#direct selling association

[directsellingnow]

Direct Selling Industry में Educated लोगों की कमी सबसे बड़ी चुनौती: Ved Prakash Ojha

Direct Selling Industry: “इस इंडस्ट्री का सबसे बड़ा दुर्भाग्य यह है कि आज भी educated लोग इस सेक्टर में आने से हिचकिचाते हैं।” ये शब्द Direct Selling Leader Sh. Ved Prakash Ojha ने कहे। इस दौरान वह Shoolini University में आयोजित तीसरे CEDSA Conclave को सम्बोधित कर रहे थे। बता दें इस कार्यकम में दुनियाभर के टॉप डायरेक्ट सेलिंग लीडर्स ने हिस्सा लिया और विभिन्न पैनल डिस्कशन के माध्यम से अपने विचार…

[cathkaesque]

Relentless direct action has secured another victory in the fight against Israel’s arms trade, as Elbit Systems are forced to sell their ‘Elite KL’ factory in Tamworth.

The company had previously manufactured cooling and power management systems for military vehicles, but was sold on after stating that it faced falling profits and increased security costs resulting from Palestine Action’s efforts. 

After the sale was completed last month, Elite KL’s new owners, listed as Griffin Newco Ltd, confirmed in an email to Palestine Action that they will have nothing to do with the previous owners, Elbit, and have discontinued any arms manufacturing:

“Following the recent acquisition of Elite KL Limited by a UK investment syndicate, the newly appointed board has unanimously agreed to withdraw from all future defence contracts and terminate its association with its former parent company”.

This victory is a direct result of sustained direct action which has sought, throughout Palestine Action’s existence, to make it impossible for Elbit to afford to operate in Britain. Before they sold the enterprise to a private equity syndicate, Elbit had reported that Elite KL operating profits had been slashed by over three-quarters, with Palestine Action responsible: Elbit directly cited the increased expenditure on security they’d been forced to make, and higher supply chain costs they faced.

And these actions did, indeed, cost them. The first action at the site, in November 2020, saw Elite KL’s premises smashed into, the building covered in blood-red paint. Between March and July 2021, the site was put out of action three times by roof-top occupations – drenched red in March 2021, with the factory’s camera systems dismantled, before again being occupied in in May. Another roof-top occupation in July, despite increased security, saw the site forced closed – once again painted blood-red, and with its windows and fixings smashed through.

In February 2022, activists decommissioned the site for weeks – closed off after an occupation that saw over £250,000 of damages caused, the roof tiles removed one-by-one. After this, Elbit erected a security perimeter around the site – but to no avail. One month later, six were arrested after Palestine Action returned to Tamworth – again taking the roof and smashing through, preventing the production of parts for Israel’s military machine.

Elite KL is a ‘specialist thermal management business’. Since the sale, the company focuses on cooling systems for buses and trains, but it had, under Elbit, manufactured these systems for military vehicles. Until December of last year, Elite KL’s website was advertising its military and defence products, and it was known to provide parts for Israel’s deadly Merkava tanks, with export license records demonstrating its provision of ‘ML6a’ components for military ground vehicles to Israel. The company was also known to manufacture crew cooling systems, for the military vests of tank operators.

Elbit Systems itself provides 85% of the drones and land-based military equipment for the Israeli military, along with a wide range of the munitions and armaments currently being used against Gaza’s beseiged population. Its CEO, Bazhalel Machlis, has claimed that the Israeli military has offered the company its thanks for their “crucial” services during the ongoing genocide in Gaza

A Palestine Action spokesperson has stated:

“Each activist who occupied and dismantled Tamworth’s Israeli weapons factory did so in order to bring an end to Israel’s weapons trade, and to end the profiteering from Palestinian repression. Every defeat Elbit faces is a victory for the Palestinian people.

Kicking Elbit out of Tamworth shows once again that direct action is a necessary tactic. It is one which must be utilised and amplified in the face of the Gaza genocide.”

[reasonsforhope]

Less than three months after U.S. Senator Tammy Baldwin and her colleagues launched an investigation into the four major American manufacturers of inhalers, three of the companies have relented, making commitments to cap costs for their inhalers at $35 for patients who now pay much more.

25 million Americans have asthma and 16 million Americans have chronic obstructive pulmonary disease (COPD), meaning over 40 million Americans rely on inhalers to breathe.

Inhalers have been available since the 1950s, and most of the drugs they use have been on the market for more than 25 years.

According to a statement from the Wisconsin Senator’s office, inhaler manufacturers sell the exact same products at a much lower costs in other countries. One of AstraZeneca’s inhalers, Breztri Aerosphere, costs $645 in the U.S.—but just $49 in the UK. Inhalers made by Boehringer Ingelheim, GlaxoSmithKline, and Teva have similar disparities.

Baldwin and her Democratic colleagues—New Mexico Sen. Ben Ray Luján, Massachusetts Sen. Ed Markey, and Vermont Sen. Bernie Sanders—pressured the companies to lower their prices by writing letters to GSK, Boehringer Ingelheim, Teva, and AstraZeneca requesting a variety of documents that show why such higher prices are charged in America compared to Europe.

As a ranking member of the Senate Committee on Health, Education, Labor, and Pensions, Baldwin recently announced that as a result of the letters they had secured commitments from three of the four to lower the out-of-pocket costs of inhalers to a fixed $35.00 rate.

“For the millions of Americans who rely on inhalers to breathe, this news is a major step in the right direction as we work to lower costs and hold big drug companies accountable,” said Senator Baldwin.

A full list of the inhalers and associated drugs can be viewed here.

It’s the second time in the last year that pharmaceutical companies were forced to provide reasonable prices—after the cost of insulin was similarly capped successfully at $35 per month thanks to Congressional actions led by the White House.

-via Good News Network, March 25, 2024

[heuffopla]

An illustration for a zine / art selling event where all the profit will go to associations helping Palestine. The event happened less than a month ago and I'm happy to say it was very successful!

Do not give up on Palestine 🇵🇸✊

UPDATE : You can now order the fanzine or prints of this drawing and others here! :

Any money made from sales will go to the association "Care for Gaza", thanks!

[soon-palestine]

Palestine Action permanently shut Elbit down in Tamworth! After sustained direct action, the Israeli weapons maker was forced to sell due to increased security costs which cut their profits by 75%. The new owners wrote to Palestine Action to confirm the factory is no longer associated with Elbit and have discontinued all arms manufacturing contracts.

[spilledparchment]

Also also the bubblegum and midcentury modern styling was the point. It's a direct reference to whiteness. Midcentury furniture and styling was prevalent in the 50s and 60s, the "good times" of racism and segregation. Bubblegum colour schemes similarly are associated with pop music, itself a very very white space. The reveal of the episode was set up in its styling as well as in the little microaggressions of the protaganist and it's part of what helps "sell" it.

[drchucktingle]

GREETINGS BUCKAROOS as you may have heard CAMP DAMASCUS is nominated for a bram stoker award this year. this is biggest literary award in horror and i am so deeply moved by this recognition. thank you horror writers association you have proven so much love to me. i feel especially moved as an autistic buckaroo writing an explicitly autistic lead character

when things like this happen there is suddenly a LOT of attention on authors and books and that is so wonderful. as you know i am always looking for ways to PROVE LOVE IS REAL and DIRECTING this kind of attention towards good causes can often be a powerful maneuver

with that in mind i have written a new 'no sex' tingler, NOT POUNDED BY MY HANDSOME SENTIENT STOKER AWARD NOMINATION FOR CAMP DAMASCUS BECAUSE THE TWO OF US ARE TOO BUSY CELEBRATING THE FACT THAT A STORY WITH AN AUTISTIC LEAD CHARACTER BY AN AUTISTIC AUTHOR MADE THE SHORTLIST FOR A MAJOR LITERARY AWARD AND NOW WE’RE DONATING SOME MONEY TO AUTISTIC SELF ADVOCACY NETWORK.

instead of hosting on amazon, this tingler is FREE to read and download on chucks patreon, with a suggested donation of 3 dollars to AUTISTIC SELF ADVOCACY NETWORK, a fantastic organization that works to help autistic buckaroos, and to support the wide, unique range of this experience. i have chosen three dollars because that is what i usually sell tinglers for, but you can donate as much or as little as you like. if you cannot afford donation at this time that is just fine bud, enjoy this book on me

thank you so much for trotting along on this journey, we have come so far together and i am overwhelmed with gratitude for the buckaroo community, for each and every one of your own unique ways that create this beautiful whole. step by step we are SHAPING AND BENDING the timeline towards love TOGETHER, and there is no sign of slowing down.

so enjoy this tingler, donate if you can, and thank you again to horror writers association for this incredible honor. LOVE IS REAL LETS HECKIN TROT

----

When the Stoker Award nominations are announced, Chuck Tingle’s feelings are complicated. He’s honored and thankful to be considered for such a prestigious award, with all this new attention comes new forms of anxiety. In Chuck’s case, that means a whole team of paparazzi dinosaurs kicking down his door and flying through his windows.

Now Chuck’s on the run, but a chance encounter with a horror legend helps Chuck realize that it’s okay to be himself despite all this newfound pressure. Being himself is exactly what got him here in the first place.

This important tale is 4,000 words of sexless love and appreciation between Chuck Tingle and his kind and generous Stoker Award nomination.

----

READ THE TINGLER HERE

[thankskenpenders]

The Knuckles show

The announcement of a live action Knuckles streaming miniseries was surprising, to say the least. I mean, what would such a show even be about in a version of the Sonic universe with no Angel Island and barely any characters from the games around? Is he gonna go treasure hunting with the gang from Montana or something? Would a streaming miniseries have the CGI budget to squeeze in any new game characters, even briefly? Rouge? Amy? At least one member of Team Chaotix? Anyone?

Now the show is finally out, and it turns out what they actually made was a comedy show about bumbling deputy sheriff Wade Whipple, the minor comic relief character played by Adam Pally who you might not even remember all that well from the first two movies, with Knuckles as his sidekick. While, yes, Knuckles does get a decent amount of screentime and opportunities to punch bad guys and do cool moves from the games, large stretches of this show focus on Wade's personal life, to the point that a couple times I almost forgot I was watching a Sonic-related show. If you're judging it purely by the metric of how well it adapts and engages with its source material, this surely must be one of the worst adaptations the Sonic franchise has ever seen.

