#does this mean it's discontinued? who knows

[holidaywishes]

Happy Halloween

Hate Sex Part 4

Requested: 🤷‍♀️

Summary: After a rather awkward date with Auston, the two of you decide it’s probably best to leave things alone; but Halloween brings you both back to bad habits.

 Warning: smut, some fluff and a bit of angst

 Author’s Note: Yes, I’m back. To be honest, I should be writing a sample for my ghostwriting thing but I can’t bring myself to sit down and do it. As you can tell, I started this all the way back in October and kept coming back to it but I never felt like it was finished. I feel like the voice is a little different in this one, maybe less snarky? I don't know, it's just different. I personally don't know how much more I can add to this story but if people keep requesting chapters, I can write some -- maybe just tell me where you want it to go lol. This one is long AF but hopefully, it fulfills everyone’s craving though.

  masterlist

the other masterlist

xx

Auston’s P.O.V

  Hearing (Y/N) say that there could be something more than sex between the two of you was almost like having air back in your lungs. But now where did you stand with her?

  “Wait,” Morgan stuttered as he sat across from you, both waiting for your server to bring your meals to the table, “what exactly are you asking me to do?”

  “Tell me I’m allowed to ask her out…” you awkwardly scoffed

  “You’re both adults. You wanna ask her out? Ask her out. You don’t need my permission,” he said, allowing a smile to spread across your face, “but she’ll probably say no”

  “Wow. Thanks”

  “I’m not gonna lie to you, Matts,” he started, leaning his elbows on the table, “she’s really not your biggest fan. Even if the two of you have been hooking up”

  “Yeah but she said s—

  “She didn’t say anything,” he interrupted and you furrowed your brow in return, “not about starting anything. I just don’t want you getting your hopes up…”

  “So I’m just supposed to leave it, her, alone now?” you asked, hoping for a different answer

  “Ask her out,” he said, “but if she says no, yeah. Let the situation end because if you keep going with the whole fuck buddies thing, one or both of you are going to get hurt.” You bit the inside of your cheek as you took in his words. You knew he was right, you were too emotionally invested already but you thought she was too and the idea of possibly cutting that off wasn’t something you were looking forward to.

xx

  You weren’t sure what to do now. Knowing that Auston had said he wanted more and that you had said you felt something as well had become all-consuming; not that you knew what any of it meant. The two of you hadn’t really talked since that night in the bathroom and now things were getting tense amongst your shared friend group.

  “What would you do?” you asked your best friend during a lunch break, “if you were me?”

  “What would you want to do?” she returned

  “No no,” you scoffed, “don’t do that. I asked what you would do, I really wanna know”

  “It seems pretty clear to me,” she added easily, a smirk quickly appearing on her face, “you both said you have feelings for each other, so it seems clear that you should go for it”

  “That’s what you would do?”

  “That’s what I know you would do,” she urged, “if it was anyone else”

  “It’s just that things are so weird!” you said, exasperated, “I mean I legit hated him and I always thought he hated me, and he probably did, but now he’s saying he has feelings for me and I’m changing my mind? Is that really what’s happening?”

  “Apparently”

  “If anything happens, it would be a terrible idea”

  “I think the terrible idea already happened,” she teased, “whatever happens now is probably a pretty normal thing.”

  “I just don’t like making anyone uncomfortable,” you admitted, “Tessa is asking me questions because Morgan is asking her questions because Auston is asking him questions. Yet, we haven’t spoken since we had sex in the bathroom so…”

  “Why did you have sex in the bathroom?” she asked and you shook your head once before shrugging, “I just mean, you always said public sex was a no, that it would never be the thing you did”

  “And then I did it…” you added with a heavy sigh, “I don’t know. I mean, it really did just sorta happen and there was alcohol involved — I guess I just got caught up in it, in him, that I didn’t really think about where we were.” When she smiled at you with that terrible poker face she had, you furrowed your brow, “what?”

  “You don’t think that your answer just now deserves a second look?” she asked before telling you that she needed to go back to work. “I’ll talk to you later, okay? I love you”

  “Love you” you said as you hugged her back and went your own way. As you drove back to your office, you thought about everything your best friend said, searching for more clarity on everything you’d talked about but only wound up more confused than you started.

xx

Auston’s P.O.V

  You decided just to go for it. Ask out (Y/N) and see what happens. But things were different now. Aside from the fact that you hadn’t spoken to her in months, you were now starting to rethink whether or not she actually meant what she said — because, if she did, why hadn’t she reached out either? You shook your head at your own thought and forced yourself to pick up the phone anyway

  “Hello” (Y/N)’s voice sang from the other end of the phone

  “Hi” you said shyly

  “Auston?”

  “Yeah, uhm,” you replied, clearing your throat to waste time as you thought about what to say, “what are you doing?”

  “What? You called me…” she giggled, a giggle that you could picture the perfect smile with, “how did you even get my number? I’m pretty sure I never gave it to you. For obvious reasons…”

“Mo gave it to me,” you said, “and I just meant what are you doing right now? Are you busy?”

  “Depends…”

  “On?”

  “On what you want.” You smiled, rubbing the back of your neck sheepishly as you paced around your apartment

  “I want— would you like to go on a date with me?”

  “No” it was almost a whisper and you could tell she was caught off guard

  “I mean a real date. In public. Sex completely off the table, not even a thought for either of us”

  “Why?” she asked, “why now? After everything?”

  “Because,” you answered, finally taking a seat, “I know how I feel but I want to be able to get to know each other. I’m really not as bad as you think I am”

  “That sounds like something a narcissist would say”

  “I promise,” you smirked, “I’m not a narcissist. I’d love for you to call me on all my bullshit but, to be fair, you’ll have to learn about me first”

  “You’re serious?”

  “Yeah…” you scoffed. There was silence on the line for a while and you dropped your head as you awaited her polite refusal

  “One date” she finally said and you tried your best to contain your surprise

  “Really?”

  “One date and if it doesn’t go well, then we stop,” she continued, “stop everything. No random calls out of nowhere. No second dates because you want another chance to change my mind. No hookups in bathrooms or hotel rooms. Nothing. It all ends”

  “That’s no fun” you joked

  “That’s the point,” she said sternly, “and that’s the deal.” You chuckled a bit at her seriousness but let your shoulders relax

  “Okay,” you agreed, your smile now beaming, “so are you free tonight?”

xx

  The date was... awkward. It was as if Auston forgot how to interact with not only you but people in general and you couldn’t seem to make it any better. You honestly didn’t know how

  “This is a nice place” you said to fill the empty space

  “Thanks,” he replied, coughing on the sip of water he had taken, “I mean, it’s not mine obviously so I don’t mean ‘thanks,’ I just mean...” You raised your eyebrows as he stumbled over his words before taking a breath, “I’m glad you like it”

  “I’m a little confused...” you whispered, leaning in so only the two of you could hear, “why are we here?”

  “It’s a date..?” he replied hesitantly as if to say ‘did you not get that?’

  “No, I know,” you scoffed, “but why here? I mean... it’s nice. It’s fancy but I don’t know, it doesn’t really seem like you”

  “Aren’t I supposed to be this super arrogant jerk who likes only the best?” he chided and you grinned sarcastically

  “Yes,” you quipped, “but this place isn’t even that. It’s... too fancy for me, yet, not fancy enough for the person you think you are”

  “The person I think I am?”

  “Exactly”

  “What does that even mean? Either I’m arrogant or I’m not, you can’t decide it’s both”

  “I’m not deciding it’s anything, I’m saying this is how it is. You have this image of yourself, an inflated ego that people gave you, and it comes across in everything you do.” Your explanation left his face contorted into what seemed like permanent confusion, “you are not a god, Auston, you’re just a hockey player. Everyone has just made you believe that you’re more than that because... they felt like it. So, you became what they wanted and now you have no idea who you are”

  “You really can’t go an entire conversation without fighting with me can you?”

  “I’m just being honest with you, Auston,” you scoffed, leaning back in your seat, “maybe I thought you’d respect that”

  “Maybe it comes across as condescending” he added, his own scoff mimicking yours

  “Maybe you’re just too sensitive”

  “Maybe you’re meaner than you let people believe”

  “And what if I am?” you sneered, arms crossed as you stared across the table at Auston, one eyebrow raised slightly

  “Then you can’t really say I have no idea who I am when no one has any idea who you are” he replied. You scoffed in return before grabbing your purse and flagging down your server

  “Hi, sorry,” you said politely, a shy smile appearing on your lips, “can I just pay for my meal”

  “(Y/N)…” Auston sighed, “come on that’s ridiculous”

  “When you have a chance, I’ll just grab my bill”

  “So.. it’s separate?” the server asked and you nodded

  “No” Auston countered

  “Yes” you insisted, smiling at the server before sending him on his way

  “Seriously?” Auston scoffed once more

  “I don’t want to be indebted to you. This way I won’t owe you — for anything”

  “I can’t tell if this is mature or petty”

  “That sounds like a you problem.” The server came over with your bill just then and, luckily, he brought out the machine with him so you were able to tap your card and go. “Thank you,” you said to the young man who clearly thought this date was going better than it had, turning to dismiss yourself to Auston, “look, we gave it a try. But we made a deal — if the date didn’t go well, then that would be it. No more. So, thanks, I guess, for the terrible decisions I’ve made these last few years. It’s been a wild ride, but one I never should’ve gotten on”

  “Okay the metaphors are a little much” he said, grabbing your arm as gently as he could to stop you from leaving

  “Let go” you said gently

  “Stay”

  “Why?” you groaned, “to argue some more? To disagree over fundamental parts of each other's personalities? No, sorry, I don’t need that. It was… interesting knowing you Matthews. Catch you in another life.” You left the restaurant hastily, sighing to yourself at the idea of wasting your time before quickly smiling when you realized this meant you could get your life back to normal. Back to when Auston was just some over-hyped, narcissistic man-child who you never asked to have in your life in the first place.

xx

Five months later

  Morticia Addams was always a good choice. Last minute or first thought, alone or couples costume, it always garnered the right kind of attention. It was one of your favourite go-to costumes and you’d always worn it well; perfecting it over the years, of course.

  “Morticia again?” your cousin, Martha, scoffed when you came out in your floor-length, tight black dress

  “It’s a classic” you laughed before fitting your black wig onto your head

  “If I had known that you were going to wear it this much, I never would’ve dressed you up all those years ago”

  “You’re just mad that it works so well on me”

  “Are you ready?” she sighed as she rolled her eyes

  “Yeah,” you smirked, “just gotta put on some lipstick. Go meet me in the car.” Martha’s heels clacked on the hardwood floor as she made her way to the car and you paced around trying to make sure you had everything you needed before going to Tessa and Mo’s Halloween party. When your cousin pulled up in front of the house, you made sure everything on you was where it needed to be — no malfunctions tonight.

  “So wait…” Martha started, “do you think Auston will be in there?”

  “Probably,” you responded, moving your coat to the backseat, “he’s part of the team”

  “Have you talked to him since that date?”

  “Nope” you replied, popping the p as you fixed your lipstick and fell back in the seat

  “So after five months, you’re gonna see him,” she said and you nodded to yourself before turning your body to face her, “what’s that gonna be like?”

  “It’ll be fine. We both agreed to go our separate ways and there shouldn’t be an issue with both of us being there,” you admitted, “we’re just going back to how our lives were before all the bad decisions.” She smirked and shook her head, pushing the car door open and walked to your side of the car

  “Alright,” Martha sighed as you got out of the car and headed toward the house. You spent the first hour grabbing a drink, talking with a few people you knew and meeting a few you didn’t before finally finding Mo

  “Happy Halloween!” he greeted, stretching out his arms and his Dracula cape

  “Happy Halloween!” you returned with a smile

  “Morticia?” Tessa asked as she handed you another drink as she approached the group

  “Yep!” you said happily before noticing her smirk at Morgan who shyly took a sip of his own drink, “what?”

