cultures but she definitely deserved a mention in this category due to her amazing acting skills and her flawless stunt scenes.

Ability to Keep Interest: 10/10 || Provocation: 8/10

While the rest of my stats got their own individual evaluation, these are going to be combined and the reason for this is because they have the same reasons for their scores. As I mentioned before, Alice In Borderland takes a new spin on the 'play games to live' genre that is so common amongst anime and manga and for that reason, it was able to keep my interest so much so I finished watching it over the course of two days. It was also a deeply thought-provoking situation because the nature of the games and the backgrounds of the characters forced me to think up my own games and my own ideas of where the characters whose backstories are not explained could've come from. That being said, a lot of the thoughts that the show provoked did end up becoming depressing, especially after reading the manga because I discovered that some games could not have had a better outcome due to their simple rules and that made me very sad because even if I am not attached to or fond of a character, I still do not enjoy their downfall.

Overall: 8.5 = DING! DING! DING! WE HAVE A KEEPER!

Overall, I enjoyed Alice In Borderland enough to have rewatched it one and a half times since I first watched it a few weeks ago. As someone who rarely goes back to shows that involve plot twists and suspense because I already know what's going to happen, that really says a lot for not just the storyline but also the acting and amazing intricacies that are in the show. I still feel like each time I watch it, I glean some new detail or fact that I hadn't thought of before and I come to understand the games a bit more with each passing scene or episode. I also feel that the more I rewatch the show, the more I sympathize with even the villains and come to value and understand their motivations and roles. 8.5 out of 10. I WOULD RECCOMMEND.

Thanks for reading!!

[cynthiaandsamus]

Custom Toonami Block Week 79 Rundown

Code Geass: Lelouch is establishing the official United States of Fuck Imperialism which is like the UN but actually does stuff, plus he has to deal with the fact that CC’s lost her memory and is acting like a demure slave girl harem choice from a VN. Charles is still trapped in the Human Instrumentality Shadow Realm so everyone figures this is a great time to unify everyone against Britannia. Kallen beats the shit out of Suzaku for being a dick to her all this time and the Knight of Ten is making his rounds because they realize they forgot to give him any buildup and he’s going to be a miniboss later so they have to cram all his being a dick personality into like five minutes while all the Knights of the Round assemble to prepare for an attack on Japan once the National Federation is formed. Llyod and Cecile for some reason enhanced the Guren for Suzaku even though he’s clearly more used to the Lancelot but apparently they enhanced it too much and made it a death machine like the Talgeese in Gundam Wing so Suzaku has to stick with the Lancelot. Looks like the Guren will have to sit and collect dust unless a certain pilot is rescued and then immediately has a convenient upgrade. Amazingly all the countries go along with everything Zero says and give up their militaries and have the Black Knights be the official military of the Federation. I don’t know how that works given that the Black Knights have been struggling to fight off one nation’s military idk how it’s supposed to substitute for a dozen nations’ military but I guess they conscript support and troops from the other nations or something. Charles comes back on the tv after the Federation is formed and is all “Awww what a cute little UN you have, fuck off bro.” which you’d think this’d be the perfect time for him to just out Lelouch as Zero and wreck the Black Knights’ morale but he doesn’t for some reason and they’re just gonna fight. Lelouch is freaking out and knows that having everyone want to murder the Britannian royal family includes Nunally so he calls Suzaku who just straight up goes “Bro cut the crap are you Zero or not?” and after so much plotting and scheming Lelouch just comes right out with it. Suzaki agrees to protect Nunally as long as Lelouch meets him alone at the Kururugi Shrine where this all began.

Inuyasha: This is another one of those Modern Day filler episodes which are always fun. There’s just something about Inuyasha running around in modern Japan being Spider-Man and saving people and catching bank robbers on the way to deliver Kagome’s lunch that’s so thoroughly entertaining. Basically Inuyasha spends this whole episode jittery that everyone’s so chill and ready to relax after Naraku just got away and is probably an inch from death but after a big adventure in the modern era where Kagome is as usual unprepared for her test, he ends up passing out on the bed after insisting a little battle with Naraku wouldn’t exhaust him. It’s a really cute little episode to let everyone bide some time and reflect on the past arc now that we’re starting a new wave of filler before we get to the Band of Seven and Mt. Hakurei stuff.

Yu Yu Hakusho: The first match of the tournament is about to begin and Botan, Shizuru, and Keiko come in with Koenma who is sick of baby jokes and puts on his bishonen disguise to impress everyone. There’s some neat lore about how they gave Koenma the guest team every year to bribe him into not shutting down the tournament without giving him anything of value and how the bloody show of the Dark Tournament pacifies the demons so they kill fewer humans, so that’s cool. Since Yusuke is still passed out, Kuwabara is de facto Captain and decides on simple one on one matches while the other team Captain just kinda roasts an eight of the crowd to see if it’ll wake Yusuke up. Kuwabara’s in the first match versus Prototype Killua, complete with afterimages and yo-yo tricks. They size each other up for a while and Kuwabara shrugs off getting his fucking neck broken surprisingly well while they go back and forth with “Well I can track YOU better” for a while. Togashi really loves his yo-yos of death so those have Kuwabara on the ropes and turn him into a fucking kite ready to slam back down into the arena, so yeah, Kuwabara’s having a rough time of it.

Fate Zero: Waver’s been having strange dreams about Iskandar, and not the ones people usually have about him. So he goes to get a basic history lesson on the historical figure that’s been chilling on his couch for a few weeks and spending all his money on xbox live arcade. They also go through all the ridiculously obvious historical inaccuracies and Iskandar’s just like “idk bro, I’m here so the book must be wrong” which is hilarious because Fate also does this with more modern historical figures that we have pictures of and shit so they basically sit there saying all historians have no idea what they’re talking about and gaslighting the field of history as a whole. On the way back Waver’s upset that Iskandar’s so awesome that it basically takes any effort on his part to win and it won’t be an actual achievement despite the fact that they’ve taken out like… one servant, MAYBE, and most of the other historical figures are equally over the top. But still Iskandar says that if your aspirations are big enough it doesn’t matter how big or small you are, everyone’s tiny in the grand scheme of things and clawing at greatness you can’t truly perceive is what matters. Also Caster and his boy have found the wreck they made of their workshop of dead bodies and are kinda fucked up about it but also ready to fuck up more people because God sucks or some shit. So Caster summons a Bloodborne monster which you think more people would notice and mention during Shirou’s time, like nobody in UBW ever said “Hey remember like seven years ago when a giant Bloodborne monster appeared in the river?” so I’m guessing there’s some kind of perception blocking going on. But yeah everyone’s gonna jump on the Bloodborne Monster next time for the season premiere.  

Konosuba: So we pick up where we left off and Kazuma is working off his debt by… killing more toads. Wow this world really is like a video game, we get the same five enemies over and over again. However they’re fucked without Darkness throwing herself into monster orifices looking for a good time so Yunyun has to save them. We already met Yunyun in the OVA so it’s kinda weird to be re-introduced to her here in basically the same way but their relationship is basically like Gai and Kakashi if they only did the lame dorky challenges Kakashi suggested when he’s too lazy to think of a good one. Also there’s a cat now, I don’t think that really comes to anything, just a scene of Megumin going “we have a cat now” and everyone’s like “kay”. Kazuma and Megumin play Naked Chicken to see who can get more naked before the other backs down and end up taking a bath together because they’re both stubborn assholes. Also we get a quick snippet of Yunyun and Megumin’s backstories which you can basically make Yunyun’s the swing scene from Naruto (idk why Yunyun is bring out the Naruto references in me today) and Megumin is stealing bread like Les Miserables in increasingly bizarre and disgusting ways because she’s ridiculously poor or some shit.