So then, despite some huge complaints... why do I kinda like it?

(This will contain full spoilers for the Knuckles show.)

A brief summary of what the show is actually about because I know half of you aren't going to watch it

The show picks up not too long after the end of the second movie. Knuckles is now living in Montana with Sonic, Tails, and the Wachowskis out of a sense of debt to them, though he doesn't really see it as his home. He doesn't feel like he belongs on Earth, and his life currently lacks direction. After communing with the ghost of Pachacamac, though, Knuckles is instructed to keep his culture alive by teaching "the ways of the echidna warrior" to a new apprentice: deputy sheriff Wade Whipple, who's currently more concerned about winning a bowling tournament in Reno than anything else.

Things are complicated by the interference of two rogue GUN agents - Agent Willoughby, played by Ellie Taylor in a bad wig, and Agent Mason, played by Kid Cudi. (Yes, the artist behind the second movie's credits song is one of the bad guys in this.) They want to steal Knuckles' power and sell it to a former associate of Robotnik's played by Rory McCann (The Hound from Game of Thrones), who now works as a black market arms dealer. Yes, they're still doing the thing where Sonic and friends' quills radiate some kind of super-energy that the bad guys all want. No, I don't particularly love this element of the Paramount Sonic continuity. Anyway, they go after Knuckles and Wade, complicating their straightforward road trip to Reno. Antics ensue.

The Wade show

So here's the thing. While the first episode focuses largely on Knuckles, the entire rest of the show is very much the story of Wade, and by extension the other original human characters invented for this miniseries.

Episode 2 is about Wade having to rescue Knuckles from captivity after the GUN agents get him. Knuckles spends most of the episode in a cage.

Episode 3 is about introducing Wade's Jewish family, including his slightly overbearing mother and weird sister, so that Knuckles can learn about their family traditions and have Shabbat dinner with them (and then save them from bounty hunters that the GUN agents hired).

Episode 4 only features Knuckles at the very beginning and very end of the episode, probably for less than a minute total. Wade is captured by a bounty hunter he personally knows, and Knuckles decides to let that be a trial for Wade to overcome on his own.

The last two episodes feature the climactic showdowns with the GUN agents and their arms-dealing ally, who comes in with a mech for the obligatory final boss fight. You'd think this would be Knuckles' time to shine, but really, these episodes are mostly about the bowling tournament in Reno where Wade encounters his estranged father, wrapping up his own personal arc. While Knuckles does get some fights, a lot of the finale is spent on lengthy bowling scenes where Knuckles isn't in the room or even mentioned. It frequently feels more like a spiritual successor to '00s sports comedy movies like Dodgeball, Talladega Nights, or Blades of Glory than it does a part of the Sonic franchise, and the presence of ESPN 8: The Ocho commentary in the finale only drives those Dodgeball comparisons home. They get so immersed in the bowling stuff that it's genuinely hilarious when the show suddenly pivots and remembers "oh shit we still need to do the final boss fight"

Throughout all this, Wade is the protagonist. He's the character we spend more time with, he's the character who drives most of the major events, he's the character who gets more of an arc. The emotional core is Wade's journey. Knuckles is still present - sometimes, at least - but he's there as Wade's wingman, and also just as the excuse for there to be some fight scenes.

How much Sonic stuff is actually in this show?

Honestly? Not much.

Sonic and Tails are only in the first episode. Sonic gets some good scenes, but Tails gets a grand total of five lines. I counted. Unsurprisingly, Jim Carrey is absent as Robotnik, though he does get mentioned a fair bit. (For that matter, basically the entire established human cast beyond Wade is absent, even including Tom, though Maddie is there in episode one.)

GUN is involved in the story, which helps it feel slightly more connected to Sonic, but it kind of feels like it's GUN in name only. They don't use any recognizable GUN tech, and they don't call in the military. It's just two agents in suits. They might as well be the Men in Black.

The Master Emerald is mentioned as something Knuckles has to guard, but it's never seen. Angel Island is pictured as a drawing during the show's intro, appearing exactly how it does in Sonic 3, but it's never referenced at all beyond that.

I guess the climax taking place in and around a Reno casino is a reference to Sonic's many casino-themed levels. That's something. I'll give them that.

Oh, and if you're wondering if this is the point where we finally start to get actual music from the games: no, it's not. The soundtrack consists of a lot of '80s needle drops, many of which are generic Hollywood picks like "Holding Out for a Hero" for the billionth time, thought it at least has some slightly less obvious picks than the Mario movie. The theme song is '80s rock song "The Warrior" by Scandal. You'll hear it many times. You'll hear the Adventure era Knuckles raps zero times in this. You'll briefly hear classic A Tribe Called Quest song "Can I Kick It?" before Knuckles takes the question too literally and breaks the radio in Wade's car.

Beyond a handful of surface level references for nerds (one of which is admittedly wild - we'll get to that), this is probably the least an officially licensed adaptation of Sonic the Hedgehog has ever tried to actually engage with its source material. I struggle to think of another Sonic adaptation that has less to do with Sonic. For as much shit as I and countless others have given Penders for seemingly ignoring the content of the games in favor of building his own convoluted mythos, his Knuckles comics honestly included way more elements from the games than this show does.

Somehow, the one new(-ish) Sonic character introduced in this is the ghost of Pachacamac of all characters. Not even Tikal! Pachacamac! A very minor character nobody has particularly strong feelings about! You can't even use the excuse that they already had the character model, because they completely redesigned him compared to his cameo in the first movie to better match his Sonic Adventure design. And he's voiced by Christopher Lloyd! Honestly, so many of his lines are strained that it sounds like he's on death's door here, but then he'll surprise you with a more casual line like "just do it, man" and it catches me so off guard that I can't help but laugh.

Pachacamac here has basically nothing to do with the game character he takes his name and appearance from. Where the game character was a cruel warlord who kicked off a 3000 year cycle of violence, Paramount Pachacamac is now just this chill old man who gives Knuckles (and later Wade) advice in two episodes of the show. Hell, he also feels completely disconnected from his established role in the movies, where he's literally the guy who shot Longclaw. The show will not grapple with this contradiction at all. He's just here to be a thing fans like me will recognize from the games. Again, if that's all they wanted, it's kind of baffling that they didn't just use Tikal.

I don't love Knuckles in this

But what about Knuckles himself? Well, he doesn't feel all that much like Knuckles to me. Ironically, he sometimes feels like one of the weaker elements in his own show.

Back when the second movie came out, I noted that Knuckles' characterization seemed to be pulling heavily from MCU Thor as a gallant warrior from an archaic alien culture who doesn't really understand modern day Earth stuff. That worked for me in that movie. It was just there for spice. Just a little extra flavor for the character in what was otherwise a very faithful adaptation of Knuckles' storyline in Sonic 3 & Knuckles. Without those familiar elements grounding him and with a much higher reliance on comedy, Idris Elba's Knuckles becomes a pretty one-note character in this.

In damn near every scene with Knuckles, he's going to say something about being a proud, honorable echidna warrior, or brag about his glorious feats of strength, or be confused about some Earth thing and call it sorcery, or act like every other character is also a member of some noble warrior clan. He still has his moments for sure, but this schtick kinda gets old fast, and it just doesn't feel like Knuckles to me. His entire character feels derived from the scene in the diner where Thor smashes the cup on the ground and goes "Another!" Sure, I can picture game Knuckles smashing a radio to turn it off and being a little too gung-ho about busting holes through walls. That's Knuckles behavior. But building a barbarian combat pit in the living room so the Wachowski family dog can fight the mailman? Nope. That's some other guy now. It really does just feel like them taking a broad character archetype from something popular that kinda sorta fits Knuckles and just running with that, rather than trying to actually adapt the character.

Oh, but don't worry, he wears the OVA hat for like two minutes! AND he loves grapes! See, Sonic nerds? We read the wiki! That's his favorite food! Grapes! This is gonna come up like five times!

Knuckles kind of gets an arc here, but not as much as Wade does. I think the stuff about him starting to feel at home on Earth thanks to Wade's mom and the way he connects with their Jewish family traditions is oddly sweet. This arc is kind of let down, though, by the fact that Knuckles' heritage is treated as a complete joke. He's a cartoonish pastiche of various historical warrior cultures stuck together in a blender and used mostly for comedic effect. When Pachacamac's ghost appears, he's reading a newspaper and bemoaning the fact that the Mets lost again. This is not the place for a serious examination of Knuckles' feelings on being the last of his kind.

This is far from the only time the show undercuts itself with its jokes and attempts at self-parody. In the first episode, for instance, Knuckles clashes with GUN Agent Mason and his tech-enhanced punches, leading to an extremely on-the-nose inversion of the "Do I look like I need your power?" scene showcased in the trailer for the second movie. Except this time, Agent Willoughby butts in and points out how stupid that line is in this new context, since they're literally trying to steal Knuckles' power. The fight can't just be cool, they have to get cute with it. A lot of stuff like that happens in this show.

Given all these complaints, the first two episodes left me thinking I'd be fairly negative on this show overall. This seemed like the version of the show from the fandom's collective nightmares, one that undoes all of the progress the movie series seemed to have been making towards faithfulness to the games. Like, just look at these cast posters. Is this what you want out of Sonic? Do these excite you?

But then, something strange happened. Over time, I just kind of let the jokes and shenanigans wash over me and basked in how fucking weird this show is.

And I started to actually enjoy it.

Look. The Wade & Knuckles Show was never going to be peak Sonic. But that sure as hell doesn't mean it can't be entertaining.

This show is so fucking goofy

Here's the thing.

The show is funny.

Unlike a lot of other people, I didn't hate all the wedding stuff in Hawaii in Sonic 2, because I thought a lot of it was funny, both in its actual jokes and in the ways in which they tied everything back to Sonic. Tom looking wistfully at some bodybuilders doing Top Gun shit and spraying each other with beer and being like "I wish Sonic had that" is weirdly funny. The twist that those muscle bros are all agents of the newly formed GUN, who orchestrated the wedding as an elaborate scheme to catch Sonic, is funny. Mr. Olive Garden becoming the fucking GUN Commander is VERY funny. Are any of these elements of my dream Sonic movie? No, of course not. But my dream Sonic movie was never gonna happen in live action.

