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#especially since a lot of the people in those posts look young and are probably well into their adult lives now
aussied · 7 months
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I found a way to go waaaaaaaaaaaaay back in my likes, so if you see me reblogging things that look like they came right out of 2014 (or even earlier than that), it's because they actually did. Wild to see my likes from back then! The fandoms I was heavily involved in, the fandoms the rest of tumblr was involved in, the overall humor and vibe of this site back then... it's really nostalgic and interesting. Truly a different place and time on the internet.
Also I've already found one piece of Percy Jackson and the Heroes of Olympus fanart that I liked before I had any idea what that series was, so that's funny to me! It was inspiring me even way back then without me even knowing it.
But ye, enjoy some of that old fandom/tumblr goodness for a bit while I go through and try to clear out some of my likes!
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gothwineaunts · 6 months
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I tried my best to replicate the post that Tumblr ate earlier.
It’s not as good but you'll get the jist I think. :’)  
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Hi again! I wanted to follow up on my post from yesterday. I’ve been mostly offline since then, and I feel much better now, especially after seeing the thoughtful responses y’all left. Where did you all even come from!? I don’t think I’ve ever posted this account anywhere, haha. But thank you so much. I’m horrendous at taking a damn compliment but I read all the replies and reblogs and I’m just incredibly humbled. You all brought up my mood a lot and highkey made me feel sane again. I’ve been so confused at why everyone in the WEBTOON comments seems to be so mad all the time, it kind of does my head in if I’m being honest.
But please don’t worry about me or Flynn. Or about Nevermore! We’d never change the story to fit what we think the commenters want us to do, for a lot of reasons. The most important of which is. If we had to do that, I think we’d rather just stop making it. What they seem to want is a story we’re not really interested in telling.
Wholesome wlw is a wildly important thing to be able to find if you’re looking for it. That really cannot be overstated. Until very recently, queer characters have been subjected by popular media to a disproportionate amount of anguish and violence. So the concept of seeing two women just, living a safe and fulfilling life together? I get why people want to see that so badly. And there’s so much beautifully written aspirational content for queer audiences out there now, and I’m pleased to death over it. But the thing is, it’s just not what we’re making.
Nevermore was always intended to be a dark gothicky romance with horror elements. Like Wuthering Heights, or Phantom of the Opera. Because those were the stories that always inspired us when we were young. Bloodsoaked stories of melodrama, intrigue, grief, and passion. Those stories would captivate me and get me asking all kinds of questions. Why can’t the Phantom be a beautiful woman? Why does Christine have the agency of a desk lamp? Why can’t sapphics have something cool like this?
So we decided to make it. Nevermore is not a wholesome romance. It doesn’t try to be. The point was never to explore sapphics having a healthy and (heavy air quotes here) “normal” relationship, like heterosexual couples get to have in real life. We already have that, together, Flynn and I. We live it, everyday.  In Nevermore, what we wanted most was to explore a sweeping sapphic romance full of danger, like heterosexual couples get to have in fiction. That’s why we love those kinds of stories so much, because of how divorced they are from the mundanity of real life. They’re fantasies.
I know that I'm preaching to the choir, aha.
But my point is: if you go to a hardware store to order a cake, you’re probably going to be disappointed. If what you crave is aspirational wlw content, there are so many bakeries you can go to that will give you exactly what you’re hoping for, and more. I especially recommend Muted by Miranda Mundt. It’s also on Webtoon, it’s completed, and it’s free to read.
And please know that I’m not saying to stop reading Nevermore, just maybe to adjust your expectations a little bit. We don’t sell cakes here, but I am pretty sure I've got a few 12ft tall skeleton lawn ornaments in the back if you're interested.
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the-bitter-ocean · 2 months
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Miscellaneous Childhood Mira doodles with Euphrasie + HCs of what her parents looked like (this isn’t canon this is just my take on it based on what little information adrienne gives and also the game itself gives on what Mirabelle was like precanon etc. Drawing of my hcs of Mirabelle parents designs as well as an insanely long character study/ theorizing on Mirabelle was like pre canon is under the cut:
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“Ocean why do you assume she might not be on the best of terms / isn’t close with her biological parents” it’s like a combination of things tbh? Mirabelle mentions repeatedly how much the people of the House of Change, especially Euphrasie has done so much in helping her learn and grow into the person she is today. Throughout the game she talks about how much she cares about/ misses different people in the game and how they are all important to her. You’ve got the head Housemaiden Euphrasie, who did everything in her power to protect her at the cost of herself, was mirabelle’s mentor and even gave Mirabelle blessing of being immune to the King’s Time freezing powers. You’ve got Claude, Mirabelle’s roommate that she cares about despite sometimes getting on her nerves ( she knows how dedicated Claude is to helping others and stopping the king etc), her other fellow housemaidens, the people she knows in dormont and of course all her companions that chose to help her on the journey to stop the king in the first place (Isabeau Bonnie Odile and Siffrin) she loves very much. Initially before getting any information from the in character QnA or Twitter or the QnA on Reddit, I had assumed that her biological parents were dead or that she never met them or had them to begin with but it’s not the case here.
Mirabelle talks about that when she first arrived at the house / prior to getting there she didn’t know how to do a lot of things basic skills. Siffrin also mentioned that the journey itself really changed her since he first met ( because initially she was a lot more shy but now she’s more confident in herself as of canon events in the game). Mirabelle said that she was taught by Euphrasie and the other house maidens. It’s giving the vibes of someone who arrived at the house ( whether by personal conviction to run away and find people who will understand her / that she can hope to understand and connect to) or her parents dropped her off there because it would be easier for them to do at a young age.
M: {The Head Housemaiden...I have to save her...}
I: […]
M: {The Head Housemaiden...She's such a wonderful person." "She helped me out so much! I couldn't do anything before I came to the House, I could barely sew my own clothes, and she helped me, she taught me..." "I wouldn't be the person I am without her!"}
Despite all of this she doesn’t talk about her biological family at all not even in passing despite the whole “ everyone and everything as we know it in the country could be frozen in time for good if things don’t go well” ( which is noticeable in comparison to how easily she can talk about how much other people in her life has cared for her and how much she wants to save them all from the kings destruction). In a in character QnA session when the subject of families / parents was brought up she has a very stilted and awkward response. The tone she’s answering it in feels like she’s hesitating or at the very least isn’t a 100% sure on how she feels about her parents ( and in truth probably hasn’t or didn’t want to think about them). We see the kind of way Mirabelle talks when it’s about people she loves in game before! It’s passionate and confident and full of love/ conviction that she cares for them! So seeing that in comparison to this is well..this isn’t having that energy truth be told. (Screenshot for those that don’t use Twitter)
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Also Adrienne a while back posted official character playlists for each of the characters on Spotify to give insight to everyone on what the characters vibes were like and the song choices were very striking to me. The song choice for Mirabelle in particular that made me go !!!! was seeing Elle me dit by MIKA . For those who are unaware of the song and what it’s about, it’s essentially a song about a mother telling her kid all her high expectations of him and how she’s disappointed in the way he’s living his life.
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Given how Adrienne stated that mirabelles parents don’t understand her and she in turn doesn’t get them either, I wouldn’t be surprised if she’s heard similar sentiments growing up / had that sort of pressure to Change or behave in a certain way. ( Even with her dedication the Change belief making her happy Mirabelle still will lament about how she’s afraid that she’s not doing enough as a house maiden or that her identity of being aroace somehow would upset others/ makes her feel alienated in comparison to how everyone else can change easily. ) This combined with the fact she canonically has anxiety and has moments where she isn’t very confident in herself is.. deeply worrying! Yes I’m aware that people can just have those types of thoughts even in a good supportive environment/ experiences but the combination of all those factors isn’t exactly aspiring confidence.
Anyway that’s my ramble I hope you all enjoyed my analysis/ headcanons yipeee ^_^
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sugusearrings · 10 months
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( ' glass children. ' )
violet wrists and then her ankles, silent pain. then he slowly saw their nightmares were his dreams. monster, how should I feel? creatures lie here, looking through the windows i will hear their voices. i'm a glass child, i am hannah's regrets.
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— summary: with the star plasma vessel dead, satoru and suguru need you (fem!reader) to lead them to their next path. — genre: angst. heartbreak. — playing: monster by meg & dia — note(s): i'm a sucker for what ifs. i love what ifs. good and bad. i thought about this what if a lot. i wanted to write about this since halloween and didn't have time to post it. i just know suguru and satoru are better than me cause everyone would have gotten this smoke. that's all imma say. anyways, mentions of blood & death. probably some spelling errors here and there. — word count: 866
Those beautiful cerulean blue hues still sparkled as the light down on them.
But the spark of life was gone. They were dull. Lifeless. Emotionless. You never saw them like this before.
You could feel the anxiety swallowing you whole. If someone looked closely, they can see your legs trembling slightly. The two boys in front of you were having a brief conversation but you couldn’t hear it. You couldn’t hear anything over the loud sounds of your heart rate picking up at a rapid pace. You couldn’t even hear the round of applause the strangers that crowded around the white hair teenager who held the lifeless body like he did the first time meeting her.
They were clapping for Satoru. Fucking clapping.
You just stared at the crowd in disbelief. What kind of people would approve of this? What kind of people are happy over this? The death of a young girl.
A young girl you considered your friend.
Monsters...monsters... “Suguru...should we kill these guys? The way I am right now I doubt I’d feel anything.” His voice was hoarse. But what made your heart ache was hearing no emotion in his tone. It matched his stare. Dull. Lifeless. Emotionless. Your eyes went over to Suguru. His back was faced to Satoru but you saw his almond shaped eyes were as wide as they can be but soon he pulled himself back together. He always does. He has too. “No. There’s no point. It’ll be dissolved soon enough.” His voice mimic the tone Satoru set. He began to walk towards the door to get out of there. He was sick of the clapping and the smell of the dried blood that lingeried. He was sick of this. He was sick of this life. He was sick of death. He was sick of curses. “No point, huh? Does there really need to be any point to it?” Satoru asked or stated. You couldn’t really tell. You went to follow behind Suguru like a lost puppy but Satoru called out your name.
“Name...”
"Y-yes...Satoru?" your gentle voice trembled.
"What do you think we should do?" Satoru asked you. His eyes didn’t look at you. They just looked straight ahead into nothing. Suguru's eyes went over to you almost forgetting you were even there. Your eyes was puffy and red from crying. You were the emotional one out of the three. That's why Satoru would tease you about being weak. You were a crybaby. But Suguru didn't see an issue with it, he likes you like this. So did Satoru but he wouldn't openly admit it. You reminded him about those certain emotions he swore he couldn’t feel anymore. "Name...what should we do?" Suguru also asked willing to do anything you said. The self proclaimed brains of this trio couldn’t think straight or logically. So it was up to you.
The boys looked over at you for an answer. An answer you didn't have. This wasn't fair. These higher ups using you children. Not caring if you killed one another or died in front of each other. You loved your best friends. Especially Satoru and Suguru, willing to do anything to protect them. Even Riko. They were the only family you have. But would the higher ups mourn you? Would the higher ups sink into a dark hole of depression? Would the higher ups get revenge on you? Or would they replace you like a piece of livestock. They would probably replace you in a matter of days.
They probably would assign Satoru and Suguru a mission while your ashes are still warm.
Satoru and Suguru.
The thought of leaving them behind made you feel sick at the pit of your stomach. How would Satoru handle it? You knew Suguru would break in a matter of days. He bottles so much inside of him it would just burst out. Would they keep it together if you were to die? Or would they lose it themselves.
You know you would lose it if either of them or both of them were to die. Leaving you all alone. To defend yourself. To love yourself. You couldn’t imagine a world without them. The three of you were glued to each other, couldn’t really function without the other.
You could feel the anger replacing the fear and anxiety. On the inside your morals and humanity was being teared apart, stripped away from you the more you stared at Riko's lifeless body in Satoru's arms covered by a thin white cloth. "Name..." Suguru called out to you once more. There wasn’t much time to make a decision. "Kill them," you finally answered losing all emotions you had that day, "kill them all." That's all Satoru needed to hear. His lips formed a wicked grin as Suguru silently summoned the rainbow dragon. You stood watched the blood being splattered on the walls and floors. The screams made you smile like that day on the beach with your best friends.
That’s where your mind was. The day on the beach with Riko and Satoru laughing at the sea cucumber while you, Suguru, and Misato were on the beach towels just watching them with smile of your faces.
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maddascanbe-blog · 3 months
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Ladies and Gentlemen. I give you Little Vesperia. She's a powerful punch in a petite package! I posted her design in sketches ages ago but I was SO jazzed to finally do it digital. And I finally could do Teen Zoé and Vesperia.
Buckle up folks this is a long one.
I won't go into too much detail on Teen Zoé's fit, since I already talked about it in here. But Vesperia is where things get more interesting.
Little Vesperia obviously takes more inspiration from Queen Bee since in my rewrite Zoé idolizes Chloé so much. Zoé's father couldn't really be bothered to care about Zoé, she's been at every boarding school and summer camp he could afford while still keeping most of the money Audrey sends him. She rarely sees him, and when they are stuck together he wants her out of sight and out of mind.
Then Zoé is uprooted entirely when Audrey's infidelity is exposed. To save face she gets brought to Paris, to play at being one big happy family. She may be young, but she's wise enough to know this is just another person using her for their gain. She did face bullying at her schools, and a whole lot of nothing done about it from the teachers.
She also does not speak french. Which means that a good 70% of people have no idea how to communicate with her. And Audrey was no help. Zoé vas given so little information she didn't even KNOW she had an older sister when the was taken to France. Chloé was a complete blindside to her.
And she especially doesn't expect this intimidating teenager to kneel down to her level, and in perfect english explain that it's okay to be scared and she'll make sure Zoé won't be stuck wondering what's gonna happen next.
They spend the rest of the day learning where everyone is, and what certain things are called in french so that Zoé has a better way to communicate. They also sit down and order decorations for Zoé's room.
Zoé fully anticipated André to ignore her, but he is kind like he is in cannon. Just very busy so can only get in small conversations with her. Still, he's shown her more care than her own father had in the 9 years she's been alive. Since he'll ask her about her day, anything she may need, how school has been, etc. He also manages to get a free day to show her all the cool things in the hotel that most people don't know are there. He tries to have dinner with Chloé and Zoé as often as possible and they eat lunch together at the hotel at least once a week.
Now to Teen Zoé. I'll probably write this down in a separate post but my Idea for her is because of the limits I put on the rabbit miraculous Bunnix is no longer able to fight Timetagger, but she IS able to bring someone from that point in time to help instead. And since bringing anyone that could be recognized could potentially cause a paradox, the best solution is to bring in someone who they haven't met yet.
Design wise I like Vesperia's cannon design but it does look more like a wasp than a bee. I based her top on these biker jackets that had segments on the sides and just made the segments alternate black and yellow. I originally planned to keep the black top and yellow bottoms, but it just didn't look the way I wanted it too. I think making the jacket yellow makes it look much more like a bee. Also black mask because I like how those look better.
I think Little Vesperia looks good too, different enough from Queen Bee while still looking like she took inspiration, my favorite part was making it look like she had striped socks. While Teen Zoé looks like a logical progression while also dipping into badass as opposed to cute. Also her pupils turn gold to further differentiate her from Queen Bee.
(Bonus- Verpseria with colors closer to her originals)
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eomayas · 1 year
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all the rumors are true • bbh
pairing: idol!baekhyun x f!idol!reader
genre: fluff & angst
synopsis: your secret relationship with baekhyun getting revealed, and what comes after.
warnings: none!
a/n: very self indulgent lmao i had this thought a few days ago and needed to get it out! the ending is a bit choppy i ran out of thoughts. heavily unedited and not proof read 🫣
“yes, i take care of all of them,” you laugh, nodding at the radio show hosts question about if it’s hard being a leader to a group of 4, including yourself. “especially our youngest.” you say, glancing over at sunny, the baby of your group.
“what’s the age difference between you and her?” the host asks.
“six years,” you say, making the host gasp.
“ah, so you’re 28… that means she was 16 when you debuted?” the host looks between you and sunny, both of you nodding. “wow, so you probably have had no time for dating since even before debut!”
you laugh, though it’s 90% true, which sucks. “yes, because she was so young when we were trainees—we all were—i was always with them to make sure they stayed out of trouble and weren’t around strange people,” you say, your eyes sliding over all of your members. “so, no, there hasn’t been a lot of time to date. but i’m not mad at that because i was taking care of my babies.” everyone chuckles at the last bit and mingwa puts her head on your shoulder.
“y/n needs somebody to take care of her!” heejin, the second to youngest member shouts. you smile and shake your head at her words, though they’re unbelievably true. if only the public knew that you were, though. that instead of laying your head on a soft pillow every night, you lied down on a hard chest and let strong arms hold you tight, while soft kisses on the top of your head lulled you to sleep.
