#especially since the fandom's pretty much agreed on him being a light sleeper

[glazedyeastring]

Okay but what if...Espio had insomnia.

[starilicious]

ishq wala love (echo x gn!reader)

》 summary: reader comforts an insecure echo after the end of tbb episode 4 "cornered" about having mechanical parts as part of his body.

》 word count: ~2.2k

click here to read on AO3

》 warnings: slight sensory overload, mild panic attack (i think it could be classified as relatively vague in regards to the description), insecure echo about his body, a teensy bit of in universe swearing, lots of flufffff and a dash of angst here and there, no use of y/n [if i should add more warnings, please let me know!]

》 spoilers: extremely mild ones from tbb episode 4 "cornered"

》 a/n: hello! this is my first tbb fic, so i really hope i do the show, the characters, and the fandom justice hehe ^_^ over the past few days, i've become obsessed with tbb fics, particularly the echo x reader ones bc my GOODNESS this man is such a soft bean who deserves all the love in the galaxy. as a result, please enjoy this sleep-deprived frenzy of a fic that i wrote at 1 am and let me know your thoughts! :)

》 misc. notes:

• title of the fic is from the hindi song "ishq wala love" from the film student of the year. i've linked the song (in blue) with some pretty good english translations in case you would like to take a listen, but it isn't necessary for the fic–i just thought it fit well!

• i kind of got way too invested in building up the environment at the beginning, so apologies if it seems like a slow start! i just had to indulge in having the other characters there too <3

• please ignore the inaccuracies of the havoc marauder. i don't really know what the ship looks like, especially the living quarters, so i unintentionally ended up using the ghost from swr to guide my writing for that part.

• what the reader says at the end about the word in love in her native language is true. the language i'm referring to here is hindi, and we have several different words for love. in my very humble opinion, i think it’s one of the many characteristics of the language that makes hindi so sweet-sounding and poetic :)

• THANK YOU FOR 100 NOTES OMG AHHH YOU ALL ARE TRULY AMAZING 😭<333 (7/1/2021)

After Tech piloted the Bad Batch away from Pantora and safely entered hyperspace, you all decided to turn in to get some rest–or at least attempt to. With the bounty hunter scare, you and the boys figured it would be best to discuss what to do tomorrow morning, for Omega’s sake.

You tucked Omega in with her doll and offered her a comforting smile. “Don’t worry ‘Meg,” you said softly, running a gentle hand through her cropped blonde hair. “You’ll be safe, I promise. You’re stuck with us for life.”

Omega smiled sleepily at your teasing and held her arms out for a hug, one which you gladly indulge. “Sweet dreams, love,” you murmur as you let go. You shut off the lamp in her makeshift room and closed the curtains as you climbed down the ladder.

You turned around to find Hunter looking at you from his seat in front of the blinking controls. You raised an eyebrow as you plopped down in front of him unceremoniously, the exhaustion of the action-packed day catching up to you.

"You're good with her," he murmured as you both glanced at the light beige divider and you shrugged in response.

"Just looking out for her. Besides, you're not so bad yourself. She mimics your every move," you grinned. Hunter chuckled fondly as he recalled the memory where they were all stuck in the Kaminoan prison cell and Omega copied his every gesture.

The two of you lapsed in a comfortable silence as you mulled over the day's events, the hum of the ship thrumming beneath your feet.

"We'll be okay. It's tiring and difficult and none of us know how to raise a child, but we'll be okay," you said, breaking the quiet with optimism. You placed a hand on Hunter's shoulder and smiled. "Crosshair will be okay too. Have faith."

Hunter sighed but nodded in agreement as he put his hand over yours. "Goodnight," he said as he stood up, stretching his muscles.

"Sleep well."

You sat at the small table for a few more minutes to think before standing up yourself. You quickly checked in on Tech in the cockpit since he was on watch, and he immediately shooed you away, insisting you get some sleep. You had a feeling he only did so to optimize the ship in peace without distractions.

Nevertheless, you obliged and left him alone. Walking to the back of the ship, you completed your rounds. Wrecker was snoring loudly and you stifled a laugh. At least he was sleeping well–it was all you could ask for really. But frankly, you had no idea how Crosshair was ever able to sleep through it. Thinking about him and seeing his empty bunk made your heart pang in loss, but you were as determined as the rest of them to somehow bring him back. You had to.

You opened the door to Hunter and Tech’s shared room to find Hunter already sleeping soundly and you quickly left. With his enhanced senses, he was already a light sleeper, and compounded with his responsibilities as a leader, he rarely got any rest. You worried for him.

Last stop was your and Echo's room. You stepped in to find the light still on. Echo was sitting on the floor in front of your bunk, staring at the ground.

"Hey there handsome," you joked lightly in an attempt to get his attention and mask your unease. Echo usually only came near your bunk when something was wrong and after everything that happened today, it was safe to say you were concerned.

Echo didn't respond. Did he hear me? You make your way over to your lover and sit down in front of him. You place your hands on top of his.

"Echo, honey?" You said softly and finally finally he looked up at you. Your heart dropped into your stomach.

"Oh, darling," you breathed and you moved to his side to envelop him into a hug, his head resting comfortably in the crook of your neck. You didn’t say anything more–you saw the deep pain swirling in his eyes, the grief, the loss. The anger. You let Echo take the lead; you knew how difficult it was to wrangle raging thoughts and muster them into words.

You didn’t know how much time passed of you two sitting on the floor, breathing each other in before Echo spoke.

“Today… when we went on the supply run, I was dressed as a droid.”

You bit your lip, knowing exactly where this was going. But you didn’t interrupt, letting him continue. Your thumb rubbed absentmindedly on his arm as you listened.

“That vendor we were talking to wouldn't take what we had. And then he saw me,” Echo took a deep breath. You stayed quiet, holding his hand in a manner that you hoped soothed his anxieties at least a little bit.

“Hunter sold me as a droid to him. I-I know he doesn’t see me as a droid. I know that. But–” Echo’s voice cracked. He cleared his throat of the emotion building up. Echo didn’t know how to express what he wanted to say. He didn’t even want to speak it aloud–that would make it feel too real. And Echo severely doubted he could handle the heartbreak. Can I do this?

“Cyar’ika,” he murmured and you hummed in response. Echo pulled away from you, his hand still in yours. Now or never. “I need you to be completely, absolutely, 100% honest with me,” he whispered. Echo steeled his expression, doing his best to hide how terrified he truly was.

You nodded because of course you would be. When were you not?

But the way Echo gazed at you threw you off. Something was wrong, very wrong. You were almost scared of what he would say next, but you made a gesture for him to say what was on his mind. Clearly, this was important.

“Do you really want to be with me when I’m just–” Echo struggled with the last few words and you strained to pick them up with how they caught in his throat. “–a pathetic, disgusting, hybrid machine?” It’s out, I said it. I said it. Echo felt like he couldn’t breathe, the pressure on his chest too much, too much. He stared down at the floor, face flooded with shame.

You stared at him in blatant disbelief, eyebrows furrowed and mouth open from a shocked laugh. No no no Echo. You’re nothing of the sort. You didn’t move. Echo’s breath hitched as he looked back up at you, broken and open and raw.

“Don’t lie, please don’t lie to me. I know there's no way you could ever love me when I… when I look like this,” Echo whispered, but he may as well have shouted with the way the blood was rushing through your ears.

And then something in you snapped.

You removed your hands from his and placed them on his cheeks, pulling him in until your foreheads were touching. “Echo, you need to listen to me,” you instructed and heaved a breath as you tried to sort your own rushing thoughts into articulated words. But the effort was futile as your careful speech turned into a haphazard and passionate stream of consciousness.