Sailor Moon Crystal: So turns out that Usagi and Mamoru BOTH had their shots with the ‘fucks everything up’ sword with a pocketwatch and… the discarded gems of the four knights? Idk how that works given they were humans and also dead but what baffles me more is that both Usagi and Mamoru very obviously did not get hit by the sword but decided to fall down dead and not move for a couple minutes despite their shots very much being blocked and there being no blood. Anyway Queen Metalia has the crystal, bullshit is happening, 1000 years of darkness, you’ve seen Xiaolin Showdown, you know the drill. The remaining four Guardians get a cute little flashback of Usagi saying what she likes about them and then they give up their lives to revive her inside the dark energy blob of Queen Metalia and crystals and lights and shit happens and swords and wands are pulled out of nowhere and you know how a final boss goes, they beat it with the power of believing in themselves and shit like that. Also apparently the only difference between sealing Metalia away and killing her is hitting the giant bullseye on her forehead so yeah, hopefully she’s down for good this time. I don’t want to complain because this show was genre-defining but it’s hard to find things to say about something so generic and milktoast, it’s the Seinfeld problem where there’s been so many more interesting iterations that it’s just kinda “get on with it already” at this point. The only real markedly noticeable thing about it is how plainly and unashamedly it is about being a power fantasy for teen girls, and there’s something to that, harmless power fantasies can be fun but it just feels like the physical mechanics of this kind of progression being “She feels this shit REALLY HARD” is less exciting than some of the alternatives

Durarara!!: It’s the big Masaomi backstory episode and we get the whole deal of how he formed the Yellow Scarves and got into a relationship with Saki because Izaya wanted to orechestrate a gang war because that’s what Izaya does all day is orchestrate gang wars. It’s kind of amazing how many kids in this show are like “I don’t know how it happened but one thing led to another and suddenly I was at the head of one of the largest gangs in the city” like they kinda really yadda yadda over how that actually happens. But anyway Saki gets hurt in the gang war and Kadota’s gang has to save her because Masaomi’s adrenaline wears off at the last second and he can’t try and rush in and save her. I mean Dota’s van got there first anyway so how much he’d have been able to help would be doubtful but he feels bad about not even being able to try and Izaya says that fear and failure of his past will dominate his future actions which is exactly what he’s doing by letting his paranoia and frustration lead him to a war on the Saika army. Dota-chin tells him to face up to it and stop running or live with the shame of lying to Saki but Masomi can’t do that and his shame and determination to reverse the situation leads everyone into chaos as Anri discovers his secret.

[muthaz-rapapa]

Hope is the Pioneer

Truly, I feel that I can’t say this enough but despite its flaws, StarPre has been such a wonderful season for me in so many ways.

And perhaps the most important one is what this final episode wanted to tell us.

Hope is what paves the way to the future.

Immediately starting with Yuni getting her planet and people back.

She’s been through so much to reclaim her home and her efforts are finally rewarded.

However, it is so important to remember that this miracle didn’t come about because she tricked the universe behind the mask of an idol or that she used her skills to steal from others whatever she needed to achieve her goal, without a care for who she harmed when she did.

The revival of the Planet Rainbow can’t be credited to the mysterious powers of “Twinkle Imagination” either, which Yuni willingly gave up in the end even though keeping it for herself would’ve fixed her planet in a blink.

Rather, the miracle was brought on by Yuni letting go of her prejudices and opening her heart to those who truly respect and accept her for who she is.

This led to Yuni finding the strength within her to be able to forgive Aiwarn, the person who caused her the most pain, which then helped Aiwarn realize the error of her own ways and show sincere remorse by aiding Yuni in finding a cure for the petrification of the Rainbownians.

Had Yuni continued only on the path of a phantom thief, distrusting everyone around her and only relying on herself, who knows how much longer it would’ve taken her to get here? Or if it would’ve been possible for her to reach it at all?

But the point is, Yuni outgrew what would’ve held her back. She threw away what limited her (resentment, suspicions, hostility) and instead chose to cooperate with others to save what was most important to her.

And she succeeded.

Then we have Lala, who’s gone back home after the battle.

No longer is she the neglected scorn of her community or the unfavorite within her household.

The fact that she wants to get back to work right away in order to help better Saaman, the reaction her parents give on not wanting her to leave so soon and that they were even making onigiri to eat together (!!) speak volumes of how gigantic a change her planet is undergoing.

An extremely good change, at that.

Saamanians are no longer overly relying on technology, even though it provided them with so much convenience before.

It’s not just about “Lala style” being the new trend.

Everybody wants to be able to walk on their own two feet now. Regardless of how harder it’ll be for them, at least they can live more freely this way.

They want to live freely like what Lala has learned to do, like what Lala is teaching them how to do.

People don’t have to be assigned and divided by aptitude evaluations anymore. They can chose what they want to do and what they want to be of their own will.

Had Lala not left Saaman in hopes of finding something better for herself, been influenced by her time on Earth and brought back that experience to share with her people, can we say Saaman could’ve removed their attachment to the system they made as the crux of their society?

I don’t think so.

Lala and Yuni’s world are changing, evolving, because they let themselves wish for something even better than what they could’ve imagine.

Yes, them. The girls whose imaginations were stated by the 12 Star Princesses to be even stronger than theirs, the creators of the universe itself!

And that’s just the beginning.

Fast forward several years later, MICHELLE OBAMA has become president of the USA!! HELL YEA, BABY!!! (๑˃̵ᴗ˂̵)و

Sorry, I just needed to say that, hee~ :D

Now back to the real important stuff...

The first girl we hear, not see, is post-timeskip is Elena.

And just by that, we already know she not only accomplished her dream of becoming a translator like her mom but she’s gone above and beyond by becoming the person tasked with the job of interpreting foreign news for the entire country of Japan!

What. An. Honor.

Seriously, an international broadcast of a monumental event happening for the nation and she’s at the forefront of that crew covering it. Such an incredibly happy and proud moment, one that other countries want to share their congratulations and well wishes for and Elena is the one chosen to help do just that.

Elena is helping bring smiles on so many fronts like the brilliant sun she is.

Her, a biracial woman of color.

Simply. Amazing. *claps* x3

Then of course, we have our beautiful moon.

Madoka, too, has reached taller heights.

Like her father, she’s become the leader of a very important force, fulfilling and continuing the esteemed Kaguya legacy as she’s always been expected to.

Unlike her father, however, whose (previous) job as a government official was to search for, expose and expel aliens, Madoka is now the head of a project that’s the first, but crucial, step to establishing connections with worlds beyond Earth.

In other words, proactively engaging and forming friendship with the aliens.

And in the face of her father, now Prime Minister, she is nothing but composed and confident.

In her team, in their efforts, in herself.

Again, so different from the Madoka at the beginning of the season who couldn’t even smile from the bottom of her heart until her friends taught her how.

Now she’s out there breaking down barriers in hopes that they can reach even further, to create more relationships like her own. Relationships that can bring so many benefits to Earth and still withstand even the distance of space.

Short-term goals, long-term goals. There’s still so much for Madoka to do.

But when you look at her expression, you can tell that she is nothing but sure in her ability to make them a reality.

That positive outlook not only shaped her but also, I believe, changed her father as well.

For once, it’s Madoka who’s teaching him instead of the other way around.

To not think so restrictedly and to let things come into their own potential rather than controlling them.

If it weren’t Madoka rebelling against him those years ago so that she could find her own way to become the person she is, I doubt things could’ve turned out as well as they did, including him becoming Prime Minister and smiling proudly at her, no less.

Madoka has achieved so many things and will go on to do even more and he’s incredibly proud of her.

Next, the star that never stopped shining, Hikaru.

Let me just say that becoming an astronaut at a major space program must not be an easy feat.

Getting selected to be part of the crew who gets to go space, even more so.

But if we know anyone who can do it, it’d be Hikaru.

Hikaru who’s so passionate about the things she loves, who fervently admires space more than anyone, who wants to know all about the unknown there is to discover out there.

Hikaru, who has a promise to keep with her best friend who’s waiting for her.

Did we expect any less of her?

Certainly not.

She’s made it and she’s coming back to space!

Light years away, said best friend is still waiting but also searching for ways to get back to Earth.

During that time, Lala also climbed ranks of her own, becoming an inspector-of-sorts for the Starscape Alliance and traveling among planets, checking their conditions and reporting them back to her superiors. Making sure the cosmos are in order and so on.

Fortunately, she is not alone as she has Yuni to share her feelings with since they fought alongside together before. 

The two Cures from other worlds.

It’s nice to have someone who understands you in that way, which is why I have at least one reason to be glad that Yuni was integrated into the team as the mid-season Cure.

As for Yuni, I suspect she seldom leaves her planet and has her own busy schedule on trying to make it more habitable to live in.

Thanks to Aiwarn, who may or may not have taken up permanent residence there (and really rocking that haircut), it’s no longer just a possibility anymore and the prospects are growing day by day.

Although I still can’t say I care much for her, I think it’s super nice the Rainbownians have welcomed her among them as Aiwarn had always wandered as a lost child in need of a home and the lack of one is probably why she became so vile and unstable in the first place. With that no longer a concern, she can put her brains to better uses.

On another note, there is no indication whether or not Planet Rainbow has joined the Alliance themselves but I’m pretty certain Lala’s been specially assigned to communicating with them anyway (thanks to her friendship with Yuni) so at least the relation is much more amiable than it was before, even if Rainbow chose to remain independent.

In short, everything’s well on this side of the universe.

A fact further supported by the Notraiders having a planet of their own to call home.

And what a beautiful star it is.

