#feminization techniques

[black-star-element-23]

[agroupofcrows]

rare but beautiful gintoki decapitation momente. observe how the statue (kamui) is echoing it

[timeless-clarity]

Women Making It - Photo Essay

This series of images was created in late 2017 at the Glasgow Women’s Library (GWL) in Glasgow, Scotland. GWL is the only museum in the UK dedicated entirely to the lives of women. At the time of this shoot I was studying a BA in Photography at Edinburgh Napier University. All of the work I had been producing that year was deeply feminist and asked a lot of questions about societal norms and the needs of women. I connected with GWL to see if I could learn more about their history and what they offer. And request to make a photo series. They had women’s-only art classes called ‘Women Making It’ which still run at present! See this link: https://womenslibrary.org.uk/event/women-making-it-13/2023-08-11/

All the events and classes that they run are made with the intent of being a safe space for women, both in the local community and visiting. The women who attended ‘Women Making It’ were a range of ages coming from different backgrounds. What most of these women had in common was having experienced patriarchal oppression, either at some point in their lives or still ongoing. Some through domestic abuse and others through societal pressure or witnessing the oppression of those close to them. You can see in these images, the women were preparing costumes and props and rehearsing for a play. As well as taking a look in the GWL archives for some inspiration. In this play they would act out true stories of abuse experienced by women in the local community. As a form of community catharsis and solidarity. Many of these women came from traditional Islamic backgrounds and had felt the institutional wrath of shame controlling them. Arranged marriages were common as well as unwanted pregnancies. Domestic abuse and particular cultural narratives and expectations placed on these women. The play explored the emotional wounds of these events as well as touching on coping through substance abuse and experiencing suicidal thoughts.

A few months before beginning this project I had recently got out of a domestic abuse situation with an ex-partner, who I was living with. All the courage it took me to take back life for myself lead me to use my photography, to passionately advocate for other women who have had a similar struggles. I realised that most women in my family had also been extremely oppressed by patriarchy, most to the point of Stockholm syndrome.

Some of the words I heard growing up that shaped my reality, that became my thought patterns that justified me living with domestic abuse:

“The amount of pain that I can bare shows that I am a good person. How I can control myself and put the needs of others first is proof that I’m a good person, a good partner, a good woman.”

“How much I can take is evidence that I’m a strong person”

“When he’s in a good mood he’s great, when he’s in a bad mood he’s terrible” As a certified EFT(Emotional Freedom Techniques) Practitioner, I have an active role in supporting people who have survived trauma. If you feel the call to reach out to me for support please do, you are absolutely so welcome.

All my love,

Claire

[dabisbratz]

𝑀𝐸𝑅𝐼𝒩𝒢𝒰𝐸 𝒟𝒪𝐿𝐿 — kento nanami x male!reader

himbo!reader , farmer!au , strangers/friends/lovers , meet - cute , inaccurate farming techniques , lawyer!nanami , slow burn , depictions of injury ( minor burns ) , check - ins , dumbification , vaguely implied age gap (~5 years) , hand kink , inexperienced reader , light feminization , blowjobs , anal , mating press , fingering , hand-holding , praise , degradation , slut - calling , dirty talk , spit / drool , under-negotiated kink , aftercare

w.c; ~ 13.8k

sonny says. . . naaamiiii !!! {cry} {cry} mbaby :c can ybelieve s’is mfirst nami fic ?!?! just tbe clear, the reader’s size or height isn’t explicitly stated, but he’s vaguely hinted toward bein/appearin physical stronger than nanami.

‘ Next stop: Sekichiku ’

When he wakes up, Kento expects sunlight peeking through greenery— warm, yellow rays of light that dance and flicker across his eyelids. Warm, yellow beams that caress his cheek like the knuckles of someone tender, the palms of someone sweeter. It’ll overwhelm him at first, so bright and unapologetic as his eyes adjust and focus, but he’ll quickly crash, pupils constricting as the disturbance dwindles. And, suddenly, the star’s saturation will be comforting. It’ll be like a second. Just slower paced, peaceful. He expects the rustle of leaves, connected to strong branches and even stronger roots that dig into deep, rich soil. He expects to roll over in his temporary bed, breathing gently beneath shade, shielding his eyes from the welcoming invasion and blanketing him in a seamless flow of cool air.

When he wakes, Kento expects to hear the chirping of birds. It’s never quite enough to hear them in Tokyo. The strum of wind as it tickles his nose and pushes him forward. The swaying of grass— the smell is still so freshly imprinted in his brain, as it makes his head swim while crystal drops glide across its surface — a coarse underfoot of greenery that prickles the souls of his feet.

Tranquility by his side, urging him to get out of bed, chirping in an excited voice as it tugs on his wrist. He expects solitude, rolling its tangerine eyes and tapping its foot impatiently, “This is the break you’ve waited twenty-seven years for.”

But, instead, he finds himself clutching his chest, his heart beating with an unfamiliar pace that isn’t so calm. His body feels cold, like he’s been submerged in the deepest part of the ocean, unrelenting and ruthless as wave after wave crashes into his ribcage. The static in his ears grows louder and louder, ready to combust and burst his eardrums. Instead of the rustle of leaves, the cruel hustle and bustle of city life storms forward against his chest, shoving him back and forth. Back and forth, to and fro, against his body as his knuckles turn white and his vision starts to spot. Back and forth, as he comes undone.

It’s been so long, he’s not quite sure just how to unwind.

He starts off slow, swallowing air in desperate heaps until his legs relax, spreading toward the cushion arms of his faux-velvet chair. Then he flexes his fingers, draws them into tight fists and releases the digits until the shaking has stopped. Sips his complimentary white-wine with newfound steadiness, and tries not to choke when the intercoms ring,

‘Now approaching: Sekichiku.’

It’s a quaint little village, your district, where everyone knows everyone and the news is always, no matter where you are, city-wide. Stone-clad pavement and moss decalled windows, there’s a small blanket of achroous fog further north of town square. Yet, despite that, there’s an ever growing city of greenery and agriculture. With a small population and himself being the only passenger to unload at the station, it seems to be a lot busier than he’d originally thought. Street-food stalls and vendors, selling freshly baked goods and syrupy, savory sweets. It’s not like Tokyo, no, there’s no rush. No pushing or shoving, no overcrowded lines, no smells of smoke and burnt coal.

In fact, the air is rather crisp— the further his legs take him, the more apparent. No longer are his lungs breathing in the stench of sickness or body odors, no longer is he pushing past the fortunate, just to shove the unfortunate. And, admittedly, it’s a bit of a culture shock— but it’s not unwelcome. Regardless, Kento keeps his suitcase close, pushes it forward, sidestepping polite smiles and local shop owners.

He basks in it. The genuine nature to it all, the healthy glow of the atmosphere despite the steam, the fog, the chill to the air. He considers this a luxury— the closest to a vacation he’ll get, even if he’s technically ‘on the clock.’ Still— he soaks in the sights of hugging trees, of mossy roads and cobblestone streets. The colorful banners that jump with life, the lanterns and yellow-lighting that illuminates the day— he’s sure at night they’re even more wondrous. And, oh, the smells. Not at all like tokyo— there isn’t an overwhelming mixture of perfumes and colognes, no fast-food chains competing through aromatic smells, no heavy scents of tobacco littering the air. It's crisp, it’s ripe.

He almost takes no offense to the collision against his side— nor the screeching sound of surfaces grinding against each other, nor the loud and abrasive cry of the man bumping into him, accompanied by the crack of an apple’s core against the ground.

“Woah,” Warm breaths pan down the base of his neck, even warmer hands wrapping around his bicep with strength Nanami is sure shouldn’t be normal for a typical, everyday civilian. He involuntarily grunts, a deep sound that rumbles in his throat and earns an eager, yet apologetic chuckle. “You alright? Y’almost went flyin’!”

His brows furrow quizzically at that. First— he’s certain it’s the latter who nearly lost an arm and a leg with his tumble. Second, he hadn’t expected such a youthful, bouncy voice from the very stature shadowing acast him. Not even a bit, it doesn’t match the muscle straining through thermal clothing at all, let alone the sheer square feet of area being taken up by one person. Blocking his vision almost completely, standing straight— at an angle— that blocks a stall for fresh produce and flaky, steaming bread. The goods speak for themselves, crusted over in golden brown mountains and cloud-like, moist cross-sections.

Swallowing, Kento nods, eyeing the poorly drawn sign for fresh bread. Drawn in sharpie, the prices are written in big, bold, red letters. Endearing, almost, the curve and loop of each letter and number— the lines of each to-scale doodle of bread. Nothing like Tokyo, not nearly as artificial, not perfectly clean-cut. Not so cookie-cutter. There’s some personality in it, as juvenile as it may be. And it’s a shame, really, how promising the stand looks. Apples that shine a golden shade of red, bread that’s glazed in a sweet, sticky layer of yellow molasses and savory honey. And though he’d love to indulge, Kento has yet to label himself as the type. “Great, thank you.” Is all he says, pulling his suitcase along the perimeter of the stand.

Some other time, then.

The days are long as they are hard. The sun has yet to fully set, and still, the Earth pulls and pulls to weigh it down onto your shoulders. The sky is painted in hues of orange and purple, strokes of tangerine and lavender roaming past your bird's eye view. Your back pops as you stretch, arms tensing against the woven basket of leftover harvest, shiny red fruits aligned with the horizon and reaching toward the tiny glimpse of departing stars.

Where blossoms grow from tiny seeds, and orchids dance in gentle breeze— beds upon beds of farmland and agriculture drape the outskirts of the farmstead. Though the weather is turning, branches are starting to grow bare and bloom in color, the wind picks up its seasonal chill, and the clouds have begun to dissipate into the sky. . . The well-received proof of your hard work is still something to behold.

“—ome any minute, now,” You’ve heard it all before, your mother gossiping to her farmer-wife friends as she nurses sweet teas and tangerine tiramisu under her calloused, warm hands. You’d been a mere two steps away from where she sits at the open-island kitchen, shoes tipped in the illuminated speckle of celadon clearing just adjacent to the sliding, front, cedarwood door. “Said so, at least. Did you hear. . . ” Windchimes sing in welcome, soft and mellow as the door opens and shuts behind you, socked feet slipping from boots to warm, fuzzy slippers.

“M’back, Mama,” You mumble, half-humming along to the tune of muffled windchimes the further you walk, arms hoisting the overflowing basket up to your chest. A sweet sigh, then pitter-patter of fleece against parquetry, and the discovery of a sweet, cherry-red ladybug walking along your knuckles, leads to the basket securely placed on a free countertop. There’s a quirk of her brow, something of a gentle question— more of a suggestion— not completely committed to keeping two conversations at once. How’d it go?

“No luck sellin’ today,” your voice buds, small and soft as your eyes trail the curves of a particularly large waste of an apple. An evident pout on your lips, then a quiet huff of air.

Farming has been your whole life, really. It’s what you’re best at, good at. Ever since you were young, barely tall enough to push away tall-grass— barely strong enough to pull out weeds, you knew it was yours. Something special, gravel crumbling and breaking beneath heavy, solid boots and rubber tires. The remnants of small, flying rocks, pelting into each other and leaving behind white, gray smoke as your tractor comes to a slow, gradual halt.

“But I met someone new!” That peaks her attention, nothing short of a gasp coming from a pair of lips—identical to your own— and here come the questions. Was he blond? Oh, I knew it! Did he buy anything? Well, why not? Was he tall? Thought so. . . How about handsome? Come on, now. .

“He was . . hmm, pretty.” Is how you’d like to put it, raising a finger to the air in finality. Truth be told you don’t remember much about his appearance— it was more so his demeanor. He’d bumped into you— you think— and yet, there was something so smooth about him. Not even his slicked hair, wavy at the end and curved just right to frame his face and bleed into the bristles of his blond undercut. He’d carried on like it was nothing, still polite, even admired your handiwork on your stall’s banner. A sweet thing of a stranger.

“You’re so easily impressed,” The smile dusting your lips curls into a wee, nasty little frown. That’s just not true. “A good thing, too, you’ll have to like our new neighbor.”

Her voice melting through one ear and out the other like freshly harvested honey has your throat tied into a thick knot, stuck right at the base of your neck and only growing in size. Hands thrumming against the granite countertop, your body leans inward.

“Neighbor?”

“Mm,” She hums, landline trapped between her ear and sweater-clad shoulder. You’re not entirely sure if it’s toward you or her friend, either way, her conversation stays ambiguous. “I heard he’s some fancy lawyer. You think he’s defendin’ the Hasaba girls from last year?”

That’s something to think about. Two little girls who’d been found locked away by some sort of— police officer, was he? Perhaps something more authoritative, and taken into his personal care. You wouldn’t be surprised if it became legalized— you’d only met that man (Suguru Geto, was it?) in passing, but his stature seemed dead-set on protecting those girls.

There’s a muffled gasp on the other line, crackly with static as a finger twirls around the phone’s coiled, mint wire. The rest of the conversation goes unheard, slippered feet carrying you to the large, alcove window that displays just enough equal farmland and neighborhood housing. And, sure enough, as if on cue, it’s not hard to make out the lines and shadows of the ‘ fancy ’ lawyer, his fluid silhouette effortlessly carrying luggage and— what looks to be— a box of books. Documents, perhaps.

“You didn’t— how come you didn’t say nothin’ ?!” Your excitement has you toppling over, limbs every which way as your face presses into the glass window. When you’re stuck in a place where everyone knows everyone, there’s something exhilarating about having a new neighbor. And he knows nothing.