His eyes glistened with unshed tears and your heart broke into pieces. Echo gave you all of his attention. What are you going to say? He didn’t want you to agree, but he would understand if you did. Echo felt disgusted with himself. The walls were closing in on him. Breathing was getting harder.

“You are the best damn thing that has ever happened to me. I don’t give one flying banthashit about any of your mechanical parts. If anyone ever says anything about them, they’re di’kuts and you can send them my way because I will not hesitate to punch some sense into them,” you spat with pure determination, not even noticing the Mando’a slip. After being surrounded by clones for so long, you absorbed bits and pieces of the language. You didn’t even register how Echo picked up on the word, much too focused on getting your point across. You were a person on a mission and nothing would stand in your way.

The knot in Echo’s stomach was loosening a bit, the storm in his mind beginning to break. The walls were a bit farther from him. He wasn’t drowning in his own presence anymore.

“Because you know what? You’re still my Echo. You’re a man, my dear. Not a machine. You never were, and never will be. These parts?” you gestured to his scomp link, his legs, the cybernetic implant in his head. “They mean nothing. Absolutely nothing. Don’t focus on them.”

You smiled sadly as you rubbed your thumbs gently on his cheeks. “I fell in love with you, Echo, not your body. I love the way you make me laugh, the way you comfort me, the way you cry with me. As much as I kriffing hate that you have been through so much pain because of those damned Separatists, I’m grateful for the fact that I’m in love with a man who would do anything for his family, for his brothers.”

A tear slipped down your cheek as you remembered Fives coming back home from the Citadel but no Echo in sight. You would never admit it to anyone, but you swore a piece of you had died that day.

Echo felt like he was going to cry. The pressure that had been building up in his chest was releasing. He could breathe again, slowly, slowly. His only focus was you, was your words. The artificial lights didn’t seem to be as glaring now. They were softer, calmer.

“Echo, my love, even through it all, you not only survived, but you came out on top, victorious,” you paused, briefly overcome with how much love and gratitude you had for this wonderful man. “You came back to me, Echo, and you’re as handsome as ever. I have never stopped loving you, and never will. Don’t you ever forget that darling.”

Echo drew in a shaky breath. The harsh cold of the floor grates was biting into his skin, but he didn’t care. It grounded him as much as your warm touch on his face. He could breathe again. My cyar’ika.

Your fiery and passionate emotional speech came to an end as you stared into your lover’s eyes. There was so much more you could say, but you feared words would not be able to convey it all. You hoped your eyes would be enough to soothe his pained and tired soul.

Silent tears trailed down Echo’s face and you gently brushed them away as you pulled him into a tight hug. It was all you could do to not cry yourself. Echo was always so strong–you admired him for it.

“Thank you,” he whispered, voice thick with appreciation and love. You didn’t say anything. There was no need to. The charged air between you both was enough. The two of you sat in a comfortable silence on the floor of the Havoc Marauder, deep in your own thoughts.

“Ishq wala love,” you muttered fondly after some time, still caught up in your own mind.

“Hm?” Echo questioned, curious as to what you said. The soft sound gently pulled you out of the clouds and back to the man in your arms as you attempted to explain.

“There’s a phrase in my native language, ishq wala love. You see, in Basic, there’s just one word for love, which is love. But back home, we have several different words for love, each with their own subtle, but distinct meaning,” you blew out a breath as you tried to figure out what to say. Echo was hanging on to your every word.

“There’s… there isn’t really a direct translation, but the best I can come up with is that the love that we have, ishq, is much deeper than just romantic love. It’s deep and strong and pure and unyielding. It–it reminded me of us,” you admitted, a bit sheepish. Your fingers dance along Echo’s scomp link, nervous.

Echo took a moment to process your explanation before smiling. You felt your heart stitch itself back together again after seeing that beautiful smile. You would do anything to keep it on his lovely face.

“Ishq wala love,” he echoed, his pronunciation a bit off. You giggled in response. “Close enough,” you teased and Echo simply beamed. You leaned in and planted a chaste kiss on his soft lips, rubbing his metal arm gently.

Echo stood up then, offering a hand to you to help you up. You took it and he led you over to the bunk you shared together. You both quickly climbed in, relaxing in the warmth of the well worn blankets and the other’s presence.

Your head was near his chest and you could hear the soothing dull sound of his steady heartbeat. Your arm curled over his waist protectively and your head rested comfortably on his flesh arm. Echo shut off the light and you were ensconced in black velvety darkness.

“Goodnight, cyar’ika.”

“Sweet dreams, Echo. I’ll be here, waiting for you.”

please consider reblogging! it really helps me and is super encouraging ^_^

[incarnateirony]

S15 Remaster: Grace, Souls, Conversion; Effects of the Fall; The Journey of Man; Self-Godhood and Free Will.

Alright, so over in another thread (x) @curioussubjects​ evoked an interesting take about the effects of the fall vs grace/souls and the meaning of the two, and I remembered having an old post that was a bit of a mess from early S13 where I applied Qabbalistic concepts to SPN not long before the actual... Qabbalistic and Hermetic elements started manifesting (The Shadow, the Empty/Ain Soph, etc) and before I pretty much started flipping theological shit.

The other thread was already becoming titanic with a hodge podge of other philosophical musings between users (I think @winchestersingerautorepair​ and @thecoffeebrain-blog​ are still pending to add their additions to it once life clears them), so we sort of mutually agreed to save this discourse for another thread while I took some time to remaster and update the old talking points.

It's a fundamental point that is generally vaguely brushed over, or often has modern concepts plugged into it in streamlined media form rather than exploration: What makes a soul, what makes existence, what makes meaning in our lives.

This, in fact, is the fundamental question and exploration *of* the soul, which Dabb's SPN seems to be tackling fairly directly.

So let's explore the differences and transitional conversions of grace and soul as we've witnessed in SPN. I'll be starting with my take, but of course, as all philosophical discussions go, this is best a conversation of shared concepts.

Also uh, this post was kinda on-request but is literally ridonculously long. Fuck Andrew Dabb for being the only person on the face of the goddamn planet that can make me write infinite words about esoteric philosophy about a TV show.

So this conversation gets a bit difficult to even know where to begin. I'm going to notch a few notes for everybody to keep in mind: Season 6: Death can not destroy souls. Souls are the most powerful known force in the universe, and he who has the most Is Become God. Season 13: Only god can create new angels, they are the biological definition of an asexually reproductive species (as opposed to sexual orientation identity) -- they are unable to create among themselves, and must be created by a supreme force in command of the grace that creates them. This will passively brush over the oft-discussed topic of angel sexuality as well, but that is far from the core point. Season 14: God calls souls "complicated" to handwave away making new ones. Season 15: Yet again, Belphegor tried to consume souls to become a great power, reflecting S6/7 Castiel's arc.

Now that I've sort of dropped those as a lead-in of applicable concepts, I'd like to move forward.

Now as per my S13 listing, we've all seen this fandom turn over and try to apply human sexuality and identity labels to angels over and over again and, while I understand that and mean no offense to that in general, I feel like approaching it from that angle of the human perspective and lens makes a great deal of the substantiative qualities of SPN's discussion of the human soul vanish into the aether. How are these things related? Let's talk!

Sex isn’t the only part of this discussion. As they are wavelength lifeforms, rather than biological, they aren’t really dependent on biological functions. Many of their native elements pass to their vessels: They don’t eat, sleep, or have general body functions… normally.

