#finally a good interview

[ophiocordycepsunilateralis]

power couple

[cuntylestat]

louis de pointe du lac is STILL the real hot girl!

(youtube)

[answermywearyquery]

loumand vs. claudeleine

+ live petty queer reaction:

[fuckyeahgoodomens]

David Tennant talking about reading the S3 scripts at the Angels, Demons and Doctors con in Germany, 5.5.2024 (from official.gingerkat tiktok <3)

Q: So I read in an interview that Neil said you read the first three episodes. I don't want spoilers, but I do want to know what you thought of it. Like, do you think we will be-

David: It's awful. It's all going to shit. No, it's... what can I tell you? I can't wait. I can't wait to start.

Q: Are you satisfied with the third season?

David: Well, I don't know where it's going. I've only read the first half. Although I have read the final scene. He's already written it. I know.

Q: Do you change costumes a lot?

David: Do I change- what, in the final scene? I don't know what I can... I literally can't... obviously, I literally can't tell you anything. I can't tell you anything. But uhm, I think... I think, well, I'm very satisfied. I'm very pleased, and I can't wait to start again. All I'm sad about is that it's the final one because we'd be happy to go back to that every two years for the rest of my life, I think. But, yeah, it's definitely heading towards something.

[hoovesandfloorpaws]

"That said, both Styles and his therapist have questioned why he cares quite so much about being likeable. This is one of the things he thought about a lot in his big pandemic reflection. In part, it's a choice, he explained. He recalled moving to London after The X Factor and hearing tales of petulant celebrities screaming because someone got their coffee order wrong and deciding to never be that guy, to never give someone a petty reason to bad-mouth him. But more recently he's come to worry that the drive for approval came from a more complex place, a place of caution, fear, control." "Styles said he often spent interviews terrified about saying the wrong thing until he stopped to question what abhorrent belief or bizarre opinion he was scared he'd accidentally reveal and realized he couldn't think of anything."

"And he thought about the cleanliness clauses in the contracts he used to sign, which would dictate that they would be null and void if he did anything supposedly unsavoury, and about how terrified that used to make him. And about when he signed his solo contract and learned that the ability to make music would not be affected by personal transgressions, he burst into tears, a reaction he still seemed shocked by, retelling it to me now, years later. "I felt free," he explained."

"When Styles began therapy about five years ago [so in 2017], he was reluctant initially, feeling it was a music industry cliché. "I thought it meant that you were broken," he said. "I wanted to be the one who could say I didn't need it." He returned to the home theme that has underpinned our conversation, explaining that therapy has allowed him to "open up rooms in himself" that he didn't know existed, allowed him to feel things more honestly, where before he had tended to"emotionally coast.""

"Recently Styles began to work through issues related to intimacy, dating, love. "For a long time, it felt like the only thing that was mine was my sex life. I felt so ashamed about it, ashamed at the idea of people even knowing that I was having sex, let alone who with," he said."

"You look back, especially now there's all the documentaries, like the Britney documentary, and you watch how people were abused in that way, by that system, especially women. You recall articles from not even five years ago, and you're like, I can't even believe that was written."

He has been thinking a lot recently about autonomy, ownership, privacy. About what he should be able to keep to himself, what he should be able to simply communicate through his music without follow-up questions or prying. Around the time of Fine Line, he faced scrutiny around his sexuality. People became incredulous that he wore dresses, waved Pride flags, and yet hadn't clarified with precision, publicly to a journalist or on social media, the specifics of who he'd slept with, how he defined. This expectation is, to him, bizarre, "outdated." "I've been really open with it with my friends, but that's my personal experience; it's mine," he said.

Despite the acceptance that some things could, should, have been different, he still feels lucky every day, he said, lucky to make music, lucky to do what he loves.

"You can't win music. It's not like Formula One," he said. "I was like, in my lifetime, there will be 10 more people who burst onto the scene in that way, and I'm only going to get further away from being the young thing. So, get comfortable with finding something else that makes you happy. I just found that so liberating."

"I just want to make stuff that is right, that is fun, in terms of the process, that I can be proud of for a long time, that my friends can be proud of, that my family can be proud of, that my kids will be proud of one day," he said.

