#expect more than you can give!!!

[ominouspositivity-or-else]

i think one of my professors has realized that many of the students he teaches think he's a bit of a hardass. i feel so bad. he's genuinely such a sweetheart. he's spent the last two classes dropping comments like "please don't think i'm a sadist. if you're doing this project and thinking 'this is inhumane, but you know Dr. M', please, just come talk to me." like wtf i need to give a speech about how great a guy he is???? i genuinely need to give a persuasive speech about how fun his classes are??? like he's a pain at times and a tough grader but look at me. look at me. he's so reasonable. he has high expectations for everybody evenly. I got a 78 on a final that i thought i absolutely flunked okay? he's reasonable and he's funny in the driest way! it's not nice for people to think he's MEAN. he's not!!! he's just an awkward english professor!!!! be NICE to him FROM NOW ON!!!!

[bonefall]

post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do

Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.

Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.

Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.

And then she dies, so he can have his very own fridge wife.

In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.

She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.

So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"

But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;

Tally the genders in your cast. How many are boys, how many are girls, how many are others?

And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.

If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.

It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.

Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.

Or this shit,

If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.

Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.

Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.

(Also remember I'm not a professional or anything, I'm just trying to give advice)

[lloydfrontera]

male authors, writing m/m friendships: their bond will develop through hundreds of chapters, we will get to see each stage of their budding relationship, they'll constantly be in each other thoughts, their first instinct will always be to reach for the other, their first worry will always be the other's safety, they'll spend every minute of the day together, they'll be complete opposites and yet perfectly compliment each other, they will put everything they ever loved in risk just to keep the other safe, they will give their life without hesitation to save the other's, they will fight and argue and tease and joke around but they will always be at each other's side at the end of the day, they will plan to spend the rest of their lives together, sharing the happy moments and the hard times, the idea of being without the other being unthinkable, the thought of being always together coming naturally, as easy as breathing.

the same male authors, writing m/f romance: she'll like,, smile once at him and he'll start thinking of marrying her and having children with her idk

[naranjapetrificada]

Random OFMD fan: *is sad about OFMD getting canceled, ends their subscription to Max and signs a petition that takes less than 20 seconds to sign*

Tumblr rando: "where was this energy for Palestine? why aren't you boycotting McDonald's? why do you care more about woobified slavers???

Same OFMD fan: *hasn't been to McDonald's in over a decade; has the capacity to care about more than one thing*

[smokeys-house]

The Cane King's Daughter

⭐️Art by @sator-the-wanderer, story by @smokeys-house ⭐️

⭐️Also available on ao3!⭐️

✨️Part two TCKD: A Story for Another Time available here✨️

Storms at sea are no rare occurrence. Squalls that sweep ships to their sides may be daunting, but no more so than the tumult of the lives of all folk, land or sea. Captain Whetstone, a self made pirate born on the coast of France, has made rather a name for herself. A large and fluffy brown moomin, she grew up hearing the stories of a free life at sea. 

She sat wide upon a chair in the cabin of her ship. The strain of a pirate's life wore heavily upon her brow. The early days were rife with plunder and excitement, raucous laughter and cheers. She'd made it, or so she would've thought. She'd got the merry life she'd wanted, as for whether it'd be a short one would be up to the rule of law. 

'Perhaps I've been at it too long.' the captain thought to herself. She sighed aloud, staring into the vanity mirror as if looking past herself. "Rouse yerself. Yer a captain, not some layabout on a fishing trip." She rubbed the sleep from her eyes and made for the deck. She'd grown weary of taking scores and the thrill of living on the run.

The crew still aboard The Honeyed Word were working diligently; hauling crates to and from the port, maintaining the ship, or otherwise making themselves useful. Marseille was bustling, lively, and lousy with merchant ships. The local law, while concerned about piracy, were not so eager to challenge those engaged in its splendors. Collecting a bribe was practically by the books in Marseille. It wasn't the pirate haven of Nassau, but at least here she could try to lie low for a while. 

The salted sea air mingled nicely with the smell of cookery and the commotion of working sailors as the captain made rounds amongst what crew remained on deck. 

"Cap'n." A grizzled old hemulen woman wiped the sweat from her brow. "Most of the crew 'ave headed into town. I assume you can simply follow the ruckus if ye be needing to find them." Her voice was coarse and thick, but with a sense of duty. 

"As it happens, I fear I may be in search of drink myself." The captain shielded her eyes from the sun with her paws. "Keep an eye on things for me while I'm gone." 

"Promise me ye don't be up to nothin' foolish. I seen that bored look you been wearin'."

"No foolishness here, Ruthie. Just a quick nip, and maybe a rest in a bed what ain't rollin' on the waves." She patted the hemulen woman on the back with a hearty thud, to which she chuckled mirthfully.

The way into town was fraught with people of all classes and lifestyles; merchants, traders, sailors, simple common folk, rich and poor. Marseille was a well populated city, and drew in people from all over. The captain trod a familiar path to her preferred local pub, one of the few she hadn't been run out of in recent memory. Despite the relative ease with which she carried herself, being spotted by knowing eyes would likely spell trouble, or at the very least more excitement than she was looking for. 

"Didn't think I'd see you in here again, after last time." The barkeep didn't look up from polishing his glass. 

"I'm not sure I remember the last time. Much to see around these parts I'm afraid, sometimes too much." She eyed a table of navy men in the corner as she approached the counter. It was a clean establishment, not necessarily upscale, but it did at least serve the more well-to-do in days long since passed. The place was littered with well crafted furniture and gave an air of high status, but the clientele quickly dimmed the illusion. The velvets adorning curtains and chairs had all faded, and some were torn in spots. 

"What'll you have, Whetstone?"

"That'll be captain Whetstone from you. Pour me anything what ain't rum n' cask-water, and you can call me whatever you like!" The two shared a laugh as the bartender filled two tankards with ale. 

"Word on the street is your boys are already wreaking havoc. Half my usual patrons have made themselves scarce. You've only been in town a couple of days I thought, but from the way folks are talking I would've thought the devil himself had popped up on our doorstep, and made himself at home." 

"Oh, how lovely." Whetstone sighed and eagerly watched the man pour. "I'd have thought by now the folks 'round here would've been dreadfully bored by that sort of thing." She paid for the two drinks and clinked glasses with the bartender. "Not like the navy men do it any different while docked. We're all fixin' t' crack Jenny's teacup!"

"Aye, but your 'Jenny' is more often than not someone else's 'Sally', ye damn dog."

Whetstone raised a finger as she drank deep from her mug. "So long as she's not your Sally I'd say I'd done no wrong. Not my fault no navy men know how to keep a woman in good spirits!" She had a charismatic and an almost musical way of speaking, it was as though everything she said was a line in a play.

"And how might that be, oh great and wise slayer of maidens?" 

"Spirits!" She motioned to the bottles on the shelf behind the bar, sharing a hearty cheer with a few eavesdropping barflies. 

"And what might it be that brings you to Marseille once more?"

"Naught but the wetting of m' whistle and the tireless search fer comp'ny I reckon. I'm not quite so sure, I think I just wanted t' see yer ugly mug once more!"

She spent a few coins and hours there, seemingly wasting the day away. She knew that she wasn't searching for much of anything, and that she was simply tired of the hardships she'd chosen for herself. 'What use is a free life if I can't live it quietly?' She thought. 'All the excitement out t' sea, and all I'm wanting fer is a quiet day indoors.' Perhaps she'd grown weary of her trade, but taking a day for herself surely wasn't what you'd expect if you'd heard the stories about her. 

"That's her right over there. The glum looking gal in the coat." Whetstone's musings were interrupted by murmurs rolling like thunder into jeers. The calm if somewhat gruff environment quickly became rife with tension.

"Seems our mutual friends have spotted a familiar fiend." The barkeep kept his paws busy, still cleaning glasses from patrons past. The captain appeared more tired by the idea than worried, propping herself up on the bar with her arms. 

"You've got some nerve. Swingin' your snout 'round here like it weren't still smellin' of my girl's perfume." The hemulen navy man tucked one thumb into his belt as he approached, glancing over his shoulder back to his fellows. 

" 'fraid I haven't seen your girl since she were someone else's. Last I checked, and likely still, she belonged to herself. Let's keep our paws in our pockets, shall we?" 

"She seems t' think quite highly of you." His words were dripping with venom as he looked the captain up and down. He either had a chip on his shoulder or something to prove. "Turn 'n face me you bilgerat. I'm fixing to see what she thinks is so special!" 

"Quiet over there!" A younger fillyjonk man spoke up from the corner, his face mostly obscured by a hat tilted over it. "Some of us are trying to drink in peace."

"What's it to you, boy? Shut yer gob afore I shut it for you!" The navy man leading the group continued to shout, tensions rising among the men behind him. He grabbed the captain by the collar of her coat. "Don't think even for a second I've not seen your face on them posters. Teachin' you a lesson and gettin' paid for it? Price on you's enough to split with these boys and then some." 