“girl, i’m your candy,” sunny sings quietly. you don’t cut your eyes at her immediately, but the panic bubbles in your chest. nobody mentions her singing, or sings along, but sunny and mingwa share a quick look that freaks you out, makes you paranoid that in a few hours when the video recording of this session is posted, speculations will start.
you glance at sunny, hoping to catch her eye, but she’s engrossed in what the host is talking about. you can barely hear above your heartbeat in your ears, the blood rushing through so quickly it’s starting to give you a headache. you try to discreetly regulate your breathing, trying to remember those videos talking about square breathing that you found online. nobody seems to notice, except mingwa who taps your forearm and looks at you with concern that you brush off.
you manage to make it through the rest of the interview as normal as possible. you start talking a lot less, letting your members share more about themselves and the group, and nobody except for mingwa clocks that you were mentally somewhere else.
saying your goodbyes, the four of you get up and shuffle out of the radio station and into the outside world where dozens of cameras await. the shutters fly at rapid pace, and the flash on some of them are nearly blinding, but you and your group smile and pose, despite the chaos happening.
shuffling into the car, you let the three others get inside first. you take the last seat in the sprinter van and buckle yourself in, resting your head against the headrest. “y/n, are you alright?” mingwa asks, concern clear and evident in her voice. you let out a breath and sit up, turning around to look at sunny.
“why did you start singing ‘candy’, soojin?” you ask, using her full name. she looks at you with wide eyes at her government being called and holds her hands up in surrender. “do you know what people are going to say?”
“sorry, mom,” she shoots back, giving you an incredulous look. “all they’re going to say is that i’m acting exactly like how the youngest person is supposed to be acting—interrupting you and singing over everybody. nobody is going to say anything about you and baekhyun.” you press your lips together, stumped because she’s most likely right, even though you have an inkling in the back of your brain that somebody is going to take notice, and make something out if it.
“well, you don’t really want people thinking you go around interrupting everybody,” you chastise. sunny rolls her eyes at you and sighs dramatically.
“we are quite literally the perfect group—i don’t know why you are so worried about our image all the time,” she says. you decide that the conversation is over, and sit facing forward again. sunny doesn’t understand that everything, at the end of the day, falls on you. people look at you like you birthed these girls and raised them up yourself. if one of them screw up, it falls on the entire group but rests on your shoulders to clean up. your image is so important to uphold, because there has only ever been one scandal to your groups name at the beginning of your careers that you did everything possible to stop the public from shaming you and the girls. it’s not easy to do that.
the ride is silent, save for their nails tapping against their phone screens. you sit with your eyes closed and your head leaned back, ready to dive into bed and maybe call baekhyun. maybe.
“would it really be that bad if everybody knew about you and baekhyun?” sunny asks, cutting into the silence. you open your eyes, but don’t turn around. the hair on your arms stands up at his name being mentioned so loudly, somewhere that isn’t the safety of your dorms.
“yes,” you reply. you think about the uproar it would cause, and what it would do to your career. his would be fine, of course, because the dismissal is never the same for men as it is for women. your group would probably have to disband, or you’d have to leave. it would look terrible, especially since you are the leader, if this was public news. “it would be awful, sunny. i cant lose my career over a man.” and while a nasty pang of guilt rips through your chest, it’s the truth.
“but… you told me you think that you love him. that’s not enough?” when she says these words, it’s like she’s 16 again, asking you why the world was mad at your group for a rumor about heejin. her voice is small, naive almost, and it reminds you how far apart you two really are.
you can’t help that your eyes start to water. “soojin, can we talk about this later?” you ask, blinking back the tears. you swallow thickly and pull your headphones out of your pocket, turning up your music loudly to block out any thoughts of you and baekhyun, and the public finding out.
getting back to the dorms, you head straight for your room. you close the door behind you and pull out your headphones and sigh, your head pounding. flopping onto the bed, you bury your face in the pillows and close your eyes.
you’re disrupted by a knock only moments later, and you let out a breath before telling whoever it is to come in. “y/n?” sunny’s voice calls from the doorway.
“yeah?” you roll over and sit up on your elbows to look at her. she gives you a sheepish smile and comes over to your bed, crawling in bed next to you like she used when you guys were trainees and she kissed her family.
scooting over, you make space for her to rest her head on your shoulder, your arm wrapping around her. “sorry for earlier. i guess i’m just trying to see the positive side to it,” sunny says.
“it’s fine,” you sigh. “i’m just super paranoid.”
“is baekhyun?” she asks.
you shake your head above her. it’s amazing to you that he seems to have no qualms or fears about your relationship becoming public. he’s fine with it being a secret or being news, and it makes you feel like shit, like it looks like you’re afraid of being seen with him. though it’s far from that. “no, and i guess that’s what makes me more stressed out. because he’s too chill about it, and doesn’t seem to be worried.”
“he’s old,” sunny snorts and you chuckle. there’s only four years between you and him, so she’s technically calling you old too, but you don’t say anything. “are you gonna tell him you love him?” she asks after a beat of silence. you still against her and she lifts her head to look at you.
it’s a sensitive subject—you and baekhyun haven’t said it yet. you won’t say it, because you’re afraid it’ll open a dam of bad things starting to happen. like once it’s out in the open, the worst possible thing could happen to your relationship. “maybe. i don’t know. probably not,” you ramble.
sunny gives you a sad look and squeezes you into a hug. she doesn’t say anything, and neither do you, but enough passes between the two of you. i’m here for you, she says. i know, you say back.
baekhyuns hands are on your ribs, holding you firmly and pressing you flush against the side of his car as he takes you into a nice, soft kiss. your arms snake around his neck, your fingers playing with the ends of his hair at his neck.
his lips move slowly against yours, his tongue slipping into your mouth with ease. your chest burns with adoration and want, and him tugging you closer to him only makes you throb. pulling away, his mouth chases yours and you let him kiss you again, this time letting him tilt your head back so you’re practically lying against the car.
it’s risky to be out in the open like this, but the parking garage is secluded and for residents of his apartment only. you would see and hear anybody coming through, but so far you haven’t in the last seven minutes.
you pull away from him again, and stop his advances by gently pressing your fingers to his lips. “baekhyun,” you say softly. he kisses your fingertips and then your cheek.
“yes?” he says, looking into your eyes with an intensity that makes your knees weak, so much so that you rest your weight against the car.
“can we go inside?” you ask, your fingers dancing on his cheek. he nods and kisses your palm before grabbing it and taking you to the elevators. baekhyun wraps an arm around your shoulders and pulls you into his side, kissing your temple for a long time, all the way until the doors open, and then pulling you down the hallway to his apartment.
he helps you out of your coat and hangs it up. “what do you want to eat?” he asks as you step out of your shoes.
“bold of you to assume i’m hungry,” you tease, but you’re always hungry around him, and you are hungry right now. baekhyun rolls his eyes at you and repeats his question. “i don’t know. chicken? ramen? rice? whatever you want.” you say, kissing his lips. he holds you close for a beat before letting you go so he can get something started for the two of you.
you bound to the living room and sprawl out on his large couch, turning the tv onto one of the many shows you two have started watching together. you get comfortable and pull a blanket over you, snuggling into the cushions while he busies himself with the task of making dinner.
baekhyun comes into the living room with two bowls of food a few minutes later. you sit up and thank him as you accept the dish, crossing your legs and resting the bowl in your lap. “what did i miss?” he asks, and you catch him up on the show in between bites.
you two eat in a close and comfortable silence. he’d probably have his arm around you if it wasn’t uncomfortable while you two were eating. the close proximity is enough though, your knees touching and his right arm lightly bumping into your left.
you set your bowl on the table, ready to get up to get a drink but baekhyun gets up quicker than you, already knowing what you want. he goes into the kitchen and comes back with two glasses of water. it feels like the world is slipping beneath your feet, and you could cry because of him.
this is the taking care of that heejin said you needed. you finally have it—he’s always like this with you, feeding you, making sure you’re well rested and fed and just okay. he takes whatever worries you have and throws them on his back and just lets you be.
after dinner, you and baekhyun retreat to his bedroom. you lie on his bare chest, a hand resting on his stomach and your ear against his heart. baekhyun mindlessy plays with your hair, his fingers digging into your scalp soothingly. your eyes can’t help but flutter close—there’s no point in trying to fight sleep. you’ll wake up with him tomorrow.
the speculations didn’t start the next day. no, everybody thought it was so cute and funny that sunny blurts out random things while her older members are talking. there were compilations made from your groups content; interviews, your group vlogs, and more. it was funny, honestly, that they adored her disruptiveness.
the speculations started four days later. and when the news broke, the internet nearly stopped working because there were pictures and videos. so many pictures and videos, that it felt like somebody may have been stalking you. there were pictures of you and baekhyun kissing against his car, of you two in his car, of you two getting out of his car, of you two going for a late night walk near the han river.
and then there were videos—albeit, mostly can made—that served as proof that you two really are dating. there’s the longing looks shared at award shows, zoomed in videos of you two standing next to each other on stages, hands brushing. the other videos are just more reasons to believe that you two are dating; heejin saying you need to be taken care of, and then clips of baekhyun taking care of his own members. videos of you talking about your ideal type, and clips proving that you must have been referring to baekhyun, or jaír got really lucky that you found him.
it’s overwhelming.
when the pictures surfaced, you and mingwa were in the practice room dancing to your debut songs. the alert popped up on your phones at the same time, but mingwa grabbed hers first. you heard her gasp and ran over, thinking she might’ve twisted her ankle, but instead were met with her guilty eyes and her perfectly fine ankle.
you didn’t know what to do when you saw the photos. your heart stopped and your felt sick. your head started pounding, and it felt like a rug was being pulled from underneath your feet. you didn’t know what to do, so you started crying, falling to the floor in a heap. you weren’t sobbing, but your were audibly crying, and mingwa wasn’t sure what to do. you managed to get yourself together, and excused yourself to your room, avoiding any staff members on your way.
and now you’re on the phone with baekhyun, trying not to burst into tears as he keeps telling you everything will be ok. “baekhyun, this was such a bad idea!” you cry, pressing your forehead into your hand.
“what was? dating me?” he asks, slight offense in his voice.
“yes!” you shout, but you don’t even believe yourself. “w-we shouldn’t have gotten involved.” you’re adding fuel to the fire, hoping he’ll just break up with you so you can say those photos aren’t real, and that you’re not longer dating so everybody can leave you alone.
“you don’t mean that,” baekhyun says, his voice soft on the other line. it makes you feel like shit. “do you?”
you shake your head, though he can’t see you. “no,” you say meekly. “but we- y/n, you knew this could happen even before we started dating.” he interrupts, shutting you up. you press your mouth into a thin line. “don’t try to push me away now, y/n.” the overuse of your first name makes you feel like you’re being scolded by an elder.
“okay, i’m sorry,” you say, sighing. baekhyun parrots you and you press your body into your mattress. now would be the ideal time to tell him you love him, but it feels like it would be a poor bandaid to apologizing for saying that you should have never agreed to date him. “i don’t know what to do.” you mumble.
“let our companies handle it. you just get some sleep,” he says. you chew on your bottom lip, wishing that he was here with you.
“okay. goodnight, baekhyun,” you say. i love you, you want to add.
“goodnight, y/n.”
when you wake the next morning, your group, managers, and baekhyuns team are all in the dorm lounge. you freeze when you see him, ready to jump out of the nearest window because you know exactly what is about to happen. “we need to release a statement,” your manager says, beckoning you over to everybody.
gingerly, you walk over to your girls, sitting next to heejin at the end of the sofa, the furthest you can get away from your boyfriend. “so, i assume it’s true? the rumors about you dating? you can say no, but i’ve seen the pictures,” baekhyuns manager says, looking over at you. you nod, and when everyone keeps staring at you, you pipe up and say “yes”, your voice hoarse.
“great. how long has it been?”
“seven months,” baekhyun says, his eyes flicking to you. heejin gasps beside you, grabbing everybody’s attention.
“oh, sorry!” she says, waving everybody off. “liar!” she whispers. you told her that it’s only been four months.
both of your guys’ managers read from what looks like a checklist of things, asking you questions and scribbling down answers so they can formulate each of your statements.
“are you happy?” your manager asks, not looking up from the sheet. it’s an easy questions, and you both answer ‘yes’ with ease. “are you in love?” the question lodges your heart in your throat, and the room gets eerily silent, so silent that you could hear a pin drop in the next room.
you don’t know what to say. you don’t want to lie, and look terrible, but you don’t want to tell the truth and further complicate your relationship.
you glance over at bakehyun, and find him already looking at you. you know what you’re going to say the moment your eyes meet, and you feel your stomach flip on it’s side. your heart melts like goo in your chest as you say, “yes”, admitting after many long months the one thing that’s been clawing at you in the back of your mind.
your manager scribbles down your answer and turns to baekhyun. “baekhyun?” he asks. his eyes never leave yours, and it feels like you’re the only two people in the room, despite the fact that there’s about 10 feet of distance between you two.
“of course,” he says it so sincerely that you drop your gaze to your lap, your face turning red and a smile overtaking your lips. your group members giggle and elbow you in your side, equally as happy to hear the news.
you feel over the moon, and your past paranoia is put away and shoved into a box that you choose to ignore for a moment. both of your teams curate statements, and they’re sent out less than an hour later. you and baekhyun take the rest of the day for yourselves, driving out far to the beach and hanging there all day until it gets dark, and your teeth start clattering because of the weather. and when you get in the car, he kisses you and you quite literally feel the love has for you, and your brain goes fuzzy to the point where all you can remember is his name, everything else being put to shame.
the responses you get to your relationship are much more positive than you expect, and of course there are negative comments, but not nearly as many as there are of the positive comments. people cnat help but gush at how you found your person, and are finally getting to get taken care of.
but, of course, cameras are on you more heavily than in the past. and now, when you go on variety shows solo, they want to know about your personal life before knowing about the group. you learn to get used to it, giving way to basically nothing, and sometimes sharing more than people expect, when you want to.
like, when you go on a variety show alone with a bunch of other idols, the same show baekhyun had been on in the past, they bring up an interview moment where baekhyun says that you’re the better dresser of the two of you. you’re asked the same question, and you answer baekhyun, and follow up with admitting that you’re wearing his clothes at that very moment. that makes the internet go crazy, searching high and low for pictures of baekhyun wearing the same item, comparing how it’s massive on you but fits him snugly.
or, when you attend the end of the year award shows and exo performs, the camera is on your group more often than you’d like to admit. there are fancams dedicated to your reaction of his groups performances, everybody focused on how you react to baekhyun specifically. of course, the same thing happens to him with you, and he’s a lot more shameless about his support of you.
you group responds well to your now public relationship. you’re able to get all five of you together more often, and they look at him like a bigger brother. sunny often tags along on your dates and asks about baekhyun and genuinely treats him like her uncle. she makes a lot of jokes about the two of you, mainly on camera. like, when you’re filming content for you groups vlog, she asks how baekhyun asked you out, and then sings the bridge of ‘blooming days’ by CBX, and does the dance too. the internet eats that up, constantly sharing the clip because it truly was funny.
despite the public news of your relationship, though, you and baekhyun manage to keep it private. besides what you choose to share, you can easily dodge questions about your private lives and keep the mystery alive. it does help your relationship now that more people know—there’s no threat of getting caught, or the constant feeling of breaking the rules. it’s easier now, and better than ever.