-- original interview link, Better Homes And Gardens Magazine 26 April 2022 (remake of this post)

[kindaorangey]

consolation prize

[invisibleicewands]

‘I wanted to be seen as the greatest actor of all time. Then I realised that was nonsense’

Michael Sheen is the feted star who cracked Hollywood, but it was only when he swapped LA for his home town in Wales that he was able to do his most meaningful work yet. In tomorrow’s gdnsaturday, Michael Sheen talks to shattenstone about pride, parenting and paying it forward.

The Guardian, Saturday Magazine - 31/08/2024

[tangyyrine]

The thing about Viktor being confirmed asexual is that it’s bad representation.

And I’m not saying it’s a bad thing for Viktor to be viewed as ace. What I mean is that in 2024, we have long outgrown this “oh actually this character is queer!” in interviews from writers, directors, etc when they never actually depict it in the show itself.

You want Viktor to be ace? Great! Fucking show it then?

How are you going to say “someone from the LGBTQ Group at Riot told me that asexuality is often poorly represented”. AND THEN in the same breath, you’re going to say that Viktor can’t experience romantic love because of his asexuality, when that’s actually a huge misunderstanding about what asexuality is?

You can’t act like you properly represented asexuality when viewers wouldn’t even know Viktor is ace unless they read this interview.

[snekjin]

one thing about connor bedard is he will be found rolling his eyes and smirking (x)

[dragmetohades]

OMG I FINISHED HIIIIIIIIMMMM~~~ PRINTS ARE AVAILABLE: https://www.redbubble.com/i/art-print/Lestat-de-Lioncourt-Lelio-Rising-by-dragmetohades/164818842.1G4ZT

Also, hey, I’m alive after getting Covid 👍 My spouse brought home from a business trip as a nice little present 🥲

I’m so pleased with this piece - it took so long, but that’s because I kept learning new things and starting sections over, but I absolutely love the end result 😭❤️

Here, have a time lapse:

[leonsliga]

🎥: Leon Goretzka gushes over Joshua Kimmich ahead of his 100th cap for Germany | 03.06.2025

[5thhorsemnftheapocalypse]

You know a show is good when you start calling it evil, sick and twisted

[cinemichh]

/////

So what you’re saying is Abbot and Mohan are both workaholics, with no social life, no love lives, but are both in love with medicine and helping patients?

They are a match made in ship heaven let us have this ONE thing…please! 😭

[fuckyeahgoodomens]

David and Michael talk about the S2 Finale 🥺

David and Michael interview with Kim Roots from TVLine, about the S2 finale. July 2023 [S2 Promo: C: I could always rely on you. You could always rely on me. We're a team, a grou p. And we spend our existence pretending that we aren't.]

KR: What happens in the finale between Crowley and Aziraphale is something that some fans have been yearning for a very long time. Was there a pressure? Did you have any conversations about what this might mean to the fandom? Talk to me a little bit about like when you found out this was going to happen and kind of your initial reactions.

Michael: Well, you know, the relationship between Aziraphale and Crowley, obviously, is something that the audience seemed to really warm to, and obviously was part of why the idea of doing Season 2, you know, seemed like it could be something that could work. Following how that relationship develops has been something that the audiences have really got into. So we've taken that very seriously, and Neil takes it incredibly seriously. So tracking that relationship and that journey between them, because obviously on the surface, they seem like they're complete opposites, and yet clearly, they're kind of compelled towards each other in all kinds of ways. And now that they've been being cut off from their respective head offices, they only have each other, so that pulls them together a lot more, doesn't it? And the stakes are always high around them, and they sort of end up going on a journey together, but it takes them to different places and where we leave things at the end..

David: Well, that's the thing. Nothing is resolved. So whatever happens and whatever you may have seen at the end of Episode 6, it's also important to note that that doesn't finish the story. In fact, that just sor of ruptures things.

Michael: It's the start of another story.

[S2 Promo: A: I forgive. C: Don't bother.]

David:I think you have to be careful if there is something delicate that has generated a lot of excitement about where will that end up. As soon as you end up there, as soon as you finish that story, it's all over, isn't it?

Michael: You don't really want to find out who killed Laura Palmer. [Twin Peaks series plot]

David: Yeah, exactly. Exactly.

KR Like you said, David, there is no resolution, which made me very happy because this feels primed for a third go-around at some point. Have you had any conversations about that with Neil about possibly keeping the story going?

David: Well, if you've seen where Series 2 ends, there's certainly the teasing of further tales to come, isn't there? Whether we will ever find out what those tales are is in the lap of... well, certainly not on our lap.

Michael: No, it's on the laps of the audience.

David: Laps of the audience, yes.

Michael: We are sitting firmly...

David: In the tops of the audience as it streaming.

Michael: Yeah, it's not in my lap. I know that. When we first started Series 1, we always knew that the story went a lot further because Neil and Terry had talked about it. They just hadn't written it down, but we knew there were ideas, and we have not yet reached the end of those ideas.

David: No.

Michael: You know, if we get a chance to tell more of this story, it does already exist.

David: Yes.

[mrschwartz]

Alex Turner for Rumore Magazine (September 2013)

Seventies Heads and Modern Loves or I Don't Know What I Want But I Surely Want You

by Elia Alovisi

Until he opens his mouth, Alex Turner looks like he stepped out of the Nevada desert. Leather loafers, a belt, slicked-back hair, sunglasses. But as soon as he starts talking, between “summat” instead of “something” and “me” instead of “my,” he transforms back into a boy from Sheffield who grew up on cocktails and DJ sets. The discrepancy between the way he looks and the way he speaks is strange: you would expect a cocky and arrogant rock star, but instead you have before you a relaxed and thoughtful boy who carefully measures his words, but does so with a smile and not a frown. The lyrics of AM, the fifth album of his band, mainly revolve around difficult and elusive women. There are many questions. “Do I want to know?” “Are you mine?” he says; “Why do you always call me when you’re high?” she says. There is no shortage of desires: “I want it all,” “I want to be yours.” Absent, however, are the answers. We tried to get a few out of him.

How was it to be back at Glastonbury as a headliner five years after the first time?

Fantastic. Absolutely wonderful, this time it was very natural. Everything was harder in 2007, we had done a lot less shows and had a lot less songs. Now we have learned to move better.

After the experience of Humbug, you collaborated again with Josh Homme.

Yes, Josh is on Knee Socks, towards the end of the piece. We gave him carte blanche and he decided to sing a sort of counter-melody that reminds me a lot of Bowie.

Are knee socks your favorite piece of underwear on a woman?

[Laughs] What do you think?

If she has the right legs.

Exactly, yes. The best is the garter. But then they would not be Parisian anymore, right? And then they are thicker than women's stockings. However they are not my favorite underwear, I go with the push-up.

In the lyrics of Arabella you talk a lot about the universe.

I wanted to use that linguistic palette to try to describe a woman. There are many songs that use those sorts of words… galaxy, interstellar, constellation, things like that, but usually they are used just for the sake of being used. Instead I wanted to make them an active part of a description, they are images that I find very interesting. In England, on the BBC, there is this program called Wonders of the Universe, with Professor Brian Cox. And it is one of my favorite programs [smiles, pleased].

Barbarella also pops up in the text.

Yes, although I haven't read practically any of her comics and I've only seen a small piece of the movie. I don't really like B movies. To know her, you just need to have seen a poster, that's all you need. I just used her to make a comparison with the costume she wears.

How does the suite you sing about in Fireside relate to room 505 in Favourite Worst Nightmare?

Yes, I’m talking about a suite in my heart… or in her heart? Well, in someone’s heart. Room 505, in my mind, is something very concrete. I wrote that song on a train between Philadelphia and New York, my girlfriend was in a hotel waiting for me and I just wrote about that [Turner’s voice becomes increasingly whispered as the sentence progresses]. In Fireside, however, it’s all figurative.

So how much of your real self is in your lyrics and how much is just imagination?

There's no rule, sometimes there's a lot of me in the lyrics when you least expect it. I put little secrets in them. What I try to avoid is that people who listen to one of my songs say, 'oh, he's talking about that girl'. You know when you read a novel and, somehow, in your mind you see its characters with the faces of some of your friends, or your favorite actors? That's where I want to get to with my music, I want it to be like being in front of a story, not the evidence of two people with a name and a surname who are kissing. It's up to the listener to give them both a face. When I write I pretty much always have someone or something in mind, but it doesn't really matter.

How did you come up with the idea of ​​using John Cooper Clarke's words for I Wanna Be Yours?

