How many more times can I draw these three before they finally come home, I'm desperate
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PAUL DINI’S BATMAN SAVE ME
SAVE ME PAUL DINI’S BATMAN
All memes aside, THIS is Batman. The classic, most ideal, most altruistic version of the character. He struggles with darkness within the world and himself, but he cares. His actions are driven by his heart. He’s a hero.
HE CARES. He’s not the Punisher. He doesn’t fight crime because he loves violence or because he’s Mr. Law & Order. He understands that crime hurts people, and that’s why he fights it. Not just because it’s The Right Thing, but because he cares about improving people’s lives. He’s not driven by vengeance. He’s driven by compassion.
This is the man who invests in new jobs and better infrastructure, because he understands that rebuilding communities is crucial to helping the people of Gotham. He understands that the poor aren’t lazy or criminal but instead being taken advantage of by a system that doesn’t care about them, so he uses his wealth and resources to help his city, not caring what profit he makes, because it’s about helping people. It’s always about how much he cares for humanity. He sees light in people, even misguided ones. He believes no one is ever past redemption. Batman doesn’t exist to punish, enforce, or frighten — he exists to help and redeem and persevere in his quest to find goodness in the world and other people.
Just, PAUL DINI’S BATMAN!!!
Batman: War on Crime by Paul Dini and Alex Ross
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worked on my Gillion design more... I like it a lot better now i think
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been re-reading a lot of comics trying to compile a selection for the massive analysis i'm working on and god i wish they expanded more on this instead of sandpapering joker down into a generic wifebeater like... this is so interesting come on??? joker trying to kill harley not bc he dislikes her but bc being in a mutually caring relationship that has even a few kinda sorta healthy-ish qualities is so upsetting to him that the only feasible option is to not merely to get rid of the other person but to straight up Murder Them? (given, that is his strategy for a lot of things but... yk.) joker being (presumably) honest with harley before killing her is also so interesting??? like he did not have to provide an explanation he easily could've just launched the rocket.
anyway... this entire thing fits in soooo well with my conceptualization of joker as someone who is completely unfamiliar with and uncomfortable with positive, healthy relationships or even interactions with other human beings, who only knows how to relate to and interact with other people through violence, exploitation, or dominance i.e. power dynamics in which he's in control, or playing a part, i.e. putting on a persona/"performance" to get specific results.
i just love the idea that his behaviors are more the result of a fundamental lack of social/life skills (meaning that he never had the opportunities to learn those skills) rather than like... the idea that he had those skills at one point but is unable to use them in his current state (as implied in the tkj jeannie origin).
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Today I drew Him *looks at smudged writing on my hand* Gillion Wavewalker
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very personal thoughts but prema i REALLY need this duo to become new f2 teammates come on prema come on
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Part of me thinks that under WarnerMedia while My Adventures with Superman got greenlit in 2021, some of these decisions could either feel self-insert like with Mindy Kaling’s Velma or a mandated checkbox fulfillment to suit corporate desires. It can explain why they wanted Lois Lane to be a more prominent character to fit current narratives and trends. I’m all in for well written characters, but it needs to be done in a way where it makes sense. Here’s too hope James Gunn handles her well with the same craft as with Richard Donner and Bruce Timm’s iterations.
so I heavily disagree with this and I'm spider-sensing some uncomfortable dogwhistles here. What do Kaling's Velma and MAWS even have in common? MAWS' marketing didn't push a titular celebrity to the extent Velma did. Any reason you've decided to compare two shows on the basis that both have prominent women of color in the lead? Velma's an adult comedy mystery while MAWS is an action adventure with a heavy focus on romance (it may be on Adult Swim, but it was never intended for an adult audience. That was corporate shenanigans). Saying they're catching some sort of trend to follow Velma is pretty ignorant of how difficult it is to pitch an action animated kids show with a woman in the lead. Entirely different markets and genres. And from what I've heard, the MAWS crew mention they had surprisingly little executive restraints which allowed them to go out of the box with their takes.
Also Lois being prominent or the lead of a Superman adaptation is not new or a trend. "Lois & Clark", "Superman & Lois", even one off animated movies like Reign of Supermen had Lois as the POV lead or heavily involved. She has led many comics on her own. I don't love this insinuation that her being racebent is a "trend"- especially when the MAWS crew mention American Alien as their source of reference for their version of Lois and Jimmy.
"I'm all for well written characters, but it needs to be done in a way where it makes sense". I don't know what you mean by this. 1. there are no well written characters in the entirety of MAWS, and 2. What needs justifying to you? Aren't well written characters self justified by being well written? Is there something about a WOC in the lead that is threatening your suspension of disbelief? Because boy have I heard that tons of times before.
I get that film and tv adaptation heavily influences popular perception of a character, but why do we place our hopes on these white guys to do justice on a character like Lois of all people. This dismisses the many women and other talented creatives who got to work on Lois in the comics. Like why zero in on MAWS Lois being a "self insert"? I don't like to auteur-ify a collaborative medium like an animated series, but MAWS was pitched by Jake Wyatt. He's the showrunner. Lois is Asian in his pitch packet. How is that a self insert? If anything, I wish an Asian creative put more of their life experiences onto Lois because then she wouldn't feel like someone so interchangeable with a white woman. And misogynisticly written.
Just kind of weird to ask this to us, the chindo authors who made a fancomic about Lois being chindo, informed by our lived experiences as chindos. That's arguably as self insert as it gets. While I'm interested in James Gunn's take on the Superman mythos, I'm not getting my hopes up on a pre-dominantly white cast and no current narrative emphasis on committing to Superman as an immigrant. Also I didn't suffer through Guardians 2's take on Mantis just to hold this white guy up as the pinnacle on writing women.
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Actually there’s a challenge: a list of Batman trades people should consider recommending instead of The Usual. Here’s my start (using titles I can find in print):-
Detective Comics: Gotham Nocturne
Batman: Failsafe
Batman Ego
Batman: The Black Mirror
Gotham Knights: Transference
Batman: Gotham by Gaslamp
Batman: A Death in the Family (basically always packaged with ALPOD)
Batman/Superman: World’s Finest
Batman by Francis Manapul & Brian Buccellato
Go!
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Milo mumbles thank you for bringing Lucia to life, pls guest star in riptide
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so i barely learned koraidon has feathers, like, everywhere.
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Question: Chip, I gotta ask. Did you intend to make Batman a little bisexual in The Knight?
Chip Zdarsky: just a little? man, I thought it was clear.
eyyyy, yo win for the bisexual community!! <33 and yes I know this is just one universe (I believe),but uh do I care? nope! all Bruce's are canonically bi now in my mind baby and I shall never accept otherwise<33
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“Allah için işleyiniz, Allah için görüşünüz, Allah için çalışınız. 'Lillah, livechillah, lieclillah' rızası dairesinde hareket ediniz. O vakit sizin ömrünüzün dakikaları, seneler hükmüne geçer.”
• (Lem'alar - Risale-i Nur)
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