#feel free to say hi ^^

[le-velo-pour-dru]

Mutuals who I don't know very personally yet I am holding a sugarcube out in my hand in the hopes that you will approach me like the noble horse

[inkskinned]

i'm a little afraid to go to pride this year. many of us are, a little. sitting around our tapas and video games, the silence that hangs over the discord server. it feels different, we say.

we're privileged. the community that came before us laid the groundwork so i could be raised in a different world, and i will never forget their sacrifices and dedication. they gave us this: a pride that feels like community and celebration and joy. i remember the first few times i went to a queer event - i'd been raised so catholic. feeling safe like that, for the first time... it saved my life. i go to pride to celebrate that feeling - my people, laughing. out in the sun, the way we couldn't have been even 25 years ago. that feeling: no wonder we call it "pride."

who am i to be afraid anyway. there are parts of the world where people are doing much better work than i am. but it's just: i felt at home there, you know? and this year feels different. we are waiting on the dam to break. last year, at boston pride, there was a whole gaggle of sign-holders shouting about jesus. you walk around them and try not to let it get to you.

this year, i'm going to DC's pride with my girlfriend. google sends me concerns about if it's safe to exist in trump's america, if World Pride is a bigass target on all of us. every article uses the words "safety concerns" many, many times. three days ago i witnessed a shooting.

even straight people keep telling me - people are weird lately. sometimes we blame it on Covid and sometimes we blame it on the full moon. but i do remember a time before this, right. it's not just that people are more comfortable being rude. it's this strange, outwards violence. a comfort in being cruel.

it's a big hole to fall down anyway. it's not like they're going to do anything to make pride safe, not really. i don't want a police presence as the solution. and what if this is just fearmongering! what if this is just to get us to stop attending our own events! what if everything is actually fine, and i'm just freaked out by the stated intentions of our president!

and what if i'm just listening to things that are being said. what if i'm weighing the shape and size of this america accurately.

my mother calls me. she's been getting the articles too. i assure her i'll be careful, but i put the phone down and stare at it. i'm going to go to pride. other people made it safe for me, it is my duty and my honor to show up for my community. the only thing we've ever had was each other. it was always an act of bravery. being ourselves is brave.

but i am afraid. i lay out my outfit and i kiss my girlfriend. i cut my nails and clean up my undercut. i hold her hand and hang the sunset flag. the sound of this america feels different. like a volcano trembling. i will love her and i will love being queer and i will sing over the noise of it.

but ... still. in the back of my mind. that feeling, like something terrible has been shifted. like somewhere in the night - they remembered we're different.

[enidtendo64]

TW: Heavily implied Child Abuse

Stowaway AU where Pacifica becomes a stowaway on the Stan-O-War 2 after trying to run away from home to California. Things don’t exactly work out as planned, but at least she’s got a “Summer Internship” away from her parents now!

[egophiliac]

ANNIVERSARY GROOVY BOYBAND! THEY ALL LOOK SO GOOD, I also love the hades reference with idia! Ik ur probably really swamped with the book 7 brain rot but I wanted to know ur thoughts. I also wanted to mention that I am so card deprived I feel like I need a replacement event to take tsumderlands place

AUGH NO I LOVE THEM. 😭 UGH now I really have to think about if I want to try pulling for Grim again. dangit. heck. I already got his little pedestal to add my guest room shrine, but...now I kinda need the boss himself...

also, the implications of it not being an OB thing, Idia can just. Do That? apparently? do you think he ever just sometimes does it by accident? what am I saying, he absolutely sometimes does it by accident.

gosh though. this event has been SO cute in general! I was wondering who'd get the focus for year 5; I could not be happier that the answer is apparently EVERYBODY. :D all the dorms get their own special songs! so many cute little scenes!!! the lowest of stakes bringing out the highest of pettiness in everyone!!!!!! it's excellent.

(also, because I will make literally anything about my diaboys...I know these events are typically sorta, let's say chronologically unmoored with regards to story. but the further implications that this takes place pre-episode 7/Malleus' Big Existential Crisis, and yet...some of these lines?)

[mohntilyet]

caterina's datamined character description calling her korean-italian and early lucanis designs having him look east asian . i'll just do everything myself i guess

assorted thoughts: caterina is fully 'korean' or whatever the thedas equivalent would be in this design, and clawed her way to the top of the crow food chain after years of work. their armor is something caterina forcibly incorporated to distinguish house dellamorte from the other crows, and a symbol of their status because they get it custom made or imported. of course race-equivalents do not really exist in thedas or this world but i also will never forget how gaider just implied (east) asian people don't exist in thedas because it just so happens that there are no asians on the continent of thedas (guy who forgot about boats) . explode and die. there's not the same kind of discrimination as exists irl ofc (and the dellamortes are actually treated fine, much better than a mage or elf) but a level of xenophobia against foreigners from a different continent. illario looks the least like her, and passes for being fully antivan, which changes how he is recieved by the other crows.

and sorry if the korean is bad please actually let me know if it's horribly translated i relied on google translate . if you are one of ten asian dragon age fans feel free to talk to me at any given moment.