The Knuckles show follows up on the comedy of the previous films by being probably the funniest live action Sonic release yet. Did every joke land for me? God no. There are some stinkers in there that made me roll my eyes. But enough of them landed that it worked out for me overall. A big part of this is the fact that they've got a good cast of actors and/or comedians here.

Adam Pally is funny as Wade, and I found myself liking him more and more as a character as the show went on. He becomes an oddly endearing loser, with some sweet moments in his personal arc that made me feel for the guy. I like Wade more than Tom now, thanks to this show. I will now be happier to see Wade in Sonic 3 than I would have been previously.

The supporting cast is frequently great, too, many of whom are playing completely cartoonish, over-the-top characters. They took a cue from how exaggerated Carrey's performance was as Robotnik and decided to just abandon all pretense that this is the real world. Stockard Channing as Wade's mom is funny, and carries some of the more sincere parts of the show. Cary Elwes as Wade's very British dad who abandoned him as a child to run off and be the world's most egotistical professional bowler is funny. Edi Patterson as Wade's sister Wanda is... well, she's kinda trying too hard, but she has her moments. The Mighty Boosh co-creator Julian Barratt(!!) as a scenery-chewing bounty hunter, who was also somehow Wade's former best friend and bowling partner, is VERY funny. I love this guy.

(Honestly, they should let more people who were on Garth Marenghi's Darkplace be in Sonic stuff. Where's Matt Berry)

This is kind of a stacked cast for a bunch of stupid side characters in a live action Knuckles show! And honestly, that just makes it funnier to me. Even when they're not funny, the fact that this exists makes it funny. They somehow convinced Paramount to give them a bunch of money to make a spiritual successor to Dodgeball about a schlubby guy who wants to beat his dad at a bowling tournament... except also Knuckles the fucking Echidna is there as his personal life coach. My life is richer for the fact that I can say that sentence. I think about all the little kids who are probably watching this show this weekend, going in expecting a show about Knuckles the Echidna and having to sit through extensive bowling scenes and lore about Wade's family, and sorry kids, but I just have to laugh. Wade isn't even on the poster! The poster is just a picture of Knuckles!! They punked those kids!!!

In a franchise where every single aspect is so carefully micromanaged these days, it feels truly special to get an adaptation this bonkers. It frequently appeals to the same part of me that enjoys the fact that there's an officially licensed Knuckles comic in which Charmy Bee's best friend (also a bee) dies of an accidental LSD overdose from a drug-laced chili dog. Or like, everything about the original 1993 Super Mario Bros. movie. Or the fact that they made seven direct-to-DVD sequels to Alpha and Omega, one of which is half a retread of the adventure from the first movie (with more annoying supporting characters in tow this time) and half a literal clip show of the first movie. The sheer absurdity of the fact that these things exist is charming to me. Except, with the Knuckles show, it has the added benefit of frequently being funny on purpose! This is why I'm not sure I'd call it "so bad it's good." Like, it's not amazing, but there were a lot of parts that I enjoyed in the exact way I was supposed to enjoy them.

Look. Here's a list of real lines of dialogue from the Sega-approved Knuckles the Echidna streaming show that they're billing as a pillar of the Paramount+ lineup, to drive this point home. Let these marinate for a minute:

"I only eat grapes, and Cool Ranch Doritos™."

"Annihilate this little girl, Wade. Crush her spirit. Humiliate her so badly her parents won't even look at her again." "Doesn't that seem like we're going a bit far?" "Not far enough."

"So is he Jewish?" "Half, I think."

"I had a friend who when he listened to Alien Ant Farm he could lift a Toyota Corolla over his head."

"I'm in dire financial straits. Due to my lawsuit against an unnamed rainforest-themed restaurant franchise, I don't have two pennies to my name."

"We're here in sunny Reno, Nevada, which is so close to Hell you can smell the sparks."

"You can't threaten me with your Jewish karate chops because I am a federal agent."

"I will say, regardless of how you feel about child abandonment - and I'm against it! - the deals at TJ Maxx can't be beat."

This is a Sonic show in which they got Paul Scheer and Rob Huebel to appear as ESPN 8: The Ocho commentators.

This is a show where Wade's mom insists upon pronouncing "Knuckles" with the throaty Hebrew "ch" sound, and declares that Knuckles is basically Jewish. Later, they watch Pretty Woman together while enjoying a nice slice of key lime pie. Knuckles comments: "I don't understand. This young streetwalker with a heart made of gold, why do the others treat her with such disdain? Is it so wrong to walk the streets?"

This is a show where the fourth episode is directed by one of the guys from The Lonely Island and features a hallucinatory low budget rock opera stage musical put on by the ghost of Pachacamac. It recounts Knuckles' life story, with Wade playing Knuckles and the "evil" Longclaw played by the bounty hunter guy who's played by the Mighty Boosh guy.

Look at this.

And also, Knuckles' singing voice is provided by Michael Bolton, which they proudly announce in the middle of the musical.

And also...

Also...???

IBLIS IS IN IT????????????

Yes, Iblis!

From Sonic '06!!

Knuckles is said to have looked for a mythical power called the "Flames of Disaster" to avenge his clan, which ended up being the power that was within him all along that lets him do fire punches yadda yadda yadda. As part of this, he apparently fought Iblis off-screen at some point, as conveyed with the giant singing papier-mâché Iblis in the musical.

...Then Iblis sings about hitting up Facebook Marketplace

How? How does any of this exist? Why reference '06 of all games? How did Iblis get into the live action Sonic movie universe before Amy and Metal Sonic? Why are they using Iblis and the term "Flames of Disaster" in such a goofy way that completely disregards their original context?

I don't know. I don't know how any of this happened. But I love it. We got a Knuckles miniseries in which Michael Bolton sings the phrase "the Flames of Disaster." The world is a beautiful place sometimes.

Some people will tell you to skip episode four. "Knuckles is barely even in it," they say. "It's dumb and pointless," they say. "They clearly just ran out of special effects budget," they say. These are people whose opinions you should disregard. The episode with the least Knuckles in it is somehow the most entertaining episode of the show. I would, in fact, go as far as to say that if you only decide to watch one episode of the Knuckles show to see what goofy bullshit they get up to, it should be this one.

I cannot be mad at this show. It's so dumb, but it completely owns the fact that it's a dumb and unnecessary spinoff. Inferiority is baked into its very DNA. It's very self-consciously redoing the premise of the first movie, but stupider. It's about The Other Cop from the movies, instead of the competent one. Instead of being into a "cooler" sport, his life revolves around professional bowling. Instead of going to Vegas, he goes to Reno. Even his tragic backstory that shaped his entire life sucks. He was abandoned by his pro bowler dad in a TJ Maxx. Not even a nicer department store. A fucking TJ Maxx. This whole show is a Dril tweet.

They put a ton of effort into making it dumb in an occasionally spectacular way. So much effort was put into that joke rock opera that fans will just write off as stupid filler. They put their whole pussies into it. This is not a poorly made show. This has better production values than half the shit made for Disney+. This was made with love. Maybe not as much love for the Sonic the Hedgehog series of video games as we'd like, but it's love nonetheless.

Maybe this show broke me and these are the ramblings of a madwoman. Maybe I'm just really nostalgic for the '90s and '00s comedy movies all the Wade stuff is modeled after. Maybe the Alan Wake fan in me just really loves it when a story pivots to a silly rock opera for no real reason. I won't discount any of these possibilities. This isn't high art. This isn't something I would recommend to anyone with zero interest in Sonic, and it also isn't going to sway Sonic fans who hate the Paramount universe. I really can't blame them for being bewildered by this show. But for a specific type of person, this is the absurd three-star Sonic-adjacent comedy miniseries of your dreams. It's a mid masterpiece.

Again, I just have to step back, realize the fact that this shouldn't exist, and smile. Sega's too afraid to do stupid bullshit with the franchise like this these days. And I can't blame them, after years of Sonic being a treated as a laughingstock. But part of me misses some of the goofy shit. No matter how much I tore some of the Archie comics apart as I was reading them for this blog, I just look back on stuff like Cal and Al or the Many Hands issues and laugh. And that same part of me looks at this show about Knuckles being the sidekick to this fucking guy, and just goes...

"We're so back."

In conclusion, I genuinely think this was a more enjoyable TV show than Sonic Prime.

I wouldn't go back and rewatch Sonic Prime anytime soon, aside from maybe, like, a couple of the Shadow-heavy episodes. Huge stretches of that show bored me to tears. The writers squandered all of that show's potential. But I would rewatch the Knuckles show, which takes a terrible premise and has a lot of fun with it, in a heartbeat. Even the bowling parts. The bowling scenes in the Knuckles show are more engaging than 70% of the fights in Sonic Prime. I am not trolling. I mean that sincerely, with all my heart. Don't @ me.

Stray observations

There is effectively zero meaningful setup for the third movie in this, unless Wade's family or the two GUN agents come back or something. Project Shadow is not mentioned in this. There is no secret post-credits scene with Gerald

The CGI in this is pretty good. Not quite on par with the movies, but pretty good. Sonic's weird forehead wrinkles are distracting in his scenes though. Please fix that

I wouldn't say I liked this as much as the second movie, which obviously gets a ton of points for, you know. The Cool Sonic Shit. But I had more fun with it than the first movie, which I still feel is a painfully generic family movie that was only saved by Tyson's redesign

"Grapes are an interesting choice for someone who doesn't use his individual fingers."

Agent Willoughby was apparently the one at GUN who had to buy the Olive Garden gift cards and set up the fake wedding. Her origin story is that she hated doing shit like that and wanted to go fight aliens

This miniseries contains another Keanu namedrop because Wade's childhood bedroom has a Speed poster on the wall. I swear, if Sonic doesn't say Shadow sounds just like Keanu...