The captain's eyes darted to and fro, seeking any opportunity to turn this around. The navy men must've numbered at least a dozen in total, all surrounding her. Them aside, patrons flanked them on all sides, acting as likely obstacles. Just as the situation was looking its grimmest, a near full glass flew across the room, finding its target to be the head of the man nearest Whetstone. 

That one thrown drink began a large-scale brawl encompassing the entirety of the bar. The glass distracted the leader of the pack long enough for Whetstone to throw the first punch, square in the snout. The rest of the navy men, unable to tell the shouting of patrons from aggressors, and unable to tell who threw the cup, tore through the establishment. Skirmishes filled every corner of the room.  The bartender calmly ducked into a room just behind the bar as it all began to unfold. The captain danced among the crowd, dodging blows and delivering them herself. 

"This way!" Beckoned the be-hatted fillyjonk man, motioning to the alley entrance he was holding open. Whetstone fought her way through the flinging of paws at maws and more thrown drinks, toward the only friendly face in sight. 

Just then, the bartender returned from the storage room behind the counter with a flintlock rifle and pistol in tow. He fired the musket straight into the ceiling, the boom overcoming the sound of the raucous crowd. For a moment, everyone stopped. 

"Out of my bar." He spoke quite plainly, as though it were simply closing time. The navy men stopped their brawling and regained focus, looking about the room for their previously cornered quarry.

"Over there! After her, boys!" The sailors that still stood gave chase, stumbling over chairs and glasses underfoot. 

In all the excitement, the captain had only just made it to the door when the gun went off. Her and her new acquaintance darted alley to alley, their pursuers forcing them through markets and over fences. Though the chase felt to them as intense as any they'd ever seen, it must have been quite the sight to see that many drunkards speedily shambling across town.

The shouting got further and further away, and luckily the throngs of the afternoon crowd began filling the streets once more. If it weren't for the simple fact that the captain hadn't been at the bar for as long as the rest of them, they likely would have caught up to her. She'd wisely abstained from anything too strong while in public, but a belly full of beer hardly makes for good running. With her wits mostly about her, and her ego intact, she'd made good on her escape thanks to a kind stranger. 

Soon after, the busy dockside streets and afternoon sun quickly shifted into wealthy homes and a dimming evening sunset as the two evaded their would-be captors. Once they felt they had lost their assailants, the two caught their breath and the young man calmly led Captain Whetstone to a lovely gated garden bordering the wealthier part of town. It was well kept and filled with vibrant pinks, deep purples and reds, and a sweet floral aroma mixed with the salt of the nearby sea. Ornate metal bars formed a fence, wrapping the exterior of the garden. 

"There's a greenhouse here where we can lie low. I like to come here to get lost for a while." The young man's voice shed pretense for a moment.

"Fine work, lad! And yer sure no nosy gardener's eager to do some midnight pruning?" The captain idly rubbed the petals of a nearby rose as she took in the view. "Posh bit o' living, this. Real pretty, though."

"Didn't think pirates cared for flowers. No, no one'll turn up. This square belongs to a wealthy family, used to be the daughter's. Haven't seen her around here in some time, though."

"We've all got our secrets, lad." She winked as she meandered through the garden to the greenhouse. The moon's rise baked a soft light throughout the interior. She idly rummaged through a cupboard above a potting bench. "Bless me tail! Oy, lad! They've got booze in 'ere! Some fine drink by the look of it. Supposin' the young maiden kept a few secrets, too." She snickered as she uncorked the bottle. She'd sobered a bit since her midday jog, and apparently wasn't eager to continue that trend. 

"What's your name, anyhow? Ya know mine as it seems half of Marseille does these days. Why risk yer life fer a no good pirate?"

"Well… like you said, we all have our secrets, captain."  The young fillyjonk sat upon a stool in the corner, seemingly familiar with the space. Whetstone poured a glass for herself and another for her new friend. The two shared drinks for a while, swapping idle stories late into the evening. The liquor spilled forth as did the relaxation and courage that comes with it. 

"So… you're a pirate, ay?" The man swirled his glass in his paw, not looking up from his drink. "You'd know a thing or two about fighting with a sword, then?" He stood, walking over to the potting bench near where Whetstone sat against the wall. 

"Aye, lad. I'd say I know a thing or two about swingin' a sword. What're ye gettin' at?" She steadied her eyes as they'd just begun to spin, realizing only now the risk of getting too drunk to stand with strangers about. 

"Show me." He tossed her a wooden cutlass from beneath the bench. 

"Secrets, secrets, secrets. My my my..." She caught it deftly, laying it across her lap. "I'm supposin' that's not the only thing y' be hiding from me."

"It's not, but if you beat me, I'll tell all."

"Ha, it'll take more'an that to get me into playfighting a stranger what won't say his name with a wooden toy." 

"Scourge of the seas frightened by a youngblood after just a few drinks?" He used the point of his wooden sword to lift her chin and meet his gaze. Either he'd handled his liquor better than she did, or he was far more cautious than she was.

"Now yer just testing me patience, boy." She pushed aside the sword and finished her drink, rising to her feet. "Ye won't be needing t' set terms fer if'n you win. On account of ye won't. Take the first swing." She stood straight, sword idle in her paw, in an entirely unready stance. She took in a sharp breath, and exhaled slowly. She wasn't unfamiliar with the art of the un-sober sword, but she never did like to lose. 

The man swung, overhead and diagonal to her shoulder. She tucked herself to one side as it flew past and struck the ground. 

"Slow." Captain Whetstone teased. 

He swung again, from left to right, to which she back-stepped. 

"Clumsy." She continued her barbs with a wink.

He thrust at her belly in quick succession, the first one a narrow miss, and the second intercepted by the flat of the captain's wooden blade. 

"Not bad! Once more!" She taunted, now fully engaged. Her feet planted firm and knees bent, she parried blow after blow. He sent out yet another thrust, this time aimed at her chest. 

"Out you go!" She turned his thrust to her outside line and closed in. She turned her point down, pressing the pommel to his ribs, and pushed him out of the greenhouse door into the garden with a shoulder check.

"You're toying with me! Throw a cut at least!" The fillyjonk protested, panting, but on guard after managing to avoid falling flat on his face. 

"Aye lad, I am! But here goes!" She threw a cut at a downward angle to cross his chest, or so it seemed at first. She feinted high, forcing him to guard his head and swung low, giving him a gentle tap on his thigh. "How's that?" She smirked. It was clear he was embarrassed, and perhaps a little upset. His face was red from drink, exertion, and now frustration. He threw several wild strikes out in a vain attempt to land a blow, to which she ducked several. 

"Easy, lad!" She began deflecting his blows, hoping that he'd ease up. He brought his sword up as a club with both hands, over his head, letting out a tense shout as he swung. She blocked it static and right between the two of them, holding the bind. She turned her point under and went for a disarm, tossing his sword aside. Just as soon as his sword hit the ground, as did he, with a swift push on the chest from the captain. She stood over the fillyjonk, pointing her sword at his chest. 

The fillyjonk's hat tumbled back, spilling forth long dark curls, previously tied back with ribbons that had since gone astray. The moonlight soaked into the fillyjonk's fur and hair, cascading shadows from the flowers that she had tumbled into upon onto her muzzle. The contrast between the bright blue flowers, her dark, rolling hair and the soft brown of her fur mirrored that of the shore and a stormy sea. To the captain, she was the very visage of romance. Perhaps it was the light of the moon, or the thrill of the fight, or even the blur of the booze, but she became immediately enamored.

"Well strike me pink! Hell hath no fury, eh? Now the question is, who scorned a bonny lass like you?"  The captain lowered her sword, wearing a surprised grin on her face. "I'm supposin' now would be a good time to cash in on my winnings."

The evening stretched on into night, bringing with it the still presence of the full moon and the quiet breeze carried in from offshore. The night air was cool, and just comfortably so. 

"My name's Marion." The fillyjonk acquiesced, true to her word. "Marion Cartier. It's my rum we've been spilling all night." She crossed her legs as she sat upon the cobblestone amongst the flowers. 

"And this here'd be your garden then? The daughter o' the house as you'd said it. It's beautiful." She cupped the bulb of a flower in her paw. "If yer the daughter of a wealthy family, what business had ye in a bar like that one?" 

"Same business I had in having a private garden. An escape." 

"An' what was that bit afore I pushed y' down? Figure you'd take me in fer the bounty alive after gettin' me liquor'd up?"

"No… it's not that it's just…" Marion hesitated before answering, burning with embarrassment and the rum in her belly. Eventually she settled on telling the truth. "My father was right."

Captain Whetstone sat just across from her, light-heartedly rolling her eyes. "I'm supposin' that's got a story behind it. Night's young and I've nowhere better t' be, might as well let it out."

"He'd have me fall in line or sell me off just the same. If it's not helpful to his business, it hardly matters what I want." 

"Yer a grown woman, can't ye just use all that money o' yers to get yerself a place by yer lonesome? 'S what I'd do."

"The man practically owns me. I won't see any money that doesn't sit in his paws until I take up the mantle." 