[rooniearts]

Does Silvers and Espios kids also have their abilities? PK and/or Invisibility?

They sure do! Let's start with Psi;

Psi inherits psychic powers from Silver, but they don't work the same. His powers are exclusively telepathic as opposed to Silver's telekinesis. He can project thoughts and illusions to any target of choice, as well as read minds. He and Alloy use the mind read/transfer thought trick ALL the time to chat and goof off without anyone knowing :'D It's the only time he's ever a real chatterbox

He's very unstable, though. When not held in check, he can't focus his powers at all or control how much of it he uses. If he doesn't wear the braces, he can just hear everyone's thoughts simultaneously, and he gets super overwhelmed very very quickly. The more stressed he is, the more power he unleashes, and the more power he unleashes, the louder everything gets. When he's in top overload like that, he emanates an aura of psychic noise around himself that interferes with the senses of anyone who gets close to him.

I think that about covers it for him, so lets move on to Alloy;

Where Psi inherited Silver's powers, Alloy inherited all of Espio's chameleon abilities! She can climb on walls and ceilings, she can use her tail to grapple and cling to things, and she has a chameleon tongue that she can use to steal shit out of her brother's hands <3

The only thing that doesn't directly transfer is the invisibility. She can colour shift, but she can't control when she does it. Usually, it only happens if she's either frightened and feels the instinctual need to hide, or if she's very angry where it works as a form of threat display.

I think that's all there is?? I hope this made sense! :'D

[neverbelessthan]

SEVERANCE 2x10 / 1x04 | "Whatever this life is, it's all that we have."

[starssoblue]

“things were so hard with dad in recent years...how did he go from paparapluie to père? i wish i could face him and understand, but while he was still here i didn't dare try to tell him [any of my feelings] and now...it's too late.” * paparapluie is a pun on the words papa and parapluie (umbrella) since the plush is a frog. père is the french word for 'father.'

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[morriemonnie]

some free draw doodles :9

[melodead]

you know from experience that hungry students will go through many, many lengths to sate that hunger—and that’s why you’ve decided to hike a mountain on a school night.

you take a cutting of berries and slide them into the glass jar. hopefully, these aren’t poisonous. they’ll need to be checked by professor crewel first, obviously, but it’s better to be safe than sorry. grim might survive eating poison. you, on the other hand? not so much. a specialist would need to vet them first.

“i wouldn’t recommend eating those, if that’s what you’re planning.”

or a very knowledgeable student.

you turn your head. jade leech smiles politely at you from the long shadow of a tree, his usual suspicious demeanor offset by a knitted yellow cap and several layers of hiking gear. his lantern casts a soft glow across his face. you wonder why he has it out at all. the sun has only just begun to set, after all.

you must be staring too much, because jade steps out of the shadow and crouches down next to you, setting the lamp on the ground. “it’s good to have one in case of any delays. the mountains can be rather perilous, as you must be aware by now,” he explains. “one reckless act, and nature’s bounty can prove fatal,”—he taps your jar—“such as these.”

you blink at him slowly. his yellow eye almost glows in the dying light of day, but they are not predatory. not today.

“right. thank you for the notice.” you screw the lid back on, put it into your basket, and push yourself from the ground. he begins to do the same. “i’ll be leaving now. i don’t want to inconvenience you any further.” yes, he did just get here. no, you will not be acknowledging that.

“not at all. on the contrary, it is lovely to see you, prefect, especially on such a pleasant day. ah, but that reminds me,”—oh, sevens. please don’t say what i think you’re going to say—“seeing as we’re both here, perhaps you wouldn’t mind a bit of a hike to the peak? the sunset is beautiful this time of year.”

you swear. internally, of course, but the idea is the same.

you really hoped to avoid octavinelle after azul’s incident. it was one thing to be riddle or leona; they hadn’t targeted you personally. moreover, riddle has relaxed on some of his rules, and leona doesn’t bother you any more than he talks to you (which is very rarely). you got over it.

octavinelle, though, had contracted your friends into forced labor (it was mostly their own fault), stolen your house (you willingly agreed to hand it over), and sabotaged you in getting it back (in a deal you knew was sketchy). it was, it was—!

oh, who are you kidding? you feel hurt. that’s the long and short of it. it is juvenile and illogical and out of character for you and you hate it, but there is no time to unpack that, and the consequences for purposeful ignorance are little to none. jade leech couldn’t possibly have cared anyways.

