Today is Equal Pay Day. On average, a woman in the U.S. has to work until today — March 12th — to earn what a man was paid in the year prior. 🪙🙅🏽♀️💵
This #EqualPayDay, join us in bringing awareness to the gender wage gap, which is even wider for women of color.
The politicians WE elect can implement reforms that address pay inequality across industries. Make sure you’re registered to vote NOW at weall.vote/register.
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Edna Flannery Kelly was elected to the House seat of the deceased congressman from Brooklyn's 10th Congressional District in 1949. Seen here with her daughter the following day, November 9, 1949, she proves that even though she's a politician, she's also a woman, by preparing bacon and eggs in her kitchen.
Kelly served in the House for 19 years. She had expertise in foreign affairs and helped enact legislation to settle displaced people and refugees from Russia and Eastern Europe after World War II. She also helped to create the U.S. Arms Control and Disarmament Agency and was active on women's and social issues. She drew attention to inequities in pay, credit, and tax laws, including what she considered inadequate deductions for child care. And she led the fight for the "equal pay for equal work" law, which was passed in 1963.
Photo: John Lindsay for the AP
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this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?
this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).
the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.
and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.
not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!
back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.
but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.
I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!
anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.
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I've never written a "never again" fic, but god, it is THE episode. it's a little key to scully's whole brain, i'm just so pissed that it's example #1 of her being punished (again and again and again) by the narrative for expressing desire (for sex, for autonomy, for respect). or like. "she only wanted to fuck because she thought she was dying."
No that's not it, that is missing the point.
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Hi, just wanted to ask a honest question because I've seen you post about it a few times and I genuinely don't understand where you're coming from when you say this. How is remake Leon a misogynist?
Most recently I saw you point out him calling Ada heartless, but I don't see how that's him being sexist. He says that in response to her telling him information on where to find Ashley, having previously told him to leave her behind (to presumably die or worse), and I don't think its misogynistic for him to make a jab at her for that. Especially because Leon's big motivation is saving people, of course he wouldn't be a huge fan of anyone telling him to intentionally leave someone to die if he's able to save them. (This is also not to say Ada's a bad person for suggesting that, I love Ada and her character but I also understand why Leon would be upset by such a thing)
If there's anything else in the remakes that I've missed you point out I'm curious to what else makes him misogynistic because I just don't see it.
Also like a sidenote I guess almost all of Leon's misogynistic lines are from original re4 but Luis also has lines like this, so I don't understand why he gets to be distinguished between versions and Leon doesn't when you talk about their characters.
"honest question" and yet, you seem to have already formulated an idea of my answer (and an opinion of me) based off of one post where I casually mentioned it, and you decided to look no further before getting defensive about it. Are you even asking? Do you even care to learn? Or will you just ignore everything I say? And asking anonymously is very funny to me. Literally who are you.
I talked about it here, kinda joked about it here, and I very thoroughly detailed it here, as well as reiterated in the comments. I'm so tired of repeating myself. It's 1am now bc I took the time to find these posts for you lol. Maybe read them before you try attacking a straw man.
But to the Luis point? I absolutely do separate og RE4 Leon and remake Leon… Like literally my entire POINT is that no, remake Leon is still sexist, just differently, and here is why… I really don't understand how you came to this conclusion lmao.
The main idea is, Capcom thinks they've written out Leon's misogyny; but because Capcom itself is a very bigoted company, they perpetrate misogyny in everything they make and they don't even realise it! They genuinely think the way they wrote remake Leon absolves him from the misogyny when it doesn't, it just re-contextualises it in a way that Capcom deems palatable. They still see Ada as an extension of Leon! They still see Ada's worth revolving solely around how Leon feels in response to her actions. It's ridiculous. And the way Leon is written to treat her, the lines he's given towards her, reflect this attitude, and becomes misogynistic when he treats a male character who has done worse than Ada right in front of Leon with respect and empathy.
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love my job where I will meet guys who will tell a long story about how he found out two female apprentices on his crew were being paid less then men with the same ammount of experience, got pissed at the union for not looking out for them and telling them not to discuss their pay, and not only demanded they get the salary they were owed but insisted they get back pay for all the hours they worked and had his guys walk out on the job site until these two girls got every cent they earned and then also say five minutes later that they don't like feminists.
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