Everything’s flourishing and in bloom. A far cry from their previous headquarters which was perpetually dark and barren.

The facts that the Notraiders themselves made this planet beautiful through their own teamwork and that it was the Starscape Alliance who gave them this planet make it exceptionally more heartwarming in hindsight.

Because remember, these poor souls didn’t have a place to belong. Their previous homes either were destroyed or rejected them.

And then they had their sense of loss twisted and manipulated by Ophiuchus, resulting in them doing bad deeds.

For that, one would expect them to be thrown in jail, maybe even for life. But instead, they’re forgiven and sympathized with.

One would probably expect that they’d want revenge on Ophiuchus as well but instead of chasing after her, they focused all their energy and efforts into making a home for themselves.

Rather than punishment, a second chance. 

Rather than destruction, creation.

So exactly what point am I trying to make here?

Well, I believe that word “hope” means so much more than what we think it really is.

Hope is not just simply having aspirations and dreams. It’s not the good to counter the “evil” of despair.

Hope is something even broader, more difficult, more terrifying and of course, more magnificent than its basic definition.

It’s a sentiment we all share for wanting see a better tomorrow. 

A tomorrow where we can have more than what we have today.

Like the world becoming more innovative, more progressive.

More peaceful and forgiving.

Supportive, understanding and accepting.

Kinder and closer together than we are now.

But tomorrow is also full of unknowns, doubts and questions.

What if it’s not worth it?

What if the world won’t let me be what I want to be?

What if I’m rejected or shunned? What if no one accepts me?

What if I get hurt?

That fear will always be there and it’s indisputable there’ll come a time when you will get hurt because no one lives without being hurt, after all.

From that, you’ll learn what anger, sadness and misery feels like. It’ll either make you want to hide or lash out to protect yourself. It’ll feel like everything’s stopped at that point and you’re stuck there, not knowing what to do next.

But still, there’s always a choice for you to make.

You can decide whether to stay as you are or try to move again.

That is not to say those feelings of helplessness will be invalidated if you choose the latter. Nor does it mean you shouldn’t have felt them in the first place or give up on your cautions entirely.

Rather, it’s because you have those feelings that you can move on from them. To shed them for something better and greater.

“I may be afraid but I don’t want to be afraid forever. I want to face the world with my head held up high.”

“I’ve been hurt and I don’t think I can forgive. But there is something that means even more to me than that.”

“If nobody wants me, if there’s no place for me, then I just have to make a place for myself to be who I am!”

Hope is not guaranteed success.

It won’t always give you the results you want, no matter how strongly you wish for it, and may even bring you down worse than you thought it would.

But without hope, without imagination, then there is no future or possibilities. There is only nothing.

It’s because there’s imagination that worlds and universes can exist. It’s because there is the unknown that we have the desire to know more and become more than what we are now. It’s because there’s hope for us to cling onto that we can always strive to move forward.

All it boils down to is whether or not you’ll let your hopes be hindered by whatever blocks your path.

Be it hesitations, criticism or negativity in any form.

But once you overcome that, the outcome may be even more kirayaba than you could’ve ever imagined.

That’s all, folks! Thanks for reading! :)

[ranma-rewatch]

Episode 16: Shampoo's Revenge! The Shiatsu Technique That Steals Heart and Soul

I can’t believe it, 2020 is finally over. Or at least, it will be on the day this goes up. From where I’m writing it, we’re nearing the finish line, but haven’t yet reached it. Part of me wishes I could have finished season 1 in the same year I started this blog, but I’m getting close to there anyway, so I shouldn’t despair. This episode...yeah, looking at the episode title, I cannot remember for the life of me what the Shiatsu Technique is. By next paragraph, I’ll have rewatched the episodes, and I’ll know. See you in a second!

That was an...interesting direction for Shampoo’s introductory arc? I mean, it’s her second episode, and she’s barely in it. I think I’ll have quite a bit to talk about, but I will say once again I’m holding off on doing a Shampoo Character Spotlight just yet, just because I want to have more material to discuss.

So, anyway, the episode starts with the Tendo’s asking Akane to wake up Ranma, and it’s made clear once again just how angry and jealous she is over the whole Shampoo situation. That doesn’t get any better when she relents but finds that Shampoo is snuggling in Ranma’s bed with him, without him knowing. She dumps water on them, activating the curse, Shampoo tries to kill Ranma, he turns back, she wants to kiss him, it’s a bunch of hijinks.

As Ranma and Akane walk to school, they bicker a little more fiercely than usual, now that the spectre of Shampoo’s affections have come into the picture. Ryoga is chilling on a nearby rooftop, and he’s actually ready to leave. He’s being very angsty, upset that Akane only likes him as P-chan, and knows that if Akane ever admits to loving Ranma, it would break his heart. He tries to head back on the road, only for him to get hit by random water throwing lady’s water, at which point Shampoo finds the piglet in the road.

Next scene, the amazon breaks down the wall of Ranma’s classroom to give him lunch, which as it turns out is Ryoga, though he hasn’t been killed or ever really cooked. Still, Akane and even Ranma are concerned, even if Ryoga doesn’t really appreciate the latter. Angry at Akane ruining her plans for Ranma several times now, Shampoo gives Akane the Kiss of Death, but Akane doesn’t back down, and is ready for a match, despite the fact that Ranma seems absolutely sure that Akane has no way of winning.

By the time Ranma gets to the place they are fighting at, the match is already over. Shampoo is gone, and Akane is unconscious on the ground. When she wakes up, she feels rather refreshed, but is more than anything confused: Akane has no clue who Ranma is. It isn’t regular amnesia, either. She still remembers her classmates, Ryoga, even Ranma’s dad.

After a lot of Ranma trying over and over again to remind Akane who he is, which even fails when Ranma activates his curse, they eventually go to Dr. Tofu. As it turns out, he knows what did this: the titular Shiatsu Technique. It actually has a much longer name, but I will stick with that. Anyway, Ranma’s dad was passing by and saw the whole thing. The move is actually just washing and styling the person’s hair, but using specific herbs and massaging scalpel pressure points to specifically remove memories of a single person.

The only way Dr. Tofu can imagine curing it would be with more Chinese herbs, so Ranma takes Akane out on the city to try and find Shampoo and get what they need. Only thing is, Shampoo shows up at the clinic right afterwards, because it turns out she’s been living there, working with Dr. Tofu.

So, that’s the episode. I’m going to start with some things I didn’t like as much, before getting into what I thought actually worked. The entire premise is just a bit...odd? Like, I have to admit I’m kind of down on amnesia plots in general, just as a matter of personal preference, but even if I wasn’t I feel like using one in the middle of a main character’s introduction arc is a tad bit strange.

I talked a bit last week about how I find that shows using jealousy as a way to show much a person cared about another is kinda sucky, so I won’t go over it again, except to say I’m still not a fan. I’m even less a fan of the fact that Akane is still being looked over as a fighter. First she never really got to fight Kodachi, and now that Shampoo is here they get...a fight we don’t see that only lasts a few seconds.

Shampoo is an amazon warrior, I get that. But I just find it annoying that they completely sideline that conflict for the amnesia one, when giving Akane an opponent to fight who is better than her would be a great way to make her grow. Even if we got a real fight and she lost, it could be something to build on later, a way to see where Akane is as a martial artist. Sadly, this series doesn’t really take Akane seriously as a martial artist, so that wasn’t ever going to happen.

Only other small thing to cover in the negatives column is that I didn’t really like the whole comedy bit of, “Uh oh, Ranma shows Akane his curse, but she thinks he’s a cross-dressing pervert!” It’s just...yeah, I don’t have the mental energy to dive into that topic, let’s just say it left a very bad taste in my mouth.

So, what did I like about the episode, then? Well, quite a lot. As much as I dislike the general idea of doing an amnesia plot here, I liked some of the specifics of it. The fact that not only had Akane forgotten Ranma, and only Ranma, but that it seemed as though she couldn’t even form new memories of him, no matter how much he or others tried to make her understand, definitely added urgency. In a good way.

I also found myself liking the technique itself, strangely enough. The fact it’s just washing the person’s hair, but with special martial arts stuff, is just kind of amazing, ridiculous in that exact Ranma 1/2 kind of way. The fact that all of the characters treat it dead seriously, none of them laughing at the idea, also helps make it even funnier.

Speaking of funny, the slapstick was pretty on-point this episode. It wasn’t quite as funny as some other episodes, but I definitely was at least smiling for a good portion of it. The whole scene of their class trying to help Akane remember Ranma was pretty funny too, in English and Japanese.