We wrote most of the songs on this record on a four-track that I got for my birthday. I spent a while recording ideas on it, sometimes we'd loop a bass and drum melody for five minutes and the fact that it was on tape gave it an incredible color. Then I'd sit there with headphones and a microphone humming melodies, or making up silly lyrics to start coming up with ideas. One day, while I was jamming, the words I wanna be yours came out and I remembered that they were the title of one of his poems. I thought it would be cool to use someone else's words – and especially his, I'm a big fan of his. It's one of my favorite songs on the record, the lyrics alone make it different from anything we've done before. And then I love the juxtaposition of the slow, sexy, flirtatious music and his words.

The party you talk about in No. 1 Party Anthem seems a lot more laid back than the ones you’ve talked about in the past, like the house in This House Is A Circus.

That’s true, but the parties we go to are still pretty messy. They’re just twice as long.

Am I supposed to be imagining some sort of indie celebrity party?

Indie celebrity party? [Laughs.] No, no, no. The slow tempo of that song gives it a bit of a Los Angeles feel. It’s a city that I’m told is very similar to what we’re portraying on the new record, and I’m starting to think that might be true. Not that it sounds like the Eagles, you know.

It's like your sound is becoming more and more American.

Yeah, maybe. There's something special about that part of the world. Everything that came out of California owes something to '70s rock, the spontaneity of those rhythms also comes back in West Coast hip-hop. But then came the fucking '80s and… a lot of fucking bands that don't fit into that theory. I think there will always be something English in our sound, it's something we can never detach ourselves from.

How much does Sheffield still mean to what you do?

Well, you know… [he taps two fingers on a tattoo on the inside of his arm: the Yorkshire rose and underneath it the word “SHEFFIELD”].

There are three songs on AM whose titles are questions.

You don't notice things like that until you sit there and write the titles of the songs one after the other. I hadn't noticed until then, there are also a lot of wanna.

The protagonist of R U Mine? is wrapped up in a certain western imagery, you portray her as “a lone cowboy riding in an open space.” And in All My Own Stunts you talked about “watching cowboy movies on gloomy afternoons.”

I love the western style. The leather ties, the belts… Hey, look at this one I’m wearing! [He stands up and shows me his leather belt, turning his back: it has “TURNER” engraved on it, on either side of the horseshoes.] A friend gave it to me for my birthday, this year was really nice, between this and the four-track. I also love western movies, especially the ones about Butch Cassidy. I also love Ennio Morricone’s soundtracks, obviously.

How do you usually celebrate your birthdays?

They’re nothing too devastating. I have a birthday in early January, everyone is still recovering from Christmas and New Year’s, so the average response I get is usually “forget it.”

Why'd You Only Call Me When You're High? brings back the drunken text messages you mentioned in The View From the Afternoon.

We've all done that at least once, come on. Those lyrics might have come off the first record, but the music is fully invested in what we're doing now. I just wanted to write something simple.

While we're on the subject: when was the last time you got bounced at the entrance of a nightclub? It's not like From The Ritz To The Rubble anymore, is it?

Shit, that was like four weeks ago! [Laughs.] We were in Stockholm, we were trying to get into an area of ​​the nightclub and there was no way we could get in.

What are those Mad Sounds you're talking about?

That song is about those moments when you put on a song and it's like it's talking about exactly how you feel. It's a song about those songs, and I hope it can become one of them. I get that feeling from some songs by Lou Reed, John Cale, or Harry Nilsson. It's like sometimes they really understand how I feel, and you're like, "What the fuck..." and you almost tell them to go fuck themselves.

The point where the song explodes is when you start singing a series of ooh-la-la-la. What is the la-la-la moment that sticks with you the most from the music you listen to?

Definitely the do-dodo-dodo-do-do-do-do from Walk on the Wild Side by Lou Reed.

By the way, who came up with the idea of ​​calling a song The Hellcat Spangled Shalalala? What does that mean?

It came up one day when we were making up names for guitar pedals – sometimes they have crazy names. The Blond-o-Sonic Shimmer Trap  would be perfect for a fuzz, for example. The Hellcat Spangled Shalalala, however, comes from a bar we hung out in a lot while we were writing the previous record. The room was full of glitter and there were a lot of weird chicks all winking, like cougars.

The lyrics to Snap Out of It revolve around hypnosis. Do you think there's any real power behind it or is it just persuasion?

I've never been hypnotised, but it all seems pretty real when you watch hypnotists on telly. There's this show in the UK where this guy, Derren Brown, gets people to do all sorts of things. Crazy stuff like, "rob someone!" Nothing I'd want to be involved with.