Knuckles is familiar with Paul Blart Mall Cop

Near the end the ESPN 8: The Ocho commentators say that the 1974 Reno bowling championship was also interrupted by an extraterrestrial, and given that was exactly 50 years ago I can't write off the possibility that that was Shadow. Please for the love of god give us a sequel series after the third movie where Wade takes Shadow the Hedgehog bowling. I need this more than I need air

[aphrogeneias]

𝐤𝐢𝐧𝐤𝐭𝐨𝐛𝐞𝐫, 𝐝𝐚𝐲 𝐟𝐨𝐮𝐫𝐭𝐞𝐞𝐧 — uniform

pairing: eddie munson x fem!reader

warnings: ex-cheerleader!reader. handjob. penetrative sex. semi-public sex.

It was always the skirts that did it for him.

Not the ponytails, not the sparkly pom poms, not even the acrobatics. It was the small skirts that had his eyes wandering, following long legs and pretty thighs along the hallways of his former high school. His friends used to make fun of him, tell him how stupid he looked pining over the cheerleaders who would never even look his way.

Eddie used to tell them he wasn't pining, he was merely just… looking, for lack of a better word. He wasn't thinking about them, the little skirts in green and yellow swishing around soft looking thighs, when he was alone later, under the shower. Of course not.

Imagine his surprise, then, when he saw you — his favorite customer, wearing a red, white and black cheerleader uniform. You were in the corner of the room, chatting with your local college friends, sipping on a plastic cup. Hair in a high ponytail tied with a neat red bow, as red as the fake blood sprinkled on your body.

He might have choked a little on his beer, but he didn't pay much attention to it, concentrating it all on you. Not until Jeff elbows him on the ribs, scoffing at his friend. "Man, you're gonna catch flies with that mouth hanging open."

"Shut up." Eddie grumbled, looking away from you and back at his friends. "Do you think she saw?"

"You're not exactly subtle, Ed." Gareth points out. The younger boy turned to your group of friends and waved, and as Eddie did the same, he noticed you waving back.

Burying the urge to smother Gareth in his sleep, he managed a rather strained smile, and a three finger wave in your direction. He saw you hide your giggle behind your hand, and all of his worries faded away for a second. It must have been your pretty smile, barely concealed by a delicate hand, or the mixture of glitter and fake blood on your skin, making you glint in the dark. Either way, he decided that he didn't want to look away, not really.

As his friends engaged back in conversation with each other, and your friends remained entertained with whatever was the subject between them, your eyes met yet again. You gave him a discreet nod of your head, pointing to the glass doors that led to the backyard of the house. Eddie nodded back, and waited for you to go first before following you closely.

Eddie had met you when he decided to expand his side business after he graduated. No longer wanting to associate with the high school kids, no matter how well some of them would pay him with their daddy's money, he went for the college students next. Lingering around their parties, taking a stroll through the campus with his ever trusty lunchbox on days off of work.

It was on one of these strolls that he met you — clumsily sitting in front of him at a picnic table that resembled his old selling spot, dropping your bag on the table and asking him for a rolled joint because you were terrible at rolling, and you'd even pay extra if needed.

He decided that, from that moment on, you wouldn't have to roll your own joints ever again.

There was just something about you, something that Eddie couldn't quite put his finger on. Maybe it was how comfortable you made him feel, how easy the conversation flowed between you. How you would always rant about your day or infodump on the latest subject that caught your interest in class, or the last book you were reading. It was like you didn't mind that Eddie was virtually a stranger, you just accepted him in your life with open arms, and he did the same.

You started walking a thin line between merely a business relationship, and an actual friendship. Eddie started never letting you pay, telling you that your company was more than enough reward. After that, you came up with more creative ways to thank him. A mixtape, freshly baked sprinkle cookies, a new bracelet, black nail polish.

He wondered if he asked for a kiss as payment you'd give it to him.

Through the small crowd in the living room to the small back porch, he couldn't help but let his eyes wander over your form from behind. The way your skirt moved side to side when you walked, in perfect sync with your hips. The back of your legs, the curve of your neck. It made his heart race, and his hands ache to touch.

Finally, you both passed through the doors, — you first, Eddie making sure to slide the door behind him close — breathing in the cool night air. The outside of the house was empty except for the two of you, and the neighbor's cat waltzing around the top of the fence.

"Got the good stuff, Munson?"

You were smiling as you sat down on an old, beat down couch to the left of the porch. He tried not to make it obvious he was staring at the way your thighs spread out as you sat, looking good enough to bite into. Instead, he looked down and fished out the smokes carton from the pocket of his leather jacket, and smirked right back at you.

"For you? Always."

That night, neither of you spoke much as you shared a spliff between the two of you. The silence was not awkward, nor was it uncomfortable. It was just the two of you and the chill October air, and the shitty music that came from the inside of the party.

While he took the last drag, you scooted closer to him, bringing your arm to the back of the couch. "I noticed you looking, you know."

Holding his breath, he asked, "What?"

"At me, silly. I noticed you looking at me the whole night."

Your voice was pure honey, but there was a malice in your eyes Eddie had never seen before. Swallowing hard, he shifted on his seat, incidentally closing the distance between you. "It's just that, uh… You look really pretty tonight. Not that you don't look pretty any other day," he panics, disgusting it with a flare of his hands, "but you look especially beautiful tonight."

"It's the outfit, isn't it? Never would have thought you had a thing for cheerleaders, Eds. Would have told you I used to be one way sooner if I'd known."

"This was yours?" His eyes felt like they were going to pop out of his head.

"Yeah. All the way through high school. It was fun while it lasted."

He hummed, but on the inside, Eddie wanted to scream. "Whoa, sweetheart. Gotta show me your moves one of these days."

"I could show you a few right now."

You got impossibly closer, your face inches from his own. Instead of kissing him like he expected you to do, you took one of his hands and placed it on your waist, not breaking eye contact with him. "You can touch me if you want to, Eddie. It's okay, I want you to."

He sat up straighter, grabbing your waist earnestly now. "Can I kiss you, baby?"

With your nod as confirmation, he did. He kissed you long and deep, stealing the breath away from both of you. He tastes you on his tongue, smoke and cheap vodka lingering there, as you straddled his hips, pretty pleated skirt flaring around your hips.

Hands wandering over layers, mouths wandering over skin. Eddie kissed every spot he could find, from your mouth to your neck, sucking and biting bruises that knew would still be there in the morning. He squeezed your boobs through your tight top, massaging them in his rough hands, making you moan in his mouth. He drank each strangled moan, each sigh, fueling his want for you.

Your hands soon found the buckle of his belt, expertly opening it, and palming him through his boxers. He could almost feel embarrassed over how hard he already was, but he could sense that you were equally as eager, applying pressure on his cock, running your nails through the length of it just to feel him shiver under your ministrations.

You didn't break the kiss as you pulled him out of his underwear, stroking him slowly, pumping his cock with your hand, running your thumb over the head of it, slicking him with his own precum. Eddie bit your bottom lip to stay quiet, making you look at him through hooded eyes. "Feeling good, handsome?"

"Too good. Too fucking good to be true."

You chuckled, low and sexy. "It is true. It's all for you."

As you kept stroking and squeezing him in your hand, moving your thumb from the sensitive underside to the head, and down again, making his hips jerked and thrusted into your grip, he kept kissing you, pouring all of his adoration into it, sucking on your tongue, bruising your lips with his own.

A chill ran down his spine with a particular tug of your hand on his cock. At the feeling of it, Eddie put a hand on your wrist, stopping you. "Angel, I'm not gonna last long if you keep doing this."

"But I wanna make you cum, Eds." You pouted, looking down at him.

"You can make me cum inside of this perfect pussy, how about that?"

"I think I like that more, too."

Without warning, you pulled yourself up, standing in front of him. As if you were putting on a show, you bent down at the waist, and slowly removed your panties from under your skirt, tossing on the couch right next to him, and mounted him again. "You're gonna kill me, aren't you? Was that your plan all along?"

"I don't know. Is it working?"

This time, he grabbed your hips and helped you align yourself above his cock, rubbing his head along your entrance and letting it catch on your clit a couple of times before you sat yourself on him, taking him in slowly, accommodating the stretch inside of you.

It was heaven, right there, under that tiny cheerleader skirt.

"Trust me. It's working really damn well."

You lost yourselves in that moment, moving your hips in sync. Eddie was hypnotized by the way you bounced on him, each slide of your slick, warm pussy went straight through his whole body, making him hold tightly onto you, wrapping his arms around you.

All he could hear was your heavy breathing, your little whimpers better than the music that muffled his own stubborn moans that made their way out of his gaping mouth. He felt you squeeze him with your cunt as you pulled his hair, hips growing more and more reckless with each movement, signaling that you were close.

Eddie started to fuck up into you, making you bounce harder on his lap. He felt the way you lost balance, holding onto his shoulders and shutting your eyes hard.

"It's okay, pretty girl. You can let go. I'm right here with you, you can cum for me." He pleaded, "Please? Cum with me."

You came almost at the same time, squeezing each other's bodies, trying hard not to make too much noise. While you rode out your orgasms, Eddie left kisses all over your shoulder, to your neck, to the side of your face. A last kiss on your cheek, on the side where you were hiding your face on his neck.

"We should get out of here before someone catches us."

Your voice tickled the sensitive skin of his neck, and he ran his hand over your back. You were still joined under your skirt, his cock growing soft inside of you, but still terribly warm. "Your place or mine?"

You raised your face from its hiding place, and pushed a strand of his wild hair behind his ear. "Wherever we don't have to keep quiet like this."

"My place it is."

[doyoulikethissong-poll]

Christina Aguilera - Candyman 2007

"Candyman" is a song by American singer Christina Aguilera from her fifth studio album, Back to Basics (2006). "Candyman" is described as a pop and jazz song that imitates swing music whose lyrics are about sex. It received praise for its musical style while some criticized the sexual references. Commercially, the single peaked within the top 10 in Australia, Canada, Croatia, Hungary, Italy, Luxembourg, New Zealand and Romania, as well as the top 20 in Austria, Belgium, Denmark, Germany, Ireland, the Netherlands, Switzerland, and the UK. In the US, it peaked at number 25 on the Billboard Hot 100 chart and was certified Platinum by the Recording Industry Association of America for selling one million copies in the country. "Candyman" is also certified Gold in seven additional countries.

