#father grissom

[vagrantstory]

It's been awhile since i've drawn them 😭🤲🏽

[iightbringer]

gil grissom is inexplicably hot and we the people must accept that

[2kmps]

BOUNTY

hot outlaw x engineer!reader | 2.8k

story summary; shortly following the death of your mother, you come to learn that you're the illegitimate offspring of a railroad tycoon with insurmountable wealth and power meant to inherit it all. after a hasty departure from home to begin your journey across the continent of san-am, your train is stopped and boarded by a mysterious man in black tatters who claims to be there kill you.

story warnings; mentions of death, mention of bodily fluids and excrement, heavy worldbuilding, mentions of conspiracy to murder, kidnapping, neo-western setting, old-west slang used, usage of unique slang, not really proofread or edited, concept piece for a much larger project.

if you enjoyed, please interact & reblog this post!! ❣️

Mother died a week before the lawyer showed up on your doorstep with an inheritance letter and half-hearted condolences for your absentee father’s poor prognosis. A day after that, your life was stowed into a pair of suitcases and a heavier hard case that you barely justified bringing aboard the train. In three weeks and three layovers, you would be across the continent in St. Corpus, the industrial heart of San-Am, where your father awaited you on his deathbed.

Horace Grissom had fathered a new age of industry and outward expansion in lands once believed to be sprawling metropolises centuries long gone. They had been left behind as skeletons of steel and rust from a time of global war, reclaimed in totality by the roots of elder trees, the decay of salt and sea, the precarious will of mountains, and the great sinkholes and corrosion of sand and time.

Traces of that old world had survived thanks in part to the rigorous efforts of archaeologists and conservationists at the University of San-Am in Grimerise. With each new discovery, opportunistic vultures like your father blotted their pens to their tongues to their pocketbooks and readied themselves to own the patent of it like history had a price and could only belong to them. Indeed, anything could be bought, because with those fragments of history, he built the San-Am Continental Railroad which crossed through each of the five territories and was considered the premier way to travel. 

You were never allowed to ask questions about Horace under Mother’s roof as the very mention of his name would set her ablaze in some pettish, garrulous tantrum that, oftentimes, ended with you going to bed before dusk without dinner until the next day. She loved that bitterness up until the very moment she died, clawing your clothes, your skin, her nightgown, her own throat because she couldn't breathe and there was nothing you could do to save her from succumbing.

“Go in peace, Mother.” you said, kissing the back of her sun-speckled hand even as she tried digging her nails into your face. “I love you.”

She did not waste peacefully, nor did she end by staring up rapturously at the ceiling as though something else waited for her beyond it. Mother passed in blood, vomit, excrement, and all her hatred while you bade her farewell and considered who was best to call to have her body carted away to burn with all the others that had also succumbed that day. You made sure to label that as the cause of death on the official paperwork.

After that, you had made quick work of piling all of her things into boxes to be incinerated as well, certified the house was safe and in a liveable state (besides her old mattress, which was the first thing you disposed of because of the smell) for another family to move into. 

Once all of that had been finished and you gained the time to rest, you got a knock at your door, a bald, sinewy man with a round hat claiming to be Joseph Whitwald—estate planning lawyer, he made sure to specify more than once—and that you needed to leave post haste to your father's estate in St. Corpus before he perished.

“You have significant placement in his will, illegitimate or not. This is what he wanted, this is what shall be done,” said Whitwald assuredly as he rooted through the pockets of his pants and white suit vest for something. He found it and made a sound and a flourish, revealing to you a red ticket. “Take this. It's for one of the elite cabins in first class. Your father wanted you to have the best amenities that the San-Am Continental has to offer.”

Even with such luxuries available to you with the sound of a bell on string, you eventually found yourself exchanging tickets with a young woman traveling solo for the first time. She went red in the eyes, asserted her appreciation, and scooped you into a hug before taking the ticket and her belongings to the first car. 

The passenger car was considerably noisier with children running amok, drunks and musicians belting tunes while dancing in the center aisle—doing poorly to keep their balance as the train navigated the terrain beneath the rails, and ladies in bustles and fashionable blouses screaming like hens over fresh gossip. The stewards were frustrated that they couldn't get their trolleys through all the bodies, whereas some passengers let their stomachs roar through their mouths as they assailed anyone nearby (especially the poor lads just trying to deliver food) with complaints.

You liked everything happening around you; it was a good distraction from the way life had twisted your arm behind your back. The cacophony of laughter and anger felt like home, a comfortable companion to sit there with you on the empty, thinly padded benches while you stared uselessly at the inheritance papers—uncomprehending.

A gasp shot up your throat and made you bite your tongue as you were launched forward onto the adjacent bench (also empty) when the train suddenly began to slow—brakes engaged with such quickness that the wood beams under your feet vibrated up through your soles into your bones and teeth and skull until you became lightheaded and collapsed back into your seat. 

The squeal and grind of steel worsened your confusion, turned the fuzz in your head into dull drumming—aches that pulsed to a beat you couldn't figure out, but it deadened the screams all around you and bodies hitting the floorboards in thunderous heaps. 

And then, there was silence. 

The other passengers kept their voices low as they climbed back into their seats, children were smothered deep into their mother’s bosoms as they wept, and no one dared to investigate what had brought the train to such a violent stop.

“Mummy, what's happening?” asked a girl from the benches behind you. She couldn't have been older than ten, from the sound of her. “Mummy, why—”

“Lottie!” the mother hissed at her daughter, “Shhh! Say nothing else, child.”  

From a few seats away, closer to the front, you recognized the gruff, muddled voice from one of the drunkards who had been dancing in the aisle a while ago. Now, he had a bloody nose and a nasty knot growing on his forehead.

“What the hell is the big idea of them scarin’ the piss outta us like this? Do you see my face? They gonna do somethin’ to fix it?” he complained, then swigged liquor from a flask he had smuggled on. “I should go up there and give ‘em a piece of my mind. Bastards.”

“Peace, friend,” soothed a musician with an unfamiliar accent and stringed instrument. “Don't be hasty. I'm sure there’s a good reason why they had to stop. Let them find a solution, we’re just here for the ride.”

Just as the chatter was rising up again, commotion from the first class car stifled it hard, prompting some folks to abandon their seats near the door separating the cars to crowd into the rear. You were tempted to flee with them, join their pack so if they were going to find a way off the train, you'd be mixed up in their stampede and have a better chance to get away.

Except, you simply packed away your inheritance paperwork and sat there with your chin tucked to the collarbone, the visor of your baseball cap pulled lower over your sunglasses to seem as nondescript as possible. Meanwhile, the sounds from first class grew intense; glass shattered, passengers screamed and shuffled around, something you knew to be true because you felt the floor rumble under your feet again.

And then, the passenger car door slid open without the ferocity you had expected. The door scraped along its metal rail, allowing the body to pass through in heavy, languid steps. You paced your breaths to hear it all; the boots and clinking spurs striking wood with dull thuds, a baritone hum that you were convinced you could feel reverberate in your own chest as it came closer, the scuff of thick fabric and creaking leather. 

You waited for it all to pass, to move on like a slow-moving rain cloud amidst a humid summer day, but it stopped at you instead. The tips of the man's boots were within view, as were slithers of tattered, black fabric from a long duster that fell short of his shins. 

And then, there was the barrel of a gun. The breaths you had been holding shivered out of you, cold dread sank deep into your stomach and bones as the gun flicked upward a few times.

You obeyed and raised your head up to look at the man—tall, broad-shouldered, a rugged face with dark features mostly obscured by the shadow of his wide rim. 

He tilted his head, gun higher as he flicked it down and you understood that to mean to take off your sunglasses. When you did so, offering him a full view of your face, his lips lifted crookedly into a half-smile.

“Well then,” he took the bench adjacent to you before holding something up to your head, seemingly a piece of paper, and shifted his gaze between you and it just twice. “Aren't you something special? Found you, darlin’.”

“What?” you frowned. “Found me?”