In I Want It All you say, “Leave me listening to the Stones 2000 light years from home.”

I’m actually a Beatles guy, no doubt. But I like them both, I saw the Stones at Glastonbury and it was great.

Don't you think it's better for a band to go at the top of their game than to keep going and going and risk having nothing left to say?

What the Stones have managed to do is really extraordinary. I mean, they're seventy years old and they're still on stage. It's very difficult to have an opinion on something like this because I don't think I've reached that level yet. I'm very excited about the new album, we've reached the point of being a good live band and, speaking as an artist, I think I've reached a certain excellence this time. I want to build on that, explore new things. We still have a lot of places to go.

I think the main difference between AM and your previous albums is the small amount of guitars.

This time we didn't want to sound like four guys playing in the same room, while that's exactly what we wanted to sound like in Suck It And See. We immersed ourselves in a more minimalist idea. The guitars are perfect, sometimes they don't even sound like guitars from the way they're played, or from the effects we put on them. They sound a bit "spacey," they would be good for the stereo of a flying saucer. Then we came out with some bass and drum parts perfect to be played at full volume through the speakers of a car. We also worked much more with the vocal lines, especially with the choirs.

There are actually a lot of songs where you put backing vocals and backing vocals, especially One For The Road.

Matt, Nick and I do them. Jamie is the only one who doesn't want to have anything to do with them. It all started with R U Mine? , the part where we all start going: [hums the backing vocals]. As soon as we tried that part we realized how good it sounded, we especially liked the fact that it was something we hadn't done before. So we just went for it.

[procrastiel]

My highlights from The Assembly:

Was John Taylor from Duran Duran your first ever crush? “Yes, he absolutely was.” Michael thought he was the most beautiful person he’d ever seen, man or woman. And he tried to imitate his hairdo (didn’t work out though, because Michael’s hair is really curly and John’s is straight).

He’s not brave enough to go on Strictly because he thinks he’s not a good dancer.

How does it feel to be dating someone that is only 5 years older than your daughter? “Both of us were quite surprised when we got together, it wasn’t something we were looking for. I haven’t dated anyone who is much younger than me but you meet who you meet. We were both very aware how people might respond, and that it would be difficult and challenging, but ultimately we felt that it was worth it, because of how we felt about each other. And now we have two beautiful children together. We’re really, really happy. I am aware that I am a much older father, and it does worry me, and makes me concerned, and makes me sad thinking about the time that I won’t have with them. But if you find someone who brings you happiness and you make them happy you gotta go for that. So that’s what we decided to do, and I’m so happy we did because we have this wonderful family now.”

The next question (asked by the same girl) was: Who is the rudest celebrity? “Have you heard of a man called David Tennant? He was Doctor Who. Doctor rude! No he’s very nice. Someone will occur to me and I’ll let you know. (pause) Jennifer Laurence was very cheeky! She is very cheeky.”

How tall are you? “I’d like to be 5”11 but I’m closer to 5”10.”

He likes Dylan Thomas, even though he doesn’t understand all of his poetry.

He cries probably every day. And it’s totally fine to feel things deeply and get emotional about things.

His favourite Disney film is Moana. And that’s Mabli’s favourite movie at the moment, too. She watches it about twice a day.

He’s worried that AI will take his job away, and that it will change everything, not just actors and writers. And that by the time we will want to put a stop to certain things it’ll be too late.

His favourite food is Egg and chips. Only enhanced by ham.

He loves going by train.

If he could replace 2 people of the royal family he’d take away Andrew & Camilla and replace them with Joe Lycett & David Attenborough. Or Tom Jones as the Prince of Wales!

If he could play the Doctor or the Master, he’d like to play the Master and play opposite David Tennant as the Doctor.

His biggest fear is being alone. And it’s also what he worries about the most for other people.

Hot or cold? He does like winter and snow. ❄️

Walk us through the before, during and after of the kiss with David Tennant: reading the script he thought “that’s gonna be a big deal”. They didn’t really talk about it and just went for it. Everyone was quite moved by the scene, all the people around them, so they knew it had gone quite well. And now they never talk about it. (He said that last bit with a smile.)

5 OF THE INTERVIEWERS SANG HERE COMES THE SUN FOR HIM AND EVERYONE JOINED IN AT THE END 😍 Michael had tears in his eyes