The music video for the song was co-directed by Aguilera and Matthew Rolston, and received an MTV Video Music Award nomination for Best Direction at the 2007 award ceremony. The single achieved a Grammy Award nomination for Best Female Pop Vocal Performance in 2008.

"Candyman" received a total of 79,8% yes votes!

[impale-me-radio-daddy]

Reddest Flags, Longest Nights

⩙ Summary: The year is 1989. The Berlin Wall has fallen, and Nintendo have just overseen the release of the Game Boy. The first ever episode of Baywatch has just aired, and Ted Bundy has just been executed by electric chair. Vox's relationship with the Radio Demon is on the rocks. Their solution? To add a third person to their bedroom: you

⩙ Warnings: Explicit sexual content, Vox X reader X Alastor, Radiostatic is a committed relationship (well, they're trying), Reader is a girl and she has a pussy, tentacle sex

⩙ Other notes: This is set in a sexy alternate universe for the characters in @bapple117's Bluest Monday

“I'm not for sale,” you say. It's a truly stupid, suicidal thing to say, with the Television Demon's talons wrapped around your arm, and his associate the Radio Demon watching with amused interest as Vox pulls you into their private booth.

“Come now, dear, that surely isn't true.” It's not Vox who speaks, but Alastor, his tones the same genial, cheerful ones he uses for his broadcasts. “Everyone has a price, after all.”

“Everybody fuckin' wants something, yeah.” Vox agrees, releasing your arm once he's convinced that you won't immediately bolt away. He's not slurring his words, but his movements are clumsier than you would expect. He's drunk, you realize. Both of them are. “People want power. Money. Control.”

“Sex,” says Alastor, flashing a grin at Vox, who makes a noise like someone just tuned him to a dead channel, his face filling briefly with static.

“Shh-yeah, some people want sex, Al. That's a normal fuckin' thing to want.”

Alastor's smile grows, a little smug, a little cruel, and his red eyes turn to you. “What about you, dear? Do you want sex?”

“Al! You can't just fuckin' ask a girl that!”

“Last I checked I was better informed on etiquette than you, old chum,” Alastor's smile slides sideways. “And besides, if our interests align, there's a deal to be had.”

You hadn't come to the club intending to sell anything, but the two demons are adept negotiators- Alastor assuring you that no, he doesn't need your soul per se, just your services, services of a personal, private nature, and aren't you inclined to give those, isn't it in your own best interests? All the while Vox is giving a more direct incentive, the front of his boxy face focused on you, entirely you, dexterous talons skating over the exposed skin of your forearms with enough pressure to make you shiver, with the implied promise that he could touch you in less socially acceptable places, if only you would agree to what the Radio Demon was offering.

You're tempted. You're so, so tempted. You know that this is a bad idea, that these two are bad news to be around, that you should just go back to your normal sinner life, but instead you find yourself leaning in to listen more closely to Alastor's solicitations, and Vox, still touching you, grows bolder, his hand dropping below the table to stroke your thigh.

The top of your thigh at first, skating the seams of your clothes, then dropping to your inner knee, Vox's claw drawing a daring line from your knee and up your inner thigh to your panties.

Your breath hitches, and Alastor tips his head at you, expression amused. “You seem distracted. Would you like me to repeat that last part?”

“Would ya like me to repeat that last part?” asks Vox, his grin as wide as his face and lecherous.

“I can make him stop, if you'd prefer,” says Alastor, with a casual menace.

It's hard to listen to the full terms and conditions with Vox's fingers massaging the fabric of your panties, and maybe that's the intention, but you can't bring yourself to ask him to stop, or even to ask Alastor to ask him to stop.

“What've you got to lose?” says Vox, his heavy box of a head nudging against your shoulder as the pads of his fingers press against your now slick-drenched gusset. Your thighs press together, his hand trapped between.

“Of course,” says Alastor. “If you'd like to think about it-”

“Oh, she's thinkin' about it, Al,” says Vox, his tone laden with filth.

“I'll do it!” you blurt, and both of their faces light like pinball machines. “I mean, yes.”

“Splendid,” chirps Alastor. “Now, as a rule, I will close a deal with a handshake, but for this-”

A kiss.

You've never imagined kissing the most terrifying demon in all of Pentagram city, so you have no idea what to expect, but Alastor's hand on your cheek is a feather light touch, a swirl of green magic around you. His lips on yours are chaste, brushing rather than prying, in stark contrast to Vox, who takes the opportunity to push your panties to the side with his fingers and stroke a slow line along your slick-coated inner lips. You whine against Alastor's mouth, and he slides his hand to the back of your head, holding you there as the deal is sealed.

That’s how you go home with them, Alastor holding the green chain that fastens to the shackle around your neck. Vox drives uptown, away from Voxtek, away from the Radio Demon’s broadcasting tower, and you end up in a quiet, well-appointed apartment in the most nondescript tower block that you have ever seen.

You note the shoe rack; the way that Vox’s shiny black dress shoes are stacked up next to Alastor’s bespoke deer-soled boots, and it occurs to you that this isn’t just Vox’s playboy apartment, as you’d expected. The two of them live together. There is only one bedroom.

“So, what now?” asks Alastor, holding out a gentlemanly arm for you to lean on as you remove your shoes in the entrance. “I believe your suggestion was to try new things, yes?”

“Jesus, Al.” Vox’s sigh is heavy. “We’ll just go to the bedroom, undress, and, uh, see where we go, yeah?”

“See where we go?” Alastor’s voice inflects upwards into his upper registers, the sound of a capacitor about to burst, and you realize that you are in considerable danger.

Alastor is grinning, but his body language is stressed, his ears back, lips pulled back over his gums to show the most of his teeth. In your second possibly suicidal move of the night, you squeeze his arm, where you have been holding him since taking off your shoes.

Alastor’s gaze snaps to you, eyes dangerously red, but there’s uncertainty in the corners of his smile. He kissed you, back in the club, you reason, so he can’t find you entirely objectionable. You lower your gaze, sliding a hand up his forearm, and his ears shift, subtly. He exhales, a little of the tension going out of his chest, and you slide your hand to his upper arm, pushing him back against the coat rack behind him, pressing him against an electric blue shell jacket, and he just lets you.

If Alastor were half a foot shorter you would kiss him, but as it is he stares down at you, his smile a question, until finally he gets what you’re trying to do, and bends his knees fractionally so that you can stand on tiptoes and press your face to his.

You can feel his smile under your lips, parting as you dare to pry, your tongue finding his teeth, and then the tip of his tongue, cautious against yours. You can feel the little shiver of his breath, his hand down your back. At first you think he’s about to slip his hand under your waistband, but instead he spreads his large hand under your ass, cupping it, and lifts you off your feet.

You feel a moment of vertigo, and a swoop in your stomach that is definitely not vertigo as Alastor holds you with your face level to his and slips his entire tongue into your mouth. You took him initially as a conservative kisser, but perhaps he was holding back before. You groan against his lips, feeling heat spread into your lower half as his tongue explores your mouth, the tip probing the roof of your mouth, the soft flesh of the insides of your cheeks. It’s not just the kiss but the feeling of helplessness that it brings, of being held aloft by a being so much more powerful than you. Your knees press the coats either side of Alastor’s waist as he cradles your ass, your tongue lapping against his, eyes closed, arms locking around his shoulders. By the time he breaks the kiss you are gasping, heart pounding in your chest, and Alastor gives you an appraising look.

“You are very small,” Alastor comments, his face a little flushed from the kissing. He doesn’t set you down, however, shifting his forearm under you as you wrap your ankles around his waist, his staff in his other hand.

“Ah, she’ll do fine, Al,” says Vox with a glance over his shoulder, unbuttoning his shirt as he stalks through the living area and into the bedroom. Alastor follows, carrying you as if you weigh nothing.

Seeing the bedroom only serves to solidify your impression that the two of them live here together. There is definitely Alastor’s side of the bed, with red deer themed slippers poking out from underneath, and Vox’s side of the bed, with a digital alarm clock and a special pillow with a square cutout for his head. Two powerful demons, together in secret. It’s enough to make your head spin as Alastor sets you down, gently, on the his side of the bed.

“Alright, let’s fuckin’ do this.” Vox clambers onto the bed, shucking off his shirt, a pause before he reaches you, his hand on your knee. “You too, Al.”

“Must I?” Alastor gives a sideways sort of smile.

“You don’t say that in front of a girl!” barks Vox, and you get the impression he would be pulling his own hair, if he had any. “You’re gonna hurt her feelings or some shit. And yeah, Al, you gotta join in. Otherwise it’s just me fuckin’ a girl on the bed in front of you, and that’s not really a fuckin’ threesome now, is it?”

Alastor smiles thoughtfully. “You did say we would see where we go. I could read a book.”

“Fuck my life,” Vox mutters, flopping back, his boxy head hitting the duvet heavily.

You tug on Alastor’s sleeve again, catching his attention. “You don’t have to do anything.”

“I’m aware,” says Alastor, expression guarded, smile thin. He pauses. “Are your feelings really hurt?”

Your smile is wry. You’d be lying if you said his reticence didn’t hurt, at least a little. “My ego, maybe?”

“Ah.” Alastor looks down at you, and you are caught for a second by just how red his eyes are, like rubies, or pools of fresh blood. His fingers whisper across your cheek, pushing away a strand of hair. “We can’t have that now, can we?”

Tossing his staff onto Vox’s supine form, Alastor climbs onto the bed. He cups your face in his hands and kisses you for the third time that evening, all pretense of propriety gone as he pushes you onto your back, your head onto his pillows and his tongue snaking its way into your mouth. It takes your breath away; you can feel nothing else, only the dance of your tongues and lips, slick with saliva, Alastor’s hands sliding down to your jaw and your neck with the barest pressure. He traces the lines of your arteries, almost absently, and you moan into his mouth as you feel your body respond to him, your pulse growing insistent between your legs. You spread your knees without even thinking about it, your cunt level with his navel as you lie shameless and gasping and red-faced beneath him.