  “Nothing,” Tessa smirked, “you look great.” You weren’t sure what was going on but she wasn’t telling you something. You decided not to let it get to you in order to enjoy the rest of the party; that’s when you saw him.

  “Of fucking course” you whispered to yourself when you noticed Auston in his Gomez Addams costume

  “You guys knew about this, didn’t you?” Martha asked Tessa and Mo with a small laugh

  “Oh yeah” Mo replied

  “I mean,” Tessa corrected, “we knew about his costume, not about hers. It really was all a happy coincidence.” Overhearing Tessa, Mo and Martha made you roll your eyes as Auston made his way to your group, finally stopping softly in front of you. He stood silently for a moment before outstretching his hand to you, grabbing yours to continue the coincidence; this was not a couples costume but he seemed to have everyone else fooled

  “Cara Mia” he smirked before kissing the back of your hand

  “Well isn’t this a… strange coincidence” you scoffed

  “Or it’s fate” he teased, leading you to shake your head and walk away toward the kitchen. “Oh come on,” he groaned as he followed you inside, “why not just play along?”

  “Because,” you replied as you poured yourself another drink, “we agreed to go back to normal life. Normal life didn’t include us playing along with anything.” When the music changed to a slowed-down version of the Addams family theme, courtesy of Martha and Tessa, the group around you and Auston began encouraging you two to dance.

  “What’dya say?” Auston said softly, his palm open toward you and the chanting began to get louder, the peer pressure setting in; you groaned and took his hand with a glare. As he placed his palm flat on the small of your back, you corrected the train of your dress from where it had wrapped around your own legs.

  “I’m doing this so I don’t get shunned,” you chided, “not because I want to”

  “We’re back to that, are we?”

  “We never really left it”

  “Yeah, well...” he paused, leaning in to whisper in your ear, “you look stunning tonight”

  “I know” you whispered back, hoping he didn’t hear the blush you were trying to hide. Your bodies moved together seamlessly and you forgot how terrible that date was for a second, only to be brought back to reality when he moved his hand just an inch down onto your ass and you pushed him away; promptly ending the dance. You walked quickly past him so you could get back to your cousin and enjoy the rest of the party, doing your best to ignore Auston... yet again.

xx

Auston’s P.O.V

You were happy you decided to go as Gomez Addams tonight, if for no other reason than (Y/N) as Morticia. She looked beautiful and bringing her out into the middle of the room for a dance made you flashback to the moments that made you fall for her and when she walked away, you couldn’t help but follow her; even though you knew you shouldn’t.

“Stop” you whined as you ran after her, reaching out to grab her arm but not before she could run up the stairs

“Auston, go back downstairs,” she said, “back to the party. I’m just looking for a bathroom”

“You’re sure you’re not just ignoring me?”

“Can’t I do both?” she smiled sarcastically and you scoffed to yourself. Her pacing between closed doors to find a bathroom proved fruitless and she was soon brought back to you. “You can’t seriously still be trying to do something…” she scoffed, “it’s been five months and that date was a disaster”

“That’s very true. It was a disaster,” you admitted, moving one step closer to her, “and, yet, I haven’t stopped thinking about you once”

“That’s your problem, not mine. I told you that if the date didn’t go well, we’d go back to being nothing to each other”

“Is that really what you want?”

“Are you trying to coerce me into backtracking?” you took a step back in surprise at her words

“What? No, of course not”

“It sounds like you are”

“Well I’m not”

“Are you sure about that?”

“Jesus (Y/N)!” you groaned, exasperated, and threw up your hands, “why can’t you admit that you felt something during that dance?”

“Because it was just a dance!”

“Why can’t you admit that you had feelings for me?”

“I didn’t. I felt… something. But they weren’t feelings for you. It was all lust. Everything between us has been just sex and you know it”

“BULLSHIT!”

“Keep your voice down!” she yelled in a whisper as she pulled you into a nearby room, “my god, you’re so dramatic”

“You’re lying to yourself if you think it’s all been sex”

“Auston, we haven’t seen or talked to each other in five months! I think that makes it pretty clear”

“I don’t,” he said, “I wanted you to stay but you left so I gave you your space”

“Because you thought you were too good that I wouldn't just break and call you?” you groaned and rolled your eyes

“Because I knew there was something there, that we had something, but I wasn’t gonna force it.” He admitted and there was something so sweet in his eyes that you found yourself softening to his charm, “and yeah, sure, I guess I thought you’d realize that too.” You hated that you were falling into old patterns but, once again, the two of you moved together like magnets. He set his hands on your hips, staying there while you stared up at him

“Fuck,” you thought to yourself, before feeling his hands slowly climb your body until they cupped your face and, unintentionally, left you breathless. He leaned down with a smirk before kissing your forehead first as if to build the tension and your hands instinctively fell on his waist. When his lips finally met yours, you stepped into him and it wasn’t long until his hands were roaming your body, the kiss intensifying to the point of heavy breathing. “Wait,” you broke the kiss harshly and turned away from him, “we can’t keep doing this. This is dumb. This is bad. Toxic.”

“You’re toxic, I’m slipping under” he teasingly sang as walked over to you, wrapping his arms around your waist

“I’m serious” you whispered, feeling his hands move up your body until they cupped your breasts and pulled your body into him, earning a moan from you. His teeth grazed your neck as he placed kisses from your ear to your collarbone, his hands still firmly holding your breasts

“You look so fucking good right now,” he said breathlessly into your ear, your hands now finally raising to lay on top of his while your head dropped back onto his shoulder

“Fuck” you moaned, moving one hand to the back of his neck as he massaged your breasts. You finally turned back around, hastily removing his clothes with lips intertwined. Your dress wasn’t as easy to remove, being so tight, so Auston had to pull away from the kiss again to find the zipper on the side of your dress and let the fabric fall to the floor. He lifted you up and brought you to the bed, placing you on the edge so he could remove his pants. You pushed yourself back onto the pillows and Auston climbed on top of you shortly after, pulling him down to push your bodies together as his lips crashed into yours.

“Are you okay?” Auston asked suddenly, making you furrow your brow, “I just mean, should we keep going?”

“Yes,” you smiled, twirling your fingers in his hair as he kissed your neck. You hadn’t noticed his hand move down your body until he slid his fingers into your underwear, his calloused fingers moving up and down your folds. When Auston slid his long middle finger into you, you dug your nails into his shoulders and bit your lip to hold back the volume that would surely come out.

“The music’s loud,” he whispered, “you can be loud”

“Someone will still hear,” you said breathlessly, a small moan escaping your lips finally, “fuck”

“Come on,” he urged, planting kisses on the backs of your hands that clutches his shoulders, “be loud. You’re so wet, I wanna hear you scream my name.”

“You always do,” you breathed, “oh my god”

“Scream,” he said and you caught his smirk when you looked down, shaking your head before letting it fall back on the pillow. “Scream” he repeated

“You sound like a serial killer” you laughed, placing your hand on his cheek, bringing his face to yours and planting a kiss on his lips, his fingers working faster to bring you to your high. Your legs began to shake as he put a little bit of pressure on your clit, leading you to bite his lip in pleasure

“Cum, baby”

“Don’t call me baby”

“Cum” he repeated firmly. You continued the kiss, grabbing his hair so tight that you were sure you were going to tear a chunk out. He broke the kiss one last time, biting your collarbone and kissing the inside of your wrist before whispering one more time, “cum.” Something inside you unlocked and you moaned loudly as your body arched into him and your climax consumed you. “There she is” he smirked

“Shut up” you scoffed as Auston rolled onto his back, wrapping his arm around your shoulder and settling in. “What are you doing?” you asked

“What do you mean?”

“This isn’t what this is” you sighed, adjusting your head on his arm before gesturing to where it lay behind you

“Just taking a break…” he scoffed, forcing you to look up at him and furrow your brow, “that okay with you?” You shook your head, deciding to climb on top of him

“Just… shh” you whispered, Auston’s thighs tightening under you while his arms stayed behind his head. His eyes boring into yours as you began to ride him slowly

“Fuck” he breathed, moving one hand from behind his head to explore your chest, fingers trailing from collarbone to breast to nipple. You moaned quietly, hands resting on his chest as you kept your movements slow, feeling Auston’s breathing increase as he took his other hand from behind his head and placed it on your waist; squeezing your side as you moved up and down his length. You began to pant as you rode him, slightly faster now, letting your head fall back as you took in the pleasure you were feeling.

“Fuck” you moaned through heavy breaths and Auston rose up, bringing his chest to yours, halting your breath in your chest as your breasts were pressed against his body; hands gripping your sides intensely. The only thing going through your mind, when something could get past how close you were to your climax again, was how wrong this was. Knowing how terrible the two of you would be as a couple after that date, how he could so easily use someone to make you jealous, the way neither of you tried to make anything healthier if you really wanted to make something work. Because, damn, the sex was good. You brought his lips close to yours, planning on muffling your moans with a kiss when Auston grabbed your hips and kept himself deep inside of you, leaving you nearly shaking at the sensation.

"Don't" he breathed against your lips, making you furrow your brow in confusion as you rocked desperately against his hips; was he seriously telling you not to cum? "Don't say this is the last time"

"What?"

"You always say that this is the last time," he sighed, hands still on your hips, keeping you in place, "that we can't keep doing this, but then we always end up here. Like this. Doing this..." he kissed your collarbone as you rode him slowly

"You know it's true"

"That doesn't matter"

"Yes it does" you scoffed

"Why do we keep ending up like this then? Naked and moaning in a dark room together?" With one strong thrust, you let out a small whimper and your legs went limp; you slid off his lap to lay on your back as you caught your breath

"Everyone makes a string of bad decisions in their 20s. I'm getting it out of my system"

"Oh is that what this is? Why didn't you say so?" he scoffed, jumping out of the bed to start getting dressed again, "I never would've taken you on that awful date if I knew that's all this was"

"Don't be a baby" you groaned

"You're stringing me along"

"What?!"

"You agr--"

"Do. Not!" you growled as you interrupted him, finally getting out of bed, and taking the top sheet with you to wrap around your body, "I never said that we should be something. I said that this was always a bad idea but for some reason, I couldn't stop myself from doing it"

"And then you said that you were feeling something!"

"Because I thought I was!" you yelled, dropping your head to your hands, "I was wrong. It was the post-sex high I guess. We're not the people who end up together. We fight, we fuck and we go our separate ways. That's it"

"It doesn't have to be..." he practically whined, "I mean if we just tried"

"What is it you like about me?" you asked before leaning down to grab your clothes from where they were strewn on the floor, "tell me honestly because I'm genuinely curious"

"You're smart," he started, "you're... passionate, fiery, and infuriating but beautiful in spite of it"

"In spite of it?" you scoffed, hastily pulling up your underwear under the sheet and turning your back to him to put on your bra as the fabric fell to the ground, leaving you feeling more exposed than you thought it would. "Real charming," you finally said, an eye-roll pairing with the harsh tone of voice you gave, "that's really what I would want my partner to think of me. That I'm beautiful in spite of everything else about me. As if that mattered the most"

"That's not what I said" he scoffed right back at you

"Oh but it is"

"No it's not!" he raised his voice slightly, putting on the last bit of his costume before approaching you once more, "I said you can be infuriating because you can be, just like you are now, but that I don't care because -"

"Because I'm beautiful" you sarcastically smiled, arms crossed over your still nearly naked body

"Fine, yeah, that's what I said," he conceded, "but what's wrong with me thinking you're beautiful? And did you miss that I said you're smart and passionate?"

"No," you said, stance firm in disobedience, "but it doesn't mean anything. Not once you mentioned how I looked"

"Why?" he asked and you could tell he was honestly curious. As if he was a student learning something new for the first time; like he'd never known that there could be something wrong with complimenting a girl on her appearance. You furrowed your brow, softly, as you thought about your words

"Because it negates everything that you said before it. I can be beautiful to you, sure, that's great. Thank you," you explained, as politely as you could muster, "but if it's following that I'm smart and I'm passionate and I'm strong and I'm brave, for me, it's as if you're saying it's amazing that someone who is all those things is also beautiful. Like they're mutually exclusive. One or the other."