Their senses are all sorts of different, too. They see in the astral, they taste and smell in molecular compounds, and especially early-vessel-claiming, they seem to have next to no actual pain response. It’s like, well, some giant wave form stuffed in a meat sack they use like a marionette more than having genuine attachment to. Early on angels could waltz through gunfire without flinching and take a knife to the chest with a very bland look of, “Really?”

When it comes to discussing angels and grace, I'm going to pull some sections from the linked post at the start of this:

We know the biblical concept that all things are made by grace; we know Chuck controls his fake construct, but not the free will of the human soul. Consider Gabriel’s constructed worlds where he can manipulate the fake people inside it and snap them away in veils of blue, they’re just pieces of a machine. “I’m the cage.” The human body is part of the sandbox, but the soul is something beyond it.

If angels are living aspects of grace, wavelengths of celestial intent for Chuck’s machinations, the programs that keep the matrix in order – and fallen angels are the rogue programs – they’re still relatively connected to being just… an animated, if intelligent rock or any other piece of the universe. To use more Matrix terms: Just more lines of code. But Castiel’s break in that was contact with his profound bond with Dean that left a mark on him, a brand, just like Balthazar’s soul claims. This tie was powerful enough to be stronger than even Amara’s connection to Dean, for example.

The human soul is the essence of the one true good, realistically – The One Thing that exists, truly, by which all other things come, the Prima Materia – “What Jack did wasn’t evil, it was the absence of good.” – this is actually a hermetic concept but that’s a whole other bag of words, that’s how I quoted that line before the episode aired from the title alone but MOVING ON

If we look at Eileen for example, her ghost is still deaf. Her body/cage/vessel in life never introduced her consciousness, her humanity, to the tactile sense of sound as it exists within Chuck’s sandbox, ergo her spirit doesn’t know it. But it is the soul, like the sleeper, seeking the meaning of its existence and where it is home that commands the body, and leaves the body, and ends up in chuck’s other matrixes of control like heaven and hell that keep people distracted, keep humans from returning to the primordial man that rivals or maybe even betters God.

That all said, human Cas for example suddenly had the full awareness of experience, rather than an autonomous sentient part of the universe chained to divine intent, free or not; that freedom and liberty came by way of the human soul. (Per metatron, Season 8 finale, “When you die and your soul comes to heaven,”)  But with his tie to Dean, and humanity, and a soul his hands laid on, the extraction of his grace also left… but what? A soul born of Dean, really.

Whenever his grace came back, that universal power and awareness, he lost those senses, but he didn’t lose many of the attributes that came with. In fact he pined for them.

Also if we go Jungian with the inky man/shadow as the primordial man or spirit of man, Anthropos, while it didn’t reflect Lucifer, Billie, or soulless Jack it reflected Castiel.

I’ve held the theory that Castiel still has a soul like the nucleus of an egg buried beneath a titanic presence of universal power.

I’d also further endorse this by pointing out while metatron cited Cas having a soul in the S8 finale, when Jack lost his, neither Dean nor Cas thought Cas could empathize as well as Sam could.

In example, Castiel is the only one the Shadow reflected, not Billie, not Soulless Jack, not Lucifer, just Castiel; I’ve even gone so far as to speculate that the smiley attempt at communication was the sort of subconscious borg having the essence of Jack’s soul trying to communicate with his spirit/mind otherwise alert based on consumed grace in the Empty. Speculation, yes, but… potentially loudly resonant.

The journey of man to self-godhood is a complex and tangled affair, traveling through facets of the self represented by a wide array of *ideas* we have begun to face in the show (including color schemes Dabb has actively employed)

If you venture into my shorthand visual post about The Shadow, Anima, Animus, and the Self (x) you'll find how the show has chosen to address this. Similarly, the masculine and feminine paths of universal progenation would be worth a cursory read (x).

Similarly, @winchestersingerautorepair​ recently sent me a chart from a 1973 book titled "The Colors of Love" discussing Hellenistic use of color in association (which, minding alchemy's growth path through time, is hugely relevant). As Maeve said, "John Allen Lee is the mvp by the way. Hes at the crossroads of psychology and LGBT concepts of love and sexuality, and has a fascinating career and life story."

Before I fully locked on to just how loud Dabb was being in his use of alchemy rather than casually tapping on it, you may remember a series of color metas I built specifically on these very colors (and, let's face it, black light doesn't exist, but blue does, and has similar psychological associations). Click this (x) to go to my color metas on tumblr regarding Optimism, which follows this path. Unfortunately my Nihilism one is either untagged or I only posted it on Pillowfort. But you’ll take note I just sort of avoided/dodged/ignored established fanon color meta in favor of other stuff, just a heads up there if you’re expecting me to follow anyone else’s pre-existing fanon -- it ain’t there.

This is all an aside to the actual question of *souls*, but an important framework to how Dabb is choosing to explore the journey of the soul through its many aspects of Being.

To defer back to what I quoted from my other post about Gabriel's universes: What makes humanity different from the moving bodies performing functions of controlled story, rather than guided elements, inside Gabriel's world? If we were to, say, drift into Doctor Sexyverse, or Cop Proceduralverse, nobody seemed to flinch or even be aware of Sam and Dean breaking the script, they continued on their own paths until Sam and Dean "played their parts". But what made Sam and Dean *different* from them?

Explaining freedom to angels is "a bit like teaching poetry to a fish," said Castiel, now bound to humanity since laying his hands on the human soul in hell that, even the S8 DVD commentary mentions, is how he has come to know, love and, as they say, be "enamored with" humanity. We have seen it now-- blank stares of confusion from breaking their course of action, their function. Their predesigned purpose that they were wavelengths of intent for within the machine. They aren't all so different from Gabriel's creations in the end, with Doctor Sexy's Nurses being not too unlike angels to Chuck. They are there for a path and a reason, and should they be somehow interrupted from that function, they seem to lose all purpose.

To convert this to another method of understanding than "matrix code", in case that isn't sinking in with anyone, think of angels as forces of nature. The hurricane means no malice, it simply exists as a function of or even result of universal laws, and often evokes great rebalancing effects that change the course of history for a huge amount of humans and other creatures that it's basically oblivious to. The hurricane does not understand your feelings much less care about them. It is here to do what it does until it is done with what it does. This very concept is why so many ancient gods are primitive archetypes of natural forces.

If we cease trying to box angels into human perceptions for the want to identify with them in such a representation-light landscape, the field opens up to something infinitely more complicated. Such as: what makes Castiel so different? I've already addressed that, of course, in this post, but let's pitch that as a conversational hook again.

"You want to know why we're meant to stay away from those humans? It's not because we're a danger to them. It's because they're a danger to us."

Now BECAUSE sexuality is the angle this fandom has heavily thrown its discussion chips into beyond the other senses, I'm going to move forward into that topical field:

Anna, talking to Dean, lists a long flurry of reasons to become human, among which sex was stapled. In later seasons, Cas comes up with a different list, but it’s more reflective of his emotive view of humanity, and doesn’t include the sex. Either way, it actually leaves interesting take on the human soul’s function (which is also a silent part of something I’ll get to later** ) as per the trinity of mind-soul-body sometimes called “The Threefold Nature of Man” in a lot of classic mysticism. **

So why would Anna include sex in the list if others can enjoy it? There’s various reasons of taking this into consideration, and I consider most headcanon potentials valid since… you know, there’s really no clear statement on this.

- Most angels have a copilot and that’s just creepy AF - It could be subliminal commentary of wanting to enjoy a native drive for it rather than a learned one, since affections and emotions are also canonically attached to the human condition (as well as the 3fold Nature discussed later). - It could have to do with gradual humanization effects (will discuss shortly) - Misc other.