For something more heartfelt, I love that after half an episode of Ranma teasing Akane, of so many episodes of Ranma kind of being a jerk, his immediate response to her forgetting him is to do everything he can to fix it. It goes uncommented on so far, but he clearly hates the idea of Akane never knowing who he is. It could just as easily have been done with Ranma not caring in the slightest, being an aloof jerk, but this shows that Ranma does genuinely care about Akane, even if he often has a bad way of showing it.

Ooh, also, on the characters front! Ryoga! My boy! I haven’t really talked about it in a while, but I’ve been kind of unhappy with how Ryoga is being portrayed for a while now. Ever since his arc, he’s just been chilling as P-chan, only turning back to try and take Akane from Ranma in some way. He’s been very scheming and underhanded, which doesn’t fit what I remembered of his character at all.

This episode was much more like it. Ryoga fits so much better as the brooding boy, stuck in the moral dilemma of what to do about his position with Akane, scared of how she might really feel. More of this, please, and less of him making schemes to steal her.

So then, how does this episode shake out, on the whole? Well, I don’t think it’s a surprise that I wouldn’t say it’s as good as last week’s. In fact, it’s dropped quite a few places. Just barely in the top half of episodes I’ve seen thus far, I’m putting this episode just above the Ranma vs Ryoga fight and one spot below the big fight that ended Kodachi’s arc. So, here is the new ranking.

Episode 7: Enter Ryoga, the Eternal ‘Lost Boy’

Episode 12: A Woman's Love is War! The Martial Arts Rhythmic Gymnastics Challenge!

Episode 15: Enter Shampoo, the Gung-Ho Girl! I Put My Life in Your Hands

Episode 9: True Confessions! A Girl's Hair is Her Life!

Episode 2: School is No Place for Horsing Around

Episode 6: Akane's Lost Love... These Things Happen, You Know

Episode 13: A Tear in a Girl-Delinquent's Eye? The End of the Martial Arts Rhythmic Gymnastics Challenge!

Episode 16: Shampoo's Revenge! The Shiatsu Technique That Steals Heart and Soul

Episode 8: School is a Battlefield! Ranma vs. Ryoga

Episode 11: Ranma Meets Love Head-On! Enter the Delinquent Juvenile Gymnast!

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

Episode 10: P-P-P-Chan! He's Good For Nothin'

Episode 14: Pelvic Fortune-Telling? Ranma is the No. One Bride in Japan

Next week, I think we’re finishing this arc? I’m not completely sure? We’ll have to see? All I know is, the penultimate episode of the season is titled “I Love You, Ranma! Please Don’t Say Goodbye”. Sadly, unlike Ranma, I do have to say goodbye, but only until next week. See you all then!

[ick25]

Rockman.EXE Axess Episode 1 Review.

Presenting Rockman’s new Style... Change.

I can’t promise that I am gonna review the rest of the episodes of Axess nor will I make it very long since I have already stated that this is my least favorite season, but this Corona Virus situation is already driving me crazy so I might as well vent my frustrations here.

Fun fact:

This season never aired in Latin America so I had no idea that there were more seasons beyond the virus buster episode. I watched it in English thinking that it was an episode from the first two seasons that I missed, it started with the same made up intro from the last season, but to my surprise the episode opens in Net City, something I don’t remember ever seeing in previous episodes, and then I saw Megaman’s art style and my confusion became excitement right before I heard the English dub the made me cringed so hard that it almost ruined the show for me, until the writing did that later on. (But I like Rockman’s english voice, it’s kinda hot n.n)

Episode tittle: Cross Fusion!

The episode opens with Rockman fighting two Navis at once in the Net Coliseum, and I’m already loving the art style and how they don’t show his face during the battle until Netto’s voice tells him that he already got their battle pattern. It was like they were saying, “ It’s him! it’s the Rockman you know and love after so long! And he looks slightly shinier too”!

 BTW, I’m watching this with Spanish subs, that were sadly not made by yours truly.

Anyway, Netto sends the long Sword and the Yo-yo chips that appear with a new cybernetic themed background and... WOAH WOAH WOAH! TWO DIFFERENT ART STYLES IN THE SAME EPISODE?!

You thought I wouldn’t notice?

Not even five minutes in and this episode is already hitting me with inconsistent art to save in animation, which wouldn’t be so bad if it wasn’t noticeable.

Rockman defeats the two Navis and returns to Netto who gives us but a glimpse of the new PET design before the tittle card appears.

But worry not, for the next scene shows us what the Advanced PET model looks like with this short and kinda lame commercial.

“Believe in the heart of the chips”, it’s the vibe I’m getting here.

And I also never thought it would be possible for the Spanish subs to write something dumber than “Plug-in your heart”. (It’s roughly saying, “Do plug-in into your heart”)

We then join Netto skating with Meiru on her scooter who is basically shaming him for acting weak in his battle until the end, and do you see something wrong with this image?

That’s right, good ol’ Rush is there on Meiru’s scooter for no reason, except to remind me that Rockman will never materialize in the real world like him.

Then they bump into Chisao, yes, Chisao, who wastes no time in telling the audience that Dekao is in Jawaii for some reason.

What little Mr. exposition forgot to tell us is why is he there instead of Dekao.

Netto and Meiru invite Chisao to go with them to Scilab, which is now gonna be a very recurrent place, to deliver a bag to Netto’s dad who is in Japan working on something, and once he’s done he’ll go back to abandoning his family to travel the world. 

He is working on a top secret experiment, so everyone is of course invited to watch it.

These are Officer Mizaki and his Navi Prismman, who are not gonna be important until very later in the season where they’re affected by this show’s equivalent of drugs, but right now they are gonna remind us of the dangers of human trials.

Eguchi Meijin makes a comeback, since the last time we saw him he was making a late advertisement for Battle Network 3 in episode 51. He tells Netto and the others that the experiment is called Cross Fusion and that it is the next step after the Virus Buster episode where Dr. Hikari brought a bunch of cyber data into the real world, which is bringing a Net Navi into the real World through its operator’s body? That was already possible without the human body!

What is the purpose of Cross Fusion then? Other than to turn the series into a superhero kind of show for western audiences.

There is no real explanation of why they want to do this or why Cross Fusion is the only way to achieve this purpose. Why not simply materialized the Navis like in the last episode? You can’t really argue that it was the viruses intervention that made this possible, because a “good” scientist would try to reproduce this result without risking the life of a human being, there certainly must be other ways to do so. 

It seems that the only excuse they have is that Netto’s dad was not aware that this event happened because he was asleep during the entire episode, and if Netto never mentioned it even once.

“I wanna risk my life too since that experiment reminded me how cool it was when Rockman materialized back in Jawaii when your Dimensional Core program was corrupted by viruses, so I would most definitely die just to see that happen again.”

Dr. Hikari: O_O

Yuichiro obviously denies his son’s suicidal request but just then, viruses take over Scilab, and the room they are in is locked down with the ventilation system sucking in the air giving them 15 minutes before they run out of oxygen.

We cut to a commercial break where we see a spoiler of Netto getting his wish right after his dad said no.

It’s just Rockman with a different outfit design and brown hair and eyes.

As per the norm, Netto and Meiru plug-in their Navis with new animations that are gonna be recycled since they changed the art style once again.

Rockman and Roll are sent into the computer via infrared beams and we see that the computer is full of Mettools and Spikey viruses, while showing us Roll’s bum for some reason.

I feel robbed, I want my Rockman butt shot!

Time to change the art again.

Here is something new that I like, they are now showing how the Mettool viruses can block shots.

This probably means that these are high level Mettools since those are the ones that block attacks in the games.

I also like how they get creative with the chips they use like the Aqua Sword.

Even Roll’s Aqua Tower looks more powerful.

You almost feel sorry for those viruses.

They even make the Black Hole, a chip I find pretty useless in the games, look epic.

Or maybe I’m just not using it right.

They keep running out of air, and once again Meiru has to show that she is the weakest of them all by fainting right before Roll is attacked by a Fire Dragon virus. Netto’s dad catches Meiru and manages to plug-out Roll just in time so... Oh, hmm, that doesn’t look right.

It would be fine if she was his daughter, but that isn’t the case so it just looks wrong. Adult men shouldn’t be holding little girls like that! O~O

Rockman then avenges Roll with another cool Aqua Sword animation.

https://66.media.tumblr.com/0ee15af9e77ae94c845bcdf6895629db/tumblr_n3ipukz8hC1rzkxhio8_250.gifv

Sometimes screen shots can’t do a scene justice.

More Spikey viruses appear and the culprit is then revealed, a new Navi named Savageman AKA Beastman.

Stop holding her like that, it’s weird!

Rockman attacks him with his cool Aqua Sword move, but he only deletes the Spikey viruses around him. Then he uses his Rock Buster and starts shooting at Beastman who isn’t affected by any of them.