"Okay..." he started, scrunching his eyebrows together in clear confusion as he sat down at the foot of the bed, "but if I don't say you're beautiful then you'll be offended. There's no winning!"

"Relax," you teased, "look, maybe there's a girl who feels differently than I do. Maybe she wants to be told she's beautiful and maybe that's all that matters to her. But I would much rather hear someone say 'You're beautiful but I care more about your mind and your heart than your body.'" Your voice was softer now, you felt a sudden need to nurture this man who'd pretended to be so macho this whole time. You moved toward him until you were standing in front of him, placing the palm of your hand on his cheek, "I've spent too much of my life worrying about how people think of me based on how they look at me. I'm tired of being pretty or not pretty enough to someone and I don't want to be with someone who is still caught up in 'appearances matter.' Does that make sense?"

"Yes," he said clearly, deep brown eyes piercing right through to your soul and you could feel yourself being pulled in again, "I'm sorry. I just... I want you to know how amazing I think you are and how amazing we could be if we decided to give us a shot"

"Auston..." you sighed, finally sitting down next to him, "Passion, desire, comes from a lot of different places but ours came from hate. It made the sex great, amazing even, but it's not like that means we're on track to start a relationship. I mean you don't really believe that, do you?"

"I mean, I could," he admitted and you tilted your head, "I've grown legit- legitimate feelings for you," he corrected his abbreviated word in what you considered to be his way of sounding more mature. "You can't argue with me on that because you're not me"

"You can see how this wouldn't work though, can't you?" you tried, hoping to somehow, someway, get through to him. Knowing that the two of you could easily end up in the same place another five months from now but that you would always leave feeling the same way -- like you were purposely running toward red flags because it meant you didn't have to commit to anything real.

"Maybe," he sighed, rubbing his face harshly before dropping his elbows on his knees and looking straight ahead at the door, "but I also know what I'm feeling and I think we'd be stupid to ignore that you're feeling something too." You took a deep breath, annoyed at the loop you'd found yourself in, and stood up to find your black dress strewn on the floor. Stepping in and shimmying into it slowly so as to not rip the zipper - a very real fear at this point in the night.

"Help me with this, won't you?" you asked, referring to the zipper that you could clearly do up on your own but you knew it would force you to feel his breath on your skin. Auston finished zipping your dress and placed his hands on your hips for a moment before kissing your temple

"I've never met anyone like you before," he whispered and you turned your head slightly toward him, "I don't want to lose you." You stood there for a minute, facing forward, Auston's hands on your hips, his chest against your back and his breath cascading down your neck. You took a minute to embrace the moment and appreciate how solid he felt behind you, scanning your mind desperately to find the same... hope he seemed to have about you with him. You fell back against his chest, a motion you'd done before when you needed to feel reassured; his steady heartbeat let the once chaotic mood in the room settle almost instantly.

"I wish I knew what to say here..." you admitted, finally turning to face him, your eyes slowly scanning his body up until his caught yours

“Say that you don’t wanna lose me either” he leaned down a little, fingers grazing your arms slowly

“I want…” you hesitated, turning away from his kiss at the last minute, “something normal. Something easy, uncomplicated,” you said simply, looking away from his eyes only long enough to watch your palms flatten on his chest. “I don’t think that’s with you.” His eyes searched yours and all you could do was give him a look of sympathy, knowing that’s not what he wanted to hear

“So I guess that’s it…” he huffed, backing away and you nodded, “or just until next time? Yet again?” You took a step toward him, feeling the train of your dress drag on the floor before you stopped in front of him, holding his hand in yours as you kissed his cheek. Whether it was the end or not, you couldn’t be sure, time had proven that you weren’t as strong as you thought you were, but right now, at this moment, you knew it had to be goodbye. You let go of his hand and turned to walk toward the door, looking back at him once you stood in the open frame, his stillness telling everything you needed to know.

You weren’t used to seeing him this vulnerable, even in times when you wished he would be, and you hated that you knew how much this was going to hurt him.

[glompcat]

Sometimes I will see a post where someone ~corrects~ someone about a Doctor Who thing on a joke post, what they are saying is something they just made up and is directly and explicitly contradicted by dialogue in Classic Who, and I somehow manage to just keep scrolling.

[nudityandnerdery]

[Image Description: A series of sixteen tweets by John Rogers @jonrog1 that say:

1) A moment at the Teamsters/UPS rally this morning clarified our current struggle with the studio CEO's (among other bosses). Teamsters got a lot of wins, but one of the main sticking points is the pay for the 65% of local UPS workers who are part-time …

2) If you read the SAG-AFTRA demands, a truly STUNNING amount of their points involve protecting background actors, and trying to improve conditions for the 87% of their union who makes less than $26,000 a year.

3) As WGA members know, this is not a strike for the showrunners. We're trying to fix the fact the the current younger generation of writers can't even afford housing and their pathway to advancement has been cut off.

4) Like … folks, I'm fine. There are maybe two proposals in there that affect me. I'm walking in 90% weather and losing over 50% of my income for the year because I want the younger writers to get what I got at this stage of their careers.

5) Our unions and the CEO's and various negotiators have a fundamental cognitive disconnect. Because CEO's types only succeed by FUCKING THEIR PEERS.

6) Zaslav, Iger , those types of execs, etc have never gone without so a fellow exec or a junior exec could thrive. A fellow exec failing is the moment to use your own leverage to advance past them, if not destroy them.

7) Part of it is the money but part of this, I think, is a genuine inability to grasp even the concepts of any labor action. Because it is always other-directed.

8) So many people treat capitalism as part of nature red in tooth and claw, but it's not. It's a human construct. There are different rules you can play by -- but not if you want to win.

9) The greatest gift capitalism ever granted was the ability to validate selfish behavior as a virtue because that's "just what's necessary, I don't make the rules!" (Look ma, it's reification!)

10) This is where I usually point out that Adam Smith wrote that you have to overpay workers to keep your labor force up, and you need to take into account the psychic damage of capitalism to the workers, and that admiring the rich is the greatest source of moral corruption …

11) But I'll stave off that diversion to just land with … this is a discontinuity of attitudes which I think was once breached by the fact that management USED to come from people who loved building their company or their trade, even if they eventually did management shit.

12) Now, even that thin thread of SYMPATHY (Adam Smith joke, get it? People?) is gone. The CEO's are working off a different scorecard, practically and morally. We're not just playing by wildly divergent rules, our lives and careers are DEFINED by those wildly divergent rules.

13) To them, we are IN FACT being "unreasonable", as our behavior does not make sense in their moral framework. They don't think they're being evil, they think they're playing by the actual rules, and we're nuts.

14) There's not great conclusion to this, other than to note that the bit about making writers homeless was described as "cruel but necessary" because they genuinely don't understand the meaning of cruel, because they are always on the other side of the power dynamic.

15) And if they're ever NOT on the top of the power dynamic, they're not suffering, they're dead. They are un-people in their own eyes.

16) These men are not irrational, but they are deranged. This isn't about money, it's about identity. And in a fight about identity … they will set billions on fire.

Because they can always get more money. But they'll never shed the stink of losing to their lessers."

end of image description]

[aethelwyneleigh27]

Your Husband John "Soap" MacTavish

To all you Soap lovers, this was fucking due after how much they did Soap wrong in Mw3.

I could really write something about those last two scenarios, I just can't promise you a happy ending AHAHA.

Taglist: @puff0o0,@katz-chow,@celestialhole.

(Mostly gender neutral Reader hcs)

Your Husband John MacTavish who does everything in his power to protect you, he feels as if it's the one of the only things he can provide for you because you take care of him and he can't ask for anything more from you. You refuse to let him think that's it's the only thing he's good for and that he means everything to you.

Your Husband John MacTavish who loves like he means it, never ever failing to express how much he loves you in every way possible.

Your Husband John MacTavish who wipes your tears in the most gentle way possible even with his calloused hands.

Your Husband John MacTavish who doesn't realize it but stares at you like his life depends on it. You often find yourself patching up his injuries, straddling his lap while you do what you need to. You feel him run his hands through your hair, hoping to see more of your face while you look up at him and smile. Fuck, you looked amazing.

Your Husband John MacTavish who loves it when you rub his back, he pouts and give you puppy eyes whenever you two are in bed and you stop rubbing his back while you two cuddle.

"Bonnie..." John whines, burying his head further into your chest.

"What..?" You asked, almost laughing.

John let's out a soft grumbling noise before giving your backside a light smack.

You roll your eyes playfully and continue to rub his back and discontinue the teasing.

Your Husband John MacTavish who shows his love mostly through praises and serving you. This man will NOT let you lift a finger most of the time, he thinks that it's enough alone that you take care of him and that he wants to repay that. He still of course appreciate that you do these things however more often than not he'll be the one pushing the cart while you two are shopping for groceries. No buts, he'll be the one to carry them and bring them inside the house.

Your Husband John MacTavish who will continue to support you with whatever you choose, whether that'd be a job and career or to be a stay-at-home spouse. Which honestly he thinks you deserve to be spoiled and pampered no matter what.

Your Husband John MacTavish who keeps a photo of you in the breast pocket of his tactical gear, he makes sure he never loses it. You were the one who suggested to him to keep it with him while he's deployed. It's been with him for so long that it's a bit worn down, the seems of folds being visible and the date and note written at the back with the ink of a pen being a little smudged and chunky looking.

"I miss you bonnie" John whispered, talking to the photo...

John smiles, flipping the photo over to see the note you wrote almost 6 years ago.

"I love you Johnny, I'll wait for you, no matter how long it takes. I'll be here till the end <3"

"I promise, I will come home soon bonnie, just you wait.." The sergeant says before kissing the picture and folding it back up to keep it. He knows to himself that if it goes down to it, he'll crawl home to you...

Your Husband John MacTavish who always and I mean always keeps his promise no matter what happens, he keeps his word..

[ozzgin]

Yandere! Edward Scissorhands x Reader

On her quest to make at least one sale for the day, Avon lady Peg cautiously steps into the eerie mansion of a known inventor. She soon learns that it has long been devoid of life, with the exception of Edward, a synthetic human creation left unfinished. She returns to the bright suburbs accompanied by the poor young man, earning the curious stares of the bystanders. Among the colorful houses, however, Edward spots a gloomy dwelling that the neighbors seem to avoid. Who is the mysterious occupant?

Winner of the Halloween Poll! A short gothic romance in the style of Tim Burton, where two outsiders find solace in each other.

[Horror Masterlist]

The light yellow car slows down as it reaches the driveway and the engine stops. Peg makes her way out and hurries over to the passenger side, keys dangling between her fingers. She helps Edward out once she sees him awkwardly shuffling in the seat, unsure of his next step.

"You'll love it here. I just know it."

The woman hastily closes the door behind the tall, peculiar visitor. She places a gentle hand on his back and guides him down the asphalted path. 

Edward's gaze briefly wanders further into the street. The houses are slithering along neatly, their vivid colors somewhat tiring to his unaccustomed eyes. Yet one of them sticks out. Strangely enough, it reminds him of home. A rusty iron fence surrounds the property, and patches of lush, unkempt vegetation creep through the bars. The walls are dark and crooked and the black tiled roof casts a shadow over the entire abode.  

"Who lives there?" The question escapes his lips almost unconsciously. 

Peg follows his gaze, eager to introduce the area to him. Once she settles on the source of his inquiry, her smile falters for a second.

"Oh, my. That's, well..." she lets out a forced laugh and encourages him to continue walking. "I'm glad you're already so curious, Edward dear. You'll get to know everyone soon, don't worry about it."

One more push and the guest has securely entered the house. As she prepares to twist the knob into a lock, she peeks out for the last time, surveying the surroundings with mild worry. A neighbor is walking their dog, whistling in the distance. As they approach the mysterious building, the animal begins to bark and the owner scurries to the other side of the street. 