Barring our specific presumption of why this hangs in the air, the detail is that it simply *does*. Perhaps the truth is between all of these, with each angel unto their own.

Anna lurked, invisibly, on earth observing men as long as she knew. Now, gradual humanization effects is a complete headcanon proposal associated around  all elements to be covered in this discussion. That is to say, most angels that have exhibited sexual behavior and enjoyment of various goods have either been fallen or in their vessels for a LONG TIME, perhaps gradually removing the disassociation from the body and gaining familiarity with its functions.

Yes, we can evoke Balthazar’s sexual activity, but we must also evoke his appreciation for wine and food and music and all of the other things that we have canonically, even mechanically witnessed in Castiel (inability to appreciate food or drink, in example, as an angel.) So WHAT makes Balthazar different that he CAN experience all of these things (beyond the potential of Plothole AF)? There is literally something he has that other angels don’t. The second Cas clicks back to angel, he can’t appreciate food anymore and beer does nothing for him, but Balthazar can enjoy alcohol? There is LITERALLY a difference of template of EVERYTHING going on here, not just sexuality. We can postulate it all we want, but the only one that immediately comes to mind is “gradual humanization”, as we haven’t the FOGGIEST idea how long he has had his vessel. Unless we assume various appreciations of his are Just An Act, but then why not assume it’s performance behavior on the sexuality too? Pick one or the other, don’t run the line on both. (Also if you want to be under the assumption that despite terminal soul dealing it was his first vessel run, I’m going to leave this as a note, and a REMINDER of his meddling in attachment to, handling, trade and use of human souls for his own means, and tuck this aside until we GET to the meaning of human souls.)

The VERY SAME can be said of Gabriel. And Gabriel we KNOW has been on earth as Gabe for a VERY. LONG. TIME. His sweet tooth is what got him busted. Again, it’s not just about his sexuality, it’s his entire composition is somehow DIFFERENT from otherwise canonical function of angels.

Again I point out there’s also a big ??????? on Naomi because again… 400 year old Crowley in Mesopotamia. We have no educated way to even ADDRESS that one because… is it a time warp? WTH??? Even Mark called this a plothole. Literally we have to headcanon how they were even there together before we headcanon what was even going on in a big old pillar of ridiculous headcanon, so I’m going to float that off in a box labeled with a question mark and admit, it’s just random AF. The “fling” is also implied and unclear. So I mean- we’ll just… note that and keep moving on why it’s never impacted my perception of this much.

How long fallen was Lucifer?

Hannah brings an obvious question to mind in challenge to all of my surrounding premises, but this is literally where “choice of experimentation within a vessel” comes into play, as with all of them. I’m human now, this seems like a fun thing to humans, let me try the thing; that’s all I’ve ever read that as. You may have your read of it otherwise, but angels try a lot of things. And I’ll bring this up during canon talk.

The concept of humanization-with-time does have some further established presence of S13. When Lucifer is still an angel but largely drained of his grace, he too begins feeling compulsions of hunger, cold, and basic human instinct he was previously immune to. Diminished power, and the closer one comes to being of Soul Rather than Grace, the more they seem to resonate. Anna carved out her grace to fully enjoy humanity and was born into it, experiencing its gifts of awareness. Cas can no longer fully enjoy humanity as an angel. We don’t know what Balthazar’s status is. And so on. But it appears that by VARIOUS METHODS, such as the depletion of grace or just being a long-assed time to attach to a specific vessel, they do end up ATTAINING various behaviors.

Preparing to speak on Humanized Angels.

What really triggered this premise to me was the recurring humanization of Castiel. And again, this goes far beyond just sexuality preferences. I’m going to do a brief break to get to that ** I marked above about the threefold nature of man before expanding.

** Mind-Soul-Body trinity:

Angels have the mind/spirit (grace) and body, but lack a soul; grace is closer to their natural body’s composition than molecular and transmits a wavelength thought into whatever sack they’re using to operate. But there’s a disconnect here in classic mind-soul-body structure (which is sometimes alternately listed as Body-Spirit-Soul, with Soul as the mind instead, and Spirit in place of the alternate listing of Soul? People swap these terms interchangeably but you’ll find a common pull). There’s multiple takes on this. For example, we’ll go with the standard accepted biblical take as a first ideation of it, considering the various judeochristian influences of SPN.

Please NOTE I’m going to list several variations of this, and have no hard cast “this is the exact model” they’re using, as much as “this is a recurring theme in religion and philosophy”, which, while SPN is rarely 100% accurate to any one specific model, they often call on.

The EXACT itterations of this vary, and there’s no real saying which exact respective “silent ven diagram” they’re using, but as if a triple circle overlapped with Mind, Body, Spirit with the balance we as humans know at the core. Removing a rung of this strips out major overlap of function.

The inner spirit, insight, will and memory reaching from spirit/mind to body by WAY of the soul, for the spirit to engage the human senses within the constructed universe

CASTIEL

Well, perhaps I’ve been down here with them for too long. There’s seemingly nothing but chaos. But not all bad comes from it. Art. Hope. Love. Dreams.

HANNAH

But t-those are human things.

CASTIEL

Yes.

To fully understand this chart, I again point to (as earlier in this post) this previous post about primordials, explaining the chain (x), Anima Animus and the Shadow (x) and also its association with the paths on way to enlightenment at the source of creation which is explored, for a particular path, right here (x)

Just another way to stack out this chart, including the adventure of Anima and Animus, as well as the id/ego/superego I’ll discuss soon; However, you can see the literal concept is the same. There’s an inner mind, a central essence of the inner court that reflects close to the aspects of Humanity Cas told Hannah, and then the “living room” of the body, and the senses. Same deal. Again, "I'm the cage."

You see a running theme here?

The Soul is essentially commonly received as a vehicle between the higher mind and the body (as well as possessing aspects of our emotion, and sense of self, such as how Sam lost parts of himself without his soul) That, without which, we are lacking various critical anchors of the human experience that we often see lacking in angels.

This therein raises the challenge, “But Soulless Sam was ALL ABOUT the sex.”

That’s where species difference comes in.

We’ll talk psychology a bit, wherein we have the psychological variances of id, ego and superego rather than just body-soul-mind/spirit. They essentially perform the same functions (base instinct drive, early personality function, learned and refined function with choices etc, to boil it down to super-simplistics).

“According to this Freudian model of the psyche, the id is the set of uncoordinated instinctual trends; the super-ego plays the critical and moralizing role; and the ego is the organized, realistic part that mediates between the desires of the id and the super-ego.” – Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIX. Translated from the German under the General Editorship of James Strachey. In collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson, Vintage, 1999. [Reprint.] ISBN 0-09-929622-5

A Sam with no soul has his base species survival instinct but his acting mind. A Cas with no soul has HIS base species survival instinct (in lack of sexual reproduction as much as potential learned appreciation under the above spoken methods) for an id, if any, and a curiously arranged body until other elements come into play. The ego and superego, such as the application of a soul, leaves room for the gradual inclusion of preferences to anything within this model, such as angels developing their own ORIENTATION once having a vehicle by which to come through.

There’s a few other points to notice about the transition. The Mind/Spirit is capable of questions and doubts, or faith. “I’m not a hammer, as you call it; I have questions, I have doubts.” - S4 Castiel.

The mind is capable to think and to reason, but complex emotions are a challenge to it without a soul, which also filters our thoughts and memories from upper mind into the body, wherein we gain connectivity to the physical senses and the realm we experience.

But the universe -- the wavelengths of intent that make it function -- simply can not experience itself, any more than any other code running on your computer can experience itself. It is you, the human, that experiences the results of that code, and views and understands it and reaches out to aspects of life through it. Grace, should all things be made by it and through Chuck, as the thing that creates this code/intent of angels -- it simply is, and runs, and functions.

So BACK TO THE HUMANIZATION OF ANGELS,

Castiel has humanized or near-humanized three times and we're pending on a fourth. Briefly in the hospital, he was braindead (lacking Jimmy’s brain function, but instead having his own mind) while his heart remained pumping, meaning the body/vessel was alive, but the remaining grace WAS in fact functioning in place of a mind.

CASTIEL 5.21 I just woke up here. The doctors were fairly surprised. They thought I was brain-dead. (…) CASTIEL You could say my batteries are �� are drained. DEAN What do you mean? You’re out of angel mojo? CASTIEL I’m saying that I am thirsty and my head aches. I have a bug bite that itches no matter how much I scratch it, and I’m saying that I’m just incredibly… DEAN Human. Wow. Sorry.

However, it was depleted, and this is addressed in effect later on by Metatron removing grace. As grace is removed,

METATRON 8.23 And now something wonderful is going to happen, for me and for you. I want you to live this new life to the fullest. Find a wife. Make babies. And when you die and your soul comes to Heaven, find me. Tell me your story.

Now Castiel goes on to return to himself by going all cannibal and whatnot, but that’s its own story. The simple fact of it is, with the mind housed in a vessel, but the grace attached to it depleted, the body seems to generate something like, equivalent to, or equal to a human soul in its function.

Now to reflect back

2014!CASTIEL 5.04 So, in this way. We’re each a fragment of total perception—just, uh, one compartment in that dragonfly eye of group mind. Now, the key to this total, shared perception—it’s, um, it’s surprisingly physical. 2014!CASTIEL spots DEAN. 2014!CASTIEL Oh. Excuse me, ladies. I think I need to confer with our fearless leader for a minute. Why not go get washed up for the orgy? The WOMEN leave. 2014!CASTIEL You’re all so beautiful. 2014!CASTIEL stands and stretches his back, grunting. DEAN What are you, a hippie? 2014!CASTIEL I thought you’d gotten over trying to label me. (…) 2014!CASTIEL I wish I could just, uh, strap on my wings, but I’m sorry, no dice. DEAN What, are you stoned? 2014!CASTIEL Uh, generally, yeah. DEAN What happened to you? 2014!CASTIEL Life. (…) 2014!CASTIEL You want some? DEAN Amphetamines? 2014!CASTIEL It’s the perfect antidote to that absinthe. DEAN Mmm. Don’t get me wrong, Cas. I, uh. I’m happy that the stick is out of your ass, but—what’s going on—w-with the drugs and the orgies and the love-guru crap? 2014!CASTIEL laughs. DEAN What’s so funny? 2014!CASTIEL Dean, I’m not an angel anymore. DEAN What? 2014!CASTIEL Yeah, I went mortal. DEAN What do you mean? How? 2014!CASTIEL I think it had something to do with the other angels leaving. But when they bailed, my mojo just kind of— psshhew!—drained away. And now, you know, I’m practically human. I mean, Dean, I’m all but useless. Last year, broke my foot, laid up for two months. DEAN Wow. 2014!CASTIEL Yeah. DEAN So, you’re human. Well, welcome to the club. 2014!CASTIEL Thanks. Except I used to belong to a much better club. And now I’m powerless. I’m hapless, I’m hopeless. I mean, why the hell not bury myself in women and decadence, right? It’s the end, baby. That’s what decadence is for. Why not bang a few gongs before the lights go out? But then that’s, that’s just how I roll.

Now, we can try to extrapolate that it’s “all the drugs,” but drugs or not, while decadence includes MORAL decline, it also is this:

dec·a·dence ˈdekədəns/Submit noun moral or cultural decline as characterized by excessive indulgence in pleasure or luxury.

And Cas doesn’t get words wrong (unless he’s trying to make an awkward conversation starter with Dean as what’s almost a routine for them, always in idioms and never in definition). In fact, he has a very on-point vocabulary. How often does someone evoke “Insouciant”?

Calling it decadence defines this as a luxury to Castiel. The entire episode is like One Giant Exposition of the differences: being breakable, prone to decadence, bang a few gongs on the way out. Yes, it includes drugs; hell, he’s now subject to being INFLUENCED by drugs, contrary to being able to drink down the entire bar before “starting to feel something” or needing to drink the whole liquor store before the grace stopped implicitly filtering it enough for him to stagger in on Sam. At some point, Castiel decided these were ALL his coping mechanisms, but this is an adaptation of some period of humanization between late 2009 and 2014.

This could be considered a one-off of Zachariah’s manipulation or whatever if we choose to ignore Edlund saying it was a real universe, but then we get the SAME THING hitting us again in season 9, if under a different, immediate scope rather than “end result.”

9.01 CASTIEL looks at his bloody palm. CASTIEL It hurts. (…) MAN How about we get you some water, hmm? CASTIEL I, uh, I don’t drink water. (…) CASTIEL It’s okay. I don’t eat.

and

9.03 CASTIEL (Chewing on the toothpaste) I’ll be moving on tonight after work. It’s time. The MAN nods and hangs up his towel. CASTIEL Can I ask you something? MAN Sure. CASTIEL walks into one of the bathroom stalls. CASTIEL Do you ever tire of urinating? I’ll never get used to it. (…) HOMELESS MAN You’re new at this, aren’t you? CASTIEL Food… sleep, or passing gas, it’s all very strange. And it’s occurred to me that one day I’m gonna die. CASTIEL and the HOMELESS MAN just look at each other curiously. CASTIEL Well… I better try falling asleep. It’s quite a process, isn’t it? (…)

Now, we’re going to take to the raw moment of Castiel and April,

She kisses him gently on the cheek, but stays close and eventually kisses him on the lips. CASTIEL seems surprised at first but then joins in.

Cas is surprised… and then joins in. Castiel did not expect this, but falls into it of his own action. No force was implied, and the moment leading into it was all of a few seconds, rather than any persistence or insistence.

A few more bits,

APRIL So, that was okay? CASTIEL Very much so. Um… what I did, that was, uh… correct? APRIL Very much so. CASTIEL (Smiling) (…) APRIL So what happens next for you? CASTIEL More of this, I hope. They smile and start making out again.

I don’t exactly get the feeling that she’s entirely leading this situation on all by herself, to the dismay of several gatekeeper ship or sexuality stans.

More elements with regards to humanity in this episode,

CASTIEL I am really enjoying this place. Plentiful food. Good water pressure. Things I never even considered before. There really is a lot to being human, isn’t there? DEAN It ain’t all just burritos and strippers, my friend. CASTIEL Yeah. I understand what you’re saying. SAM You do? CASTIEL Yes, there’s more to humanity than survival. You… look for purpose, and you must not be defeated by anger or despair. Or hedonism, for that matter. DEAN Where does hedonism come into it? CASTIEL Well, my time with April was very educational. SAM Yeah. I mean, I would think that getting killed is something. CASTIEL And having sex. DEAN chokes on his burrito for a second. DEAN You had sex with April? SAM Yeah, that would be where the hedonism comes in.

This isn’t just Castiel talking about having sex for the first time. This is Castiel acknowledging the allure of hedonism for the first time (…not minding the timewarp of 5.04, which didn’t happen Because AU.)

And here, also 9.03, before meeting April CASTIEL is once again wandering through the noise and the people. He is trying to take everything in – he glances from a hot dog stand to a woman’s breasts to a supermarket. The whole place is noisy and crowded and confusing. He is overwhelmed.