“Yeah, the resemblance is uncanny. You're definitely his kid. It's all in the eyes, really.” He said, turning the paper around to reveal a photograph of a man who you did share an eerie likeness to. It was the sameness in the eyes—the color and shape and emotion they evoked through a simple still image. “Horace Grissom had an illegitimate kid a long time ago. Turns out, not everyone is so pleased for that to become public knowledge. Turns out, someone wants you to bite the ground.”

“I've done nothing wrong!” you bristled.

He settled on the bench and hiked an arm up across the back of it. “That's usually how it goes, hun. Puttin’ holes in types like you really ain't my favorite thing to do. You'd be surprised how many people get put in your exact situation. Well, eh, not quite. ‘Cause not everyone is Horace Grissom’s kid.”

“Who hired you?” you demanded. 

His lopsided smile remained. “Can't tell you that, darlin’. Confidentiality an’ all that.”

“So, then, you're a bounty hunter?” At this point, you weren't sure if you were trying to stave off an inevitability, or he had just riled you up that badly. “How much are you getting?”

“Enough to live the high-life for quite a while, I'd say.” He continued, “but I ain't no bounty hunter. Them folks gotta play by rulebooks an’ a bunch of codes and whatever. Not my thing.” 

“A criminal, then,” you said. “An outlaw.”

He shifted the rim of his hat away from his eyes and leaned towards a pillar of golden, midmorning sunlight that came in through the window. “Sure, if that's what'll make you feel better about this entire thing.”

You could actually see him now—the contrast between the ambery hue in his rich complexion and pale green of his eyes. His skin had some weather to it, enough to prove that he had seen the worst of every season for years on end without it wearing him thin, along with thoroughly kempt hair on his face and loose waves that draped slightly beyond his shoulders. 

“I…” the longer he stared at you, the less you were able to think. That was ridiculous considering you had survived the soul-crushing burden of engineering school and all of the personalities therein. “I can offer you something better than what you were hired for.”

He did a fast sweep of the colossal heaps of fabric hanging from your frame, a style you preferred to keep eyes off of you on the best and worst of days. It didn't do much to deter him as it did others. 

“Oh, yeah? Whaddya got, hun?” 

You lifted your shoulders and stacked your bones right. “I've got a vast inheritance that I'm not interested in. Horace is dying and I’m in his will to receive half his properties, along with his shares in the San-Am Continental Railway and Subsidiaries. If you can get me to St. Corpus, you can have the inheritance—every last gris.”

A shrill whistle echoed around your head, tuneful and mocking. The sound of it whittled your confidence back down to nothing, filling the space of your throat with a vise that you couldn't seem to swallow around. That same great unease you had felt before weaseled around in your chest, coiled your ribs and then plunged straight down into your gut. 

“Good offer, but it ain't on the table.” The way he spoke was easy and slow, a thick drawl that suited every bit of him up to even now. He acted as though he weren't essentially holding a gun to your head, threatening your life in the name of money—or something else. “Gris is always good to have lyin’ around, but, honey, it don't really mean a lot to a man like me. Why, then, d’ya think I take on work like this? Why do ya think I trek halfway across the five territories time and time again? What really keeps a man goin’ out here in this godforsaken place?”

You felt yourself shrink in your seat as he leaned forward over his thighs, coming closer still like he had a secret to keep. “It's for the thrill. The hunt. The challenge of it all. Now, don't get me wrong, I don't actively seek out men to shoot or… nice types like you, but part of the fun is trackin’ down, the other part is just havin’ a chat—just like this.”

Then, he had the picture of Horace held out to you between two fingers. “Tell ya what, I see that hard case you brought aboard. I know what it is, but I want you to offer me somethin’ more interesting than a bunch of gris.”

You scrunched the photograph against your palm once you had it, hoping the sweat off your skin would ruin his face and make the ink run, but looked to the aforementioned hard case instead. 

It was made of a hard plastic shell with strips of rubber outlining the odd shape of the thing. Inside was your handheld welding gun—one of many—that you had decided to bring along for little reason besides thinking it could be of use at some point during your time away. It wouldn't be enough to handle larger jobs such as the ones you were accustomed to in the workshop back in Grimerise, but it could fix a wagon or two, glue some pipes together, and do some damage if need be.

“C’mon, darlin’, sell yourself to me.” he pressed, gesturing his impatience with winding fingers. “What do you do for a living, huh?”

“I'm an engineer,” you continued hastily, “I-I can solder, weld, braze, cut, and saw. I can do anything if I have the right equipment.”

In turn, he asked, “Does that mean you can cut open a safe?”  

“If you give me what I need, I can do anything.” you said. 

A new sort of look overcame his features, one of great fondness and admiration that made the green of his eyes take on the milky luster of jade. You had the hope that this unique softness would gain you freedom from a shallow, empty death; a chance to go forward to seize the assets sworn to you by a man you'd never known.

His hands came forward to take your wrists, the weight of them first heavy and then cold as a pair of handcuffs were locked around you, knocking bone when you lunged back into your seat and fought against them. 

“I've got myself quite boon!” In the next moment, he had hauled you up across his shoulder, retrieved both your suitcases, and called one of the stewards to carry your welding gun after him. “Time to go. Gotta introduce you to the crew and get ya settled in.”

“Wait, I don't even know your name!” you shouted and thrashed from shoulder.

He grinned. “Jericho, darlin’.”

a/n: so, this is a concept piece to a very large neo-western project I'm currently in the process of outlining and fleshing out. most things mentioned in this little oneshot will not be present in the final piece, the quality will, of course, be substantially better.

jericho is an outlaw with an extremely complex background story and will definitely be one of the more interesting characters I've ever written. he's not necessarily the sort of man you want entangled in your life, but he's loyal to a fault once you have his trust. his personality tends to revolve around "taking things as they come", which is a great nuisance to those around him. he likes a good challenge, strong liquor, and good medicine.

here's a brief glossary if you're interested:

san-am: the continent where events take place. no one knows what it used to be called because most historical documents have been lost. it's divided into five territories with a "capital".

grimerise: the central hub of commerce, home of the governing bodies. it's a large city dead center of the other four territories. mc was born and raised there. the university of san-am is also here.

st. corpus: the industrial heart of san-am, found down south near the seaboard. mc's father lives there.

"gris": currency in this world. its components are coins and bank notes. it is a relatively new thing to come about because the bartering system is still the preferred method of trading.

[candlelightreader]

I was just listening to the DVD commentary on the Snakes episode and I know Grissom and Sara's scene (the only scene they're present in this Nick-centric ep) is big--obviously shipper nirvana--but the commentary by George Eads and the rest (I think one of the writers and either a director or producer) added so much weight that I'd never considered before!

So, Eads remarks on how Sara is the only one who ever talks to Grissom that way. This is, as she really dials up the husky, soft voice she adopts with Grissom. Eads also observes that Grissom is always himself with her, i.e. more of a nerd and rather stripped bare in a way he never is with anyone else. They all make comments on how emotional the scene is and how revealing it is of their relationship because, as always, Sara is 'putting it [her attraction and ongoing interest] out there'. She is never shy about wanting him. (I really need to transcribe the commentaries.)

But Eads keeps coming back to the idea that Grissom is more Grissom or is more himself with her than with any of the others. I'd add that it is not only the fact of their professional position that makes him freeze with her--I think Grissom is talking about himself when he asserts that some men are intimidated by beauty.

You know what magic, Grissom!

Anyways, something I hadn't thought of is that Grissom almost says something back, such as "Let’s go to dinner." But, of course, Sara overtalks and halts his momentum such as it were. But even more, it made me realize how pivotal this scene is, even compared to the Nesting Dolls reveal of her childhood trauma, because this is the moment when Grissom knows 100% that he isn't too late. The flirting takes on a different dimension after this. The looks become more meaningful.