There’s a quiet mumble that roughly translates to: ‘You didn’t ask.’, but it’s filtered out by the sound of your full-footed stomps. You opt to keep your slippers, racing toward the neglected basket, mind completely set. “I’ll be back, Ma!”

The path along your house isn’t dangerous, but it is harsh on bare feet— inured by heavy boots and pick-up trucks.. Still, it goes completely ignored as you carry the heaviest basket of goods you own, anxiety twisting and turning in your stomach— bunny hops into your chest and stomps and stomps and stomps. You’ve carried yourself past the intersection of the cobblestone path, a lot more smooth the closer it gets to the large, usually untouched, rental home. The lights are off— save for the dim, yellow glow of a small porch lamp resting above an unsullied, sleek and wooden rocking-chair. When there’s no one to inhabit the home, it’s always been comforting to look at— but now? .

Cold would be one way to put it. Your feet are cold, your arms are cold, your hands are cold, and you’re stood at his front door— frozen. Scared is another.

Even so, you’ve always been told you’re the ‘bravest boy’ in your whole district. Cry-baby habits and all.

The door opens before you can knock, and all you can register is brown. Brown wallpaper— the beige type, just barely meeting the requirement. Patterned with old, vintage looking floral prints. Brown, sleek wood of a bannister— steps that lead down into the living room, but are visible from the front door. Brown eyes, such a specific shade. When exposed to the light they almost look gray— green?— but as he stands before you, there’s nothing but molten chocolate and burnt honey-candy. A brown leather belt, securing crisp slacks and an equally crisp button up. You expect to see brown loafers, but—

Fuzzy slippers, brown and soft and cute. Little black buttons for eyes, and two floppy, fluffy ears— reminiscent of a bunny.

“Oh. . . Can I help you?” You’ve heard it before, his voice, but it’s even more striking than ever. It’s easy to forget the voice of someone you’d just met, but there’s something so. . distinct about it. He’s got a slight accent, too, something Tokyo-adjacent— you’ve always wanted to visit for longer than the feeble four hours of a busy work-trip.

“Mhm!” Pretty lips spread to their best grin, pulling at your cheeks until the babyfat wells up. “Well, no— um, actually. .” Brown eyes are expectant, but calm and patient as they watch you fumble over your words. Your fingers tremor as the basket is thrusted forward, heat blooming in your cheeks. “These— This is for you!”

“Ah. . .” Pink lips part, cupid’s bow prominent. There’s a beat of silence, then the sound of his front door closing with a slight click— right in your face. For a moment all you can do is stare, eyes boring into the dark, chestnut wood of the rustic front door. Staring until it’s gone blurry, eyes bubbling with fresh, unshed tears. And, nearly spilling over like an overflowing faucet, they gather before you can blink them away— fat and thick and embarrassing.

“Um. . I like your sli—slippers.” Fully aware you’re speaking to an unmoving door, you can’t behind yourself to walk back the moss-decalled path home. It’s not so cold anymore, your bones having rung out in the, metaphorical, hot sun until they’ve dried completely and— now it’s warm. Warmth in your nose, stinging as you sniffle and bite down a hiccup.

“Sorry for the wait,” Mahogany shifts, offset by a deep rumble of a voice, smooth like velvet in comparison to the sharp, slow creak of door hinges, “Here.”

Dam rebuilt almost immediately, your body straightens. Him again, this time his eyes trained on what he holds in his hand. Brown and gold like sweet honey and, by God, it’s the most crisp set of yen you’ve ever held in your life. His fingers dance with fluidity you’ve never seen before, counting through each slip until he’s deemed an amount satisfactory— there’s a slight patch of hair on each of his knuckles, an array of veins that cascade into his forearm. His fingertips look a bit rough, but his nails are glossy and clipped. Even his cuticles are pushed back, just enough to look healthy and natural.

“Oh! I wasn’t trying to—”

“I know it’s rude to tip, so I left the exact change,” You blink. Once, twice— again, lips parted like a fish, fresh out of water. Then he’s hoisting the basket from your trembling hands, eyes downcast. “Next time, don’t give out things you worked for, for free,” Right where his eyes dip, his monolid, there’s a small mole— cute and circular, and had you not been studying the curves of his face you wouldn’t have noticed it. “You should wear a coat, too.” And, like a schoolboy, you can’t help the flurry of butterflies catching flight in your stomach.

“Yes, Sir,” Pearly whites biting at the fleshy, pink insides of your cheek have your lips puckered, pensive and sweet as you clutch the money to your chest. “Sorry about earlier— um, if it’s okay, I could help with your boxes?”

He leans forward, careful enough to keep the respective bubble of space between the two of your bodies, glancing at heavy, book-piled boxes labeled ‘N.K.’ The woven basket creaks under the weight of his chest, but it stays in one place nonetheless. “That?” He sighs, pinching the bridge of his nose. “It’s fine, just mail. Must’ve arrived before I did.”

It’s a bit awkward, really. Anticipation nips at your fingertips— you’ve never really had to work so hard to continue a conversation. You’ve never had to think about it either, if the words were coming out correct, if anyone was comfortable with your presence.

“Oh,” You breathe, subconsciously leaning closer. Perhaps it’s a miracle he hasn’t actually shut the door in your face, and— right. Your hands move to wipe away any streaks from your cheeks, a small sniffle ringing in the air. “Sorry f’I bothered you. I live, um, closest to the windmill. Yknow, just up the path from here. . . ?”

You haven’t known him for long, but you just can’t consider him comparable. Maybe it’s your heart speed-running past any other rational thought, maybe it’s the blooming heat in your chest, maybe it’s the shiver of winter trailing down your spine. You find yourself desperately hanging onto his every breath, only ever beaming when he shakes his head.

“Kento Nanami,” Tense shoulders relax with a deep inhale, the sweet smell of chocolate stuffed bread filling his nostrils. All that trepidation washes away, hushed under the breeze of Kento’s slow breaths. “Did you make these yourself?”

The door creaks, quiet and welcoming as Nanami extends an arm, stepping aside. Once his eyes finally settle on you they harden, just for a moment, as if he’s finally noticed the pull of your eyes— the crystalline seam tightlined around your waterline, the bright red strain of veins peeking behind your lids. Still, he says nothing, until you’ve introduce yourself with watery tremors.

“It’s cold, and you came all this way without a jacket?” Your eyes trace the vapor floating into the air as he sighs, irises dancing along the edge of your bare forearms. “Come in.”

Your muscles straighten up under his gaze, rippling until rigid as you eagerly nod, “Y’don’t think we could share some of that bread, d’you?”

The best time to farm, you’ve learned, is just after sunrise. The sun rests her head on grassy hills, still groggy and not quite awake yet, herself. But you are, suited up in your boots and overalls, not a single lantern in hand. That’s the first plus, natural lighting of the rising sun. The sweet, dim bath of light that paints the path from your home to your plantation in molten gold.

Then there’s Kento. You’d think he never sleeps, but you’ve seen it. Ritualistic, in a way. For the last two weeks, you’ve watched him go about his day. See, the window of your bedroom leads straight into his study, where he prefers a dimly lit lamp over the bright fluorescents. It’s almost hard to tell when he comes and goes, seeing as whenever you look, there he is. Sat in a swiveling chair and hunched over his desk, writing something in a notepad and skimming through— what looks to be— more documents on his computer.

You can only tell he’s going to bed once there’s a sigh, a pinch to the bridge of his nose before smoothing out his eyebrows, then the discarding of silver-frame, rectangular reading glasses. The lamp stays on, as if he knows he’ll be back in less than seven sleeping hours— which you think, for him, translates to roughly thirty minutes.

And, though he can’t see you, you always make an extra effort to wave up at his study, just before starting up your tractor.

You never expected him to wave back. You never expect his eyes to trail from your face to your supplies. And you, most certainly, never expect him to join you. Two thermal mugs in hand as he makes it over the small hill from his home to your own, past the thorn bushes and vacant tangerine trees. Hot chocolate— piping and rich, it coats your tongue in its sweetness and splashes against your lips with comforting warmth.

“Mm!” You hum, blowing through the small gap between the thermos and its sealed lid. You’d assumed your scarf, wrapped snug around your neck, would do the trick— keep you warm enough — but this seems to actually hit the spot. Sticky accents from remnants of unmelted marshmallows, its fluff clings to the corner of your lips. And Kento, nursing his own mug— though it contains tea— looks up to watch you grin, shards of tiny sugar crystals clinging to your pouty bottom lip.

“Hold still,” all but purring, his thumb swipes at your lip, wipes away the stickiness until they’ve parted— breathless. His eyebrows furrow with concentration, as if it’s a practiced habit, absentmindedly licking his thumb clean with one smooth, quick dart of his tongue.

“Sweet.”

Your breath circulates into the air, a swirl of white that dispels almost immediately. Your thoughts are cut short, breath stuck in your throat, eyes wide and glazed over with astonishment. “It’s— huh?”

“Sweet,” he chimes, lips curling around each letter. He’s beside himself, nearly forgetting who he is until the clear of his throat and a resigned grumble. “I can’t fathom how you manage to drink. . . radioactive waste from a cup.”

His humor is dry— something you have to think over for a moment before smiling against the lid of your cup. Kento notes how you smile— with your whole body— eyes closed tight and teeth on display, shoulders bunched and your stride much more bouncy. He tries not to smile when you giggle, hiding the lower half of your face behind the piping mug as your shoulders brush against his own. With each step the closer you get— to both the blond and your truck.

“It’s good,” Your voice lifts at the end of the statement, feigning offense as you lick your lips. Soft tongue against soft lips, Nanami partly wonders if you naturally taste as sweet as your preference for drinks. “M’not bein’ mean about yours!”

“I'm not being mean,” He corrects, a silent apology laced in his tone— just in case — and your knowing gaze lifts from his cup to his eyes, blazing bright and beautiful. He basks in your attention for a moment, like the gentle rays of a sun-swept island. Had this really been a vacation— no carry-on cases— he would’ve considered booking a flight to Malaysia.

First, he’s buckling you into your seat— it seems you’d forgotten, then he’s reminding you to put on your gloves, despite having bare hands of his own.

“You do this for a living,” is his justification, though you deemed it more a reason for him to wear the protective gear. “You wear them.”

And, now, he’s listening intently as you explain the mild inconvenience that is the technicalities that come with farming. He learns of your affinity to animals. Your slight, biased preference for gardening. The way your nose wrinkles when you think too hard, and the way you often forget what you were saying as you say it.

Though the scenery outside the passenger seat window is beautiful— valleys of faded green and brown, a light fog dusting the air. The symphony of crickets and cicadas, and of course, the sunset making its round up the horizon, teetering along the age of the Earth as it paints each and every blade of grass in its light.

He helps you out of the car as if you haven’t done it yourself a million times, careful not to spill your drink in his other hand. He’s awfully tender, too, his thumb absentmindedly circling the glove-clad skin of your knuckles as your hand squeezes his own. The door slams shut, and he doesn’t miss your expression twist as you whisper a small ‘oops, sorry!’ to your precious truck before unloading supplies.

Kento can’t name a thing— he’s out of his depths, here, but he helps anyway. He carries it down the never-ending row of cabbage and radish, watches his step despite nearly dismantling at least three dozen budding vegetables simultaneously. And you don’t yell at him once, instead offering words of sweet encouragement until you’ve found the place to start, dropping your assortment of tools and buckets.

“M’kay, ‘Nami,” He watches you drop to a crouch, warmth blooming in the apples of his cheeks. It’s not just the suggestive position, nor the way your pretty eyes look up at him from there— but it’s how sweet you say his name. . going as far as to give him a nickname, too.

Still, it manifests through the twitch of his eye, which you don’t catch onto, as he kneels alongside you.

“‘Nami—”

“No. It’s pronounced Nanami.” He interjects, his grip tight along the base of unsavory, frostbitten weeds— at least, that’s what he sees you doing anyway. Almost too tight, heavy and thick hands flexing, you can see the bend of his knuckles as his fingers dig into the roots.

“Na,”And, the smell of dirt, it’s so strong, the earthy undertones invade your nostrils and have no intent on stopping. . . “—na,” Raw, natural. His palms press in at the sides, thumbs stroking at the soil as he feels around for growing stems. For a moment it’s silent, save for the crackling radio beside you. Your pretty lips part, and sweetly, you’ve sounded out his name. “—mi.”

A puff of air leaves his lips, a scoff of a chuckle, and he’s giving a slight nod, quietly whispering the syllables of your name in acknowledgment. “Mhm?”

He doesn’t miss the way your lips split into a wide grin, weeds absentmindedly disregarded for a moment as you giggle, “I already knew that— I just said it!”

“Mm,” He agrees, though he’s not entirely sure you did. Then his heavy fingers tap your wrist— gentle, barely even a tap, but it gets you back on track— picking up the dead weeds. Kento watches, your hands gingerly plucking them free from the root, mastered and effortless.

Your fingertips dig into the soil, palms sticky and damp, littered with defrosting grass along each ridge and defining line. There’s so much care in your fingertips, and with every successful pull your eyes ignite. Like a cute, overgrown puppy. “Good. You’re a smart boy.”

“Y’think m’smart?” And, though your shoulders bunch up— a bit more bashful, you’re shaking your head. “I mean— I knew that already, too,” and it washes away as fast as it arrives, replaced with genuine exuberance. “I tell m’self everyday!”