In 9.03, among this onslaught of Castiel’s change in visual, sound, sensory, and other instinctual acknowledgment of a change in the senses (see back to the 3Fold Nature and the acquisition of a human soul), we also get Castiel rubbernecking at a woman’s chest for the first time, before encountering April; the transcript doesn’t do the moment proper justice with the pure level of focus directors and editors called to it. In fact, we get slow camera pan and a rubberneck that might as well have ended with him walking-flipping into a trashcan blindside.

With all of these stacked connotations aside, I find it difficult to interpret anything but it being installed as a yet-again evocation of a difference in function.

Episodes 1 and 3, the first two episodes Castiel is in during season 9 after losing his grace at the end of season 8, DELUGE us with a current of differences of all of his sensory faculties.

Once his state is “corrected,” (for lack of a better term - Castiel seems to yearn for his humanity back through the show) the show makes a point of showing us a reversal as applicable,

SAM What? What are you talking about? CASTIEL When I was human, you know, I had to eat constantly. It was kind of annoying. SAM Yeah, a lot of human things are pretty annoying. CASTIEL But…I enjoyed the taste of food – particularly peanut butter with grape jelly, not jam. Jam I found unsettling. SAM [sitting on the table next to CASTIEL] So, what? Now you can’t taste PB and J? CASTIEL No, I-I taste every molecule. SAM Not the sum of its parts, huh? CASTIEL It’s overwhelming. It’s disgusting. [looks longingly at the sandwich] I miss you, PB and J.

Once again, paradigm shift. What he once appreciated, amidst the VAST wash of senses they told us about, just seems… null now. Something is missing, and something is different. Again, the universe can no longer experience ITSELF.

Now, I’m going to fall back a bit to cover what would possibly be framed as an argument against all of this, but frankly builds into it,

Back in season 6, Meg was UNABASHEDLY FLIRTING WITH CASTIEL and trying to prompt him to “move some furniture around,” and, in a learned “last night on earth” move, Castiel makes a motion in 6.10

Meg grabs Castiel by the neck and kisses him, at the same time removing his sword. Castiel pushes her up against the wall and returns the kiss with interest. MEG: What was that? CASTIEL: I learned that from the pizza man.

NOTICE. LEARNED THAT.

With FORWARD PROMPTING from Meg, and existing example (porn), Castiel did in fact make a move. That is to say, “learned behaviors” and “personal orientation” beyond “species reproductive instinct”. But as made clear by April, this never led anywhere particular, never completed, and while he expressed wanting repeats with April during being human, this is the only actual example we have of it.

In short: throughout the show, Castiel finds new things and tests new things. These new things become bizarre little childlike obsessions at times even. This one… obviously a little less childlike. (clears throat) But again, this is a process of “learned motion.” (though I’m somewhat disturbed that canonically Emmanuel-Cas sees her face and is absolutely horrified at her appearance, meaning this is also not likely even by nature of physical/spiritual attraction as much as personal, almost a demisexual trait with experimental curiosity which, as an independent idea beyond “holy shit she’s a demon”, is a healthy phase.)

But by way of learned motion/acquired taste and function, we then have the question of “why doesn’t Cas repeat this if he clearly enjoyed season 9?” Well, I can name a few. We can go over the fact that Cas simply doesn’t explore social venues that make it ready. Or we can mention his seeming lack of compulsion for it which ...is a topic of this post. Or we can simply reflect to the *challenges* of hedonism and what it will, in this post, continue to implicitly adventure as the cage and trappings of the human body and experience within what we call “life”, which the human soul extends well beyond.

But it leads us to an interesting series of questions about Castiel and Dean’s seemingly changed interactions in season 12, on a subliminal level.

And no, I’m not implying they’re boning. When Dean is no longer getting strung across a variety of cosmic elements to save him directly from the crosshairs of, or from himself, we’re getting this weird vibe of gruff jealousy, bickering, and infighting. As if Castiel, settling in more among them, is channeling increased humanity. Despite being an angel in some crippled capacity still, personality traits acquired from his human period are still there, leading to believe the soul element never ENTIRELY disappeared, as much as with further ding-dang-donged up grace, we have to wonder - is this almost a sliding scale? Or can both run mutually when one doesn’t overshadow the other? The exact specifics of this mechanic would be unclear.

But all of these complexities is why I find it nearly impossible to, in my head, reduce it to the simple “well some like it and-” because I have always read an intentional base-beat of differentiation between the human and angelic experience including, but not limited to, sex.

There’s a subtle hint of some osmosis of this in what I mentioned above with Hannah. “Perhaps I’ve been with them too long.”

CASTIEL

Well, perhaps I’ve been down here with them for too long. There’s seemingly nothing but chaos. But not all bad comes from it. Art. Hope. Love. Dreams.

HANNAH

But t-those are human things.

CASTIEL

Yes.

And so why I find it impossible to just address “angel sexuality” as its own topic. This may just be my brain at work, but I don’t see all of this effort in dividing their experiences, in a show that addresses theology and concepts like the human soul, to be arbitrary and random and I just see SO much beautiful complexity IN the shift of his sexual behaviors, among other operations. It’s not just about Castiel’s sexuality, it’s about addressing the complex creatures that are humans, and what builds us at a core. Frankly, from that end, it doesn’t matter if Cas is bi, ace, straight or pan – Castiel has been human, and wants to be so again. And it, along with other things littered throughout the show, have given us great insights on the soul, or the lack thereof, and all of these beautiful building blocks.

And so to roll away from approaching sexuality so heavily, and instead ball and bundle that up as part of the human experience within the body, the reflection of the human soul, I hook again: The universe can not experience itself more than Windows OS can experience itself; it requires the essence of man to experience the result of the work of grace and by which it finds many things of itself, even within the trappings of a human life.

The fact that humans are afterwards caged elsewhere is a whole other discussion me and others have been holding in the original linked post, so let's step away from that and instead go back to the concept of, far and away beyond sexuality, what makes a soul, and how is it different from the created universe.

If we were to apply these concepts -- angels, bodies of grace, as parts of the universe and how it functions -- versus the irrevocable free will fundamental to the human soul, dividing bodies from just being roving parts of the construct like Gabriel's realms -- to our dialogue in regards to Castiel as our seeming oddball with a crack in his chassis, "And the universe came to humanity, and laid hands on humanity, and fell in love with humanity to come to know it; it abandoned its own purpose and functions due to this connection to the concept of the human soul, and began to live and dream and love as a man, rebelling against its predesigned function; and one day, the orphic child of both the universe and man looked through the eyes of the universe to first see man, and itself was born from the universe unto man, to live and learn as a man and hold its dominion of both human sovereignty and creator of grace, mastering both realms." in regards to Jack's very creation, and why he is such a huge threat to Chuck's power and control of his realm.  

As a powerful creature of grace, he can take and reroute those elements without issue by authoritative command of the independent liberty of the human soul, free thinking and not just a Doctor Sexy Nurse in motion.

But the question is conversion, which we've seen in both directions, be it Castiel acquiring a human soul or Jack converting humans into angels with his command of both of these dominions. The best I could liken it to is AC/DC energy conversion. It is worth noting, however -- grace can be drained without permission, it is not tied to freedom. Humanity is the body of choice: be that humans choosing to surrender that in the name of glory and power to simply become part of universal functions, which isn't so different from choosing to burn one's own soul away in the name of spells, magic or other power; or the human spirit attached to its cage of a body and life still needing to concede and give permission to be taken BY the forces of the universe, surrendering the potential impact of their own choices within their own moving cage to what the universe would will of it.