I’m sorry? What Beastman is saying here is that to him, Rockman is just a puppet being controlled by a human, showing us that the anime is once again differing from the games, but I’ll talk about that later.

Netto hears that they only have 3 minutes left of air and decides to destroy what we learned from the first season by suddenly making him an expert on Program Advances without the help of the Aqua Custom Style, this time it’s the Z- Cannon or Zetta Cannon.

I honestly like the new animation for the Program Advance, every time Netto inserts more than one chip they appear as little blocks piling under each other until the third chip comes in and pushes the first block up. This easily shows how the chip programs are compatible with one another since that is how a Program Advance is activated.

The Program Advance seems to be effective as Beastman logs out, the computer is back to normal, the room opens up again, and the day is saved... Or so we thought!

This is were the episode starts to feel a little rushed. Right after this we get another mysterious figure who clearly isn’t the Navi we saw watching Beastman’s performance just a couple of minutes ago.

First episode and we already have two more bad guys introduced? And to make things worse, this second villain shoots some type of missiles from outer space that surround Scilab and traps it inside a Dimensional Area.

Yeap, that’s right, the Dimensional Area Netto’s dad is still working on has somehow ended up in the wrong hands, and they made it even better! Because get this, not only does it allow viruses to materialize in the real world, but Navis as well! Cross Fusion has already become pointless! However, the show doesn’t see it that way.

The Mettool and Spikey viruses, along with Spark Bees this time, begin destroying Scilab. Since they are all inside a Dimensional Area, Netto remembers what Meijin said before and decides to go try his luck with Cross Fusion to save everybody, and runs downstairs to get a Synchro Chip.

Considering that Cross Fusion is still being tested, would this be considered something brave or very stupid?

Netto encounters the Mystery Navi from before who is stealing all the Synchro Chips, and tries to Ash Ketchum his way into stopping him.

Seriously, what is it with young shonen protagonists and trying to attack a powerful non human antagonist face on?

After that failed attempt, Shademan calls Beastman who also materializes to destroy what remains of Scilab while he runs away with the Synchro Chips, except for two chips that he clumsily drops when grabbing them all with one hand. Netto sees the chips and decides to use them to fight Beastman, and what surprises me here is that Rockman doesn’t really object to this despite knowing that it could be dangerous, and he has always been seen as the smart one.

Obviously, Cross Fusion is a success as we get the typical anime transformation sequence, but to be honest, I’ve seen better.

No, the first statement is more accurate. This is a fusion.

And this one too.

Two different characters that merge together to create an entirely new being that shares traits from both predecessors.

No, in fact, It is not Netto turning into Rockman, it’s just Netto in Rockman’s clothing. The only difference here is that Netto fights more aggressively than Rockman.

Except for that time Rockman stabbed Stoneman in the eye, he never really maims anybody.

After this, Netto tries to use a Battle Chip but forgets that you need a PET for that, a PET that disappears somewhere after Cross Fusion. So he decides to use the Rock Buster, but since they’re in the real world, the buster gets a super boost that sends Netto flying, with the shot leaving a hole not only on the building, but on Beastman himself.

So... I love seeing shots of Rockman’s muscular body, but when you give it to Netto it just doesn’t work for me because you know his body doesn’t look like that, making this feel out of nowhere. 

Also, “Flipante”? I’m pretty sure these subs are from Spain because they use a lot of words that I’ve never heard before.

Since Beastman was maimed and mortally wounded, he runs away, the Dimensional area disappears an the episode ends with Netto back to normal with his PET reappearing again, him fainting, Rockman calling out to him worried that he might be dead, and an aerial shot of a partially destroyed Scilab.

What do I think?

Well, if you read my previous post, “The problem with Megaman NT Warrior Axess”, you already know my main issues with this season, starting with how different it was from the first one.

Like I mentioned before, Axess never aired in Latin America so it took a while for me to realized that there was another season. I got used to watching reruns of the first season over and over again because of how much I loved it, and after I watch this episode for the first time, in English, I was very, very confused at the end. I immediately felt that something was wrong, that the show was gonna be  different and I wasn’t sure if it was gonna be a bad thing or a good thing. It turned out to be both because the writers couldn't settle on a tone for this new season, so I was ambivalent from beginning to end.

I’m just gonna mention the good things. The general animation is way better that the majority of the episodes in the first season, the new visuals give it a more cybernetic feel to it which goes perfectly with the theme of the show. Roll and Meiru do more in battle, even though Meiru is still the weak girl character that needs to be saved by a big strong man, ew. The new PET design and the infrared beams they use to send the Navis into the Cyberworld is much more futuristic than the cords from the previous season that are vulnerable to being cut, which, again, is very fitting to the theme, as well as the animations when inserting chips and activating P.As.

The idea of Viruses and Navis materializing in the real world is revolutionary, I just don’t like how it is set up.

The Advance PET was introduced in Battle Network 4, while Beastman appeared in Battle Network 3 as a World Three Navi and having an operator named Inukai. Here, however, Beastman is a solo Navi that is called a Darkloid, and instead of being man-made, Darkloids are portrayed as A.I beings that were spontaneously created from...Bug frags, I think? Yeah, that’s another thing I don’t buy from Axess. 

The mystery Navi is Shademan who was introduced in Battle Network 4 and is in fact a solo Navi, but he was created by Dr. Regal, the other mystery character that appeared, but Shademan is also a Darkloid here.

Say what you want about Forte and Gospel, but their origins are purely man-made and make sense, and even if viruses and bug frags are also man-made, having something instantly created out of Virus remains doesn’t make sense unless a higher power is involved, which hasn’t really been specified in Axess.

If you are one of the few people who read my posts, I appreciate your support and are free to share your opinions too.

[trashfor-imagines]

The Music Series: Haikyū Edition! | 2

21 ft. Oikawa x Reader

Summary: You were always on and off with Oikawa in high school, but it was clear you were in love. However, it was hard knowing you would barely make the top three in his life. Warnings: None, really. A seasoning of angst, for taste. Spoilers: If you’re only caught up on the anime, this story mentions what happens to the characters in the manga after high school and their professional lives.

-

“Toru! There’s a difference between putting volleyball first and just not calling me to say you needed to cancel our date. You straight up didn’t show!” you yelled, tears welling in your eyes. You willed them not to fall. “I know I’m not your number one priority, no one is, but for once can you at least act like you mean it when you say I’m - a - priority?”

He stood there silently in the living room of his apartment feeling small and terrible. He left you waiting in the rain for a date that he wasn’t going to show up to. Again. The coach had extended practice and it didn’t cross his mind to tell you, simply excited to play more. This was the same old fight since high school and he knew he should have known better by now. He had always made volleyball a priority and you honestly didn’t mind - he knew that, but being young and dumb and incapable of communication, he’d always tell everyone you broke up with him because you thought he was obsessed with the sport and not because he was incapable of thinking of others’ needs. Iwaizumi had always told him he was a fool when it came to you and honestly he wished his best friend was there to remind him of what to do to fix this.

“You’ve had so many chances. You don’t respect me and I can’t do this. Call me when you figure out how to dial my number. Or don’t. You probably won’t.”

You slammed the door shut and it absolutely destroyed you to go home alone that night.

 “‘Hit it until it breaks.’ Huh. Just like your relationship,” Takeru snickered at you as he looked at an old sports magazine in the dessert cafe you were at. He found an old interview of Toru in it. “My uncle’s an idiot. I’m sure he’ll call you soon, big sis.”

It’d been two weeks since you broke up with Toru and you’ve heard nothing. Not even a blip on social media. Feeling bad about yourself, combined with the fact it was summer break, you went home to Miyagi for some R&R. You had a few things for Toru’s mom that you’d been collecting so you stopped by to drop it off. Takeru just happened to be staying there for the week and asked if you’d take him out to do something. Now you were sitting at a cafe having kakigori and honestly his company was incredible, despite being almost 11 years younger than you.

“I can’t believe my only friend right now is Toru’s 9 year old nephew,” you sighed softly. Your college friends were busy with their jobs, internships, and extra curricular activities that they hardly had time to sit on a phone call let alone come over to watch you cry over Oikawa Toru for the hundredth time. You weren’t even going to try calling Iwaizumi about it. Last time you asked his childhood best friend to knock some sense into the man, he simply replied back with an upside down smiley face emoji. What the hell did that even mean?

Takeru’s cheeks puffed up and he crossed his arms over his chest. “Hey! I’m almost 10! And I can leave if you’re going to be like that. I swear, you’re just as bad as uncle.”

“Hey. No swearing of anything,” you reprimanded him. “And don’t go.”

“Fine, but only because I like you.”

“So... got a girlfriend yet?” you teased, changing the topic.

“Big sis, I know we Oikawas are good looking, but aren’t you a little old for me?” he deadpanned.

Your face lit up red. “You little brat! I wasn’t asking for me!”

School was starting up next week so you went back after a couple of days home. The Oikawa family actually cried when you told them you were going back, having missed seeing you almost every day like when you were in high school. They were an incredible family with their own quirks who loved each other so much. It was similar to your own.

It was Sunday afternoon and you were cleaning your apartment when you got a phone call from Toru’s mom, asking if you’d talked to her son today.

“No, I’m afraid we still haven’t spoken. Is something wrong? Do I need to get to him?” you asked, panic levels rising in your voice.

“No, no, my sweet daughter. Nothing like that,” she sighed softly. “He should really be the one to tell you this, but Takeru said not a chance. He was drafted as a setter for Club Atlético San Juan today. My son’s going to Argentina.”

You dropped your phone in shock, the noise of it clattering to the floor interrupting your short meltdown. Quickly picking up the phone, you apologized before asking questions. “When is he going? W-what about school? And you and the family?”

‘And me?’ you wanted to ask.

Carefully, you listened to every detail she could give you. Your heart was so heavy you were sure you’d sink to the bottom of the ocean.

Time passed painfully. Days turned to months. Soon it was a new year. Then it was graduation. You started a job as a graphic designer that allowed you to work remotely and you did freelance photography, often shooting for travel magazines. You moved home to Miyagi to live with your parents when you weren’t traveling, cutting out unnecessary expenses. It wasn’t smart to have your own place when you weren’t going to use it for 3/4 of the year. The truth was, life was lonely without Toru around. Sometimes you found your vision blurring with tears whenever your phone pinged as a new article featuring the setter was published, or when you let your mind wander to old memories.

You were in Australia when June came around. Life had been pretty exciting for you since April, picking up a photo journalism job for National Geographic touring Southeast Asia and Australia. You’d briefly gotten away from thoughts of Toru when you received a photo late one night from Iwaizumi of Toru and that cute little tangerine from Karasuno on the beach by a volleyball net. Apparently they ran into each other in Rio

(Y/N): Thanks Iwa. Iwaizumi: Np.

After Australia, you went home for a few weeks before you were on a flight to Bolivia to capture the Uyuni Salt Flat. It didn’t take too long to complete the job and you found yourself sitting in your hotel room and scrolling through Toru’s social media. Selfies on him throwing up peace signs, his teammates, sunsets, food, nothing out of the ordinary filled his feed. You didn’t scroll for long though; photos of the two of you would start appearing.

A notification pinged on your phone and your brows furrowed. It was his birthday tomorrow. Setting down your phone, you packed your bag. You were going home in a few hours.

While waiting for your flight, you wondered if that notification was a sign to call him. You stared at his number, unsure. Was it even his number still? You probably locked and unlocked your phone thirty times before setting it to airplane mode. It was time to board. The almost the entire flight home was sleepless as the need to call him grew and grew.

By the time you made it to Japan with over a day and a half of flying due to inconveniently timed layovers, his birthday was over. You wanted to look at his Instastory to see what he did. It was his 21st birthday. He’d been excited for that one because it meant he could “drink anywhere in the world.”

When you got home you unpacked and went about your day. It was midnight when you went to the rooftop terrace of your parents’ house and sat on one of the couches. You called stared at Toru’s contact photo for thirty minutes before you called, pressing the phone to your ear and waiting.

“(Y/N)?” You bit your lip, words suddenly leaving you. “(Y/N), are you there?”

“Yes! Yes, I’m here. Happy birthday, Toru. Sorry I’m a day late.”

“That’s okay, and thank you. It’s good to hear your voice.” His sounded sweet and gentle. There was a hint of a sleep as well, making you laugh quietly. Definitely partied. Definitely just woke up.

“It’s good to hear yours as well. So how was it? Turning 21.” You pinched your thigh out of nervousness.

“It was nice. My teammates took me out to a club. Definitely drank too much and stayed up later than I should have. Iwa would have been pissed.” There was a playfulness in his tone.

“Wow, wish I had been there.”

“Me too, (Y/N). I’m sure you would have done something cooler though. You’re really good at that stuff.”

You laughed lightly, “Well, you know me. I definitely already had a plan for your 21st when you turned 20.”

He laughed as well, boyish and familiar. “Really? What was your plan then?”

“I’d have thrown you a surprise party; invited Iwaizumi and your old teammates, our friends from college. The theme would have been Around the World. I would have set up a photo booth. We’d have drinks from different countries to try, play different drinking games, and dress like tourists.” Your vision began to blur and your voice wavered. “We’d stay up so late that-” You stopped mid sentence, covering your mouth with your hand as you tried to swallow your sobs.

“(Y/N)? Are you okay?” He sounded so concerned it killed you.

Sniffling, you wiped at your eyes furiously. “No. I miss you so much.”

“I miss you too. My whole family’s been on me since we... You know. They call me all the time to tell me what you’re up to and where you’re going next. They really love your postcards and little souvenirs. Seriously... Thanks for looking over them.”

“Of course. I mean, your mom calls me daughter,” you laughed sadly.

“Yeah, she does, doesn’t she.” He paused and the conversation lulled for a moment. Clearing his throat, he spoke up again, “I’ll be home next week if you’re in Miyagi. It’s just a quick visit.”

“I’ll be here.”

“Great. I’ll see you then.”

“Okay.” You had so much more you wanted to say, but you wished him good night instead.

“Good night.”

Days passed and you wondered when he’d be home. You hadn’t heard from him since that phone call and you weren’t going to bother the Oikawas over this. His original plan was probably to come home and see his family. You only became a part of it because you called him. You had to be patient. If you fit into his plans, then you fit into them. You couldn’t force it.

It was Saturday morning when the doorbell rang. You were still in your pajamas when you answered the door, speechless to see Toru standing there with your favorite flowers in his hand. He smiled wide. “Let’s go out, (Y/N).”

Letting him in, you told him to make himself at home while you got ready. It didn’t take you long as you put together a cute new outfit you’d gotten the other day in town. Applying light make up, you checked your hair before heading downstairs.

The two of you walked into town, going to a cafe that you both often frequented throughout high school. He ordered your usual and it was a small crumb of relief to know that he still remembered something as trivial as a drink order. The two of you sat quietly, hands cradling cups, observing each other and taking your appearances. You'd both evolved in over a year. Toru had always been capable of being serious if need be, but his default settings were usually stuck at high school drama queen levels. He was definitely more mature and he’d always been attractive, but he oozed sex appeal right now and you wondered if it was because you were already biased towards him. No, you knew what it was. He had more confidence.

“I guess I should explain what happened. I called Iwaizumi that night after you left. He was pissed it was so late. He called me an idiot, told me stop wasting your time and grow up. I hadn’t told you about it, but I was struggling with a few things. Remember Jose Blanco?”

You nodded, sipping from your cup. He and Toru connected in high school when Toru wasn’t sure about what to do with volleyball anymore. He’d helped so much and was a great mentor.

“I was talking to him about a few things that were on my mind. Then you and I broke up. He ended up talking to some people and I got a call that I was going to play for San Juan. I got swept up with interviews and press statements and moving. The next thing I knew, I was half way across the world with no idea how to tell you I was starting my overseas career earlier than planned. I decided it was best I didn’t call you. I mean, we broke up because I didn’t know how to include you in my life the way you deserve.”

Sliding your hand across the table, you let your finger tips brush against his hand. Instantly he held your hand, running his thumb over your knuckles lovingly. Tears welled in your eyes. You’d waited for so long for Toru to finally see you completely and acknowledge what it was that he spent so many years of your youth apologizing for.

“Not having you there with me this past year was so hard. It felt like not breathing. I still love you, (Y/N), and if you can forgive me, I’d really like to make it work this time.”

Nodding your head, you sniffed, a teary but happy smile on you face as you wiped the corners of your eyes. “I love you, Toru. Let’s make it work.”

-

tag list: @hihiq​

[askthewitchlady]

Ajin: Demi-human (season 1) Review

THIS REVIEW WILL CONTAIN SPOILERS

Oh my goodness was this a slog to get through, Three days people, it took me three days to get through 13 episodes Because OMG  Setting aside the fact this is some of the ugliest 2d to 3d rig work I have ever seen, I have never seen a show have some much going on with out achieving anything.  Ok ok ok let me start this properly.