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Smutty Kol mikaelson headcanons?
mmm smutty kol… i need to get back into the swing of writing for him!
okay. i have so many WIPs where he's more dominant, but have only posted one smut of him and he's submissive in that one. that being said, i can see him going both ways.
also, in general, idk why i started doing my hcs like this, but i can switch them back to the other format if preferred
tw: cnc / dub / non section; minor noncon mentioned
he's definitely experienced & mostly dominant
he's been alive since the dawn of time
he's an original vampire & whether or not he reveals that status, he will embody it by being the more dominant one in the relationship / situationship
and as charming & flirtatious as he is, it's safe to say he's got a lot of experience under his belt (HA - accidental pun)
that is to say, though, he's probably never been super serious about any of his flings
until, ofc, he meets the one that he absolutely falls for, and none of those hookups matter + he's lost interest in anyone else
1920s - little subsection for if you met him in this decade
okay so i read about this thing that happened in the 1920s called "petting parties," where PDA and sex weren't really acceptable, so people would have these orgy-type things centered around heavy petting and i can see that as SUCH a kol thing
i was actually going to write something based on that idea but need to do more research on it first
but kol would be so engaged with something scandalous (for the time) like that
he'd have girls worshipping him for the way he touches them; for the feel of his fingertips against their skin; the way he undresses them with his eyes, both parties wishing they could strip themselves of the last layer of separating fabric
he'd get into so much trouble in the 20s for this kind of stuff
flirting with other men's women, making crude hand gestures under tables to turn them on
he knows how to lay on the charm and fit in with the 20s, but he has the sexual appetite and style of a modern man
ofc, those words being nothing negative, but instead just him knowing how to be rough and how to please
modern day
likes the vulgarity & speed of modern sex
likes that he can strip a girl of her clothes and pin her to the wall and she welcomes it
likes that there aren't a thousand eyes watching his every move; likes the freedom & lack of rules nowadays
he wasn't around for the sexual revolution of the 80s (thanks, klaus 😞), but he would've relished it
all the young women looking to finally express themselves sexually; him giving them the best first experience he could deliver
despite all that, though, he loves the tender, loving sex of being with someone he knows, once in a while
he appreciates it more once he gets into a stable relationship, but sometimes his menial hook-ups were on the gentle side, too
modern day in an established relationship
rougher by nature, but can certainly be sweet, and often is
slow & passionate, kissing all over - forehead, neck, down your stomach, chest
roughness or gentleness depends on his mood
depends on your mood, too, because he cares & won't ever push you into something
respects boundaries if you say no
he maybe wasn't always like that, but when he started running with witches, he learned a specific respect & appreciation for others, especially women & those he'd sleep with
so, when he wants to have a long-term relationship with you, he really puts in the effort to be the best he can be
he wants you to know he loves you and shows it
kinks
so i read a fic about this, and i can see it fitting him 100% - some kind of predator / prey; hunting / hunted type dynamic, where he stalks & hunts you & then when he finally catches you off guard, fucks the daylights outta you up against a tree
very much a kol thing
throw a knife in the mix, too
you're pinned to a tree with a knife at your throat and his fingers are underneath your clothes, pleasuring you out of sight
bonus points if it's at night. or, if he hunted you all day and finally caught you at night. by now, he's extremely hungry
speaking of hunger, let's not forget about feeding
he definitely fed on most of the girls he railed in one night stands, but if it were a person he loved, he wouldn't feed until he knew he had enough control to not hurt them
the most intimate situation he can imagine is slow, passionate sex with blood sharing at the end
him drinking from you, then healing you back with his blood, or a mutual feeding if you're a vampire, too
first time with him with someone who just turned, he'd be very gentle, knowing how difficult the transition is
giving into every single need, including offering his own vein when the blackness starts to form under your eyes
i'm not sure kol would be into exhibitionism, but pda and public flirting, certainly
flirting across the bar at the grill, beckoning you closer with his eyes, then (mostly tasteful) jokes once you sit next to him
even when you're dating, flirts like you're strangers and he's still trying for your attention, just for the thrill
though places that are kinda hidden but kinda public, he loves to take you into those for a quick time ;)
bathroom stalls, dressing rooms, janitor closets, the whole lot
also... shower sex
he'd think it'd be a great idea even if you're skeptical
but you agree & it's ofc, a disaster, bc it never actually works out like it does in tv
but you make it fun anyway & he has a very strong hand on you to keep you from slipping
now, klaus' room, i think, he'd love to take you in there as a "fuck you" to his brother after a fight
an orgy type of guy, i think, as long as you're consenting of it
and then gives you all his love & attention afterwards when you get jealous of one person in particular
makes up with gifts & a very long night in the bedroom, with lots of aftercare
witch!kol would 100% tease you in public
it's over for you once he discovers vibrating panties
sometimes gets turned on by you at the worst possible times
you stand up to him against one of his brothers? yes
you fight off an enemy all by yourself? yes
even if you're joking around and fit a whole doughnut in your mouth or something, he's dtf
and his response to your shock is always along the lines of, "i can't control it!"
if he's in a submissive mood
is submissive at times, and some times, needs you to be more dominant
especially when esther is around
i can see kol having mommy issues & needing that reassurance
but it would take a certain level of trust for him to be comfortable telling you that
at first, you were surprised at how submissive he got, but then you were happy to provide what he needed
he's very appreciative of your comfort & lack of judgement when he gets in that type of headspace & makes sure to shower you in thanks & kisses when he "wakes up" from it
tw: cnc / dub / non
can't see him being into this, especially in a relationship
except for the desire to hunt you, i don't think he'd be into it straight up
as previously mentioned, pre-witch hanging-out, he might've had a few incidents that were a little questionable, but he's straightened out & learns that those incidents were wrong & does not repeat them
his biggest offense in one of those situations was probably nonconsensual blood drinking that turned him on
was still kind of a baby, psycho vampire when it happened, & he probably still regrets it to this day
dubcon, though, where you're both drunk after a night of bar flirting, he's into
like, if you were used as a distraction for him when caroline was used to distract klaus
you're both drinking way too much and one thing leads to another and then you find yourself in the mikaelson mansion in the morning like 🤷‍♂️
he makes sure you don't regret it, though, and you don't
calms his worried little not-beating heart
somnophilia, given explicit consent beforehand, he would like
the prospect of you waking up full of him, or with him delivering pleasure via tongue or fingers
you wake up and the first thing you feel is pleasure brought on by him - he loves that concept
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Watching Miraculous, I feel that the show is written that no matter what Marinette decides to do, she would be in the wrong - she is in the wrong for not telling Chat about Chat Blanc (ignoring her own trauma in the matter), but if she told him, the show would make it the wrong choice...
The head writer has publicly stated that one of the show's guiding rules is that Marinette has to do something wrong in every episode, so I'd say that you don't just have a feeling. You've actually picked up on one of the show's not-so-subtle core tenets. It's also a core tenet that I strongly disagree with because - as I said in the linked post - when it comes to shows like Miraculous, the only characters who are always in the wrong are the villains.
If Miraculous was a different type show and Marinette's blunders were more comedic, low-stakes, sitcom-type stuff, then it could work. Two examples that come to mind are:
That's So Raven - this is an old Disney Channel show where the main character was a psychic who randomly got visions of the future. A lot of the episodes focused on her having a vision, interpreting that vision wrong, and then doing something foolish as a result. So Raven was usually in the wrong, but she was wrong in a way that rarely hurt others. If memory serves, she most just caused herself unnecessary stress.
Phineas and Ferb - another Disney Channel show about two imaginative and inventive young boys who have fun doing crazy things like building a roller coaster in their backyard. They do these things without parental permission so their older sister - Candace - is always trying to get them in trouble. In spite of this, the general viewer feeling towards Candace seems to be one of amusement, not hatred. This is probably because she never causes pain for anyone but herself, making it hard to look at her as a negative force. If Candace was written more like Marinette, then people would probably hate her, too.
While we're on the topic, it's worth pointing out that, while Candace isn't a villain, she is the antagonist. Her presence causes much needed tension. Since she's always out to ruin her brothers' fun, every episode has the low-key stakes of, "Will the boys get caught this time?" Without Candace, you lose those stakes and Phineas and Ferb becomes a lesser show because even sitcoms need stakes.
Semi-serious magical girl shows don't need characters like Candace to add stakes to the story. This is because semi-serious magical girl shows have built in stakes from the presence of villains and evil magic. It is the height of absurdity to make a rule like "Marinette is always wrong" in a show with an evil villain who is out to steal Marinette's magical earrings and use them to rewrite the universe.
The presence of the "Marinette is always wrong" rule shows a fundamental misunderstanding of the type of show they're writing. You only make rules like that in low-stakes shows like the ones I listed above. And even those shows understood that, if you have this rule, then you also make sure that the only person who usually suffers is the one making the mistakes. The writers of Miraculous really haven't done that because of course they haven't! This isn't a low-stakes teen drama. Marinette has too much for responsibility and the narrative stakes are far to high for her mistakes to come across as minor.
This is especially true because they keep picking mistakes that should lead to character growth and then not actually writing any character growth. Once again, that style of writing can work in sitcoms*, but Miraculous has way too many serious elements to be written like a pure sitcom. That doesn't change the fact that the writers are writing it like one, but it does explain why the writing leads to so much frustration for fans.
*I wanted to note that even sitcoms often make the audience hate the leads because it's hard to write anything where the leads keep making endless mistakes without making the leads look awful and sitcoms run off of every episode containing a mistake. This is why long running sitcoms tend to have a good number fans who hate at least one member of the core cast. Ted and Lily from How I Met Your Mother are great examples of this and it happens because the mistakes they make usually effect others. If the show had only been two seasons long like originally planned, then they would have been fine.
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factual-fantasy · 19 days
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23 asks! Thank you!! :}} 🐶
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Guys, please read the FAQ in my pinned posed before sending asks, like the ask button says. You don't have to read them all- just a quick check to see if i have answered your question already and especially to see my stance on requests.
I'm not taking drawing requests at the moment. If I hit an art block and start taking requests, I'll make a post about it and update my pinned post.
Again, please just take a quick glance at the FAQ before sending in your asks. It saves both of us a lot of time. Thank you! <:)
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Currently there isn't actually a plot line I'm following- its more of a "day in the life of the neighborhood" kind'a thing.
The main points of interest though is Wally's home being alive and it watches him sleep at night.. this causes Wally to have terrible sleeping problems and anxiety. But no one knows Home is the culprit..
Another point of interest is Julie secretly actually being a huge beast that is simply disguising herself as this pretty little harmless neighbor.. she truly is a nice person and loves her friends, but she has disguised herself to look this way so that people wouldn't be afraid of her. Only Frank knows what she really looks like..
And lastly, Eddie is a real human from our/another world. He was somehow brought here to the neighborhood.. he has no memory of his original life..
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Oh wow!! :000 That blue one is so pretty.... 🥺💞💞
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@imdonewiththisblogsblog
A BUTTERFLY WITH CLEAR WINGS?? THAT SOO PRETYYYY💞💞💞
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@littlelightfish
AAA THANYIOU!! :DDDD
Octo is intended to kind'a have normal old man problems- he's kind'a far sighted, has a cranky back, gets tired easy, gets winded faster than he used to.. other than that and the natural aches and sores that came after his major injury- (that comic you're referencing) he's relatively ok! :00 (Those dizzy spells that I talked about come from when he overworks himself.. normal old man things! <:D)
Seafoam is intended to be the youngest of his siblings, and his eldest sister was a rotten egg that had kids way too young.. and her kids were ALSO rotten eggs that had THEIR kids way too young. One of those kids being Red. So because of the age gap between him and his sister, and both generations having kids at like 20 years old... Seafoam is 55-65 and Red, his great nephew, is like 4-6...
Spider crab tends to not interact a whole lot with Pinwheel and Tuna, since they are a little too high energy and loud for him. 😅 But Coco and Red are nice company. :)
Spider does worry about the crewmembers that are missing limbs or eyes.. he does his best to offer help without overstepping. Sometimes those things are sensitive to talk about.. Also Spider sure looks old, but I pictured him being somewhere in his late 30s. Stress will add a lot of age to your face... 😅
I can see Spider crab, Louis and Tuna spending the most time in the kitchen just to be around Ellie. Although if one of them comes for a visit and one of the other 2 is already there, they probably wont stick around long. <XD Spider doesn't like Louis or Tuna's noise and Tuna like's to be alone with Ellie to talk peacefully.. As to who cooks when she cant... I can see the crew eating things that don't need to be cooked until she gets better. Pre-baked bread, easy sandwiches, etc- in an emergency though I can see the crew catching fish and Louis cooking them for the crew :))
Red might have nightmares yeah.. although his family were pretty rotten so this new crew is actually rather nice.. also Coco is his favorite playmate :))
AAA THANKYIUU!! :DDD IM SO GLAD YOU LIKE URCHINS DESIGN!! :)))) Unfortunately though, I haven't thought out her backstory too much..
I'm thinking she met Cuttlefish the same time the rest of the crew did. As for what made them friends, I kind'a like the idea that Urchin can see right through Cuttle's facade. She's not used to having someone see through all her lies, see the REAL her.. and still want to be her friend. Its nice.. 🥺
and finally WAARRHGHH THANKD FOR THIS ASK! :DDD MY HEART IS FULL OF JOY READING YOUR INTEREST IN KY OCS!!! :))))
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Honestly? I have absolutely no idea XD 💀💀 All I know is Poppy is the oldest and Sally is the youngest. Sally is probably around 18-20--
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@spirited-splashes
WWAHGGG THABK YOU SO MUCH!! :DD ITS MY FAVORITE THING TO DRAW!! :}}}}}
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@legitanawkwardmess
ALKDKJENFKJEN THATS HILARIOUS XDDDD
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I haven't decided what the neighbors reactions would be since I have no plans for Julie to reveal herself.. though even if she did, I have a feeling she would want to maintain her smaller form. Even if it takes more energy..
To Julie, this body represents who she really is. Who she really wants to be. This is how she want's the world to see her. Even if the truth got out and everyone accepted her. She'd stay in her smaller form anyways..
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@i-only-created-this-to-read
So far I don't have intentions for there to have been any tenants before Wally.. or at least no one will ever find out who they were or what happened to them.
As for how old Home is, I haven't decided this and its also a complete mystery to the neighbors. Poppy has lived there ever since she was a child and Home was already there when she moved in..
Now Home could get creative and find different ways to harm or even kill those it doesn't like.. but thankfully Home doesn't have any intentions to hurt anyone, especially not Wally. Home wouldn't even try to significantly hurt Barnaby, despite him getting in the way of Homes plans.. although Home cant resist the occasional stubbed toe or splinter out of frustration...
As for adding stuff to Home's body.. if Wally purposefully slapped a strip of duct tape on the wall, that wouldn't really become a part of Homes body. Things only really attach to Home if they are significant.
Examples being a new shelf. An added wall to split a room, cutting a hole in the wall and installing a window, ripping up carpet and installing hardwood floors, etc. The nail holding up a picture frame or that nail gun plugged into the wall are not apart of Home..
Though that's not to say Home cant control the outlets, it can! But that would only give Home the power to turn the nail gun on and off. Home cant make the gun fire..
As for plants, even if they engulf Home and grow in-between the floorboards, Home cannot control plants.. or if there was moss or some kind of fungus growing on the walls? If it ate away at the wood that plank would just die off and Home couldn't feel/control it anymore..
Lastly, Home being able to move things quickly is kind'a what you would imagine. Home moves them as fast as that object can reasonably move. How fast do you think you could slam a door? How fast do you think the window would slam down shut if you gave it all your might?
I hope I cleared up these questions! :00 And sorry if I accidentally missed one or two! <:D
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OUUGHH I LOVE THIS!! ITS MAKING ME WANT TO DRAW THE COMIC AGAIN XDDDD
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No worries! :DD
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@soulful-rodent
On desktop the limit appears to be 100, I'll see what I can do! 😅Also thank you! :))
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AW! :DDD I'm glad they like it! But yeah absolutely keep it to the light stuff-- my Octonauts art has a surprising amount of blood in it for a kids show 💀
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(Referencing this post)
I might just be! XD🪄✨✨✨Also thank you!! :)))
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@captain-skyler1987
Oof... welcome back? <:D ... sorry-
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Awe! I'm glad to hear you liked my Gravity Falls stuff!! :DDD Thank you so much!! :))
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@jayemover-16
Oh no no! :0 reblogging is a feature of Tumblr and is not reposting! :))
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My idea is that Wally only really has sleepovers with Barnaby. He would have sleep overs with Howdy too, but that Pillar's on a pretty tight sleeping schedule/routine <XD
Now Barnaby has noticed that Wally sleeps better when he crashes at his place. Because of this he has started offering his house as a getaway for Wally when ever he notices he seems a little extra tired..
Something to note; neither Barnaby nor Wally think something is wrong with Wally's house because of this- they're just starting to think that Wally's anxiety is worse when he's alone..
Also thank you so much!! :DDDD
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@wolfie-777
I don't think much would change to be honest.. they'd still be the same old Wally and Barnaby even after a species swap!
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This was sent right after I commented that I'm still open to Welcome Home suggestions. Are these Welcome Home AUs..? <:0 I am unfamiliar with them..
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Oof, went back and fixed it. I tend to type too fast and get slime and smile mixed up. 😅
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It can be a little embarrassing when people point out my typos, mostly because every single typo I make is pointed out every single time without fail.😅💀 But no worries, I know you meant no harm-
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geoffrard · 2 years
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My Chemical Romance, Hardcore Sexual Repression, and the Lemon Stealing Whore
[Content warning for non-graphic references to pornography, sex, sexual violence, and negative attitudes towards sex work. There is no explicit nudity but you might not want to read this in front of your boss. All images have descriptions in alt text. See sources here. Read this essay on my Dreamwidth here.]
It’s the setup of a joke: Gerard Way, Mikey Way, Frank Iero, Matt Pelissier, and a porn actress huddle around a leather couch in a dingy room as a camera rolls. The actress, a young and bright-eyed Joanna Angel, asks each member of My Chemical Romance in the room, “Do you guys watch porn?”
Most of us have seen the interview. If not, stop and watch it now, because nothing else I say will make sense otherwise. (And here, just for you, I’ve reuploaded the video with at least 10% more pixels. Watch below, or read a transcript here.)
youtube
The fact that My Chemical Romance, whose faces have decorated shirts at Hot Topic for over fifteen years, whose songs have saved lives and inspired memes, who all have wives and children, would end up associated with an alt porn website like Burning Angel often baffles fans watching the interview for the first time. 
For example, see these comments left on the original video uploaded to YouTube: 
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These comments, though more than a few years old, generally represent how a lot fans understand the interview. Other people think it’s funny and perhaps a little out of left field, but don’t question how four members wound up on a porn site like Burning Angel. Both attitudes are a pretty typical example of the MCR fandom’s ignorance about the New Jersey hardcore scene, as well reflecting general weirdness about sex work. 
Since I cannot turn my historian brain off, I wanted to provide some of the extremely interesting historical context behind the video. The post I had originally planned to make very, very briefly outlined how MCR ended up being interviewed by Joanna Angel, founder and longtime CEO of Burning Angel. But the more I looked into it, the more I fell down a rabbit hole. This eventually turned into something of a mammoth manifesto about women and sexuality in the late 90s hardcore scene that gave My Chemical Romance and Joanna Angel careers. I will warn you: this is long. But it’s also important historical background information that rarely gets discussed at all—especially by MCR fans.
(So, with all that said, please feel free to ask any questions about anything I say here! Sources for will be posted on a different post which I will link at the end, and I have been quite thorough, though not as thorough as I could have been.)
Tl;dr: Joanna Angel came up in the exact same scene as My Chemical Romance, Thursday, and Midtown, a scene which stigmatized open sexual expression, at the expense of women and queer people—especially those involved in sex work. When she started her porn site, Burning Angel, she applied the same DIY values that her peers did to their own bands, but faced violence and ostracization from a subculture much too repressed to embrace such blatant expression of female sexuality. In this context, the My Chemical Romance interview with Burning Angel in 2004 was not only a group of guys doing a favor for someone they had probably known for years at that point; it can also be read as a somewhat controversial act that pushed back against this aversion to sexuality, and that helped legitimize and popularize both the site and Joanna Angel’s career. 
Burning Angel: the Movie (2005)
Say you’re a diehard My Chemical Romance fan in 2005—if you really want to watch your favorite band discuss their porn-viewing habits, you’ll have to travel to either your local adult entertainment store or go to the hardcore porn site BurningAngel.com and order their first DVD, appropriately titled Burning Angel: The Movie. Once you have the disc, you’ll have to fast forward through several sex scenes and interviews with other bands before you arrive at what you wanted: the actress who you’ve just seen in hardcore sex scenes asking Gerard, Frank, Mikey and Otter questions about their preferences in adult entertainment.
The DVD was Burning Angel’s first attempt at more professional pornography, and Joanna’s first foray into full participation in filmed, live-action sex. Joanna Angel would later go on to be one of the most well-known porn stars of our time—in Virgin Territory (2006), for example, she played a lemon stealing whore; you might have seen the video—and Burning Angel would be credited with the popularization of the “alt” porn genre, which broke from the exploitative mainstream porn model and typically featured models representative of subcultures.
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But in 2005 her alt porn empire was still in its infancy, and Joanna was still struggling to rectify her recent full expulsion from the local New Jersey hardcore social scene with her enduring devotion to DIY values—and the fact that members of the sexually repressed subculture that had ostracized Joanna were her site’s target audience.
Joanna Angel on the Scene
Any thoughts of a future career in adult entertainment and the last name Angel were far from her mind when Joanna Mostov enrolled in Rutgers University in 1998. 
Though she often pushed back against the wishes of her religious orthodox Jewish family, the extent of her adolescent rebellion had ended at sneaking out to punk shows and getting piercings her mother wouldn’t approve of. At Rutgers, Joanna quickly became enmeshed in the New Brunswick hardcore scene, putting her in the same circles as a host of people whose names you might recognize: Geoff Rickly of Thursday (who ran hundreds of shows out of his basement), Gabe Saporta of Midtown and Cobra Starship, and Alex Saavedra of Eyeball Records. 
Geoff Rickly: Well, you know, the funny thing is that, at the time, Joanna, who would later go on to form Burning Angel and become a famous porn star in her own right, was playing in her goth bands with chelsea haircuts and the basement shows. Like, her local goth band would play. And they’d bring out people and stuff, and I’d put touring bands on that show, and so it’s funny to me how, weirdly, DIY punk hardcore scenes and porn had weird associations then. [source: Going Off Track: Geoff Rickly, 2012]
The NJ hardcore scene was close-knit enough that while she only has documented friendships with some of these people, she had to have crossed paths with most of them multiple times (for example, Joanna was at the show on December 31, 1998 where Thursday and Midtown played their first real sets). She went to every show she could and hosted some in her own basement. 
While we don’t necessarily have a written record of her friendship with Frank Iero and Mikey Way of My Chemical Romance, the fact that Joanna attended plenty of shows in the North Jersey area and also spent a lot of time at the Eyeball House (Alex was a close friend; and Pencey Prep was on his label) suggests that, at the the very least, Joanna, Frank, and Mikey were aware of each other’s presence in these early years. They were peers in the same scene, just as they were with everyone else who frequented the same venues or played in the same basements.
For years, the hardcore scene mattered to her more than anything else; it was her social life and what she based her values upon. 
Those hardcore values and a growing curiosity about her own sexuality lead Joanna to sex-positive feminist activism and a writing internship with Nerve.com, an online magazine which explored topics related to sex and romantic relationships. From there, her interest in expressing her own sexuality continued to develop.
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[Suicidegirls in 2001]
So, in 2002, when her roommate and friend asked her if she wanted to start a porn site that offered more explicit content than sites like SuicideGirls, which featured punk aesthetics and band interviews but stayed away from anything more than simple nudity, Joanna agreed.
BurningAngel.com went live in April 2002. It wanted to do things differently than other porn sites. While not necessarily pushing the boundaries of beauty standards, the site used models who were beautiful but in a more approachable, average sense. Joanna has said that since she had little experience even watching porn prior to starting the site, she wanted the site to mimic the kind of sex she was having with actors who looked like the people she was having sex with. 
Joanna: When we started the website, it was a reflection of ourselves. It still is to this day. There's band interviews on the website, the style of girl that we use is not your average typical porn star and the personality on the website is a little bit different. All the members interact with each other, all of the girls have blogs and profiles, and people become friends with each other. It's more of a community and a reflection of a subculture rather than just being a website with content to jerk-off to and never think about again. [source: Complex: Interview: Joanna Angel Talks Alt Porn, Piracy, And Her Blow-Up Doll, 2011] 
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[Burning Angel’s homepage in June 2002]
Hardcore Punk Reacts to Hardcore Porn 
Her longtime involvement in the scene and her application of DIY ethics to her porn business did not mean that the hardcore culture actively nurtured Joanna Angel’s career in porn. In reality, many parts of the scene were actively hostile towards Joanna and the site once Burning Angel went live.
This backlash isn’t incredibly surprising within the context of late 90s hardcore, a subculture that by and large refused to acknowledge sexuality of any kind. 
The sexual repression in hardcore reflected several different aspects of its culture: a negative perception of women active in the scene; a reaction against the violence of tristate hardcore in the early 90s; and, more than anything else, the general privilege of those involved in the underground.
Like Joanna, Geoff Rickly, and Frank Iero, most people involved in New Brunswick hardcore were enrolled at Rutgers, and white, middle-class male college students dominated the scene. For many of them, applying DIY values to their own lives meant distancing themselves from their socioeconomic upper-hand. Consequently, the scene as a whole developed an attitude of asceticism, rejecting anything that served no purpose beyond pleasure or personal enjoyment. (Of course, it was easy for them to reject their social privileges, especially when they could just as easily cast off their aesthetic of poverty and self-denial for an adulthood of relative comfort.)
To do anything just because you enjoyed it, or because it brought you happiness in the moment, was seen to be a betrayal of hardcore’s higher intellectual goals—and that included sex. You can see this trend, for example, in lyrics from NJ hardcore bands, which focused on things like political issues or childhood traumas instead of the common themes of sexual and romantic desire found in mainstream music.
Joanna spoke about finding comfort in the general sexual repression of the scene because of her own adolescent insecurities:
Joanna: Me being very sexually not advanced and insecure, [90s hardcore] was the perfect place for me, because I could ignore [sexuality]. I was getting older, I don’t know, I wanted to explore myself more. So I began to write these graphic sex stories. My roommate, Mitch, knew about it, and I remember him getting a kick out of it. [source: Turned Out A Punk #127: Joanna Angel (Burning Angel)]
For another salient example, Geoff Rickly of Thursday has spoken about his own struggles with the hardcore scene’s repression, especially in regards to the shame he felt about writing sexually explicit stories for pay:
Geoff Rickly: You have to think, this is the 90s punk scene. It's not now. Nobody would openly talk about sex in DIY punk. It was such a repressed PC time, where — I mean, a lot of that stuff is my heart, like the political activism that was still such a part of punk, and actually just giving a shit about things that matter, and modes of how you're doing what you're doing. Those things seemed to matter back then, and I appreciated that side, but it was also so uptight. So repressed. [source: Going Off Track: Geoff Rickly, 2012]
While its general aversion to sexuality might have been born out of an initial desire to reform the violent misogyny of other hardcore cultures, it created the conditions for certain social problems to go completely unaddressed. After all, how can you address the rampant misogyny, homophobia, and sexual violence in your community if any acknowledgement of sexuality is taboo?
(For a brief but interesting perspective on the impact of hardcore sexual repression upon queer people in the scene, check out Episode #4 of Geoff Rickly’s podcast Dark Blue, in which Steve Pedulla and Norman Brannon discuss their experiences as gay musicians in the scene.)
Of course, these issues aren’t confined to the New Jersey hardcore, nor were they unique to the late 1990s. This particular brand of sex-averse misogyny reflects important threads within the feminism of the time which villainized open female sexuality—especially when it concerned sex work. Left-leaning spaces like music undergrounds adopted this sex-negative, misogynistic attitude as a part of their feminism—not in opposition to it.
In particular, the Riot Grrrl movement of the late 80s/early 90s pushed back against a culture (and a subculture) that shamed women for publicly expressing their sexuality. Following that, early fanzines and performance practices addressed the mistreatment of sex workers in hardcore as one way that female bodily autonomy was limited and women’s bodies were policed. Bikini Kill frontwoman and Riot Grrrl pioneer Kathleen Hanna has spoken about her past in sex work, the hostility she endured for openly discussing it, and the importance of that experience in shaping the form of Riot Grrrl’s protest. 
Kathleen Hanna: “Whenever we were written about in the press, I wanted my sex-work history to be part of the description, because I wanted other women whom I danced at clubs with (and who never knew my real name) to see themselves reflected in some way. A lot of women who are doing music now have been sex-trade workers, prostitutes, dancers; I thought it was really important that I didn’t hide that. But I also didn’t want to glamorize that experience in being a super-cool thing in itself. I just wanted other women who work in the sex industry to remember that we can be sex-trade workers and be philosophers, writers, musicians, artists, or whatever. [Andrea Juno, Angry Women in Rock (1996)]
Riot Grrrl gained significant traction and nation-wide attention. In the decade or so after Kathleen Hanna and her peers catalyzed the movement, bands like Bikini Kill and Bratmobile remained incredibly popular, and likely contributed a lot to shifting attitudes towards sexuality in music subcultures. 
Still, these sex-negative attitudes prevailed among enough people involved in local underground scenes that, when Burning Angel launched in 2002 and Joanna started marketing it in local hardcore spaces, the site received a lot of attention—both good and bad. The positive attention fueled the site and allowed it to expand beyond just photographs, text interviews, and low-budget personal sex tapes that characterized its early content. 
However, the negative attention Joanna and her site received was vocal, targeted, and occasionally involved literal physical violence. As Kathleen Hanna had faced moral condemnation for her time in sex work, Joanna Angel faced criticism from fellow members of her subculture who thought sex work to be completely antithetical to their social justice goals. She has spoken about how difficult it was to see a community she had cared about for years turn her back on her completely for engaging in a type of work that she found enjoyable, and that she thought could be done with moral integrity. 
Joanna Angel: People were calling me ugly, calling me all sorts of mean shit, how [Burning Angel was] making a profit, [we were] exploiting women, blah blah blah. And I was so bummed. I was like, you know, this isn’t fair! I always support every fucking band in the punk scene. Even if I don’t like the band, I support them—I go to their shows, I would hand out fliers for their shows. I thought it was like a code, in the punk scene, that it doesn’t matter whether you like it or not. If this is part of the scene, you accept it, and you help it, and you love it—and I thought that’s what you were supposed to do. I remember being very hurt, you know? I was like, dude, I didn’t violate any punk laws by starting this. My friend from my computer class is the one who put it online. All the other girls on the site—all three of them— were punk chicks and part of the scene. And I felt really bad; people were insulting the other girls, and I really thought I was starting this cool thing where girls could just explore their sexuality. And mind you, at the time, the beginning of Burning Angel was just photos, not even videos. People were getting all up in this upheaval because of a handful of naked photos on the internet. It’s crazy to think about now. [source: Turned Out A Punk #127: Joanna Angel (Burning Angel)]
Amidst the mounting antagonism and after an incident at Hellfest 2004, Joanna officially decided to leave the hardcore scene that she’d been involved with for over five years.
Joanna Angel: I remember going to Hellfest one year. Maybe it was like 2004?…these girls were throwing water balloons at us because we had a booth there. Because we used to get booths at some of these shows and sell tshirts. We didn’t even have any DVDs—we’d literally get in a booth and sell tshirts and hand out fliers and stickers. And these other girls were throwing water balloons at us and calling us sluts. I was like, “Hey, that sucks, can you stop doing that?” And one of my friends—he owned a record label. He owned Eyeball Records, Alex…he saw the girls picking on us, and he went over to the girls, and said, “Hey, can you cool it? They have a booth here—let them do their thing. They’re not gonna get in your way.” And then those girls and their boyfriends beat him up, and he wound up in the hospital. He almost died. It was terrible. And I was like, we have to get out here. Let’s just stay away. If we’re a porn site, let’s just be a porn site. Let’s promote ourselves with other porn companies; let’s step away for a little while. Everyone in the punk scene knows who we are. They’ve made their decision about if they like us or not. I’m still gonna interview bands, still gonna do that thing—but I’m done. [source: Turned Out A Punk #127: Joanna Angel (Burning Angel)]
Joanna and Burning Angel’s separation from the NJ hardcore scene in 2004 finally brings me to Burning Angel: The Movie, My Chemical Romance, and that interview.
So, 2004: after over two years spent largely behind the camera and slowly expanding her porn site, Joanna finally decided to get in front of the camera and produce a more intentionally crafted alt porn video that retained the feel of the website. Thus Burning Angel: the Movie was born. 
As Joanna explains in the interview, the general idea of the DVD was that different self-contained pornographic scenes would be interspersed with band interviews. One of the key features of Burning Angel, like Suicide Girls before it, was the band interviews subscribers could access alongside the porn, so it made sense to preserve this aspect of the site on the DVD experience. Joanna interviewed five bands in early 2005: Killswitch Engage, Eighteen Visions, Shadows Fall, The Dillinger Escape Plan, and, of course, My Chemical Romance—all bands that Joanna admired, and who had been involved in the same scene that she had recently left because of very real threats to her emotional and physical well-being.
Within this context, My Chemical Romance’s decision to participate in the Burning Angel interview was a statement, as they put their support behind an enterprise that was highly controversial within the social circle most immediately relevant to them. 
Fresh off the 2004 Warped Tour and promoted Three Cheers for Sweet Revenge, My Chemical Romance might have appeared to be largely divorced from their scene of origin, but they still acted in response to those politics—politics that impacted American culture at large more than you’d think—in both intentional and incidental ways. 
That is not to say that MCR was being overtly political; they’ve made a clear effort to distance themselves from the clear-cut political imagery and goals of some of their peers in hardcore. Still, the band (Gerard especially) very obviously cared a lot about using their music and stage presence to express shades of sexuality that they perceived to be lacking from some forms of music.
Gerard: I also wanted, at the same time, [for] the record to be a testament to self-expression, and putting stuff in there like that, while not being a homosexual myself, but expressing myself in a homosexual way, is either going to push your buttons in a negative way or you’re going to identify with it. [AP: Well, this whole scene wants you to be sensitive, but not too sensitive.] It is extremely homoerotic, especially the whole emo-sensitive thing. Everyone’s wearing women’s pants; everyone’s got women’s haircuts; everyone’s wearing youth-medium shirts. I don’t want to come out and say it. It’s blatantly obvious. Wearing a leather jacket is an extremely masculine thing to do in this scene. Even the hardcore bands, the really hard ones, you see them in makeup and stuff. I like that. I think it keeps it dangerous. It keeps it exciting. In a way, sex has really been missing from rock, especially because of all the sensitivity. That’s what I really wanted to convey on the record, too. I wanted the record to be very dangerous and sexy at the same time. There’s such a lack of sex in music. It’s been more about getting in touch with your feelings and being there for each other, which is great, but it’s definitely lacking this sexual duality. [Source: Alternative Press #193, Aug 2004; emphasis mine]
Additionally, many of their moments of explicit sexuality on stage were designed to be somewhat incendiary and polarizing. 
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But it’s important to remember that, just as late 90s New Jersey hardcore was not the first subculture with issues of sexual repression, My Chemical Romance does not represent the first attempt to push back at this asexual culture and definitely weren’t leading that particular conversation. Gerard took inspiration from artists already pushing those boundaries and incorporating sexual expression into their art. He has spoken, for example, about the impact of Riot Grrrl acts upon his music and stage presence (Joanna Angel has similarly pointed to bands like Bikini Kill as significant influences). These bands had already incorporated resistance against harmful sexual repression, values which Gerard and his band mates took on when they adopted their styles into My Chemical Romance.
(I also want to mention briefly that other significant people in the hardcore world have spoken out against pornography, such as Ian MacKaye of the formative post-hardcore band Fugazi. MacKaye owned Dischord Records, the definitive underground music label, to which a young Frank Iero unsuccessfully attempted to get his band Sector 12 signed. The matter of pornography and its role within the hardcore world was not one upon which you could maintain a neutral stance after, say, appearing on a porn DVD.)
As shitty as it was that they needed approval from the men in the scene, My Chemical Romance, along with other bands, supported Burning Angel, a new kind of porn, and helped legitimize Joanna Angel’s claim that what she was doing was not backwards or exploitative but had integrity. 
Have you had an issue with people you grew up with when they find out you're in the adult industry? Joanna: At first people had problem[s], but not anymore. Once the cool kids in bands said, "I think what she's doing is cool" all the others turned around. Everyone I ever respected didn't have an issue with it and all the stupid, annoying hardcore kids had a problem. For as much shit as I got, I also got a lot of support. [Source: Hustlerworld Interview: Joanna Angel]
I don’t mean to glamorize the porn industry or to depict Joanna Angel as some savior of female sexuality in the early 2000s. But, as Kathleen Hanna points out, sex work is legitimate work, and sex workers deserve to have workplaces that treat them with dignity and communities that recognize their humanity. The reality was that NJ hardcore as a community did not support sex workers. Fundamentally, these were the barriers that caused Joanna and Burning Angel to make an exodus from the local hardcore scene—and they are the attitudes we risk reproducing when we express discomfort that a band we admire has interacted with a sex worker.
My intentions with this post (which turned out longer than I had ever anticipated, so Jesus, thank you for reading) were to shed light on the historical context of one moment in My Chemical Romance’s history. I’ve found that the average MCR fan, even those with a specific fondness for their early years, doesn’t actually know much at all about it—so I hope this has given some clarity.
I’ll end on this note: Without bands supporting Burning Angel, who knows—we might have never seen the lemon stealing whore. At the very least, the culture surrounding porn would look a lot different. That might not mean it would look better or worse—though you can’t deny the role that Joanna Angel played, nor the role that bands from the New Jersey Hardcore scene like My Chemical Romance played in shaping the American culture of pornography. 
Find sources for this post here.
[acknowledgements: thank you so much for reading! my forever thanks, as always, to nic @raytorosaurus, sophia @sendmyresignation, vyn @bringmoreknives, and maddy @8thnotes for their continued cheerleading as i spent over a month writing this long, long post. additional thanks to wes @killrockstar for very kindly offering some incredibly helpful guidance about riot grrrl and sending me resources about kathleen hanna. and much gratitude to merlin @void-flesh and @transmascfrankiero for their feedback on the final draft of this essay.]
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modawg · 4 months
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can we/rick talk more abt how extremely inexperienced percy is with his powers in comparison to many of the other big 3 kids
like it’s actually very interesting to think abt if you think abt the connection they each have as a scale to how connected they are to their godly parent (not like emotionally lmao but their godly heritage if that makes sense)
like if you think of nico and hazel those two are arguably the most like in tune with their powers both having used their powers since they were very young and being forced to kind of connect with their godly side much sooner/faster then the others
thalia and jason being second since thalia is literally the second in command to a literal goddess and as a soldier camp jupiter would definitely push jason to know his limits but they both haven’t reached that ease that nico and hazel have — thalia probably could’ve reached it if she hadn’t been snubbed at 15 and wasn’t scared of heights lmao and if jason had probably any type of support that wasn’t pushing him to just be better or focused more on his powers then physical strengths
both thalia and jason also started very young with using their powers yet both had that small blocker of other mortals/people around in comparison to hazel and nico
like hazel and nico are both so small that they’ve been taught to mostly use their powers not that they can’t fight but they rely a lot more on that rather then a sword unlike jason thalia or percy but i think that also just goes with the age that they are since their so young and were taught at that young age to lean on their powers that’s simply what’s easier
then you have percy who literally just found out half this shit was real like 5 years ago and knows nothing abt his powers like genuinely the amount percy leans more on his physical strength bc that’s all he’s had up until he was 12 in comparison to how much he leans on his actual powers is crazy especially if you look at the difference between how much jason or nico rely on their powers at their ages in comparison to how much percy did at those ages
it’s also interesting how that plays into people not taking him very seriously people see him as much more mortal and “weak” bc of it
not that any of them are doing it wrong obv it’s just very interesting to think abt
i think this also plays into percy’s morals a lot ? i recently saw a post saying nico wasn’t scared of percy when he was taking down an army and had hades with a sword to his neck yet annabeth was when percy was choking that goddess in tartarus even tho it was self defense which is all true but if you boil it down to those key points you can really see the clear distinction between the morality of nico and annabeth in those moments and how they know percy in that way as well
nico who’s on the cusp of godly hood in a way - being hades ambassador and spending most time in the underworld - he looks at percy as this hero who fights and kills and wins so that’s what he was letting percy do and he was watching it in awe
yet annabeth knowing percy stopped him yes in fear but in fear of the fact that that is simply not percy percy is the most mortal demigod we’ve met (him and piper tbh) he’s lived his life with mortal morals and he barely uses his powers bc of it so when he’s using his powers to literally kill a goddess like who tf is that ?? and who would he have been if he had gone through with it
i think that’s a pretty easy summary of why percy doesn’t really use his powers much as well he’s always seen himself as just some guy he doesn’t really like ppl calling him a hero he doesn’t really show off (on purpose/without reason) he’s just fighting to survive or to get shit done which is a very human trait percy is a very humble guy and it would just be crazy to see how much more powerful he’d be if he wasn’t bc ik a lot of that is what’s holding him back
also i think it’s interesting to point out the fact that percy used a sword when fighting hades in comparison to tartarus when he used just his powers id be interested to see what nico/annabeth would’ve thought if they were in each others shoes in those moments
also interesting that in both cases he doesn’t go through with it (killing a god/goddess) for 2 different reasons but what would they have done if he did …
i’m realising the purpose at the start of this is very different then what it ended in but i’d like to hear what ppl think if i’m just yapping or if anyone else knows wtf im talking abt lmao
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rahuratna · 1 month
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Ikemen Kaisen
Chapter 2: Come into my Parlour
Cross posted!
Summary: A cursed spirit develops a massive crush on the 7:3 sorcerer while he's on a mission. Trapping him in its unique otome game domain, the spirit soon discovers that its bitten off a lot more than it can chew with this particular jujutsu sorcerer ...
Content: Humour, fluff, crack, otome game satire, Nanami has Rizz with a capital 'R', the first year trio obtaining front row seats to this absolute shitshow.
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It had been there, for just a minute. Something tangible that had fled when he was frustratingly close. Nanami blew out a small, exasperated breath and continued his steady evaluation of the crowd before heading back up to the VIP box. Maybe a bird’s eye view might reveal something telling once again. The feeling of uneasiness did not leave him, though. If anything, the sensation of wrongness, of eyes with ill intent tracing over his form, grew stronger. Nanami had not reached the status of Grade 1 jujutsu sorcerer without listening to his instincts. Ignoring that inner voice was a surefire way to get killed in this profession.
Yuuji was now seated and making a show of wiping his brow and re-hydrating. The young sorcerer-in-training had done a commendable job of keeping track of the stage. He waved to Nanami when he caught sight of him.
“Nanamin! Do you want some candy floss?”
“I’ll pass, Yuuji. But you can hand over that soda.”
Sipping from the soggy paper straw, Nanami turned to observe their surroundings as Yuuji leant toward him and spoke in quieter tones.
“It’s not Ryo-ri. I’m sure of it. I watched him like a hawk the whole time he was up there. Especially when he called that girl on stage. There was nothing weird going on at all. The cursed energy spike was someone from the audience.”
“Someone or something.” Seeing Yuuji’s concerned look, Nanami shook his head. “If it was a person, I would have found them.”
“Wait, you’re saying it’s a cursed spirit?”
“Likely. The cursed energy was very subtle, definitely sensory in nature. It didn’t seem particularly strong, but raw strength is not always an indication of how dangerous something is.”
“It’s not? That’s not what Gojo-sensei said.”
“With all due respect, Gojo-sensei is the last person you should take your assessment of caution from. The entity, whatever it was, must have picked up that I was searching for it. There’s a level of awareness at work here that should always make one careful. “
Suitably chastised, Yuuji nodded. “Okay, okay, I get it. So what do we do now?”
“There’s something else I should mention too. Since I’ve been down there … I’ve been feeling a sensation of watchfulness. Of something waiting.”
The boy’s eyes widened slightly. “Is … is it …”
“Probably. But I can’t be certain. So, what do you think we should do, Yuuji?”
The boy sat up straighter, eyes taking in the crowd that was now thinning as people made their way back out of the venue.
“I wanted to say, maybe wait for everyone to leave and then search for cursed energy traces … “
“But?”
“But if you sensed something … waiting, then the girl who went on stage is priority, right? Even if we scared off whatever was here tonight, it might be waiting for an opportunity to strike. She could still be in danger.”
Nanami felt that small twinge of pride, yet again.
“Exactly so. She’s currently backstage, meeting with Takashima as part of her supposed package. We’ll place her under surveillance and won’t let her out of our sight until we’ve established that she is at no risk of being targeted.”
“But Nanamin … “ Yuuji still looked worried. “You said that the cursed spirit may be … aware. Intelligent, like those ones we met before. Won’t it just wait until it’s sure we’ve left and then go get her?”
“That’s correct, Yuuji. Which is why our surveillance isn’t just a means to keep her safe. We’re hoping that she baits the spirit out, somehow. The emotion this cursed entity may feed off is the heavy envy that was coming from the audience. That’s probably why it was difficult for us to identify. Spirits are harder to detect when in the overwhelming presence of the very emotions that birth them. Remember that. Away from the crowd, and with a single-minded purpose, it may be much easier for us to track and isolate.”
Yuuji nodded, eyes alight with renewed determination.
“Roger that!”
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Nanami and Yuuji hung around the VIP box until the young woman who had been taken backstage to meet Ryo-ri exited. If they hadn’t been paying attention, she would have flown completely under their radar. The flowing, vivid green tresses had obviously been a wig, because her natural hair was short and dark. Her clothes had also disguised her athletic build. Yuuji put her down as a professional stage performer. She had a distinctly disgruntled look on her face, certainly a far cry from the tearful ecstasy she had shown during the concert earlier. Nanami rose, nonchalantly discarding the soda can and gestured to Yuuji to follow.
She was obviously in something of a hurry, her grumpy demeanour translating to a quick, impatient stride. They followed her at a safe distance, watching as she made her way through the conference centre main exit and out into the same street they had walked along earlier. After a short distance, she pulled her phone from her bag and began to text rather aggressively, then took a sharp turn and entered a Seven-Eleven nearby. Yuuji took initiative and popped into the store behind her. As he browsed the shelves, he glanced over her shoulder and saw that she was texting someone from her agency, judging from the symbol in the profile picture. He read the messages for as long as discretion was possible before moving past.
She’s pissed off because Ryo-ri didn’t even bother to meet her after the concert. And it sounds like she’s not too happy with the agency for the arrangement either.
Choosing a random packet of crisps off the shelf, Yuuji glanced out the window to where Nanami stood on the pavement a short distance away. The sorcerer was on a call and a deep frown was marring his brow. Once Yuuji was out in the street, Nanami turned to him with a displeased expression.
“Dang, what did Gojo-sensei do now?”
“How did you – never mind,” Nanami sighed heavily. “He’s received an urgent summons from Kyoto. He was supposed to be overseeing a training exercise for Fushiguro and Kugisaki. They’ll be joining us on our mission instead.”
“Oh! I mean, the more people, the better right? They’re both strong – wait. I see what this is,” Yuuji grinned. “He’s got you for babysitting duty.”
Nanami’s eyebrow twitched.
“I’m not denying that those two are capable students. They’ll be a help, no doubt. And as much as I prefer to keep to a specific course of action, I suppose this is unavoidable. Having said that, I can’t abandon our current target.”
The young woman they were tailing had now stepped out of the store and had resumed her walk. Yuuji nodded sharply.
“Understood, Nanamin. I’ll head to the station to pick up Kugisaki and Fushiguro.”
“You remember the tracking app we installed on our phones? I’m turning mine on right now. Use it to find my location once they’re with you.”
“Right!”
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Now this. This was heavenly.
Fuck Ryo-ri. A sad, little boy like that, shaking his crotch at every other bitch on stage? What could he possibly offer? No, no, no. I won’t settle for that. How could I be so … blind. This. This is what it’s all about.
Now, just look. Here, in his natural habitat, we see an absolute S-tier, top class, prime specimen of a man. Look. Just look.
From the moment he turned to face me in the crowd, I knew. It must be fate. That chiselled face, that aristocratic nose, that firm mouth and that chin. Oh, that beautiful strong chin, just waiting for a feminine finger to trace its outline. Clean-shaven, too. Just imagine what he looks like, shaving in the morning. Standing at his sink in his vest and underwear, running the blade along his throat …
Oh my. I mustn’t get too excited, oh no. Earlier, I tried to measure how broad his shoulders are and I’m sure he sensed me. Heehee. Speaking of which … sigh. When he shrugged off that coat a short while ago …  
That. Ass.
Goddamn. Praise the celestial craftsman who moulded those exquisite cheeks. Wasn’t there a poem like that? Where did I hear it before? Strange. Something about ‘did he who make the lamb make thee?’ Oh! That poem.
Well, this tiger can bite me any old time. So tall, too. And his hair … like spun gold. So perfect. Look how it moves as he walks. It’s like every time he takes a step, the cherubs of the wind are blowing each strand gently back into place. This is … a real man. His essence is all man. The way he was taking charge of that pink-haired boy and looking after him too, ohhhh. Daddy material, absolutely so.   
And his walk! Ohhhhhh. His walk! So confident. I just know he’s big down th - wait. I mustn’t let my focus slip. This is it. This is what I’ve been waiting for. There’s no better opportunity than this! Now, where did I put that phone … here it is!
Oi, bitch, pick up.       
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Once Yuuji had left, Nanami had resumed the surveillance on the young agency employee. She was certainly putting in the miles today and her path had taken her away from the main thoroughfares to a less populated area downtown. Here, there were no fancy coffee shops and brightly lit boutiques. Most of the stores didn’t even put out signs to advertise their wares. Many of them were situated on the bottom floor or basement level of run-down apartment blocks. Nanami noticed that the woman’s pace had slowed somewhat, and that she would sometimes check her phone before moving on.
Is she looking for directions? Where to?  
The agency she belonged to was nowhere in the vicinity and she looked like she was a little unfamiliar with this area, so she was definitely not going home.
Even though the evening was chilly, the coat Nanami wore was a little too heavy for such prolonged walking, so he shrugged it off and slung it over his arm. The moment he did, something began to feel … off. There it was again, that eerie sensation of being watched. Of alien eyes crawling over his form. Was the cursed spirit here already? That certainly hadn’t taken very long. He took a breath and relaxed his muscles, allowing his awareness to filter into his surroundings. It was something he had learned in his younger days as a sorcerer, this release of tension before expecting an attack. It helped one be more reactive to danger from any direction.
And then, the woman’s phone rang. She answered hastily, irritation colouring her tone. Nanami stepped into a narrow alleyway nearby, close enough to listen in.
“Hi, yes, it’s me. I’m … yes, I’m on my way. Excuse me, but are the directions you gave correct? It’s just, I’m somewhere downtown, and I don’t really know any reputable agencies in this area. No, no, I’m not … listen. Yes, I’m interested in the audition, but I – oh. Well, all right then, I’ll be there shortly.”
An audition? Here?
Nanami was instantly on high alert. Something was very wrong. Even if she was contacted for an audition, this area was not likely to house some kind of performance art studio. Furthermore, the disappearances of the other girls had been kept under wraps by law enforcement and their own agencies, to prevent public panic. So she wouldn’t be aware of the danger she was in.
She’s been lured here. But by whom? Is this really a cursed spirit? Is it advanced enough to put into motion a plan like this? That would make it –
Nanami had just managed to rip the blade from its holster underneath his sweater before the domain expansion engulfed him and the woman, a shockingly subtle rush of cursed energy that barely rippled the surface of reality. There was no mistaking what it was, however. If the spirit did not possess high levels of cursed energy, like he had deduced earlier, then maybe he could break through with sheer brute force. He raised his blade, energy flaring to life in powerful currents beneath his skin, bringing it down in a heavy, measured slash.