"...And the swords?" Whetstone was quick to dismiss the woes of the wealthy and continued sating her curiosity with questions. Despite the blooming feeling in her chest, she still found it difficult to feel sympathy for rich folk.

"Father fancies himself a duelist. I'm… I thought I could get to know him better if I could get him to see me." She eyed her paws, rubbing the areas hardened into calluses by many hours of practice. "Told me it wasn't worth my time to wield a sword. Told me I'd be good for nothing if it wasn't for the family business."

The captain looked over at the wooden swords lying on the ground and cocked her head to the side. "Those ain't dueling swords, lassie. That's a cutlass."

Marion's eyes stayed focused on her hands despite the captain's piercing gaze and raised eyebrow. Silence filled the space for a moment.

"I've uh… I'm not quite sure how to uhm… it's rather embarrassing, I fear. Given present company, especially."

"Spill yer beans. I've drank too much t' sleep now fer fear of hangover. An' it's far too long a night yet fer keepin' secrets. B'sides, I won, remember?" Whetstone laid up against a tree and began picking her teeth with one of her claws.

"You must promise not to laugh."

"Miss Marion, I hadn't realized we were school girls! I ain't laughin' now, but I sure could use a good'un, out with it."

"I thought I could be a pirate. Or a privateer. Something on the sea that isn't in the navy. I'd take off as a stowaway on one of my father's ships with a few good men and strike out on my own."

"If that's yer cover fer trying t' claim my bounty it sure is the most… creative ruse anyone's drummed up against me." 

"I'm not trying to claim the bounty! Even if I was, you'd have killed that dream along with the one you're stepping on now." Marion paused for a short while, composing herself. The frustration in her voice was joined ever so slightly by the sound of tears beginning to well up.  

"Ah, I'm sorry lass, but it's a mite hard to think of someone like yerself at sea… y' need more'an just a few good men and some sword swingin' skills. It's a rough life out there."

"But it's a free one. The sea keeps men honest… in a way. There's bluster, sure, like anywhere else. But the sea asks that you prove it, and I aim to." 

"Aye… ye can't lie to her none, this I know." The captain looked to the sky, feeling a flutter in her chest. She was reminded of her youth, and the first time she felt the call to the sea. Though it hadn't been too many years, most pirates don't last more than a few. "You'll find yer way. The bold ones always do." 

The conversation bled into thoughtful silence, the pair quietly ruminating on past and future. The captain balanced a near empty bottle on her knee, watching the liquor shift and roll within. She examined the label, taking in the details. A mustachioed fillyjonk gentleman wielding a bundle of sugarcane like a royal scepter sat cross-legged upon a throne also made of sugarcane. In his other paw, a coconut prepared to be a chalice. 

"Cartier's Cane King rum blend…" Whetstone continued eyeing the bottle, comparing the fillyjonk on the label with her new friend. "Tell me, what did you say yer name was again?"

–

Captain Whetstone awoke with the early afternoon sun baking into her fur upon a makeshift bed within the greenhouse she had stayed the night before. Her coat had been draped over her like a blanket, and her head was pounding. She stood and stretched, remembering the night prior. 

"I swear I fell asleep in the garden, though…" She thought aloud as she surveyed her surroundings. A note penned in fine handwriting sat upon the potting bench, and was tented neatly.

Ms. Whetstone

I should think you capable of reading seeing as you're a captain. You've given me much to think about. I've many choices to make. I apologize for leaving you unattended, but it's as I said that no one visits my garden. 

I intend to convince my father to teach me about sailing. I'll tell him it's for to learn the family business, and that ought to be enough. Of course, you and I know the reasons why well enough. The next time you see me, it might be out at sea.

I took the liberty of coaxing you into the greenhouse for a more private rest. I've a busy morning to come. 

It was a pleasure meeting you. 

-M

"Coaxed me into the..?" The captain was much too heavy to lift. She imagined Marion rolling her on her side like a big fluffy barrel as she slept. She would've been beet red if it weren't for her thick fur. She donned her coat, shook off the embarrassment, and tucked the note into her pocket. With the morning ending and the afternoon just beginning, she thought it prudent to check in with the crew and nurse her hangover with a late breakfast. 

Rumors of yesterday's excitement had reached every ear, and just as quickly sank into the sand like waves upon the shore. The king's navy almost always had reason to cause a stir and rarely did it ever go quietly, but with such frequency it joined the day's monotony. A chilled breeze and shapely dark clouds portended a storm to come, though the warmth of the sun persisted for the moment. The docks were alive as always, folks walking shoulder to shoulder, hardly taking note of one another. The cacophony of cooking, trading, buying, and selling rang through the air. The cumulative hangover was just beginning to peak as Captain Whetstone sat down to eat beneath an awning at a dockside restaurant. Through the din of the crowd, she could almost make out the song of seabirds and waves lapping on the shore. She didn't take to being in public well, but the liveliness of the docks drawing eyes off of her bought her a modicum of peace. This peace was short-lived, as a garishly overdressed fillyjonk man cut a path around him through the crowd, speaking loudly and with no lack of self-importance. He moved dramatically, as though he was performing a dance, spinning and gesturing flamboyantly.

"What fortuitous timing, you wishing to take up the family business. As it so happens, I've dealings with a gentleman from Curaçao this very afternoon!" 

"Yes, well… I was hoping to start with more on the transportation side of things. Learning to sail ships and the like. I've been doing much reading on the subject." A timid, familiar voice followed shortly after him. 

"Hmm? Oh, of course. I'm sure he'll be just as happy with that if all goes well. Regardless, Marion, how does 'Cartier's Cane King Curaçao blend' sound to you? Bold? Alliterative? Lively? Perhaps, too lively, do you think?" His exaggerated manner of speaking sounded as though all must hear. It was difficult to tell whether he was advertising to the world or simply lost within himself. 

"Who will be happy with that?" Marion rounded the corner, catching up with her father. She was dressed in deep blues, in an outfit that portrayed her wealthy standing and matched her father. The duo stopped perpendicular to the restaurant Whetstone was eating at, looking out at a few ships along the dock. 

"That one there's a wild'un." The captain nudged a nearby patron with her elbow. "Drinks like a sailor 'n aims to be one." The patron patently ignored her idle musings upon seeing they were pointed at the wealthy young woman, assuming it to be a joke with no punch line. She snorted out a quick laugh to herself when comparing Marion's current clothes to her getup the other night. She decided it best to keep her nose out of it and went about finishing her meal. 

"The gentleman from Curaçao, my dear."

"And why should it matter to him whether I learn to sail?" Marion's confusion began to mix with her growing concern. 

"Well you are to be married, after all. I should think him quite pleased to marry a sailor if he needn't a homemaker." He removed his watch from his pocket and stared impatiently at it for a moment. The watch and the fob were both silver that shone bright against the deep blues of his shimmering waistcoat. He slicked his hair back with his paw as Marion stood dumbfounded. 

"Have you no shame?! Selling your daughter off for sugar and spirits! I would think a man of your status would at least have the guts to tell his own daughter about such an arrangement prior. We're done here!" Marion balled her paws into fists, turning to walk away. Just as she turned she felt a tug at the back of her shirt. Her father pulled her back forcefully, turning her to face him. 

"We're done when I say we're done." He scolded under his breath, eyeing passersby in the hopes they hadn't seen his family matters turned public. He placed his paws upon her shoulders, holding her in place. 

"Get off me!" Marion shouted, batting his arms away and making an attempt to flee. Just as she escaped his grasp, he raised his arm high. 

Slap

Captain Whetstone looked up from her breakfast in time to see Mr. Cartier backhand Marion, who stumbled into a stack of tin plates and other dinnerware atop some crates, sending them clattering to the ground. The ruckus drew everyone's attention. Marion's father stood over her and shook his head. He took a clearly practiced stance, placing his hand disdainfully upon his brow, with the other resting on his hip. 

Whetstone shook her head as she slammed her utensils onto the table. She stood abruptly, and threw her chair to the ground as she stomped over to the scene. Without so much as a word, she raised her paw and delivered a powerful open palmed slap to Mr. Cartier's cheek. He crumpled to the ground, both from the surprise of being slapped and from the sheer force of such a large moomin. 

"I'll not have ye befoul my breakfast. Treatin' a young woman, let alone yer own daughter like that. Despicable." She spoke at him gruffly as she helped the young fillyjonk up onto her feet. Marion, awestruck and utterly confused by all of the events that had just transpired, simply stood behind Whetstone. 

"I won't.. take that… from a brute like you!" He panted as he struggled both to speak and to stand back up. 

"Aye, I imagine ye won't. And I don't be takin' nothin' from some fop exceptin' what's in his coffers. Scurry off out, ye bilgerat. I've got a devil of a hangover and I won't be wasting my time on the likes of ye."

"I'll have you arrested! Assault! Assault!" He shouted to the crowd forming around the trio. Much to his chagrin, the group seemed far more interested in seeing a pirate shake down a wealthy man than they were in coming to his aid. 