This is especially significant when you consider that ealier in the season, the writers and producers are talking about the explicit intro of Sofia as a romantic interest for Grissom. She was there to create tension and her chemistry with Grissom was very much not subtext. So the decision to make 'this thing' with Sara more solid in the presence of this new love interest adds to the dynamic more than ever. Because the chemistry with Sofia is too easy and too simple. He's too smooth with her. He knows what to say to her at a given moment, because he has no interest in Sofia romantically and doesn't feel threatened by her. She really is just a colleague he doesn't hate. Ultimately, Sofia doesn't leave him speechless the way Sara does. He is not 'himself' when he is with her. Sara, on the other hand, always renders him vulnerable, which of course is why he distanced himself from her in season three, as he realized in four.

And we can see how Sara's effect on him is unique when looking at his other love interests: he does have speechless moments with Terri but by the end, no so much--perhaps there is a sense that while he is attracted intellectually, and somewhat sexually, there is no sentiment after all. With Heather, he never is at a loss for words, which leaves me to lean towards the notion that he was indeed never involved with her romantically--but, perhaps, it is her who makes him discover that sex without love makes him sad whether through conversation or more... In other words, grissom is typically putting on an air with other people. He's fully insulated against them and can act out the persona of an assured, curated Grissom, the bossman, the tin man, the nerd, the professor, the mentor, the father figure, etc.

But with Sara, he is exposed.

[dreaminginthedeepsouth]

"You keep asking questions and posing situations, and I keep thinking of my father: A man whose sink had on it one big bar of durable, good soap. And that bar of soap was used for cleaning, shaving, and brushing his teeth. It worked fine; it was fast; it was economical. He could then get on with his day. I think we clutter our minds and our lives in a way people would have liked for my father to clutter his toilet. There is too much clutter and too much thinking and too much devising. I think you need to be true to your work and your friends--these should be small circles. People who have too many friends tend to have too few ideas, I find, and they cover up their disappointment with parties and chatter and movement. Focus on working well and being there for you, your work, and your friends. One bar of soap. Taught me a lot."

~ Katharine Hepburn (Interview with James Grissom,1990)

[Thanks Ian Sanders]

[coping-via-clint-eastwood]

Happy Father's Day, Gilbert Grissom 💙

[quiltofstars]

The constellation of Cassiopeia // Junseong Yu

Read below the cut to learn more about the stars that make up the "W" shape of Cassiopeia!

Cassiopeia is named after the mythological Queen Cassiopeia of Ethiopia. As the story goes, she and her husband, Cepheus, were the parents of Andromeda. Cassiopeia boasted that her daughter was more beautiful than the Nereids, Poseidon's daughters. This enraged Poseidon who sent the sea monster Cetus to ravage the lands of Ethiopia as punishment. Cepheus, being a A+ father, asked the oracles what he should do to rid his land of this monster, and they told him to offer Andromeda up to Cetus. These two parents chained their daughter to the cliff face and waited for Cetus to eat Andromeda. Thankfully, Perseus happened to swing by and rescued Andromeda. To immortalize this story, Zeus put all of these people up in the sky as constellations.

In order of brightness, from brightest to dimmest:

Schedar (α Cassiopeiae) is named after the Arabic word şadr meaning "breast", marking its position as the heart of Queen Cassiopeia. Schedar is a solitary red giant star about 228 light years away.

Caph (β Cassiopeiae) is named after the Arabic word kaf meaning "palm" and marks the hand of Cassiopeia. Caph is a yellow-white giant star about 55 light years away.

Navi (γ Cassiopeiae) is named after American astronaut Virgil Ivan "Gus" Grissom who flew on Gemini 3 and tragically lost his life in Apollo 1. Navi is his middle name spelled backwards. Navi is a quadruple star system. The primary is a blue-white subgiant star about 550 light years away.

Ruchbah (δ Cassiopeiae) is named after the Arabic word rukbah meaning "knee", although why it is called that is unknown. Ruchbah is a binary system with the primary being a blue-white subgiant about 100 light years away.

Segin (ε Cassiopeiae) is a bad transcription of the word seginus, the traditional name for γ Boötis, although the origin of that name is uncertain. Segin is a solitary blue star about 470 light years away.

Use this annotated image to help find all the stars in this image!

[icegirl2772]

My Intro and Fics

Note: This will be edited as I continue working on my stories.

I've been lurking on Tumblr on and off for years now. But I've been getting more active on here that I've really gotten back into writing fanfiction. So, it may seem silly, but I felt an intro was in order.

I'm IceGirl2772. You can call me Ice or Icey. I've been writing fanfiction since I was 10 or 11. If you look at my FFN stuff... be prepared for the cringe. But nowadays, I am much more active on AO3.

Here is my profile link (AO3). Since the post is gonna be lengthy, as I provide a bit of background for the fandoms I write for and the stories I have, I'm adding a Read More. But in short, I write for the following fandoms (in alphabetical order): Big Time Rush (TV Series), CSI: Crime Scene Investigation, Criminal Case (video game), Harry Potter, Loonatics Unleashed, Teenage Mutant Ninja Turtles (2012 series), Thunderbirds (1965 series) and Transformers: Prime. Everything is fandom blind friendly.

Just a fair warning: I list a lot of the tags my fics have, and a few of them are NSFW. I'm also gonna be updating this as I go, so it's subject to constant change.

I'm gonna do my fandoms in alphabetical order for simplicity's sake.

Big Time Rush

I only have one fic in this fandom to date:

Take a Shot in the Dark | Teen and Up | No Archive Warnings Apply | James Diamond/Original Female Character, Background Kendall Knight/Jo Taylor, Background Logan Mitchell/Camille Roberts, Brief Original Male Character/Original Female Character | Kendall Knight, Kaelyn Knight (OC), James Diamond, Logan Mitchell, Carlos Garcia, Katie Knight, Gustavo Rocque, Kelly Wainwright, Palm Woods Kids, Jennifer Knight | Kendall Has a Twin Sister, Songwriting, Childhood Friends, Male-Female Friendship, Childhood Friends to Lovers, Chaos, Other Additional Tags to Be Added | 13 Chapters | 103k Words | WIP

She was always along for the ride. The twin sister. The best friend. But now, Kaelyn Knight was about to become the heart and soul of Big Time Rush as Gustavo takes her under his wing.

Going to Hollywood is certain to change the boys. But how will it change Kaelyn?

This fic holds a special place in my heart because I went back and forth on this idea for years, and it was actually through some of the friends I met here on Tumblr that I got the courage to post it. So... thanks.

Planned Fics in This Fandom:

First Sequel to Take a Shot in the Dark - takes place during Season 2 of Big Time Rush

Second Sequel to Take a Shot in the Dark - takes place during Seasons 3 and 4 of Big Time Rush

Odd one-shots

An AU of my fic - one where James and Kaelyn's relationship takes a completely different direction (basically an Explicit Friends with Benefits Situation combined with Idiots in Love).

CSI: Crime Scene Investigation

I only have one fic in this fandom to date:

Butterfly | Teen and Up | Creator Chose Not to Use Archive Warnings | Past Nick Stokes/Original Female Character | Nick Stokes, Kadelyn 'Kady' Stokes (OC), Original Characters, Warrick Brown, Gil Grissom, Catherine Willows, Sara Side, Greg Sanders, Jim Brass | Nick Stokes Whump, Nick Stokes as a Single Father, Father-Daughter Relationship, Family Feels, Family Bonding, Season/Series 01, Past Character Death, Other Additional Tags to Be Added | 5/24 Chapters | 6k Words | WIP

There was no denying the life of a CSI is a hard one. Different horrors every night shift. Different monsters emerging from the shadows. Always a new crime - some more horrific than others. Nick Stokes has always been one of the most empathetic CSIs, so he was often one of the most affected on the night shift.

But then, he thinks of a little girl waiting for him at home, and remembers his determination to make the world a better place for her. For his daughter. For Kadelyn. And the weight of the world is instantly lifted off his shoulders when he says two words: 'Hey, butterfly.'

This fic is a rewrite of a very old, very cringey fic I had up on my FFN. All of the chapters are very short and focus on a moment between Nick and his young daughter before, during or after an episode.

Planned Fics for This Fandom:

Stories of a similar vain to this one - all focusing on each season of the show. All named after butterfly in different languages.