The blond catches it anyway, gaze unwavering, even as your own struggles to keep contact. Nanami’s eyes are remarkably intimidating despite belonging to someone who’s positioned so utterly relaxed. . Crouching just as you are, but with smooth shoulders and lax biceps. Still, they’re visible through the silk fabric of his button-up, but he seems used to it. Tufts of blonde hair, slightly unruly and disheveled— swept back with gel, yet still set off in a flurry of gold by the back of his head, as if he’d rolled around in bed and decided to lounge about instead of retouching it.

Cozy.

“I do,” The sun dawns down through thick, gray clouds, framing his bronze locks— and with his lips slightly parted and his skin picking up a peachy glow, he looks almost seraphic. “What were you saying?”

“Um,” You pause to rethink through the last hour, warmth blowing past your cheeks as a particularly nippy gust of wind rushes by. “. . We sell ‘em, the weeds! That won’t be for a few days, sometimes we keep ‘em for cookin’, but . . . these aren’t any good.”

“Too many?” He asks, as if it’s the most interesting thing he’s learned in his vacation here, by far, despite having learned that just a few days ago.

“Too many!” Pretty lips part into a wide grin, and perhaps that’s the conclusion to Kento’s sightseeing.

౨ৎ

Kento tries not to lie— not unless he absolutely needs to.

With your black on black attire— a large, knitted sweater, a black bomber atop it, dark jeans to match, a hand-woven gray scarf wrapped around your neck, and white sneakers that carry a cream-colored accent in its threading— it’s hard to keep his mouth shut.

“Where are we going?” Is his first question— but there’s so much more he means to ask. Since when do you dress so nicely? Do your parents know you spent extra farm money on those shoes? Is it bad to feel the urge to hold you closer, just so no one gets any ideas?

Nonetheless, checking the silver-plated Rolex along his wrist with the slight tussle of his lapel-collared trench coat, just before popping open the passenger’s seat of your truck, he ignores the growing thought.

“You’re always locked up in your house,” Twisting your keychain covered keys into the ignition, the truck starts up with a gradual rumble. You’ve figured something was wrong with the oil for quite some time now, but it’s never been enough to start any problems. “Don’t y’wanna have fun?”

That doesn’t entirely answer his question, nor does it ease his mind— a vacation this is, yes. But it’s also paid, and he’s technically on the clock whilst being here. Still, he nods just once, the clench of his jaw apparent in the faint valleys of muscle just below his ear. Though, he supposes he could say the same about you. Every day you wake up, harvest, water crops, feed your animals, clean out troths and shovel up feces. He’s not even entirely sure if that’s your idea of fun— but he hopes not.

Kento doesn’t expect you to be such a great driver. Smooth turns and a gentle ride— even with cobblestone streets and gravel trails. You get carried away when you talk, too, hands moving about and your gaze trailing to his eyes every few seconds. He has to remind you— “Don’t take your hands off the wheel,” “Don’t look at me, look at the road,” — but Kento would be lying if he said it weren’t endearing.

It’s almost like you can barely function without basking in his presence.

“If it were warmer,” You swallow, finally stopping to catch your breath after the last fifteen minutes of rambling. The car slows down to a halt, an overhead traffic-light flashing a bright, crisp shade of red. “We could’ve went apple-pickin’ . . . or even oranges!”

You take the time to fully face him, eyes trailing up his dark trousers and gray turtleneck— it bunches at his chest, and you’re sure without his trench coat it’d be just as strained around his biceps.

“What do you do when it’s cold?” He muses, ducking his head to watch the passing of trees and inner city shops.

“Hm?” You hum, but before he can repeat the question you beat him to it. “Uh, we have this lake— it’s the first to freeze over when it’s cold. . ” So quaint, his eyes gloss over pedestrians as they live amongst themselves. Walking their dogs, sharing a drink at an outdoor bar, couples huddled close together for warmth. The sidewalks are clean and clear, there’s a polite, happy bounce to everyone’s step. Fairy lights blink in every other window, casting a sweet, bright hue along the streets below it. Kento understands it all, despite it being much more. . comfortable. . than Sendai. “And, when it’s completely frozen, we skate on it!”

It feels like home. A gentler, cozier version of it.

“I’m sorry—” The blond clears his throat as he turns to actually look at you, having fully processed your words. “Skating?”

“Are y’scared?” Nanami tries to ignore the burning of his throat when you laugh at his silence— a pretty, featherlight thing of a giggle that only progressively makes it harder for him to catch his breath.

“No,” He grumbles. He’s actually done it before— his younger, studying ‘coworkers’ had a knack for dragging him around outside of work hours— and he wasn’t free from it, even in winter. Yuji, Megumi, and Nobora, perhaps the three only people who could have him willingly risking a fractured disc.

“Don’t be scared, ‘Nami!” The car turns into a short trail, decalled in various signs and brightly colored symbols. “I can help you, m‘kay?”

Four people.

He nods anyway, save you the meltdown, and lets you drag him out the car once you’ve found a good place to park. He’d think it was illegal had there not been a sign for it, let alone communal skates in varying sizes. They’re in good condition, too. A small wooden bench— decorated with moss along its sides, he brushed his fingertips against it by accident— keeps him steady, but when he looks over to you, you’re already walking around with untied skates.

“Come here,” He beckons, voice soft and fond as he quirks a finger in your direction. He watches you fumble, nearly tripping over your own legs as opposed to your laces, but you make it over to him anyway, thigh against thigh. You brace yourself when he pulls your legs over his lap, shifts in his seat and tightens them just enough— “It’s not hurting you, is it?”— to fit comfortably.

“Thank you, ‘Nami,” He can hear the sincerity in your voice— as if he’d saved your life. Your breath pans across his face, warm and minty as you shake your head, “Doesn’t hurt. . .”

He offers a gentle pat to your knees once you’re fully set, softly dropping them back down as he leans to tie his own. It’s a quick process— not as tedious as the knotted up, tattered ones back home— a much more nice change of pace.

The ice, though, is considerably worse. He surmises it’s because it’s relatively untouched— if the whole village of Sekichiku had done two laps over it still wouldn’t have been enough to leave a noticeable dent in the ice— so his skates have nowhere to grip. You, though. . .

You’re much more graceful on ice than on land. A slow turn here, a quick twirl there, you could skate laps around him if you so choose. But you don’t, instead holding onto his wrists as he stiffly skates forward. Kento’s nose is nipped with pink, matching the particular shade of his lips as they part in concentration. The shade dispels down his cheeks, and you’ve never seen his face so. . . soft.

“Say, ‘Nami?” You huff, holding his wrists as you move in a slow, clockwise circle, turning you both. “When’re you leavin’?”

The truth bubbles in his throat, tougher to swallow than he’d originally thought it’d be. He clears his throat, avoids the question, and instead of freeing his wrists altogether, he holds your hand. You’re pouting when you slowly swivel to his side, his heart somersaulting almost painfully at the cute, wee frown to your lips. “Hey,” you whine, caught off guard but still pleasantly surprised, squeezing your palms against his own. “What’re you doin’?”

You’ve always been undeniably sweet. Kento thinks back to your basket of goods. The sweet, savory, aromatic flavors of bread, meats, cheeses, chocolates. How you have it to him so sweetly, no questions asked. There’s no ulterior motive to your demeanor, either. It’s peculiar to have someone so. . dependable. Someone to easily lean on, someone so— hospitable.

You’re perfect.

“I've never—“ He pauses, watching smoke dispel form your lips. An intimate position, he’s in— close enough to hear your breaths, holding on tight enough to feel your pulse through your fingertips. “Noone has ever done this for me. Thank you.”

“What, take you skatin’?”

“Support me unconditionally.” He pulls away before you can say anything in response, relishing in the thought of your pulse speeding against his knuckles as he stiffly skates back toward regular land.

The ride home is smooth, but quiet. And once you get there, hunger overrides your hospitality.

You like Kento’s rental— its kitchen is spacious and just big enough to support the mess of pots and pans that come with baking. It’s warm and inviting, the stove works great and the oven even better. Its heat burns a little brighter, but nothing you can’t handle.

Pain au chocolat — chocolatine — and meringue cookies; they’re a pain in Kento’s ass. Not even something he’d try to attempt without you there— he’s happy to watch you whisk away and laugh at his disgruntled faces. A “taste-tester”, you’d called him, scooping one sugary accessory after another onto the pad of your fingertip and asking him to try.

You weren’t lying. You really do know how to bake— flour dusted skin and all. Twisting raw dough into pretty sculptures of bows and braids, scored surfaces of x’s and o’s, light layers of warm butter that seep into soft, risen dough. And when it bakes, oh, how sweet the smell of aromatic bread is to Nanami’s stomach.

Studying the contours of a pretty face— baby fat rounding your cheeks as they pool into a sweet smile, pearly whites displayed brighter than the moonlight leaking through the floral curtains. Your laughter is wholehearted, hands gripping the hem of Nanami’s fleece shirt, body tipping toward his chest as your giggles dispel into the warm, brown-sugar baked air. For a moment he mentally swoons, something of a comforting coo, eyelids heavy and blanketed with the same baking powder littering your handsome face. He relishes the warmth, which leaves just as fast as it arrives, and suddenly you’re reaching into the oven without your cute, fluffy puppy-patterned mittens protecting your hands.

“Wait,” His tone is harsher than intended, solid and thick, and you— the sweet, softheaded boy that you are, don’t entirely deserve the worried look on your face that melts into sharp, hot pain.

“Ouch!” Your elbow smacks into Nanami’s calf as you flinch, fingertips raw and numb— still pulsing from the fresh burn. The man crouches down, knee to ceramic, palm to your warm shoulder, and suddenly your wide eyes are glittering and gleaming. Had the smile from your face not been growing, he’d have been appalled. “‘Nami, did you see that?!”

“Silly boy,” He sucks his teeth, pulling your clasped hands from your chest. Gingerly, he plucks out each finger one by one, runs the pad of his thumb along the burn sites. “You have to be more gentle with yourself.”

And, as if he’d declared to destroy your favorite equipment, your shoulders deflate. Hazel watches as tears well in your eyes in real time— with award winning speed, really— glassy and wet and oh, you’re so cute. It was just a small reminder, nothing too harsh— it could barely be considered scolding. Yet here you are, sniffling and averting your gaze. Eyes glossed over while your fingers instinctively curl over his own for comfort. Then a small, petulant, “M’sorry, ‘Nami.”

“None of that,” Soothing, it's gentle and soft as his thumb travels along the numb pads of your fingertips. And though it was already a faint sensation, you can tell his touches are deliberately featherlight and calculated, cautious. “Nothing to cry about.”

“I’m not crying,” You grumble, though his ears register the sound as a wet sniffle as you rub at your cheek with the back of your free hand. “I don’t do that.”

“Of course not,” The breathy lilt tongue voice gives it all away, a tiny smile dotting the man’s lips. They’re entirely too enticing, a sweet shade of pink that dispels into the milky tan of his skin. Sheen and glazed with what could be spit, your lips part to mirror the same smile. Though yours is larger, his isn’t any less exuberant— luring you in one centimeter at a time until, inevitably, his breath ghosts along the expanse of your jaw— you can almost taste him.

His voice breaks through the thickened silence, “But it’s okay if you do.”

The next two hours should go by just fine.

౨ৎ

“What does ‘default-judgment’ mean?”

Floorboards creak beneath Kento’s feet, dimly lit ambient lighting placed around the office keeps it lit just enough to see ever so clearly— a small lamp angled above an open file, then the remaining trickle of light cascading over photos. Labeled, dated, clipped, and shipped to his front door just a couple weeks ago. Soon to be released, relinquished, deadlined.

His hair drips with cold water, tiny drops dripping down to the floor while others slither down his neck, and pool where his back dips, just slightly. He doesn’t tense when he sees you— his muscles remain just as relaxed as they were in the shower— and his eyes barely widen past the tired, lidded expression that paints his face every night, before he gets his studying done. But you—

You’re the opposite. Your shoulders raise to your ears, eyes wide and unblinking as they stare at the towel wrapped around his thick, slightly hairy forearm— it’s navy blue, with a brown, horizontal stripe across its fabric, and embroidered letters you can’t quite make out. An intelligible sound, then an unexplainable expression, and— there you are, tripping over your own tongue as your hands shoot to cover your eyes. Only unclothed from the waist up, Kento can’t help the amusement blooming in his chest.

“It’s a deduction based on a defendant’s failure to answer. . or appear, in some cases, to a lawsuit or court.” Nanami’s eyes trace the part of your lips behind your palm as your brain processes (though, he doesn’t think that’d be the correct word for it) his words. They purse, quickly, tight lined, until parting again— once more, with less confidence. With each step he takes (long strides that make him appear as if he’s almost floating) he grows closer, strands of freshly washed angel hair sticking to his forehead.

“. S. . ure!” You smile and nod in faux understanding, fingers curling toward the dip of your hairline, eyes peeking through cracked fingers. From there, beneath your palms, an uncomfortable warmth blossoms from your throat up, settling in your cheeks and sprinkling across your nose— sweltering and tingly.

Kento tuts, a soft noise, and you watch as he inhales a deep breath, pine eyes perusing through the space between your fingers for eye contact. “. . . Don’t worry about all that.” And, as if he can feel the high voltages slamming against your heart, his tongue darts out to moisturize his lips, and his eyes fall to your chest. He sits aslant to you, legs spread wide with the occasional sway of his knee— but nothing too sudden. You’re made all too aware of his half-naked proximity, purportedly close enough to feel the warmth of his body radiating through the room— to smell the sweet undertones of vanilla, musk, and earl gray tea residing in his skin. In a low rumble he speaks, pulling lotion free from the drawer to your left. “Silver lining is: I’ll be out of your hair soon.”

Even as he leans forward, closer and closer, he doesn’t cage you in— even if your chest aches at the loss.

Your heart demands the conversation die after that. Beating so rapidly you assume it’s stopped, silence freezes the air as your hands slowly drop to your lap. Lips pulled with woe, darling eyes low and sodden in an instant. Shoulders dropped just enough to sound a sharp creak in the swiveling chair you’re sat in, your lashes clump with fresh, unshed tears. And, in a lapse moment of murkiness, Kento’s lips twitch into a frown of their own.

“What’s wrong?” He asks, as if afraid your response will confirm it— he’s what’s wrong. His choice of words— wrong. Thin brows furrowed, the dip of his chin has his lips ghosting your cheek.

“. . . Nothin’.” It’s worse. He’d expected tears— maybe even an exchange of fiery words— but instead you’ve shut down, hands balled up in the fabric of your flowy pants, denim bunched up and draped over your thighs. Completely silent, staring at nothing and everything— all in between— all at once.

“Nothing?” He echoes, a silent suggestion for more. The rumble in your ear is almost too much, for a moment you assume you’d conjured it up with your imagination. Too close, too bare, too blunt, too warm— too fleeting.

“Mhm,” When your gaze meets, his heart plummets to his stomach. “Nothin’.” Words rush to his tongue before they can catch up to his brain, and. . you look so . . sad. He’s never seen you so defected— nor had he thought the concept of giving up existed for you. So headstrong, determined to make things work, gears always shifting into overdrive when you can’t make something out. You’ve gone as far as to create your own definition— this isn’t you.

“It’s. . . inevitable,” Kento’s voice softens, dropping to a quiet whisper between just the two of you. “But not for a while,” Then shifts his weight back, pulling away as he speaks in some sick sort of oxymoron, “I’m not going anywhere.”

“But you will.” Grumbling, you’ve always been an open-book.

“Not forever.”

“. . . Ever,” You grunt, choosing to ignore the stern quirk of his thin brow. You’re a bit of a brat— Kento sees that now— behind the pouty lips and soft eyes, behind the large smiles and intimidating prowess. “When are you goin’?”

Nanami treads carefully, fingers wrapped around the closed bottle of lotion. With a snap it clicks open, and a generous amount is pumped into his palms. The smell is neutral and muted, but clean and fresh.

Kento tries not to lie— not unless he absolutely needs to. An unexplainable feeling, adjacent to panic, rises in his stomach as he lies, “Six weeks, at least.”

“Nami…” Ignoring the deadline he’d just given you, you ask, “D’you like your job?”

You watch his posture relax, as if the previous conversation was just as emotionally taxing as it was for you, for him. He sighs, pauses to think for a mere second, then shrugs. “I like its structure.”

“Oh.”

“I like helping people, too.” He adds, much more sincere. Your eyes trail the lotion as it’s rubbed into his biceps, his shoulders, his forearms. His fingers flex and muscles ripple, skin bouncing beneath his fingertips, and light traces of hair at his knuckles raising.

“Oh.” You breathe, eyes locked on his veiny hands. You suppose, in a way, your jobs are similar. You, too, help people out— you provide fresh food and crops, you herd cattle and brush the hair of healthy horses. A very hands-on job— it’s rewarding. “Me too. I— I like helping too. And. . .”

His fingers twitch, almost as if they can feel your gaze, but Kento makes no effort to move them.

Six weeks. Time is fleeting.

“I—” With trembling hands you lean forward, clasping Kento’s smooth knuckles against your palm. He’s just as warm as he looks, skin soft and sheen. His fingers flicker in your hold, straining as they tense— silently, asking, ‘what?’ as an increasingly overwhelming urge to keep Kento close washes over you.

It’s moments like these you’d wish you were better with words. To weave them together into something pretty, like a basket made for carrying fresh harvest. To pull apart and braid together an amalgamation of just the right phrases— ones that sound pretty and roll off the tongue. Some that sound soulful and genuine, yet effortless and forthwith at the same time.

Moments like these, where your breath is stuck in your throat and with every rise and fall of his chest you think you’ve lost some more— he’s taken it all from you— you wish you knew just what to say, to do, to bring that air back.

To have him melt at your words the way you do at his actions, to have him feel the same exact thing when your heart clenches in your chest like a rag that’s been wrung out to dry. Without trying, without straining. You wish you were smarter— better at this, as you lean so far from the chair it begins to squeak in protest.

You’re sure there’s better people in Tokyo. With better educational backgrounds, with cleaner jobs. People who have it all together, who have different skills and assets— who don’t stick to one thing simply because they have a natural born talent for it. People who are prettier, more handsome— perhaps more his type. People who have aligning career goals and paths— more accomplishments.

Sweeter, kinder. With softer hands and an easier understanding of city life.

People who are better with words. Who can weave them together into something pretty, like a closed case with no loose ends or dead leads. Who can pull apart and braid together an amalgamation of just the right phrases— ones that sound pretty and roll off the tongue. Who can make their confessions sound soulful and genuine, effortless and forthwith at the same time. All within the heart of Tokyo.

People who aren’t you.

Nanami stands, shuffling over to fix the documents you’d ruined— of course you did— but his face hasn’t changed from his usual tight-lipped expression. Sometimes it’s hard to read him, and it’s times like these you really wish you could.

“I like you,‘Nami.” You whisper to yourself, quietly pouring your heart out with each spoken letter.

And, with a snap, your world goes crumbling down. Increasingly silent, the world stops as you hit the floor and Kento’s chest stills— the soft, quiet beat of his breaths gone quiet, as if it were a mere memory to begin with. The backing of his swiveling chair falls with you, right to the floor, clattering much louder than the sound of your tense body, and—

“Forgive me if I’m wrong, but I think you have the wrong idea.” His voice is strained. Uncomfortable.

You’ve never felt more humiliated.

౨ৎ

Despite your humiliating attempt to hold onto it, time flies by. Locked away in your room— your only source of comfort being an occasional knock on the door from your mother and the weight of your blanket as it remains overhead. You’ve counted the seconds— tripped over your thoughts after reaching 1,633– started over again. You’ve listened to the pitter-patter of rain against your windowsill, peeked out from your cocoon to bet on a race between the raindrops.

You’ve thought about Kento, of course. So much it plagued you, made your chest uncomfortably tight— until all you could do was let out a humiliated groan all over again. It’s a timeless cycle, and yet, it grows closer to his leaving date.

You haven’t spared a glance toward the actual outside, even when your window overlooks his own study. You’re sure everything’s out of sorts now— weeds overtaking the farm, plants dried out or overwatered, any blooming vegetation snipped at the bud before it could bloom. Tough luck, they’ll get over it.

And, God, has your family tried. Through gentle words and offers of food, through soft praises that fell on deaf ears. Through frustration, too, anger laced in the sweetest yell of ‘where’d my smart boy go?’

Your eyelids feel heavy and thick. No longer swollen with tears or bloodshot with dejection— just heavy, simply tired. Sleep is all you’ve done these days, yet it feels like your body can’t get enough. Fifteen hours a day leave you straining for more, three hours a day leave you exhausted. You can barely remember when you last left your bed— for the bathroom, never for a drink— and even when your frown deepens as you think about it, you can’t bring yourself to fix it.

You can’t bring yourself to fix anything as of late, if it can even be fixed.

You were stupid for thinking he’d feel the same, anyway. A man like ‘Nami— a man like Nanami— so smart and so distinguished. So. . opposite of you, to think you’d fall anywhere near the same line as him. . is laughable, really. Even more so when you consider his upbringing. He doesn’t mention it much, and you try not to pry, but you consider his lifestyle quite traditional and cookie-cutter. You hadn’t even asked if he liked men.

“I think you have the wrong idea.”

His rejection physically pains you, a quiet sniffle and suppressed whine straining your vocal cords. Your nails dig into the fleshy, cushiony part of your palm. You can hear the pitch of his voice — rumbling and deep, you hear the shakiness of his breath—so deeply uncomfortable, cold with disgust. “I think you have the wrong idea.”

A knock to your door startles you awake, eyes wide open as your cocooned body flops around in bed. Still, you barely make an effort to respond, dry lips parting to form a garbled groan.

“Your. . . friend was at the door,” It’s your mother’s voice, but softer and pleading. For a moment your heart twists, eyebrows pinched as you suck in a sharp breath through your teeth— you can’t remember the last time you’d seen her face without slamming a door in it. “Looked tired, so I gave him some coffee. . .”

A bitter, disconcerting ‘so?’ nearly leaves your mouth— something so unlike your usual self, it makes you want to borrow deeper into your sheets and never leave. Shame. She doesn’t expect you to crack the door open. You shake your head, even if she can’t see you, only breaking your stubborn resolve when knocks once more, and slowly, you scuttle around the mess of your bedroom to unlock the door. Your eyes carry dark circles and heavy bags as your gaze pierces straight through her. Then, a shaky breath and barely audible whisper, “. . . S’it Nanami?”

Her aged smile is soft and thoughtful as she leans into the doorframe— something you haven’t seen in a while, and your eyes prickle with warm tears once more. “Between you ‘n me, you’re in much better shape.”

Cracking a smile nearly takes all your energy from you.

You don’t bother changing from your pajamas— they’ve always been so baggy to support the muscle you’ve grown over years of lifting heavy produce and working with truckloads— and now you’re grateful for it. Something to hide behind if you need it, and your fingers subconsciously curl into the fabric of your long sleeves for comfort. Once you get downstairs the two of you depart, and a gentle rub to your shoulder blades is all your mother offers before finding solitude on her own, just a few rooms away if you need her.

And— she was wrong. Of course, he looks tired. You can see it in his shoulders— they’re all wound up and tense, like they’d been when you first met. Sure, his jaw is tightened and you can hear the grind of his teeth against one another despite keeping your distance— but he still seems put together, albeit lacking his usual combover or corporate style of clothing.

It hurts to know he does well without you, as selfish as it may sound.

“Hi,” You mumble, rubbing at your face with the palm of your hand. Your voice crackles with disuse, rumbling and garbled in your throat. “Nanami. .”

“Hi,” He echoes, your name heavy on his tongue as he stands, leveling out the shared eye contact. Just Nanami. For a moment he’s at a loss for words— and it’s odd, typically he has an answer for everything. You remember asking why he’d buckle your seatbelt before his own, and his answer was always the same. You remember asking why he likes what he does— and they’d all circle back to enjoying the small things in life. His Kento’s lips part, taken aback by the loss of his nickname, but they close into a tight line with registration. Perhaps you’re just. . too much.

“I lied to you,” He begins, and your heart leaps to your throat. He clasps his hands together, resting soundly by his thighs as his head tilts downward, a silent plea. “And, for that . . . I’m sorry,” Kento releases a breath, hands coming undone to swipe away stray, gold strands of hair. “Don’t feel obliged to accept, I just— I like y— I want to show you something.”

It’s odd. The look on your face makes him want to scoop you up, to cradle you in his arms and hold you tight. And yet, he can see the cogs turning in your brain, the gradual loss of your frown and faux steel in your eyes as you shrug— he can’t even distinguish if you’re being reluctant or stubborn. Nonetheless, Kento smoothens the fabric of his coat, and makes a small, polite gesture to the door.

“Okay.” Your fist rubs sleep from your eyes, steps heavy and dragging along the floor as you slide your feet into brown bunny slippers— the same ones he’d worn when you officially met.

Stepping into the cold, crisp winter air, you both ignore the tremor to your bottom lip, “What were you gonna. . ?”

Not at all hard to spot, set alight by the glow or orange lanterns, it’s your farm. Oh, it’s much prettier than you could’ve ever imagined it. So clean, with pristine rows and neat placements of fresh soils. You can actually walk through it, as opposed to tip-toeing around like you used to. The air is crisp and fresh, just like you’d remembered it— but it feels better than before. And, dotting the horizon, fireflies dance into the night sky and blend into the twinkling stars. You don’t remember the last time you’d seen them— vision occupied by tall grass or obstructed by rusty tools. You could almost cry. Your breath catches in your throat, a gentle breeze brushing along your forehead and digging into the fabric of your clothes— yet you feel light and warm.

He did all this for you?

“Are you cold?” You blink hard, vision blurred with tears as Kento’s hand grasps your shoulder. “You’re shivering.” He’s quick to shrug off his coat, barely even flinching when the fabric dips into fresh mud, and loops it around your form with steady hands.

“M’okay. .” He frowns, barely visible, and the slight protests of being strong enough to tough it out die on your tongue. But it’s true, you don’t feel cold— not internally, at least. You feel light yet heavy, warm and airy. Heat pokes at your skin, ignites in the apples of your cheeks and trails down your throat. “. . . Thank you, ‘Nami. . . For everythin’.”

‘Why're you saying it like that?’ He wants to ask. As if it’s some sort of sick, roundabout way of saying goodbye. His movement stutters, lips curled into a small ‘o’ before reverting back to its usual, thin line; and he speaks, “I don’t just like you.”

Your fist tightens in his coat, fabric twisting to accommodate your grip.

“I. . admire you. Your strength, your weakness. Your baking. . Your smile, too,” He sighs, quiet and cautious. “Your laugh. I regret not telling you before. At first, I thought you were impulsive, and somehow abrasive, bu—”

You’ve never been one to hide from your feelings— you laugh when you’re happy, scowl when you’re angry, mope when you’re sad. So it’s no surprise to feel you smile; wide and unapologetic. It’s no surprise to feel the tremble of your fingers as they release his coat and land on his biceps. To feel the slow, shaking breath of air he releases at your silence— hearing his own slight sniffle at the nippy, cold breeze. You’re nervous, lips twitching as his chin dips, bashful as his lips intertwine with your own.

A kiss.

"’Nami," Laughing into his mouth, it meets the sound of your lips continuously meeting in breathless, heavy harmony. His lips are plush, soft and sweet, hungry and hasty, everything and nothing and all things in between. “I like you. I like you, I like you, I like you.”

You feel it now— the warmth enveloping his chest, the hard hammering of his heart against his ribcage. "Shit," He whispers, incredulous, and before slowly pulling away, cradles your handsome face between his calloused “I like you too.”

౨ৎ

Kento owns silk pillows. You can tell they’re imported from home— as they disturb the uniform colors of the crisp, cream comforter set blanketing his bed. It’s the first thing you notice, head sinking into the fabric as your eyes flutter closed, thoughts and breaths stolen with each wet, heavy kiss being pressed against your lips. His breath is hot and heavy, small groans and grunts leaving his parted lips, and— he tastes of chocolate.

“Kenny—” You gasp, but the sound of his name on your lips only eggs him on. Hot heat blooms in your stomach, tingling down to your tummy, so deep, something you’ve never really felt before. It tingles, almost, right through your thighs and straight to your cock, plumping up with each passing second. And his hands, god, are so quick and skilled— shedding you of your clothing as if he’s done it a million times before.

“Kenny,” You repeat, much whinier than before, tiny sounds leaving your lips as you squirm in his hold. “Mm, wait,” and his response is barely committal, a low hum that melts into a breathy sigh as your bare skin is exposed and your leaking cock springs free against your tummy. He coos, peeling the sticky fabric of your underwear free. Cute.

“Use your words,” Kento mumbles against your skin, running his hands along the silky smooth skin of the back of your thighs. “I know you can, you’re a smart boy.” You squirm with every touch, plush skin bouncy as you press your thighs together, cock sliding by your navel. And, even when you hide, he can see the precum smearing against your stomach, the tightening of your balls, and, now, your exposed hole winking back at him.

Fuck.

“Mm, don’t look,” You’ve barely convinced yourself, a choked out moan leaving your lips as his big, warm hand wraps around your cock and pumps. “That’s— oh, embarrassin’!” Slow, at first, trailing up the sensitive shaft and rubbing circles into the overly-sensitive head. Until his hand is slick with precum and his own spit, until your thighs are convulsing and you’re close to covering yourself in your own cum. Until you’re sobbing, pulling at his wrist with weak, clammy hands.

“I know, sugar. I know,” And the stifled cry you've been hearing belongs to you. “Feels good, hm?” His free hand grazes down your waist, thumbing at the dip between your hip and your thigh, then cupping the soft, plush skin of your pecs. “Feels better than your own hand, doesn’t it?” Kneading until your nipples harden against his palm, soft skin swelling around his fingers. And, oh, how pretty you are when you cry, overstimulated tears rolling down your cheeks and incoherent babbles leaving your swollen lips.

“Uh— huh, yeah,” Is barely breathed out, and Kento watches pre leak over his knuckles. Creamy and thick, sticky and sweet as your hips rock back and forth, to and fro. You just can’t help yourself, greedy boy, fucking into his fist like it’s the best thing you’ve ever felt and— oh.

It is.

“Messy boy,” He huffs, pressing his forehead against your own— damp and sticky. Your hand, preoccupied with fisting his sheets, is grabbed, and all you can feel is slick, hot heat. “Fuck your fist for me.”

“Wh- Huh?” It takes a moment for your brain to catch up to your hands, wrapped tightly around your cock as your hips buck— whines high and loud in your throat, keening like a puppy. It’s not at all paced, not like Kento, just pure desperation and need as your toes curl and your eyes roll back into your skull. Warmth rises in your face as your legs instinctively part, tingles spreading through your body and needy moans filling the air. Wet and sloppy, your hand is slick and soaked.

He travels lower, lips trailing down your throat, your collarbones— pausing at your chest. He watches the rise and fall, the slight bounce of your pecs as you pant like a dog. Pretty buds hard and sensitive, a gentle suckle is enough to make you arch from the sheets and keen.

“Good boy, that’s it,” You have the urge to get on your knees, to present all your holes to him, to spread yourself open with your fingers- fucking them in and out, in and out, just for Kento. It’s all too much, thinking of what’s next, what’s happening now, what’ll happen later.

Nanami lifts his shirt over his chest, the fabric bunching under your armpits as he keeps it pinned between his teeth, and you have no other choice but to flutter your lashes, watching as his pants are loosened and his cock springs free. Big. Thick and long— and, it seems his tan has traveled to his cock, too. Blushing at the tip, the sweet color of mocha, it disappears the further you look down. Curved, too, slightly past his belly-button and heavy against his navel. It's humiliating, the way your mouth waters almost immediately.

It’d feel so good weighing down on your tongue, fucking your throat fast and rough, making you gag and sputter— choking on your own tears and groans.

“Wanna. . I want. . .” You squirm where you lay, whining high in your throat as you find nowhere to hide— nothing to put your face against, nowhere to bury the drunk, hazy expression on your face.

“Want what?” He murmurs, pretty eyes trailing along the curves of your face before he places a sweet, soft kiss along the edge of your jaw. You take the grip on your waist as a slight indication— Kento’s patience is slowly waning.

“V’never. .” Your lips part into a gasp, eyes fluttering closed as his large hands travel along the expanse of your chest. “I wanna. . . feel you in my throat.”

The smart man he is, Nanami, never misses a beat. Pink lips splitting into a small smile, his thumb rubs circles against your skin. Still, you can feel the throb and twitch of his cock against your thigh, hard and almost leaking. “That’s ambitious, sugar.”

You don’t register scrambling up by your elbows, nor the amount of time it takes for your fingers to fail at wrapping around his cock. Your thoughts are muffled and hazy until a quiet chuckle sounds above you— rumbly and deep, and— ah, Kento’s hand is guiding your head back as he pulls your hands free. You’re panting for it now, mouth dropped open as the slurp and slick noise of his cock tapping against your tongue drops straight to your stomach. You could cum from this alone, without even a single glance toward the ache between your thighs.

"M'gonna be so good, promise, know I can do it! Want it, Sir," A clear habit of rambling when you’re nervous, a soothing coo leaves Kento’s throat. His tip smears along your pillowy lips, sticky and salty as pre paints your chin.

“Shit,” He groans under his breath, fisting his cock to ease the ache in his balls. “Slow. I don’t want to hurt you. Gentle, remember?”

You don’t. You can barely think, let alone recall something from another day. But you nod anyway, eyes glued to his cock as it bobs to and fro— pretty and weeping. You bet it’ll feel so heavy, weighing down on your tongue and nearly crushing your throat as you gag around it. He’ll taste good, too, salty and sweet as he buries his cock down your throat. With your nose pressed into the blond of his pubes, and his balls slick against your chin as they tighten and clench.

Yeah, you want him to cum on your face.

With a whiny nod you take his tip into your mouth, pink tongue over your teeth. In your head, it’s much easier— you can sink down to the base no problem— but in practice. . . You sputter and gurgle, leaning into the gentle touch caressing your cheek as your tongue traces the pulsing, thick vein cascading down his shaft. Through your pathetic whimpers and whines he mumbles— but it falls on deaf ears.

You stick out your tongue, cute and pink, latches onto your bottom lip, slicking his slit as he blinks down at you, pupils blown and wide as he praises you, voice smooth and buttery.

Through your own jittery, inexperienced suckling, his tip is smeared along your lips, slowly tracing your cupid's bow and bottom lip until a thin layer of pre has them glazed over and sticky. Your lips part, carrying a thin trail of creamy pre between them, as his dick slides in and out your hot, wet mouth. Spreading heavy along your tongue, swallowing around the head as his thighs tense, muscles flexing and rippling as they strain to keep still.

“‘Nami’s dick is heavy, sweetheart,” He’s gasping before you can fully take in the stretch of his cock, hips twisting as his eyes flutter closed. It’s been a while, you can tell, with the way his balls are clenched tight, his hand morphed into a fist— careful not to grip your hair. Your spit bubbles and pools around his cock, slick and wet, sliding between the seams of your lips and dripping down your throat, down your sternum, down his thighs. “And you’re taking it so well.”

Running your tongue along his big, veiny cock, his head falls forward— adam’s apple bobbing as he lets out a pleased moan. His cock fills your empty mouth, stuffing it full like a pre-lubed fleshlight, his balls slapping against your chin in sticky, wet plaps. Collecting drool, it froths between your lips and his cock, bubbly and white until your noises are sloppy and loud. “That’s it, good boy, take this load down your pretty little throat. . .”

Gasping on his cock, Kento’s hand holds you close, until you’re buried against his pubes, until your throat is squeezing and contracting and wrapped plush around the thick shaft of his dick. You can feel it, each and every twitch and throb, each hit, sticky rope that paints your mouth as he cums down your throat, ropes shooting down your tongue and sticking to the roof of your mouth. You’ve done so good, such a good boy, marked for Sir, offering a few hollow sucks to his spasming cock before he pulls you off.

You’d rather he paint your face, but you trust him, swallowing the bitter, salty cream as he whispers gentle praises.

“You’re perfect,” Kento mumbles through heavy gasps, rubbing away the fat tears that roll down your cheeks. Such a sweet, pliant boy, leaning into his touch as he gently pushes you back down, off your knees.

Now he’s got you folded, knees bent back in such a slutty, shameless display. The blond squeezes at his cock, his large hand sliding into a fist that clamps down around his beading, shiny slit, then slowly back down to the thick, veiny shaft. Yeah, that’s good, how it slips and slides with rhythmatic pumps. You’d like to imagine that’s how it’ll be when his cock is inside, stretching past your rim and splitting you open, sliding against your velvety walls until he fills you up with his hot, sticky cum.

“Spit,” he says, gentle at first, but hardening as your poor, pitiful attempt at spitting down your own cock turns into gurgles of drool and incoherent moans. He grips your jaw, angling it just right— till you’re resting back on your elbows and have enough space to land a warm, wet glob right down the slit. “Good boy. Look at me, pretty. Like this.”

You watch as he spits down onto his own cock, runny and wet, which stands as a reminder of its own. His fist is so big, but it’s not nearly enough to swallow his cock down. You watch it pop free from his tight grip, loud squelches with each and every movement. Every time he throbs, pulses, shifts— you hear it all.

“That’s it, atta boy, my good little cocksleeve,” You— it must be you, there’s no one else he’s speaking to. Still, with your hand squeezing your throbbing shaft there’s not much you can say, airy little moans and sweet, high gasps leaving your pouty lips as you buck— up, up, up. A thin trail of drool slips down your chin, warm and wet and— oh, that’s nice— trailing down your cock. “That’s it, stick your tongue out.”

You really do play the part, tongue on display as you fuck your fist silly, bumping slits with the blond. Soft and sticky, loud and wet squelching until his own large, warm palm envelops both your cocks, bumping and grinding and sliding so messy. You nearly burst into hysterics when the warmth is gone, and Nanami’s gaze tears away from the pre oozing between your shafts. “Ask Sir for more, angel.”

“Mm, waitwaitwait, don’t— don’t stop,” You keen, stumbling over your tongue. Your brows pinch, eyes glazed over with unshed tears. “Kenny— Sir, please.”

“Good boy,” All but purring, his hands roam along the plush, round mounds of your ass. “Yeah,” His dick slips between the slick skin of your perineum, dragging along the sensitive skin— the head of his cock catching on your rim when his thrusts turn too eager. “You’re a good boy, asking like that.”

“You like grinding on Sir's cock don’t you? Getting me all wet. . .” Just as warm and wet as he’d thought, cooped up in his office and fucking into his fist, lube gushes and trickles out with every deliberate, shallow rut forward. Your balls bounce and twitch, slick and shiny with a mixture of pre. Your moans, so pretty, high and nasally— incoherent and blabbering. The slurp of his cock goes straight to your balls, tightening as you whine like a bitch for it. And his grip, once gentle and steady, leads down to your ass, keeping it spread as he slides the big head of his cock along your pretty little rim, again, and again, and again. It’s more menuevering than bouncing, through your fucked out haze you try to think; you want him to ruin you.

A knot tightens in your tummy, tingling in your balls as your thighs tighten and your legs tremble— fuck, you’re cumming, hard and all at once, it catches you off guard and a choked squeal is knocked from your throat, rope after rope spraying along your own chest.

“I—” You sob, cock convulsing against your tummy as Kento groans. “I didn’t mean to— didn’t know, m’sor—”

He hushes you, a low growl in his throat as his eyes roam up your tummy, past your hard nipples and land on the splatter of cum collecting between the plush hills of your pecs. “S’okay, it just felt too good, mhm? I bet your pussy feels so good, baby— perfect, pretty little pussy swallowing up my cock.”

You don’t expect him to say that— that’s the last thing you expect, eyes rolling back in your skull as you moan, wholehearted and slutty. With the wet squeeze of lube along your bottom half, slicker and sloppier than ever before, your hole winks back at him. Your perfect, pretty little pussy. “That okay, sweetheart? Can Sir pound this hole till it aches for him?”

Your response is barely coherent, garbled sounds and babbling that roughly translates to ‘please’ as thick fingers prod at your tight, puckered hole. Your loud moans are hushed as Kento leans down, close to your ear. His fingers slide against your entrance, sticky lube sliding along with them and connecting to your puffy rim. They feel so big, so long and thick when he taps them against your hole, barely breaching the tiny gape of your rim. “Gonna get you ready for Sir’s dick, gonna finger that cunt nice and slow, get that sweet boy-hole stretched out.”

“Kenny,” You hiccup, uncontrollable tears streaming down your face as you reach forward to press his fingers closer, a tiny gasp leaving your lips as your entrance is breached. You don’t miss the groan you earn in return, deep and shaky as the man takes the opportunity to slip his fingers right in, past the burning stretch of your fluttering ‘cunt’ that sucks the digits deeper and deeper into your gummy walls. “Can take it, pound it, Sir.”

“Look at me, watch me, sugar. Watch Sir fuck this little hole full.” You squeeze your eyes shut for as long as the reluctant, bratty little part of your brain lets you before staring down into hazel. Until his fingers have you seeing stars and rocking back into them like a cock hungry slut, you’ve never felt more full until his cock kisses your insides, leaving you sloppy and open and full.

Your voice isn’t nearly as loud as the wet squelch and slap of skin against skin, his cock sliding in and out your puffy hole as lube gushes out around his dick in white ringlets. Like you’ve creamed on his cock, he can see it slip back inside with each thrust. Your knees over his shoulders, Kento hauls your body up, and with a tiny, wee and pathetic ‘ah!’ you follow suit, your cute little hole clenching and fluttering around his thick, leaking cock.

“Give me a little more, just a little more of this pussy,” You can’t contain the squeals and squeaks that leave your mouth when the blond pistons his hips, a bruising grip on your waist that only gets harder as he grinds his cock down into you. He’s filling you up so good, his balls slapping against your ass with each rushed, rough thrust that has your mind scrambled just as much as your guts. You can’t take it, hands scrambling to grab at something, anything that’ll keep you from screaming.

Pounding into you, your head falls back as you take it, nice and slow, stretching you out— fast and rough, steady and patient— Kento groans above you, bullying his cock inside, grinding while your hips squirm. Mouth open with an unending stream of moans, he breaks you in, turns you into his good boy— his perfect fleshlight. Wet little hole clenching and spasming, his weight pins you down as your greedy hole milks him for all he’s worth.

“Cummin’, Nami, s’too much— M’can’t—” Whining and crying, his touches go right to your head as much as they do your puffy hole."Kenny," you whine, long and pitiful, a pout of a noise that hits him right where you want it to, just as his cock does inside of you. You whine again when your rocking turns into frantic overstimulated grinding, reveling in the stretch of his cock and the rub of your prostate. He groans, thick and gravelly, hands coming up to squeeze at your chest.

“I’ve got you, c’mere, hold Sir’s hand,” He chokes out, feeling it too. The tightening of his balls, the way his dick aches and pulses inside you, the way his cum is starting to kiss your insides and spurt straight onto that small bundle of nerves— fuck, it’s so deep. His thrusts are hard and deep, thick rope after thick rope frothing around his shaft as he fucks it deeper inside. “So good for me,” You never want it to stop, not the pump of his cock, not the drag of his tip against your entrance, not the filthy sounds, not the cum filling up your hole till you can’t move. Your grip on his knuckles is tight, nails digging into the skin of his hands. “That’s it, such a pretty boy, cumming on my cock.”

A searing knot of pressure grows in your stomach, filling as you bear down on his cock and sob on your whimpers. For a minute you think you’re going to pass out, everything going dark as you spurt all over yourself, globs of cum spraying hard onto your chin and splashing back on the blond. He makes you ride it out, offering hard, shallow thrusts to satiate the erratic spasming of your hole, and places a few sweet, tender kisses to your sweaty jaw.

౨ৎ

You wake with a small moan, limbs racked in small aches as your body melts into silk sheets. It smells like him: warm, cozy, and comforting, like a hug. Grateful for the dim, ambient lighting of his bedroom, your eyelids flutter open slowly, and there’s not much to adjust to. You’re clean— its the first thing you notice, a faint scent of soap lingering on your skin as your aching body scrambles for Kento’s warmth.

“I’m here,” He says behind you, hairs on your neck standing straight as you blink at him. Carrying a glass of ice water and a plate of meringue cookies— whisked perfectly. Cute, cloud-like spirals that sit on a porcelain plate— the same ones he watched you make, a smile pulls at your cheeks. “Hungry?” The muscles of your biceps flex as you push yourself up, body subconsciously leaning toward the blond until he’s sat next to you, his touches gentle and fleeting.

He feeds you a cookie, watches your teeth sink into the sweet, then wipes away the remnants of sugar from your lips. So tender, your heart flutters when he takes a bite after you— an indirect kiss.

He swallows, throat bobbing, lashes batting against his high cheekbones, before parting his lips, “I was thinking of extending my stay.”

The room feels ten times brighter, ten times louder, and yet, your heartbeat overpowers it all.

“I like you,” The words tumble from your mouth, almost as if he hadn’t just spent the last hour taking you apart and building you back up. You have nothing to lose, and everything to gain. “I more-than-like you, Kenny.”

And, without missing a beat, Kento answers truthfully this time.

“I love you too.”

[bibibbon]

*JJK LEAK SPOILERS, please ignore if you haven't seen them*

THE QUEEN IS BACK

I have seen the leaks and chapter translation and while yes the queen is back (I do have some concerns and problems with the way gege executed this)

It makes sense for nobara to come back and we have been teased from the begining that there was a clear chance that she could come back ever since she died. Nitta says that while she died and doesn't have a heartbeat she very much could be revived if she got help in time (and he literally suspended her condition at the moment)

The problem is that it took gege a really long time to actually bring her back or imply that she is alive, approximately 4 years and a 100+ chapters for her to come back.

Chapter 144 and chapter 210 were from yuji's perspective who didn't know nobara's fate and we never got actual confirmation of her fate (all we got was yuji missing her) in asking about her.

These are good moments in my opinion that definitely adds uncertainty and show how nobara's "death" has effected characters like yuji and even megumi (a bit).

However, the problem comes in from other characters. Were they aware of nobara's fate? Is that why they didn't comment on anything? Is that why we never saw maki's reaction to nobara's death? Or is that why we never saw Gojo ask about nobara after he escaped the prison realm? Or is that why we don't see much of the second years reactions about her in general? Is that why we never see yuji say her last words to others? In all honesty I can't help but almost feel like gege may of forgotten about nobara (and just brought her back because he remembered her and she is a fan favourite just like he did with Todo)

I have talked about the wasted potential of nobara's character here and the direction I think would of been suitable for her character.

I think we should of gotten more hints about nobara coming back and being alive in the manga (Iam aware some may say we have gotten clues but they're all in arts and not inside the manga) heck i think we should of gotten confirmation that she was alive and working in the background while the others thought that she was dead (I love a bit of dramatic irony within the story and it definitely adds stakes without having anyone dead)

Other than that I really enjoyed her first appearance around the characters specifically what she said to itadori and how it's a clear reference to when itadori first died and came back. I also enjoy the fact that we are getting to see her back and using her cursed technique however, i still hate the fact that she miraculously woke up 30 minutes ago when the plot needed her most (it would of been better if she woke up and went back to her home town found out something about her CT and done more self digging then came back to help with the fight after seeing mei mei recording it)

Lastly, my biggest worry is how gege is going to handle her character development (theres only 4 chapters left ) and tie in the loose ends like the thing about Jujutsu society hating women with scars and how nobara did value her beauty (jjk could very much delve into the insecurities she may have or her actually going back on the things momo told her and learning a lot more about intersectionality feminism instead of the girl boss one that she displayed earlier on in the story) I also think it would be interesting to handle nobara maybe feeling left out like shoko in her trio (and how that cycle might change)

[a-polite-melody]

It’s interesting that, rather than wanting to see similarity in our experiences and solidarity, some trans people are invested in only ever separating trans men/mascs and trans women/fems to the point they will deny others’ experiences, regardless of identity, if it doesn’t fit their narrative, and sometimes even their own stated experiences. And it often has to do specifically with experiences surrounding perception of masculinity.

What I’m thinking about specifically right now is with the initial coining of and discussion around transunity.

There was, and continues to be in some instances, a push to separate “MTF” and “FTM” experiences from each other. There’s denial of the ability for transmisogyny and transandrophobia to have any overlap in techniques and targets.

And the most relevant to what I’m talking about, and most baffling to me? The people denying that part of the function of transphobia as a whole is forcibly assigning “male” or “female” or “gross other” to a trans person interchangeably depending on the point the transphobe is trying to make with the transphobia.

I don’t know why, my best guess is it’s because people don’t want to recon with facts that cause dysphoria, but people acted like trans people are actively seen and treated as their gender by everyone, including transphobes. The idea that trans women are only ever seen as lesser women—never as dangerous males—became commonplace. But then, it was also commonplace to see trans men the exact same way: failed women but never portrayed as dangerous males. Ignoring very real experiences of being masculinized as a trans person leading to mistreatment as well as mistreatment coming from being feminized.

Does this wrap back around to the radfem influence in online trans spaces? A specific focus on only feminine traits and eschewing of all things masculine? Maybe. I don’t know.

All I know is I can still find posts on my blog where people chime in and outright try to deny TERFs act that trans women are males as a part of their strategy, and I don’t get it.

[lemon-muncher]

Can I have inumaki from jjk x dom male reader hc?

That's all I gotta say bro...

Also, school has been a bitch lately. I'm about to graduate so I should be free by June 2nd

I never see this as a headcanon but I see Inumaki using his cursed speech on his lover so that he can have actually conversations with him. Especially since moaning sushi ingredients while getting his back blown out can be a mood killer...

He's the quiet type, in and out of the bedroom. His moans and whines are barely audible most times you two are intimate. Don't get me wrong, once you overstimulate him, he starts to get loud and whiny

I see him being really vanilla when it comes to sex, but that doesn't mean he doesn't want to change that. He'll fight off curses for a living but the second you want him to be open about his kinks and interests he cowards away, too embarrassed to say anything (the most you'll get is '...tuna...')

Definitely has a size kink. The thought of being with someone bigger than him fills him with comfort. After a long day, he loves cuddling and getting engulfed into the warmth of another person. If you're feeling kinky, pin his hands above his head. And lay some of your weight onto him as you fuck him into oblivion!

Likes Feminization, but gets extremely embarrassed by it. Please put thigh highs on him, he's just so cute!!!

He's sensitive, like everywhere... it doesn't take that much technique to please him. Hell! You could be cuddling and rub his thigh for 2 seconds and he'll moan and start trembling. He obviously apologizes but he already got you horny so it's too late.

[gacha-incels]

I hope no one is falling for the same horseshit Korean misogynist men try to barf up when they want “logical” westerners to be on their side regarding 🤏. The thing that always strikes me when they fear-monger about the defunct megalia website is this: if these women writing “cruel” things online and engaging in mirroring techniques is enough to brand them man-haters and have them become some eternal boogeywomen, why aren’t the men stabbing, killing, raping, witch-hunting, sexually trafficking and beating women - because they are women - branded as extreme women-haters in turn? Surely these targeted attacks that have happened, and continue to happen frequently, are enough to label these men extremist misogynists whose actions and texts are dangerous to Korean society? But instead, as we have seen recently, their deranged misogynist thoughts are carefully listened to and their delusions are catered to by major companies.

Secondly, these guys like to portray the women they go after as having dangerous opinions by saying, oh the pinched fingers means they’re megal and therefore it’s a secret signal for all these “hateful” thoughts. However the “radical, hateful thoughts” the men trawl through these women’s social medias to find have always ended up being basic women’s rights: the right to have an abortion, being against sex trafficking, being against molka, condemning misogynist hiring practices, etc. These extremely basic tenets of feminism are what these men consider radical and dangerous to society. When they try to pull the wool over your eyes by saying “feminism is different in korea it’s extreme and evil” THESE are the things they mean. Saying “it’s a megal symbol for crazy female supremacy” is a smokescreen for misogynist men to punish women who want basic human rights. The smaller group of women engaging in 4B there try to live their lives in a female-centered way, away from men. These are the women that misogynist men revile so much that simply existing as a woman with short hair is enough for them to violently attack you with a knife. So how does this make sense? The women branded as evil misandrists live their lives avoiding men and uplifting other women. The men who hate women do the complete opposite: they go out of their way to physically and sexually assault women and get them fired from their jobs. The misogynists in that group who witch hunt women are not labeled extremists, but rather catered to by companies like Nexon. Don’t fall for their shit.

[nartml]

To Pimp a Butterfly and 1989: a rant

Listen here, three things about me are that I'm a) white as snow, b) Greek, c) still a minor.

What does this mean? It means that I obviously wasn't raised with hip-hop, and I got into Kendrick Lamar's music pretty late.

As in, early this year.

I've known of him for some time, and the moment I found out he had a Pulitzer prize at some point in late-ish 2023, I decided I had to sit my ass down and pull out Spotify.

Now, as an avid reader of both fanfiction (ao3 raised me) and books [I feel the immense need to clarify that I don't associate myself with mainstream booktok. Capitalism's consumerism has overrun that shit and all I see are the same 20 books being recycled and recommended (a substantial amount of those are Colleen Hoover and her variants). Tropes and spice* are officially the defining factors of whether a book is worth it (*your porn addiction ain't cute) and quantity is heavily prioritized at the expense of quality. Also, diversity who?], I was, for a lack of a better word, hyped.

A Pulitzer prize is nothing to scoff at in general, more so in music, more so in hip-hop.

(Edit: Upon quick reflection, I realize that putting emphasis on hip-hop can come across as coded.

I am in no way, shape, or form trying to undermine hip-hop or say that it's somehow less 'sophisticated' than, for example, classical music. I'm very aware of the amount of skill and technique one needs to write a masterful hip-hop album, and I'm not doubting that there are hip-hop artists out there who are also incredibly deserving of such a prize. I meant it in the sense that I've unfortunately never heard of another hip-hop artist who won a Pulitzer before, which is quite telling.)

That's some huge shit, and I'd be a fool not to be intrigued.

Admittedly, I didn't get on that immediately. For a while I procrastinated, because I wasn't in the mood to hyper-fixate on anything new just yet.

Which of course meant I ended up forgetting about it for a few months, because of course I did.

But then I came across a TikTok that talked about how it was insane that '1989' won the Grammy when To Pimp a Butterfly was right there.

Now, a fourth thing about me is that I don't fuck with Taylor Swift.

And a fifth thing about me is that I'm not baseless in anything that I do, say or feel, and that includes annoyance.

Her immature understanding of activism and feminism leaves a bad taste in my mouth. The way she built up her fan base around this portrayal of her as a relatable girl's girl, her refusal to accept criticism, and always making a victim out of herself (even now when she's in her thirties and is a fucking billionaire) while never using her position of power and privilege for good are all reasons that serve to fuel my dispassionate dislike.

And before any Swifties get on my ass, no, I don't think that "But she's a singer! Why are you expecting so much out of her, she isn't even qualified to speak on XYZ—" is a good enough excuse.

She has always been rich, and now she's a billionaire. There are no ethical billionaires, and that includes her.

Fame is influence is power. Uncle Ben said it all: With great power comes great responsibility.

And let me tell you, I don't see her owning up to that responsibility, especially after all that talk about how she supports women, supports the LGBTQ community, and supports the BLM movement. Has she ever actually put her abundant money where her mouth is?

I've never seen her speak about anything that doesn't immediately concern her.

Don't get me wrong. She's not the only celebrity like this out there. I'm sure there are worse cases. I know it for a fact.

To wrap this segment up before I get even more sidetracked, I'll outright state that I don't hate her, because hating her would by definition mean that I, in some way, actually care about her, and that just sounds exhausting.

Best way to describe me is indifferent, leaning towards distasteful.

She's annoying.

And that's how I feel about both her as a person and her as an artist.

I'm not denying her talent, nor her impact on the industry, nor the fact that she does have good songs that even I like.

A select few, of course, but still.

Apart from those...what? Ten songs? I have never, ever been able to listen to any other song of her's all the way through.

I get bored. They do nothing for me. They sound empty. Hollow. Plastic. Repetitive.

Her lyrics, that are praised by fans for being deep and complex, sound pretty surface level to me.

Not all of them. But I'm a sucker for analysis. A literature nerd. Greek is my native language. I can tell when something's deep and when something wants to be deep.

(Not necessarily including Folklore and Evermore in that category. Her storytelling ability is actually great.)

Her music largely sounds like it wants to be deep.

Most recent example being her latest release, The Tortured Poets Department.

Anyway, back to Kendrick.

My initial plan was to listen to 'DAMN.' first, because that's what he won the Pulitzer for in the first place.

There was a change of plans after that TikTok.

I decided to compare the opening tacks.

I put on Welcome to New York, and predictably, I felt nothing.

The rhythm is dance-y, I suppose. But there's nothing substantial about it. There's nothing exciting about it.

The lyrics are juvenile, and I get it, it's a pop song and she was in her twenties.

Nobody is expecting Shakespeare (no matter how much you scream or kick your feet, the only reason Shakespeare couldn't write Taylor Swift is because he's in another league entirely) or Odysseus Elytis. Nobody is expecting mind-blowing lyricism.

But it's the opening track to an apparently Grammy-worthy album. The very least I'd expect from it would be some additional levels of artistry.

Am I being harsh? Probably. Do I care? No.

Disappointed but unsurprised, I put on Wesley's Theory.

I ascended within the first minute.

Don't get it twisted, I barely understood shit.

Not only am I white, I am also entirely removed from America and its culture as a whole. I don't know what's going on there in y'all's daily lives.

And this was baby's first proper introduction to hip-hop as a whole.

My untrained, white-ass ear barely caught two references. I got what the gist of the song was about, and that's about it.

I had to look up analyses of the track to fully grasp what Kendrick was on about, and even then, there was obviously still a disconnect.

And I expected all of that.

I didn't expect to get hooked on that song within the first listen.

I swear to fuck, the beat is addictive. I swear to fuck, even when I was fighting to understand what the lyrics were referencing, I was having the time of my life.

Even I, an amateur in every sense of the word, could tell that there was depth and there was quality and there was intentional meaning in every line of that song.

It didn't matter that I couldn't understand it. It mattered that I knew it was there. Not because someone told me that was the case. But because it was audible.

I listened to the next track. And the one after that. And the one after that. I had listened to all of the tracks, before I knew it.

And the evident permeance of quality, of substance, carried on throughout the whole album.

It had exactly the type of lyricism I'd expect a Grammy-worthy album to have. It had exactly the amount of artistry I expected a Grammy-worthy album to have.

Even better, it had all the ingredients I expected a timeless album to have.

The poetry Taylor Swift fans insist hides in her discography, I found in plain sight within Kendrick Lamar's.

After meticulously reading the lyrics, I watched video essay after video essay, searched for analysis after analysis on this album, each time understanding the meanings behind it a little better.

Needless to say that the Grammy's are rigged and I love Kendrick Lamar.

Hip-hop is gorgeous.

[genderkoolaid]

https://thenewinquiry.com/on-hating-men-and-becoming-one-anyway/

found this beautiful article written in 2019 which sums up so so much about transmisandry and the dilemma of trans men, where they’re grouped with the perpetrator class even though they’re equally vulnerable

OHHH kissing you this article is so fucking good. 100% gonna post some quotes from it. I love how this is written & its a really good explanation of how "trans-inclusive" radical feminism & radical feminist ideas fuck over transmascs in a unique & painful way. Like!!:

But trans men’s manhood is inseparable from our transness, and the relationship between trans men and cis womanhood can’t be accurately understood by separating trans status from gender in order to claim we’re oppressed by one but not the other. The day-to-day operations of gendered power in our lives make no such distinction, and while theories of intersectionality are often invoked to defend such claims, the idea that these “axes” can be neatly separated relies on the exact additive conception of oppressive power relations that intersectionality was invented to disprove. In the critique where she coined the term, Kimberlé Crenshaw argues that Black women are frequently excluded from antidiscrimination case law, feminist theory, and anti-racist politics precisely because their experiences cannot be reduced to the sum of racism and sexism. She references the case of DeGraffenreid v. General Motors, in which five Black women plaintiffs were denied consideration of their Title VII claims because the discrimination they experienced was particular to Black women rather than all Black people or women of all races. Because each form of discrimination was treated as a “discrete set of experiences” in this case rather than part of a multidimensional whole, “the boundaries of sex and race discrimination doctrine [were] defined respectively by white women’s and Black men’s experiences.” In reality, however, Black women relate to power differently from either group, and their experiences cannot be understood by combining the experiences of oppression each have. Similarly, trans men’s relationship to gender cannot be understood by adding the privilege of maleness to the oppression of transness; the interaction between these axes substantively transforms both such that it generates an experience qualitatively different from either alone.

He even discusses black trans men&mascs experience with gendered racism & how exorsexism play a part in this. Read this article.

(Although it is fun how he talks about Tumblr in the past tense, like its a ghosttown. My friend we are still doing "do trans men experience misogyny" discourse here lmao)

[bitterkarella]

Midnight Pals: Bluebeard

Anna Biller: Submitted for the approval of the Midnight Society, I call this the tale of bluebeard's castle Biller: it's about a woman trapped at a secluded castle under the thumb of a mysterious and dangerous nobleman with dark family secerts Biller: but with a feminist twist Biller: the twist is gender essentialism

Angela Carter: that's hardly feminist, anna Carter: now, when i retold bluebeard- Biller: oh you say that now angela Biller: but i got a secret weapon no woman can resist Biller: detailed lists of luxury fashion brands

Biller: did i mention this lady has a prada hat, a valentino dress, and dior boots? Biller: chanel, armani, versace Biller: those names won't mean anything to you men Biller: but to us ladies Biller: oh damn phewww is it hot in here or is it just me?

Biller: in fact, girls, i feel the sudden need... Biller: to go SHOPPING!!! Tabitha King: shopping!!!?! Sonia Greene: eeeee!! shopping!??!! Angela Carter: shopping!?!? Biller: we're all going to the mall!!!!

Patricia Highsmith: ugh pass Biller: what's the matter, patricia? no interest in a girls night out? Biller: i think Biller: someone needs a make-over!!!

Mary Shelley: sup fuckers Shelley: what's this, you tellin a gothic story? Biller: what? it's not gothic! Biller: it's simply a novel that makes use of class story telling techniques of brooding fear, isolation, and dark secrets Biller: and if you think that makes it gothic Biller: well i just don't know WHAT to tell you

Shelley: so it's not a gothic story? Biller: no it simply makes use of classic techniques Shelley: is this like how the love witch wasn't a pastiche Biller: IT'S NOT A FUCKIN PASTICHE Shelley: it's a pastiche Biller: SHUT UP!! Biller: whatever happened to sister solidarity!?

Biller: now my work asks, why do women stay with abusive men? Angela Carter: interesting Biller: could it be because it's kinda hot? Carter: Carter: uhhh

Angela Carter: but anna! what about feminism?! Biller: don't criticize me! Biller: i did it for YOU, all for you!! Biller: sure, your guilty feminist conscience may force you to dote on sensitive new age guys but you know deep down you secretly long for a hot-tempered he-man to slap you around, pull your hair, and rule you like a king!!!

Edward Lee: bro Lee: bro Lee: i'm gonna tame this filly Barker: yeah good luck with that Lee: naw naw it's cool Lee: i like em spicy

Lee: yeah babe i getcha, i hear the love witch was a pastiche Biller: IT'S NOT A PASTICHE Lee: yeah it's a pastiche Biller: IT'S NOT A FUCKIN PASTICHE!!! Lee: [to Barker] this is called negging, bro, works every time

Biller: UGH YOU MEN Biller: you're all the same!! Biller: arrogant! bull-headed! Biller: god why can't i quit you?!?

[learnastrowallura]

Gender of the Planets

Note: this post will present the conditions necessary for planets to have a more masculine or feminine expression; it has nothing to do with an individual's gender. Also this is worded in a black and white manner just to help you understand the concept better. The source of this information is the book Ancient Astrology in Theory and Practice: a Manual of Traditional Techniques, Volume One: Assessing Planetary Condition by Demetra George.

I prepared some example for you guys to follow and hopefully be able to apply the knowledge in your own charts as well. Enjoy <3

Masculine energy/expression is initiative, quick to act, welcoming of change

Feminine energy/expression is receptive, takes her time and is resistant to change

The Masculine and Feminine Planets

Masculine planets: Sun, Mercury, Mars, Jupiter, Saturn

Feminine planets: Moon and Venus

Most actually consider Mercury to be a neutral planet; I am going with Masculine.

Now to figure out which expression these planets shift to, while taking into consideration their essential gender, we will look at the following conditions:

1. Zodiacal signs:

Masculine signs: Aries, Gemini, Leo, Libra, Sagittarius, Aquarius (fire and air signs)

Feminine signs: Taurus, Cancer, Virgo, Scorpio, Capricorn, Pisces (water and earth signs)

Masculine planets act more in accordance with their basic nature when in masculine signs (Mercury in Sagittarius)

Feminine planets do the same when in Feminine signs (Venus in Pisces)

Masculine planets when in feminine signs (Mars in Taurus) do not operate so well and vice versa (Moon in Aquarius)

2. Solar phase (morning or night):

A planet is considered to be more masculinized when it is rising before the Sun, and becomes more feminized when it is following the Sun:

Pisces Venus example: (before, masculinized)

Sagittarius Mercury example: (after, feminized)

3. Quadrant:

This one is pretty simple. If the planet is between the Ascendant (ASC) and midheaven (MC), or between the Descendant (DSC) and Imum Coeli (IC), then the planet is more masculinized, otherwise it is more feminized.

By applying this we can see that the Pisces Venus in this chart is more masculinized in this way, and that the Sagittarius Mercury becomes more feminized.

Demetra also mentions Celestial Latitude; however, I do not know a lot about it so I decided to not include it in this post.

So you see, we started out with Mercury, a Masculine planet, being in the sign Sagittarius, a Masculine sign; this tells us that Mercury is in its element here and is able to express its masculine well, which would indicate that the native is the type to be an active and fast communicator. But then when looking at the solar phase condition we determined that this particular planet is of the evening phase. In other words, that it does not rise before the Sun; this caused Mercury to become more feminine. And then when we considered the Quadrant condition, we found that Mercury was in the second house therefore between the ASC and IC points, this leading the planet to become more feminine as well. So do not judge by Zodiacal signs only!!

Feel free to reach out if u need help with applying this knowledge on ur own chart!!

Thank you for reading <3

Masterlist

Paid readings available

[ladyloveandjustice]

I felt like my faith in humanity was dying reading the tags on that Atla poll. Half of the hero team and one whole villain squad were women ffs, during a time when most shows still had on designated girl slot on the team, or maybe two for tomboy and girly girl.

"Being motherly is Katara's whole character" I see, I see

Wanting to master waterbending -> being a mom

being fed up with her own slow progress and lashing out -> being a mom

stealing back a cultural heirloom in spite of the consequences -> being a mom

taking on two waterbending masters and defeating one with their own technique -> being a mom

standing up for the oppressed and exploited -> being a mom

ecoterrorism -> being a mom

suggesting a kiss between herself and Aang and being offended by his idiotic reply -> being a mom

having big and impotant battles in all three season finales -> being a mom

lmao about the ecoterrorism you're so right and she was so right for doing it.

Yeah there was a tag that Katara's entire character was "being a Mom and her trauma" which again, I think it just straight up misogyny disguised as feminism. I've never heard anyone say "all there is to Zuko is his trauma" despite the narrative spending so much more time on him grappling with it.

Why is it when it's a female character, having trauma and exploring that trauma is a bad thing? Katara's pain and anger and hatred and grief is just as important as a male character's, but instead it gets dismissed and used as a point to get her. When it's a male character, it's "complexity" but when it's her she's a stereotype. The fact her trauma was taken seriously, that she got mad and wanted revenge and was terrifying when she attempted revenge in a way that was usually reserved for male characters is actually really important to me! There are so so many male characters that have this kind of trauma and it makes them cool and angsty and badass.

(lmao now I'm imagining someone saying "all there is to Batman is being a dad and his trauma". Why have we never heard that. god the misandry).

That's all there is to her character? Like what about her staunch commitment to justice and desire to put herself on the line to help anyone in trouble without caring about the consequences? What about her constant stubborn rage and desire to challenge the establishment? What about her resistance to sexism and willingness to challenge tradition? Her tendency to hold massive grudges? Her desire to make fun of her brother every chance she gets? Her passion for honing her waterbending and commitment to her craft? Her desire to fight and get better at fighting? as you said, her intense jealousy when Aang catches on to waterbending better than she did, to the point where she lashes out at him (she's clearly momming him there SUCH a Mom)? Her anger at her father for leaving her and her brother behind? I could go on.

"she and toph are not as complex as aang and zuko" no you just care about them more. Skill issue. (love how poor Sokka gets left out).

TBH I do think "The Runaway" exaggerated her motherliness (and in framing her as a wet blanket. she LOVES having fun and committing crimes. Though you could argue her concern there had to do with the gravity of what they were about to do and the possibility of getting caught, which is what she emphasized rather than it being "wrong" (i mean it was wrong. but Katara didn't seem to care lmao). if anything it was ooc for Sokka to be so into it considering his earlier commitment to the schedule and previous disapproval of theft.) But it also made the point she was very much forced into this role at a way-too-young age as a result of absent parents.

And she, notably, RESENTS that. One of the first things we learn about her is she resents that! She screams at Sokka that she's sick of keeping the family together, sick of doing his laundry, that how she's treated is sexist...it's not something she enjoys, and that makes sense! in the Big Joel comments I saw a lot of comments related to how she's parentified (using that specific term).

I don't think her love and protectiveness of others falls under being a mom, btw. There are plenty of times she acts as a peer to the others, or is even the immature one in the situation. Especially in the first season, where Sokka really had the role of the wet blanket (he was kind of parentified too, fandom just doesn't really focus on that. It just manifests in a different way because he was asked to be "the man of the house". His early sexism, his need to be in control, the way he often chides Aang and Katara for goofing off, his (sometimes very justified) paranoia about things going wrong and hyper vigilance about protecting the group and keeping them on task ,those are all things that partly come from thinking he has to assume a parental role imo). It is an established part of her personality but every time she looks after someone or holds the team together is not "being a mom".

If you want to see a Katara that's entirely defined by her trauma (her anger left out) and relationships with men, just go watch the netflix show or the movie. You'll notice the difference!

Well i just really went on a rant there. But I do deeply love Katara and she's my favorite and fandom misunderstands her so much. As much as I was talking about the atmosphere of 2005, I think there's something much more insidious about dismissing female characters but dressing it up as "feminist critique".

[femsolid]

TW: Trans activists

For more than a decade now, trans activists have been harassing those who belong to a feminist philosphy we call radical feminism or the women’s liberation movement.

Radical feminists, like most feminists, believe that men use sex to oppress women. Meaning they oppress women through sexual exploitation and by perpetuating sexist discrimination towards those who belong to the female sex. They were the first to research and expose violence against women as endemic and traumatizing, and to create shelters for rape and domestic violence victims. Those shelters are now being vandalized and defunded by trans activists.

Because radical feminists don’t believe in gender identities, gendered souls, gender roles or any form of innate personality based on sexist stereotypes, they have been receiving rape and death threats on a daily basis. The acronym “terf” was soon invented and is now used to describe any person who doesn’t support the trans movement, even if they’re not feminists, just as long as they're women, though lesbians and feminists tend to be the primary targets.

As a whole, the trans movement claims that its biggest enemy and threat, its most pressing matter, its most dangerous opponent is the women’s liberation movement or what they call “radfems” or “terfs”. This is where their energy and anger is directed, typically in the form of sexist and sexual harassment, intimidation techniques, violence, censorship and social isolation. So let’s talk about that.

From the book Hate Crimes in Cyberspace:

Cyber harassment involves threats of violence, privacy invasions, reputation-harming lies, calls for strangers to physically harm victims, and technological attacks.

Victims’ in-boxes are inundated with threatening e-mails. Their employers receive anonymous e-mails accusing them of misdeeds. Even if some abuse is taken down from a site, it quickly reappears on others. Victims’ sites are forced offline with distributed-denial-of-service attacks.

While some attackers confine abuse to networked technologies, others use all available tools to harass victims, including real-space contact. Offline harassment or stalking often includes abusive phone calls, vandalism, threatening mail, and physical assault.

The Internet extends the life of destructive posts. Harassing letters are eventually thrown away, and memories fade in time. The web, however, can make it impossible to forget about malicious posts. And posts that go viral attract hundreds of thousands of readers.

Online harassment can quickly become a team sport, with posters trying to outdo each other. Posters compete to be the most offensive, the most abusive. An accurate name for such online groups is cyber mobs. The term captures both the destructive potential of online groups and the shaming dynamic at the heart of the abuse.

Cyber harassment disproportionately impacts women. The U.S. National Violence Against Women Survey reports that 60 percent of cyber stalking victims are women, and the National Center for Victims of Crimes estimates that the rate is 70 percent. Of the 3,393 individuals reporting cyber harass-ment to WHOA from 2000 to 2011, 72.5 percent were female. The most recent Bureau of Justice Statistics report found that 74 percent of individuals who were stalked on or offline were female, and 26 percent were male.

Researchers found that users with female names received on average one hundred “malicious private messages,” which the study defined as “sexually explicit or threatening language,” for every four received by male users.

According to the study, “Male human users specifically targeted female users.” By contrast, men are more often attacked for their ideas and actions. John Scalzi, a science fiction author and popular blogger, has found online invective typically situational. When he writes something that annoys people, they tell him so. People do not make a “hobby” out of attacking his appearance and existence as they do female bloggers.

The nature of the attacks similarly attests to bigotry’s presence. Hate expresses something uniquely damaging. It labels members of a group as inhuman “others” who do not possess equal worth. It says that group members are inferior and damaged. Bigotry conveys the message that group members are objects that can be destroyed because they have no shared humanity to consider.

Cyber harassment exploits these features by exposing victims’ sexuality in humiliating ways. Victims are equated with their sexual organs, often described as diseased.

Once cyber harassment victims are sexually exposed, posters penetrate them virtually with messages that say “I will fuck your ass to death you filthy fucking whore, your only worth on this planet is as a warm hole to stick my cock in.” 

Rape threats profoundly impact women: over 86 percent of rape victims are female. Virtual elimination may follow the imagined penetration: “First I’ll rape you, then I’ll kill you.”

One woman who faced online abuse noted, “Someone who writes ‘You’re just a cunt’ is not trying to convince me of anything but my own worthlessness.” Despite the gravity of their predicaments, cyber harassment victims are often told that nothing can or should be done about online abuse. Journalists, bloggers, lay observers, and law enforcement officials urge them to ignore it. Victims are called “whiny baby girl[s]” who are overreacting to “a few text messages.” Often victims are blamed for the abuse. They are scolded for sharing their nude images with loved ones or for blogging about controversial topics. They are told that they could have avoided the abuse had they been more careful.

A related message sent to victims is that the benefits of online opportunities are available only to those who are willing to face the Internet’s risks. They are advised not to expect anything different if they want to make a name for themselves online. The choice is theirs: they can toughen up or go offline.

The Internet is governed by society’s rules. Life online bleeds into life offline and vice versa. The notion that more aggression should be tolerated in cyberspace than in real space presumes that virtual spaces are cordoned off from physical ones.

Most victims do not report cyber harassment to the police because they assume that nothing will be done about it. Sadly, they are right. Law enforcement frequently fails to act on victims’ complaints even though criminal law would punish some of the behavior. Victims are told to turn off their computers because “boys will be boys.” Online harassment victims are told that nothing can be done; they are advised to ignore rape and death threats. During the summer of 2013, high-profile women were subjected to a torrent of online threats. The feminist activist Caroline Criado Perez received hundreds of graphic rape threats via Twitter after her successful campaign to feature more female images on British banknotes.

Members of Parliament and female writers who publicly supported Criado-Perez faced the same, including bomb threats. One tweet featured a picture of a masked man holding a knife with the message, “I’m gonna be the first thing u see when u wake up.”

Because the Internet serves as people’s workspaces, professional networks, résumés, social clubs, and zones of public conversation, it deserves the same protection as offline speech. No more, no less.

Without doubt, the free speech interests at stake are weighty. Free expression is crucial to our ability to govern ourselves, to express our thoughts, and to discover truths. For that reason, government cannot censor ideas because society finds them offensive. Truthful speech must not be banned just because it makes people uncomfortable.

But credible threats, certain defamatory falsehoods, social security numbers, and nude images posted without consent contribute little to discourse essential for citizens to govern themselves and discover truths. Their net effect is the silencing of victims. Victims could blog, post videos, and engage on social networks without fear of destructive cyber harassment. They could raise money using networked tools unencumbered by rape threats, reputation-harming lies, and distributed- denial- of- service attacks. They could take advantage of all of the expressive opportunities available online. Protecting against online harassment would secure the necessary preconditions for victims’ free expression.

With the help of law and the voluntary efforts of Internet intermediaries, parents, and teachers, we might someday achieve a free and equal Internet. We need to take action before cyber harassment becomes a normal feature of online interactions. A hostile online environment is neither inevitable nor desirable. We should not squander this chance to combat discriminatory online abuse; it is early enough in our use of networked tools to introduce equality of opportunity as a baseline norm of interaction.

[privatetrainingforsissy]

Stop scrolling sissy this is what you have been looking for

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[familyabolisher]

We often frame the medicalization of intersex children, as Preves puts it, as based in an “impetus to control intersexual ‘deviance’ [that] stems from cultural tendencies towards gender binarism, homophobia, and fear of difference.” Yet the clinical history of the Harriet Lane Home leads to a different argument. Wilkins’s labored attempts to reconcile electrolyte metabolism and its sexual version through the technologies of hormones, salt, and patient charts describe a scenario where “control” is at most a perpetually deferred horizon, not an outcome. Cortisone therapy is more consonant with Repo’s argument that “the hermaphroditic subject was a subject of biopolitical potentiality: a subject who, through the surgical alteration of genitals, could be psychologically managed into a different-sex desiring subject and hence become a subject useful for the reproduction of social order.” Cortisone therapy was meant to address the young child’s plasticity in a normalizing sense, to remedy the adrenals at the same time that it feminized the body, recalibrating development along a binary trajectory. However, in its salt-losing version, incredibly virulent embodied plasticity constantly interfered with the isolation of “sex” as a distinct “part” of the body, frustrating the metonymic slide from life-threatening medical conditions to arbitrary binary models of human phenotype and genitals. This inability to isolate sex was a dramatic incarnation of the epistemological crisis of sex that plasticity had generated over the first half of the twentieth century, and it manifested specifically on the endocrine ward as a radical metabolic openness to the environment. As Wilkins so often found, diet and stress in the clinical setting often overrode the action of cortisone in the midst of treatment, throwing resonance off without advance warning. […] The reason that Wilkins was willing to cling to binary sex in cases of salt-losing CAH, I argue, even when that could put the life of the patient at risk, is that the binary imperative was a racialized phenotype. The crucial detail was scrupulously recorded by Wilkins in a 1952 article he published in Pediatrics: each of the patients upon whom he experimented to produce the protocol for salt-losing CAH was “a white female” or “a white infant.” That whiteness names an investment in a racial normativity that had previously been articulated as eugenic stock during Young’s surgical paradigm. As the transition to the postwar era heralded the end of an explicitly eugenic language of race improvement and extermination in the life sciences, the eugenic preoccupations that had typified endocrinology during the interwar period rhetorically faded. It would be a mistake, however, to assume that the eugenic techniques underwriting modern endocrinology similarly ended in the 1950s. On the contrary, the experimental use of cortisone illustrates continuity in practice. Wilkins aimed to resolve a metabolic condition that would simultaneously normalize the growth rate, metabolism, and sex of the body, directing it toward a binary phenotype that was merged with the resolution of the salt-losing crisis. The whiteness of these children was so valuable as a racial formation that it allowed Wilkins to justify putting children’s lives at risk to achieve a binary sex as humane practice, presaging Morland’s argument about Money.

Jules Gill-Peterson, Histories of the Transgender Child