[23/11/23] #BaiYu - BE PRESENT 专注在当下 | Translated Interview with SoFigaro Magazine
The following thread is a full translation of the 2023 November issue of SoFigaro. (First posted to Twitter here.)
Bai Yu is fond of taking photos of things that grow upwards.
During his photoshoot breaks, he would snap some photos of trees standing tall and swaying gently in the autumn wind, and some reeds in the distance.
The top of the pine trees in the cold November rain, the city walls that extend upwards, and the ancient corner towers that pierce into the sky…
These are things he likes to take photos of.
Perhaps all these have one thing in common.
Over time, they may seem to be standing tall and still, but in reality, they have been quietly absorbing and silently expressing themselves.
Parallel World
Following the conclusion of the Parallel World episodes, Bai Yu bid Chang Dong goodbye with a group of photos.
During the interview, he explained, "These are the yardangs we encountered along the way. This is an abandoned village, and this is where Chang Dong encountered an incident…" Although filming is complete, precious memories of this story are all carved into Bai Yu's mind.
Since ancient times, the Yumen Pass has always been an important landmark to the poets. It is an important frontier pass established along the Hexi Corridor during the Han dynasty. And today, it has become a heritage site.
To protect the area, most of the filming took place in the vast and endless Dunhuang desert. 'In boundless desert lonely smokes rise straight; over endless river the sun sinks round' (1)… The scenery described in the poem was right before his eyes. It was gorgeous, but they also had to tackle challenges brought on by the harsh environment.
Bai Yu recalled...
"We shot during June, so the winds were strong and it was the sunniest period. It was hard to illuminate the area at night in the desert, so a lot of scenes were shot day for night. Shooting under the scorching sun and in fierce winds did have some impact on performance."
One night, the giant tent the staff had set up securely was blown away by the wind. "The tent was huge, with really thick poles and sturdy ropes holding it down. Who knew that the next day it'd be missing, completely blown away by the wind!"
When time allowed, Bai Yu would drive his car to and from work, driving back to where he'd rest after the crew wrapped filming. "Nobody was around where we filmed, so knocking off and driving a jeep in this vast land felt great."
Whenever Bai Yu wraps up filming for a drama, he gives himself an extended break. Recently, he returned home to Xi'an and recharged with a bowl of hot oil noodles (2). Going back home is something Bai Yu often looks forward to the most after completing a project. After all, fully immersing oneself in a role is a significant test on an actor's physical and mental well-being. "Only when I'm back home can I unload and relax."
This year, Bai Yu also visited Wubu County, where he was born.
"I was born in a yaodong (3) that my parents built themselves, and it still stands today." Beside their yaodong are aging neighbors who could still recognize Bai Yu as that mischievous boy in their memories.
Some feel that the characters that Bai Yu has portrayed in the recent years carry this underlying theme of 'endurance.' We wondered if he felt 'bottled up' portraying such characters for some time.
Smiling, he replied, "A little, but you have to do something about it. So you need to rest properly to adjust." But every time he comes across a good script, he'd still be moved by the very authentic and rich characters.
.
.
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After all, life isn't a feel-good drama. Struggles and compromises with things that turn out contrary to our wants are part and parcel of life.
Bai Yu had this to say…
"I used to be captivated by exciting stories, but now it's more the details that draw me in. These details should be used to portray a character instead of their embellished aspects. It's these details that let me get deeper into the character."
To Bai Yu now, there are no differences between 'important' and 'regular' scenes. People may enjoy discussing an actor's skill and portrayal of intense emotions in an important scene, but Bai Yu feels that shouldn't be all that makes a character.
"There are too many details happening all the time. It's like when I filmed 'The Long Night'; Jiang Yang is a character defined by many details."
The Long Night
Without a doubt, bringing up Bai Yu makes people immediately recall 'The Long Night.' Hearing this, he only laughed and said, "Then I have to reflect on myself. I don't have another work that makes people think of me this way. I have to keep working hard."
A lot of people say this is the work that successfully transformed him. To this, he responded, "These labels are given by others. I was never concerned with 'transformation' since that's what others define you. At the end of the day, it's about the performance and character, about what I like and what I feel fits me."
Before our interview, we came across something Bai Yu once said. He said that Jiang Yang was the first character that he just wanted to portray no matter what. Often, he would reflect on Jiang Yang afterward, and still felt dazed. It wasn't until the day 'The Long Night' premiered, a rainy day where he walked for a long time, that the weight in his mind finally lifted.
In a flash, the year is ending. We asked Bai Yu how he would sum this year up. He thought for a little while and said, "Never thought about it. I used to think time passes really quickly, so I took a long break this year. When I did, I thought time passed really slowly."
For a period of time, his tight schedule made him stop in his tracks to take the time to rest. To many actors, resting could mean missing opportunities.
"Of course, you could miss out on a good opportunity, a good script. But you need to first understand yourself. Can you do a good job if what you truly need is a good rest? If you encounter a good script that captivates you, that's great. But can you mentally tackle the task? Life is about making choices and sacrifices."
As the saying goes, one must take a step back in order to leap better. To Bai Yu, he has never stopped in his path as an actor, but only rested to make sure he has the energy to meet his next challenge.
Occasionally, the passing of time brings about certain thoughts. "A few days ago, I told my dad that I feel like I'm almost forty. He almost burst out laughing, saying, 'You're just in your early thirties!'" Bai Yu expressed that he felt this way because there are many things he still wants to do. Time has its own rhythm, whether fast or slow, but it shouldn't be a worry.
Summing things up, he said, "You set your rhythm. Don't be too bothered about how fast or slow time is going, just stay focused on the present. Live honestly and respect your own thoughts, no matter what it is you want to do. Just go ahead and pursue it!"
/END
TL notes:
(1) From Wang Wei's "On Mission to the Frontier" (王维 《使至塞上》)
(2) Hot oil noodles = you po mian
(3) Yaodong = earth shelter
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What exactly does Dunhuang style mean?
Hi, thanks for the question! (x)
Dunhuang/敦煌 style refers to the art, fashion, and culture depicted in the Dunhuang Murals/敦煌壁画 of China, which are located in the Mogao Caves in Dunhuang, Gansu Province. From the 4th to 14th century, the caves were constructed by Buddhist monks to serve as shrines with funds from donors. These caves were elaborately painted, the cave paintings and architecture serving as aids to meditation, visual representations of the quest for enlightenment, and teaching tools for Buddhist beliefs and stories. The major caves were sponsored by patrons such as important clergy, local ruling elite, foreign dignitaries, as well as Chinese emperors (x). Below - painting from the Dunhuang Murals (x):
Dunhuang-style (敦煌风) hanfu refers to hanfu that is recreated from, based on, and/or inspired by the Dunhuang Murals. Inspiration is typically derived from two types of figures depicted in the paintings: cave patrons/donors & Feitian (apsaras).
The Dunhuang Murals depict many patrons & donors of the caves, people of high standing in society dressed in elaborate garments. You can see many hanfu recreations of the patrons in my dunhuang tag. The photo at the top of this post is a recreation of a patron. Additional examples below (1, 2, 3, 4):
The second major source of inspiration for Dunhuang-style hanfu is Feitian/飞天. Feitian is the Chinese word for apsara, which are beautiful flying celestials in Buddhism, skilled in music and dance. It is estimated that there are more than 4,500 flying apsaras painted in the 270 plus Mogao Caves. Below - depictions of Feitian in Dunhuang Murals (x):
The Feitian in the paintings aren’t depicted wearing historical Chinese hanfu, but rather non-realistic fantastical garments common in Buddhist art. Thus, Feitian-style hanfu is not, strictly speaking, recreating the clothing of Feitian, but rather imitating it using hanfu garments. Feitian-style hanfu typically consists of u-collar, half-sleeve, Tang dynasty-style sets. Below - hanfu based on the Feitian aesthetic (1, 2):
This particular hanfu outfit below has been tucked & draped in a non-traditional way to resemble Feitian clothing (x):
Now there is also a relatively new trend of recreating Feitian costumes closer to how they are depicted in the Murals. These costumes typically consist of items like bandeaus, pants, and scarves that are influenced by Indian clothing (which makes sense since Buddhism and apsaras came to China from India). Recently, it has become popular to have Feitian-themed photoshoots wearing such costumes. Below - examples of Feitian costumes (1, 2, 3):
Note that Dunhuang-style Feitian costumes are not considered hanfu. They are in their own separate category, and are typically referred to as “Dunhuang Feitian Costume” (敦煌飞天服), or just “Feitian Costume” for short. They are usually only worn for dance, performances, or photoshoots. Nonetheless, like hanfu, they are a part of the broader trend of interest in historical & traditional fashion in China. Below - Left: Feitian-style hanfu, Right: Feitian costume (x):
For more information and visual references, please check out my Dunhuang & Feitian tags, as well as the following posts:
@fouryearsofshades has two informative posts on Dunhuang/Feitian-style clothing here & here.
@siumerghe has a detailed post on the Dunhuang Murals here, as well as several posts on recreations of patrons’ clothing: 1, 2, 3, 4.
Hope this helps!
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