“-efect? prefect?” he taps you gently. “are you alright?”

but you must have forgotten how entertaining the students find you.

you step back, hands gripping the strap of your bag. “i don’t think that’s a good idea. if i went with you, the sun would be gone by the time we got there. we’ll be better off going our separate ways.”

“i beg to differ.” his eyes glance at your bag. several jars clink emptily. “you’re foraging, yes? there happens to be a berry hedge on the trail down. i could lead you there, if you so wish.”

“that’s okay. it’ll be dark.”

“then i could accompany you on the way down,” he offers, “if the dark is what worries you.”

“i’ve faced worse—and i really should be getting back to ramshackle soon. grim will be hungry.” not to mention the three other teenage boys who might be ransacking the place.

“even so, you can never be too careful.” 

you cut the pleasantries. “and what would you get out of it?”

“pardon?”

“what are you getting in return?” your eyes bore into his. “i don’t have anything to give you, but frankly, i’m not interested in any kind of exchange if that’s what you have in mind. you won’t get anything from me.”

jade leech blinks at you twice in rapid succession, eyebrows raised, before his features school themselves into something neutral. concealed, even. you’re almost comforted by the sight of normal jade.

key word: almost.

“is that what you think of me?”

“how else am i supposed to think?” your eyebrows furrow. “i could never tell with you before, but i knew you weren’t malicious at the very least. i don’t have a clue where we stand now.” excuses. truths. you hold your basket closer. “does it matter, anyways? i don’t have any business with you.”

the sun is lower on the horizon now. the lamplight flickers.

jade leech sighs—sighs!—so inaudible you might’ve thought it was the wind. his eyes fall shut for a moment. when they open again, his left one shines gold. “you’re still nursing injuries, are you not? as vice housewarden of octavinelle, it would be remiss of me to ignore someone personally hurt by the actions of our dorm. i’ll ensure your safety against anything on the way down.” his gaze meets yours. “an eye for an eye, yes?”

you scrunch your face. “i don’t want your eye. i don’t want anyone’s eyes.”

jade blinks at you—(wow, that makes it, what, three times now?)—before unexpectedly giving into chuckles. it’s breathy, and true, and a whole host of other adjectives you wouldn’t normally assign him. that must be the floyd in him, you think as you stand there awkwardly. you wonder if you should just leave.

jade gets a hold of himself soon enough though, and he ushers you down the mountain under the guise of benevolence and whatever else he tries to sell to you on the way. you ignore it the best you can.

what you don’t see is the lingering grin tugging at the corners of his mouth, the entire trip down.

[inkskinned]

i wrote an interactive poem for my girlfriend in 3 parts. she said you need to read it.

go here: take only the final quiz or take all 3. i don't mind. it's sad, though. this is a poem about choice. about fate and mental illness and how love fits inside of all of it. this is a poem about a long dark hallway. mostly this is a poem about mango sushi rolls.

good luck. i love you. despite it all, i'm hopeful.

[intriga-hounds]

I’d like to take a moment to clarify the purpose of this blog.

I don’t view my posts as “content” and I’m not here primarily for the purpose of engaging with followers or other blogs. I really hardly even look at my dashboard anymore, and I don’t always check my notes.

This blog is more of a way for me to keep records, to save and organize photos and videos that I like and to remember how I was feeling at various times in my dogs’ development.

I am, of course, cognizant of the fact that I’ve somehow accrued 15,500 followers over the years, and I do make an effort to be kind to people and to answer questions if they haven’t been asked before and/or if it involves some aspect of the dog world that’s difficult to learn about without a mentor and direct experience. I also have made very dear friends here on Tumblr that have followed me into my real and personal life.

I do not, however, answer most of my asks, especially if they are questions I’ve answered before. I’m not really interested in people having parasocial relationships with my dogs or with me. I am not very interested in notes or prestige, though I am glad that many people derive comfort from my blog. I love when people add something funny to my posts or share fanart, but I’m mostly just here for me, and that is not likely to change.

So, if I don’t respond to your asks or comments, it’s nothing personal, and if you’ve sent me a sweet message, I probably enjoyed reading it. I just don’t have the desire to engage with people as “fans” or watchers.

I’m just a lil guy who loves her dogs and wants to remember all the stuff we’ve done together. And occasionally, when I’m up to it, I do enjoy providing information on breeding and conformation because that’s the kind of info I would’ve killed for when I was brand new.

You’re all wonderful people, I’m sure. I’m just not here for you.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah