what’s your thoughts on the Futurama revival
Anon I'm so sorry you're going to be victim to the longest post you will ever see. I hate it I hate it I hate it
HUGE /neg rant incoming (this show is my special interest and has been for YEARS. This will all be rambling)
THEY FUCKING COMPLETELY DISREGARDED "MEANWHILE." It directly contradicts it. "I offered to reset time to the moment before time stopped!" Okay, but you didn't though. The entire tragedy of the ending was that they'd be doomed to relive their lives from the moment they met (s1 e1) on loop. "Want to go around again?" Okay so that line doesn't make sense anymore!!! I had theories upon theories before the season came out and I was beyond disappointed. This show has shown it can do deep thought-out themes, I was fully hoping for them to show them reliving the past again, maybe its their 1,000th time reliving it, maybe Fry or Leela notices for once that something is familiar about it. Hell maybe there's a 1 in a million chance that they DON'T break the button! Free will and all, maybe things aren't 100% the same each run and they get lucky once. This also could have been used to recap old seasons for people who didn't rewatch them
They don't know how much time has passed?? I understand that was an excuse to make it the year 3023, but why would you do that? What's the point??
Things such as the Scary Door reboot don't make sense, not to mention the overuse of "haha it's a reboot!! Get it?? It's a reboot!! We got cancelled!!!" jokes but I'll get to that later. Timeline things just don't make sense anymore because of the time freeze. It's an awful awful awful writing choice. They unfroze time right where it paused, canonically, they show them unfreezing exactly there, it makes zero sense. How is there new technology and new TV shows when no time has passed. I'm ignoring that it's "10 years later" because it isn't, you can't just say that without showing it, it literally isn't
Even the smaller jokes feel very dragged out? Like Bender laughing at Fry setting a goal in episode one. He laughs and Leela smacks him, his head spins around and it's funny, then his body does an extra spin for no reason other than to emphasize that it's a joke? I guess? And then not even a minute later she slaps his hand again and it dramatically flies back and hits Zoidberg. Do you get what I'm saying? It's just too much focus on every single bit
I do like the updated intro! The added details to the city in the background is super super cool!! I love the thought they put into it (Bender hanging out of the ship on the magnet is a bit much considering all of the other references they included, but I'll let it slide. Just doesn't feel necessary to me in the intro)
The animation is rigged now:/ it's bound to happen nowadays, it just feels sad to look at for me (in general, not just with this show) the characters (ESPECIALLY Fry) feel very off model sometimes:(
Fry's hardly in the first episode. Odd writing choice considering he's the main character
Oh my GOD. The Hulu/reboot references. It's EXHAUSTING to watch. The amount of 2023 references they crammed into this season is physically painful, they drag them out for SO LONG
(in the first ep) the non-binary robots joke was funny and the scenes with Calculon and the Robot Devil were the only scenes that felt like old Futurama! Their voice acting was great and it was funny! The rest of the voice acting feels very lackluster and most of the other jokes just didn't get me
Calculon and the Robot Devil were the funniest characters, that's how dumbed down they made Bender, he's not my favorite that season
The plots are just. Bad. I hate to say it I really do. Shut up with the reboot jokes, the covid19 jokes, the only decent one was the bit mining episode because it actually used the idea as a real jumping off point and that episode still wasn't revolutionary. The other half of the episodes are pure callbacks. The one with Amy and Kifs kids was cute because it had a reason to exist! It wasn't a very funny episode but it was cute!! The other ones like the worm parasites in nibblers litter box (OR GOD FORBID THE ONE WHERE THE TIME MACHINE SHOWS UP OUT OF NOWHERE AGAIN WITH NO DRIVER??) make me MAD with how lazy of an excuse they are to cram in a reference without matching the rest of the lore
I'm fully assuming the reboot came from a place of love from the writers and the VAs but personally I didn't think the new season was very funny nor did it add anything new to the series, and it felt very very bland and dumbed down and I didn't even pay attention to the last few episodes because of it (that is saying something coming from me)
I rewatched the first episode for this so this is mainly talking about that one. Tell me if you want me to talk about the others I have so many thoughts this is me summarizing like all hell I hate the plots so much and this is my all time favorite show I'm still going to watch the next season and I still have high hopes for it
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Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".
I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.
(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)
To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).
But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.
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Miraculous had 5 seasons to try and turn Gabriel/Hawkmoth into a good, interesting or at the bare minimum a convincing threat but I feel like, even despite all of the brand new lore and backstory, his impact is pretty meaningless when at the end of the day he is going to be facing off against Ladybug and not someone else who'd make infinitely more sense for him to be battling against.
Hawkmoth really has no business thinking Ladybug is his greatest enemy when his own incompetence is the only thing he has ever battled against and Ladybug's gripe with Hawkmoth has more to do with the fact that she can't live her normal teenager life because she was chosen to be responsible to stop him. There's absolutely nothing that connects the two besides the fact that Hawkmoth wants her miraculous and the fact that they are both connected to Adrien somehow.
There's no clashing ideologies that are put at the forefront, they are in no way foils, Hawkmoth's "noble" motive of resuscitating his wife is impossible to root for because he spends the rest of the show being utter shit to his son so you can't convince anybody that he's a good person who deserves to be rewarded. The fact that at the end he's going to be rewarded with anonymity, a wish come true and his son never once being able to learn about anything about his deeds, all to make the showdown about how Hawkmoth and Ladybug have always been destined to fight against one another... it's just so silly.
The show really is a monument to wasted potential because how do you miss the chance to make it at least the kind of show that you'd recommend wholeheartedly because at least "the ending is good", and instead opt for the silliest kind of undeserved ending for the bad guy? It's seriously kind of depressing.
And to top it all off, the show actually gave Ladybug a formidable foe in Felix/Argos but then tossed that storyline away over... Lila??? Man.
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I think everything that could be said has already been said regarding Charles’s Monaco win. But I’m just… Wow. It’s so surreal.
Having followed him for several years now, witnessing the hope and subsequent disappointment as yet another chance to win his home race slips away… The heartbreak and helplessness of 2021 and the anger and frustration of 2022… It’s Charles’s dream fulfilled and Charles’s accomplishment but I feel like it’s personal for so many of us who’ve endured all of those emotional rollercoasters and setbacks along with him, invested in his quest to reach for something he yearned for so deeply. We’re all sharing in it now, Charles’s emotions a reflection of our own; disappointments into delights.
The funny thing is, I was completely calm once he secured pole on Saturday, in a way I rarely am, especially when it comes to racing. It’s hard to describe but it was just this serenity, this gut feeling that today is the day, and that there won’t be any more upsetting surprises. That this is the weekend where that chapter of the “curse” ends, where history is made, that this is where the path was leading all along.
It wasn’t really until Charles crossed the finish line, until that team radio, that inflection in his voice, the way he evidently teared up, the way he ran into his team’s waiting embrace and the way he spoke about his father that it hit me, the emotions, the sheer magnitude of the feat – so straightforward at first glance but heavy with the weight of expectation, longing, past disappointment. The palpable relief on the podium, the way he could finally close his eyes and just drink it all in. Maybe it played out exactly the way he had imagined all that time, maybe it was different, maybe it was better. But it was, in some way, fated.
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Maybeee maybe ankarna and cassandra will bring the rat grinders back??? Bc as goddesses theyd understand that they were literally under the influence of a corrupted ankarna and/or manipulated by a man trying to make himself into a god??? Maybe?????? I really hope that this wont be a like “oh well they shouldn’t have worked with porter and jace sucks for them” kinda deal bc. We know its more than that? And it would hard core suck narratively if they just permadied for being easily manipulated kids when they could easily be brought back by any number of people or as like a miracle like. Cmon. Also their deaths arent even that satisfying bc we KNOW they arent really equipped for actual combat, idk.
I liked the episode dgmw but i kinda just feel. Bummed out knowing theres a decent chance of them just being misunderstood and manipulated, and never getting to be kids or getting like rehabilitation or whatever.
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