#easy to learn

[tabletopbellhop]

Some last minute Xmas shopping ideas:

The Best Word Based Party Games, 17 Light Easy to Teach Word Games

[poorly-drawn-mdzs]

The peach tree beams so red, How brilliant are its flowers!

[First] Prev <–-> Next

[fairyturds]

💀

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[hinamie]

ill stop drawing yuuji slouching with his hands in his hoodie pockets when i'm dead and buried

[entropysanyt]

i couldnt get this out of my head since the pilot dropped

[german-enthusiast]

In my L1-acquisition class two weeks ago, our professor talked about how only 9% of the speech a baby hears is single words. Everything else is phrases and sentences, onslaughts of words and meaning!

Thus, a baby not only has to learn words and their meanings but also learn to segment lots of sounds INTO words. Doyouwantalittlemoresoupyesyoudoyoucutie. Damn.

When she talked about HOW babies learn to segment words our professor said, and I love it, "babies are little statisticians" because when listening to all the sounds, they start understanding what sound is likely to come after another vs which is not.

After discussing lots of experiments done with babies, our professor added something that I already knew somewhere in my brain but didn't know I know: All this knowledge is helpful when learning an L2 as well:

Listen to natives speaking their language. Original speed. Whatever speaker. Whatever topic.

It is NOT about understanding meaning. It is about learning the rhythm of the language, getting a feeling for its sound, the combination of sounds, the melody and the pronunciation.

Just how babies have to learn to identify single words within waves of sounds, so do adults learning a language. It will help immensely with later (more intentional) listening because you're already used to the sound, can already get into the groove of the languge.

Be as brave as a baby.

You don't even have to pay special attention. Just bathe in the sound of your target language. You'll soak it up without even noticing.

[rat-rosemary]

Okay but actually. The whole thing with piglins is worse when you consider how much they act like just a different culture

They'll attack you only if you attack them or if you break their societal rules (not wearing gold/breaking golden blocks around them)

They're not mindless monsters.

Literally watch them treat enderman the exact same way

This post does not have 1k notes because that's simply not real. Also if you interact with this post in any way you're making a blood pact that you will be normal and perhaps even nice to mcyt fans

[inbabylontheywept]

Memories of Grandpa Dale

I was playing in the barn, but I was also hiding from my grandpa. I was aware that this hurt his feelings, but I didn’t know what else to do. Every year I’d ever visited him before, he’d seemed kind of mad at me, but I’d hoped still that year was the year that we’d finally be friends. I even made a list of things to do together. 

Unfortunately, the list did not fix things¹ so I'd been forced to acknowledge that if he couldn't be happy with me there, and he couldn't be happy with me gone, then perhaps he simply could not be happy. At least, not until someone invented The Secret Third Thing.

(But I was only nine. So. That someone would probably not be me.) 

Fortunately, being happy is a task that I've never needed to delegate - I’m actually quite good at it. I’d been sad in the barn for maybe an hour or so, but eventually that got boring, so I invented a new game where I would chase big clouds of shiny blue flies off the sun-warmed horse-poop and try to shoo them towards a corner of the barn that I knew had a large spiderweb in it. 

I was perfectly aware that this is not ideal for the flies, but I had just read Charlotte’s Web, so my empathy function was very biased towards spiders, who I perceived as patient and compassionate and slightly maternal women. Who just happened to have eight legs.  

(I, like most nine year old boys, would have personally been willing to fight a war for every patient, compassionate, slightly maternal woman I had ever met. If you, personally, have ever hugged a little boy who was trying very hard not to cry in front of his friends after skinning his knee, know that there is a child in this world that would kill in your name.)

(Now live with that knowledge.) 

I played my game with the flies for a long time. Long enough to get into a rhythm of running and laughing and then panting outside on my back while wallowing in the long green grass.

It was during one of those walks outside to lay in the grass that I noticed my mom. She was sitting on a hay bale, looking baffled. I don’t know how long she’d been there, but I was too young and confident to even feel odd. She asked me what I was doing, and I just kind of gestured to the ceiling, and said, You know, just. Feeding spiders.²

She nodded. I was feeding spiders. Of course. 