"He's so...strange!" one housewife exclaims, sipping on her lemonade.

Joyce is biting the temple tips of her sunglasses as she carefully inspects the dark haired man, currently using his sharp, spear fingers as barbecue skewers. She's batting her long eyelashes, entranced. She does like her men on the enigmatic side. In fact, she might just have a word with him. She folds the sunglasses and hangs them by the collar of her low-cut blouse. Of course, she doesn't forget her famous ambrosia salad as she departs from the rest of the fidgeting women. 

"Ed, darling. You must try out my signature dish!" she daintily holds up a spoon and attempts to feed the pale newcomer. 

He cautiously opens his mouth, unsure of how else to respond to the gesture. He tries to find Peg within the crowd, hoping she'll give him a new task away from this uncomfortably touchy person. And as luck would have it, his savior has come to the rescue. Peg doesn't hesitate to pull Edward away, cheerfully mumbling a domestic excuse. 

Once freed from the shackles of awkward social interactions, the man tiptoes his way out of the yard and down the street. He doesn't like the constant murmur of people talking. He doesn't understand the jokes, the loud laughs, the complicit slaps on the back. He feels as if he's on the other side of a glass window, separated from an audience demanding cooperation despite him only being able to discern muffled, discontinued meaning. 

None of this was mentioned in the Etiquette book. Or perhaps it has always been there, and the Inventor never got to the specific chapter. Died lamentably before he could explain how one navigates neighborhood BBQ parties.

Edward's step is clumsy and he doesn't have a particular direction in mind. In his scattered daze he nearly trips over something and turns around apologetically. You're sitting on the ground, resting against the fence. The book you were reading is now thrown aside, as you're too busy massaging the ankle that just got kicked by the sudden intruder. You look up, ready to scold the responsible airhead, but your eyes stop on an eccentric feature that catches your attention. 

"What happened to your hands?"

You're a little embarrassed by your unexpected, tactless curiosity. The man seems entirely unfazed, however.

"They weren't finished. I'm incomplete."

"Hmm. Isn't everyone?" 

Edward considers the question and recalls the people he's met so far. Peg and her husband. Joyce. The children. 

"But they don't look unfinished. They have all the body parts."

You chuckle slightly at the literal observation. 

"Well, you can't check them on the inside, can you? Most people have missing parts. Or broken ones."

"Where would you get it fixed, then?" Edward is startled by this new discovery. 

"You learn to fix it yourself. Otherwise it just stays like that, maybe forever."

He lifts his hands and stares at them. Is he going to be like this forever, too? He hasn't pondered the concept of time much before Peg had found him. Yet now, 'forever' feels unsettling. 

"Do your hands bother you that much?"

Edward doesn't know how to reply. He wishes he could resemble everyone else, that much is true. Then people wouldn't stare. And they wouldn't be afraid. As he mulls over the right words, he suddenly becomes aware of his surroundings. It's the house he noticed earlier, when he first arrived here. Which means...

He examines the person before him. They, too, look complete. So why?

"Why does everyone avoid this place?" He remembers the gathering he just left. "You weren't at the neighborhood party either. I thought all neighbors will show up."

"I was never invited."

"Why?"

You shrug.

"You're also not currently attending, are you? Otherwise you wouldn't be here."

"I took a break. It's too loud. Can I sit here?"

Before you can answer, he drops himself next to you with a thud. His fingers swish together as he adjusts his posture. 

"Oh, sorry, I forgot. What is your name? I'm Edward."

"Uhh... (Y/N)." You mutter, taken aback by his direct approach. What an odd fellow, you think to yourself.

"Nice to meet you, (Y/N)." As he scans your features again, he feels compelled to add, "You look rather pretty."

A faint blush takes over your face and you twirl your hair in an attempt to hide it. Is he mocking you? You genuinely can't read his intentions. 

"You don't look too bad yourself, Edward. I think the hands add to your charm." You eventually find the confidence to blurt it out, quickly following up with a laugh.

His heart tightens and he almost forgets about his hazardous extremities, having to stop himself from touching his now throbbing chest. He's never malfunctioned before. It doesn't feel like anything is wrong, either. Your comment, for some reason, made him very happy. 

(Y/N). Looking back to everything that happened, he's glad. Maybe he should thank Joyce next time he sees her. He wouldn't have met you otherwise. 

As the sun begins to set, you remind Edward that it's impolite to leave a party for too long. He protests, stating he prefers your company. As flattered as you are, you rephrase it as Peg being worried about his sudden disappearance and he feels bad enough to agree on his early retirement. On the condition he can hang out with you again. Once you guarantee a reunion, he makes his way back home. 

As he lays on Kim's bizarrely fluid mattress, tucked into the layered pastel sheets, Edward is overwhelmed by a strange, unfamiliar warmth. A wide, childish smile is plastered on his face and won't go away. Each time he closes his eyes to fall asleep, he pictures the encounter. (Y/N). It's a nice name, isn't it? He finds it particularly charming. He whispers it out loud in the dark room, as if making sure it's real. Reminding himself you're real. 

He can't properly explain it. It's the same thick window that stands between him and the world, but you're next to him. An outsider. A rejection. The idea that someone else out there shares his struggle has cleansed him of any longing for acceptance. Why bother with a sea of foreign, smudged faces? Peg becomes Joyce, and Joyce fades into Marge, and they all become a generic crowd of smiling pleasantries. It's a funny thing, being among humans. Once he left his old mansion behind, he realized how truly alone he had been. Still, being surrounded by people he could not comprehend made him feel even more lonely. That is the tragedy; sitting at the grand table, empty handed, unseen, unheard. Misunderstood. No one's fault, really. It just happens. But every now and then, if fate so allows, one might just find another starved attendant. With the same glint in their eyes, of someone not belonging. 

Oh, he can't wait to see you again.

It's unusually noisy outside for a late evening and you can't help but glance out the window. That's when you notice the roaring crowd, trampling in a hysterical march of unknown purpose. You have a bad feeling about it. The horned moon leers down at you like a bad omen and you quickly throw a jacket on, sprinting into the street. 

"What's this all about?" you shyly ask the nearest group. 

"Witch!" Esmeralda scowls at you with a pointing finger. 

Peg notices the commotion and runs towards you, completely disregarding the prophetic warnings of the woman. 

"Oh, (Y/N). It's Edward. They..." she sighs, frustrated. "I know I don't have the right to ask you this, but you're his friend. Could you please make sure he's alright?" Her voice is pleading and regretful. 

You nod without saying anything else. Before you turn to leave, you swiftly gesture to Esmeralda, raising your index fingers up and mimicking a devilish look. She gasps and throws her hands together in prayer.

It had to be done. 

Meanwhile, Edward has reached his old mansion and just now stopped in the entrance hall, panting anxiously. He feels nauseous and helpless. It's not that he's being chased by the enraged members of the neighborhood that alarms him. He cannot stand the possibility of not being in your presence ever again. How frightful, how agonizing! He claws at a nearby column in turmoil. 

It can't be, it won't happen. He'll tear his way through the masses if he has to. Oh, what a terrible thought. His Inventor would roll in the grave if he knew the violent ruminations that plague him right now. But if he has no other choice...Would he go as far as taking someone's life if it was for your sake? Well, technically speaking, his sake, really. He wants to see you. He needs to.

Panic slowly creeps through his body. The thoughts are piling up in an erratic hum and he can't find his focus again. He paces back and forth, attempting to recollect himself, but there's an urgency that drowns him in cold sweat. 

"Edward?"

The ringing stops. A switch has been flipped and he snaps his head in the direction of the voice. It's you. Completely spellbound, he extends his hand to touch your face, verifying whether you might be an illusion of his feverish desires instead. The blade pierces your skin, leaving a bright red trail behind. 

"I'm so sorry-" he cries out, realizing his act. 

You softly lower his hand with a reassuring smile. 

"It's just a small cut. Don't worry about it. I think we have more important matters at hand, won't you agree?" you joke as you nudge your head towards the window. 

"I spoke to the police officer on the way here, so we shouldn't have any surprise guests." 

You remove your jacket and throw it over some dusty furniture before climbing up the stairs. Halfway through you briefly stop and urge Edward to join you. He simply nods.

When the issue is settled and everything has been said and done, will you return to your miserable exile? Won't the neighbors become suspicious if you're frequently seen sneaking up the hill? Perhaps even the utmost secrecy won't prolong the visits much. 

And then what?

As he considers the potential scenarios, he becomes increasingly impatient. The joy of your return has been tainted by the impending doom of abandonment. He wishes you'd just stay with him here, forever. 

Once the conclusion has been reached, he lets out a quiet apology. Maybe to you, maybe to the beloved Inventor, maybe even to himself. He inserts a finger into the entrance lock and silently twists it. 

You must forgive him. Or at least try to understand him. He just loves you too much, (Y/N). Is it truly such a hideous crime? To want to keep you safe? If so, he will live with the guilt. But not without you. 

You're home. 

[melbatron5000]

Murder Board 2.0

Updated 4/30/24

Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.

What I think I know:

NEIL GAIMAN IS A LYING LIAR WHO LIES. Except when he's dropping hints or answering straight out. All of his answers to anything anyone asks about GO are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)

Most of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.

Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory? RECORDS. Incriminating records that are why the Metatron let Beelzebub and Gabriel go, but nailed Aziraphale. The Metatron knows Gabriel has those records, he doesn't know they got passed to Aziraphale.

Saraqael and Crowley and by proxy, Aziraphale are all working together. See here and here for more. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)

Crowley's memory is fine, it's a red herring. He is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene if from Aziraphale's perspective, so the conversation likely didn't actually go just like that.

Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.

The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.

What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where. That's why Crowley says "Oh God" before his speech in the final fifteen. He's bringing up what they're hiding, reminding Aziraphale that someone has to stay and keep an eye on Maggie. That's why he can't go. Now, how the FUCK did Jesus 2.0 wind up owning a record store she inherited from her family NEXT TO AN ANGEL?? (Ah, shit, now I'm doubting this one. But I still think Jesus is there, and Maggie means SOMETHING -- but so does Nina.)

SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.

I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.

The Metatron is a naked man.

Aziraphale and Crowley are talking in subtext A LOT. Aziraphale's tells are easier to spot than Crowley's. He raises his eyebrows and does vocal bunny rabbit ears. "Our Gabriel miracle," "The establishment in question," "Certainly on to something," "Haven't yet cracked the case." I haven't picked out Crowley's tells yet.

What still needs answering:

The clocks jumping time still don't make any sense. And why are the extras moving in double-time when we first arrive to Whickber street?

The weird hand in the 1941 photo still doesn't make sense.

Aziraphale's chair position being moved still doesn't make sense.

The extras behaving strangely still doesn't make sense.

Crowley's car being in the wrong spot on the road after Shax threatens him still doesn't make any sense.

I'm not sure that the POV switches explains all the weird sounds -- Aziraphale turns to look at a crashing sound when he returns from Edinburgh, the very loud clock in the final fifteen BUT ALSO when Jim says he will go out to the demons.

I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.

I still don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is.

Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?

We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?

What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him?

What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.

Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Frances McDormand? It's hard to hear. When he remembers the beginning, I think it's God's voice. When he prophecies, it may be someone else. Frances McDorman has no credit in that episode.

Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about?

When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?

Crowley can tell "something's wrong," and he doesn't just mean the demons. What?

When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??

Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get the demons?

What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?

The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?

Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Maggie!Jesus.

So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?

Wait. Two Crowleys?? WTF. There are two Crowley puppets in the magic shop. Am I insane? I have no theory here, just some wild speculation that needs a lot more time to simmer. Two actual Crowleys, or two ideas of Crowley? Or something to hurt my head?

An album on the wall in Maggie's shop says "Rat Keith." This seems to me to be an allusion to The Amazing Maurice and His Educated Rodents, by Terry Pratchett. In the book, some men have tied several rats' tails together to create a rat king that keeps the wild rats under control -- except that the rat king has too much power and is doing way more than just that. People die. So who's been given too much power and is now running the show instead of being a puppet? The Metatron, perhaps? Hm . . .

WHAT is going on with that damn white head statue in Aziraphale's book shop? It's centered in more than one shot, as if it's a character. Is it a POV hint? I wonder, if it is, whose POV it represents?

A blog that I didn't reblog pointed out that the record Aziraphale is listening to when Garbriel shows up is neither Shostakovich nor 21 minutes long. That seems important, but I'm not sure how.

What the heck does Furfur mean by "little monkey in the waistcoat?" How does that sound like Crowley?

Why does Mrs. H say "for God's sake" two times in a row? No one says that on this show without a meaning.

I count at least three times that Crowley approaches Aziraphale and Aziraphale looks to his left, but Crowley is not on his left. In fact, Crowley is not on the left a LOT this season.

Shax notices Crowley going to Heaven and makes an epiphany face.

Why is the end credit music for the ball French cafe music? French must be important. And the end credit music for The Hitchhiker is old timey and scratchy, then skips and becomes the same song in a newer, clearer style. Because they repeat the bullet catch trick in the modern day, perhaps?

I thought I heard that Crowley and Aziraphale are in the fly in the opening sequence, but nope. So why are they in a cave?

Why are there multiple elevators and multiple mountains in the opening sequence??? What the hell does that mean??

Repeating themes: (I am just realizing that these aren't just themes, they are all Clues!)

Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim. Oh, and LAUDANUM.

Time -- lots of clocks/mentions of time. Everyone notices the ticking clock during the Final Fifteen, but it's ticking loud when the demons attack the ball, too. Also, why is the first scene of Whickber street shown at high-speed? Is time sped up? Or something else?

Love/partnership/togetherness being stronger than separateness

Memories/forgetting/remembering

Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money. Actually, both times money is brought up, it's Crowley using Aziraphale's money. It's funny, but I feel like there's a point to it.

Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming. I think this is all just hinting around Jesus -- sure, hinting around Jesus, who we were expecting to show up in Season 3, but she's already here. The hints indicate that she is already on Earth, not going to show up next season. Ha!

Unreliable narrators. Because we are seeing the whole show from various characters' points of view. Because of that, we can only see what they know, expect, believe, or understand, but also what they want us to see. We need to take the whole second season with a grain of salt.

Death in general -- but 9a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 9b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmmmm.

Morality and what is "good" and what is right

Recognition and identity and hiding one's identity. Ah! Probably at least partly because Maggie someone? is Jesus. How would you recognize them? (Do I still think it's Maggie? Not sure.) She doesn't look like White Jesus, or even a more realistic Middle-Eastern or Black Jesus. She looks like Maggie. Who would know her? I think there's more to this theme, but Maggie as Jesus 2.0 adds up.

Licenses, permits, permissions, rules, proof, evidence, what's allowed. All of the minisodes mention this, and it all gets mentioned again over and over. Because Heaven and Hell do have rules they have to follow. Which drives home my theory that Gabriel stole some very incriminating records from Heaven when he left, Crowley got hold of them and gave them to Aziraphale during the kiss, and now Aziraphale is going to nail them.

Colors. Lots of colors!! Job's kids are dressed in the colors of Nina, Maggie, and Aziraphale's shops. Jesus on the Resurrectionist Pub sign is in blue and orange, blue and orange crop up a lot in extra's clothing, as do yellow and red, Crowley colors. The Ladies of Camelot are in orange and blue. Maggie's shop is orange, Nina's is blue.

Horses. Horse statue, horse wine label, people saying "dark horse." The four horsemen again?

Repeating words and phrases:

Technically

Properly

Isn't it just?

Too late

Funny old world

Not as such

Made for each other

EVERYWHERE

Obviously

Two shakes of a lamb's tail

Dark horse

What are you/am I? As opposed to WHO. Aziraphale asks in the Land of Uz, and Crowley asks Gabriel.

Are you sure? Quite sure.

The Marvelous Mr. Fell is described as marvelous in his mysterosity, Shax says the demons have dangerosity.

Mrs. H in 1941 says "for God's sake" twice in quick succession.

Hints:

Powell and Pressburg films

The Crow Road

Catch 22

The Amazing Maurice and his Educated Rodents, Terry Pratchett in general

Jane Austin

Book Good Omens

Season 1 Good Omens

The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.

Objects that get a close-up/centering:

Starmaker's nebula book

Shostakovich record

Tomatoes

The box

The Bentley

Eccles cakes

The bell

Head statue

The book Jim drops

Jukebox

Gabgriel's statue

Laudanum bottle

Phones in Edinburgh episode

"Very closed" sign

Broken whiskey bottles in 1941

Hourglass in Hell

Furfur's camera

Bullet catch in the magic shop

Instruction booklet for bullet catch gets 3 close ups

Puppets

Dancer's silhouette

Mr. Fell sign

The actual bullet

Angelic beings book

Photo evidence

Shax's shoes

"Surrender the angle" brick

[auroraborealyss]

𝐦𝐨𝐫𝐩𝐡𝐞𝐮𝐬' 𝐥𝐨𝐯𝐞 𝐥𝐚𝐧𝐠𝐮𝐚𝐠𝐞𝐬.

⊹ pairing: morpheus x reader

⊹ summary: how morpheus, dream of the endless, the king of dreams, or as you know him: your love, expresses his love

⊹ warnings: some explicit language, but mostly none (however my inputs are slightly out of control in this one—case and point: this note)

⊹ word count: 3107

𝗴𝗶𝗳𝘁 𝗴𝗶𝘃𝗶𝗻𝗴 you are talking to the king of dreams. the Endless who's responsible for seeing what people dream about, what they're scared of, and managing it. this is also the same Endless who thought it would be a fun idea to put his power into three of his favourite things. of course gifts is going to be his main love language

as the lord of dreams, of course his first instinct is to give you whatever you want. to create whatever you wan. he genuinely finds pleasure in creating something himself to give to you

(dare i say a kink)

has definitely fashioned a dream after you. whatever impact you have on morpheus (make him warmer, kinder, see the beauty in humans and their short but well-lived lives, etc...), that dream because that for others

no need to buy new clothes when he can just make you whatever you want

you want the top half of that one dress but the bottom half of another? check your closet.

you want the new book from your favorite author but it doesn’t release for another six months? check your mail.

you want that chocolate that was discontinued? check your cabinets?

even if you’re not in the palace of the dreaming at all times, he insists that you live in one in the waking world. so he buys/inspires an architect to make you your dream apartment/house

if its an apartment and you live by yourself? still gets you a three bedroom for no fucking reason other than he wants you to be comfortable. there used to be a hill that blocked your window? your architect was inspired to demolish it. you want it back? your architect is inspired to build one

if it’s a house, insert lazy river (honestly, if i had the money to waste and spend, i’d get one for myself. alas, the only lazy river i get is when my sink overflows) cue to you casually floating on a donut floatie while reading a book, doing laps around your house over and over again

if you do a form of art, you’ll get a room dedicated to it. a library. a painter’s studio. a photography room. sculpting nook. all of it and more.

there is nothing you could want that he could not give you

and never ever bring up money unless you want a mysterious and rude amount of money deposited into your account to wake up to

he'll also go to great lengths if you need a particular item (exhibit a: him going into the lake to get gifts for the fates. he did all that for his items, so imagine what he'd do for you)

but you want to know what the best gift he gives you?

his coc

𝗮𝗰𝘁𝘀 𝗼𝗳 𝘀𝗲𝗿𝘃𝗶𝗰𝗲 this man will be begging for you to let him do things for you. in this essay—

(did you see the calliope episode? because that part of episode 1.11 is basically exhibit b for this section)

someone said something mean to you? bam. they will be plagued by nightmares of someone he loves saying those things to him until he dies.

if you’re a better person than him and won’t let him mentally torture people for as long as he likes and thinks they deserve, he’ll omit telling you that he’s torturing people. what you don’t know, won’t hurt, right?

but if you’re flirting with the line that is morally good and you do consent to letting him torture people, he might show you his progress on them and their decaying sanity

“look at what i have done with the love i have for you.”

you still get nightmares when you sleep, not because he wants to hurt you, but because nightmares can actually help you. dreams can inspire us to be better, but so can nightmares. for example, being visited by a nightmare that shows you your fear of failing that test makes you wake up and be motivated to study. what he does do for you is restrain the nightmares? he lets them scare you enough to act as a motivator, but not extremely that you are crippled with fear and anxiety

protective morpheus (currently sobbing)

when you wake and leave the Dreaming, he’s gone but there’s always a cup of coffee with you

acts of service also include making others do acts. rather than get a phone, forces matthew to carry messages between you and him instead.

if you're studying and need information on something, he'll have lucienne prepare a stack of books, and maybe even notes, for you to see to when you return to him in the Dreaming

but the biggest act of service he can do for you is meet your friends

lets you drag him to parties and dinner and brunches

might not socialize (probably will not), and you might find him standing in the corner becoming a shadow, but he won't bother you to leave until you want to

he'll watch you the whole time

takes care of your drinks (and everyone else's)

or, he might follow you around like a shadow. no matter who you talk to, he'll be standing beside you, an arm around your waist

if you're a social butterfly, he admires that about you

if you're more socially introverted, he'll hang out with you in the shadows and leave when you want to, even if you've only been there for five minutes

basically he's a simp—and he might actually proudly admit to being one because who's the one who's dating you in the end?

𝗽𝗵𝘆𝘀𝗶𝗰𝗮𝗹 𝘁𝗼𝘂𝗰𝗵 before his confinement, he wasn’t the most physical person. he wouldn’t pull away, but he didn’t reach for you either, though he always secretly liked it. after his imprisonment, he begins to reach for you. not just that, but he begins to crave your touch. touch is how he reminds himself that he is with you, you are with him, and that he is free

in public, it’s limited but clear that you’re together

the last thing he needs is hearing matthews’ teasing squawks in his ear about morpheus being the endless version of a cat

when lucienne catches pda, she’ll at least be respectful and dignified and not comment, though she will be grinning like a cheshire cat and her eyes will keep looking

your arm around his when walking around

his hand on your back

then your lower back

brushing your hair out of your face

sitting close enough for shoulder and legs to touch

standing close

(once again, I bring up the calliope episode—someone stop me from rewatching that over and over again)

did you see how close they were standing? then, when you thought they were close enough, he takes an even closer step? that. THAT.

whatever concept you have of personal space, a personal bubble, this man is inside it. yes, your arms might be linked while walking. but your sides will be pressed together.

and while it might appear that you're the one who links your arms together, he is the one who already has his elbow slightly bent and held out towards you

when you do hold hands, his thumb brushes over your skin absentmindedly, as if feeling your warmth isn’t enough and it’s a constant reminder of him that you’re there

but when you do the same to him, or gods help him, you squeeze it, he, with every fibre of his being, will feel it and nearly stop from the overwhelming feelings that threaten to send him to the ground

so keep it sparingly

...or not

kisses in public..truthfully, he's probably leaning towards no. full on make out sessions? probably not. when you guys are saying goodbye, i’m seeing more of a tight, slightly awkward dip of the head—a farewell not

but, bringing that calliope episode up once again, he won’t don't anything if you were to initiate it.

kiss on the cheek? you better hold that position for a few fucking seconds so you can let that man close his eyes and savour the intimateness that is the feeling of your soft lips against his cold cheek.