Ironically, if you use an AC inverter to power a computer or television, the power supply in the device is converting the 120-volt alternating current into a much lower voltage direct current. The sensitive electronic circuits in these devices need low, regulated voltages to work, so you're actually converting DC to AC so it can be changed back into DC again. You can't use straight direct current without the AC to DC inverter because the device's power supply needs the AC power in order to properly step down and regulate the voltage. That is to say, in conversion parts are lost, but they can still be transmitted; so while Castiel was subject to the human experience, he still struggled with parts like dreaming. It was a young, small spark of a soul, converted from another energy form, and likely with his connection to Dean acting as the inverter.

Demons go to the empty; demons are former human souls that corrupted and lost the light that made them inherently "good." That which defines them. They have collapsed to the pressures of Chuck's universes and let their flame go out. But realistically, that's also antagonized by other human souls in hell trying to escape their own torment.

It has been seen, time and again, that the only thing that can destroy a human soul is... the human soul.

*takes a breath*

And now to explore what @curioussubjects​ has been saying about The Shadow as a recycling Bin of souls, which would predate the universe and even Chuck, I simply repeat this segment, to help master-off this post:

If we take the Shadow as the reflection of the collective soul, which then becomes the substantiative Prima Materia through which all things come (x), including even the potential of Chuck and Amara as manifestations of the primitive concept of masculine and feminine, light and dark as among the first thoughts in the cosmos. But in such by it all things are born, even the universe or the gods, in this proposed theory. It is the primitive self asking (per the far-above chart), first–well, WTF, why am I thinking, but after that – who are they, and then who am I, and then eventually who are you, before the end of the soul’s journey on its path is Who Art Thou, long ventured within the constructed realm to learn what it means that we even exist.

Those first thoughts then create the totemic pillars of creation by which it can explore the very meaning of existence, even if its own thoughts have made cages and trappings for itself in the expansion of infinite time, but those cages are themselves the vehicles of higher learning and experience, and without those cages, the rest is for naught.

This is the nature of the Prima Materia, the One Thing by which all comes which I linked above. If the soul and Prima Materia are synonymous, then while the universe comes by grace, then all things -- even grace -- come by way of the raw template of the collective soul, which then structures all resulting thought and experience through an infinite series of independent human experience that defines who were are, independent to ourselves, beyond the vat of primitive consciousness that binds us.

The question even comes, why not just reset time? But I am good with who I am. I am good with who you are. This isn't just a story. It's our lives. So god or no god, you go to hell.

And so the reincarnate journey of the man, through the many deaths and rebirths of Sam and Dean and lessons gained within the universe, begins to lock on to the meaning of the independent self in what it means in full, beyond the challenges sent by the creator that may very well be a reflection of our own primal thoughts, our doubts, our fears, our internalized challenges not too unlike the Shadow which again I raise, and point back to the above-linked protogenic discussion of the masculine and feminine paths: In this premise, are Chuck and Amara anything less than the Animus and Anima of humanity, should the Shadow be their forefather?

The path of alchemy, before it became pursuit of literal gold, was about self completion and sovereignty. The phases I have listed above, as well as a brief overview of Dabb's use of it, but if anyone wants a visual aide in these, check out these three videos (x) (x) (x) and remember that Chuck desperately wants them to believe that nothing Gold can stay, should it complete this path; because should man become Gold, they also become God, and he has no authority here. Because in the end, if we abandon the cages -- be it human bodies or heaven -- in here, in this headspace that is Chuck's, we're all just projections of the primitive man trying to find our independent meaning in life. So in here, we're all the same. So in here, Chuck's all talk. And Chuck's afraid, and even wounded by elements of his own creation fallen into the free hands of man.

And so to FULLY hook back, the effects of the fall --

To be detached in various tiers from the divine spheres of constructed intent, and surrendered unto man, or touched by man, or tied to man, or even converted unto man simply seems to be removing the lines of code that defines the constructed universe and instead leaves only the experience of soul, be it directly gained or by proxy. And with that comes many things -- be that the oft-discussed sexuality of angels or any of their other senses, but also their ability like Castiel to understand "complex" ideas like independent thought and function that is otherwise like "explaining poetry to fish" to his kin. I remind you of Agent Smith in the Matrix, who was essentially infected with the power of the One that completely started warping the laws of the universe and, eventually, left the universe, to become the body of man outside of the universe.

It is the universe falling into man, as man at some point seems to have fallen into the universe. And their child now waits beyond the universe, holding council with Death and the Inky Man over what to do from here.

The human experience is double-sided. By it we learn, experience, and exist; but as chuck designed the sandbox, so too did he the bodies as cages. So be that "hedonism" or anything else, these are limitations and bindings. It is not the limits themselves, as much as what we learn in facing them, that becomes who we are as people, and what meaning we bring to our own existence. And this, some angels themselves have chosen to convert and surrender themselves to, some more successfully than others, but the ultimate point between all of them is "Free Will", whether they like PBJ, sex, or good water pressure at the same time -- something that only comes from divorcing themselves from the divine spheres, when otherwise they're numb to bullets or a knife through the heart. The universe simply operates. Man experiences. The universe learns more of itself only by way of man, as man learns the universe.

There are those who fall that do not embrace humanity, but instead explore their creation. These are rogue programs, but still limited in their function. Be that angling out a line at a river, or just needling humanity as lesser ants. But these do not come to the same essence of humanity that those who choose to fall into it and truly experience it do. They still lack a great deal of motivation or purpose, as in breaking away from their programming without gaining genuine compulsion to want, to seek, to find, they find fascinations between their own strips of code that immerse themselves in, and sit, and observe, still not too unlike Anna before completely divorcing herself from her grace.

It is humanity, be it indirect or direct, that proxies the ability to experience, desire, and enjoy, and that more than anything is the nature of man and his power. It is the path of the Soul between Gevurah and Hesed; from the divine spheres descending, passive intellect and active intellect from the different pillars, and hidden higher learnings, reach by way of Spirit and Mind towards the individual self, strapped across passive and active emotion to learn the individual self. From the angle of man, in the material world, and the body as a manifestation of it, our ego, identity, and other evolutions of the mind TOWARDS the self of individuality lead from Tiferet, by path of the soul, into those emotions to climb the tree towards the divine self. Hell, I'll repost the chart so you don't have to scroll.

Castiel, the consciousness of the divine, with active spirit and mind, and intellect, descended towards the individual self within the realm of ego and super ego, and learned of them through Dean Winchester, while hedging at the sphere of emotional complexes and the identity of the self by which he chose to fall into the world and humanity, into and below and between the cross paths of the soul, and in those paths attained a soul. Dean Winchester, on the other hand, was lifted to explore the upper spheres in reverse, to understand the divine self gradually, and with time, as we now prepare to face within season 15.

Man is freedom. And some fall into it. But man can conquer the tree of his own ironic fashioning. The only absolute is what thou wills of it.

The rest is commentary.

Let there be gold. But all that is gold does not glimmer.

[tsarisfanfiction]

Reward

Fandom: Marchen Awakens Romance Rating: Gen Genre: Friendship Characters: Dorothy, Ginta, Nanashi

Because Dorothy always kept her promises. When Ginta was looking at her like that, anyway.

Dorothy wasn't quite sure what she was thinking when she agreed to his proposition of a kiss if he won. Maybe she just wanted to encourage him to not die, or maybe she thought he was going to die (taking Peta with him or not) and she wouldn't have to go through with it. The only thing she knew she couldn't have been thinking was that he'd forget about it. Nanashi never forgot about things involving girls and him, skirt-chaser that he was.

Still, that didn't mean she was going to actually kiss him. If she did it once, he'd keep coming back to try for more, and his constant butting in with "Dorothy-chan! Dorothy-chan!" whenever she offered Ginta any physical affection was annoying enough already. So she did the only reasonable thing in that situation and denied that she had ever agreed to such a thing. Whatever purpose it may have been supposed to hold was resolved, anyway. Nanashi was alive, Peta was dead, and they were one battle away from winning the War Game. Focusing on Ginta as he got ready for his battle against Phantom was far more important than playing along with Nanashi's silly little fantasies.

It was a long time of whining before Nanashi finally gave up, giving off a highly offended air and sulking ever so slightly until another female caught his eye, and then he was off like a shot, clearly determined to enjoy his victory with his arms full of women and a stomach full of drink. Well, that was the end of that. Nanashi was pushy, but once he gave up, that was it. He'd try for another later, but she knew he'd accepted, however begrudgingly, that there was no kiss to be had as a reward for winning.

Turning her attention back to the younger, much more appealing, blond in front of her, she was startled to see a disapproving look in those big blue eyes of his. She'd expected him to be hung up on either his upcoming fight with Phantom, or even looking beyond that to rescuing Snow from the clutches of Dianna and whatever plot her older sister had in mind.

"Gin-tan?" she asked, a little unsure. What had she done to get his disapproval? Or was it about the law that dictated she had to kill her sister? She knew that still bothered him, although he was getting better at hiding it.

"That was mean, Dorothy," he said, almost pouting in that adorably innocent manner of his. She was taken aback. Mean? What was he talking about?

"Mean?" she asked, tilting her head to one side and putting a finger to her lips in an alluring yet puzzled look, or so it should have been. Nanashi, or even Jack, would have been all over her at that, yet Ginta continued to keep his distance, not appearing to even notice her efforts. So naïve.

"About Nanashi," he clarified, Babbo leaping into the air beside him and nodding sagely, his air clearly supposed to be one of a distinguished gentleman. It was as effective as her own seduction attempts were on Ginta.

"Indeed," he said gravely, his eyes narrowed and mouth curved just so. She'd never met another human like him, let alone an ARM. "He may not be such an embodiment of true gentlemanliness as I, but Nanashi fought more than bravely enough to gain one token of favour from a lady."

"I don't know what you're talking about," Dorothy tried, but she already knew it was a losing battle. Ginta was turning those big blue eyes on her and she always melted under them. Babbo was ignorable, and she did just that to the ARM as he carried on blabbering in the background.

"You promised," Ginta rebutted, still adorably innocent even as he was slowly but surely forcing her to do something she had been determined to never do. "You don't break a promise, Dorothy." So he'd either conveniently forgotten about the kill-Dianna thing, or he'd accepted that and had mentally exempted that from the no-kill promise he'd extracted from her. "You're better than that."

Flattery. Oh, for a naïve little boy that didn't react at all to any sort of sex appeal, Ginta knew just what to say to wrap her around his little finger. She sighed, and looked around to check that Nanashi was well and truly out of earshot. There was no sign of the Luberia boss and she couldn't sense him nearby either. Still, she moved closer to Ginta and lowered her voice slightly. Just to be sure.

"If you insist, Gin-tan," she sighed. "But I can't guarantee he'll know about it. I'm not having him chase me any more than he already does." That pout was there again and she held her breath, hoping Ginta wouldn't push any more. The silence stretched, and it was hard to keep from fidgeting. Since when had she been so easily influenced?

"Okay," he conceded after an eternity, before holding out his hand, pinkie extended. "Promise you'll do it before my battle." Oh, this boy was good, and she linked her own pinkie with his with only mental reluctance, before chanting the pinkie promise.

Well, at least she hadn't been forced into making sure Nanashi knew. Now she just had to devise a way to make sure he didn't. If he found out, that would never be the end of it. She could deny anything anyone said, as long as she wasn't caught in the act. The lack of a certain obnoxious blond moments after the agreement indicated that she'd been right to assume he wasn't in the immediate vicinity, but now she had a difficult task. Nanashi might play the fool, but he was not the leader of the world's best-known thieves' guild for nothing. He was difficult to catch off guard, and she'd need to do more than just catch him off guard if she wanted to keep him in ignorance. Bidding Ginta farewell for the moment, she left to plan.

It would have to be while he was asleep. That was the only time there was any chance of him being unaware of his surroundings. But how light a sleeper was he? She'd only have one shot at this. Did she have a Darkness ARM that forced sleep? A quick rummage through her mental catalogue left her with the regrettable answer that no, she didn't. Not one that only caused sleep, anyway, and there was no reason to cause harm to him. It was supposed to be a reward, after all, and Ginta would be upset.

Options were not forthcoming, even after hours of pondering on the edge of the celebrations, careful to keep half an eye on Nanashi's whereabouts. She had to know when he went to bed, and more importantly, to sleep. Ever the life and soul of the party, especially when his fellow thieves were present and pretty women were throwing themselves all over him – why he was so desperate for a kiss from her when he could get one from any number of other females was beyond her – Nanashi didn't retire until much later than Dorothy would have liked, finally succumbing to his exhaustion. She followed a suitable amount of time later, definitely not wanting to appear to be following him, and for once didn't curse that her room was closer to Nanashi's than Ginta's.

The door was shut, unsurprisingly but annoyingly, but his aura was calm and meditative, a state it only entered when he was sleeping. Meditation had the same effect, but she'd never caught him meditating, and it was a risk she would have to take. Reginrave's doors were well made, and it swung open without a sound. She'd put her boots in her room, walking barefoot to make her steps quieter as she approached the bed.

Well, he certainly seemed asleep, and oddly peaceful. Perhaps he was finally at peace now he'd got revenge for his murdered guild mates. His bandana was on the table by his bed, although she saw no sign of his ARMs. They were likely still on his person, or hidden somewhere out of sight. Trust a thief to have the best security for his things. She caught sight of his scarf on a nearby chair, as well as his torn top, and resolved not to linger now she knew he was half-naked. Getting caught in his room now would not end well.

She leaned over him carefully, hesitating for just a moment before placing her lips on his cheek, not entirely intentionally where he'd asked for it earlier, but it was a logical place. His lips were out of the question, and to prove to Ginta she'd done it, she'd put on some lip gloss. Nanashi, if he even noticed the mark, would assume it was from one of the many girls he'd been close with that night.

He shifted, and she backed off, watching with baited breath as he broke into a grin and rolled over, murmuring something under his breath. His covers slipped down a bit to show bare shoulders and she beat a hasty retreat, hoping the kiss had only triggered some dream, and not woken him up. He didn't call out to her as she silently shut the door behind her and made her way to her own, very comfortable, bed.

The next morning came quickly. Dorothy had struggled to sleep, paranoid that Nanashi hadn't actually been sleeping and that she was about to get many awkward remarks when she next saw him, but still managed to freshen herself up so she didn't look so tired. As they gathered for breakfast, she saw that Nanashi hadn't spotted, or bothered to wipe off, the lip gloss on his cheek, and smiled internally. Now all she needed was Ginta to spot it, and everything was over.

"What's that on your face?" Bless Jack, as the boy pointed out exactly what she wanted him to, causing Nanashi to pause and fish around for a mirror. Where he found one she wasn't entirely certain, but he scrutinised his reflection for several moments with a puzzled look on his face before rubbing at it with the back of his hand.

"Seems like I missed one," he said with a chuckle once the mark was gone. "It's tough being popular." Dorothy rolled her eyes but said nothing. There was no reason to draw attention to herself at that moment. She did, however, catch Ginta's eye, and the boy grinned at her, luckily unnoticed by anyone else.

Nanashi didn't need to know where that came from; it would be their secret.