The borders of the domain rippled before annealing in softly glowing edges. Nanami dashed forward, skidding to a halt beside the unconscious form of the young performer. He took up a defensive stance, eyes narrowing as he took in their surroundings.
“Show yourself.”
The voice that answered was surprisingly young and girlish, a slight lisp accenting certain words.
“You want to see me?”
“This is your domain. You’ll have to show yourself sooner or later.”
“Welll … all right then. If you ask like that.”
A form stepped from the shadows. Shadows that had not been present a short while ago.
“Welcome. I – “
Before the spirit could finish its sentence, Nanami had swung his sword in a horizontal arc, slicing the apparition in two.
“Who do you think you’re dealing with? Show yourself. I won’t be fooled by illusions.”
There was a short period of silence. The fabricated walls of the domain around them began to shudder, changing form. Nanami frowned as he picked up the sensory feedback from all around him. As he thought, this spirit was certainly driven by strong, uncontrolled emotion. His attack had made it … happy? And why was the domain itself so resilient, considering that this spirit definitely did not have a great deal of raw cursed energy and power? Where was it drawing its strength from?
He pushed one foot out, nudging into the slumped form of the young woman lying on the ground beside him. He had to keep track of her if a fight was on the cards. Instantly, the emotions reflecting from the domain around him changed to something distinctly less … pleasant.
“What is she to you?”
“What are you talking about?”
“That girl. There, on the ground. What is she to you?”
“I’m not sure I understand your question. All you need to know is that I will not let any harm come to civilians.”
“Oho. So that’s it. You are indeed an … upright man.”
Nanami had encountered a great many cursed spirits in his time, but there was something about the sibilance of those last words that made his hair stand on end. The domain was rapidly changing now, in a twisting, disconcerting manner that was dizzying to watch.
“First, let’s take things to a more … intimate setting. This place feels so exposed.”
Gritting his teeth, Nanami felt his legs root themselves to the spot, entirely not within his control. Something large and dark was rushing toward him and he leaned back, flicking his sword out in a fine, controlled line along the wall of the alleyway behind him. It was all he had time for before weightlessness took his limbs and darkness claimed his mind.
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“Guess I’m stuck with you two goons. As always.”
Nobara unwrapped a chocolate bar and took a large bite. Beside her, Megumi scowled.
“I’m the one who should be saying that.”
“I said it first, buttface.”
“Your maturity never fails to amaze me.”
Yuuji looked up from his phone and offered a warm grin.  
“Let’s hurry guys. Nanamin’s signal hasn’t moved for a while now, so he must be staking out already.”
Nobara sighed.
“Yeah, yeah. Let’s get this show on the road. But, hey! Why do you always get to go with Nanami-sensei? He’s so cool and responsible, unlike some teachers.”
They had already passed the Seven-Eleven where Nobara had purchased her chocolate for a quick snack. They were now making their way to the spot downtown where Nanami’s signal on the app blinked in stationary silence. Yuuji’s grin turned positively devilish as he turned to the brown-haired girl who strode quickly beside him.
“I mean, I didn’t choose Nanamin. Gojo-sensei assigned me to him. But yeah, going on missions with him definitely has its perks.”
He left the statement hanging, prompting Nobara to squint suspiciously at him.
“Eh? What kind of perks are we talking about?”
“You know the details of the mission right?”
Megumi frowned. “Of course we know. There’s some idol whose fans are disappearing. And the ones hired to get on stage with him are being targeted. What’s your point, Itadori?”
“Oh, just … I got to go to the concert and vibe for a bit. Nanamin got us VIP pass tickets, so we were up in the special box. And – “
“Now, just one minute,” Nobara’s expression had turned rather frightening. “You attended the actual concert?”
“Hell yeah. And I got lots of souvenirs and merch. Nanamin gave me an allowance, like always. I mean, it’s not like we were just having fun. I had to monitor Ryo-ri and talk to people. You know, network, just in case. For anything suspicious. Oh, and we went to Forty-two West – “
“The grill place?” Megumi interrupted, his own face morphing into something murderous. “The famous one that got all those five-star reviews?”
“Yeah! The same. Nanamin said we had to go because it gave us a good view of the stage set-up. But I’m not complaining. That trio of chocolate dessert was –“
Yuuji realised he had gone a step too far when his collar was roughly grabbed from both sides by his irate classmates. Nobara was fuming.
“You’re winin’ and dinin’ with Nanami-sensei while we’re trudging around the shittiest areas of Tokyo eating instant ramen that Gojo-sensei makes us buy ourselves?
“Even my shikigami get treated better.”
“Oi, oi, it’s not my fault Nanamin prefers the finer things – “
“Well then, I’m gonna put in a request for next time. I’ll make you stay with Gojo while Nanami-sensei takes me to the best nail salon and all those cute boutiques. And feeds me, too.”
“Now you’re making yourself sound like one of my shikigami.”
“Guys.”
The flat urgency in Yuuji’s tone brought them out of their small spat. They had arrived near the narrow alleyway where Nanami had encountered the cursed spirit earlier. Megumi and Nobara were instantly on alert, the traces of cursed energy subtle, but unmistakeable. And even if they hadn’t detected that, the phone with a shattered screen on the pavement was enough to give them pause. Yuuji gingerly picked it up, examining it from all angles. This definitely wasn’t Nanami’s phone. The small stickers looked familiar, though, and his eyes widened.
“This is that girl’s phone. The performer who went on stage with Ryo-ri!”
Megumi gritted his teeth. “So they were both attacked?”
“Looks like it.”
Nobara began to do a small circuit of the area, peering into the alley with close attention.
“Hey. Check this out.”
The two boys came to crouch beside her.
“What’s that?”
“This damage has traces of cursed energy, but I think it’s Nanami’s. Look at the marks here.”
Yuuji drew in a quick breath.
“The way those bottles and boxes are cut … “
“Yeah. They’re divided in a seven-three ratio. He’s letting us know he was still alive and maybe mobile when the curse took him.”
Megumi’s brow darkened.
“If this cursed spirit was powerful enough to capture Nanami, then shouldn’t we call for back-up?”
Yuuji stood abruptly.
“There’s no time. If we wait for back-up to arrive … I have no idea what could happen in the meantime. We’ve got to go in and do what we can. Isn’t that what sorcerers' have to do, even when they’re lacking in numbers and experience?”
Nobara nodded firmly. “For once, I agree with Itadori.”
Megumi sighed and straightened. “You’re right. But I think you’ve both missed something important.”
“Eh?”
“Itadori, how have you been tracking Nanami all this time?”
“What? By the app, obviously.”
“And you think a spirit or curse user, strong and smart enough to take them both, would just let you track Nanami’s phone?”
“Oh … “
Nobara hissed out a frustrated breath. “It wants to lure us in, huh?”
“If it knew Itadori was with Nanami, then that’s possible. I’m gonna send a message to Gojo just in case, and then we head in.”
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This is so exciting! Now that the bitch is out of the way, I can focus on what’s important. That kid is on his way because of hot stuff’s phone tracker, but wait, wait … I didn’t expect two more to be with him. Hmmm. That’s fine. It makes no difference. Once they enter my domain, they’ll have no choice but to follow the rules. And maybe this handsome knight in shining armour will be more … receptive to my requests when they are present. Hahahahaha. How sweet it will be!
How sweet, yes, yes. Even sweeter? I get to finally see his eye colour when he wakes up! He was wearing those shades the whole time, but now … whoops! I’ve stolen them.
Hmm. Hmm. Oh, his hair! It’s so soft! I can’t … oh, this little undercut is so lovely. So cute. A jujutsu sorcerer, huh? Scarrrry. Hehe. But that wouldn’t make me change my mind at all. Oh no. It’s worth it. This power will be just what I need. He’ll be just what I need, forever and ever.
A powerful sorcerer like this … wait. Wait. Imagine what he’s built like? Oh, oh, he just gets even better. Imagine the definition he has under all that – he’s waking up! He’s opening his eyes! They’re … oh.
Oh.
Beautiful. Oh, wow. They’re upturned, just a little at the ends and, and, they’re hazel? Qwjecknblaargh …. Focus! He’s awake! I must not pass out from his magnetic stare. Breathe.
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When Nanami came to, it was not in a setting he had expected. He was lying next to a lake, on a thick picnic blanket, a picturesque sunset adorning the horizon. He was instantly on high alert, reaching for his sword which, predictably, wasn’t there.
“Oh, come now. You won’t be needing that. I’m not going to harm you.”
That breathy, girlish voice sounded somewhere behind him and he spun around, bending his knees, muscles taut and ready to react. The cursed spirit had finally taken on a more tangible form. A woman’s form, quite short and delicately built, chestnut hair falling in long cascades on either side of its face. It wore a pastel pink shift dress and its feet were bare. The most telling features were the eyes. There were no eyes. Just a shadowed region, beneath straight brown bangs.
“What do you want?”
“Straight to the point, huh? All right then. I want you.”
Nanami, sensing no immediate violent intent, straightened, but kept his senses alert.
“If you mean my life, please don’t assume that it’ll come easily.”
The spirit giggled.
“You’re so silly! No, no. No, no, no, no. Not at all. This is my domain, as you can see.”
“I gathered that much. Where’s the woman from earlier? What have you done with her?”
There was a distinct pout on the spirit’s face. It sighed petulantly.
“I thought you might ask that. Here.”
It waved a hand and a small window appeared in mid-air. It expanded until the ‘room’ beyond became visible. The stage performer, still unconscious, reclined in a large chair in a dingy space with dust covers over the furniture and the blinds drawn.
“Go on. If you reach through, you can touch her. That way you’ll know I’m telling the truth.”
Stepping forward carefully, keeping the spirit in the periphery of his vision, Nanami placed his hand through the shimmering window. His fingers came into contact with the inert warmth of the girl’s wrist. There was a steady pulse there. He withdrew his hand and turned to the spirit.
“All right. I’ve confirmed that the civilian is safe. You can tell me right now what you plan to do.”
The spirit smiled coyly and brought something out of its ‘pocket’. It stroked a finger over the sleek, dark cover of Nanami’s phone.
“Ah, but it’s no fun if I don’t have help with my plans. So, I’ve managed to get a hold of this. Your dear little student and his friends are on their way to search for you. I’ve guided them helpfully into my domain. I think things will be more entertaining when they get here.”
Nanami gritted his teeth, but paused, choosing his words carefully. This spirit seemed to be fond of conversation. Maybe even willing to be distracted by it.
“The students have nothing to do with this. You said you wanted me. Well, here I am, and I’m certainly not going anywhere. I’m aware that domains like this one have rules. Why don’t you leave them out of it and enlighten me.”
The spirit gave another delighted laugh.
“Oh, you’re just … wonderful. As I thought. No, I won’t let them go. But I will tell you the rules. Such fun rules too! Maybe you’ll even learn to like them. I need you to play a game with me. Nothing violent, of course, or very physical. Well, maybe a little physical.” There was that spine-chilling giggle again. “Your students are even allowed to participate and help you along! Precious little helpers, just for you. The game is all about choices. I’m going to present you with scenarios, just some harmless make-belief, you understand? You have to play the role I choose for you, and then make the correct choices. Choosing options will eventually get you to the next scenario. And every correct choice gives me a massive energy boost. That is the nature of the game in my domain. But beware! Making the incorrect choices, or attempting violence against me, will alter the next scenario. If you keep making incorrect choices, you’ll end up with a bad ending. And a bad ending means …”
The spirit snapped its fingers and the window to the dark room beyond grew wider. Nanami clenched his fists. The girl from earlier was not the only occupant. At least five other dark shapes lay in various poses on the uncovered items of furniture around the room. The other abductees.
“They’re also under my control, you see. And for every bad ending you get, one of them goes poof! But don’t worry, I’m kind. I won’t harm your students in that way.”
Nanami turned slowly back to the spirit.
Kind?
As unfathomable as it sounded, there was a tone of sincerity, almost warmth, in the spirit’s voice. As if it really, really believed that killing others, but not Nanami’s students, was an act of kindness. As long as he had been in the business of exorcising spirits, Nanami had developed a certain instinct about how to deal with specific types of curses. A sort of unerring sixth sense about how to deal maximum damage when handling them; getting to the heart of their true nature through their weaknesses. Something, perhaps his own innate technique, was telling him that there was an exploitable crack in the armour here.
“I see. That is kind of you.”
The spirit immediately beamed, for all it didn’t have eyes to express emotion with. The dark window disappeared, and the sunset took on an even rosier hue.
“I knew you’d see things clearly!”
“Tell me more about this game. Most importantly, what happens when the game ends?”
“Don’t worry about the students. They’ll be safe and wake up somewhere. If you don’t get any bad endings, all the civilians will be returned safely too. But they won’t remember anything that happened to them.”
“And me?”
“I can’t tell you that yet. Will that be a problem?”
Nanami considered for a moment before shaking his head firmly.
“No. I don’t care much what happens to me. As long as you give me a binding vow, as we sorcerer’s call it, that you’ll let them go when the time comes.”
The spirit’s smile grew impossibly broad, and it let out a small, dreamy sigh.
“You’re … really something, Mister Sorcerer. Or should I say, Nanamin. I checked your student’s chat with you and that’s such a cute nickname!”
Nanami twitched slightly at the moniker, but did not react otherwise.
“Call me whatever you want. But please make that vow.”
“Of course! Anything for you.”
Stretching one hand out, the spirit waggled its fingers. Cautiously, Nanami held out his hand and they grasped each other by the wrist. The spirit was fully corporeal, at least in its domain, the flesh beneath his fingers firm and human-like. A shudder seemed to pass through the spirit as he made contact. They spoke the words of their contract and, within the confines of this domain, those terms were made binding. Nanami let go and stepped back.
“All right. Now will you give me some information as to the nature of these game scenarios?”  
“You mean you haven’t guessed already?”
“No, I’m quite at a loss as to what they could be.”
The spirit clapped its hands and laughed.
“Why, they’ll be romantic, of course!”
“… Romantic?”
“Yes! A truly tingling tale of true love and fated lovers. The universe may conspire mischievously to keep them apart, but their honest, raw emotions will prevail over all! At least, as long as you get the good ending.”
Nanami was silent for a bit. He seemed to be thinking deeply, but in reality, this information had completely thrown him. If he understood correctly, this spirit wanted him to perform some kind of … romantic roleplay with it? Had he been mistaken? He had been operating under the assumption that this spirit had be born of the envy and resentment felt by the idol’s audience, but what was this all about then? It couldn’t be. But then again, even the most experienced sorcerers had come up, eventually, against spirits that defied their existing knowledge and instincts. Taking a breath, Nanami looked up.
“Romantic scenarios. Understood. I’ll play my part accordingly.”
“Eh?” It was the spirit’s turn to be caught off guard. “You agree just like that? I thought you’d at least resist the idea.”
“I have no reason to. If the lives of civilians are at stake, then I, and my students, will perform whatever role you assign to us to the best of our ability.”
Nanami reached up and, in a controlled motion, smoothed back his hair. He lifted his sweater slightly and tugged on the empty harness for his blade, snapping it back into place before neatly rolling up his sleeves. He faced the spirit and folded his arms.
“I am ready for you.”
Something crimson and wet dripped from the spirit’s nose. It hurriedly mopped it up with the back of its wrist.
“Ah, er, well. Let me prepare a few things and I will … be back soon.”
The window behind it opened and it scurried through. Nanami raised an eyebrow.
Was that blush part of the act?
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odessa-castle · 1 year
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I'm bouncing around a larger post about Nishiki and the mortifying ordeal of being known, but in the meantime I'm thinking about Nishiki and Kiryu and how the clothes make (or don't make) the man. Like, beyond my visceral horror that Kiryu begged Nishiki to pick out a safe and boring suit for him in Y0 and then said he was envisioning something purple with gold stripes.
I'm thinking about Nishiki's incredible sensitivity to image and his need to control how he's perceived. I'm thinking about Kiryu's inability to let go of the past. I'm thinking about how KIryu dresses like who he thinks he is, and Nishiki dresses like who he thinks he wants to be.
There's some interesting incidental dialogue between Nishiki and Kiryu in Y0 while they're en route to the men's suit store. I wish it wasn't so easy to miss, because there's a lot to unpack here. (I'm just transcribing the English in-game subtitles here; I don't speak Japanese so I have no idea how loose vs. direct the localization is in this part.)
NISHIKI: …now that I think about it, you've been dressing like an old man since we were kids. KIRYU: Have I? NISHIKI: Yeah. The few times we got to pick our clothes, it was always like, "you're choosing THAT?" NISHIKI: I wouldn't say you're a plain guy…You'd pick shirts with weird prints though. KIRYU: Guess I forgot all that. It's weirder to me that you haven't. NISHIKI: Well, confession time. You're why I started caring about fashion. I swore I'd never go out dressed like you. KIRYU: Come on, I'm not THAT bad. [we have already discussed why kiryu is, in fact, that bad.] NISHIKI: [laughing] Aww, did I hurt your feelings? NISHIKI: Well, this time you've got me with you. I'll see my bro gets taken care of. KIRYU: Heh. What an honor. NISHIKI: Leave it to me.
Nishiki doesn't bring up Sunflower Orphanage much; when he does share memories of his childhood, those memories are kind of painful (see: "do orphans not get to dream?"). Kiryu's surprised that Nishiki remembers how they dressed as kids, but it makes sense that wearing a limited selection of hand-me-downs stuck with Nishiki so strongly. His clothes announced his poverty, and they weren't even his -- he had to share them with the other orphans, so what he wore showed he belonged to yet another stigmatized group. And I'm sure people picked up on those visual signals, especially other kids. Kids can be vicious, and appearance is an easy and immediate target! We don't know for sure how young Nishiki interacted with his peers and teachers, but given what the Morning Glory kids go through in Y3 (and given, like, everything about Nishiki), he probably didn't have a great time.
Kiryu frames his childhood as poor but loving, and places much more emphasis on the latter. There might be some rose-colored glasses at work there -- let's look at the flashback where Kazama tries (and fails) to violently dissuade Kiryu and Nishiki from joining the yakuza.
KIRYU: I owe you everything, but this isn’t about that. [...] We’ve looked up to you for all this time. Your car. Your confidence… The way everybody bows to you. We idolized you. I want that life, too. Is that so wrong!?
Nishiki doesn't really speak in this flashback, but like, Kiryu uses "we" enough for us to draw some obvious conclusions about Nishiki's own motivations. That being said, I don't think Kiryu's being dishonest or disingenuous when he describes his childhood as happy, and himself as well-loved. He's not ashamed of his upbringing, and he doesn't hide where he came from. Nishiki seems to have the inverse view. It's not that he doesn't love (at least some of) the people he grew up with, but what comes up first for him is what he didn't have. He didn't have money. He didn't have respect. He didn't have a cure for his little sister. He didn't have a lot of choice, right down to the clothes he wore.
(There's a whole other essay here about why Kiryu's and Nishiki's perspectives diverge on this, but I'm trying to limit the scope of this post. Suffice to say that, while I don't think game canon gives a timeline, I do think Nishiki was a little older when his parents were killed -- old enough that he actually remembers them, at least.)
The same mindset fuels Nishiki's interest in fashion. Yeah, part of it is that he's ribbing Kiryu, but I think it goes deeper than Kiryu wearing ugly shirts. Nishiki doesn't want people to look at him and see what's missing. Fashion isn't a means of personal expression for him, really. It's a message. It's the interplay of knowledge and resources and presentation: knowing what clothes read as successful and trendy and expensive, being able to afford those things, and convincing people that your successful important outfit makes you a successful important person. And he's not wrong about the social dimensions of fashion.
NISHIKI: Try sporting a suit that runs 500 grand for once. Trust me, you’ll see the world in a whole new light. KIRYU: Fashion’s not my thing. Besides, Kazama-san never wore flashy clothes. NISHIKI: You do realize he’s the family captain, right? Number two in the whole Dojima operation? You get to that level, you can wear whatever you damn well please. But for the rest of us, “flashy” is part of the business. KIRYU: So that fancy new car you bought was just “business”. NISHIKI: Yeah, and that fancy lighter of mine, too. Which you still haven’t given back. KIRYU: You want to play the rich guy, quit being so stingy. NISHIKI: But you get what I’m saying, right? People see the expensive car, the designer jacket, and the gleam of that little Dojima pin, they pay attention. A yakuza’s only as good as his image. [...] Take your buddy today. These squeaky-clean idiots, borrowing money just to blow on tits and booze… Nobody in this town gives a crap about substance. What you see is what you get.
That's our first take on one of the major themes of the game: what does it mean to be yakuza? Again, there is truth to what Nishiki's saying here, particularly in terms of the ethos of the eighties. I'm not an expert on the bubble era, but the worldbuilding in the game speaks for itself. People hail taxis with 10,000-yen bills. You punch money out of punks during random street battles. Nishiki keeps a personal bottle of high-end booze at a bar he's visited twice, mostly because he "can’t stand being taken for a bum." The act of spending is important, not what you're spending it on.
Nishiki's outfit in Y0 is perfectly suited (heh) to that outlook. And look, I might be inviting controversy here, but in context, I think it's a werq. Yes, it's loud. But the silhouette -- squared shoulders, single breasted, thinner peaked lapel -- is right on trend for the time period, and it fits him well. The colors look good on him. The bold pattern (no, it's not animal print) under the solid maroon is a risk, but he pulls it off. And excess aside, he knows when to pull back on the accessories. It's bright and confident and memorable, and boy would Nishiki like to be all of those things.
Also -- and importantly -- Kiryu would never go out dressed like that. Because we can't talk about Nishiki and Kiryu without talking about Nishiki's Mt. Fuji-sized inferiority complex. Mastering image doesn't just make Nishiki stand out; it makes him stand out from Kiryu. Let's go back to the beginning of the game.
NISHIKI: I’ll admit, though, you’re finally starting to look the part. You make a pretty convincing yakuza. You’re done with collections today, right? KIRYU: Yeah. NISHIKI: Good. That should put Kazama-san’s mind at ease a bit. KIRYU: Heh, dunno about that. But he always knew all I could do is fight. You’re the one who’s good at the dance.
Nishiki then calls attention to the "rags" that Kiryu's wearing, which...is not an unfair assessment. (TUCK IN YOUR SHIRT, KIRYU. HEM YOUR PANTS.) As the two of them walk around Kamurocho, Nishiki offers Kiryu plenty of hot tips, from meeting girls to making big bucks to cozying up to the brass. But even when Nishiki's opining on his area of expertise, there's a competitive edge to it. "You asking me to pick out clothes for you means you admit you have terrible taste," he tells Kiryu on the way to the suit shop. Kiryu tells him to shut up, but there's no actual hurt behind it. Kiryu doesn't really care that his taste in clothes sucks. Fashion isn't important to him. Most of the things Nishiki knows so much about don't really matter to Kiryu. And that makes Nishiki feel more insecure! Because if Kiryu rolls out of bed looking like a yakuza, if Nishiki's image counseling sessions aren't helpful or meaningful, if Kiryu can skip the dance and get to the top on the strength of his fists and convictions, then who cares about Nishiki's 500 grand suit or his hourlong hair care routine? If image isn't what makes a yakuza, what does that make Nishiki?
At the end of Chapter 6, Nishiki tries to look out for Kiryu again -- this time, by granting him a merciful death before the Dojima Family drags him to the Hole. It's one of my favorite scenes in the game. Nishiki's crying too hard to aim the gun properly; Kiryu tells him to man up and shoot. Finally, Nishiki collapses.
NISHIKI: Can’t do it… How could I shoot you!? Without you, I’ll always be nothing. Can’t make it as a yakuza… No. I wouldn’t even still be alive now if I didn’t have you beside me! I’m just… If you’re not with me, I’m useless! Nothing means anything!
Mastering image hasn't granted Nishiki anything of substance. At the end of the day, Nishiki's playing dress-up, and he knows it.
And I'm almost certainly getting into overthinking-this territory now (if I haven't gotten there already), but I kind of like the spin this puts on Nishiki ripping his expensive suit off in Chapter 14 when he decides to fight the Dojima Family at Kiryu's side. Like yes, ripping off your outer layers to get at the naked (so to speak) truth -- your irezumi, and what it represents -- is just Yakuza Storytelling 101. It's decisive, it's kind of dumb, it's great, it gets me hyped every time. But I like that Nishiki's honest answer to "what does it mean to be a yakuza?" isn't about looking the part. I am genuinely trying not to end this paragraph by saying that Nishiki must become like a dragon, but like...you get where I'm going with this.
Of course, Nishiki's back to playing dress-up in Y1/Kiwami. I'm not the first to call the Patriarch Nishikiyama look a glow-down (though I like the patterned white tie). Like, fashion-conscious Nishiki would look good in a Hedi Slimane/Tom Ford-esque skinny black suit. But he picks a silhouette you'd expect to see on a much older man, torso-swallowing pants and all. The slicked-back hair doesn't help. He's just so transparently trying to look bigger and broader and older, and he doesn't pull it off. Big Bad Patriarch isn't a good look for him, in any sense of the phrase.
A final thought: Kiryu's clothes, and Nishiki's commentary on them, are the subject of their first conversation in Y0 -- and of their last. Kiryu's costume progression in Y0 is a pretty obvious commentary on his journey, to the point where Kiryu and Nishiki explicitly call attention to the color connotations in their final exchange. As a Dojima grunt, he wears black, and it doesn't look good on him because "brutish thug who keeps his head down and does what he's told" isn't a role he's comfortable with. He wears white when he works in real estate, but the change in color isn't enough to sell anyone on his transformation into a civilian. Although it's a little rich for Oda "Red Clown Shoes" Jun to chide someone for not wearing a proper suit. At the end of the game, Kiryu's in his classic grey suit, and well, the game spells it out:
KIRYU: I’m not feeling black or white these days. This is where I’m at right now. I chose it myself. I’m making it a fresh start. NISHIKI: Fine, fine. See if I care! Wear it the rest of your life!
Nishiki, dismayed, tells Kiryu that the grey suit already looks dated, but for Kiryu, "fresh start" doesn't mean "on trend". His image might be out of step with how other yakuza view themselves, or want to be seen, but if he's always going to look like a yakuza, he might as well stake his claim on what being a yakuza means. Still, it's telling that, even as a young man, Kiryu looks like a throwback to an earlier era. As the series progresses, the games hammer this home more and more. How many antagonists tell Kiryu that he's out of touch with the modern world, that he represents a version of the yakuza that no longer exists, that it's time for him to make way for the next generation?
"Wear it the rest of your life!" is a funny little in-joke, yeah, but...it's a little sad when you think about it, isn't it? Kiryu gets new outfits from Y3 on -- and in every game, he ultimately puts the suit back on and heads to Kamurocho. It's exactly of a piece with how Kiryu views being yakuza. We, and he, can debate the exact extent of his retirement from the Tojo Clan's affairs, but the yakuza isn't a career for Kiryu, it's a set of beliefs he carries with him. He wears the suit the same way he wears the dragon on his back: as an indelible part of his self-image.
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tigermousse · 8 months
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Particles of reality: Obsession
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genre: dark, yandere, otome, crime, supernatural, NSFW
Not all stories have happy endings…especially this one.
I have a feeling this visual novel has done some permanent damage to my mental health, but I'm not regretting reading it.
!Please note: This game is for mature audience only!
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Particles of reality: obsession is dealing with very dark themes including gore, extreme violence, torture, sexual and mental abuse. It has graphic depiction of consensual and un-consensual sex (including sex between minors and sex between siblings). List of triggers for each path is enormous and it was pretty hard to read through some paths. There are options to hide some content, but even with "lower violence" filter it was gruesome enough. Like Monika, I hate the violence, but I was too interested in characters to skip everything.
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Monica is studying medicine in college and working at the cafe Luna to pay her bills. She has two close friends and a bunch of phobias, since she is a traumatized young woman with a troubled past. Monika hoped to separate from her family by enrolling to a college. But now she's stuck on a dead-end job, feeling claustrophobic in a small crappy apartment, also failing her studies and doubting her choice to be a doctor.
This is the time when in her life appears a tall handsome man, who has a strange interest in her. But the story unraveled…
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Particles of Reality is a macabre satire on dark romance, where relationship with violent people are romanticized, - and otome games, in which every character falls in love with a MC no matter how plain, or dull she is.
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It is a splendid idea to show in visual novel that relationship with obsessive people can only cause you pain, but still overall it was a depressing experience for me. I can not recommend this game, but it has a highest rating from me, because it is unique and memorable. All the characters are either traumatized or just pleasurably insane.
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You are warned from the beginning that there are no happy endings in this novel. In those few where main characters at least don't die, Monica is still can not be happy because she's feeling trapped.
It makes sense, because it shows that with the characters like these, who are obsessed (and sometimes possessed), there can be no happy ending. They're traumatized, violent and mentally unstable. It is said that in Obsession the characters are the worst possible versions of themselves.
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After a while it is getting too frustrating that no matter what you do the game finds its way to punish you. The characters are making very stupid mistakes and decisions - and you can do nothing about it but watch. Also sometimes the game is forcing you to read a lot of information that you already learn from other routes. I can see why it was hard to avoid, but still it was too much unnecessary reading.
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The structure of visual novel is unique - it has additional unlockable content for each character that helps to look further in their past or shows their point of view on the story. At some points the story is breaking the forth wall.
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Nice touch that choices that doesn't affect the ending, are clearly marked.
Still after reading everything including the secret character routes, the story still has more questions then answers - and feels incomplete. The secret route was more confusing then revealing.
CHARACTERS
MC Monika Viotto (name changeable, but I don't see why someone would like to relate to this MC more, so I left it as it is)
My diagnosis: Post-traumatic stress disorder + Dependent personality disorder
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For me, Monika is a bit annoying. She's is your our typical otome MC - she is kind, shy, not very smart with average looks (though I think that she looks pretty cute). Because she was abused and neglected at home since childhood, Monika developed some phobias like nyctophobia and claustrophobia.
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She says that she hates violence, but in each route she's attracted to violent people - probably that is the route of all the problems. In some paths she even shows a violent streak that she probably has (probably that is why she resents violence - because she knows she can have it in her too). Her family is mafia and though she wants to get away from them so bad, the violence in her household probably couldn't left her intact. However usually Monika is absolutely oblivious to everything happening around her. Sometimes she can stand for herself, but these moments of clarity happen usually too late.
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Who she is now is a result of her traumatized past, but also we can see that she's really passive and co-dependent since young age. She can't decide for herself (and when she is, she's deciding badly), she's not trying to learn something new, she doesn't understand her feelings and is not good with people. She's not good with anything really. Though she doesn't lack empathy and sincerely grieving loss of those who are close to her.
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Sometimes she can be funny and snappy, but not often. She is more self-assured and interesting in some "what if" scenarios and in some branches in Brandon's route.
Love interests (SPOILER ALERT)
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Which one do you have in mind?
None of the characters are mentally healthy. Some are aware of this fact, the others aren't. There is almost no romance, except maybe for the Sebastian route (which is my least favorite). There are some sex scenes though.
Each route starts differently and has slight time difference, but except for the Brandon's route, the circumstances in these are very similar.
Sebastian Dallarosa
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My diagnosis: Narcissistic personality disorder (?) Also typical yandere
Sebastian is tall, rich and handsome. Probably smart too. He's meeting MC on the street, saving her life from a car accident, and then taking care for her when she is getting sick. But something is not right about him. Or is it?
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He's in love with MC since they were children. It was love at first sight, and now he believes that Monika is his soulmate - and he wants her no matter what.
Dallarosa is a mafia family too, like Viotto, but several years ago Sebastian and his twin brother refused to take over the family business - and it seems that Sebastian put all his effort to get Monika Viotto, because it is the only thing that he wanted - ever.
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Sebastian is probably the favorite character of the developer, because his route is longest, plus he's appearing in every other route and in most branches. He has the most CG's. And I really hate him. Either because he's triggering something from my past, or because he is so sure of himself. He is the only one with almost no regrets or remorse. He thinks that his "love" justifies everything he's doing. I hate how he doesn't give Monika a chance to decide for herself, how much he's suffocating her, how he manipulates her. He doesn't care at all what she thinks, for he has her image in his head for a long time, and he doesn't care what Monika is like for real. He shows in all the routes, and in each one he's madly in love with Monika.
When you start the game, Sebastian's route is the first you have to finish at least once, and for some time his route is pretty romantic. He says nice things to MC, dotting around her, telling her what she would like to hear. But when things unravel, he shows his true violent and/or manipulative self.
The best part of Sebastian's route was Alexander. He seems much more sane (Maybe that is because he doesn't has his own route yet)
Julian Andrei
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My diagnosis: Dissociative identity disorder
Julian is working with Monika in a Cafe Luna. He seems rude at first, but otherwise he is funny and always ready to help a damsel in distress. Except he has a strange habit of vanishing for several days once a month. What does he hides?
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In Julian's route Monika has a crush on him when they first meet, and in other routes it is other way around. Julian in his route is the most different from himself in other routes, except Brandon's DLC. Because in most routes he is just a friend and co-worker of Monika, and doesn't show his violent streak, also he's pretty weak and can't stand himself against other characters. However we know from his route that he should be experienced in killing people, so it is strange that he's always trying to rescue MC unprepared. (I guess it is one of frustrating features which lead MC to unavoidable bad ends).
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Julian is in constant conflict with himself - because he has a split personality, which seems to have a mind of its own.
As for the core personality, and not the worst version of himself, I like Julian very much. He is funny, honest and noble in his own way - and trying to do his best. I don't mind his complaining and self-consciousness.