We sat there a few moments. It was an amicable silence, but I was still faintly relieved when she broke it.  

Your grandpa’s been looking for you, she said. He got some grapes earlier. Wanted to take you to feed the ducks.

I've always really liked feeding ducks³. Visiting them had actually been the next thing on my list. 

I was baffled by the effort. 

He’s mad at me, I pointed out. My mom, to her credit, looked genuinely confused. 

He’s not, she said. 

But he was mad when we picked blackberries, I pointed out. And when we went on that walk down to the prairie. And he snapped at me this morning when I asked if I could have some of his dried mangos. 

The mangos had been my last straw. The weirdest part was that he didn’t even say no, he just (angrily) said of course you can, as if it was an insult to his hospitality that I was asking when just the year before he’d yelled at me because I ate a tin of dried apples. Apparently, I was just supposed to know that those apples were exclusively reserved for The Apocalypse. 

(To be fair, my grandpa has always been very worried about the apocalypse, but mostly in the context of not having enough dried apples for it. There was a period of my life where I thought that The Apocalypse referred to some kind of prophesied biblical event where there would be No More Apples. This thought has stuck with me for a very long time⁴.)

Well. Yeah. My mom said. He’s mad. But he’s not mad at you. He’s just… Mad. 

I mulled this over. 

What about the mangos? I asked, and she shrugged at that. 

Alright, so that time he was mad at you, but that’s being mad one time in three days. Cut the man some slack, you’ve been asking him for permission before eating anything. 

I just don’t want to eat the wrong thing, I said. I’ve always been very defensive of my rule-following. Both because rules are important, and also because that #10 can of dried apples ripped through me like a shotgun full of razor blades⁵. That “snack” had 400% the recommended daily fiber for an adult man. And I was very definitely not a grown man when I ate it.  

It was a very painful experience is what I am trying to say. 

I know, my mom said. 

I don’t even like apples, I added. Still defensive. 

I know, my mom said again. She’s very good at saying it. It always feels like she’s agreeing with me, and not just trying to rush me onto The Point. Sometimes, people need to make detours from The Point in order to explain things. Like, hypothetically, why they once ate a very large number of dehydrated apples. My mom is wise, and she has always known this. . 

I just really wanted to eat something sweet, I continued. They don’t keep anything sweet in the whole house. The day before I ate those apples, I licked all the salt off a saltine just so I could eat the cracker plain. And then the cracker tasted just like a cookie. To me. That’s how crazy I was going. 

My mom nodded her head sympathetically. 

My first month of college, she said conspiratorially, I ate about a box of poptarts a day. 

There was another longish pause as both of us considered what led us to this point. 

My parents are crazy, my mom said at long last. It’s a very peaceful statement to her. I'm sure it was stressful when she first realized it, but she's had a long time to make her peace, and she's made it well.  

Will you go with me? I asked. To feed the ducks?  

He’s not mad at you, she said again. Reemphasizing her point. He’s just mad. It’s just how he is. 

But she went with me anyway.

I watched Grandpa Dale closely the whole way to the pond to see if my mom was right. She was. She almost always is.  He was angry while he drove, and he was angry while he parked and he was even angry while he strode purposefully towards the park. When we got there, he took several grapes, and he angrily put them in his hand, and angrily extended the hand towards the ducks, and he looked at me, and for maybe a tenth of a second he looked okay. Not exactly happy, but a little less mad. Then a duck bit the webbing between his pointer finger and his thumb.

He immediately, without hesitation, without even a second thought, hit the duck with a haymaker⁶. For a human, the punch would have been devastating, but the duck had the benefit of having essentially no inertia, so it just kind of moved sideways and looked perplexed. 

You son of a bitch, my grandpa said. This is a funny thing for anyone to say to a duck, but it was especially funny to hear coming from a former Mormon Bishop. 

Quack,⁷ said the duck. 

My mom started laughing. I'd felt a sort of holy terror at the anger my grandpa was exuding in that moment, but the moment she laughed I realized how absurd it was. I was watching a grown man beef with a duck. I was watching a grown man beef with the world. 