Criminal Case (video game)

(There's literally no GIF for the fandom)

I only have one fic in this fandom to date:

The Adventures of Avery Samuels: Welcome to Grimsborough | Mature | Graphic Depictions of Violence, Major Character Death | David Jones/Player Character | Avery Samuels (Player Character substitute), David Jones, Samuel King, Nathan Pandit, Grace Delaney, Alex Turner, Eduardo Ramirez | Season 1: Grimsborough, Police Procedural, POV First Person, Co-Workers to Lovers, Male-Female Friendship, Friends to Lovers, Minor Character Death, Canon-Typical Violence, Miscarriage, Implied Sexual Content, Innuendo, Suicide, Bombs, Implied/Referenced Drug Use, Heteroromantic Bisexual Character, Implied/Referenced Cannibalism, Implied/Referenced Torture, Racism, Past Character Death, Death of a Child (referenced), Implied/Referenced Domestic Violence, Sad Ending, Other Additional Tags to Be Added | 68/122 Chapters | 551k Words | WIP

After completing her education at the police academy, Avery Samuels is ready for her career as a police officer in the Grimsborough Police Department to begin. She is assigned to work with David Jones, her older brother's childhood best friend. How will things unfold between the two of them as Avery navigates her new job and her new life?

This is something I originally wrote on Wattpad, and I wanted to save it when I deactivated my Wattpad account. So, I transferred it to AO3 and kept it going. It is certainly going to be a wild ride.

Planned Fics for This Fandom:

The Adventures of Avery Samuels: Welcome to Pacific Bay - Title subject to change. Sequel to Welcome to Grimsborough. Follows Avery in Pacific Bay.

The Adventures of Avery Samuels: Save the World - Title subject to change. Sequel to Grimsborough and Pacific Bay. Follows Avery during her tenure in the Bureau.

Mysteries of the Past: The Adventures of Emily Campbell - Spin-off focusing on Avery's ancestor Emily Campbell as she moves from England to Concordia. Based on Season 4 of Criminal Case.

The Adventures of Avery Samuels: A Final Conspiracy - Follows Avery as she returns to Grimsborough. Will be the final story in the series. (I'm not doing Seasons 6-8.)

Some one-shots of varying ratings.

A retelling of the main story from Jones' POV.

Harry Potter

I have two works in this fandom:

Just a Man | Teen and Up | Creator Chose Not to Use Archive Warnings | No Romantic Relationships | Unnamed Hufflepuff Student, Background & Cameo Characters, Various Characters Mentioned But Not Seen | Voldemort Dies, Past Character Death, Second Wizarding War with Voldemort, Battle of Hogwarts Aftermath, More Book Than Film Based, POV First Person | 575 Words | Complete

The thoughts of an unidentified Hufflepuff student in the immediate aftermath of the Battle of Hogwarts.

This is my very first work in the Harry Potter fandom. I'm a Hufflepuff, so this was born out of me wanting to shine a bit more of a spotlight on the house.

Even If | Teen and Up | Creator Chose Not to Use Archive Warnings | No Romantic Relationships | Neville Longbottom, Background & Cameo Characters, Original Character | Gryffindor, Gryffindors Being Gryffindors, Introspection, Based on Film Adaptations | 1.8k Words | Complete

It was a question that many Hogwarts students asked, regardless of whether they were planed in Gryffindor or another house. It was certainly asked as the dark days loomed. When certain events brought that question to the forefront more than ever.

What did it mean to be brave?

I wrote this thinking of a message by a local antibullying organisation: Speak - even if your voice shakes.

Planned Fics for This Fandom:

My plans are very fluid. I am hoping to write more one-shots. I don't see myself writing a mutli-chaptered story in this fandom.

Loonatics Unleashed

I only have one fic in this fandom so far:

A Million Things | Teen and Up | Creator Chose Not to Use Archive Warnings | No Romantic Relationships | Ace Bunny, Brylee Bunny (OC), Lexi Bunny, Danger Duck, Slam Tasmanian, Tech E. Coyote, Rev Runner, Zadavia, Various Character(s) | Childbirth, Character Adopted at Birth, Interspecies Family, Found Family, Ace Bunny as a Big Brother, Diabetes, Menstruation, Coming-of-Age, Canon-Typical Violence, Bullying, Other Additional Tags to Be Added | 17/27 Chapters | 93k Words | WIP

Brylee Bunny is a million things. An orphan. A teenage girl. An aspiring photographer. A diabetic. An outcast. A... superhero? Brylee is thrust into her new life: a life where she has superpowers and she, along with her adoptive brother Ace and five other individuals, save the world from evil on a daily basis. How will she adapt to her new life as a superhero? Especially when it brings up even more questions about the family who abandoned her at birth?

I started writing this on FFN several years ago and decided to bring it over to AO3 when I decided to make AO3 my main fanfic site.

Planned Fics for This Fandom:

A Million and One Things - Sequel to A Million Things. Follows Brylee during the events of season two.

A Million More Things - Sequel to A Million Things and A Million and One Things. The final story in the Brylee Bunny trilogy.

Teenage Mutant Ninja Turtles (2012 series)

I only have one fic in this fandom so far:

In the Darkness | Teen and Up | Creator Chose Not to Use Archive Warnings | Leonardo/Original Female Character | Leonardo, Alina Herber (OC), Raphael, Donatello, Michelangelo, Hamato Yoshi / Splinter, April O'Neil | Canon-Typical Violence, Interspecies Relationship, Interspecies Romance, Implied/Referenced Child Abuse, Child Abuse, Child Neglect, Other Additional Tags to Be Added | 15 Chapters | 62k Words | WIP

They introduced her to their world, now she can introduce them to hers.

What can possibly go wrong?

Something I started writing eight years ago and originally got abandoned, but renewed interest thanks to review exchanges on Reddit (along with rewatching the show) got me back into this.

Planned Fics in This Fandom:

First In the Darkness Sequel - follows season 2 of TMNT 2012

Second In the Darkness Sequel - follows season 3 of TMNT 2012

Third In the Darkness Sequel - follows first half of season 4 of TMNT 2012

Fourth In the Darkness Sequel - follows second half of season 4 of TMNT 2012

Fifth In the Darkness Sequel - follows some of season 5 of TMNT

Potential for various one-shots focusing on Leo and Alina

Thunderbirds (1965 series)

I have six stories in this fandom. It's by far my most active:

The Thunderbird and the Doctor | Mature | Graphic Descriptions of Violence | Scott Tracy/Original Female Character, Background Alan Tracy/Tin-Tin Kyrano, Background Virgil Tracy/Original Female Character | Scott Tracy, Tracy Family, Indiana Evans (OC) | Based on Original Series, Scott Needs Some Loving, They Need a Doctor, Implied/Referenced Child Abuse, Narcissism, Angst and Romance, Angst with a Happy Ending, Attempted Murder, Kidnapping, Birth Control (one chapter), Pregnancy, Brief Descriptions of Labour | 50/50 Chapters | 292k Words | Complete

There was a missing component to International Rescue, Jeff Tracy felt. They needed a doctor. So, he found one. Dr. Indiana Evans was one of the best-known trauma surgeons. She wants to make a difference. Little did she know how much her life would change along the way.

This baby was what got me back into fanfiction writing full time. So, seeing this complete felt very bittersweet. In many ways, it's my first baby.

The Thunderbird and the Doctor After Dark | Explicit | No Archive Warnings Apply | Scott Tracy/Original Female Character | Scott Tracy, Indiana Evans (OC) | Porn, Porn with Feelings, Some Plot, Blow Jobs, Oral Sex, One Shot Collection, Additional Warnings in Author's Note, Unprotected Sex, Masturbation, Multiple Sex Positions, Hand Jobs, No Dialogue (some chapters), Cunnilingus, Mutual Masturbation, Medical Kink, Sexual Roleplay, 5+1 Things, Cockblocking, This Author Sucks at Dirty Talk, Temperature Play, Restraints, Blindfolds, Aftercare, Bathtub Sex, Light BDSM, Couch Sex, Birthday Sex | 19 Chapters | 46k Words | WIP

The missing scenes from The Thunderbird and the Doctor. What exactly do Scott and Indiana get up to behind closed doors?

This is my smut collection. It's the missing sex scenes from the main story, but you can read it without reading the main story. Especially if you're just looking for some smut.

The Thunderbird and the Geologist | Teen and Up | Creator Chose Not to Use Archive Warnings | Virgil Tracy/Original Female Character, Background Scott Tracy/Original Female Character, Background Alan Tracy/Tin-Tin Kyrano | Virgil Tracy, Arizona Adams (OC), Tracy Family | Sequel, References to Previous Story, Past Character Death, Falling in Love, Happy Ending, Might Contain Inaccuracies, Child of Death Adults (CODA), American Sign Language, Other Additional Tags to Be Added | 5 Chapters | 16k Words | WIP

Sequel to 'The Thunderbird and the Doctor'.

We saw Scott find his missing piece. How about Virgil? It was pure fate that saw Virgil meeting Dr. Arizona Adams, a world-renowned geologist who also happens to be Indiana's childhood best friend. Will their road to happily ever after be smooth sailing?

This is the second story in a series I'm planning focusing on each Tracy brother and their love story. It's early days, but I'm happy with it so far.

The Solution Was Simple | General Audiences | No Archive Warnings Apply | Jeff Tracy | Pre-Canon, Pre-IR, Reflection, Written on my iPad | 2k Words | Complete

Jeff reflects on the sacrifices he's asking his sons to make for his dreams, and is resolved to do what he can to rectify that.

I wrote this one-shot on a plane trip actually (personal note: never write on an iPad again). I actually posted it on the anniversary I started posting The Thunderbird and the Doctor, which made it even more special.

A Tropical White Christmas | General Audiences | No Archive Warnings Apply | Tracy Family, Original Characters, Penelope Creighton-Ward, Tin-Tin Kyrano, Background & Cameo Characters | Christmas, Christmas Fluff, Snowball Fight, Snow on a Tropical Island, References to Canon, Pregnant Character | 1.5k Words | Complete

Brains had given the Tracy family a great gift this Christmas. One they were determined to make use of.

This is written in reference to the Thunderbirds episode Give or Take a Million, where Brains made it snow on Tracy Island. So, the boys enjoy it the old-fashioned way. This was written as part of the Winter Fest on the FanfictionExchange subreddit and gifted to @kristylime, a good friend of mine and co-mod who gave me the idea. Thanks, mate.

Down and Up | General Audiences | No Archive Warnings Apply | Jeff Tracy/Lucille Tracy | Jeff Tracy, Lucille Tracy | First Meetings, Love at First Sight, No Dialogue | 1.9k Words | Complete

Two people experiencing an unlucky day meet at a train station, and their day looks up.

I wrote this in response to the Fate and Luck Fest on the FanfictionExchange subreddit.

Planned Fics in This Fandom:

The Thunderbird and the Photographer - Gordon's love story with photographer Mirabel Marks.

The Thunderbird and the Author - John's love story with author Adalyn Rowe.

The Thunderbird and His Sweetheart - Alan's love story with Tin-Tin

Odd one-shots

Not in this fandom, but I am thinking of doing a fic based on the reboot with a new OC, but similar to The Thunderbird and the Doctor

Transformers: Prime

I have two fics in this fandom:

Save You | Explicit | Graphic Descriptions of Violence | Jack Darby/Original Female Character, Optimus Prime/Arcee | Talida Prime, Jack Darby, Optimus Prime, Arcee, Ratchet, Cliffjumper, Bumblebee, Bulkhead, William Fowler, Starscream, Decepticons | Kidnapping, Torture, Teen Romance, Rewrite, Amputation, Aftermath of Torture, Psychological Torture, Implied Sexual Content, Pre-Canon, Might Contain Medical Inaccuracies, Angst with a Happy Ending, Is This a Dead Dove Fic? | 23/23 Chapters | 64k Words | Complete

What if Jack somehow discovered the existence of the Autobots earlier than planned? His best friend has disappeared and he soon discovers that there is more to her disappearance than meets the eye.

This is a rewrite of a story I brought over from FFN, which is in turn a rewrite of my original Talida Prime series. I wasn't happy with what I was doing and had done, so it led to this.

Zombie | Explicit | Graphic Descriptions of Violence, Major Character Death, Underage | Jack Darby/Original Female Character, Optimus Prime/Arcee | Jack Darby, Talida Prime, Original Characters, Optimus Prime, Arcee, Bulkhead, Bumblebee, Ratchet, Cliffjumper, Miko Nakadai, Rafael "Raf" Esquivel, William Fowler, June Darby, Megatron, Starscream, Soundwave, Other Character Tags to Be Added | Post-Traumatic Stress Disorder - PTSD, Past Torture, Past Abuse, Flashbacks, Season/Series 01, Amputee Character, Teen Romance, Eventual Smut, Characters Are 16 Years Old, Is This a Dead Dove?, Slight Alteration to Canon, Other Additional Tags to Be Added | 5 Chapters | 19k Words | WIP

Sequel to 'Save You'.

It's been two years. The Decepticons have retreated into the shadows. Talida is haunted by her experiences, but is slowly moving forward with the help of her loved ones. But the tranquility is disrupted when the Decepticons make a dramatic return to the scene, causing a significant blow to the Autobot forces and marking the resumption of a war that has haunted Talida since birth. The Autobots gear up for another fight alongside old and new allies, but will they all emerge unscathed?

As mentioned, this is a sequel to Save You. This follows season one of the show, but some changes will have to be made because, in this series, Jack knew about the Autobots before the show's canon.

Planned Fics in This Fandom:

Sequels to Save You and Zombie. Unknown titles. Unknown if any other fics will crop up.

[vorchagirl]

Valentine's Day Fic Ideas

Cerys x Reyes - They get caught in the badlands during a storm and have to take shelter in a save. Smut happens.

Harry x Cerys - Set prior to her meeting Reyes, just after her fathers death. It's when she comes onto him and he knocks her back ... but with regret and many feels.

Subject Zero Kaidan x Pandora - A steamy little hookup on a mission when they separate from the rest of the team while exploring a derelict freighter and Kaidan decides he wants to fuck Pandora - but silently because they're on open comms. It becomes a game where he tries to make her moan.

Gina x Kaidan - Post-war: Gina pays a visit to Kaidan at Grissom academy and they have a little fun on his teacher desk.

[addictedtostorytelling]

Still loving the newest addition to the Happy Accidents series & your last chapter got me thinking about a potential scene I would love to hear from your perspective (or maybe you’ve already written it & I’ve just got to be patient…)

In the last chapter you mentioned Sara’s PTSD & Grissom was so sweet. Particularly this part “She knows why he is worried: Over the years, he has learned to associate nerviness in her with periods when her mental health is poor. She isn’t usually quick to startle, but during the times when her PTSD is bad—around anniversaries—she can be. She gets so in her own head that anything happening outside has the potential to shock.”

It got me thinking about how in this alternate universe, Sara would be about 6-7 months pregnant when the anniversary of her abduction came & I would love to read her thoughts on that & how Grissom helps her deal with it. Does it cause her to reflect on how different her life looks now than a year ago? Does she think about all the reasons she didn’t give up in the desert? Does she feel the baby kick & is brought out of her thoughts, grateful for how her life looks?

And if you’ve already written a scene like this…I’ll sit over here (im)patiently waiting.

hi, @chelsshearman!

good to hear from you again! i'm so glad to know you're enjoying the story so far.

i've taken a while to come up with an answer to your (very thoughtful) question, and though i can't show any prose from that part of the story just yet without revealing some major accidentsverse spoilers, i can offer you a more pared down answer after the "keep reading," if you're interested.

note: in order to avoid major accidentsverse spoilers, i purposefully use ambiguous language surrounding sara's pregnancy in this answer.

