About updating broken mods
This has been said by many folks before me, and I think that most people who have tipped their toes into modding are very well aware of this, but I thought it might be interesting to read for those who aren't aware or don't really understand.
If you have a broken HAIR or GEAR mod, you can update it yourself easily, quickly, and with no risk to your game files.
Very short guide under the cut!
This is ONLY for hair and gear, but you do not need to wait for modders to update these, nor do you need to pay people to do it for you.
All you need to do is to download Textools, and run their automatic updater. Official download can be found here.
Textools used to not be recommended for mod users as it changed your mod files directly. Textools now come in safe mode by default, a mode in which it will not change your game files. Changing your game files can still be done for those who want to, but updating a modpack does not touch game files at all.
Once you have textools installed and open, all you need to do is this :
Then, you can simply click on the file you want to update, and textools will make a new modpack for you, which you can put into penumbra.
It's that easy!
Some mods might look a bit different due to the new shaders, but this should be able to fix most gear/hair mods. Do not try this on any mod other than gear or hair.
Finally, if you use an upscale which is dependent on an original mod for the textures, you will need to upgrade the original mod.
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hi! loving your art. I was watching your awesome stories/gifs and I was wondering: how did Chang develop his feelings for Tintin? Did he discover them before or after him? How did he react and why? (English is not my first language so if you see a grammatical mistake, I'm sorry. Also, sorry if so many questions made you feel like you were in a philosophy exam)
Thank you so much! As a contrast to the rest of the Marlinspike team I'm writing Chang as someone who makes friends and develops crushes pretty easily!
I imagine he's had a crush on Tintin for some time, possibly from when they first met. He's been at the mercy of his circumstances for most of his life until that point - Tintin basically makes him feel capable of doing stuff.
He's pretty heartbroken after the Blue Lotus. Tintin doesn't contact him for years. Chang is struggling to adjust to his new family and is failing at school, having missed out on a good education for a few years prior. Until Tibet he feels pretty hopeless, he will never live up to the time when he took down a drug ring.
His near death experience in Tibet shakes him out of this rut. He starts to travel and take up hobbies like dance and photography. Didi trains him in some basic martial arts. Tintin makes an effort to actually stay in touch this time. Chang has some abandonment issues as he's frequently lost people throughout his life, so he's someone who's willing to give people second chances, even if they've hurt him badly. Chang thinks he's well over his crush on Tintin when he comes around to Belgium for his studies, but falls for him again very quickly!
Unlike Tintin, Chang is a lot more comfortable with who he is. He's used to being the odd one out and has generally low expectations for himself, so just goes with the flow.
Below I talk a little with how I'm going about writing him and the historical context surrounding this, cw for mentions of racism (sinophobia) and queerphobia:
I'm writing Chang as bi, I thought it would be interesting to explore as Asian men were perceived differently in the 30s compared to today. While Asian men in the West are currently heavily desexualised in the early 20th century they were stereotyped as predatory and deviant. In London a lot of Chinese immigrants were male dockworkers, so when they married white women there was a lot of fearmongering about predatory and disloyal Chinese men.
A lot of depictions of Asian men in Western media reflected these stereotypes (and often used queercoding to push the idea of Asian men being animalistic seducers - General Henry Chang in Shanghai Express (1932) was written to be bisexual while posing as a threat to the white leads). Some examples off the top of my head include Hishuru Tori from The Cheat (1915) and The Mask of Fu Manchu (1932). Novels frequently depicted Chinese drug lords with borderline supernatural powers in manipulation.
On the other hand I've noticed how fans frequently depict Chang as someone who's submissive, demure and soft, which ignores how ridiculously brave and proactive he is in canon (stealing documents from police officers, charging into a man immediately after getting shot at by a machine gun, I could go on!). It's a common example of Fandom Racism (not accusing anyone specifically, it's just a trend I've noticed.)
When writing Chang I'm kinda reckoning with two different eras. From a contemporary angle I'm writing him as a love interest, which as an Asian guy I rarely see in media today. I also gotta consider his own time and context, how he would navigate being a queer Chinese guy, and how that would affect his relationship with others and himself.
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thinking about ed’s “apology” being a series of minimizations — “perhaps some of my actions, maybe all of my actions, maybe me, myself, maybe I, me made some of you feel somewhat — whatever that nasty, dark stuff was that brought us here, it’s in the past. all i wanted to say at the end of the day is that we’re trying to move the culture forward”
how haltingly he admits to the blame, how he still moves the blame onto “dark nasty stuff” that “brought us here” instead of “my actions. what i did” and then immediately moving onto “it’s about just moving on and not thinking about it anymore” essentially.
thinking about how ed could say “hello Mr. Latch, it’s not your fault you’re broken, no. you didn’t break you. you were just trying to do your job, weren’t you?” to a door but cant say it to izzy. ed “i didn’t apologize for jack shit” teach, izzy already rewriting his trauma to excuse ed and place blame onto himself. Ed, going around to fang and allowing lucius to push him off the ship. he tried to make up with lucius and fang (who had already forgiven him) but noticeably hasnt been alone w izzy
thinking about ed saying “let’s move past it into the future” and izzy later saying “not moving on is worse” instead of/than acknowledging the actual trauma. idk idk
i dunno why i keep thinking about these scenes together. I think it has to do with the repeated word, but could be about how Izzy is blaming himself for his actions and Ed is being very gentle and understanding to a door latch he’s fixing, and not the man who he shot.
(ultimately, i do think he’s working on it, he’s getting there. but he isn’t there yet. it’s still early days, though.)
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There's many things in SW fanfics I don't vibe with (and, like a normal person, just scroll down and mind my business) but Obi-Wan being often portrayed as this barely-holding-on, always-on-verge-of-collapsing, 24/7-sad-pitiful-repressed kinda guy really takes the cake for me seeing as I've always regarded him as being a very centered, confident, open and well-humored guy pretty much anytime he's not dealing with his murdered/turned-evil loved ones or losing absolutely everything and everyone he loved.
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I haven't got much of an update to give you all right now, however I do have an apology gift for you. It's not the best shot since I had to take it at an awkward angle, but it's the only clearish photo I have right now.
I would like you to meet Bug, during one of his rare non bitey moments while we were waiting for his littermate to get checked out. I unfortunately don't have any images of Bunny, his sister, as she is exceptionally anxious and chaotic, but she is just as cute, I assure you. Though I may be biased.
Thank you again for all the patience, support, and understanding. I will update you as soon as anything changes.
Stay safe Darling ones 🖤
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