I started laughing too. In a better world, maybe my grandpa would've joined. Maybe he would've taken a good hard look in the mirror and questioned why exactly he was so angry. But he didn't. Instead he swore at the duck some more, and he threw his remaining handful of grapes at it overhand, like a baseball, and then the duck ate the grapes out of the water, and my mom actually laughed so hard she started dry heaving a little, and my grandpa had to go sit in the car for a few minutes by himself to regain his composure. 

¹ He managed to pick blackberries angrily

² Unfortunately, I do this kind of response quite a bit.

³ I got my first kiss from my wife because I managed to capture a duck. They're like, a motif for my life. Very lucky to have that.

⁴ I reference it again in this very weird short story.

⁵ I eat a lot of strange things.

⁶ My wife is concerned people will not know what a haymaker is. It is simply the most redneck kind of punch.

⁷ ...What did you expect it to say?

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[coniferouspines]

Stanley Pines is dying.

A good samaritan on the street found his unconscious body and decided to call an ambulance for him. Stan doesn’t remember everything that happened. He just knows that a few days and a multitude of tests later, he was unceremoniously diagnosed with a terminal illness in a random hospital in the middle of Oklahoma. Emphasis on terminal. The doctors tell him that without treatment, he has maybe two weeks to live.

Stan can’t afford treatment, nor the hospital bill he’s sure to be slapped with from his current stay. He sneaks out during the night shift and disappears. It’s one more debt added to the list but it’s not like it’s going to matter once he’s dead anyway. He finds the last place he left his car and spends the rest of the night awake in the backseat, wondering what he should do.

In the end, the conclusion is obvious: he wants to see his family. To say his final goodbyes to them in person. However, this brings a new dilemma. Stan’s family are all in different places. His parents in New Jersey, Shermie in California, and Stanford in Oregon. Stan, currently in Oklahoma, is stuck in the middle and with a decision to make.

He can’t visit them all. As much as he’d like to, Stan has neither the money, the gas, or the time to do so. He’d probably die before he could see all of them. He only has enough energy and resources to make it to one of them; he’ll have to be content with phone calls to the others to say his goodbyes.

When the morning comes, Stan gets into the driver’s seat and starts the engine of the car. He sits there for a moment, just breathing deeply. He has to pick a family member to see in person before he dies, and he doesn’t have a lot time, so he has to choose quickly.

It was never really a question.

He chooses Ford.

AKA a terminally ill Stanley makes his way up to Gravity Falls, Oregon to reunite with his brother. He wants to say his goodbyes and apologies in person before he dies. He’s not happy about dying, but he doesn’t think he has much to live for anyway, so he accepts it. He just wants to make things right between himself and Ford before it happens so he can go without regrets.

Stanford is not expecting his estranged twin to randomly show up looking like he’s literally on death’s door. Nor is he approving of Stanley’s plan to seemingly just lay down and die. Good thing Stan came to him. Now he’s given Ford a chance to do something about it.

All current research and projects get shoved aside as Ford focuses everything he has on a new, single task: take care of Stanley and save his life.

(Amazing addition by tinfoil-jones here)

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[demigods-posts]

luke fumbling in recruiting percy has to be one of his greatest failures. a beautiful thing the show does regarding luke and percy's relationship is building rapport between them through shared moments like settling into camp, eating meals together, but especially through swordfighting lessons. the swordfighting scene at the beginning of episode 8 not only reveals that percy and luke already share similar beliefs about the fear-based system the gods have cultivated, but it's clear the conversation stays with percy when he fights ares and later calls out zeus on his waning skills as a father and a king. however, luke's plan fell through the moment percy learned that the winged-shoes were meant to drag him to tartarus. not only that, but the shoes nearly killed grover, a friend percy cared for deeply. if nourishing loyalty and trust was the key to ensuring a partnership with percy, then it was luke's faulty planning, arrogance, and impatience that cost him the greatest ally he could ask for.

[leqclerc]

Charles Leclerc in Formula 1: Drive to Survive, Season 7 (2025)

[tiniest-hands-in-all-the-land]

Been playing FFXIV recently desperately searching for my cunty lil man :)

I love my tiny little friend who insists I come with him for all of his political negotiations where I just sit and nod and occasionally smack a dude senseless

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.