“Now we’re talkin’” Vox grins sidelong at the two of you, propping himself up on his elbows. “You are such a fuckin’ tease, Al.”

“Mm…” Alastor looks down at you, his lips parted and shiny with spit. “I do hope that’s a compliment.”

“Thank you,” you breathe, and Alastor presses a finger lazily to your lips, his eyes narrowing fractionally as if to say no thanks needed.

Vox, meanwhile, is removing your panties. He’s not shy of the Radio Demon’s body either, his hand on Alastor’s flank as he makes the space he needs to get them off. In short order you are naked, your clothing peeled away and the sheets warm against your back, though with the gazes of the two men on you, the room feels far from cold. Vox is down to y-fronts, which his cock strains against valiantly, while Alastor keeps his trousers and shirt, his tie and waistcoat discarded beside the bed.

Vox kisses your breasts, not even trying for your face, Alastor sitting back to give him better access. Vox’s lips are strange, part of the curvature of his front glass and yet not, warm and staticky against your skin, supple as his lips curve around your nipple and suck. His tongue is stranger yet, its sensation alien as the buzzing of fluorescent lights as he traces a circle around your areola and brings your nipple to a shivering point. Vox repeats the action with your other breast, Alastor stroking the vents on the back of his boxy head, his expression unguarded and fond.

“Al-” Vox makes a frustrated noise, his breath hot on your breast. “Pay attention to the girl.”

Alastor smirks, his expression almost flirtatious. “I was,” he says, his eyes meeting yours briefly, “But you and your big head got in the way.”

“Oh for crying out loud, Al.” Vox pinches the top of his frame with two fingers, his other hand on your breast. “There’s plenty to be done here-” Vox’s hand moves down your body, over the softness of your stomach and to your sex, a reassuring squeeze on your hip.

Alastor looks at you, your pink cunt spread open for him, and his brow knits slightly. He’s still touching your leg, hand stroking your shin where it rests against his waist. He’s nervous, you realize. Afraid of fucking up. Afraid of spoiling things.

“Wait-” Vox’s face is thoughtful as he reaches the same conclusion. “You’ve never eaten a girl out, have you?”

“I’ll have you know,” says Alastor, his spine straightening a little. “That I ate two ladies just last week.”

“No, fuck- I mean… eat pussy, Al.”

Alastor raises an eyebrow. “Certainly not!” he pipes. “The taste is revolting, the fur gets stuck in my teeth, and they have too many small bones.”

Vox gives a growl, and you find yourself holding back a laugh. Alastor catches your eye again, his eyes narrowing, red and beautiful as he bends to kiss your knee, a brush of his thin lips. “As my friend here has surmised, I am new to the neighborhood,” he says, his smile a little embarrassed as his gaze travels your inner thigh. “If you would be amenable to showing me around?”

You had expected the Radio Demon to be dominant in the bedroom, to take charge and fill the room with slapping, squelching sounds, but instead he is quiet, his gaze intent as you nervously spread yourself for him. You don’t know what directions he might want, so you hesitate, shrinking back as his eyes seem to drink you in.

“May I?” he asks, and when you nod, he drags a finger through the wetness that seeps viscous from your cunt; a slow, deliberate touch that seems to set every nerve ending in its path aflame. He pulls the finger away, his expression fascinated as a clear string of slick stretches between his finger and your cunt. “How interesting!” he exclaims, before popping the finger in his mouth, eyes closing as he savors your taste.

Vox rests Alastor’s microphone across his knees, impatient. “Al, you’re meant to put your face down there.”

“I’m building anticipation,” says Alastor, his lips a thin smile. “And if you had an ounce of natural showmanship, you would understand that.”

Vox shakes his head, his hands and mouth going back to your breasts, your shoulders and your neck. Vox’s head is too large to comfortably fit in the crook of your neck, but his tongue more than makes up for that, slithering bright across the sensitive flesh of your throat as his claws gently knead your breasts. The biggest side effect of this is that Vox’s large head blocks your view, and you cannot see what Alastor is doing.

There is a cannibal overlord between your legs is the first thought that registers as Alastor’s lips move glacial up your inner thigh. He kisses, he sucks, and he tastes, his fingertips ghosting feather light over your hips and stomach, tracing lines from your navel to your mons.

Vox finally deigns to kiss your mouth as Alastor reaches your cunt. Alastor parts your labia, his long tongue stroking between your folds as Vox’s tongue slips into your mouth, the doubled sensation delicious in its intensity. Alastor’s movements are hesitant, almost conservative, but your cunt is sopping wet enough that even the stripes he licks up your inner labia have you moaning into Vox’s mouth, your hips bucking needy into Alastor’s face.

Alastor’s fingers squeeze into the flesh of your ass, holding you firm as he tends to you, his face pressed firmly into your cunt, lips dragging across slick pink flesh as his tongue probes, a breath of pause between each attempt, his hands weighing how much each teasing lick makes you strain against his grip. His nose brushes your clit, which makes your entire body twitch, and he repeats the action more deliberately a second time.

It’s not long before he has found the most sensitive parts of your anatomy, along with the pattern of touch that best makes you arch your back and cry out. Alastor’s tongue moves back and forth, sweeping hot and wet and divine over you as you spread your knees as wide as they will go, your stomach tightening as you arch your back.

“Holy fuck.” Vox breaks your kiss to look impressed, one clawed hand kneading your chest. “Al, you’re gonna make her cum.”

Alastor doesn’t answer, a primal growl into your cunt, and you cannot answer, the only noise in your throat a mewl of helpless pleasure as Alastor, a man who has spent decades in Hell inflicting pain on souls attacks your nerve endings with a furious precision. You’re going to cum, and you don’t have a choice about it, not with his grip steely on your hips. You want to beg, but your lips can’t even form words as Alastor’s tongue robs you of sense, of language, of decorum, each movement of his mouth sending you hurtling towards the edge. Vox’s hands on you are marginalia to the treatise on pleasure that Alastor’s mouth writes.

It occurs to you, as your orgasm hits, crashing over you and shattering you into pieces, that Alastor might have ruined sex with other men for you. Alastor carries on, tongue pressing into too sensitive flesh through your aftershocks, even as you whine and try to twist away, until Vox touches his shoulder and stops him.

“She’s done, Al,” says Vox, his claws gentle in your hair, and you whimper against the warmth of his chest as Alastor releases you. “Hey, babydoll,” murmurs Vox, the proximity of his screen making the hair on the top of your head stand on end. “You good?”

“Y-yeah.” You swallow, language returning to you in bits and pieces, and look at Alastor, who kneels between your legs still, his face glistening with your juices. His eyes are uncertain, and you reach out to him, catching his thin wrists and pulling him to you.

“You’re good at that,” you say, looking up at Alastor as you lie sandwiched between the two of them, Vox’s strong arms around your waist, Vox’s cock pressing into your lower back.

Alastor kisses you, tasting of you, and pulls back, looking pleased with himself. “It’s a lot like torture,” he says, eyes half lidded. “All I need to do is listen to your screams.”

“God fuckin’ damn it, Al,” grouses Vox. “It’s always the horror show stuff with you.”

“God forbid a man have hobbies,” Alastor’s head tilts, but there’s no venom to his reprise. “And for your information,” he adds, a glance at you. “It’s not always torture. I also enjoy dancing.”

You laugh into your hands, the afterglow of your orgasm filling you with a pleasant kind of warmth, and Alastor steals another kiss, grinning all the while.

“What now?”

“Now?” Vox grins, dangerous. “Now it’s your turn, Al.”

Alastor’s smile becomes fixed. “Excuse me?”

“You heard me.” Vox’s smile grows wider, and he disentangles himself from you, a crackling kiss to the side of your head. “C’mere.”

Alastor gives an undignified squeak as Vox leaps and tackles him into the bedsheets, dexterous claws on the buttons of his shirt and his fly.

“Impudent! I can undress mysel- mm!” Alastor is silenced as Vox catches his chin and kisses him, open mouthed, long blue tongue lapping your juices from Alastor’s chin, and you watch as Alastor melts for the Television Demon, his shoulders going slack, his shadow splaying itself across the pillows. Alastor’s shirt comes off without complaint, and you crawl over to touch him, your hands on his narrow chest, his shoulders, his arms, as Vox undresses him the rest of the way. Alastor’s heart is beating fast; you can feel it through your hand on his sternum, like a butterfly’s wings beating futile against a glass windowpane, but it slows as Vox kisses his back, and Alastor places a clawed hand over yours. “I suppose you both mean to fuck me,” he says, a little sulkily.

“You tryna say you don’t want that, Al?” Vox’s teeth glow as he grins. “You don’t want me to fuck you as the lovely girl here sucks you off?”

Alastor’s smile purses, but he can’t bring himself to say no, not with you staring up at him prettily and Vox growling sweet nothings into his neck.

His cock stands at attention, the tip red and angry, and you take him in your palms before you get on all fours and take him in your mouth, feeling the quiver that runs through his stomach as your mouth envelops him.

“F-fuck,” Alastor hisses, filter failing, his hand in your hair as Vox’s talons circle his narrow waist. He’s sensitive- you can tell that much from your first few sucks, his precum salty and organic tasting, each movement of your tongue drawing soft noises from his throat. Part of that might be Vox working him open, your position in the bed lowering fractionally as Vox pushes Alastor’s knees apart.

“See, you want it, don’t you Al? Gettin’ completely fucked.” You feel Alastor’s talons tighten in your hair as Vox pushes into him, Alastor’s cock twitching against the back of your mouth, and you breathe through your nose, enjoying the feeling of Alastor coming undone.

“Vox!” Alastor’s voice is tight, high in his register, and Vox slows, stroking him and easing him through sensation, the two demons’ hips moving in tandem as Alastor ruts into your mouth, a strangled noise in his throat.

“Say you like it, say we fuck you good,” Vox growls soft, but the only things coming from Alastor’s mouth are obscenities, his senses overwhelmed by the two of you working together.

“Fuck, fuck, fuck.” Alastor’s chest heaves, his eyes screwed shut, his lip bleeding where he has bitten it, his cock hitting the back of your throat with every roll of his hips, a lewd little whimper escaping his lips with the apex of each of Vox’s thrusts.

“There you are,” Vox breathes, seeming to sense Alastor’s imminent climax before Alastor himself. You feel Alastor’s cock swell in your mouth, his grip tightening. “We got you, Al. Let go.”

“Don’t -ngh- tell me what to do,” says Alastor, emptying his load into your mouth, hot and salty. He gasps, and you swallow it down. “Shit.”

“Oh, you’re so good, Al. So fuckin’ good.” Vox’s voice is a groan as he presses his face crackling into Alastor’s hair and starts to fuck him in earnest.

You move your face from Alastor’s cock, and it would be the easiest thing in the world to lay back on the pillows with Alastor’s microphone and watch the show, but instead Alastor grabs your wrists and pins you under him as Vox pushes him to all fours, and Alastor kisses you, unreserved and passionate. He tastes of you, and you of him, small whimpers still escaping him as Vox fucks him. Your fingers are in his hair, over his ears, over his antlers, his thin back, and he holds you to his chest, lips locked with yours as Vox finishes inside him, the three of you shivering with it, the room still in the aftermath.

“Ngh.” Vox’s screen shows a test card for a good twenty seconds. “Fuck.”

“Yes,” Alastor agrees, a slow exhalation as Vox withdraws from him.

The three of you are side by side in the bed for a moment as Vox drops to the sheets. Vox’s breathing is labored, Alastor’s more controlled, and neither of them speak.

Alastor rolls onto his back, turning to Vox. “You’d best wash up.”

“What?” Vox narrows his eyes. “Why?”

“It’s rude,” says Alastor, with a coy smile. “To keep a lady waiting.”

“Oh.” Vox stares at you as if he’s just remembered you are there, face coloring. “Oh. Shit. Yeah. Keep her warm for me, Al.”

Alastor takes his staff back in one hand, and pulls you to him with the other, your head nestled nicely against his bony shoulder as you watch Vox disappear into the bathroom, water running. It feels as if you could both drift off like this, comfortable and satiated, and you almost do, until Alastor’s fingers start tracing a slow line from your knee to your thigh, and your eyes flicker open.

“He’ll be pissy if he finds us asleep,” says Alastor, his tone amused. “So, unless you want to see him blow a fuse-”

You swallow as you feel him part your labia with his fingers, careful with his claws as he drags the pads of his fingers through the slickness that seeps from you. “Is this really the best way to stay awake?”

“Probably not,” admits Alastor. “But it is one of the more entertaining ones, don’t you agree?”

“Very,” you agree, your breath hitching as Alastor’s finger graces the base of your clitoris, drawing a small circle, pressing your flesh against the bone of your pelvis with his fingertips. “I am very entertained right now.”

“A performer is nothing without his audience,” quips Alastor, but his smile seems genuine. You’re wondering how he’s going to manage his claws if he fingers you when he extrudes a long black tentacle from his back. “Open wide now.”

Your legs spread, Alastor strokes your knee, the back of your calf, the arch of your foot, and his tentacle slithers, wrapping fully around the meat of your thigh before its tip teases at your cunt.

He doesn’t penetrate you right away, which is a good thing; ready and willing as you are the tentacle is girthy. Instead, Alastor teases with it, his smile relaxed and his ears pricked as he listens to your breathing, your sighs. Your words, when you are able to use them.

“There, there, just there,” you tell him, and your reward is a squeeze of his hand on your ankle, his breathy voice in your ear, telling you what a good audience you are tonight, how supportive, how participatory. The tentacle moves in tandem with his hand, the tip twirling at your entrance as he strokes the folds of your cunt, dragging slick from your hole up over your clit, coaxing it from its hood, his touch so light that it makes you hold your breath, and then firm, a pressure that has you gasping, moaning so loudly that he holds his microphone to your lips and asks you to repeat yourself.

When Alastor’s tentacle pushes its way into you, you are ready, more than ready, speechless at the girth of it and giving heady little gasps as you feel yourself stretch around him.

“You’d better not reach the climax before Vox gets back,” says Alastor, a soft murmur in your ear as you whimper, senseless against his chest. “He really will blow a fuse if you do that.” He’s enjoying himself, you realize. He’s playing with you, his smile relaxed as he manipulates your body to his liking.

But you are already mounting the summit, your body helpless in Alastor’s clutches. He barely needs to use his fingers, not with the tentacle pressed into you, an obscene squelching noise as he curves it in and out of you; Alastor simply holds his fingertips over the tip of your clit and lets the motion of the tentacle do the rest of the work, each brush of contact with the exposed nub of flesh like a lick of flame across your nerves that makes you cry out, over and over, until your throat is hoarse with it.

You cum as Vox returns, a spasm through your body, your cunt fluttering around Alastor’s tentacle, and the Radio Demon grins at Vox.

If Vox’s eyes weren’t just images displayed on his screen, they would be bulging right now. He stares. Alastor grins at him.

“Al.” Vox’s lips are an annoyed line as he watches Alastor pull his tentacle out of you, your cunt fluttering around nothing. “How the fuck am I meant to compete with that monster?” His cock is well proportioned to his frame, but it’s nothing compared to the tentacle. You look between the two demons, hoping they’re not going to fight.

Alastor’s grin widens. “You’re a resourceful man, Vox. I’m sure you’ll figure something out.”

Vox shakes his head as he climbs back on the bed. “You’ve always gotta fuckin’ upstage me, huh.”

“That’s why you like me so much,” says Alastor. “Isn’t it?”

“Ah, fuck you, Al,” says Vox, all bark, and Alastor beams at him.

Alastor pulls you on top of him, your back to him, and hooks his chin over the top of your head, so that you both face Vox when he climbs atop you, on his hands and knees.

Vox kisses you, softly, hand cupping your face, and you feel Alastor’s sound of approval through your back, the low hum of an electrical appliance.

“You ready, babydoll?” Vox asks, and when you nod, he pushes into you.

You feel him. Your orgasm has made you tender, Alastor’s tentacle has made you tender and you feel every inch of Vox as if your cunt were just made yesterday, shipped direct from the factory.

“Oh fuck, that’s nice babydoll.” Fragments of test card float on Vox’s screen as he pauses, in you to the hilt. “You feel fuckin’ nice. Fuckin’ soft, god.”

You feel Alastor huff into your hair with amusement, and he reaches for your legs, pulling up your thighs and then your knees, pulling your legs flush with your chest; a mating press for you and Vox.

Vox grins, his hands joining Alastor’s on the underside of your knees, and he fucks you in earnest.

That his cock is smaller than Alastor’s tentacle doesn’t matter one bit, not when you’re pressed like this, his cock able to reach the deepest parts of your tender cunt with ease. He fucks you, and you cry out; not the mewling whimper you had before but a full throated cry that escapes you at the apex of each thrust, your throat already sore, your voice cracking, but crying out regardless.

Vox’s monologue is all sweet, sweary nothings- you’re doing so good babydoll, so wet for me, so soft, so good, so fuckin’ good and Alastor’s commentary is drier- do you think you’ll be able to walk again after this? Now that’s a scream worthy of my studio, all the while you are crying out, tears in your eyes, a pressure in your abdomen, Vox hammering into the most sensitive parts of you, over and over and oh.

Your cunt flutters again, Vox growling a good girl before his seed floods into you in hot, pulsing waves.

You lie there, boneless, seeing stars, the three of you breathing hard. Vox drops his face onto your chest, and you stroke his hot vents, as you’ve seen Alastor do. Alastor lets go of your legs, a kiss to the top of your head.

“Fuck,” murmurs Vox.

“Seconded,” you croak.

“Mm,” buzzes Alastor. “Quite.”

Vox rolls off you, and you roll off Alastor, the three of you side by side on the bed, points of contact between you; your leg crossing Alastor’s thigh, Vox’s arm across your stomach.

It is a long, hazy moment before Vox sits up, digging through the dresser on the Vox side of the bed, and pulls out a pack of cigarettes.

“In the apartment?” Alastor complains, sleepy.

“It’s a fuckin’ special occasion, Al,” says Vox, leaning over you to place a cigarette between Alastor’s smiling lips. Alastor takes it, and Vox lights it, before offering the box to you. “You smoke?” he asks.

If you didn’t already, it was a hell of a time to start.

[directsellingnow]

Direct Selling News: तीसरे CEDSA डायरेक्ट सेलिंग कॉन्क्लेव का शूलिनी विवि में सफल आयोजन

Direct Selling News: सेंटर ऑफ एक्सीलेंस फॉर डायरेक्ट सेलिंग इन एकेडमिक्स (CEDSA) ने शूलिनी यूनिवर्सिटी (सोलन) के सहयोग से 11 जुलाई को तीसरे CEDSA (3rd CEDSA Direct Selling Conclave) डायरेक्ट सेलिंग कॉन्क्लेव का भव्य आयोजन हुआ, जिसमें देश भर के प्रमुख डायरेक्ट सेलर्स ने हिस्सा लिया और विभिन्न पैनल चर्चाओं के जरिए डायरेक्ट सेलिंग के भविष्य, इस क्षेत्र की चुनौतियों और समाधान के बारे में बातचीत…

[pien-art]

-FAQ-

Hello! I've gained a whole bunch of followers lately and I've been getting a lot of questions about commissions, what my setup is, what brushes I use, etc, so I thought I'd make a post about it to answer everyone's questions at once !

Putting them under the cut <3

Commissions:

Commission prices are listed in my pinned post. You can send me a private message about your commission idea and we can get to talking :) It is helpful to have enough references handy (character, outfit, descriptions etc)

I am generally a fast drawer but I also have a job and a physical disability so there might be moments I can't work on your commission. But that is never longer than a few days at most.

Payment is upfront, the full amount and via paypal only. I know this might seem a bit scary but unfortunately there are a lot of people who end up not paying for commissions and I want to avoid that.

During the process I will send you frequent updates and will ask for input, to see if it is going in the direction you want. You can ask for changes during the sketching progress but once I've started on line-art and coloring, no big changes will happen. (You can for example ask for a different color for a shirt etc, but not for a different prop or pose or expression)

When it is completed, I will send the drawing to you via email. The drawing will remain mine and it is not to be sold or profited of by the person who commissioned me. If the commission is for something commercial/for selling, that needs to be discussed. I prefer to do drawings only for personal use!

For more questions, my dms/asks are open :)

How long have I been doing digital art:

I've been drawing digitally for about 5 years now i think? But before that I've been drawing and painting traditionally literally since the moment I could pick up a pencil.

Set-up:

It's just me and my ipad and apple pencil laying on my bed. I wouldn't even know where to begin for those whole multi-monitor/screen setups ;-; I draw only with Procreate

Brushes:

I tend to play with different brushes from time to time to get different textures, but generally i use the same few for most of my drawings/styles. My favorite one is the Peppermint Brush, for sketching. I use it in every drawing i make! I always sketch with it, and often do the line-art with it as well! And it makes for a nice textured brush for rendering as well! (i used it for a lot of rendering of the armor in this drawing)

The (procreate) brushes i use a lot are

for medieval style: inking - Ink Bleed (for line-art) artistic - Quoll (for coloring)

for general style: calligraphy - Chalk (coloring/rendering) sketching - Peppermint (line-art/sketching)

for realism: calligraphy - Shale Brush (full rendering) Also using the shale brush for smudging and erasing when drawing realistic

for lineart: smooth pencil from this pack by Heygiudi

How/why do you choose a base color:

I tend to look at a few different things when deciding on a base color/color palette.

the overall color of the reference pic

the color i associate with who or what i am drawing

the feeling/vibe i want to give off with that drawing

color has a BIG impact on the vibe of a drawing, so it is something i keep in mind when im drawing.

Using a color as a base to start, helps a lot with my drawing process. It helps me pick out other colors so they match better. It helps me get light/dark values right. And the chalk brush i use, has gaps between the strokes, so the base color will always come through a little. Having the same color come through in the entire drawing, helps pull all the colors together if that makes sense? I always start with a solid base color when i am painting traditionally as well!

Advice:

PRACTICE!!! just keep drawing and practice. I know this is such generic advice but truly practice is The Way. Learn from other artists but don't compare yourself to them. Everyone's artistic journey is different and there's no "good" or "bad". And most importantly make sure that you have fun when you're making stuff :3

I also learn a lot by studying art I admire and love. Figuring out what it is I like about it. (for example, the line thickness or the shapes or texture etc), and try to incorporate that in my own style in a way that is not directly copying or stealing.

[bethanydelleman]

Hey, I had a question. In Persuasion, why couldn't Mary's sons inherit Kellynch Hall? Entailed property goes to the closest male relative right? So why Mr.Elliot and not them?

It must go through the male line, children of daughters need not apply.

Sir Walter has no sons, so the entail goes back up the family tree and looks for his brother or his brother's sons. If there are none living, it goes back up and looks at his uncle and uncle's sons, and so on and so forth.

I have read about cases where daughters successfully challenged entails because there were no direct male heirs to be found, or they were super distant relations, but we know Sir Walter has a fairly close heir in Mr. Elliot (great grandson of the second Sir Walter).

General rules of entails:

The child must be an heir of his body, meaning a genetic child born within legal matrimony

It must go through the male line, so daughters are "dead branches" of the family tree

Not every estate is entailed, but people with titles (baronets and nobility) tended to have entails that passed on both the title and the primary estate or "seat" to the next male heir. Mansfield Park is likely entailed and both the baronetcy and the estate will pass to Tom

People could own land that was not part of the entail (eg. they bought it themselves) and this land could be willed to whomever they wanted. In A Woman of No Importance, a lord talks about how only the primary estate associated with his title is entailed, he can give the rest of his vast holdings to his natural son. Sir Walter also has land that is not part of the entail that he could sell but his pride prevents him from doing so

I hope that helps!

(Also, I read about one case where a member of the nobility accepted his wife's natural child because he had 3 or 4 sons and figured it would be fine. All his genetic sons died and the natural child got the title, but it was too late to disavow him by then!)

[serxinns]

Yandere class-1a x reader reacts to them getting hit on by another student ( if ur okay with this )

Lets say they'll get PISSED by this

Now your classmates' eyes were always eyes on you 24/7 but could you blame them for your beauty, your personality just everything about you was addicting!! They just had to protect and watch over you heck they even fought each other like animals everyone wanted to do everything with you, sit by you, eat lunch together, help you or them with homework you name it!,

you were always pulled into different directions causing sharing was not in their definition at all which can be a huge problem at times for you, you could never have time for yourself, and some of your classmates wanted to show off how strong they were at training to the point they were fighting each other showing off their skills and quirk super moves to impress you

Or the time you sat by Mina and Jiro and the other classmates glaring directly at the 3 of you momo tried to sneak you off which was caught by Tokoyami and everyone just started fighting trying to sneak you off somewhere whether be lunch of anything but you quickly snuck off before anything got crazy

just one day you were just minding your business eating your food alone somewhere so your classmates wouldn't bother you suddenly a dude was complimenting you and trying to ask you out you politely replied no but he kept insisting that the two of you would have "sO much FuN" and other corny pickup lines, unfortunately, one of your classmates tsuyu saw this hiding behind a door glaring at him when you decided to walk away from him without slapping him on the face for almost trying to touch your waist tsuyu quickly recruited

The other classmates eventually (they were suspicious of why Tsuyu was pissed off and ready to plan something and pressed her into telling them) let's just say your classmates were seething with rage wanting to track down the pest who hit of their darling,

So for now they all teamed up to plan what to do with the student and did some background checks on him and asked students who was in his class after a few days they hit the jackpot the student was hitting on multiple students for fun and would brag it off to his friends if they they fell for it, if not then will talk badly about them

"Ugh another bitch rejected me again"

"Wow dude your game hasn't been on lately" his friend giggled

"Oh shut up it was just that stupid 1a student thinking there so high and mighty heck I bet they're hooking up with rich people!"

The group of friends later laughed and mocked you while classmates your were glaring daggers all deciding what they should do to torture the boy and his group of fans..

The next few days there were rumors about how the boy had to transfer schools just because he got expelled for stealing a teacher's undergarment and his group of friends were disliked by the students for associating with him so they all broke off and their reputation was damaged

You smirk confidently "Serves them right!" Until someone tapped you on the shoulder it was izuku "H-hey y/n I was wondering if you wanted to go buy some all-might merch with me I heard they were also selling your favorite brand of merch too!" You beamed up when you heard they were selling your favorite brand "Of course izuku 5pm is good?" Izuku blushed at your excitement you were like a puppy wagging his tail for a treat "o-of course!"

While your other classmates glare at the flustered boy but izuku doesn't care he wants you they all want you

[zahri-melitor]

Do you think there’s any hope of Tim getting a transition story anytime soon?

If so, what would you like to see?

Depends what you mean by transition.

In terms of Tim getting a new hero identity? I suspect the order of events there consists of "someone pitches something that DC likes, that they think will sell, and that fans won't overreact to", and then title sells well.

Because they got burnt during Young Justice 2019. Whether or not you think 'Drake' was a terrible idea for a new identity, the fandom reaction to it made it that much less likely for Tim to get given a new ID.

Because I guarantee for you that no matter what someone proposes, there will be people who kick back against it, and for it to work, it's going to need to be woven into DC mythology in a meaningful way.

This is where I'm going to point out that MOST Bats are running around using legacy identities. Nightwing is a legacy Superman-related identity, that Clark gave to Dick as part of their friendship, that goes back to the 1960s. Red Hood is a legacy identity, that Jason took from Joker and turned into his own as a take that. Batgirl is a legacy identity, that traces to Betty Kane and to Barbara, which is actively used by Steph and Cass. Robin is a legacy identity that belongs to Dick. Red Robin is a legacy identity - it was developed for Dick in Kingdom Come, and it passed through Jason to get to Tim. Kate Kane is Batwoman BECAUSE Kathy Kane was Batwoman, and Batwoman and Batgirl were deliberately designed to be feminine legacies of Batman. Azrael as a mantle is explicitly a legacy mantle that JPV holds.

Yes, Steph as the Spoiler and Duke and the Signal work and were accepted by the public as solid hero names, but those were both their first proper identities, and they were new characters without a significant weight of backstory.

Oracle works as an identity for Barbara because John Ostrander and Kim Yale spent the time and worked up a backstory for Barbara's transition into becoming Oracle, and made it full of joy and promise. She seized something new and created it for herself out of the ruins of where she'd been left as a character.

This is why I hate when people just throw out suggestions for random bird names for Tim to have a new identity. It has no depth to it. There's no point in calling Tim 'Blackbird' or 'Raptor' or whatever unless you invest in storytelling for why Tim would find that a meaningful name to represent. Why does he attach more meaning to it than being Robin (or Red Robin). It's lazy storytelling.

You can rescue it from an Elseworlds or another Earth. It doesn't have to be a direct "I am giving you my ID" like the transfer of Robin. But it needs to have history to it as a name for it to feel right as an identity for Tim Drake, a legacy character who has been around for 35 years, and who is fiercely associated with the concept of belonging to a team. It needs to speak to who he is as a character, and what his goals are in using that identity.

This is why Tim!Nightwing during the Ric Grayson period would have worked - Nightwing has that meaning, and if you wrote Tim and Dick working on finding a 'graduation' name for Tim through that story you could have stuck whatever nonsense you wanted as it, because then you would have built in the meaning (that it was a Dick and Tim project together).

So yeah, that's what I'd like to see for a Tim with a new identity. Someone who's put in the work to choose something meaningful from the back catalogue and develop an argument that Tim would use it. Because they're going to have to sell fans on it.

If, however you mean transition in terms of 'Tim is trans': no. I do not think it is likely that DC are interested in writing that for Tim, and I am really reluctant to see it as it would only get him pigeonholed even harder as 'the queer Robin', to be pulled out for use out of obligation for Pride.

Also they just got burnt over that Kon story and its reaction, and I think DC are currently more interested in working on their development of trans characters who are trans from creation (see Nia Nal, who's getting a boost in the current events).