Quinn Deidre
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My diagnosis: Borderline personality disorder
Quinn is gender-fluid non-binary person. And also they are the most normal character. They are a ball of sunshine. Funny, active, kind, caring, creative. But they're trying too hard to get attention that they are forgetting what is good for themselves. Quinn definitely have BPD, and it is pretty accurate portrait of this disorder. Given their traumatic past, it is not strange that Quinn has it. Their family is fundamentally religious and they always felt that they don't belong at home. So they're looking hard for the place where they belong.
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Meeting Monika as a roommate, Quinn is falling in love with her non-judgemental attitude. But of course, they can't stand to her other suitors. (Brandon strangely accepts Quinn)
Quinn is really sweet. His bad ends are pretty sad, because they mostly end with him hurting himself.
Brandon Viotto (free DLC)
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My diagnosis: Antisocial personality disorder (Psychopath)
Due to the themes of incest and underage sex (also extreme violence, but Steam is OK with it), Brandon's route is not accessible in the base game and can be downloaded as a free DLC (optionaly, because for some people this route can be too fucked up.)
Brandon's route is a history route: it begins when Monika was five, and all events in all branches are happening earlier than the beginning of Sebastian's, Julian's or Quinn's routes. You don't need to read through this route to finish the game and open secret character, but it is giving better view of Monika's personality in other routes, also after reading it, I hated Sebastian a tiny bit less.
Brandon is Monika's older brother. He's just a year older than she, but since the early childhood they were raised differently. Brandon was the favorite child, Mama's golden boy, he was given best teachers and was combat training to become the head of the family (Don). And Monika was neglected, harshly punished for all tiny mistakes, given little to no education. Most of the time their parents didn't pay any attention to her at all. Luciana Viotto is a powerful, cunning and cruel woman, and Antonio Viotto seems totally indifferent to everything that is happening in his family, until it becomes too late.
Things doesn't add up here - while Monika as a mafia princess was prepared to arranged marriage if nothing else, she probably had at least attend different social events to meet important people, but she didn't. Otherwise she would be just a disgrace of a mafia family (which she obviously become, when she went to a college, living in a worst district of a town and working for a minimal wedge)
Since tender age Brandon was trained to be a merciless killer. And while his first kills brought him tears and nightmares, later he started to enjoy killing and torturing people. Now he is hungry for power and control. And the only one he cares about is his sister. Monika.
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Since they were children, Brandon always tried to defend Monika from their abusive mother. They grew very close, because they always had to depend onto each other and didn't have anyone else. Monika needed Brandon because he always came to her rescue and Brandon need his sister, because she appeals to what left of human in him. She is still his moral compass after years of killings.
When he was about 15 year of age, Brandon felt that he his feeling for Monika is not completely brotherly.
After some time of his doubts and regrets, they've became lovers, when Monika was still 14 y.o. They both knew that incest is wrong, depending on the branch, they're having more or less doubts about it.
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In most scenarios revealed that when Monika was 16, she attended school, where she has met a boy and started dating him. But Brandon was furious and beat the guy so bad that he couldn't recover. Monica hasn't talked to Brandon since then, until she decided to go to college where she begins all other routes.
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Brandon is the one who sees the best in Monika
I do not justify the incest, I've never understood it either. But given all the circumstances in this novel I think in Particles of Reality, Brandon is still the best choice for Monika. Maybe I'm prejudiced, because despite of everything , I liked him too much since demo. He's the only one who will never hurt her willingly, she can trust him completely and he's the one who accepts and understands her as she is.
The thing I like about Brandon the most is that he is the only one whose personality doesn't change a bit in all the routes and branches. I'm afraid that is because he's the least favorite boy for the developer, but still he doesn't pretend. Also he's the only one who is changing through his route - for worse, but still.
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He is extremely violent, and doesn't hide that he is enjoying killing people, but it seems that he can have his doubts and regrets about everything that concerning Monika. (Nevertheless he still thought and done disgusting things)
He is also very smart, with a dark sense of humor, but I always felt that Monika can depend on him. With him she is safe, but he can go too far to secure her.
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I can't rate any of the characters, since they're shown as the worst versions of themselves. As for their "core personality", I like Sebastian the least, because I can't find any of his personality outside of his obsession. As for secret character, his purpose in this novel seems only for breaking forth wall, so it is hard to say something about him for now.
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Overall:
Visual: 4/5
Story: 4/5
Characters: 5/5
Romance: 2/5
Originality: 5/5
My Rating: 5/5
(I can't recommend it to anyone, since it is very dark and not for everyone, but also couldn't give it less than 5 stars, because I'm sure that this game has a powerful impact on every person who has read it)
You can get this visual novel by Arewar on Steam or on itch.io
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rae-raewrites · 10 months
Note
Hi! I saw you did Riddler finding out he had a teenage daughter he never knew about and meeting her so can you do it with all the Scarecrow's too? I dunno the limit to how many charachters can be in a post so just take your time and thank you!
Hell ya Jon being a dad!
Scarecrows with a teenage daughter
Tw:death,fear toxin
Arkham
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A man already dealing with quite the past Jonathan crane was of the opinion nothing could surprise him at this point
Oh boy how wrong he was
williamina was the result of a relationship long since dead that he never considered becoming a variable in the future
Mina only being 16 was told repeatedly to avoid any possible contact with her father after the Halloween incident.
Just like her dear old dad,she was quite the rebellious one
Jonathan can’t exactly ignore the resemblance especially the look from the eyes
Turns out with mom mostly being rather on the negligent side Mina needed someone to be there with her during the big years of her life
Jonathan starts finding out he has some rather ingrained parenting instincts
His old teaching habits really come back to him!
Teaching such a young mind his years of well earned knowledge really invigorates his spirit
He certainly doesn’t intend to turn the little prodigy into a lab rat. He’s the master of fear but he’s not a heartless monster
He’s definitely one of those dad’s who sits down and has heart to hearts with his kids over something like tea.
“Come have seat a young one,tell me what clings to your soul.”
He more than anyone knows the kind of someone so young around someone like him needs to be checked on here and there.
She’s definitely going to inherit her father’s more theatrical side let’s be honest with ourselves here.
She’s getting taught every little bit of chemistry he knows,both out of a way to expand his child’s intelligence but also to keep her safe.
Mina helps him when his leg acts up. According to her it’s the least she can do for him
He greatly appreciates it though he’s not always vocal about it
Btas
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Very similar to Arkham Jon btas jon is a man who is surprised by such a thing
He was never a ladies man, his previous partners be dammed but that certainly won’t stop him from being apart of Jenna’s life
Especially when Jenna reaches out actually wanting to meet her old man
15 and yet very clingy of her old man,understandable seeing as she doesn’t exactly have a lot of people to turn to
Is definitely the kinda dad who enacts curfew because he’s so damm worried about where his daughter is
Overprotective as hell
“No jenna I don’t want you on the streets after 8! I may be the master of feet but I know Gotham.”
Helping this girl with her homework constantly.
Doesn’t exactly want her involved with his criminal work directly,last thing he wants her is going to Arkham
Kids don’t belong in a place like that
Edward and jervis easily become her “uncles” Incase something happens to her hold man
Jenna has giggle at one of his master of fear rants
He was grumpy for hours after it
BTAA
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Let’s be completely honest here,this man is the most likely to end up accidentally getting bun in the oven,risk is his territory.
The fact he’s even surprised when Lilith shows up to the office of one dr Jonathan crane is a joke in itself.
He doesn’t initially think she’s telling the truth.
Gets corrected almost immediately when he recognizes her mothers name and really takes a good look at the kid
A little apprehensive about even having a kid around.
His general customers are indeed kids around her age range
Lilith however for good or bad inherited daddy’s charisma and charm
He doesn’t immediately tell her about his……….culinary behaviors
Would probably never forgive himself if something happened to her
That doesn’t mean she doesn’t slowly put together whats going on
“You scare people……with drugs?” “I’m providing a service kiddo! Why I’m basically paying for your college education!”
Girl is gonna get spoiled with the amount of drug money he’s pulling in.
Miss autumn ATTEMPTS to help Jonathan navigate the turmoil that comes with one so young
Extremely “your parent is your best friend” relationship
Movie nights are a weekly tradition
Year one
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He certainly hasn’t had a lot if healthy relationships in his existence
It wasn’t long ago he went on that hunt to find his own father,Vera was just another who had too.
Genuinely a guilt ridden soul when he finds out.
He may not have known about her but that still doesn’t mean he doesn’t feel like a fool
It’s not out of obligation by blood he takes Vera in but more so because he understands what it’s like to be alone at such a young age .
Definitely a relationship based upon slowly warming up to one another
He’s definitely the over protective type always making sure she isn’t bullied
Lord forbid if they’re ever were they’d be dead within an hour of finding out
Absolutely fosters an adoration for reading
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loveandmurders · 2 years
Note
Hi I don’t know if you do poly Sinclair but if you do can I get a poly Sinclairs x female reader where they help take her out of a really loud place and help her with her anxiety attack?
I just had to step out of a room because I was beginning to have a bad anxiety attack and I just really need some comfort from my boys right now. But if you don’t wanna do it then that’s is fine! I don’t wanna pressure you or anything.
Hello here! I’m quite ashamed it took me so long to post this request!! I’m so sorry for the delay and I really hope you will enjoy this; as usual I tried my best <3
I also hope you’re feeling a lot better now <3
Warnings : mention of killing, panic attack, loud and a little bit violent crowd, a few strong words.
You had never seen Lester so excited like that before, and your heart was absolutely melting at the sound of his happy voice babbling out about this new band he discovered and how they will have a concert nearby tonight. You were giggling at the sight and when he asked you if you wanted to come with him, you just couldn’t say no to him.
The twins raised an eyebrow. Having their baby brother going out alone at a concert was one thing, but having the two of you doing God knows what was another one. And they knew how Lester and you could come up with bad ideas when you were left alone together. Plus, the twins didn’t like when you were away from Ambrose and away from them. They wanted you home, especially Vincent, since he couldn’t follow you out of Ambrose that easily. He was feeling too self conscious for that.
“You should come with us!” you told them, now as excited as Lester. They both shared a look, and it always fascinated you the way they seemed to talk telepathically when they were doing that. It always put Lester a little bit uneasy though, probably because it was making him feel like he wasn’t part of something. You softly took his hand under the table and stroked his knuckles as he gently smiled at you. You really were the best thing that ever happened to the siblings and that was why they had been forced to share you. 
Vincent finally shook his head and leaned against his seat, looking down at the table. He didn’t feel like going out of Ambrose, and knowing he would be surrounded by people… and loud ones… It really didn’t seem appealing at all. 
“Oh come on, it could be fun” you cooed at him and he shook his head again, so you turned toward Bo’s face. He clearly wasn’t too happy about it either but his protectiveness was too strong to let you go out with only Lester as your bodyguard. The only thought of you being around drunk young men was driving him crazy so he simply sighed before nodding.
“If it’s so important, I guess I’ll come. Vince can wait for us here. Anyways, it’s better with one of us stayin’, just in case” Bo offered and Lester got excited again. He knew you were magical, because his brother would have never come with him if it was only about him. But with you, everyone was trying their best.
“Jonesy will stay with you” Lester told Vincent to bring him some comfort and the masked twin smiled with his eye at his baby brother. He knew Lester was a sweetie. 
And before you all knew it, you were getting ready to leave for the concert for which Lester got three tickets. Bo and you decided to not ask how Lester got those tickets so fast when they were all sold out. Lester was so proud to be able to do that, and was in his very adorable excited puppy self. Even the twins didn’t have the heart to tease him or annoy him. They weren’t even sure Lester would realise anything anyways. He was almost jumping in happiness. You grabbed his hand, half afraid he was going to jump so high he would disappear in the sky, half because you were falling in love once again with him. You hugged Vincent goodbye and he held you a little bit closer than usual because he really didn’t like this plan. He was always overprotective with you, not that you minded. Bo followed Lester and you to his car, but not before he exchanged another look with his twin. Bo silently told Vincent that everything was going to be alright; big brother was going to watch over the idiot boy and the cheeky girl. It gave Vincent some comfort and he hid into his basement to forget how silent the town was getting now everyone was gone.
Lester was singing some of his favourite songs of the band in the car and you were singing the chorus. Bo was driving without a word. He was half amused by your bright behaviours but he would have much preferred to be in his armchair, watching a movie with his favourite people around (and you on his lap). 
When you arrived at the concert, you calmed down a little because there was something in the atmosphere and general ambiance that you didn’t like very much. You instinctively took Bo’s hand as you kept chatting with Lester. Bo moved closer to you, taking the hint you were now not feeling as at ease as before. He was glad he wouldn’t have to ask you to not leave his side. He wasn’t sure he would be able to find Lester or you in this crowd, and it was quite oppressing him as well. He was also relieved Vincent didn’t come as he wasn’t sure how his twin would have been able to stay calm in there. Lester navigated the three of you through the crowd and tried to find you some good places. Bo and you followed him without a word, focusing on not losing Lester. You quickly hated how many men were in the room and how they seemed to look at you. Maybe you were just paranoid or maybe they were really watching you like a potential prey. They were already all half drunk and going crazy with the anticipation of the beginning of the concert. You tried to pretend you didn’t notice anything and to calm down, but you were starting to feel your chest closing in on itself. You didn’t want to ruin the moment for Lester so you forced yourself to remain calm and to breathe in and out silently. Bo wrapped an arm around your shoulder, his protective side noting you needed some comfort. Lester quieted down a little bit and grabbed your hand to play with your fingers as well.
You thought it would all be better once the concert would be starting, and you were right, for the first half an hour at least. The music was good and you were forgetting about the crowd surrounding you, until a group started to go crazy. They were throwing beer bottles everywhere, loudly screaming and getting closer to the few girls in the audience. You tried very very hard to keep calm, but you could feel your boys tensing up because of those people. Bo grumbled under his breath and Lester sighed, quite annoyed. He really could only approve of his siblings murdering hobbies when people were so stupid, selfish and destructive. 
It wasn’t long before you started to have a panic attack. One of the bottles almost reached you and you started to not be able to breathe. You felt like the room you were in was getting smaller no matter how enormous it truly was. Your heart was beating really fast and adrenaline was pumping in your veins as you has the impression that the crowd and the loud noises were closing on you. You leaned against Bo when you started to be too dizzy to fully trust your legs. The boys didn’t even need to think about what was going on: they knew they needed to get you out of this place as fast as possible. Lester was good at finding the way through the cheering, loud and sometimes ominous crowd. When you finally reached outside and the fresh air, you almost collapsed on the ground. Lester and Bo helped you by sitting down against the wall of the building and they knelt in front of you to check on you. You barely noticed their looks of pure concern as you placed your head in between your knees, heavily breathing. Lester stroked your hair, in an attempt to appease you as Bo was gently breathing with you so you could match his calming pace. They stayed like that until you started to feel better. You moved your head and watched them for an instant before leaning against the wall, closing your eyes.
“Ok, love?” Bo asked and you softly shook your head
“Need some air” you whispered in a shaky and hoarse voice.
They both stood up and stepped back so they weren’t crowding you anymore. They watched over you and around them to make sure you were safe. Bo took his phone and sent a message to his twin, as he had promised Vincent to keep him updated.
After a little while, you felt better enough to stand up as well. Lester and Bo were quick to help you on your feet. 
“Hug” you mumbled and Bo wrapped his arms around in a very comforting way. It was warm and safe. He kissed the side of your head and held you even closer.
“Ya’re safe, love, it’s alright now.” he whispered to you and you nodded. You stayed like that for a little while again. You moved from Bo to hug Lester as well and he tightly cuddled you.
“I’m sorry, Les” you murmured to him and he shook his head
“Don’t be, darl. Wanna come back home?” he asked and you felt quite guilty so you shook your head.
“I feel better, we can go back to the concert if you want. You were excited about it” you told him, even if you were really not feeling like going back to it.
“Nonsense, we don’t go back in there” Bo replied as he placed a hand on your shoulder. “Vince’d kill me if he knew I let ya go back in there. Ain’t safe enough.” he continued and he turned toward Lester for him to agree.
“Yeah, people are shit. We should go back home. We can have our own little concert tomorrow night, at home, that way even Vince’ll be able to enjoy it” he offered and you weakly smiled at him
“You’re the best, Les” you told him and kissed his lips. He blushed and shrugged, before guiding you back to the car. You kissed Bo’s hand before sitting in the vehicle.
“Thanks for looking after me” you said
“That’s our job” Bo replied and you knew he meant it. 
Vincent was waiting for you outside the house, and he was quick to open your car door to bring you in his arms. He nuzzled your cheek as his hands roamed your body, scanning you for any injuries or discomfort. You knew he was a drama queen, but you let him do it.
“I’m fine, I’m fine, I promise” you tried to smile at him. “You guys are just worriers” you teased and the three boys all hummed; they couldn’t deny that.
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