__

sara knows from experience: trauma doesn't adhere to a strict calendar.

sometimes exact anniversaries are bad, but other times the days and weeks surrounding are when the cptsd symptoms really hit.

november has historically been a crapshoot for her, any day—not just the exact anniversary of her father's murder—liable to be a bad one, the whole month something of a slog.

though she is hopeful: now that her wedding anniversary falls mid-month, maybe she'll have better associations going forward.

she is well-aware of this temporal idiosyncrasy in her brain, and so is her therapist, which is why he starts counseling with her in mid-april about what to anticipate come may, for what will be the first anniversary of her abduction by natalie davis.

admittedly, she is, at this point, distracted. not only is there a lot going on in her life pregnancy-wise, but things are busier than ever at work. by now, she is no longer in the field and has instead become the de facto "point person" for her teammates at the lab, which, contrary to what she had expected, has somehow upped her caseload. still, she tries her best to complete her therapy assignments with what few spare hours she has. is diligent about going in for sessions. practices all of the self-care techniques her therapist recommends. stays on top of taking her meds. makes sure to look after herself as well as she can.

—and especially because grissom is so obviously worried about her.

not only does he admit as much outright, sans prompting, but he also is so careful with her. he had already been wonderfully attentive, but now she hardly even has to think she might want something before he appears to offer it. she swears to god: the man is telepathic. also, far too sweet.

thankfully, as the calendar turns over into may, there are some fun, new pregnancy developments to help to take her mind off the impending anniversary: grissom is finally able to feel kicking. (for a long time, she had felt fetal movements internally, but they hadn't been detectable in any external way.) also, a first instance of fetal hiccups, which is just about the weirdest, coolest sensation she has ever experienced.

that said, about two weeks before the big anniversary™, she does start experiencing some "trauma residuals" from her abduction. she's not having flashbacks or nightmares or full-on panic attacks, per se; she just feels off. spacey. emotionally unbalanced. like everything in her head has just been shifted two inches to the left of where it should be.

she keeps expecting to have some kind of big breakdown at some point, but the catharsis doesn't ever come.

and, honestly, the lack of punctuation is what bothers her more than anything.

she confides in grissom: she's scared. she tried to get out ahead of her trauma by "doing all the right things," but she is still being affected, not in any obvious, dramatic way but enough so that her trauma is inarguably impacting her behavior. coworkers keep asking her if she’s okay. looking like they don’t fully believe her when she says she is. she can’t help but be concerned: what if the same thing happens a few years on from now? the last thing in the world she would ever want to do to her child(ren) is make them feel like mommy's sad or upset for no reason.

so she and grissom talk the issue through: they both agree that trauma is a fickle thing—particularly as trauma reactions can't always be pinned down to one day or easily predicted in terms of how they'll manifest. show great variance in intensity, duration, form, etc. also can't be totally prevented, even if one tries to account for them as much as possible. chances are, she will be dealing with after effects—from her childhood, from her abduction—for the rest of her life.

sara explains: logically, she knows all of these things. but she still doesn't want their child(ren) to suffer for having a traumatized parent. she has experience that way with her own mother. remembers how helpless she felt when she was little, watching her mother struggle; how much she internalized her mother's sadness and anger. though as an adult, she (mostly) knows better now, back then, she wondered if she caused or exacerbated her mother’s misery and questioned why she wasn't enough to make her mother happier.

here, grissom digs in: "and did your mother ever answer those questions for you?"

her silence tells him no.

grissom offers his postulate: the truth might have helped—not by making sara’s mother “magically better” but by allowing sara, even as a child, to contextualize the situation and understand her mother's mental health conditions existed independent of anything having to do with her. just hearing, in no uncertain terms, that her mother wasn’t sad for any reason having to do with her may have alleviated some of her misplaced guilt.

sara agrees: they should be honest with their child(ren) and explain things at a level they can understand.

but she still worries: it will be a long time yet before they can have those kinds of honest conversations. what will happen in the meanwhile? babies pick up on their caretakers' cues and moods, after all. she doesn’t want to do damage by exuding sadness or fear in their child(ren)’s presence.

grissom reassures her: in all the time they've been together, even during periods when her mental health has been at its poorest ("even in november"), he has always felt loved by and safe with her. he has not been oblivious to her sadness and fear. but he also has never felt that those reactions in her negated her affections. he suspects their child(ren) will feel the same.

still, she makes him promise: if she ever gets to the point where she can't be a good caretaker of their child(ren), he'll intervene. "that was part of the problem," she explains, "with my parents. no matter how miserable things got, no one said anything or did anything about it. no one asked for help. we all just sat there with it."

grissom agrees: they'll ask for help if they need it. offer help when they see it's needed, even if it hasn't been asked for. and neither one of them will give up.

the promise does make sara feel somewhat better.

—though, of course, it doesn’t fully alleviate her cptsd symptoms.

may proves to be a hard month, not only because of the trauma but for other reasons, too.

[insert major accidentsverse spoilers here]

but it also is not without happy moments—sometimes impossibly happy, like the first time they see a footprint, clearly discernible for what it is, show through the skin of her belly—and, most importantly, never without love.

she reflects: one year ago, she was alone in a desert, sure she was going to die. now, she is never alone, and she has never been surer of what she has to live for. lying in bed with grissom, his hand over the footprint protruding slightly below her navel, she feels a kind of peace she could never have imagined she would feel, just one year on from that day. she knows: what happened to her will stay with her for the rest of her life—will sometimes rear up in unaccountable ways—but it won’t be what defines her. won’t be the main throughline in her story. she’s writing that one herself, here, now. and she loves where her story is headed.   

thanks for the question! please feel welcome to send another any time.

[imaginationiskeyy]

I thought some of you may enjoy my list of Father/sons and bromances whether it be by blood or not so I thought I’d share some of my favs! :D (Please feel free to add to it)

All shows are in alphabetical order.

🎥 = Movie 📚 = Book 📺 = TV series

Father and son

Shawn Davis and Vic Davis (The 2nd 🎥)

Christopher Diaz and Eddie Diaz (911 📺)

Harry Grant and Michael Grant (911 📺)

Judd Ryder and Stuart Ryder (911 Lone Star 📺)

TK Strand and Owen Strand (911 Lone Star 📺)

Alex Standall and Bill Standall (13 Reasons Why 📺)

Jack McClane and John McClane (A Good Day to Die Hard 🎥)

Lee Adama and Bill Adama (Battlestar Galactica 📺)

Jamie, Danny and Frank Reagan (Blue Bloods 📺)

Chris Halliwell and Leo Wyatt (Charmed 📺)

Josh, Brody & Bruce Murakami (Crossroads a Story to Forgiveness 🎥)

Scott Norris and Mike Norris (Crush 🎥)

Kyle Harmon and Horatio Caine (CSI Miami 📺)

Pacey Witter and John Witter (Dawson’s Creek 📺)

Jason Dixon and Mike Dixon (Disconnect 🎥)

Bradley Branning and Max Branning (Eastenders 📺)

Ben Mitchell and Phil Mitchell (Eastenders 📺)

Ephram Brown and Andrew Brown (Everwood 📺)

Bode Donovan and Vince Leone (Fire Country 📺)

Hal, Ben, Matt and Tom Mason (Falling Skies 📺)

Peter Bishop and Walter Bishop (Fringe 📺)

Indiana Jones and Henry Jones, Sr. (Indiana Jones 🎥)

Tom Garvey and Kevin Garvey (The Leftovers 📺)

Sam Monroe and George Monroe (Life as a House 🎥)

Nathaniel Bazile and Jack Bazile (Life Unexpected 📺)

Ryan Mitchell and Captain Mitchell (Power Rangers Lightspeed Rescue📺)

Shawn Spencer and Henry Spencer (Psych 📺)

Luke Morrow and Jacob Morrow Sr. (Purple Hearts 🎥)

Max Kenton and Charlie Kenton (Real Steel 🎥)

Jughead Jones and FP Jones (Riverdale 📺)

Duval Pritchard and Jimmy Pritchard (Second Chance 📺)

Clark Kent and Jonathan Kent (Smallville 📺)

Finn Scott and Damien Scott (Strike Back 📺)

Jonathan, Jordon and Clark Kent (Superman and Lois 📺)