"Guards! Gendarmerie! Somebody help!" The captain mockingly shouted in a pitiful voice. She spat to the ground near the man. "You think the law around here cares? Look around you. The people who carry your crates fer a coin. The folks who you exploit. Whingeing like that only works on folk what got food in their bellies." She stepped uncomfortably close to him, looking just down on him from a head above his height. "Anything left worth sayin', or are we done here?" The man could only look back at her with glassy eyes, stunned into brief silence. 

"That's what I thought." Whetstone began to walk back to her table when she heard above the shocked whispers of the crowd, the distinct sound of a leather glove being thrown to the ground. 

"A duel. You've thoroughly disrespected me and I'll not have the Cartier name besmirched by a ruffian like yourself." 

The crowd ooh-ed and aah-ed at the prospect. More folks gathered around, wishing to see what the gathering was for.

"What? Here and now? But I 'aven't even finished breakfast." She stopped only long enough to respond as she continued her stride to her table, not even turning to face him. Her gait was immediately interrupted by another leather glove, this one being tossed directly at the back of her head. 

"A coward and a glutton! Afraid to challenge the famed fencing of Jules Cartier! I simply must laugh! Aha! Aha!" He forced out an almost theatrical laugh as he puffed out his chest. It seemed to him the world was a stage, and the thing he feared most was losing the audience. There was hardly a moment he wasn't scanning the surrounding group for approval.

"You'll be wantin' to be careful with what you say next.'' Captain Whetstone growled as she balled her paws into fists, turning to face him once more. "I didn't come to Marseille to kill a rich boy. I came to make merry and sell the scores I took from ponces like you!" She stepped in closer once more, slow and with intention. "Y' have no idea who yer talkin' to, do ya?" Her gravelly voice rumbled. 

"From the smell of it, a drunkard. And from the look of it, a buffoon!" His confidence, though shaken, had returned as he began to shake off the slap. He dabbed at his cheek with a pocket square, and straightened his jacket. 

"She's a pirate captain, father, don't do this!" Marion pleaded. 

"Quiet, Marion!" Jules snapped. "This isn't one of your storybooks!" 

"From the papers! Must you embarrass yourself at every opportunity? She's wanted and very, very dangerous!" 

Whetstone shot her a flattered, knowing look. "Ha! Did y' hear that one, Jules?" She thumped her chest before tucking her arms behind her head with a cocky smirk. "Very… very dangerous." Her gaze was piercing, albeit smug. She was practically inviting him to hit her knowing full well that he wouldn't allow himself to be seen in such a light.

"A duel! I demand it! Face me or be branded forever a coward!" Jules' obstinations were increasingly childlike. 

"As you like it, sugarboy. If I win, yer daughter goes her own way. And you pay off whatever price they got on m' head in Marseille. We fight to first blood, I'm not killing a man in front of his daughter. You let me know the time and place, Cartier. Send someone a'callin' down near this here restaurant. I'll be waitin'." The Captain parted the crowd as she passed. She righted her chair and sat back down, continuing her meal.

"Three days time. When I win, I'll be taking your bounty, and whichever rotten tub you floated in on. Live it up while you still can, Whetstone. You're about to make me even richer." 

Captain Whetstone simply waved as he made his exit, her mouth full. Jules departed, entirely forgetting his daughter and the man from Curaçao. Marion, now the sole focus of a murmuring crowd, rushed to the table her would-be savior sat at.  

"You complete and utter fool!" She slammed her paws down onto the table just across the captain. "You can't just go around inserting yourself into any old trouble you like!" 

"That's a laugh right there." She swallowed her bite. "I seem to recall someone inserting themselves into trouble on my account just the other day. She looked a lot like you, matter o' fact... Took me fer a stroll in the garden in the pale moonlight." She took her last bite and set her utensils on her plate. 

Marion slumped into a nearby chair, placing her head in her hands as the previously interested onlookers began to disperse. There were a few disappointed sighs, and life seemed to return to business as usual. 

"You've no idea what you've done. Not that you'd care if you did, seems you've no thought beyond fun and fortune." She repeatedly cleared her hair from her face, looking into the table rather than across it to the woman now responsible for her fate.

"It's only to first blood, mate. I'll give yer dear ol' dad a good scratch and a scar to remember me by, and you get to goin' on whatever it is you'd like from then on. You've seen what I can do first-hand. It won't be but a quick bout." 

"And I've seen what he can do, as well. He's a liar and a no-good cheat, but a proper duelist through and through. If you win I'll be on the street, and if he wins I'll be married off and you'll be in prison or worse in no small part on my behalf." Her brow furrowed. Her life had capsized and was now in the paws of a scruffy outlaw.

The captain took a small pouch from her belt and laid a few coins on the table near her plate, then slid the pouch over to Marion. 

"I'm sorry, lass. I just can't sit idle 'round men like him. When yer out t' sea, aboard and abroad, y' get to thinkin' all manner o' things 'bout the way folks get on… Whole lot that don't make much sense. I don't know to make a social call by now. I don't know nothin' but me own code." She took a heavy sigh, pulling a long smoking pipe from her coat and chewing on the stem. "Take that there coin and put yerself up some place nice a while. It'll be a payday fer us both 'fore it's over, I promise ye that." 

Marion sat quietly, gripping tight the pouch of doubloons. She wasn't sure what else to say, let alone what else to do. Captain Whetstone trodded off toward her ship, head full of thoughts and ache. Marion followed her not long after. 

"Something more y'need from a… how'd you put it? A 'complete fool' like me?" The moomin turned her head over her shoulder at the woman sulking just behind her.

"You are many things. A rapscallion, a scallywag, a ne'er-do-well, but I fear I spoke unfairly of you in calling you a fool. One of the many things you are now, however, is responsible for me." She sighed deeply. "Whether or not you like it."

"Yer yer own woman ain'tchya? Can go as ye please, afore at least three days are up. I don't be needin' t' look after you." She chuckled. 

"Consider it the price you pay for today's events, and my penance for yesterday's. I hardly think it wise to be anywhere my father could reach me at the moment."

"Won't be fur off my tail. Yer welcome aboard as long as you can stomach it!" She slapped her on the back, knocking her forward a bit as the duo made way to The Honeyed Word. "Hardly the worst punishment I've seen in all me days, 'avin a lass like you aboard." 

The next three days brewed a strange energy for all around. Word got out about the incident at the docks, likely in part due to Jules' boasting. It wasn't enough for him to duel and beat a lowly pirate, nor befitting of his reputation. Whetstone's wanted posters had enjoyed a fearsome makeover, at Mr. Cartier's request. She now appeared monstrous, though devilishly handsome. Her bounty was attributed to both deeds she had done, and now tales some have told. Even in opposition, the fillyjonk could not be associated with the ills and ails of a true and "ugly" world. He did not just want to restore his reputation, he wanted to cement himself as a hero by defeating a villain. Criers, newsmen, even housewives and barflies were alight and giddy over the upcoming duel. A legendary scoundrel pirate versus a noble and upstanding upper crust citizen.

Word had reached the captain's crew by now, who were mostly uneasy toward their new found glory. Being a famous criminal still makes one a criminal, and being famous makes one a target. They'd watched as their normally steadfast captain had begun fawning over a rich young lady, while showing her the ropes as it were. Their new guest had been enjoying the captain's fineries and with none of the work to earn it. The pair spent much of the three days aboard romping about clad in silk, delighting in drink and distraction alike. If it weren't for the prize of having their charges cleared and paid off by someone with deep pockets, and the captain's usually fair treatment, a mutiny might've been in order. There'd been no talk of plans, and any crew that interrupted the captain were brushed off or turned away. It seemed as though their luck would soon run out if their captain remained lovestruck.

Tensions rose onshore surrounding the Cartier business as well, but as tensions rose, so too did the profits. The money minded men of Marseille had begun buying up as much Cane King rum as suited them. Some stocked up to resell and others to enjoy, but all were buying thanks to the sudden and fervent advertising of Mr. Cartier. He'd sent out servants swinging sample trays to swill all over town. The collective drunkenness among citizens alongside the excitement of recent events made for a city wide spectacle. It seemed duels and drinks drove sales and sail alike. 

The buzz surrounding the affair became the calm before the storm on the day of. A party sent by the challenger arrived at the docks in the early afternoon along with a parade of onlookers. The usual liveliness of the harbor was instead abated by prolonged eager silence, joined only by the lapping of the waves and the stomping of boots. 

"Captain Whetstone!" A pair of whompers shouted at each ship they passed, waiting a moment before moving on to the next. They looked for her at the restaurant as she had requested, but she never arrived. The challenger's party consisted of two whompers dressed in deep blues featuring ornate silver trim, a large and muscular hemulen clad almost entirely in leather, and a nibling carrying a long red velvet box. Down the docks they shouted, and down the docks more and more onlookers followed shortly behind. 

"Captain Whetstone!" The whompers cried, over and over above the murmurs that had begun to swell. The captain, still fast asleep in her quarters, awoke with a start. 

"Who wa- is… wha..whasit you want!" She stumbled to her feet, eyes squinted, an empty bottle tumbling from atop her to the floor. She quickly realized the voice was coming from outside the ship, and fastened a robe around her waist. Marion awoke from the commotion as well, following Whetstone's lead. The pair exited the captain's quarters to the sour faces of an armed and ready crew. 

The first mate of The Honeyed Word, an older hemulen woman by the name of Ruth, spoke up from between puffs on her pipe. "I imagine that's fer you Cap'n. They've like to come a'callin' on her account." She motioned to Marion. 

"I imagine so, too, aye. Worry not, I ain't steered you lot wrong yet, 'ave I?" Whetstone winked, and made for the deck, Ruth and Marion following just behind. The mood was tense, and not all of the crew were sure of their captain's judgements as of late. She arrived at the railing, rubbing the sleep from her eyes to see dozens upon dozens of folk, all waiting on her. The leather clad hemulen, who had presumably been hired muscle, shook his head at the sight of the supposed legendary pirate dressed in a frilly nightgown and robe. 

"What do ye want?" The captain shouted. 

"Captain Whetstone!" The whompers cried once more in unison. The nibling in the party opened his velvet case to reveal a long brass horn, about three times his size. He set up a tripod and rested the other end of the horn on it. The small creature drew a deep breath before filling the air with a short, but very very loud melody. The muscular hemulen covered his ears, and shook his head once more. "You've been summoned to duel the great Jules Cartier at his manor! We shall escort you!" The whompers bowed.

Marion appeared just behind the captain, wrapping her arm around the small of her back. She was similarly dressed in a silk robe and nightgown. In her other paw, she held a steaming teacup, and passed it along to Whetstone, who took a long, slow sip. 

"But we 'aven't even had breakfast!" The moomin protested loudly.

"It's past noon!" The hemulen mercenary shouted, palming his face, and shaking his head once more before storming off. He parted the crowd, grumbling to himself on the way out. The nibling took up his horn once more, apparently announcing the departure of one of their party, much to the dismay of the gathered crowd's ears. 

Ruth approached the duo, dropping on the deck just behind them their clothes, and the captain's sword with an unceremonious thud. "Don't be comin' back if ye don't win." She spit to the side.

"When I do come back, we'll be 'avin' words, Ruthie. Strong ones, too, I reckon. Mind yer tongue 'round yer captain." Whetstone began to put on her boots.

"If only ye could mind yers 'round whatever gal ye be fancyin' of late. Wouldn't be in this mess if it weren't fer you. Now the whole of Marseille wants a look at us, and the whole of the world wants the price on our heads. Keep yer promises, cap. Er I'll be keepin' 'em fer you." She headed below deck.

"Whaddaya reckon that means, Marion?" She looked around, puzzled.

"I imagine it was pretty straightforward, but you pirates are a bit hard to understand sometimes. Verbally, I mean." 

The captain wheezed and laughed loudly, wiping a tear from her eye. "That we are!" She continued to get ready. "Anyway don't ye be worryin' about her, either. Everyone's a mite worked up I imagine. She's stubborn, but she's a good'un." She tossed her robe and nightgown onto the deck of the ship as she hopped over to the side of the ship to the dock. 

The whompers were still in their bowed position, and a large chunk of the crowd had begun to disperse before hearing the captain's boots slam onto the wood. She had only dressed halfway up, boots, slops, a sash, a belt and sword. Her thick fur was disheveled and unkempt, an appearance apparently befitting the crowd's idea of a pirate. Ooh's and ahh's once more took shape, whispers and whistling as well. She began pulling her shirt on as she approached her would-be escort crew, coat draped across her arm. Marion shortly after hopped over, dressed quite unlike she had when she'd arrived. She rushed to the captain's side, attempting to avoid the gaze of the murmuring crowd for too long. The challenger's party parted a path as they beckoned the duo along quietly. 

Marseille was silent and empty, shopkeeps shuddered their windows and covered their stalls, passersby rushed indoors, and the captain swaggered through the streets en route to her duel. Deep blue ribbons and brightly colored bits of decor began cluttering their path to Cartier Manor. Though sparse at first, upon nearing the manor proper, the whole of the area was densely decorated. Rugs and flower petals lined the walkway, and whatever surface could have something hanging from it, did. Red roses and white lilies were bouqueted and affixed opposite each other. Even the balconies of houses unaffiliated to the Cartier name had wreaths hung from them. The early afternoon sun baked the clouds in front of it as they gathered, and it seemed as though the sky would open up any minute. The air was humid and filled with the scent of loose flower petals being crushed underfoot, alongside the distant rains. 

The nibling rushed ahead as fast as his little feet would carry him, horn in tow. He set up  his tripod just outside a bespoke iron gate. Just beyond the gate was a vast open courtyard, filled to capacity with all manner of folk, many of which were dressed in finery.

"I'm a mite hazy, but, is yer dad always this.. dramatic?" Whetstone covered her face as she whispered to Marion. 

"Seemingly more so than usual these days. This, I'd say, is less dramatic and more… absurd? Honestly I've given up attempting to understand the man."

 "This way, Captain Whetstone." The whompers once again spoke in unison. They led her just to the side as they ushered the rest of the guests, Marion included, in through the gates. The nibling blasted the same tune as before as each made their way into the courtyard. 

"So I'm not goin' that way?" The captain said, pointing across the fence. 

"No!" The whompers said, cheerfully. Their smiles almost perfectly matched one another, along with just about everything else about them. They seemed as though they were simply pleased to be involved. 

"Can y' tell me which way I am goin'?"

"No!" They cheered once more.

The trio stood for a few more minutes as the nibling welcomed more guests with his horn. 

"Can I go in now?" The captain scratched behind her ears. Her tone was playful, but she was starting to get impatient.

"No!" They sounded almost the same every time. Captain Whetstone gave up and leaned against the fence, arms crossed. She wasn't worried about being late to the duel, nor really very much about the duel itself. The whole affair was turning out far more posh than she had imagined, and with each decoration and each passing upper crust guest, she became less and less worried. She gave into idle thought for a moment. Her mind chose distractions of all kinds, but more and more her mind wandered back to Marion. Had she made the right choice to interfere when she did that day at the docks? Had she done right by her so far? What would become of her next?  

"Ahem" 

"Wah!" Whetstone shouted, recoiling from the sudden interruption. "Who'sat!" She caught herself on the fence. 

A muddler with very long droopy ears dressed in a most garish fashion held her paw out in front of her. Her hat was massive and had a large feather sticking out from it, along with several other adornments. She wore several pin cushions in various places, and a chatelaine of sewing materials hung from her hip. 

"Ahem." She continued to hold out a paw to shake in greeting.

"What? Am I in yer way, or..?"

"Ahem. It's my name."

"What's yer name?" 

"Ahem!" 

"What?!"

The muddler sighed. "My name. My name is Ahem. As in hemming garments. It's what I do. I'm a tailor." She motioned to her collection of sewing tools and accessories.

"Taylor? But I thought y' said yer name was Ahem?"

Ahem patently ignored her. "Mr. Cartier has requested that you come along with me for the time being. Preparations for the… un-seam-ly events to come."

"...right." The captain squinted. "And will there be more sewing puns?"

"We'll put a pin in that one for now." 

"Yer too quick fer me, lass!" She laughed out loud. She was beginning to enjoy herself. Things had taken quite the turn from the serious to the silly, and she was along for the ride.

"Quick indeed." She grabbed the captain by the arm, taking her to a room just inside the manor around the outside of the courtyard. The room was littered with fabric, tools, and mannequins of all shapes and sizes. One of the mannequins featured a fillyjonk-esque head with a familiar mustache made to resemble Jules. 

"Rich bastard's got his own uhh… what do ye even call a room like this? Sewing dungeon?" Whetstone fiddled with just about everything in her path as Ahem snapped back and forth with her measuring tape across the captain's moominous form. 

"Mr. Cartier has appointed me to make a coat for you. Something a little less stolen and salt soaked. He wants you to look flashy for his big day." She rolled her eyes. 

"Big day. Pffft." She blew a raspberry. "Also I'll have you know I bought this one." She said, putting extra emphasis on the last two words. 

"Pffft indeed." Ahem pulled aside a curtain revealing a tall and nicely rounded mannequin. Upon it was a coat fit for a pirate, though very well made and quite fancy. It was entirely black save for the trim, cuffs, and pocket covers that were a deep dark red, with shining gold buttons and an interior lining of red and gold paisley. A cutlass crossed with a rose was embroidered on the left breast. She snatched it off the mannequin and draped it over the captain's shoulders. "Go on, see how it fits. Your measurements seem almost exactly what I thought they'd be." 

"It's quite lovely!" She put the coat on, pulling the sleeves over her arms. She jumped and jogged in place, bent down to touch her toes and stretched her arms. Then she mimicked punching, drawing and swinging a sword, and climbing the riggings of a ship. She pretended to draw her pistol with a flourish and blew the smoke from its imaginary barrel, and then curtsied meekly.  "Fits great! Oh, one more thing." She walked up to the Jules mannequin and planted her feet. She drew her arm back and delivered a hearty slap just as she had the first time. "It's perfect, actually." The head of the mannequin tumbled to the floor.

"Three days is hardly long enough to craft something perfect. Let alone an entire ensemble that turns a ruffian into a posh pirate renegade as Mr Cartier suggested. So you'll have to make due with only the coat I'm afraid."

"Wait, three days? He asked y' to make a coat on the day that I slapped 'im?" She let out a single loud laugh. "I musta knocked something loose! How'd ye get m' measurements, anyhow?"

"Followed you around."

"But I hardly left m' ship after that business, how'd y-"

"You left four times, actually. Two of which you brought back food and wine."

"Ha! Typical. I like you, Ahem, yer fun! An' this coat is perfectly made t' measure, most folks miss just how big I am 'round the middle. You've got me thanks." 

"You know, I think that might be the first time I've gotten a genuine compliment the entire time I've spent under the employ of Mr. Cartier. Go give him hell, captain." She smiled, pushing the moomin gently on her back towards the door. "Oh, but do mingle a bit first. I don't think Jules is quite done making a fool of himself yet. I'm sure he'll call for you." She began packing things into a large trunk.

Not long after, the strange events at Cartier Manor continued to unfold. Captain Whetstone found herself in the courtyard, and Marion in turn found her as well. Refreshments were being served on trays carried by servants in bright blue vests. The pair sat at a table under a parasol, similar settings littered the yard alongside tents, rugs, and a veritable ship's load of furniture. All of this surrounded a large stage, adorned with deep blue ribbons and flowers. 

"That's a fine coat you've found yourself." Marion eyed the embroidery, sitting across from Captain Whetstone.

"Aye? A gift from yer old man I s'pose. Funny seamstress gal made it." She lifted it to show off the liner. "Yer house is massive! Just you lot live there?"

The captain made musings about this, that, and the other, chatting idly with Marion. Time stretched on, and the outing began to seem much less like a duel, and much more like a garden party. With each offered hors d'oeuvre, the captain took at least one of each thing, most of which she tried and set aside without finishing. She did, however, finish each flute of champagne that was brought by. 

The captain held a glass at eye level, staring at the champagne within, boredom getting the better of her. "Marion, how do ye reckon they get the bubbles in th–"

"Welcome, all!"  A voice boomed from the stage, commanding everyone's attention. "Today marks a momentous and fateful occasion." Jules' theatrical manner of speaking finally suited the situation. 

He had chosen an outfit of deep blues and bright whites, with silver buttons. Each article bore a motif of white lilies, trimmed with shimmering silver. The calves and sleeves of his outfit were tight and fitted, while the rest was loose and flowing. All of it was made of a shiny satin exterior, and he wore a large and gallant cape upon his shoulders. It was no doubt the work of the same tailor of Whetstone's coat. His hair was slicked back, and his mustache was waxed into perfect, symmetrical points. Behind him stood a short and portly older moomin, with a curly powdered wig. He was dressed similarly to Mr Cartier, though much simpler and with a brooch bearing the symbol of the King's navy. 

"Today, we bring a close to the scourge upon the seas. I, Jules Cartier, am to end the career of a pirate that has so long plagued the open waters." Not a word left his lips without some manner of posing added to it. Bravado seemed a natural calling for him. "But I, ladies and gentlemen, am no brute! We duel today only to first blood. I have called upon the aid of Governor Woodes Rogers, an experienced pirate hunter, to take down alongside me the infamous Captain Whetstone!" 

Gasps were shared by the crowd, most of whom had likely never heard of Rogers nor Whetstone before the last few days. Jules was building drama for a performance, and the audience was absolutely enraptured. 

"Should your hero prevail today, Miss Whetstone will voluntarily turn herself in at my behest. The streets of Marseille will no longer be subject to her whims, and its surrounding seas shall stand as an affront to all pirates who would dare approach!" 

Rogers, the moomin standing behind Jules, stepped forward. He unfurled an almost comically long document and cleared his throat. "Captain Whetstone, of her own free will, submits heretofore under the crown and will be granted clemency for all acts perpetrated during her stints as a pirate, and shall be pressed into service of the king's navy, or be jailed at once and in perpetuity remain. Here listed are her many crimes, and associated parties-"

"You needn't continue reading Mr Rogers. They can see how long that page is." Jules interrupted. 

"Am I going crazy?" Marion whispered across the table to Whetstone. "I mean I know it's been three days. But it's only been three days. A garden party is one thing, but to organize all of this?" She rested her head in her paws for a moment.

"I don't even think that there's the real Woodes Rogers." She squinted at the man from her seat. "Last I heard it, he were bankrupt or some such. Sued by his own crew. Ought t' be down n' out, not out n' about putzing around France." She searched her pockets for her pipe, remembering that she wasn't wearing her old coat. "That page he's got is like as any t' be blank I'd bet."

"Captain Whetstone, to the stage if you would!" Jules shouted, finishing his speech. 

Marion looked across the table, only now showing her fear. "Be careful up there. He's quicker than he looks." 

"It'll be over 'fore ye know it, lass. If yer dad wants to put on a show fer these folk, then I say let's give 'em a show." She picked up her champagne flute, and swaggered up to the stage. She took her place across from Jules.

"The fearsome pirate captain, Whetstone. Ruffian. Ne'er-do-well. Scoundrel and scallywag. You've plundered your way through the seas and sewn chaos among the citizenry, but that all ends today." Jules once again performed for the audience rather than speaking.

"Aye. All that n' more. And none of it could sate the devil inside me." She growled, mostly unconvincingly. She was, at best, unseasoned as an actor. 

"You're drunk!" Jules said, tugging on a pair of leather gloves. 

"An' yer annoying!"

"Name your second." 

"My what?" The captain shot him a puzzled look. 

"Your second. Someone you trust to bear witness to the duel. Have you never had a proper duel in your life? And yet how many have fallen to your sword alone? How barbaric." Jules rolled his eyes. 

"Ah. Marion'll do it. She's good like that, seems despite yer efforts t' the contrary, you've raised a very capable young woman."

Jules flinched, balling his hands into fists as the captain shouted for Marion to join them on stage. He swallowed his anger, and continued the show. The moomin who may or may not have been Woodes Rogers presented a velvet box, and a servant presented another. They opened the lids revealing one to have within it a set of ornate dueling pistols with pearlescent grips. The other box contained two sideswords decorated with gold engravings upon their blades. 

"The challenged may choose the weapons. The seconds shall inspect the weapons to ensure fairness and quality. Once we are all in agreeance, we shall separate ten or twenty paces, face one another, and the duel can begin in earnest upon the signal of each second." Jules delivered his clearly practiced lines to the crowd. 

"Well I meant what I said. I won't be killin' a man in front o' his own daughter. No pistols. First blood." 

"Swords it is, then. Ten paces instead." 

"I ain't usin' one o' yer swords neither. I made this cutlass and ye won't part me from it." She removed her sword from her belt, handing it to Marion, who had just arrived on stage. "You and yer second can inspect that'un." 

"Very well, captain. I suppose I should have expected no less from a pirate." His words were intensely venomous, annunciating each word with a pompous anger. He turned to face the audience. "The pirate has elected to use her own, crude blade even within the context of a gentlemanly duel!" This elicited whispers from the crowd.

Jules paid no mind to Marion as she presented Whetstone's sword to him and his second. They looked at it for only a moment and both scoffed, despite its elegance and craftsmanship. The captain and her second both carefully examined Jules' blade, finding no flaw or alterations. They agreed, and each took their sword as they took their place on stage. The crowd was silent, and the sound of thunder echoing in the distance was joined only by the footsteps of the two duelists as they took their paces.

Jules held his sword point up, taking a dueling stance as he measured each pace. The captain had returned her sword to its scabbard, and was still holding her flute of champagne. She took each step as though she were crossing stones in a river, occasionally pretending to lose her balance playfully as she watched the audience. 

One. Two. Three. Four. Five. 

With each step Marion's heart raced, she feared for her future, and for her newfound freedom. She'd found a fondness these last three days and had mostly forgotten her anger to her father until she met with him once more on stage. 

Six. Seven. Eight. Nine. Ten. 

Jules gripped his sword tightly, eager to rewrite himself as a hero to the people of Marseille. He turned in his position, waiting for the signal from the seconds. The captain turned as well, sword sheathed, glass in hand. 

"At your will, Mr Rogers." Marion stood beside him near the rear of the stage, out of the duelists' way. Her voice was shaky.

"Begin!" Woodes Rogers shouted without hesitation.

Jules lowered himself, rushing into a full sprint. 

The captain tossed her glass into the air, straight. She drew her cutlass quick as lightning, and with incredible speed and precision, cut the stem from the bell. As the glass descended, she caught it in her paw. The audience gasped, a few even squealed as the base sailed far off into the crowd. 

Jules stopped in his tracks for a moment, on guard. It was too late to back out now, despite the impressive display. 

She took a long, protracted sip before gently setting the unharmed top half of the glass onto the stage upside down next to her, empty. "I hope y' brought yer dancing shoes." She extended her arm, the point of her sword idly aimed at her opponent. 

He rushed to strike first, despite his showmanship he aimed to end the duel as fast as he could. He thrust to the captain's side. She sidestepped, grabbing his wrist with her empty paw, and used his momentum to throw him to the ground. He landed with an anticlimactic albeit quite loud thud on his back. 

"That's disappointing, Jules. I thought y' wanted to give these fine folk a show." She spoke at stage volume. She stood over him, the tip of her cutlass resting just above his chest.

"It's to first blood, captain." He gripped his sword tightly, and swept at her ankles. "And I'm not bleeding yet!" He jumped to his feet the moment she was on the defensive. 

She back-stepped, narrowly avoiding his swing. The audience roared to life having been in rapt silence during their first exchange. They shouted and cheered, nearly drowning out the following clanging of steel. 

Jules ferociously delivered cut and thrust after cut and thrust, he was as well practiced as Marion had said. He'd not met an opponent yet that could hold against his onslaught, and yet the captain was calm and focused, dodging and deflecting each of his blows. 

Whetstone feinted high as she had done with Marion, then swung low at his legs, cutting just the fabric of his pant-leg as he changed his stance. 

She laughed. "Ha! Got yer daughter with that'un, too!" 

He snarled, lunging in and following up with several repeated thrusts. The captain knocked each of them aside. She bound her sword against his and closed any distance between them, using her weight to throw him off balance. Jules fell to the ground once more, but rolled off his back and onto his feet again. He rounded her, swapping sides hoping to gain an advantage. He threatened a cut, but dropped his leg and reached out for a long thrust to the captain's inside line. She had previously been neglecting it and stepping aside, and she wouldn't step aside if she had thought it was a cut. He drove his point home as fast as he could, and then-

Thwap!

Whetstone batted aside his blade by the flat using her paw! She charged in now that he was open, blade raised high. He managed to raise his guard just in time, barely withstanding the weight of an oversized moomin crashing against his sword arm like a heavy wave against a ship's bow. He rounded his opponent once more, returning to his side of the stage. 

Jules hated being on the defensive. He hated even more his opponent. He hated that despite his assuredness in his own skill and the effort he put into this display, he had not bested the captain as quickly as he had hoped. His off hand left his hip, abandoning his dueling stance. He abandoned his footwork, too, in exchange for a mad dash. He began throwing wild cuts in front of him as he charged, yelling the whole way. She threw all of her might into one heavy cut, knocking his sword off line once again. He reeled, regaining his composure. 

He realized that he could not beat her in a competition of strength, nor speed.  He would have to stay calm and search for an opening. "The leg!" He thought to himself. "She may be twice the size of your average moomin, but she's still got shorter legs than a fillyjonk!" He closed in once more, focusing in on waist level thrusts. He began changing his rhythm, repeating the same passing steps in his approach. He'd stab and wait for her to cut, then step and do it again. Biding his time until she went for something trickier.

Whetstone noticed the change in his attitude. He was lithe and by now much more warmed up. It was as though he'd settled into the flow of battle. She held both arms out to her side, as if to say "come at me!" Completely opening up her defenses. He threw a cut to her chest, following up on her opening. She took her sword by its spine at one end, and the grip with the other, and swung up as though she were forcing open a window. He reeled once more as his sword was knocked away, but the captain was wide open for exactly the kind of attack he'd hoped for. He readjusted, then swung for her thigh. 

Seeing this, she leapt back once, being caught off guard by such a near miss. She'd kept her cool through most of the fight, but she was beginning to worry that her fooling around might cost her new friend dearly.  She leapt back again, escaping his reach. She spun off her front leg. Jules watched, unsure of the captain's intentions with such a maneuver. He saw her rear leg swoop up midway through the spin, and then back down as she completed it, as if in slow motion. At first he was confused, but then he remembered. "Oh no." He thought. "Not like this!" 

Her back foot kicked the glass she had left on stage, sending it flying straight at his face. He brought up his sword to block it, or knock it aside, but it was in vain. It shattered against the base of his blade, sending shards flying past it. The collective gasp from the previously uproarious crowd would have sucked the air from the room were they not outside. Even the coming storm stood silent as a trickle of blood ran down Jules' forehead. He reached up and touched it gingerly, examining the aftermath upon his paw. 

"I believe that's first blood, Mr. Cartier." The captain flourished with her sword a moment before returning it to its scabbard. She faced the audience, curtsied meekly, and headed off toward Marion at the rear of the stage. Much of the crowd were confused, some even angry. There was cheering and jeering alike, booing and whistling. Jules remained on stage, utterly defeated as the rain began gently dropping. 

"Congratulations, Miss Whetstone." Jules said. His voice was much less performative, taking on a sinister tone. The captain continued her stride, merely raising her paw dismissively. "You have won the duel…" Jules rushed toward her. "But you will lose your life!" 

"Whetstone! Look out!" Marion cried as loud as she could. 

The captain turned to see Jules just behind her, and coming right at her head was the tip of his sword. She threw herself back, headfirst, but it was too late. His sword dug into her face and tore across her left eye, stopping around the middle of her forehead thanks only to luck and to Marion's warning. She shouted in pain, clutching at the wound on her face with one paw and drawing her sword with the other. 

"This isn't fair!" The wouldbe Woodes shouted, sprinting away. He stumbled into the table that had the dueling boxes atop it, knocking it over. "You didn't tell me you were going to kill her!" 

The audience bellowed with shouts of a similar kind. 

"The duel is over! Stop!"

 "You lost! Give it up!"

"He's lost his mind!"

 Many voices cried over one another.

Several members of the audience shrieked in fear from the sight of so much blood, and several others rushed to the stage in an attempt to stop him from continuing his assault.

"Y' cowardly bastard!" The captain growled, fighting as hard as she could with the use of only one eye. "Marion! Get yerself outta here!" She looked around in a half blind panic.

"Duel or no duel, she's a wanted woman! To the man who brings me her head, you'll claim the bounty and I'll make you the richest man in Marseille!" Jules drew the crowd into a frenzy. Those who weren't tempted by his offer began running to the gate, and those who were tempted began surrounding the stage. They were unarmed but very much outnumbered the two who were now stuck between Jules, the manor, and the gate leading back out into the streets. 

Marion rushed in the same direction as Woodes, shaking with panic. She had to act, and quickly. She picked up one of the pistols from the open dueling boxes, pointing it at her father. She tightened her grip, steadying herself. She'd never fired a pistol before, and despite everything, she'd never wanted to kill her father. "Stop! Stop attacking her this instant or I'll shoot you!" She shouted. Tears were streaming down her face, her hair and clothes now soaked with rain as the storm raged on. 

The captain backed off from the fight, holding her ground as Marion made her plea. Jules stopped as well, turning to face his daughter. The herd of newly made bounty hunters waited, not wanting to get caught in the crossfire. 

"Make sure you take that one alive." Jules pointed at Marion with his sword, gesturing to his makeshift militia. 

Click

Marion pulled the trigger, filled with an array of strong emotions that all burnt up in her anger. Jules paused briefly, seemingly offended. His eyes were wide and mouth agape. The flint struck the frizzen, yet there was no smoke, no flash, no bang. The rain had soaked the powder thoroughly, forcing her threats empty.  

The moment seemed to drag on, the clear line in the sand now drawn between Marion and her home life. She screamed, barely able to hear herself as she threw the gun at him, reaching next for the sword left in the box. The captain used this as an opportunity to rush to Marion's side, scooping her up in a bridal carry at full sprint, off stage. 

"After them, you fools!" Jules regained focus after his brush with death. He'd gone too far now to give up. He'd all but given up on raising his daughter to be the way he wanted her, but he refused to relinquish even the slightest bit of control, especially to a pirate. 

Captain Whetstone ran as fast as she could toward the gate. The path was clear and the only remaining bystanders had just made it through. Jules was the fastest among the duo's pursuers, quickly taking charge ahead of his group. The grass underfoot was slick, and the rugs placed upon it now waterlogged. Thunder crashed within the sky, bellowing throughout the humid air below. 

"Come back you coward! Blaggard! Face your fate!" Jules shouted above the racket of the storm as he ran. 

The captain stumbled, woozy from her injury, dropping Marion in the process. They both stopped only a moment, with Jules gaining on them. The gate was tantalizingly near, and their hope for escape pushed them onward. The pair righted themselves and passed the threshold, soon to be followed by Jules and his cohorts. 

"I have you now, you wretch!" Jules raised his sword, closing in. He chanced a cut at the captain's leg rather than attempting to tackle a woman likely twice his weight. 

tst-BOOM

A shot rang out, crushing beneath it for a moment the sound of storm and step alike. Smoke plumed from a covered balcony one floor up, just outside the gate to the Cartier Manor courtyard. Whatever onlookers remained nearby scattered at the sound. 

"I reckon I already told ye…" a hoarse voice spoke from behind the smoke. "Keep yer promises, Cap'n. Lest I be keepin' 'em fer ye." A rugged hemulen woman set her spent rifle to the side, lifting a loaded one from a row against the railing she was perched at. 

For the briefest of moments the world fell silent as those in the vicinity searched for the object of Ruth's aim. The silence broke with the anguished scream of Jules, his sword clattering to the ground as he clutched his arm where he'd been shot. 

"Ruthie!" The captain shouted, gleeful and relieved. 

"Put some wind in yer sails, kid! Ye promised me no foolishness. Ye get that girl outta here, an' maybe I won't be considr'in it foolish n'more!" She took aim, putting a shot between the wounded Mr Cartier and his thugs. The shot caused a few of them to rethink, running back into the courtyard. She once again set her empty rifle aside, picking up a fresh one. "Avast! I've got 'nuff guns up 'ere to take the lot of ye! What'll it be?" She asked the duo's pursuers, mounting her gun on the railing.

Captain Whetstone and Marion ran as far and as fast as they ever had before. Despite eventually making their escape, the two were in need of leave from Marseille. Jules' ire is doubtless to have stirred all manner of trouble, and he had a wound to prove his opponent's guilt. When they arrived at the docks that evening, out of hiding, The Honeyed Word was no longer moored at the harbor. The surrounding area was lousy with law, searching for the both of them. They spent that night together in a cove on the beach tending to Whetstone's wound, making plans for tomorrow and the tomorrow beyond that. 

–

"That's awful, Miss Puukko!" Moominmama had returned from the kitchen to the veranda with a tray set for coffee. She set it down upon the table, having a seat next to her husband. 

"Yes, quite! And what became of the two of you next?" Papa asked from his seat across the table. His agreeance to Mama's exclamation was betrayed by the excitement in his voice. He held a love for all things nautical as well as for a good story, and could not hide it. 

The fluffy brown moomin scratched at the underside of her snout, eyes fixed on the distance as she reminisced. It was a calm, and pleasantly warm evening in Moominvalley. The sun was beginning to set on the horizon and crickets chirped from their hiding places. She puffed on her pipe, exhaling deeply with a contented sigh. She bore a scar across her left eye, and the heavy brow of a long life. Seeing her dressed comfortably, swapping stories on the veranda,  you'd hardly believe she'd once been a fearsome pirate captain. Obscurity suited her quite well, as the last breath of a legend long past. 

"In my absence, Ruthie 'ad told me crew t' weigh anchor an' make fer somewhere near. I reckon I'd consider her t' be a hero, least by my account anyway..." She took another drag off her pipe. "Trouble were certain to have found them if she hadn't got 'em outta there. That was the last anyone saw of her. Sent some men that-a-way fer to go about findin' her some time later. Not hide nor hair. I think she aimed t' make the rest o' her life a quiet one."

"But you pirates are all flare and bravado! A life of excitement, and er, uh, and freedom! Why would you want to give up that?" Moominpapa gestured in his chair as he spoke. 

"Papa…" his wife laid her paw on his arm as if to settle him down. 

"It's a fine thing t' be sure, fer a spell. But it's got its rigors. I fear what I mean t' say ain't kind enough fer this valley. It's foul, and it's wretched. Turn folk into beasts and beasts into.. well I hardly even know what ye'd call it. Bastards 'n scoundrels. When ya find a one like the one I were sweet on, well… it's hard t' live a life like that seein' thems that you'd protect with their teeth gritted behind a sword." She dropped a sugar cube into her cup, watching it slowly dissolve beneath the dark waves of coffee. 

"And to think I'm the one writing memoirs." Papa mused. "And what happened to Marion?"

"After we made it back aboard me ship, I weren't in a way fit fer sailing. Without a first mate and without their captain and helmsman, the crew had t' band together. They fell in with Marion right quick. She'd read up on sailing her whole life, call to the sea an' all that. Just ne'er put it to practice. Did a good turn at the old bailiwick once more, plundered as many ships carryin' the Cane King stuff 'tween Nassau, Curaçao and near Marseille as we could. She learnt t' be quite fierce in a short while. A force to be reckoned with under my care. We became as tall tales walkin'... We got t' bein' quite close, too. Didn't ne'er get to talking out the particulars though, I'm afraid." 

She stopped for a moment, enjoying the coffee, company, and relative peace and quiet. Ever since she'd moved to Moominvalley she'd known more peace than she ever had. Even in her own childhood home,  there were always storms and turmoil. As no more than a pup on the seas apprenticing under good men, she knew even further strife and noise. From her start on the seas she thought she could earn the peace she had now, and never did. 

"It's funny how misfortune and heartache can get ye where ye need t' be goin'. We coulda stayed tall tales iffin things hadn't shaken out like they did. The thing about it is…" She took one last puff on her pipe before tapping it into the ashtray. 

"Whether or not ye tuck it when ye run, if ye made yer tale long enough, someone always catches ye by it in the end. But that's a story fer another time I suppose."

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first three are written in Hindi. The fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Tamil there, much less any other South Indian language. Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

[enhanced-operatives-division]

Doodles for you all

[shivunin]

Hi, I just wondered what your favourite part of the Fenhawke romance was? Like, a scene/moment that really made you fall more in love with him? I love your writing so much!!

Oh, that is very kind of you to say! 💗I'm glad you enjoy the things I've written. I've really been enjoying writing for this ship, especially the past few months c:

As for your question...

Man, that's tough. I have a hard time picking one thing---I mean, *gestures to all the fic* you know? But I can narrow it down to a couple of scenes/elements:

The fact that a romanced Fenris still calls you "my friend" even after the act 2 romance scene. This is just...the bedrock of their relationship to me. Yes, that night went very poorly (understatement, I know), but at the core they are friends and he trusts Hawke in a way he's likely never had the cause or opportunity to trust someone before. I believe he never stopped loving Hawke, and it was a matter of laying those feelings out and understanding them one at a time. Romantic love not replacing platonic love or eclipsing it, but building or twining together is just... *chef's kiss* that's the good stuff.

The moment during the romance conversation in Act 3 when you can see Fenris go from hoping (painfully hoping!) that there is still some way he and Hawke can be together to actually believing it will happen. There is a shift in his body language that I could watch (and...have) over and over.

The element of choice? This is not going to be coherent, but the fact that he is learning for the first time what it means to have options and preferences, and he spends a lot of time exploring and understanding himself...and after all of that, the thing he keeps coming back to is Hawke. I think it's gorgeous. A song with refrains of pain or fear and choruses of decision and hope. He's loyal to a fault, in many ways, but understanding how much of himself exists to share and then still choosing to share it is just...man. I said this wasn't going to be coherent lol, so there you are. "If there is a future to be had..." like he doubts its existence but he's willing to chance it for Hawke. Man.

But, honestly? I've played DA2 a lot of times and never romanced another character, even though I've played through multiple romance storylines in each of the other games. I can't shake the Fenris romance. Every time I open a new playthrough, I tell myself that this is the time I'm going to romance Isabela, and every time Fenris rips that dude's heart out and I just......alright, yeah. Okay. Here we go again.

[storytellering]

.

[zukkaoru]

i think. everyone should stop reading my most popular fics that aren't really that good and start reading the ones with 18 kudos that are significantly better

[age-of-moonknight]

“The King of Killers - Epilogue: Punisher No More,” The Punisher (Vol. 13/2022), #12.

Writer: Jason Aaron; Pencilers and Inkers: Jesús Saiz and Paul Azaceta; Colorist: Matt Hollingsworth: Letterer: Cory Petit

[transingthoseformers]

tfa shockwave in disguise but he accidentally knocks up an autobot, and when they see the baby.. there are questions.

"hey why's our baby purple with red eyes and antlers?"

Sdfyui YES

It would be so fascinating because they're wondering where the hell the genes came from

And you just know Shockwave's gonna lie somehow to keep his cover

ykw I'm actually seeing the hilarious explanation of a rumor that "Longarm" is Shockwave's long lost son

[badolmen]

I can fix him*

*bad writing, underutilized gameplay mechanics, characters with unfulfilled potential, funded by bootlickers

[peppermintpegis]

netflix one piece live action feels a little like fanfic in that it makes sure it hits all the important notes but doesnt do all the work to make them hit which works in fic where the reader is supposed to bring all the emotional story investment from the original but doesnt work in a multi million adaptation that is supposed to be able to stand on its own or even serve as an intro to the series. it even does this in service to have more koby and helmeppo gay moments in this essay i w

[termagax]

u know at the beginning i kind of thought kfp4 was gonna do something with shifus whole. deal. but they didnt like at all which is a shame

[dairyfreenugget]

(Going insane boinkinh one AU in my head)

Hey hey hey

May I interest you in

(Slowly slides my FaaF AU towards you but void just Disappears without a trace one day before the accolade)

Teehee