In the world there are being known as Ajin, these Demi-human beings are rare with only three known cases in Japan, the Ajin are capable of resurrecting from fatal wounds making them Semi-immortal, they also have the ability to summon being known as ‘black ghosts’ which can be used for all sorts of things.  There is unfortunately no way of knowing if a person is an Aijin until they suffer some for of mortal injury at that point their body will regenerate and they will live this is the case for Kei Nagai, a high school student studying to be a doctor.  While the government of Japan have led people to believe that Ajin are kept in protective custody it is learned that not only are they but most other countries use Aijin as test subjects for medicines and weapons, including life fire testing, because of their regenerative abilities.

Story time

17 years ago during a war in an unnamed African nation the first Ajin was discovered.  Reffered to as a soldier of god because he could not be killed the soldier was immobilized and claimed as property of the US government.

Now Kei Nagai is an apathetic highschool student studying to be a doctor on his mothers demand. While to his ‘friends’ he seems like a cheerful if easily taken advantage of boy the truth is he is apathetic and cut off from the people around him seeing only the value they have to him personally.  While walking to school he and his friends note another boy their age Kaito sitting outside a convenience store they comment on how weird he is and question if Kei is his friend after Kaito waves to him, Kei denies this and they walk on.

At school the subject of Ajins is brought up because of their value in the medical feild, one of Keis friends shows another classmate a video of Inhumane testing on an Ajin subject.  The boy also asks his teacher if the truth about the high reward for an Ajins capture is true.  For some reason this startles Kei and his reaction draws attention so he asks if Ajin aren’t really human.  His teacher says they are not.

Reminiscing he vaguely remembered the death of a childhood pet, after burying it while trying to console his sister he wonders about death and witness’ something strange.  curious about the memory he decides to visit his sister in the hospital and tries to ask her about what she remebers but she refuses to discuss it being outright hostile to him.

still lost in thought and wondering about Ajin as well as flicking through Study cards Kei misses the stop light and begins to cross the street before being hit full on by a truck.  the truck drags his body quiet a ways as it skids to a halt and his friends are horrified by what they’ve witnessed, the driver is shaken and climbs out desperate to say that it was Keis fault when to their shock Kei crawls out from under the truck dazed t first he is confused about what happened before quickly realizing and becoming upset he insists he’s human and begs for his friends to believe him however he realizes they only see him as a way to make money by turning him in.  in terror Kei screams unintentinally releasing his voice, another unique trait of Ajin that causes a temporary paralasis in those who hear it, before fleeing the scene.

a little later Yu Tosaki and his body guard and assistant Izumi Shimomura of the Ajin control branch of the government arrive to question Keis friends and his mother. As this is going on it is revealed that Kei has fled to a local Shrine and then into the woods beyond, desperatly thinking who might help him he remebers Kaito who had been a childhood friend but whome he’d been told not to be around anymore by his mother.  Desperate and worried Kai Might also want to turn him in but feeling alone Kei calls Kaito and the other boy is ready to help his friend filling a duffle bag with supplies and heading out, knocking out a poliece officer who had found Kei Kaito offers his old friend a hand up and they flee the area on a motorcycle.

The Bad

Despite how much I’ve written that happened in the first episode.  it not actually a lot.  theres a lot of nothing in this show and thats a major problem.  I a not against quiet moments, for example Hiyao Miyazaki is very well know for his long silent scenes, but even these scenes serve to tell story in one way or another, I get the feeling either the writer or director of this show wants to emulate that but the quiet scene in the show just don’t accomplish anything.  theres also a sense of ‘artistic padding’  where things are added for the art of it,  I don’t know if someone in the production team had higher aspirations or if they where just desperate to cover the ugly modles but it doesn’t work.

The episodes feel long but almost nothing happens. or a lot happens but none of it matters or is memorable.  The motivations of the antagonist make no sense,  and while I have a theory of who he truely is I won’t say untill I do my reviw on season 2 (Which won’t be for a while because this was so hard to sit through)

Kei himself is a terrible protagonist, there are moment whre you think he’ll get better, but he really doesn’t in fact I thought the show was going to pull some kind of switch and make the story focus on the friend Kaito who seems to really genuinely still care about Kei even though they hadn’t been friends for years and who insists even if Kei is an Ajin, he’s still Kaitos friend so that’s all that matters.  But Kei leavs Kaito after only a couple episodes

It’s clear that there is something not right with kei from the get go, the first time we see his phone all his friend are listed not by name but number literally ‘friend 1′  ‘friend 2′  and so on, and as the show goes on theres an impression that the creators where trying to make Kei a Psychopath.  I’m not talking Ax wielding movie psycho but a clinical psychopath, no empathy no connection to the people around him, a general callous nature and his willingness to use then abandon anyone who might have value.  I’m not a fan of using mental illness as a way of making people ‘other’  mental illness is demonized enough, and frankly it’s hard to empathize with a protagonist who openly admits they don’t care about anyone.

There aren’t any real stand out characters either,  they all feel like cut outs,  you have you deceptively friendly antagonist, you have your to serious government agent, and his body guard who obviously has a crush on him, you have the best friend, you have the friendly granny.

It’s just all been done before and better.

Now about episode 8 a character name Ko Nakano is introduced and for a moment I thought Oh the shows just going to give us a new protagonist... NOPE!  he get capture by Kei who keeps him locked in an old shipping truck for the rest of the season,  Fuck that noise.  honestly Kei gets less and less likeable as the show goes on.  He abjectly refuses to get involved with trying to stop the antagonist, Sato’s, terrorist plot even saying openly he doesn’t care what happens to other because he’s found a nice place where he can live a quiet normal life.  Kei had in fact been taken in by a kindly older woman who convinced the villagers kei was her grandson from tokyo who had gotten into trouble and was staying with her.

That being said.... There’s a couple good things

The elderly woman is quiet charming, she doesn’t care about the Ajin or what ever other trouble Kei seems to be in she just sees a young man who helped her after she fell and lets him stay.  If not for another villager recognizing his picture on the news and reporting him to claim the rumoured reward Kei clearly would have been happy to stay in that little village forever and just live a quiet life.

The opening theme song is pretty good.  the CG is frustrating in that in the opening they show shots of characters as they looked in the manga and those drawings are amazing, This would have looked so much better 2d Animated.

The black ghosts are kind of neat.

theres a couple interesting fights with the Ajin, since they recover almost instantly from death they’ll actually kill themselves in combat to resurrect with out their injuries or to even escape grapple or escape the effects of tranquillizers, so that’s neat

I haven’t got much here guys I’m sorry I’m trying but this just, I feel like there might have been something good under all the thick thick thick padding.

Final Thoughts?

I don’t recommend it, even for one watch it’s just a slog, it’s not enjoyable it’s not even a good time killer because it feels like it drags.

Everything from plot point to characters to scene have been done before in better shows, and the aesthetic is just Ugly, terrible CG modles with awkward round movements to avoid collision issues clearly, and the backgrounds look like someone took photos and then put them through the photoshop watercolor filter.

There’s nothing worth reccomending about it, I know Netflix has stuff way better then this so go watch that because this so Not worth your time.

[blackkudos]

Betty Carter

Betty Carter (born Lillie Mae Jones; May 19, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. Vocalist Carmen McRae once remarked: "There's really only one jazz singer—only one: Betty Carter."

Early life

Carter was born in Flint, Michigan, and grew up in Detroit, where her father, James Jones, was the musical director of a Detroit church and her mother, Bessie, was a housewife. As a child, Carter was raised to be extremely independent and to not expect nurturing from her family. Even 30 years after leaving home, Carter was still very aware of and affected by the home life she was raised in, and was quoted saying:

I have been far removed from my immediate family. There's been no real contact or phone calls home every week to find out how everybody is…As far as family is concerned, it's been a lonesome trek…It's probably just as much my fault as it is theirs, and I can't blame anybody for it. But there was…no real closeness, where the family urged me on, or said…'We're proud'…and all that. No, no…none of that happened.

While the lack of support from Carter's family caused her to feel isolated, it may also have instilled self-reliance and determination to succeed. She studied piano at the Detroit Conservatory at the age of 15, but only attained a modest level of expertise.

At the age of 16, Carter began singing. As her parents were not big proponents of her pursuing a singing career, she would sneak out at night to audition for amateur shows. After winning first place at her first amateur competition, Carter felt as though she were being accepted into the music world and decided that she must pursue it tirelessly. When she began performing live, she was too young to be admitted into bars, so she obtained a forged birth certificate to gain entry in order to perform.

Career

Even at a young age, Carter was able to bring a new vocal style to jazz. The breathiness of her voice was a characteristic seldom heard before her appearance on the music scene. She also was well known for her passion for scat singing and her strong belief that the throwaway attitude that most jazz musicians approached it with was inappropriate and wasteful due to its spontaneity and basic inventiveness, seldom seen elsewhere.