why don’t you press your forehead against the side of his head while you’re at it? you know, when you’re done kissing him but before you pull away. think of it as giving him a few seconds to revert back to cold, formal morpheus, dream of the endless, and not your boyfriend/partner

stares at you when you’re not looking

stares at you even when you're looking

stares down at you when you're asleep in his arms

stares up at you when he's down on his knees between your—sorry, wrong fic

imagine those intense eyes just looking at you and not looking away, not ashamed at taking in the beauty that is his partner

he has no qualms when someone is staring at you, because how he can be blame them

but he does have qualms when their gaze turns into a leer. that's when he'll send a couple nightmares their way for a few directions. not to mention, he'll turn his gaze from you to glare them down, and because they have now deprived him from admiring you for the few seconds this last, he blames it on them and gives them a...gift (and a visit to desire if he finds out they had something to do with it)

on the rare occasion that he's actually using his throne and sitting on it rather than dramatically sitting on the steps after he spread his coat out around him, he might let you sit on his lap (nothing more...in public)

not straddling him—god no—but sitting horizontal so your legs are over his lap and your side is against his chest with your arms around his neck and his arms around your waist

he does that when he needs to relax

he might whisper his problems and insecurities in your ear

but in private—in private—this man is draped over you

he’ll be like a cat who actually likes his owner and will curl up on you

if you’re cuddling, you’ll lie with your head on his chest and his arm around your shoulders, maybe playing with your hair

he may or may not use a bit of his sand to help you sleep if you’re having troubles entering his realm, but with him drawing random shapes on your skin or the steady rise and fall of his chest, or, if you're really lucky, he's reading aloud in that quiet, low, asmr voice of his, you're gone all too quickly

he always feels a bit stiff when the cuddle session begins, but after you lie down on him long enough, his limbs soften before gripping onto you tighter

but back to that no-such-thing-as-a-personal-bubble with him

walls

bringing into evidence, exhibit c: episode 1.03 with johanna constantine

why does he have to be so physically close with everyone (that isn't me)

likes to walk you backwards until you hit a wall

once you hit that wall, he may or may not take an even closer step

then closer

and even closer, but his arms are still in his pockets because he's cool and edgy like that (and intimidatingly hot)

close enough until he's kissing you

then he'll press against you to be even closer

we can unpack the trauma that being separated from everyone he loves for 100 years and being physically separated by a wall of glass some other day. for now, enjoy his closeness

because basically, close is still too far for him

𝗾𝘂𝗮𝗹𝗶𝘁𝘆 𝘁𝗶𝗺𝗲 not 24/7 hanging out, because he is the king of dreams and he has a realm to run, but he does spend his time with you wisely, and just because you're not with him all the time, doesn't mean he isn't thinking about you all the time

his favourite thing is the two of you being in each other’s presence but working on your own things. he appreciates it more than he realizes, and during the times you sit to the side as he makes new dreams, he’ll sometimes put aspects of you in them—intentionally or unintentionally

when you aren't together, he'll still be consumed with thoughts of you

he thinks of you all the time, actually. and because of that, he also talks about you all the time, sometimes subconsciously. and sometimes with no reason at all—or perhaps the only reason he needs to bring you up is because you're you and he's in love with you

"y/n did extremely well on her project, did you hear?" "did you hear about my report on the rogue nightmares, sir?" matthew asks. "she worked very hard on it. i'm proud of her."

thinks about you when doing research in the library with lucienne

wonders about you when going on walks with death

mentions you on dinners with hob

dates with him doesn't have to be the most exciting thrilling thing. in fact, he likes living in domestic bliss with you. doing dishes together. helping you with laundry. watching a movie. people watching. walking your pets.

he usually leaves you alone when you’re awake and uses that time for his duties while you’re busy doing awake things anyway, but when you do fall asleep and are in the dreaming, that’s when the two of you are always together, stuck at the hip (and we're back to the closeness)

takes you out to dinner everyday where he listens to you talk and rant about your day and give you suggestions. he eventually does the same with you, and you become the first person he goes to whenever he needs consultations for his problems

insert jealous hob when he finds him and you eating and morpheus actually talking to you and not just sitting there quietly like with him

but hob gets over it (he doesn’t) and sometimes he’ll join dinner with you guys.

family dinners in his realm with you, hob, death, lucienne, marvin (and only because you invited him), matthew (though morpheus gives him a dog bowl rather than a plate)

during the moments the two of you are together, he treasures and cherishes it

and during the moments when it's just the two of you together, he'll definitely make it worth both your while

drawing it out (if you know what i mean)

and i mean, teasing you for hours and sessions that go until you wake—

𝘄𝗼𝗿𝗱𝘀 𝗼𝗳 𝗮𝗳𝗳𝗶𝗿𝗺𝗮𝘁𝗶𝗼𝗻 ha no. did you see how emotionally constipated this man was? how he can't tell calliope he still loves her, admit to hob that they're friends, and ask for help from death? words are not the dream king's weapon

the most you get is a term of endearment, like my love or my beloved

always 'mine' though

but this Endless is not about to spout off a pride and prejudice speech at you, so don’t bother waking up early and going for a hike. just sleep and hang out with him in the Dreaming instead in silence

however he does have a beautiful voice—one that as his partner, you are allowed to take advantage of. cue making him read pride and prejudice at you (especially that speech: “you have bewitched me, body and soul, and i love…i love…i love you. i never wish to b parted from you from this day on.”) you with his head on your lap, him sitting against a tree with the branches over the both of you for some shade. one hand is holding up the book, the other is absentmindedly twirling your hair. when he finishes the line, he looks down at you, slightly amused but completely enamoured, especially at the giddy expression on your face, and he dips down to kiss you

he tells you that he inspired jane austen to write that speech for you—it’s up to you if you want to believe him or call it bullshit

while he might not be giving love confessions every three seconds, he does give you compliments. and not just when you do something that warrants a compliment, but randomly. because to him, everything you do is majestic and needs to be acknowledged as so

"you're beautiful" when you're in casual clothes, sweats, pyjamas, (or bare)

"what would the world do without you?" when you hold open the door for an elderly couple

and you know he says it against your ear, voice low, his whispered words hot and heavy. maybe even a little raspy—

but just because he might not be the chatterbox on the block, doesn't mean he doesn't want someone talking to him

so don't give him the silent treatment, because when he does, he becomes insufferable to everyone

he's all curt to lucienne. snappy with matthew. demanding with poor marvin. sharp with cain and abel. rude with death. threatening with desire.

no one has nice dreams and nightmares become so much worse

not you, of course. you're still sleeping perfectly fine, but you realize something's wrong when you meet up with your friends and one of them hasn't slept in days while the other hasn't woken up in days

if it's his fault, it might take death for him to realize his mistakes and apologize to you. again, no long speech, just the simple words, "i'm sorry. i was wrong. please forgive me, my love." and considering this man's flaw is his ego, that is more than enough

and if you tell him to say it on his knees he will as he whispers it against your—

but if you're at fault, he won't back down until you apologize. however, he won't leave you alone. he'll always be there in the corner of your eye, waiting for you to apologize. and when you do, he'll purse his lips, nod, and say nothing. but you'll know he's already forgiven you when his eyes soften and he gives you that soft smile that's reserved for so few people

he might not talk to you, but he does want you to talk to him, so ramble away

let's not get started on what he says in private, but i'll tell you this. he isn't so silent anymore, and he will definitely appreciate whatever you tell him in whatever form—and might even strive to create and draw such sounds from you

a plea

a cry

a groan

a whimper

a scream—

in conclusion, this man will love you with every piece of him. (and if i could, i would do the same morpheus please just give me a chance)

𝗮𝘂𝘁𝗵𝗼𝗿'𝘀 𝗻𝗼𝘁𝗲: 𝗐𝖾𝗇𝗍 𝖿𝗋𝗈𝗆 𝗈𝖻𝗌𝖾𝗌𝗌𝗂𝗇𝗀 𝗈𝗏𝖾𝗋 1.06 𝗍𝗈 1.11. 𝗍𝗁𝗂𝗌 𝗌𝗁𝗈𝗐 𝗂𝗌 𝗍𝗈𝗈 𝗀𝗈𝗈𝖽. 𝗂 𝖺𝗆 𝖺𝖻𝗌𝗈𝗅𝗎𝗍𝖾𝗅𝗒 𝖽𝗈𝗐𝗇 𝖿𝗈𝗋 this 𝗆𝖺𝗇. 𝖺𝗋𝖾 𝗆𝗒 𝖼𝗋𝗎𝖽𝖾 𝖺𝗎𝗍𝗁𝗈𝗋 𝗂𝗇𝗉𝗎𝗍𝗌 𝖺 𝗌𝗂𝗀𝗇 𝖺𝗇 𝗇𝗌𝖿𝗐 𝗏𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗌 𝗇𝖾𝖾𝖽𝖾𝖽?

𝗂'𝗆 𝖺𝗅𝗌𝗈 𝖺𝖻𝗈𝗎𝗍 𝗍𝗈 𝗀𝖾𝗍 𝗈𝗇 𝖺 14𝗁 𝖿𝗅𝗂𝗀𝗁𝗍, 𝗌𝗈 𝗂𝖿 𝗂 𝖼𝗋𝖺𝗌𝗁 𝖺𝗇𝖽 𝖽𝗂𝖾, 𝖺𝗍 𝗅𝖾𝖺𝗌𝗍 𝗍𝗁𝗂𝗌 𝗐𝖺𝗌 𝗆𝗒 𝗅𝖺𝗌𝗍 𝗀𝗂𝖿𝗍 𝗍𝗈 𝗍𝗁𝖾 𝗐𝗈𝗋𝗅𝖽

𝗌𝗂𝗆𝗂𝗅𝖺𝗋 𝖿𝗂𝖼𝗌 𝗍𝗈 𝗍𝗁𝗂𝗌: 𝘵𝘩𝘦 𝘤𝘰𝘳𝘪𝘯𝘵𝘩𝘪𝘢𝘯'𝘴 𝘷𝘦𝘳𝘴𝘪𝘰𝘯, 𝘮𝘰𝘳𝘱𝘩𝘦𝘶𝘴' 𝘭𝘰𝘷𝘦 𝘭𝘢𝘯𝘨𝘶𝘢𝘨𝘦𝘴 𝘯𝘴𝘧𝘸 𝘷𝘦𝘳𝘴𝘪𝘰𝘯

𝘤𝘩𝘦𝘤𝘬 𝘰𝘶𝘵 𝘰𝘵𝘩𝘦𝘳 𝘣𝘰𝘰𝘬𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘢𝘯𝘥𝘮𝘢𝘯 𝘴𝘩𝘦𝘭𝘧!

[fellthemarvelous]

Staged and Good Omens: The discontinuity of a story within a story within a story.

I'm watching the third season of Staged again right now, and I think I've figured something out.

The discontinuity that people are talking about of Good Omens 2.

Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)

The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.

But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.

Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.

They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.

The entire show has layers upon layers of meta weaved into it.

Anyway, my point is...

This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.

I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?

Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day

What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?

Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.

There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.

You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.

Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.

These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.

The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.

There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.

There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.

We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.

We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.

We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.

The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.

It's a story within another story within another story.

And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.

And it works very damn well. Because the love story was beautiful.

Staged 3 ending

Good Omens 2 ending

[55sturn]

i will write mostly anything, however i will not write triggering or disgusting topics such as r*pe, incest/stepcest, or anything alike! and i have the right to refuse any req if it makes me uncomfortable, thank you!

crossed out means the fic is either discontinued or on hold!

✮ fic genre indicators!

౨ৎ - suggestive/smut

ᝰ.ᐟ - angst

ʚɞ - fluff

☆ - a lil mix of everything

✮ NICK!

(x platonic!fem reader or x romantic!male reader!)

✮ fics!

✮ coming soon!

✮ headcanons!

✮ coming soon!

✮ series!

✮ coming soon!

✮ MATT!

↳ (x platonic or romantic!female reader!)

✮ fics!