Dean, Sam and John Winchester (Supernatural 📺)

Stiles Stilinski and Noah Stilinski (Teen Wolf 📺)

Josh Shannon and Jim Shannon (Terra Nova 📺)

Kevin, Randall and Jack Pearson (This is Us 📺)

Stephen Jameson and Roger Price (The Tomorrow People 📺)

Cordell, Liam and Bonham Walker (Walker 📺)

August Walker and Cordell Walker (Walker 📺)

Carl Grimes and Rick Grimes (The Walking Dead 📺)

---------------------------------------

Like father and son

Evan Buckley and Bobby Nash (911 📺)

Jake Peralta and Captain (Ray) Holt (Brooklyn Nine-Nine 📺)

Spencer Reid and Aaron Hotchner (Criminal Minds 📺)

Nick Stokes and Gil Grissom (CSI 📺)

Sky and Saul Silva (Fate: The Winx Saga 📺)

Bode Donovan and Manny Perez (Fire Country 📺)

Matt Saracen and Coach Taylor (Friday Night Lights 📺)

Jess Mariano and Luke Danes (Gilmore Girls 📺)

Harry Potter and Sirius Black (Harry Potter 🎥+📚)

Steve McGarrett and Joe White (Hawaii Five-O 📺)

Peter Parker and Tony Stark (Marvel 🎥)

Timothy McGee and Leroy Jethro Gibbs (NCIS 📺)

Tony DiNozzo and Leroy Jethro Gibbs (NCIS 📺)

Christopher Lasalle and Dwayne Pride (NCIS New Orleans 📺)

Darius Tanz and Liam Cole (Salvation 📺)

Walter O’Brien and Cabe Gallo (Scorpion 📺)

Jason Hayes and Clay Spenser (SEAL Team 📺)

Sam and Dean Winchester and Bobby Singer (Supernatural 📺)

Neal Caffrey and Peter Burke (White Collar 📺)

---------------------------------------

Brothers

Brax Wolff and Christian Wolff (The Accountant 🎥)

Luke Matthews and Holden Matthews (Beyond 📺)

Jamie Reagan and Danny Reagan (Blue Bloods 📺)

Jared Booth and Seeley Booth (Bones 📺)

Wyatt Halliwell and Chris Halliwell (Charmed 📺)

Jay Halstead and Will Halstead (Chicago PD/Med 📺)

Mike Leighton and Angus Leighton (Code Black 📺)

Robert Sugden and Andy Sugden (Emmerdale 📺)

Hal Mason, Ben Mason and Matt Mason (Falling Skies 📺)

Newt Scamander and Theseus Scamander (Fantastic beasts + where to find them 🎥)

Troy Otto and Jake Otto (Fear the Walking Dead 📺)

Tim Riggins and Billy Riggins (Friday Night Lights 📺)

Seth Gecko and Richard Gecko (From Dusk Till Dawn 📺)

Max Lawson and Jake Lawson (Geostorm 🎥)

Brad Land and Brett Land (Goat 🎥)

Peter Petrelli and Nathan Petrelli (Heroes 📺)

Brax, Heath and Casey Braxton (Home and Away 📺)

Gray Mitchell and Zach Mitchell (Jurassic World 🎥)

Joey Cassidy and Nick Cassidy (Man on a Ledge 🎥)

Loki Odison and Thor Odison (Marvel 📺+🎥)

Lorenzo de’ Medici and Giuliano de’ Medici (Medici 📺)

Don Eppes and Charlie Eppes (Numb3rs 📺)

Nathan Scott and Lucas Scott (One Tree Hill 📺)

Elijah Mikaelson and Klaus Mikaelson (The Originals 📺)

Bailey Salinger and Charlie Salinger (Party of Five 📺)

Beto Acosta and Emilio Acosta (Party of Five [2020] 📺)

Leo Corbett and Mike Corbett (Power Rangers Lost Galaxy 📺)

Brody Romero and Levi Weston (Power Rangers Ninja Steel 📺)

Michael Scofield and Lincoln Burrows (Prison Break 📺)

Thomas Peaceful and Charlie Peaceful (Private Peaceful 📚)

Luke Morrow and Jacob Morrow (Purple Hearts 🎥)

Ronan Lynch and Declan Lynch (The Raven Cycle 📚)

Sebastian and Francis (Reign 📺)

Lip Gallagher and Ian Gallagher (Shameless US 📺)

Will Byers and Jonathan Byers (Stranger Things 📺)

Jeremiah Fisher and Conrad Fisher (The Summer I Turned Pretty 📚📺)

Jordan Kent and Jonathan Kent (Superman and Lois 📺)

Dean Winchester and Sam Winchester (Supernatural 📺)

Jack Pearson and Nicky Pearson (This is Us 📺)

Kevin Pearson and Randall Pearson (This is Us 📺)

Scott, John, Virgil, Gordon and Alan Tracy (Thunderbirds 📺+🎥)

Damon Salvatore and Stefan Salvatore (The Vampire Diaries 📺)

Cordell Walker and Liam Walker (Walker 📺)

---------------------------------------

Like Brothers

Judd Ryder and TK Strand (911 Lone Star 📺)

Alex Standall and Zach Dempsey (13 Reasons Why 📺)

Oliver Queen and John Diggle (Arrow 📺)

Oliver Queen and Tommy Merlyn (Arrow 📺)

Matty McKibben and Jake Rosati (Awkward 📺)

Seeley Booth and Lance Sweets (Bones 📺)

Cory Matthews and Shawn Hunter (Boy Meets World 📺)

Jake Peralta and Charles Boyle (Brooklyn Nine-Nine 📺)

Angel and Spike (Buffy the Vampire Slayer/Angel 📺)

Kevin Ryan and Javier Esposito (Castle 📺)

Matt Casey and Kelly Severide (Chicago Fire 📺)

Jay Halstead and Greg Gerwitz (Chicago PD 📺)

John Casey and Chuck Bartowski (Chuck 📺)

Angus Leighton and Mario Savetti (Code Black📺)

Spencer Reid and Derek Morgan (Criminal Minds 📺)

Nick Stokes and Warrick Brown (CSI 📺)

Zeke Pedrad and Four (Divergent 📚)

Ephram Brown and Bright Abbott (Everwood 📺)

Barry Allen and Cisco Ramon (The Flash 📺)

Joey Tribbiani and Chandler Bing (FRIENDS 📺)

Derek Shepherd and Mark Sloan (Greys Anatomy 📺)

Harry Potter and Ron Weasley (Harry Potter 🎥+📚)

Steve McGarrett and Chin Ho Kelly (Hawaii Five-O 📺)

Steve McGarrett and Danny Williams (Hawaii Five-O 📺)

Steve McGarrett and Lou Grover (Hawaii Five-O 📺)

Caleb Odell and Ty Borden (Heartland 📺)

Colby Thorne and Dean Thompson (Home and Away 📺)

Gregory House and James Wilson (House 📺)

Eliot Spencer and Alec Hardison (Leverage 📺)

Lucifer and Dan Espinoza (Lucifer 📺)

Angus MacGyver and Jack Dalton (MacGyver 📺)

Bucky Barnes and Sam Wilson (Marvel 🎥+📺)

Steve Rogers and Bucky Barnes (Marvel 🎥)

Steve Rogers and Sam Wilson (Marvel 🎥)

Newt and Thomas (The Maze Runner 🎥+📚)

Merlin and Arthur Pendragon (Merlin 📺)

Will Lexington and Gunnar Scott (Nashville 📺)

Tony DiNozzo and Timothy McGee (NCIS 📺)

Sam Hanna and G Callen (NCIS LA 📺)

Nick Miller and Winston Schmidt (New Girl 📺)

Michael Bishop and Seymour Birkhoff (Nikita 📺)

Seth Cohen and Ryan Atwood (The OC 📺)

Prince Charming and Captain Hook (Once Upon a Time 📺)

JJ and John B (Outerbanks 📺)

Daniel Pierce and Max Lewicki (Perception 📺)

Michael Scofield and Fernando Sucre (Prison Break 📺)