Detroit, where Carter grew up, was a hotbed of jazz growth. After signing with a talent agent after her win at amateur night, Carter had opportunities to perform with famous jazz artists such as Dizzy Gillespie, who visited Detroit for an extensive amount of time. Gillespie is often considered responsible for her strong passion for scatting. In earlier recordings, it is apparent that her scatting had similarities to the qualities of Gillespie's.

At the time of Gillespie's visit, Charlie Parker was receiving treatment in a psychiatric hospital, delaying her encounter with him. However, Carter eventually performed with Parker, as well as with his band consisting of Tommy Potter, Max Roach, and Miles Davis. After receiving praise from both Gillespie and Parker for her vocal prowess, Carter felt an upsurge in confidence and knew that she could make it in the business with perseverance.

Carter's confidence was well founded. In 1948, she was asked by Lionel Hampton to join his band. She finally had her big break. Working with Hampton's group gave her the chance to be bandmates with artists such as Charles Mingus and Wes Montgomery, as well as with Ernest Harold "Benny" Bailey, who had recently vacated Gillespie's band and Albert Thornton "Al" Grey who would later go on to join Gillespie's band. Hampton obviously had an ear for talent and a love for bebop. Carter too had a deep love for bebop as well as a talent for it. Hampton's wife Gladys gave her the nickname "Betty Bebop", a nickname she reportedly detested. Despite her good ear and charming personality, Carter was fiercely independent and had a tendency to attempt to resist Hampton's direction, while Hampton had a temper and was quick to anger. Hampton expected a lot from his players and did not want them to forget that he was the band's leader. She openly hated his swing style, refused to sing in a swinging way, and she was far too outspoken for his tastes. Carter honed her scat singing ability while on tour, which was not well received by Hampton as he did not enjoy her penchant for improvisation. Over the course of two and a half years, Hampton fired Carter a total of seven times.

Carter was part of the Lionel Hampton Orchestra that played at the famed Cavalcade of Jazz in Los Angeles at Wrigley Field which was produced by Leon Hefflin, Sr. on July 10, 1949. They did a second concert at Lane Field in San Diego on September 3, 1949. They also performed at the sixth famed Cavalcade of Jazz concert on June 25, 1950. Also featured on the same day were Roy Milton & His Solid Senders, Pee Wee Crayton's Orchestra, Dinah Washington, Tiny Davis & Her Hell Divers, and other artists. 16,000 people were reported to be in attendance and the concert ended early because of a fracas while Hampton's band played "Flying High".

Being a part of Hampton's band provided a few things for "The Kid" (a nickname bestowed upon Carter that stuck for the rest of her life): connections, and a new approach to music, making it so that all future musical attitudes that came from Carter bore the mark of Hampton's guidance. Because of Hampton's hiring of Carter, she also goes down in history as one of the last big band era jazz singers in history. However, by 1951, Carter left the band. After a short recuperation back home, Carter was in New York, working all over the city for the better part of the early 1950s, as well as participating in an extensive tour of the south, playing for "camp shows". This work made little to no money, but Carter believed it was necessary in order to develop as an artist, and was a way to "pay her dues".

Very soon after Carter's arrival in New York City, she was given the opportunity to record with King Pleasure and the Ray Bryant Trio, becoming more recognizable and well-known and subsequently being granted the chance to sing at the Apollo Theatre. This theatre was known for giving up-and-coming artists the final shove into becoming household names. Carter was propelled into prominence, recording with Epic label by 1955 and was a well-known artist by the late 1950s. Her first solo LP, Out There, was released on the Peacock label in 1958.

Miles Davis can be credited for Carter's bump in popularity, as he was the person who recommended to Ray Charles that he take Carter under his wing. Carter began touring with Charles in 1960, then making a recording of duets with him in 1961 (Ray Charles and Betty Carter), including the R&B-chart-topping "Baby, It's Cold Outside", which brought her a measure of popular recognition. In 1963 she toured in Japan with Sonny Rollins. She recorded for various labels during this period, including ABC-Paramount, Atco and United Artists, but was rarely satisfied with the resulting product. After three years of touring with Charles and a total of two recordings together, Carter took a hiatus from recording to marry. She and her husband had two children. However, she continued performing, not wanting to be dependent upon her husband for financial support.

The 1960s became an increasingly difficult time for Carter as she began to slip in fame, refusing to sing contemporary pop music, and her youth fading. Carter was nearly forty years old, which at the time was not conducive to a career in the public eye. Rock and roll, like pop, was steadily becoming more popular and provided cash flow for labels and recording companies. Carter had to work extremely hard to continue to book gigs because of the jazz decline. Her marriage also was beginning to crumble. By 1971, Carter was single and mainly performing live with a small group consisting of merely a piano, drums, and a bass. The Betty Carter trio was one of very few jazz groups to continue to book gigs in the late 1960s and early 1970s.

Carter created her own record label, Bet-Car Records, in 1969, the sole recording source of Carter's music for the next eighteen years:

....in fact, I think I was probably the first independent label out there in '69. People thought I was crazy when I did it. 'How are you gonna get any distribution?' I mean, 'How are you gonna take care of business and do that yourself?' 'Don't you need somebody else?' I said, 'Listen. Nobody was comin' this way and I wanted the records out there, so I found out that I could do it myself.' So, that's what I did. It's the best thing that ever happened to me. You know. We're talking about '69!

Some of her most famous recordings were originally issued on Bet-Car, including the double album The Audience with Betty Carter (1980). In 1980 she was the subject of a documentary film by Michelle Parkerson, But Then, She's Betty Carter. Carter's approach to music did not concern solely her method of recording and distribution, but also her choice in venues. Carter began performing at colleges and universities, starting in 1972 at Goddard College in Vermont. Carter was excited at this opportunity, as it was since the mid-1960s that Carter had been wanting to visit schools and provide some sort of education for students. She began lecturing along with her musical performances, informing students of the history of jazz and its roots.

By 1975, Carter's life and work prospects began to improve, and Carter was beginning to be able to pick her own jobs once again, touring in Europe, South America, and the United States. In 1976, Carter was a guest live performer on Saturday Night Live′s first season on the air, and was also a performer at the Newport Jazz Festival in 1977 and 1978, carving out a permanent place for herself in the music business as well as in the world of jazz.

In 1977, Carter enjoyed a new peak in critical and popular estimation, and taught a master class with her past mentor, Dizzy Gillespie, at Harvard. In the last decade of her life, Carter began to receive even wider acclaim and recognition. In 1987 she signed with Verve Records, who reissued most of her Bet-Car albums on CD for the first time and made them available to wider audiences. In 1988 she won a Grammy for her album Look What I Got! and sang in a guest appearance on The Cosby Show (episode "How Do You Get to Carnegie Hall?"). In 1994 she performed at the White House and was a headliner at Verve's 50th anniversary celebration in Carnegie Hall. She was the subject of a 1994 short film by Dick Fontaine, Betty Carter: New All the Time.

In 1997 she was awarded a National Medal of Arts by President Bill Clinton. This award was one of thousands, but Carter considered this medal to be her most important that she received in her lifetime.

Death

Carter continued to perform, tour, and record, as well as search for new talent until she was diagnosed with pancreatic cancer in the summer of 1998. She died on September 26, 1998, at the age of 69, and was later cremated. She was survived by her two sons.

Legacy

Carter often recruited young accompanists for performances and recordings, insisting that she "learned a lot from these young players, because they're raw and they come up with things that I would never think about doing."

1993 was Carter's biggest year of innovation, creating a program called Jazz Ahead, which took 20 students who were given the opportunity to spend an entire week training and composing with Carter, a program that still exists to this day and is hosted in The Kennedy Center.

Betty Carter is considered responsible for discovering great jazz talent, her discoveries including John Hicks, Curtis Lundy, Mulgrew Miller, Cyrus Chestnut, Dave Holland, Stephen Scott, Kenny Washington, Benny Green and more.

On June 25, 2019, The New York Times Magazine listed Betty Carter among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Discography

CD compilations

1990: Compact Jazz – (Polygram) – Bet-Car and Verve recordings from 1976 to 1987

1992: I Can't Help It – (Impulse!/GRP) – the Out There and The Modern Sound albums on one compact disc

1999: Priceless Jazz – (GRP) – Peacock and ABC-Paramount recordings from 1958 and 1960

2003: Betty Carter's Finest Hour – (Verve) – recordings from 1958 to 1992

On multi-artist compilations

1988: "I'm Wishing" on Stay Awake: Various Interpretations of Music from Vintage Disney Films

1997: "Lonely House" on September Songs – The Music of Kurt Weill