✮ TO KNOW THINGS LIKE LOVE: in which matt still grapples with the devastating loss of his girlfriend, y/n. [ ᝰ.ᐟ ]

✮ TO KNOW THINGS LIKE LOVE 0.02: in which matt’s life is turned upside down in a split second and it leaves him a shell of the person he used to be. [ ᝰ.ᐟ ]

✮ WISH YOU’D LET ME STAY: in which matt and y/n have a complicated relationship, they label it friends with benefits, but deep down they both know it’s much more than that. [ ☆ ]

✮ FEEL IT ON THE WAY HOME: in which matt finds himself growing jealous of y/n's friendship with nathan, despite matt not officially being with her, however she sees his deepest worries and assures there's no one else for her. [ ᝰ.ᐟ ] [ ʚɞ ]

✮ COVERED IN YOU: in which history has a tendency to repeat itself for matt and y/n, and this time y/n’s had enough of the back and forth because despite fighting it for years, she’s in love with matt, but does he love her back? [ ᝰ.ᐟ ] [ ʚɞ ]

✮ SOME TYPE OF WAY: in which y/n takes matt up on the offer he proposes after they meet at a party, however they feel their resolve slipping as the tension grows thicker. [ ౨ৎ ]

✮ OH, BABYDOLL: in which a night of drunken celebration between matt and his best friend turns into something more, something they both yearned for. [ ☆ ]

✮ headcanons!

✮ HUSBAND+DAD!MAT HCS: in which matt navigates being a husband and a dad. [ ʚɞ ]

✮ DEALER!MATT HCS: in which matt is your regular dealer who becomes more than that. [ ☆ ]

✮ SUB!MATT HCS: in which matt can’t help but submit to his girlfriend. [ ౨ৎ ]

✮ BRAT TAMER + PENT UP!MATT HCS: in which matt’s brat tamer and pent up sides come into play. [ ౨ৎ ]

✮ series!

✮ SNAP OUT OF IT: in which y/n lands a spot in the most competitive entry class at harvard, its high demand film and production studies class, however when she arrives, she's rather conflicted to find out her suite mate is none other than someone she knew, and grew to heavily despise in high school, matt sturniolo.

✮ CHRIS!

↳ (x platonic or romantic!female reader!)

✮ fics!

✮ WELCOME HOME: in which chris and y/n welcome a four-legged addition into their home. [ ʚɞ ]

✮ BEEN AWAY: in which y/n grows tired of chris constantly being whisked away on business trips and taken to fancy parties every weekend, and she realizes it’s straining their relationship. [ ☆ ]

✮ IN ANOTHER DIMENSION: in which y/n and chris have been together for a while but the time for their relationship is coming to an end when they both realize that they were only projecting their feelings for other people onto one another. [ ᝰ.ᐟ ]

✮ BACK TO YOU: in which no matter where they are in life, chris and y/n find their way back to one another, despite knowing that it never really works, until day he gives in and stops fighting what he knows is meant to be. [ ☆ ]

✮ I WAS BLIND TO SEE: in which y/n spent years begging chris to let her into his heart, but he was unrelenting, so eventually she gave up. but after a whole, things change for chris. [ ᝰ.ᐟ ] [ ʚɞ ]

✮ YOU BELONG TO ME: in which chris is forced to see how deep his desire for y/n truly runs, and y/n is forced to see that she’ll never belong to another guy the way does chris. [ 18+ ] [ ☆ ]

✮ BLURB W/ BFF MUSIC PRODUCER!CHRIS PART ONE: in which things get a bit heated with chris while he’s producing a beat for a friend. [ ౨ৎ ]

✮ BLURB W/ BFF MUSIC PRODUCER!CHRIS PART TWO: in which chris samples your whines and moans while producing a beat for a friend. [ ౨ৎ ]

✮ headcanons!

✮ AFTERCARE HCS: in which chris’ love languages are physical touch and acts of service. [ ʚɞ ]

✮ HUSBAND+DAD!CHRIS HCS: in which chris navigates being a husband and a dad. [ ʚɞ ]

✮ DEALER!CHRIS HCS: in which chris is your dealer, yet he becomes more than that as time goes on. [ ☆ ]

✮ DOM!CHRIS HCS: in which chris’ dominant role comes forth a lot more than he thought it would, but that’s the main perk of having a bratty girlfriend. [ ౨ৎ ]

✮ SUB!CHRIS HCS: in which chris’ submissive role comes forth as he finds surrendering himself to his girlfriend’s control a lot hotter than he initially thought he would. [ ౨ৎ ]

✮ series!

✮ BACK TO DECEMBER MASTERLIST: in which chris navigates his hockey career with his number one cheerleader by his side, no matter what, or so he thought. when the going gets tough for y/n, navigating having a superstar boyfriend and another surprise on the way, she doesn’t know if she can handle the pressure anymore. [ ☆ ]

© 55STURN 2023 [ you do not have permission to copy or save or share my work to other platforms and devices! ]

BACK!

[anarchy-and-piglins]

Hi Shae,

This situation's shitty. I'm not gonna talk about it, I just wanted to kinda check in I guess? Ask if you're okay.

And also, send some kind words to you. Stars know we all need some kindness in this time. I love your writing, I love the stories you write, I love seeing you in the comment section of stories I read. Your enthusiasm is contagious and makes me grin! The way you write the characters, with their voices and vibes, is fantastic.

I hope you're doing all right.

(note: I'm tagging this ask and any potential future asks that refer to the Wilbur situation with 'support shelby or die by my sword', so people who want to avoid vent-y and triggering content can blacklist)

You, Anon, are one of the sweetest people ever.

I'm doing okay, all things considered. In an odd way, I'm lucky in that I detached from the CC side of things pretty firmly after Techno's passing and only really stick around for the characters. Still, I've cried. I feel sad and angry and betrayed and hurt, I feel for the victims, and I feel disgusted that somebody who I genuinely thought was a chill and kind and funny person could do something like that.

In a more selfish way, I feel grief. I think this definitely triggered some soft spots left behind by losing Techno. Wilbur is very entwined with a lot of Techno content, SBI as a whole is. And while I'm here for the fictional fandom/character stuff first and foremost, I did like cc!twinduo and cc!sbi as dynamics. So many of my comfort vids that still bring me joy and make me feel close to Techno have Wilbur in them (4/4 content, old mcc vlogs, etc). Now, that all feels stained. I haven't tried rewatching any of it, I don't know if I can. If I do, I'm afraid they won't give me joy anymore. It's like losing another bit of the pieces left behind by Techno and that hurts.

Also, the fading of a community. The Techno/SBI community already very much shrunk after his passing, but I know a lot of fanfic and fanart will be deleted, and a lot of artists/authors might discontinue to make content, which are absolutely valid choices but it does mean loss and loss is always painful, even if it's an understandable and necessary loss.

I'll be fine though. I know there are a lot of people WAY more affected by this than me (thinking about people who were more invested in cc!Wilbur than I ever was, not to mention Wilbur's actual group of friends and such). I'll be alright, I'll pull myself up by my bootstraps and keep trucking.

Thank you for the kind words about my writing too. I hope that my future fics, if you still choose to read them, can continue to bring you that enthusiasm and joy too. And if for you (or anybody else reading this), this means you're saying goodbye to my fic or to the techno/sbi/dsmp community as a whole, I hope you enjoyed your stay. And thank you for everything.

[scorchrend]

thinking about it

GARDENS ABLAZE

AU where Axis Model 08 burns down the king’s garden

❓ does flowey exist???

if he doesnt undertale is doomed so id rather he exists.

maybe the difference is alphys doesn’t take the last remaining flower and instead injects determination into the flower and leaves it there for Asgore to see

meaning unfortunately Asgore will probably know who flowey is in every timeline…

✅ somehow chujin doubles down on improving axis instead of discontinuing the project

❓ integrity?

✅ ceroba actually gets word of wtf chujin is doing because it’s such a huge incident

✅ current model is still 014. memory tends to wipe clean the moment he finishes a task. keeps only the important parts.

Axis doesn’t actually get memory wipes, they just get locked. Something something integrity incident goes down even worse than in canon, Axis model whatever the fuck killed integrity reacts badly. Like he just stores information in txt bullet points but he can’t access the memories. Blah blah this pisses Flowey off because he cant beat Axis but cant even mess with him because he keeps forgetting. Axis is aware of Flowey but doesnt keep the specifics in mind, doesn’t recall what exactly they talk about only the general idea.

The memories are accessible by the admin and since Chujin was so so royally fired he works on Axis at home so Ceroba also knows about him. Axis functions like a home security cam kinda lol. Except he can’t store video at least not for long. Not that advanced.

Also this means the integrity incident happens and Ceroba will know. This is Not Good. Lol

[ghostlykeyes]

aki with a s/o who cries very easily? Like saw a sad video? cries. Hit the foot on the corner of the closet? cries. Was someone rude? cries.

Aki

Sure, some people may be annoyed by your constant stream of tears—Aki is not one of those people. With the daily bullshit he has to endure from Power and Denji, your propensity for waterworks is barely a blip on the radar. He's never mean or irritated or snaps at you when you're crying over dropping and shattering his favorite mug. He's always ready to help you through the latest hurdle, and he never makes you feel bad about it.

Aki's always prepared to comfort you and he's got it down to an exact science. He knows the exact words that will staunch the flow of tears, the exact place to rub your cheek and kiss your forehead to calm you down. No one helps you stop crying like Aki can.

Always prepared for anything, Aki perpetually keeps a pack of Kleenex wadded in his back pocket. No sooner does he see your eyes welling up do his hands dive into his pocket, digging out the tissues. There's little smiling goldfish printed across the plastic packaging, swimming through swathes of your favorite color—not exactly his style, but you think it's cute, and that's what matters, anyway.

If he senses anyone is getting a bit rude to you, Aki immediately sends them an absolute death glare, something that says "Cut that shit out or you'll be picking your teeth up off the floor." For all but the very stupidest, this is enough to make them suddenly get a whole lot nicer to you.

Aki carefully gauges your mood before sharing any bad news or talking out any issues with you. No, he doesn't mind comforting you when you cry, but he'd rather not be the reason you do it—it makes him feel like his heart is going through a paper shredder. He approaches any delicate situations with delicacy, trying his best to help you process things without any undue distress.

Of course Denji and Power take advantage of your quickness to cry to tease the absolute shit out of you. They won't be malicious, of course, but they think it's hilarious if you start tearing up because they tell you your favorite snack got discontinued or they showed you a sad video. Aki absolutely hates it and threatens not to feed them for days if he catches them trying to get a rise out of you. It works in getting them to behave—most of the time.

Secretly, Aki thinks your flushed, hot cheeks and watery eyes are pretty cute. In that moment when you've stopped crying but the evidence is still stamped all over your face, he could just squeeze your cheeks and press kisses against them for hours. Sometimes, to cheer you up, he does!

Aki affectionately calls you his little crybaby, if you're not bothered by it. It's not a term he uses in front of other people—he doesn't want anyone to think he's making fun of you, or being dismissive. But when you're alone, slicing onions in the kitchen or folding t-shirts in the laundry room, he'll smile at you fondly and cup your cheek in his smooth hand, stealing a private, intimate moment. "I love you, my little crybaby," he'll murmur against your forehead when he draws you close.

[notsogoodphotographer]

Hi i want to talk about my all time favorite camera 📸

pls ignore all my grammar mistakes, i’m not professional reviewer 😂 i just wanna talk about this camera.

This is the Sony RX1Rii, this is the third and “most recent” version of this camera. i put “most recent” in quotes because this camera is almost 10 years old. don’t like the old age fool you because this camera can keep up with the newest cameras in its niche.

This little point and shoot sports a 42mp full frame sensor. YES, F U L L F R A M E!! This tiny camera is actually smaller than all the x100 series (minus the lens on it). The camera has an incredibly sharp Zeiss Sonnar 35mm f2 glued to. This camera has 399 af points, with eye AF. The camera is incredibly fast and accurate!! the camera is pretty much a tiny packaged Sony A7Rii!

One of my favorite features of this camera is the pop-up EVF! This is a feature that was added to only this version of the camera and it’s a feature that i wish sony continued to incorporate into some of their other smaller cameras like the A7c or a6k series!

The camera does shoot video up to 1080 120fps, but does not have picture profiles such has S-log or HLG. This was a camera made strictly for photos, which is probably for the best because the battery life on this camera is terrible, any kind of prolong video shooting would absolutely burn through these batteries in minutes.

That brings me to my next point, my cons. There’s not many but i figured i’d point them out anyways for those who are interested in this camera. these aren’t make it or break it cons, these are just issues that hinder it from being the greatest camera ever released (IMO)

1) battery life, i believe it’s rated for like 220 shots. Ive definitely gotten it to last twice than that. That tiny body processing all that data on some of the tiniest batteries makes sense why it’s so bad. Luckily batteries are cheap and like i said they’re tiny, so they’re pretty easy to carry around!

2) no picture profiles in video. i know i touched on it briefly up above and this camera is mainly a photo camera AAAAAND hybrid cameras were just beginning to grow in popularity around the time this camera came out but it would’ve been amazing to have s-log in this camera for little snippets here and there. i know at the time IG and other photo sharing apps were mainly photo sharing apps, and a camera that was built strictly for photo has no business having usable picture profiles in video.

3) no crop mode in RAW. this one is weird to me because i know the A7Rii has an APS-C mode where you can shoot RAW photos with an inbody crop and there’s times that i’d love to shoot something at 50mm (35mm + sony’s 1.5x aps-c crop). there is a digital zoom option but that’s for jpg only.

4) PRICE!!!! why the fuck is this camera still being sold for $3200??!! this is a 10 year old camera with outdated tech. i bought mine used for $1900 (which is about the price of the fuji x100V at the time of purchase) and i still think that’s a little too much.

that’s really about it aside from minor complaints of not having tele/ wide converters. i’m also sure all of those cons stem from the small battery. I’d love to see all of these corrected in a Mk3 one day, but as of a couple weeks ago sony just discontinued the Rx1rii’s production. I’m being a little hopeful but maybe that means we’re getting a successor, i doubt it but a boy can dream.

I don’t really do reviews or anything but this camera has had my heart for the past 9 months so i had to show it off/ talk about it. this to me in the perfect everyday camera. it never leaves my side and comes with me to any and every trip! Im always blown away by the photos i create with this little camera and i know whenever a mk3 comes out im going to hop on the chance to buy on immediately!

[azurlily]

Please write more Annie x fem reader

Our Unparalleled Love for You is being discontinued. It didn't get the traction I wanted and some people unfollowed me because of it(someone dmed me). Things like that will only be written upon request. If you're worried just please be upfront about what you want and ask anonymously.

Anyway I'm sorry it's short, I've been in the hospital and the other writers aren't writing on the acc anymore.

Yan!Annie x Colossal Titan!Reader

What happened?

Those words were desperately trying to leave Annie's mouth, but she was failing herself. Beretoldt is dead, and you inherited his titan. The girl whom Annie had saved from titans more times than she saved herself.

Why you?

The idea that someone like you, someone so...human. Normal, kind, willing to save others. How could someone like you be a titan, and the most destructive one at that? How could someone who hid behind Reiner when she(Annie) was mad do this? It doesn't make sense.

When did it all go wrong?

Annie is no idiot, she knows that to an extent, you were acting. You always had that look in your eye, like you knew something was wrong with what you said. You never truly said anything, therefore she never acknowledged it.

Why did you do this?

It was you or Berthold- why did she choose you? Why did she choose a girl she barely knew, when Beretoldt was the one she grew up with? It doesn't make sense, it doesn't add up. Why do you make her smile, why do you make her feel things shes never felt before?

Could it have gone differently?

Annie wanted to tell herself it could have gone differently. The idea that she could have chosen Beretoldt in another universe, it gave her clarity clarity that was stripped away when she saw your face: fear, anger, anguish, and confusion. You didn't get what was going on.

What is doing to herself for you?

Anything; Annie would do anything for you, and no matter what she tries to tell herself, you both know it. The look in her eyes isn't one of anger, she isn't as scared as she's deluding herself to be. No, she's not stupid. One of the thing she prides herself on: she knows what to do. But in that moment, she didn't. She could save herself or save you.

"Trust me."

Annie- despite telling herself differently- will always trust you. Until the day she dies Annie will put her life in your hands. With no regard for her safety, and no idea of what to do. She'd kill them all, just to save you. Armin, Reiner, her father. If it must be done, then so be it. Their just more blood spilled, more stains on the ground.

Monster or not, you'll still love her right?

Of course you would. Annie is risking everything for you, the least you can do is love her unconditionally. No matter what you feel, you know you're indebted to her. No matter how mean she is, no matter how mad she gets, no matter how many she kills. It's in your name, it's for you. You have to accept it, you will accept it right?

It's just a few bugs, why are you so scared to kill them, better yet, why do you help them?

They're not you. Annie doesn't care because they're not you. So why, why do you care about them? Your titan is made for destruction, yet you use it for protection. Not just of yourself or her, for others. Eren. What do you fucking see in a man, what does Eren have that she doesn't? Is it his titan? His power? She'll give it all to you, just stop staring at him. He's a bug. Not a person, not you.

You still wont leave her?

After everything she's done, you're still by her side. Even as she fights for someone she hates, even as she kills her former comrades. You still love her? Well, you're just as fucking crazy as she is.

[archer-kacey]

Shawn Flynn (Analysis)

Let's talk about my favorite JDS weirdo!

We first hear Shawn's voice in Bendy and the Ink Machine, but Joey also mentions him in Illusion of Living in passing.

Joey mentions two things here, firstly that Shawn does "an excellent job." I know Joey lies more than a kid caught with their hand in the cookie jar, but considering the fact that JDS is held together with duct tape and rubber bands, I'm inclined to believe him here. After all, how the hell could they keep up with demands (so much so that the Alice dolls were overstocked) if the foreman fucked off constantly.

Joey also says that Shawn's "creativity knows no bounds." Makes sense for his position, but also helps confirm that Joey does think highly of him in terms of his work. On a personal level, though, maybe not so much.

Based on Joey's insistence for perfection, we can infer that Shawn, like many, was just trying to do his damn job, and Joey blew his lid when things weren't exactly to his liking.

Shawn also mentions that the Alice merchandise wasn't selling well, and offhandedly proposes that they may have to melt the remaining stock down in order to get rid of it. Pretty self-explanatory tape, all things considered.

(The Bendy Wiki also mentions that he has a Dublin accent. I am not at all an expert on ANYTHING Irish but I did find out that Jacksepticeye is from Offaly, Ireland (Midland/East Ireland) and Dublin is also part of East Ireland, so...I'm assuming this is correct.)

There is also an easter egg with the Seeing Tool in BATIM written over Shawn's audio log, though this is mostly a nod to his voice actor.

Anyway, onto Boris and the Dark Survival.

In BATDS, Shawn mentions that he bought a new belt, (a one-of-a-kind toolbelt apparently,) and it was stolen immediately the next day. The perpetrator was a Gent employee, and they very brazenly wore it around right after stealing it. We aren't sure who this employee is, that's mostly speculation. But I don't think that's the point- this odd anecdote represents some of the first seeds of distrust being sown between JDS and Gent employees.

This brings us to Dark Revival.

Funnily enough, I find Shawn's departure from the studio much more interesting than his actual time employed there.

Firstly, Shawn mentions that Joey took it well when he decided to leave. Between the shift towards Gent's experiments and new technology, the funding from Gent, and the sudden irrelevance of having Bendy merch going out in droves, it's possible that Joey just didn't care.

Shawn also seems to give zero fucks about Joey's opinion, based on his Dark Revival and Bendy audio logs, which I find fucking hilarious. Not the first disgruntled employee, but certainly the most confident when faced with Joey himself.

He mentions wanting to find a cabin upstate, see some open sky, and start anew with his family. Overall it seems like leaving JDS gave him a more hopeful lens on life.

But the MOST headscratching thing about his parting audio log is the last few lines;

"But before I go, I've made one last toy. A little parting present for the factory lads. Let's see how long it takes them to find it."

We never hear from Shawn again, so we have NO IDEA WHAT THIS MEANS LMAO. Leave it to Shawn to be mysterious for no apparent reason.

However, there is a possible connection to be made. In the Heavenly Toys area, there's a factory output sheet slapped on one of the walls.

The last column mentions a "Bendy Starface Stuffed Toy", which we've never seen presently. There was only one ever made, and after that it was immediately discontinued.

I don't know why it would be listed at all if Shawn did leave the Starface Bendy as a gift, so this may all be a dead end. (I'm also aware that this might be a "Scarface" reference, although I really don't know what that has to do with anything.) Regardless, I find it a weird coincidence that Shawn left a single toy behind, and Starface also seems to be a completely unique Bendy toy.

TL;DR Shawn Flynn is cool and might have left an Among Us plushie at the studio for his co-workers

[just-some-guy-joust]

Just Some Guy OC Tourney - Side A: Round 2

Rules:

do NOT be mean to anyone or any characters in these polls. you MUST clarify if you are joking/teasing or you will be blocked. if you are someone who entered an oc into this and you are mean to other contestants you will be disqualified

do NOT claim a character doesn't deserve to be here. yes including your own. be nice

if you are posting propaganda you have to @ tag us, including if your propaganda is in the reblogs. it is difficult to tell when something is or isn't propaganda. anything not tagging us will likely be missed

please don't hesitate to let me know if i messed something up!

have fun, hype each other up <3 thank you

Wally Rosette | He/him | @hershelchocolateart

Wally Rosette is a 15-year-old kid who was chosen (and then kidnapped) to attend the Elite Villainous International Learning facility. This position, however, is solely because his parents were world-famous villains. Wally himself has no interest in the business, and is often described as the sweetest person any of the cast has ever met. He spends most of his time in the background, helping out faculty and students with their homework or various tasks, and only ever becoming relevant when homework *is* the plot of the week. Wally is just a kind kid who knows better than to get involved in the plot and loves his friends so so so so so so so fucking much it's unreal

Promos: https://toyhou.se/8256045.wally-rosette <-wallys toyhouse profile! https://www.webtoons.com/en/canvas/the-villain-school/list?title_no=97541 <-the comic he's in (discontinued because I'm doing a different one - it is 6/40 chapters with a planned remake Somewhere in the distant future)

~

Adan Botello | He/him | @rainecloud020604

Adan is a highschooler who is just looking to pass class, go home and play Minecraft. He doesn't want to be unique or special any more than he is, maybe being a Minecraft YouTuber would be awesome but that's all he wants out of life. No matter what is thrown at him he tends to run away from it, like a fantasy world trying to claim he's a prince, he wants nothing to do with it. He just wants to be a normal kid, graduate high school and play Minecraft. He's also got transgender and autistic swag

Promos: https://toyhou.se/17322997.adan-botello check out the comic featuring Adan on this blog @a-tale-in-a-bottle

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Full images and descriptions under the cut!

THIS IS MY VERY FAVORITE BABY BOY So Wally is a sweet kid, but because his parents were world-famous, he never really got a choice in who they raised him to be. This resulted in him having a BUNCH of self-worth issues that he tries to deal with on the side because he doesn't want to get his friends involved. He has two (2) major points in the plot (OUT OF 40 CHAPTERS)- one plot point where he ignores the main antagonist to get a boyfriend instead, and one where his entire arc finally culminates in "Wally Learns How To Say No To People." Outside of that, he does NOTHING regarding the main plot and is a C plot character at best. He is simply involved and there in the background because I love him so much and he is my precious little baby boy and yeah sure maybe I loved him so much I made 27 alternate universe versions of him that all have plot relevance in all my stuff but *this* wally is simply a boy and he is blue and he is lovely and I would kill and cry for him every day

Despite the fact all he desires to be is just some guy the universe keeps trying to make him more than some guy. He's supposed to be a hero, a prince, but he keeps running from the idea of it so much he ends up in another world entirely and all he wants is to go home and be normal, all he wants! He's not looking to save his sister, she can save herself she's strong. He just wants to go home :( that's all he really wants in life and he's getting really tired of the universe saying otherwise