Shawn Spencer and Burton (Gus) Guster (Psych 📺)

Richard Gansey and Ronan Lynch (The Raven Cycle 📚)

Nolan Ross and Aiden Mathis (Revenge 📺)

Jughead Jones and Archie Andrews (Riverdale 📺)

Michael Guerin and Max Evans (Roswell 📺)

Alex Manes and Kyle Valenti (Roswell New Mexico 📺)

Michael Guerin and Max Evans (Roswell New Mexico 📺)

Liam Henstridge and Jasper Frost (The Royals 📺)

Bravo team (SEAL Team 📺)

Clay Spenser and Sonny Quinn (SEAL Team 📺)

Jason Hayes and Ray Perry (SEAL Team 📺)

Jace Herondale and Alec Lightwood (Shadowhunters 📺)

Sherlock Holmes and John Watson (Sherlock 📺)

Jax Teller and Opie Winston (Sons of Anarchy 📺)

Kirk and Bones (Star Trek 📺+🎥)

Spock and Kirk (Star Trek 📺+🎥)

Han Solo and Luke Skywalker (Star Wars 🎥)

Poe Dameron and Finn (Star Wars 🎥)

Damien Scott and Michael Stonebridge (Strike Back 📺)

Mike Ross and Harvey Specter (Suits 📺)

Scott McCall and Stiles Stilinski (Teen Wolf 📺)

Stephen Jameson and John Young (The Tomorrow People 📺)

Alaric Saltzman and Damon Salvatore (The Vampire Diaries 📺)

Rick Grimes and Daryl Dixon (The Walking Dead 📺)

Neal Caffrey and Mozzie (White Collar 📺)

Charles Xavier and Erik Lensherr (X-Men 🎥)

[buildinggsr]

The Grissoms + what happened to my father

[lullabiesandgoodbyes]

Some random considerations while rewatching CSI:

My sister and I used to call Grissom Grissoma [with an heavy portuguese accent]. The thought still makes me smile. 😊

Sara might not have the smoothest attitude overall, but she was rude once to both Willows and Ecklie and they were already out for her head - yet, no one except for Grissom and later Greg even dared to ask her why, or at least if there was something going on. Geez...

I mostly remember Ecklie as Morgan's dad in later seasons. Forgot he used to be a major ass.

I really miss wacked kid Greg from early seaons. I'm all for character's growth, don't get me wrong, and he certainly matured along with his age and new responsabilities, but... There was this episode where he was left particularly shaken by the surviving burned woman and Sofia Curtis said something along the lines: "I've heard you used to be pretty funny. Don't lose that." Can't help but to feel the horrors of the job eventually won him over.

Just for once, it would be nice to see a working divorced-later-widowed mother raising a teenage daughter who does not act out because mom doesn't spend enough time at home. Sometimes, teenage girls just understand someone has to keep the family afloat.

I still can't believe we're going to loose Warrick like that. 😟

Nick is there. Nick is always there.

I love Jim Brass, I really do. That's a man who really honors his badge and always stays inside the right lines of his job. Not sure why they always have to be revealed as cheaters, though. Ellie might have had her reasons to accuse him of being a bad father, but he never gave up on her, ever. Knowing how their arc will eventually end actually breaks my heart.

Turns out Hodges has always been a pain in the ass.

I knew about Cam Tucker and Carole Hudson before, but what is Marshall Ericksen doing at the lab??! 🤣🤣

Oh look, it's that cop who will (much) later be revealed to be dirty... 😟 Stokes always tries to learn some more Spanish around him.

Doc Robbins is da bomb. 😎

[mrbensonmum]

TV Shows - CSI: Las Vegas VII

I had to take a little writing break because my wrists were starting to feel the strain from all the writing (I have to write a lot for uni, and I also need to fill up my own page). But of course, I didn't stop watching CSI: Las Vegas, and that's why we're already in the middle of Season Four!

You can tell by now that the characters have become very well-established and developed. Many of them don't seem as young and inexperienced anymore, and that even applies to Greg. I find him the most interesting here because he has developed to the point where he's even taken out into the field, and we know that he'll soon leave the lab and go into the field. He hasn't left behind his outgoing nature but has used it to progress. His exceptional knowledge about various things also comes in handy!

Nick and Sara are now applying for a higher CSI class, and they are overshadowed by Catherine, as Grissom assigns her an important case. She brings in Greg, which further frustrates Nick and Sara. However, by the end of this episode, you can see that, due to past episodes, it's no longer just a team here but rather friends in a somewhat familial relationship (even their time together during breaks or after cases shows this). Because it's patched up, you understand why it was Catherine and why she brought in Greg. (Nick and Sara have another story connecting them, but that's more related to the actors, but more on that later!)

At the beginning, it was still a bit rough, and sometimes even a bit rough when switching between cases. But this is absolutely not criticism at this point, just an observation. Because this has also been ironed out more and more, and you always switch at just the right moment, so one case doesn't "wear out," and you have to immediately deal with the other one. As a viewer, you're always kept on your toes, which is good because with crime series that handle only one case, this can sometimes be very exhausting over the intended 45 minutes. This danger rarely exists here.

One of the big mysteries of the series has now also been revealed; we know who Catherine's father is. The casino mogul Sam Brown! Catherine found this out about Greg with a not entirely legal DNA investigation, and of course, Sam Brown immediately tried to bribe her after being acquitted of a murder case. I vaguely remember that there's still a lot to happen here, and I'm curious how the gaps in my memories will be filled. Don't worry, otherwise, I won't get on any Catherine rage train today. Since the episode with her ex-husband and daughter, she has been reformed, and you can see that in her character, which is calmer and even more grounded. Although there are still outbursts sometimes, but that's human!

What we're increasingly seeing now is the famous CSI effect. I've worked with people in the lab for a long time, and it's fascinating what you notice in such a series. It starts with the absolutely wrong use of gloves because when you wear them and work with materials, you absolutely don't touch anything else and don't even touch your hair; it would all contaminate. Then also the quick processing of analyses through various devices, including DNA comparisons. Yes, the operation of the devices is okay, and the devices are real, but everything is very much accelerated, which of course also happens in terms of storytelling. But normally, such analyses would take much longer than shown here. What's really interesting is the many reports that this was actually demanded in the real world by law enforcement agencies because, as you could see here, it's possible. There are also statistics showing that the number of students enrolled in scientific studies has increased. This shows what power and impact such a series can have when it's well done.

I'm considering whether I should also make a post about the music. I wanted to do that with Dr. House, but then I forgot. Because the individual pieces chosen are really good, plus then some scores contribute a lot to the mood of the series and to individual scenes.

Oh, come on, here's a little preview. In the first season and in the famous roller coaster scene of Grissom (the end of season one), you can hear this song, and as far as series go, it's one of my absolute favorites.

[candlelightreader]

Been binging early seasons of CSI on Pluto and it's funny how much Grissom was an AH to the staff back then. But it really comes to a head in Random Acts of Violence.

Grissom acts like he's this all powerful objective being. The fact that, at the end, he tells Warrick that Warrick was wrong and made things even worse is not only cold, but erroneous!

Grissom should've taken W off the case as soon as he found out he knew the victim's father. And defense attorney worth anything would immediately disqualify the CSI's findings. Anyone with any objectivity would've seen this coming and would've know W would get too personally involved. Grissom, as the supervisor, should've taken him off the case before it got out of hand! It is Grissom's fault, not W's, that it spiralled out of control and got a poor father to attack a man he held responsible.

[k-apme-h-salzc-a]

"A good director doesn't tell an actor how wrong they are, or how muddled. A good director is like the good friend my father was: A friend of his was depressed, in a bad way. Almost everyone told him to buck up, snap out of it, but my father only told him how much he missed his good friend, the real man trapped in whatever sadness had consumed him. My father's friend improved.

"You do the same with any artist--actor, writer, designer: You remind them of what they have and what they've done and what they can do. You keep shining light on the path they're taking, and you occasionally help them with the heavy load they've taken on."

Elia Kazan/Interview with James Grissom/1993